Mom is a mountain in "Longyarn," the uninhibitedly shaggy new comedy from Banana Bag & Bodice.
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We felt ready to talk uninhibitedly about sexual assault, abortion laws and unpaid internships via our music.
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Nick Merrill, the traveling press secretary for the Democratic presidential candidate, tweeted a snap of Clinton uninhibitedly displaying her excitement upon learning the news on her campaign plane.
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Ms. Childs's "Grande Fugue" is cool, spare, spatially complex; Ms. De Keersmaeker's "Die Grosse Fuge" (1992) is abstract yet theatrical; Ms. Marin's "Grosse Fugue" (2001) is intensely, uninhibitedly emotional.
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After decades of Western-educated and emotionally constricted Indian leaders, Mr. Modi uninhibitedly participates — whether speaking tearfully of his poverty-stricken past or boasting of his bromance with Barack Obama — in digital media's quasi-egalitarian culture of exhibitionism.
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The training involves making the submissive – who often may be shy and embarrassed – overcome those emotions, shifting their mindset so that they instinctively act more provocatively and uninhibitedly. The training may include training the submissive to pose provocatively, such as spreading their buttocks or exposing their genitals, and making them instinctively assume certain such positions in certain situations.
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This is what I think is so > sinister about the whole thing. This man chose to debase that, to debase > that commodity that is so essential in gathering information in an open > institution. And I think he betrayed everything that we try to represent in > making information available as freely and as uninhibitedly as possible. And > I think that’s what really just enraged me, to think that this man took > advantage of that kind of access.
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Conversation is continually interrupted by the telephone on which Piggie and later Peter and Clare are called to talk to other friends, which they do uninhibitedly, to the confusion of the Wadhursts. At one point, Burnham rises and tries to give Peter a long roll of cardboard, but is thwarted when Peter is again called to the telephone. The conversation is interrupted again when Piggie takes a call from Mrs. Rawlingson, who apologises that she and her husband cannot come after all.
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In his introduction to The Annotated Huckleberry Finn, Michael Patrick Hearn writes that Twain "could be uninhibitedly vulgar", and quotes critic William Dean Howells, a Twain contemporary, who wrote that the author's "humor was not for most women". However, Hearn continues by explaining that "the reticent Howells found nothing in the proofs of Huckleberry Finn so offensive that it needed to be struck out".Mark Twain and Michael Patrick Hearn, 8. Much of modern scholarship of Huckleberry Finn has focused on its treatment of race.
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" Influenced by Paul Klee's work and thoughts on art, an element of surreal fantasy and a focus on the concept of metamorphosis evolved in Dizi's work in the wake of the clown theme. "Klee’s words resonate as my brush caresses canvas. I mix and manipulate paint to lure powerful images from invisible realms of mystic introspection. Pigments are intensified and muted to evoke emotions from subliminal depths, illustrate evolution, expose nature’s stark reality and uninhibitedly bare its lyrical and gruesome aspects in a spectrum of vivid, glowing colors.
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Falomir, 66–67; Prado, quoted; McIver, 18–19 Radiography reveals that Titian made alterations during the painting's execution. Originally the work was more daring; Venus lay uninhibitedly with her gaze fixed on the musician, which none of the versions discussed here have. Probably the client or the artist thought that the arrangement was too provocative, so Venus' head was turned, and a lap dog added to give her something to look at, and also touch, so reinforcing any allegory of the senses that might be intended. Venus is now given a more passive role.
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Wieland guides his dancers to achieve 'unpredictable, improbable feats and configurations' employing his riveting movement vocabulary which exhibits his architecturally driven understanding of bodies and space. The performers equally serve as conduits for the emotional atmosphere in the perilous landscape of contemporary urban life that Wieland meticulously, exhilaratingly, uninhibitedly explores in his works. The result is a richness of unconventional, explicit ideas presented with baffling technical agility and visually arresting images by his company. As part of his integrated approach to performance art, Wieland has evolved a rigorous developmental process to explore various situations of causality.
