Mr. Cochrane played electric guitar, with an expressively brilliant range.
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"I'm in my dream now," he says, his voice swelling expressively.
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They passed the microphone around with gusto and spoke confidently, expressively.
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Rarely has architectural design felt more expressively personal, moody, painterly, calligraphic.
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The idea is to be able to play the synthesizer more expressively.
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In them, these two elements are inseparable and, expressively speaking, equally potent.
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I couldn't understand a word but they waved their arms wildly and spoke expressively.
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Not all of the works on the program were rendered as expressively as the encores.
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They can be expressively poetic, matter-of-fact, personal, polemical, or all of these at once.
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Nearly always, but most expressively when painted, they emerge from family resemblance, with some distinctive nuance.
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There's something expressively boilerplate about his art, making it adaptable to varied uses and settings and patronage.
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He is talking in the driver's seat of his car, enunciating expressively through a neatly manicured goatee.
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Though it is expressively shot and crisply edited, the credibility of "Patti Cake$" ultimately rests on her shoulders.
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Ms. Peck, better than the show, demonstrated that she can sing and speak expressively as well as dance.
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It uses the familiar elements of the forms expressively, and in ways that creep up on you with surprises.
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Ultimately, she hopes to create a robot that can play piano expressively, rather than just focusing on rigid accuracy.
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The work has potential, and much of it is expressively endearing to boot, but the overall effect feels conceptually aimless.
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She sits on a fuzzy directors' chair and poses expressively as her mom snaps a photo in a dressing room.
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All kinds of behavior — manipulative, passive; charming, tough; talkative, silent — emerged, to the point that the show became expressively incoherent.
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Wolfe lounged in the lap of a corpse and gesticulated expressively as he talked with the set designer, Santo Loquasto.
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People can capture more of their lives in a real times way, much more expressively than a photo and a caption.
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We might ask ourselves what would be the consequences if the Lapith women reacted more expressively to this violence against them?
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Men like Aucoin were "flaming," with overly articulated eyebrows and meticulous speech patterns, hair tips fringed with gold, wrists expressively lax.
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Though technically strong, the dancers seemed less assured expressively, as if constrained by the high-pitched strings in Jennifer Higdon's score.
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Charlie Williams, who choreographed that scene so expressively, probably also assisted Bill Dawes in developing his boldly physical characterization of Mr. Nureyev.
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It leads to "Do About It," a high-energy, get-your-ass-on-the-dance-floor beat coupled with perfectly expressively vocals.
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Physically coiled and linguistically expansive, Yoav (Tom Mercier, charismatic and expressively stoic), has arrived in Paris with little more than his clothes.
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However, Utah House Speaker Greg Hughes (R) said Romney would not be expressively anti-Trump as a senator all of the time.
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Her whole body moves expressively; she effortlessly catches the tricky dichotomy of being an Indian dancer who goes to classical-ballet paradise.
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In fact, the president so expressively does not love the organization that he endorsed the idea of arresting founder Julian Assange on Friday.
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"Monument" — expressively enigmatic, structurally unresolved, stylistically inconsistent — is impressive, strange, a puzzle you want to solve, a social order changing before your eyes.
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For instance, if Julie's telling me that the minor female characters don't seem as expressively developed, I think that's really useful to know.
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When themes returned, Mr. Dudamel often took a slightly altered approach, drawing out a phrase more expressively or pressing a crescendo more forcefully.
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A simple G major arpeggiated chord played expressively on the cello opens a short, but harmonically and melodically rich, 42 measures of music.
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Still, as a teen, I dressed very expressively and wore go-go boots, wigs, sequins, and space buns — it being the '90s and all.
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The need for humans to expressively represent themselves on the internet is only growing as we shift from text-based to image-based communication.
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My favorite is "Tree Nob 2," in which an expressively sculpted white plaster phallus rises like a mushroom from a small chunk of wood.
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"There is an absence of noticeable distinguishable elements, and in its place is something that is, on the palate, so expressively clean," he says.
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"She sang so beautifully and expressively, very clear," Marjorie Needham Latzko, another Chordette and a close friend of Ms. Evans's, said in a phone interview.
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Around the same time, she filled the piano chair in the vocalist Betty Carter's quartet, demonstrating an ability to play expressively in a relatively traditional style.
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Pavlova — a Russian dancer and choreographer stranded in the US after the outbreak of World War I — moves fluidly and expressively as Fenella, a mute peasant.
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The Laguna Beach-bred star that we loyally watched intern (and expressively eye-roll) on The Hills has added handbag and fine jewelry to her Kohl's line.
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This plays out every day when women are ridiculed for writing too expressively or emotionally, or in the supposition that there is a "proper" way to speak.
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The full range of sustained quality seen in the 130 vintage prints on exhibition expressively shows that, at least sometimes, hard work pays off in the arts.
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Even though its TOC expressively forbid "hateful conduct" including "on the basis of race, ethnicity, national origin, sexual orientation, gender, gender identity, religious affiliation, age, disability, or disease".
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Beneath a table at Mission Dolores sat Finn, a 5-month-old pit bull pup with expressively floppy ears, curled at the feet of his master and mistress.
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Dane Laffrey's set (expressively lighted by Bradley King), a mixture of country comfort and academic obsession, creates a natural environment for the examination of these specimens of humanity.
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He's a linguist turned programmer, whose work with the Expressive Intelligence Studio at the University of California, Santa Cruz is dedicated to finding new ways to use machines expressively.
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Expressively drawn in the late summer of 1971, The General Jungle or Carrying on Sculpting romantically reconstitutes London's many pristine parks as sites of Kantian contemplation or Woolfian angst.
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Her head is oversized and smoothly rendered, while Smith has expressively worked her long tresses and dress, retaining the gestation of the original clay form as much as possible.
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"What is there in Dodd-Frank that expressively displaces the president's authority under the Vacancy Act," Judge Thomas Griffith, a George W. Bush appointee, asked English's attorney Deepak Gupta.
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Huawei's expressively named Noah's Ark lab, meanwhile, has been around for about four years and is part of the company's effort to put some $8.1 billion annually into R&D.
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Communication expert Leonard Mlodinow makes the case that even if two people say exactly the same thing, the one who says it most expressively will be perceived as being smarter.
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I like to work intimately and precisely at my table, cutting vintage photographs for source material and then stand to paint expressively with a loaded brush of high flow acrylic.
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The dancers (Stella Abrera and Marcelo Gomes; Sarah Lane and Alban Lendorf are the first cast) are engaging, yet phrase by phrase this seems one of his most expressively incoherent creations.
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Asked for more details about what he did see, Lucey confirmed that Muslet was gesturing expressively and touched Howard on the arm a few times while he was leaning in the window.
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On Thursday at Carnegie Hall, the group gave a beautifully light-footed and expressively shaded performance of works by Haydn and Mozart under the direction of Bernard Labadie, its new principal conductor.
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"The tactic of using fake identities on Facebook accounts created expressively to surveil targets is a violation of Facebook's real name policy, which states that "pretending to be anything or anyone isn't allowed.
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Several times the cello expressively landed on a movement's final note in ways that spoke of comfort or resignation, while the partnering dancer stopped with one sneaker-clad foot hovering in the air.
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In the D.J. booth, however, deep in the mix, the charismatic Mr. Parrish oozes an infectious exuberance, expressively contorting his face while he adjusts the EQ knobs and passionately moves to the music.
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He asked others, in 1961, to vote on two paintings that he had made of a Coca-Cola bottle, the first in an expressively brushy style and the second shockingly stark, as if machine-made.
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Yes, we're talking about the Game of Thrones language that Khal Drogo and his people speak when they're not expressively grunting, galloping bareback across the land, or falling in love with fair-haired, dragon-owning Khaleesis.
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But the fact is, there's very little within the playacting and gamesmanship that hasn't been voiced more expressively by, among many others, Jean Genet, whose play "The Maids" was a recent stage vehicle for Ms. Blanchett.
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Advertise on Hyperallergic with Nectar Ads DENVER — Over little more than a decade Jenny Morgan has developed a set of powerful techniques that push paint to make the connection between the earthly and otherworldly more expressively felt.
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In the video, an artist hand-sketches some of Samsung's groundbreaking products accompanied by a pianist expressively playing a solo piano version of "Radio Ga Ga." The video beautifully sums up Samsung's artistic approach to tech innovation.
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The land is awash in warm, inviting colors, and populated with expressively dressed skeletons and glowing neon alebrijes – fantastical spirit guides that can take the form of anything from a tiny monkey to an enormous flying cat.
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As Rachel Weisz and Emma Stone expressively vied for Olivia Colman's affections, they evoked throaty, full-body laughs from the audience at the screening I attended, rather than the tight, pressurized laughter I heard while watching his earlier films.
