His sculptures feel obviously indebted to Pee-wee's Playhouse, though turned more campily grotesque — his creations include a vomiting version of the beloved Chairy.
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But the series climax, "Battle of the Billionaires," is so campily homoerotic, so rife with heat and humiliation, that it's a critic-proof fever dream.
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The most realistic view of modern American nation-building comes from War Games, the 1983 film that campily skewered the Cold War nuclear dogma of mutually assured destruction.
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Throwing a wrench into Lewis's career plans "livens up the mysteries, which are as hard to follow and as campily gothic as ever," Mike Hale wrote in The New York Times.
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" Call her a calculating witch, we get "I Did Something Bad," in which she campily plays the part, particularly well in the booming chorus: "They say I did something bad / Why's it feel so good?
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It's a good development, giving Mr. Whately something to play besides crotchety but sneakily hip old age, and it livens up the mysteries, which are as hard to follow and as campily gothic as ever.
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As he campily glides around stage, Caldwell's "Shkreli" luxuriates in his loathsomeness, bragging about the possessions his millions of dollars have helped him acquire, and making it clear he cares not a whit if his antics offend anyone — or everyone.
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The calendar, a collector's item that is produced annually and delivered free to a select group of high-powered clients and members of the fashion elite, is the second in the company's history to subvert its decades-long tradition of displaying scantily clad models in campily suggestive poses.
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Having been the cinematic subject of the male gaze for far too long, women are now gazing back with brutal genre subversions like the shit-talking fetus in Alice Lowe's Prevenge, cannibalism-triggering Brazilian waxes in Julia Ducournau's Raw, and a sorceress' campily villainous thirst for dick in Anna Biller's The Love Witch.
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The first season of Feud received highly positive reviews, with major praise for Lange and Sarandon's performances. On review aggregator Rotten Tomatoes, the first season has an approval rating of 91% based on 84 reviews, with an average rating of 8.1/10. The site's critical consensus reads, "While campily and sweetly indulgent, Feud: Bette and Joan provides poignant understanding of humanity, sorrow, and pain while breezily feeding inquisitive gossip-starved minds." On Metacritic, the season has a score of 81 out of 100, based on 44 critics, indicating "universal acclaim".
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A later Village Voice feature story acknowledged Musto's breaking item. The movie "Party Monster" (2003) includes reference to a Musto item, and Musto has appeared in many related documentaries, including "Disco Bloodbath" and A&E;'s "American Justice," as well as several Geraldo Rivera shows, where he had long been the expert on club kids. Discussing topics like gossip and nightlife, Musto also appeared on daytime talk shows hosted by Sally Jessy Raphael, Joan Rivers, Ricki Lake, Richard Bey, Gordon Elliott, and Mark L. Walberg. In 2001, Musto appeared in a groundbreaking ad campaign for Fortunoff in which he sported a wedding veil, campily promoting the possibility of same-sex marriage.
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