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Martha has acquired all the professional skills necessary to succeed in our post-industrialist society, yet she has retained from her childhood at least some of her emotional and sentimental inclinations. Although she has become scheming, calculating and ruthless in her professional life, she is still able, at times, to listen to her heart – especially in her relationship with Paul Harrison, the "Ideas Catcher". This ability of hers also helps her cope with old age back in rural Anglia. By having his characters uninhibitedly subvert all of England's long-standing customs and traditions, Barnes inadvertently also collects, registers and critically assesses these myths.
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Several months later, the finished album was leaked online, but the band did not release it earlier, despite previous comments. In late 2004, "Mercy", an unreleased track taken from the How to Dismantle an Atomic Bomb sessions, surfaced on the Internet through a fan who had been given a copy of the album containing the extra track. The track is of less than standard audio quality, but managed to become a favorite on fan websites. It was cut from the final release, but was described by Blender as "a six-and- a-half-minute outpouring of U2 at its most uninhibitedly U2-ish".
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In 1960 the Sharpeville massacre and consequent State of Emergency, during which several Liberal party members were detained, changed the outlook of the party. Another factor was the use of simultaneous translation equipment at party congresses, which enabled black rural members to speak uninhibitedly for the first time. In the 1960s, therefore, the Liberal Party stood unequivocally for a democratic nonracial South Africa, with "one man, one vote" as its franchise policy. The Liberal Party also supported liberal candidates in the Transkei bantustan elections, and helped its rural members and others, especially in Natal, to resist the ethnic cleansing brought about by the implementation of apartheid.
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This important ritual is called 'Bathing the Buddha'. The completion of the 'Bathing the Buddha' ritual serves as the signal that encourages ordinary mortals to themselves engage in mutual water splashing. Accordingly, people flock to the streets with pots, pans, bottles, or whatever, where they uninhibitedly splash, spray and douse each other with water, with the same gusto with which Westerners engage in a good snowball free-for-all. The Water Splashing ceremony, however, is more than just good-natured fun; it also contains a religious element: water is regarded by the Dai as a symbol, firstly, of religious purity, but also of goodwill among people.
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These films gave her recognition and drew the attention of independent filmmakers looking for an "effortlessly natural" actor and a "quintessential Indian face". In 2005, only two years into her arrival as an actor in the Indian film industry in Mumbai, and in the wake of a media sting operation that brought acts of incredulous unprofessionalism of Bollywood "power-positioned" personalities to the forefront of intense media discussions and debates, politically incorrect but honest, Rahmani uninhibitedly contributed to public awareness in the controversial matter by authoring a genuine and journalistic personal account of ungentlemanly behaviors she had experienced. The article was lauded and published by Outlook Magazine (10th anniversary edition) and The Times of India.
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The other sages were Xi Kang his lover,Hinsch, 70 Shan Tao (山濤), Liu Ling (劉伶), Ruan Xian (阮咸), Xiang Xiu (向秀), Wang Rong (王戎). They created an image of wise men enjoying life rather uninhibitedly, realizing the old dream of a Daoist concord of free men who are gifted with hidden wisdom “to be together, not being together” and “act jointly, not acting jointly”. The wine goblet, which became a symbol of being accustomed to “contemplating many wonders” pertaining to Daoism, united them even more than any principles. Ruan Ji talked in his works about “remote” things but about the “Bamboo Groove” he remained silent, although the group became the main focus of his searches for free and frank friendship.
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There are four frequent Slovene names for short prose fiction (slika 'portrait', črtica 'sketch' – both prevailing 1890–1910 –, povest 'tale', zgodba 'story') and three standard names for long fictional narratives (povest, roman 'novel', novela 'novella'). Concerning long narratives, the term povest is considered to be nationally specific. It is predictable for the narrative lengths of 20,000–45,000 words, growing longer in time, it is plot-oriented, uninhibitedly didactic, written for uneducated lower-social-class readers and hence of minor artistic value. This definition, though controversial in its axiological part, is suitable for the majority of tales published in the series Slovenske večernice (Slovene Evening Tales) by the popular Catholic publishing house Mohorjeva družba (Hermagora's Society), in very high circulation, reaching 80,000 at the end of the 19th century, aiming the population of total 1,300,000.
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