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Expressively narrated by Samuel L. Jackson, the movie largely draws on Baldwin's own writing — as well as material like his F.B.I. files — to create a portrait of a man that turns into a harrowing indictment of his country. 7.
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What sets her apart, however, is her gift for weaving elements of mysticism and sensuality into that essentially intellectual quest, in a manner that has been more expressively refined and emotionally restrained than that of Messiaen, a composer who nonetheless deeply influenced her.
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The emotional complexities came through strongly on Friday night when the Juilliard School opened a production of "Katya Kabanova" by the director Stephen Wadsworth at the Peter Jay Sharp Theater — and not just because the soprano Felicia Moore, as Katya, sang so expressively.
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For people of a certain age and a certain bent, the F40 is basically God I lack the poetry to fully express my attachment to this car, but the important thing to know here is that I gesticulate wildly and expressively while talking about it.
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Of course art, religion and extreme experience have consorted since the beginning of time, and continue to do so in the sculptures produced in what is now Mexico, where it is something of a relief to see figures in full interacting actively and expressively.
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The routine's central set piece starts with a couple who sweep and twirl through an impossibly vast, multitiered, stark white Art Deco ballroom that Berkeley covers in expressively disorienting angles, leading to a hectic stomping dance-off between opposing phalanxes of male and female dancers.
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The songs, expressively conveyed by the soprano Jessica Pray, represented Ives's aesthetic range, including the impressionistic "Mists," the jovial "Very Pleasant" and "West London," a setting of a sonnet by the 19th-century British poet and critic Matthew Arnold in which Ives quotes an American hymn.
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Really, that little flourish of the wrist is a more specifically acting gesture than Schubert's little iamb; and all those repetitions, by way of pinning recognizably human behavior to musical structure, have the effect of making the music feel far more expressively limited than it actually is.
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Her humor can't be reduced to the discrete block of a "skit" or a throwaway gag; it's expressively woven into the points she's making, and only rarely feels like a distraction — as it so often can when late-night comedians clumsily try to join serious topics with zany humor.
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You'll learn to play classic piano songs from Billy Joel's "Piano Man" to Bach's "Minuet in G." You'll study how to improve vocal tone, sustain notes longer, and sing more expressively, and discover how to tune a guitar, play basic guitar chords, power chords, and read music notation.
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With a graceful, expressively classical filming style, Ly not only captures the world he knows but builds a fictional one that weaves in and out of it, inviting the audience into a society and culture that is far more complicated than it appears on five-minute news reports.
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She was slightly hunched over, and yet her right arm, long and lean — she danced for many years — gesticulated freely and expressively, so that the contrast gave the impression of someone in a conflicted emotional state, someone both wanting to tell her story and unsure about doing so.
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They are interests we've been able to pursue to a far greater degree than previous generations precisely because the internet (including the social-media platforms that thrive there) has made it easier for us to talk candidly and expressively to one another than ever before, about everything from politics to art to religion.
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The fair is full of expressively sexual work of every sort and size, from Caroline Wells Chandler's jubilant and genderqueer crochet characters — the largest of which, at 15 feet, spans an entire wall of the Roberto Paradise booth — to Jennifer Chan's "Body Party" (2015), a bed spread printed with disembodied, oiled, and ripped male torsos, in the ltd los angeles booth.
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A little later, during the duet when the passionate young Alfredo expresses his long-brewing love to the courtesan Violetta, Mr. Nézet-Séguin excelled at the most essential requirement for a Verdi conductor: the ability to keep a simple oom-pah-pah accompaniment in the orchestra steady and undulant, while giving the singers just enough leeway to expressively bend vocal lines.
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"Please do not tell me that in this country, if—and here's the if—we have the courage to take on the drug companies, and have the courage to take on the insurance companies, and the medical equipment suppliers, if we do that, yes, we can guarantee health care to all people in a much more cost effective way," he declared, waving his hands expressively all the while.
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She shines a light on some of the ways old people, with partners and professions, don't fit in, such as at residential art programs like Skowhegan, which she writes is rife with: exuberant young people creating art intensively, expressively in gigantic gestures and series of all-night wonders of solitary and cooperative imagination … tattooed art kids bounding around in shorts and flipflops … annoyed by misunderstood rules, propelled by hormonal surges, drinking and drugging and fucking in the bushes, throwing up in their studios.
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A formal language is expressively complete if it can express the subject matter for which it is intended.
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It was seen as Butko was leaving the pitch that he was applying an ice to his left thigh. During the game Butko assisted on the first goal by Ferreyra. At the post game press conference Khatskevich stated that no one showed oneself expressively and he won't point to nobody.Khatskevich about the defeat to Shakthar: "No one showed oneself expressively" (Хацкевич – о поражении Шахтеру: «Никто ярко себя не проявил»).
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This may be used for poetic effect. For example, likening bats with darkness by using an entity classifier showing a bat flying at the face. Classifiers may also be used in expressively characterizing animals or non-human objects.
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Pokrovsky herself painted brightly and expressively. In stylistic terms, she was oriented to classical Russian iconography of the 15–17th centuries. The foundation of her work were 15th century Novgorod icons. She absorbed their strong semantic language and limited, albeit, versatile palette.
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They start drinking it and soon get drunk. Their father comes over and starts drinking from the bottle too. He laughs with a deep bass guffaw and sings One Little Drink, using nonsense syllables. He gestures expressively and flings the bottle away which shatters against Bosko's head.
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He played a Stradivari violin from 1731 he acquired in 1959 by the luthier Pierre Gerber in Lausanne. His readings of the six Bach unaccompanied sonatas and partitas (BWV. 1001/6) recorded in 1987 (Jecklin JS 266/7-2) are highly distinguished, both stylistically and expressively.
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The Guardian. Retrieved 2010-10-14. The A.V. Clubs Nathan Rabin commented that "The Roots' tight playing serves the songs and their messages rather than the other way around, while Legend has mastered the art of singing expressively without over-emoting."Rabin, Nathan (September 28, 2010).
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Pankok's works are typically large monochrome paintings. He also created an extensive body of graphic work, notably woodcuts and monotypes. Pankok's pictures show humans, animals and landscapes, realistically and expressively, often depicting people at the edge of society. Pankok also created over 200 (mostly small scale) bronze sculptures.
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Sergei Rachmaninoff composed his Symphony No. 3 in A minor, Op. 44 between 1935 and 1936. The Third Symphony is considered a transitional work in Rachmaninoff's output. In melodic outline and rhythm it is his most expressively Russian symphony, particularly in the dance rhythms of the finale.Norris, Rachmaninoff, 102.
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A functionally complete set of gates may utilise or generate 'garbage bits' as part of its computation which are either not part of the input or not part of the output to the system. In a context of propositional logic, functionally complete sets of connectives are also called (expressively) adequate.. (Defines "expressively adequate", shortened to "adequate set of connectives" in a section heading.) From the point of view of digital electronics, functional completeness means that every possible logic gate can be realized as a network of gates of the types prescribed by the set. In particular, all logic gates can be assembled from either only binary NAND gates, or only binary NOR gates.
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Duration of roughly 7–9 minutes. The first movement is marked Moderato cantabile molto espressivo ("at a moderate speed, in a singing style, very expressively"). Denis describes the first movement as in "orderly, predictable, sonata form", and Charles Rosen calls the movement's structure Haydnesque . Its opening is marked con amabilità ("amiably").
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" Two of the tracks were expressively lauded: "Postmarked Birmingham" and "She Dances with her shadow."Frazier, Amy. Weekend at Home; The latest in Music, Atlanta Journal-Constitution, 1997-08-14. According to reflections on the album, the singles released were ignored by "the powers that decide what the public should hear...as did radio stations.
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This structure has led some scholars to label the system moraic instead of syllabic, because it requires the combination of two syllabograms to represent a CVC syllable with coda (i.e. CVn, CVm, CVng), a CVV syllable with complex nucleus (i.e. multiple or expressively long vowels), or a CCV syllable with complex onset (i.e. including a glide, CyV, CwV).
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After the recapitulation of the principal theme the secondary returns in C major. A brief coda concludes this movement. The Adagio opens with accompaniment chords, and it is only when the violin enters with its theme that the tonality is clarified to F minor. This movement is written in a simple ternary form and has no expressively contrasting moments.
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Kubrick: The Definitive Edition, Faber and Faber, Inc. (1980; 1999) In 1982, he starred as an immigration enforcement agent in The Border, directed by Tony Richardson. It co-starred Warren Oates, who played a corrupt border official.Trailer: The Border, fair use clip Richardson wanted Nicholson to play his role less expressively than he had in his earlier roles.
