How to use stagily in a sentence? Find typical usage patterns (collocations)/phrases/context for "stagily" and check conjugation/comparative form for "stagily". Mastering all the usages of "stagily" from sentence examples published by news publications.
His timing is stagily perfect, since Levinson needs help out of this jam.
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The snaps that Brandt took on the wing as a much younger man, in the 1930s and 1940s, on the other hand, remain as stagily impressive in their way as ever.
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'The Washington Post wrote the Adams "speak-sings his way through" the song while Streisand is unrestrained. The Buffalo News said Streisand is "fascinating" on the song. The Virginian Pilot deemed it "devoted". Star Tribune thought it was "stagily romantic" in which Adams is "full of purring sweet talk but doesn't really throw any sparks".
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Upon release, the film received wide critical acclaim and won several awards. The film is considered to be structured like a novel. Gowri Ramnarayan of The Hindu criticised the films for being too long, "overloaded with messages, unevenly structured, stagily concluded" but also appreciated it for "its sincerity, teamwork in the cast", and "vivid evocation of the past with smells intact". The filmmaker duo Bhave–Sukthankar consider Vastupurush as their "important and favourite film".
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However, Rooney went on to say "Fault lies with both Hodges' workmanlike script and Curtis' failure to excavate much psychological depth." He added My Week with Marilyn is starchy and short on perspective, making it "superficial showbiz pageantry." Ronnie Scheib of Variety said My Week with Marilyn "flits uneasily between arch drawing-room comedy and foreshadowed tragedy" and is too stagily directed by Curtis, who lines up the characters with "no attention to spatial logic or rhythmic flow." Scheib added the film coasts on Williams' performance, while the story feels like it has been ripped from film fan magazines of the time.
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The Times thought that Bond was "backed up by sound writing" by Fleming; the critic thought that although the plot was grandiose "it sounds—and is—fantastic; the skill of Mr. Fleming is to be measured by the fact that it is made not to seem so". For The Times Literary Supplement, Michael Robson considered that "a new Bond has emerged from these pages: an agent more relaxed, less promiscuous, less stagily muscular than of yore". Robson added that "the story, too, is more relaxed". Robson saw this as a positive development, but it did mean that although "there are incidental displays of the virtuosity to which Mr. Fleming has accustomed us, ... the narrative does not slip into top gear until Goldfinger unfolds his plan".
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