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"Weren't the Smiths supposed to be the reaction of beauty and charm after the snarling negativity of punk?" Yes, they were beauty and charm but if you listen to songs like Sweet And Tender Hooligan ... well, I don't like the Smiths being categorised as folk music. It wasn't like that. The appearances were extremely, expressively violent.
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This regional bias is also reflected in the imagery of zajal, which mirrors more the bucolic and sensual sensibilities of the rural countryside than the cerebral, and formal concerns of urban intellectuals. However, many colloquial poets were able to transcend these fluid boundaries and have composed verse that expressively tackles virtually the whole spectrum of humanistic concerns.
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Even though her original name is Ann Varghese, she is popularly known by her stage name, Anna Katharina Valayil. Valayil, also being a versatile songwriter, expressively verses her thoughts and ideologies, and flaunts her feelings across her songs vibrantly. She has penned down lyrics for all her songs and has composed them beautifully bringing life to her words.
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In these times about 20.000 members left the church only in Germany; some were expressively excluded, while others left voluntarily. This was about 5-10% of the total NAC membership at this time. Not all of these people joined the UAC churches but lost faith completely or went to other churches. Chief Apostle Bischoff died in 1960, his prophecy unfulfilled.
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Handling of ammunition is expressively prohibited within the safety areas, including any dummy rounds. Outside the safety area, ammunition can be handled freely to load magazines, but firearms may only be handled under the direct supervision of a Range Officer. The strict separation of firearms and ammunition prevents accidents like accidental discharge (AD). Violations result in disqualification from the competition.
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Thematically, the human body with its muscles, shapes and movements are at the forefront of his work, which he is able to present authentically and expressively as a former ballet dancer.Art of Man, edition 16 dated January 24, 2014, p. 30 After moving to California, Dan Pyle settled in West Hollywood, developing his detailed technique with new and unconventional materials.
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The Bayview School II in Bayview in Kootenai County, Idaho was a historic school built in 1911. It was listed on the National Register of Historic Places in 1985. It replaced a 1900-built one-room log schoolhouse which had been Bayview's first schoolhouse. It is a "large and expressively designed schoolhouse", about in plan, with an gable-roofed wing.
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He was expressively against hypocrisy, blind faith in the name of tradition, greed and corruption. Some of his novels were adapted for movies in Telugu cinema. D.L. Narayana's production Sipayi Kooturu in 1959,' was the screen version of a Kovvali novel. Recently, 18 of his novels are published as compilation in 2009 as "Kovvali Navalalu Konni" by Acharya Kottapalli Veerabhadra Rao.
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The windows of the first floor are shaped according to the template of curtain-shaped windows of Late Gothic architecture. Structural Gothic elements are abundantly displayed by the building and prove the Jan Santini Aichel authorship of the edifice. There are several other elements inherent to the architect's style. These are expressively articulated cornices, pillars on the corners, concave arches of the cloister that create swaying rhythm.
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In 1963, his focus shifted towards painting single, central events in brighter colors. He began to paint more expressively, combining traditional symbols and themes with his own imagination. Thematically, Thompson was inspired by the dichotomy of good and evil as well as the relationship between men and nature. His figures are often multi-colored and flat and reflect many of the basic elements of the Abstract Expressionist movement.
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The counterpart to CADM within NASA is the NASA Exploration Information Ontology Model (NeXIOM), which is designed to capture and expressively describe the engineering and programmatic data that drives exploration program decisions. NeXIOM is intended to be a repository that can be accessed by various simulation tools and models that need to exchange information and data.Robert Shishko (2004). The Application of Architecture Frameworks to Modelling Exploration Operations Costs .
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Pál Kadosa, 1933 Pál Kadosa (; 6 September 1903, Léva, Austria-Hungary (now Levice, Slovakia) – 30 March 1983, Budapest) was a pianist and Hungarian composer of the post-Bartók generation. His early style was influenced by Hungarian folklore while his later works were more toward Hindemith and expressively forceful idioms. He was born in Levice. He studied at the national Hungarian Royal Academy of Music under Zoltán Székely and Zoltán Kodály.
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During the 18th century, under Oglethorpe's leadership, Georgia was one of the few colonies to expressively outlaw slavery. But the governing body, The Georgia Trustees, which were formed by Oglethorpe himself, began to chip away at his progressive agenda. When the prohibition of slavery was abolished in 1750, many of Oglethorpe's followers emigrated to Western territory controlled by the Creek and Cherokee. This territory is formally known as Clay County.
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Metaphor of human weakness is expressed in the presentations of animals which, like in fables, reveal the identity of human characters. He pulled out the monsters of his life abyss and placed them on the canvas raw. This contour of his soul in the claws of absurd is created in pain, momentarily and expressively. He embodied all his conflicts in united forces which emerge from the abyss of wandering souls.
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Rubato, even when not notated, is often used liberally by musicians, e.g. singers frequently use it intuitively to let the tempo of the melody expressively shift slightly and freely above that of the accompaniment. This intuitive shifting leads to rubato's main effect: making music sound expressive and natural. Nineteenth century composer-pianist Frédéric Chopin is often mentioned in the context of rubato (see Chopin's technique and performance style).
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It is marked dolce, molto espressivo (softly, very expressively). The contrasting middle section is agitated, with dotted rhythms. The third movement, in A minor, is a scherzo with the sort of cross- rhythm which often appears in Dvořák's music; and a more peaceful trio marked Poco meno mosso (slightly slower), without cross-rhythm, in A major. The fourth movement, initially marked Poco adagio, is a theme and ten short variations.
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Still Waiting by Lette Valeska, 1945. Galka Scheyer encouraged Valeska to begin painting in 1939, at the age of 54, despite the fact that she had no formal training. Scheyer had been teaching children to paint spontaneously and expressively, and she welcomed Valeska's inexperience with the medium. Valeska developed her own painting style, characterized by elongated faces and richness in color and detail, although some paintings are muted and somber.
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One of the most unusual Copper Age or Eneolithic finds is from the Vučedol culture (named after Vučedol near Vukovar). Ceramics are of extraordinary quality with black color, high glow and specific decorative geometrical cuts that were encrusted with white, red or yellow color. Few sculptures have been found. They are very skilfully and expressively done (like the pot in shape of Dove with engraved double axe – labrys).
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In En rejse gennem Litauen, Savickis expressively renders Lithuanian cultural landscape and sketches the Lithuanian national identity. Svickis did not leave an autobiography – he started it, but decided it was too egocentric and destroyed it. He also started other works, including a collection of stories Sapnas (Dream) and a novel Šarlatanas (Charlatan), but the manuscripts were lost after his death. His collected works were published in six volumes in 1990–1999 in Vilnius.
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At first Yevhen Adamtsevych performed the march publicly in 1969 at a concert in the Kyiv Opera Theater of Taras Shevchenko. Eyewitnesses described the concert so: Yevhen Adamtsevych performed the march very expressively, vigorously, putting all his skills and emotional imagery. But the fact that he played by pinching lacked sonority. The conductor of State Orchestral Viktor Hutsal recollected: On April 12, 1970 the orchestra performed the remake of the march at first.
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By using process or second color inventively, Brodovitch was able to give the magazine an added sense of currency and luxury. He applied color to his layouts expressively, often choosing to use colors bolder than might be seen in the real world. Even after full-color reproduction became standard practice, he still used broad swaths of single colors for bold emphasis. In terms of photography, Brodovitch had a distinct feel for what the magazine needed.
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James W. Pennebaker's findings, very well supported by data, directly contradict Bonanno's claims on the harmful effects of retrieving bad experiences. One possible explanation and attempt to reconcile this seeming contradiction is the method for retrieving or reviewing bad memories. Pennabaker is known for his pioneering work in writing therapy. It may be that there's something about writing, rather than expressively crying in public, for one example, that helps rather than hurts a person's outcome.
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The composition received mixed opinions by critics. Opinions from Polish critics ranged from "one of the best of Penderecki's works", by Malinowski and Michałowski, and "colorful, subtle, elegant, and expressively discreet", by Zielinski, to remarks by Kaczynzki, who deplored the low dynamism of the composition and stated that the composition "deserved a warmer welcome, despite the incoherence of its texts". Polish critic Marian Fuks described the musical style of the work as "lukewarm".
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Sabine also stars in the animated micro-series Star Wars Forces of Destiny. CG supervisor of lighting and FX Joel Aron said, "She's adding something that we haven't really seen before in the Star Wars universe. You have a character that is expressively creative through art—whether it's the color of her hair or what she's done to her armor." Her last image in the series finale is with deep purple hair cut short.
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She did, however, recount her knowledge to a lawyer, who wrote it down. In 1841 Davies published her book Eleven Years' Residence in the Family of Murat, King of Naples was published with a foreword by Achille Murat. The book was published expressively to benefit her economy, as she was poor by the time of its publication. Her life after this event is unknown, but she is presumed to have died shortly after 1841.
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Already in 1951, Alonzo Church had developed an intensional calculus. The semantical motivations were explained expressively, of course without those tools that we know in establishing semantics for modal logic in a formal way, because they had not been invented then: Church has not provided formal semantic definitions. Later, possible world approach to semantics provided tools for a comprehensive study in intensional semantics. Richard Montague could preserve the most important advantages of Church's intensional calculus in his system.
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Ceesay started his soccer career playing for his home town club of Kanifing United. Ceesay came to Žilina in summer 2010 signing half-year contract and he scored in his first the Corgoň Liga match on 31 July 2010. He expressively helped to promotion of Žilina to the 2010–11 UEFA Champions League, scoring three goals in the qualifying rounds. Ceesay left Kairat Almaty on 7 July 2015, after his contract was terminated by mutual consent.
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The glass manufactured in Portland, Oregon by Bullseye Glass Company, became the standard for both Canberra's glass program and Moje's personal artistic practice. Moje and Bullseye continued to collaborate. Moje pushed the material in more expressively painterly ways and Bullseye met him those challenges by developing new colours with more capabilities. This collaboration culminated in 2007 with a series of panels that were created as the centerpiece for Moje's retrospective exhibition at the Portland Art Museum.
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Guntram Wolf describes them: "From the concept of the bore, the Viennese oboe is the last representative of the historical oboes, adapted for the louder, larger orchestra, and fitted with an extensive mechanism. Its great advantage is the ease of speaking, even in the lowest register. It can be played very expressively and blends well with other instruments." The Viennese oboe is, along with the Vienna horn, perhaps the most distinctive member of the Wiener Philharmoniker instrumentarium.
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David Milne worked predominantly in oil paint, watercolour and drypoint printmaking. Like the Group of Seven, Milne primarily chose landscape as his subject matter; however, his approach to this subject was considerably less "impressionistic" than the Group's and had a more "modernist" feel. Milne was influenced in part by the European and American modernists exhibited through Alfred Stieglitz's gallery, 291. He also pushed himself to develop his own particular style that was stark yet beautiful and very expressively realized.
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The grey-crested cacholote grows to a length of about . The head, body, wings and tail are a uniform cinnamon-rufous colour, and the bushy crest, which can be raised expressively, is usually grey. The iris is yellow. It is a noisy bird, especially near its nest, one bird of a pair making a descending series of "chup" notes ending in an extended churring sound, and the other responding with a series of "che" sounds in a complex, raucous duet.
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Rotten Tomatoes, a review aggregator, reports that 60% of five surveyed critics gave the film a positive review; the average rating is 4.6/10. Dave Kehr of the Chicago Reader wrote, "Even on this despairing level of fly-by- night filmmaking, Ulmer's treatment remains resolutely personal, and the film, though visually slack, emerges as something terse, resourceful, and expressively icy." J. Hoberman of The Village Voice wrote that it "suggests an impoverished remake of the 1924 Soviet constructivist space opera Aelita".
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He had his hair dyed pink which helped him get noticed as a photographer and took inspiration from British celebrity fashion photographer Cecil Beaton. London was a city that allowed him to flourish expressively without the restrictions he felt were imposed on him in Peru. His work first appeared in Vogue in 1983. During the early 1990s, Testino looked to his childhood growing up in Peru and his teenage summers in Brazil for inspiration, which helped him to shape his photographic language.
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Mary Salome is seated on a cushioned throne, turning her body to the left. In her right hand she holds an open book on which her hand is resting. She is dressed in a waisted gown over which is draped a mantle falling from her left shoulder. The half-length figure of Zebedee stands behind her, resting on his left elbow, and holding a closed book in his right hand; he is expressively depicted as an elderly man with sunken cheeks.
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Vice Mayor Alexander Lubigan was assassinated in front of a hospital along Trece Martires–Indang Road in Trece Martires on July 7, 2018. Following this event, the Presidential Anti-Corruption Commission (PACC) initiated a graft probe parallel to the investigation of the vice mayor's slaying. Before the assassination, Lubigan was expressively intent to run for Mayor against Mayor Melandres de Sagun's wife, Roniza. Melandres was intended to run for Congressman for reapportioned 7th District consisting Amadeo, Indang, Tanza and Trece Martires.
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The governance of Southwest Africa was transferred to South Africa by the League of Nations. During the subsequent 'south-africanisation' of Southwest Africa, around half of the remaining 15 000 German residents were deported with their farms being handed over to South Africans. This so-called 'degermanistion' policy only changed after the London Agreement of 23 October 1923, according to which the remaining Germans were afforded British citizenship. German immigration as well as the spread of the German language were also expressively encouraged.
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Approximately 30% of the Mahzor Aram Soba is composed of piyyutim. The use of piyyutim, which was very prominent on the holidays and Shabbat, was not limited to the Syrian Musta'arabi community, but occurred in most Jewish communities. The earliest piyyutim however, were “overwhelmingly [from] [Eretz Israel] or its neighbor Syria, [because] only there was the Hebrew language sufficiently cultivated that it could be managed with stylistic correctness, and only there could it be made to speak so expressively.” Goldschmidt, D, "Machzor for Rosh Hashana" p.xxxi.
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Other writers used "jamboree" in the early 20th century, prior to its use in Scouting, to refer to "a lavish or boisterous celebration or party". Poet Robert W. Service used the term in a poem published in 1912. Lucy Maud Montgomery used the term three times in 1915 in Anne of the Island, a book set in the 1880s. For example: > There was quite a bewildering succession of drives, dances, picnics and > boating parties, all expressively lumped together by Phil under the head of > “jamborees”.
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EmoHeart object on the avatars’ chest vividly and expressively represents the communicated emotions The philosophy behind the iFeel_IM! (intelligent system for Feeling enhancement powered by affect sensitive Instant Messenger) is “I feel [therefore] I am!”. In the iFeel_IM! system, great importance is placed on the automatic sensing of emotions conveyed through textual messages in 3D virtual world Second Life (artificial intelligence), the visualization of the detected emotions by avatars in virtual environment, enhancement of user's affective state, and reproduction of feeling of social touch (e.g.
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Like the Japanese website 2channel, the freedom to post anonymously is one of the distinctive features of DC Inside which shapes its unique culture. When posting something in a gallery or adding comments to other members’ post, users may identify themselves in any way they want; a formal registration or log in process wasn't available and added as an option on 2007. This encourages users not only to communicate with one another more casually and expressively, but often to insult and abuse one another more readily.
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There were concerns that the Act would enable authorities to suppress criticism and dissent. Section 2(2)(b) defines a false statement as "if it is false or misleading, whether wholly or in part, and whether on its own or in the context in which it appears". Satire, parody, opinions and criticisms are expressively not covered by the POFMA Act. Section 3 of the Act covers any statements that are made available to one or more end-users in Singapore via the internet, SMS or MMS.
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Most English metre is classified according to the same system as Classical metre with an important difference. English is an accentual language, and therefore beats and offbeats (stressed and unstressed syllables) take the place of the long and short syllables of classical systems. In most English verse, the metre can be considered as a sort of back beat, against which natural speech rhythms vary expressively. The most common characteristic feet of English verse are the iamb in two syllables and the anapest in three.
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Meijering is often inspired by family roots, photographs, art, and daily events. Knowing of her Scottish background, one can hear Celtic melodies weaving throughout the scores as well as American folk, country, darker emotive moods and ribald humor pushing the boundaries technically and expressively for the instrument. Meijering's monumental contribution to the bassoon repertoire is extraordinary and it is proof that he considers the bassoon as a truly soloistic voice. In 2018, also composed several new pieces for bassoon and piano available at Donemus Publishing.
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Chris Leão was expressively known when he took part and won the reality show Eye drops Capricho on MTV Brasil 2011, with over 2 million votes. After winning the reality, Chris became a teen phenomenon and made the cover of several Brazilian magazines, including Capricho Editora Abril. Chris Leão is also trained as an actor, already made appearances in series and sitcoms. Since child is passionate about music, in late 2014 became a professional DJ, becoming the great revelation at the scene, dragging crowds of fans and admirers in 2015 in all country.
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The quartet consists of four movements: #Allegro con moto #Andantino (tranquillo) #Scherzo (Allegro vivace) #Allegro The Fourth Quartet marks the end of Villa-Lobos's early period of exploration of the form. It is somewhat simpler than its three predecessors, and the parts move more independently and expressively. The main theme of the first movement strongly recalls the opening measures of the First and Second Quartets, but the second movement introduces a Brazilian character with a cello melody that avoids the second scale degree, like the Afro- Brazilian Xangô tunes .
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Edinburgh IMP is a development of Atlas Autocode, initially developed around 1966-1969 at the University of Edinburgh, Scotland. It is a general-purpose programming language which was used heavily for systems programming. Expressively, IMP is highly similar to ALGOL and includes all the ALGOL-style block structure, reserved words (keywords), and data types such as arrays, and records. It adds to ALGOL-style languages a string type (an array of characters, although these have a predeclared size) and built-in operators for string manipulation and character handling.
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His unique style is supported by impeccable technique and profound musical insight with expressively articulate phrasing. Named a People's Artist of the USSR in 1987, Tretyakov was granted the Russian Prize for the encouragement of achievements in art and literature known as "Triumph". He is laureate of the Shostakovich Prize, awarded by the Yuri Bashmet International Charitable Foundation, and the Glinka State Prize of the RSFSR (1981) (other recipients include the Borodin Quartet and composer Valery Gavrilin). He was recently awarded the Order of Service to the Fatherland by President Vladimir Putin.
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His performance, described as "the real key" to what makes the film work, credits him with using "his usual spell in subtle gradations." Varietys Todd McCarthy praised his performance, saying he "expressively alternates between enthusiasm and forlorn disappointment in the manner Jack Lemmon could". Peter Travers of Rolling Stone said the movie "hits you like a blast of pure romantic oxygen" and credited both lead actors for playing "it for real, with a grasp of subtlety and feeling that goes beyond the call of breezy duty." He was subsequently nominated for a Golden Globe Award.
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When the Bayreuth Festival was able to reinstate itself in 1951, the new artistic director of the Festival, Wieland Wagner presented a radical new version of Parsifal as the first production of the "New Bayreuth". He dispensed with a detailed naturalism and placed the music in the foreground through abstraction and suggestive lighting direction. The events on stage were expressively condensed and only underlined by extremely withdrawn, stylized and meaningful gestures and movements. His Bayreuth staging style became a much-copied model for numerous Wagner productions up to the 1970s.
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A Safety Area is a term from the shooting sports describing a bay with a safe direction where shooters can handle unloaded firearms without the supervision of a Range Officer (RO). Safety areas are widely used in dynamic shooting sport disciplines (e.g. IPSCIPSC 2015 Combined Rules, Rule Section 2.4 Safety Areas and PPC 1500), and may for example be used to pack, unpack or holster a gun, cleaning or repair, dry firing and training with empty magazines. The handling of ammunition is expressively prohibited within the safety area, including any dummy rounds.
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Edo Kovačević's later work was inspired by the landscapes of the Zagreb foothills and Hrvatsko zagorje, capturing nature in all its different weather and seasons. The woods of Zelengaj, close by his house, feature in many of his most lyrical pieces. Using oils or more expressively, pastels, he modified his colour palette subtly to interpret the atmospheric conditions from warm summer sunshine, soft spring rains or dense winter fog. During this time, too, he painted flowers - wild woodland flowers and summer meadow flowers in simple glasses, vases and pots.
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The cantata's two arias "paint a dismal picture", as Klaus Hofmann remarks. The opening tenor aria is "expressively highly intense" for both the singer and the violins, illustrating "" (tears). John Eliot Gardiner, who calls the cantata "magnificently theatrical and terse", notes: "Bach seems, in fact, to be taking on his entire generation of Italian opera composers and beating them at their own game. The unflagging energy of his melodic invention and rhythmic propulsion is always directed towards giving truthful expression to the text, and here it is as matchless as it is exciting".
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The name Cubismo was created from Dizzy Gillespie's piece "Cu-bi Cu-bop", which represents one of the first music mixes of jazz and afro-Cuban music. The name is associated with Cuba as well, which has a music tradition known as the cornerstone of entire music genre made and performed by Cubismo. Their sound is characterized by multiplicity of instruments and expressively strong dance rhythm produced by a multi-member rhythm section. Besides remakes of standard jazz pieces, popular and traditional Cuban songs, they perform their own pieces.
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On November 11, 1987, his performance at Carnegie Hall established him as a major pianist on the American scene. During his early years in the West, he was promoted as a Russian Romantic firebrand, yet his debut recital consisted of works by Schubert, Schumann and Messiaen. By the mid-1990s, he had devoted himself to Bach, offering expressively shaped and thoughtfully ornamented performances on a modern piano. Then he returned to the standard repertory — Haydn, Beethoven, Mussorgsky — in the big-toned, blockbuster style that many had anticipated when he first arrived in the USA.
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Similarly, Robert Dettmer of Classical CD Review found Svoboda's work to be derivative and "expressively sterile", and "no more engaging than any other marimba concerto". However, Dettmer acknowledged that the marimba was one of his least favorite solo instruments. Dettmer wrote that DePriest "serves the composer dutifully, but not as enliveningly as one might have expected". For his marimba performance, DePonte earned a Grammy Award nomination for Best Instrumental Soloist Performance with Orchestra, the first time that the Oregon Symphony or any of its musicians had been recognized by the Recording Academy.
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Forgotten Land 1981 explores memories, events and people that over time are lost or forgotten and how people sometimes vainly try to recover them, or a sense of them in order to regain their former power and value. The work itself is inspired and based on a painting of women on a beach by the Norwegian Expressionist painter Edvard Munch. The work mainly involves duets who move their arms in various stretched positions, as if they were reaching out for something. The dancers arch their backs and dance expressively, reflecting both the music and the haunting painting that influenced the work.
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Cosa deve fare Napoli per rimanere in equilibrio sopra un uovo, by Enrique Vargas - directed by Enrique Vargas Proprio come se nulla fosse avvenuto. staged in Darsena Acton, Naples - by Roberto Andò More than 2000 artists from 17 countries have been involved in the first edition, in June 2008. The original works, created expressively for the Festival, were 17 out of 40 total debuts. The second edition of the Festival, in June 2009, was enriched with the institution of the “Over the seas Festival” (in collaboration with the San Carlo Theatre) and of the Fringe Festival.
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"Michael Berniker, 73, Record Producer, Dies", The New York Times, July 29, 2008. Accessed September 23, 2008. While in his late-20s, Berniker produced Barbra Streisand's first three albums — The Barbra Streisand Album (that year's Grammy winner for Album of the Year), The Second Barbra Streisand Album and The Third Album — all of which were released six months apart in the one-year span from February 1963 to February 1964, and which were described by The New York Times as "among the most expressively uninhibited" of her career. Berniker also produced Streisand's classic career- making single "People", her first Top 10 single.
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In the Third symphony, from the position acquired in his previous works, Ristić selects and re-adopts certain procedures from his student compositions. The Symphony is dedicated to the 20th anniversary of the Revolution, and was performed on the eve of the celebration of the Uprising Day, 6 July 1961, and then at the concert of the Belgrade Philharmonic with conductor Živojin Zdravković. The same year it was conferred the Belgrade October Award. The example of the Third symphony offers numerous compromises characteristic for socialist aestheticism. Expressively far from soc-realism, this work is indeed dedicated to the 20th anniversary of the Revolution.
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De Waal noted that Leach did not speak Japanese and had looked at only a narrow range of Japanese ceramics.(1) Leach was not fluent in the Japanese language, but more importantly, he was an educated artist with a keen eye, working in Japan for ten years, much longer than any other western arts and crafts man. (2) When Leach came to Japan in 1909, the everyday potter had already disappeared, due to industrial production of tableware. At that time, his friend Yanagi and others were trying to save expressively this heritage, starting the Mingei-(folklore)-movement.
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Edgar Degas painted many nudes of women in ordinary circumstances, such as taking a bath. Auguste Rodin challenged classical canons of idealization in his expressively distorted Adam. With the invention of photography, artists began using the new medium as a source for paintings, Eugène Delacroix being one of the first. For Lynda Nead, the female nude is a matter of containing sexuality; in the case of the classical art history view represented by Kenneth Clark, this is about idealization and de- emphasis of overt sexuality, while the modern view recognizes that the human body is messy, unbounded, and problematical.
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The cabaletta "" following the more lyrical "" from the "mad scene" (Act 3, Scene 2), has historically been a vehicle for several coloratura sopranos (providing a breakthrough for Dame Joan Sutherland) and is a technically and expressively demanding piece. Donizetti wrote it in F major, but it is often transposed down a tone (two half-steps) into E-flat. Some sopranos, including Maria Callas, have performed the scene in a ' ("as written") fashion, adding minimal ornamentation to their interpretations. Most sopranos, however, add ornamentation to demonstrate their technical ability, as was the tradition in the bel canto period.
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According to Wictor, "I see this new album as more atmospheric, textural, colorful, moody, evocative, and emotionally rich [than the debut]." The album was positively received. According to Rich Warren of WFMT in Chicago, "More polished than Brother Sun's initial effort, Some Part of Truth blends expressively riveting male harmonies with precise, equally sensitive guitar and keyboard talent into three personal journeys from deep within." Some Part of the Truth was the No. 1 CD on the Folk-DJ chart for all of 2013, receiving the most play of any release, and "Lady of the Harbor" was the No. 1 song of the year.
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A blues guitarist playing electric guitar might use string bending to add expression; a heavy metal guitar player might use hammer-ons and pull-offs. In the 19th century, art music for solo performers may give a general instruction such as to perform the music expressively, without describing in detail how the performer should do this. The performer was expected to know how to use tempo changes, accentuation, and pauses (among other devices) to obtain this "expressive" performance style. In the 20th century, art music notation often became more explicit and used a range of markings and annotations to indicate to performers how they should play or sing the piece.
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In her study, she noted women smile and laugh more and have a better understanding of nonverbal cues. She believed women were encouraged to be more emotionally expressive in their language, causing them to be more developed in nonverbal communication. Men, on the other hand, were taught to be less expressive, to suppress their emotions, and to be less nonverbally active in communication and more sporadic in their use of nonverbal cues. Most studies researching nonverbal communication described women as being more expressively and judgmentally accurate in nonverbal communication when it was linked to emotional expression; other nonverbal expressions were similar or the same for both genders.
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Beginning in 1962, Warfield began to have some trouble with his voice, as he himself admitted in his autobiography. This was only slightly noticeable on the 1962 studio recording of Show Boat. By the time he made the 1966 recording of the Lincoln Center production of the musical, his voice had deepened from merely bass-baritone to a full-fledged bass, and he could not sing the climactic high note on Ol' Man River as easily as he had in the 1951 film version, though he sounded fine on his lower notes. Because of this problem, however, he compensated by learning how to sing even more expressively than he had before.
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In the first aria, "" ("My Jesus, draw me after You"), the alto voice is accompanied by an obbligato oboe, which expressively intensifies the text. Johann Mattheson, music theorist, 1746 An aria is, according to Johann Mattheson in Der vollkommene Capellmeister (Part II, chapter 13, paragraph 10), "correctly described as a well-composed song, which has its own particular key and meter, is usually divided into two parts, and concisely expresses a great affection. Occasionally it closes with a repetition of the first part, occasionally without it." In this aria, an individual believer requests Jesus to make him follow, even without comprehending where and why.
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According to the terms of the Treaty on European Union "In order to ensure the proper functioning and development of the common market, the Commission (…) formulate recommendations or deliver opinions on matters dealt with in this Treaty, if it expressively so provides or if the Commission considers it necessary." Concretely, recommendations can be used by the Commission to raze barriers of competition caused by the establishment or the modification of internal norms of a Member State. If a country does not conform to a recommendation, the Commission cannot propose the adoption of a Directive aimed at other Member Countries, in order to elide this distortion.
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Surviving The World: Faculty The site takes a novel approach to the webcomic genre in that it features a photograph (or a series of them) with text, graphs and sometimes comics drawn on a chalkboard and expressively framed by the author. This novelty is discussed in the comic itself as an intentional decision. The webcomic is approached as a continuing college class, including recitations, homework, and supplemental material, even going so far as to label the individual comics as "Lessons" and the authors as "Faculty". The strip consists of 3548 lessons including 100 separately-numbered recitations (and 17 recitations included in the official numbering of lessons).
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About the performance that Leppard had elicited, on the other hand, there was little negative that could be said. Christiane Eda-Pierre was "radiant" as Vénus, lovely in her dea ex machina arrival in Act 4, florid in her virtuoso climactic aria. Frederica von Stade was almost as impressive, singing "intelligently and expressively" although challenged by a tessitura uncomfortably high for her and sometimes singing with a more pronounced vibrato than usual. Of the male singers, the best was José van Dam as the magician Isménor, "noble in tone, with a fine, ringing high register, and most impressive in his invocation of the supernatural powers".
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The earliest piyyutim date from the Talmudic () and Geonic periods (). They were "overwhelmingly [from][Eretz Yisrael] or its neighbor Syria, [because] only there was the Hebrew language sufficiently cultivated that it could be managed with stylistic correctness, and only there could it be made to speak so expressively."Goldschmidt, D, "Machzor for Rosh Hashana" p.xxxi. Leo Baeck Institute, 1970 The earliest Eretz Yisrael prayer manuscripts, found in the Cairo Genizah, often consist of piyyutim, as these were the parts of the liturgy that required to be written down: the wording of the basic prayers was generally known by heart, and there was supposed to be a prohibition of writing them down.
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Prussians were forbidden to wed to more than one wife, and only a marriage with a proper Christian ceremony at a church was legal. Selling or buying women in marriage was forbidden as was marrying stepmothers, sisters-in-law, or wives of deceased relatives within four generations. Some other pagan rituals were expressively forbidden: worship of Curche, the god of harvest and grain; maintaining pagan priests (Tulissones vel Ligaschones), who performed certain rituals at funerals; cremation of the dead with horses, persons, arms, or any other property. The Prussians were required to build and supply with land, livestock, and other necessities thirteen churches in Pomesania, six in Warmia, and three in Natangia within half a year.
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Leschetizky composed over a hundred characteristic piano pieces, two operas: Die Brüder von San Marco and Die Erste Falte, thirteen songs and a one- movement piano concerto. Opus numbers were given to 49 works. Although his piano pieces are primarily smaller works in the salon music vein, they are expressively lyrical on the one hand while exploiting the piano's technical capabilities to great effect on the other. Most of his music has been out of print since the early twentieth century except for the Andante Finale, Op. 13 (a paraphrase for piano left hand on the famous sextet from the opera Lucia di Lammermoor by Donizetti); and Les deux alouettes, Op. 2, No. 1.
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Almost the entire surface of the controller is covered by its 8 by 25 (or 8 by 16 in the case of the LinnStrument 128) grid. The fingertip-sized fields are each able to measure and transmit velocity, aftertouch, x-position relative to the entire row (or any subset thereof), y-position within a field, as well as release velocity. It is highly adaptable and can also function in more traditional MIDI configurations, accommodating sound generators that don't yet support MPE and allowing them to be played more expressively. The LinnStrument has several additional features, such as an arpeggiator, a velocity-sensitive step sequencer as well as freely assignable virtual MIDI faders.
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Her thesis is that legally cognizable racial identities are sustained through constitutional or legislative act, and these nurture the "legal fiction" of African-American identity. Legal Fictions argues that the social imagination of race is expressly constituted in law and is expressively represented through the imaginative composition of literary fictions. As long as US law specifies a black body as "discrete and insular," it confers a cognizable legal status onto that body. US fictions use that legal identity to construct narratives — from neo-slave narratives to contemporary novels such as Walter Mosley's The Man in My Basement – that take constitutional fictions of race and their frames (contracts, property, and evidence) to compose the narratives that cohere the tradition.
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Having been raised speaking Latvian, and mainly educated in the Russian language, as well as the German language, 12-year-old Leonīds Breikšs found it hard to fully understand the Slavic language letters. Educated privately at the Lutheran Marija Millere grammar school, the family also attended the local Lutheran church, which had an altarpiece titled "Jesus blessing children" by Janis Rozentāls. Looking to express his isolation of living in his homeland while not being able to speak its language, Breikšs starts to write expressively in Russian aged 13. Moving quickly to Latvian, his early writings are sorrowful expressions for his lost sisters, using the metaphor of lost birds trying to make their way home.
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In 1979, Rosenbaum Contemporary opened their first gallery on Banyan Trail in Boca Raton, Florida with the intentions of representing emerging and established artists. In 2012, Howard Rosenbaum's daughter, Lara Rosenbaum, joined the family business when she opened the gallery's second location inside the St. Regis Bal Harbour Hotel in Miami Beach. Later in 2013, the gallery moved to a more spacious location on Yamato Road In 2015, during Art Basel Miami Beach, Rosenbaum Contemporary presented the work of Omar Hassan, debuting his art series Breaking Through for the first time in the United States. During the performance piece, the former-boxer dips his boxing gloves in paint and expressively punches color onto the canvas.
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In a 2003 interview, lead vocalist and founding member Ron Halinoja cited his "roots in Finland" and the word's expressively vulgar nature as the main reasons behind choosing this for the band's name. Perkele claim to be strongly against all kinds of racism, nationalism, fascism, sexism, and homophobia as well as being opposed to hate, war, and environmental pollution. Despite this, in the past their appearance at traditionally left-wing events has caused controversy due to some of their songs featuring lyrical themes of Swedish and Finnish nationalist sentiments. Due to the background of their bassist Chris as an adoptee originally from Sri Lanka, the band have at one point experienced racist abuse from the audience at a concert in Belgium.
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This imaginary "good" (the delusion of the weak) replaces the aristocratic "good" (determined by the strong), which in turn is rebranded "evil", to replace "bad", which to the noble meant "worthless" and "ill-born" (as in the Greek words κακος and δειλος). In the First Treatise, Nietzsche introduces one of his most controversial images, the "blond beast". He had previously employed this expression to represent the lion, an image that is central to his philosophy and made its first appearance in Thus Spoke Zarathustra. Beyond the metaphorical lion, Nietzsche expressively associates the "blond beast" with the pre-Aryan race of Celts and Gaels which he states were all fair skinned and fair-haired and constituted the collective aristocracy of the time.
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She was trained by the great choreographer d'Harnoncourt, who had entered her at the age of fifteen among the corps de ballet of the Comédie-Française. After a first affair with the dancer Leger, which produced a child, she was engaged at the Opéra (1761) and made her debut, as Terpsichoré, 9 May 1762, and soon was seen dancing at Court. Not known for hazarding the more difficult movements that were being added to the professional repertory of ballet, she was renowned for her perfectly composed and fluid aristocratic movements, her mime and above all for her expressively smiling visage. She wore her skirt hitched up to reveal an underskirt, without hoops or paniers, held out simply by a starched muslin petticoat.
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However, the goal of the Shah has been partially been accomplished since extraterritoriality has not been abolished. By going to Europe, Naser al-Din Shah also intended to pay attention to the specificities of European civilization and to the factors contributing to their success and superiority. He would then be able to inform the Persian audience and to apply some models and ideas to his country. In an announcement, the Shah expressively asserted that one of the main goal for travelling to Europe was to collect "all information and gathering experiences, which can be valuable for the Persian government and nation". Back home, the Shah indeed tried to improve Persia’s railway and telegraph by taking European railways and telegraph infrastructures as a model.
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With a slightly hard edge to his robustly handsome features and lightly colored eyes, Linc is a taciturn and introverted individual, in stark contrast to his expressively emotive predecessor Buz Murdock. Nonetheless, Linc beneath his often seemingly cold and indifferent exterior possesses a wealth of compassion and a droll, low-key sense of humor, as well as a strong sense of loyalty to those he considers his friends. However, he also harbors a fierce temper, which is quick to ignite. Linc's military service has taught him a number of conventional skills which prove handy in his ability to find many different kinds of work, as well as a few unconventional ones which he occasionally finds use for in his sometimes dangerous exploits with his friend Tod.
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The opening recitative, speaking of longing and waiting, expands expressively on a throbbing pedal point of 11 measures, moving only on the words "" mentioning "joy" (the lack of joy, though), only to sink back for the final "" (almost all my confidence has drained away). In the following duet, an unusual obbligato bassoon plays virtuoso figurations in a wide range of two and one half octaves (including a truly remarkable G0), whereas the voices sing together, for most of the time in homophony. Movement 3 speaks words of consolation. Bach chose the bass as the (voice of Christ) to deliver them, almost as an arioso on the words "" (so that the light of His grace might shine on you all the more brightly).
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Her most memorable performance proved to be the one in Kharkov on March the 4th. "A serious University city, a high-brow public… But Vyaltseva arrived, sang her powerful song of overpowering love, beamed out this inimitable smile of hers and the same crowd that yesterday discussed Ibsen, was now madly calling out for Troyka and Caressed by Magic... Her connection with Kharkov remained: that was the city where she was adored," wrote the theatre critic Y.Lvov. "As a performer of Gypsy romances M-lle Vyaltseva has no equal…The artist renders these songs masterfully and expressively, easily involving audiences into her art," wrote Odessky Listok several days later. Then, despite the sceptics' predictions to the contrary, she triumphed in Tiflis, the Georgian city with its old theatre and opera traditions.
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On occasions when Lupin appears to be dead, he mourns him more expressively than anyone else; partly from genuine grief, partly because he no longer has a goal in life. In the 1987 OVA The Fuma Conspiracy, Zenigata actually retires from police work when he believes Lupin has died and becomes a monk, believing that if he prays enough Lupin will be a law-abiding citizen in his next life. Because of this singular ambition, he is never particularly displeased when Lupin manages to escape his custody, since that means the hunt will go on. On one occasion when Zenigata is able to successfully capture Lupin and place him in prison he becomes frustrated that Lupin hasn't yet escaped after a year has passed and wishes for him to escape or be rescued by Jigen.
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Moulton and Holmes looked at ways that dialogue journal writing can provide a bridge for international students learning English in a college or university course that spans the chasm between cultures. In a study of ESL students in an intermediate composition class at a university over a 15-week semester, they found that the students used the dialogue journal writing to explore cultural issues as they experienced various stages of acculturation. The writing demonstrated that > [The students'] feelings progressed from cultural isolation to a willingness > to share cultural perspectives and, finally, to understanding and acceptance > of their new culture. In the dialogue journals, the students were free from > the constraints that bound their other written work and were able to use > their new language expressively for their own purposes.
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"...Ready for It?" received positive reviews from music critics, calling it an improvement from Swift's previous single, "Look What You Made Me Do". Tom Breihan of Stereogum said the songwriters "made something ungainly and goofy, something that was probably a terrible idea, and they still made it sound like towering, colossal pop music". Patrick Ryan of USA Today expressed some scepticism concerning Swift's rapping, but noted the contrast between the "anthemic chorus" and "dark", intense verses made for a "promising second glance on her reputation era". Richard He wrote for Billboard that "Swift has never sung more expressively, nor sounded more in tune with the way modern pop production uses the voice as an instrument" and that the song's chorus has "one of the prettiest melodies of her career".
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The film had a low key theatrical release across Tamil Nadu in November 2016. Anupama Subramaniam of the Deccan Chronicle wrote "that the director has narrated his story neatly, without much deviation and executed it well" adding that "Srikanth Deva’s music, cinematography by Yuga and art direction by John Britto aids the narration in a big way, but the graphically generated bulls are tacky", while concluding "though there are few flaws, nevertheless the film is worth a watch!" A reviewer from the Hindustan Times, noted "Given the budget constraints of a small independent director, Prakash’s effort is laudable, though one felt disappointed with Yuvan’s wooden performance and Krishna was of course expressively engaging". Another reviewer pointed out the crew's amateur film making process was an evident drawback of the film.
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Retrieved 25 February 2013. and Time Out, which praised the “humorously unconventional framings, expressively washed-out colour tones and mysterious low-key performances” that bring together “human comedy and historical tragedy to unique, and surprisingly emotional, effect.”.Post Mortem review Time Out, Wally Hammond, 6 September 2011. Retrieved 25 February 2013. The New York Times critic A. O. Scott wrote that “the achievement of Post Mortem is to take rigorous and unsentimental measure of the unpleasantness”.A Quiet File Clerk at the Epicenter of Political Turmoil New York Times, A. O. Scott, 10 April 2012. Retrieved 25 February 2013. Post Mortem has also been popular on the Rotten Tomatoes public film reviews website, where it has an 88% approval rating based on 34 reviews, with an average score of 7.08/10.Post Mortem (2012) Rotten Tomatoes. Retrieved 18 October 2019.
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Seen as the simplest form of message production, the fundamental premise of Expressive Design Logic is that “Language is a medium for expressing thoughts and feelings.” This premise is the simplest of the three logics and explains that someone says what they feel. As long as this feeling is conveyed in the message, the message is deemed successful. O’Keefe gives two reasons why individuals who operate under this design logic are very literal when it comes to impression in message design and interpretation. “First, they fail to appreciate that in communication, the process of expression can be made to serve other goals, and second, they interpret messages as independent units rather than as threads in an interaction fabric.” Individuals that communicate expressively do not recognize the idea that messages might be designed to induce particular reactions by the receiver.
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" Although Diller had numerous exhibitions before and after World War II, his work attracted very little public attention and it was not until the last few years of his life that he was generally acknowledged as one of the best American abstract artists of his generation. In a review of the Burgoyne Diller exhibit in the Paula Cooper Gallery in November 2001, art critic Donald Kuspit said the following about Diller's attempt to replicate the stylings of his idol Mondrian: "[Diller] was the first American to take Mondrian as his model. Already in the 1930s he was producing works with a geometric sophistication similar to that of the Dutch artist. But Diller never quite got Mondrian's metaphysical point, nor did his work have Mondrian's restraint, his determination to make less count for more, expressively and cognitively.
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In 1985, Boettger wrote "Her flattened, expressively outlined forms also merge the expressionistic and realist approaches to figuration, which are both prominently associated with the art of the San Francisco Bay region since World War II." While the California painting scene has strongly influenced Wurm's work, her ties to modernist European painting styles are undeniable. In a 2001 Artweek article, Josef Woodard wrote "Echoes of the Expressionists from the "Neue Sachlichkeit" school, especially Max Beckmann's style, provide a paradigm for Wurm's paintings, both as social statements and in terms of a rough, slashing painting attack that disguises an underscoring beauty." Jan Wurm's narrative drawing has most recently been presented within a fundamental context of Los Angeles artists Charles Garabedian, Martin Lubner, and Pierre Picot at the Carl Cherry Center for the Arts exhibition, "Off Center." The idiosyncratic work crosses categories and styles to establish new visual vocabulary.
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Some compression algorithms, such as LZ77 and RLE may benefit from storing suffix automaton or similar structure not for the whole string but for only last k its characters while the string is updated. This is because compressing data is usually expressively large and using O(n) memory is undesirable. In 1985, Janet Blumer developed an algorithm to maintain a suffix automaton on a sliding window of size k in O(nk) worst- case and O(n \log k) on average, assuming characters are distributed independently and uniformly. She also showed O(nk) complexity cannot be improved: if one considers words construed as a concatenation of several (ab)^m c (ab)^m d words, where k=6m+2, then the number of states for the window of size k would frequently change with jumps of order m, which renders even theoretical improvement of O(nk) for regular suffix automata impossible.
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La Perdida is centered on the life of a young Mexican-American woman, Carla Olivares, raised by her Anglo mother, who moves on a whim to Mexico City to search for her identity. (Although Abel herself lived in Mexico City for two years [1998–2000] with her (now) husband Matt Madden, the story is not autobiographical.) La Perdida is an expressively illustrated, emotional/relationship-based comic with strong cultural overtones. During her stay in Mexico City as an American expatriate attempting to gain a greater knowledge of her Mexican heritage, Carla encounters a variety of people, eventually rejecting her role within the expatriate social hierarchy and attempting to achieve a more authentic experience of life as an "ordinary" citizen of Mexico. Her encounters prove time and time again, however, that the dismissal of her background is not easily achieved and she eventually reconciles with the universality of human nature (in controversion to her initial notions of authenticity).
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Lombard was particularly noted for the zaniness of her performances, described as a "natural prankster, a salty tongued straight-shooter, a feminist precursor and one of the few stars who was beloved by the technicians and studio functionaries who worked with her". Life magazine noted that her film personality transcended to real life, "her conversation, often brilliant, is punctuated by screeches, laughs, growls, gesticulations and the expletives of a sailor's parrot". Graham Greene praised the "heartbreaking and nostalgic melodies" of her faster-than-thought delivery, whereas The Independent wrote, "Platinum blonde, with a heart-shaped face, delicate, impish features and a figure made to be swathed in silver lamé, Lombard wriggled expressively through such classics of hysteria as Twentieth Century and My Man Godfrey." In 1999, the American Film Institute ranked Lombard 23rd on its list of the 25 greatest American female screen legends of classic Hollywood cinema, and she has a star on the Hollywood Walk of Fame, at 6930 Hollywood Blvd.
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Moreton believes that the rising criminality in the streets of London is a result of a late radical change in the English society, which seems to be pervaded by greed and hunger for power at all levels. The love for luxury and a public short-sightedness have shaped a new reality based on avarice and on criminal behaviour, as a consequence of "our effeminacy, our toupee wigs, and powdered pates, our tea, and other scandalous fopperies". This shift towards greed and social ambition was not prerogative of the middle and upper classes but it could be retrieved even in the lower classes, eager to climb the social ladder. These criticisms are expressively restated in Defoe's Applebee articles: > What can be said in Favour of that Luxury, which is not content with the > Equipage of a Lord; a Coach and Six, a Revenue, with Servants and > Establishments in proportion; but that, to have two Coaches and Six, and two > Sets of Servants, and two Revenues, &c.
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Jobim, João Donato, Dorival Caymmi, and other contemporaries were also essentially samba-canção musicians until the sudden, massive popularity of the young Gilberto's unique style of guitar playing and expressively muted vocals transformed the music of the day into the music of the future. Camus' film and Gilberto's and Jobim's collaborations with American jazzmen such as Stan Getz and Charlie Byrd did much to bring Brazilian popular music to the attention of the world, and Bonfá became a highly visible ambassador of Brazilian music in the United States beginning with the famous November 1962 Bossa Nova concert at New York's Carnegie Hall. Bonfá worked with American musicians such as Quincy Jones, George Benson, Stan Getz, and Frank Sinatra, recording several albums while in U.S. Elvis Presley sang a Bonfá composition, "Almost in Love" with lyrics by Randy Starr in the 1968 MGM film Live a Little, Love a Little. Also of note is his "The Gentle Rain", with lyrics by Matt Dubey, and "Sambolero".
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Experimenting with the program fueled a cycle of criticism and improvement, leading to a slightly deeper understanding of human creativity. Many issues had to be dealt with, in constructing such a program: how to represent knowledge formally and expressively and concretely, how to program hundreds of heuristic "interestingness" rules to judge the worth of new discoveries, heuristics for when to reason symbolically and inductively (and slowly) versus when to reason statistically from frequency data (and hence, quickly), what the architecture — the design constraints — of such reasoning programs might be, why heuristics work (in sum, because the future is a continuous function of the past), and what their ``inner structure might be. AM was one of the first halting steps toward a science of learning by discovery, toward de-mystifying the creative process and demonstrating that computer programs can make novel and creative discoveries. In 1976 Lenat started teaching as an assistant professor of Computer Science at Carnegie Mellon and commenced his work on the AI program Eurisko.
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Despite some darker tunes and more depressive lyrics, the band stayed true to their mix of puns, mockery and parodies. Of course, the album has enough songs of Hipodil's trademark party-oriented, sex & alcohol-based lyrics and a lot of mockeries, especially with the gay society in "Jenite sa za pederasi" (Women Are for Gays) and with the then-popular Bulgarian pop duet Doni & Momchil in "Moni i Domchil" (the song begins with a Slayer riff after the intro part, which is a parody of the Doni & Momchil song "Umoreni krila"). In "Jenite sa za pederasti", there is a motif from the Judas Priest's anthem "Breaking the Law", expressively added in honour of the British band's frontman Rob Halford. "Hipodili" (Hipodils) was inspired by the mass disorder at a Hipodil's concert in Varna in 1993, during the Alkoholen delirium tour, when all band members along with some people from the audience were arrested.
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Dacia Maraini (; born November 13, 1936) is an Italian writer. Maraini's work focuses on women’s issues, and she has written numerous plays and novels. She has won awards for her work, including the Formentor Prize for L'età del malessere (1963); the Premio Fregene for Isolina (1985); the Premio Campiello and Book of the Year Award for La lunga vita di Marianna Ucrìa (1990); and the Premio Strega for Buio (1999). In 2013, Irish Braschi's biographical documentary I Was Born Travelling told the story of her life, focusing in particular on her imprisonment in a concentration camp in Japan during World War II and the journeys she made around the world with her partner Alberto Moravia and close friends Pier Paolo Pasolini and Maria Callas. – Maraini described her friendship with Moravia, Pasolini and Callas in a foreword written expressively for the German translation of Pasolini's filmscript Saint Paul in 2007 (Dacia Maraini, „Geleitwort von Dacia Maraini“, in: Pier Paolo Pasolini, Der heilige Paulus [original title: San Paolo, 1977], film-script translated, edited and with a critical commentary by Dagmar Reichardt and Reinhold Zwick, Marburg: Schüren Verlag, 2007, pp. 7-10).
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It always involves what modern philosopher-psychologists call absurdism, involving the sense of isolation that comes with the feeling of living in an irrational world in which one must create one's own reason for being. It is a shaky, groundless world in which catastrophe, personal and social, seems imminent – a godless world in which there is no net to catch one after one falls from grace. The sense of gracelessness become peculiarly graceful pervades Reichert's eccentric lines and forms, adding to the feeling of absurdity that informs Reichert's works. But however one might categorize them stylistically and expressively, what strikes me as particularly meaningful is their uncanny abstractness, self-evident in the Mechanics of the Universe, 2012, subtly evident in the figural works, be the figure a naked body, as in the wraith- like Yellow Nude, 2002, or a vessel, which has a body of its own, and is a symbol of the human body at its most intact. The philosopher Alfred North Whitehead said that abstraction is a “process of emphasis, and emphasis vivifies life,” which is certainly what Reichert's art does. More pointedly, he said that it is “a stripping bare…in order to intensify,” and Reichert's paintings are certainly intense.
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