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"emptily" Definitions
  1. without showing any feeling or emotion
  2. in an unhappy way because there is nothing interesting or pleasant to look forward to
  3. with no meaning
  4. in a way that shows there are no people or things inside

32 Sentences With "emptily"

How to use emptily in a sentence? Find typical usage patterns (collocations)/phrases/context for "emptily" and check conjugation/comparative form for "emptily". Mastering all the usages of "emptily" from sentence examples published by news publications.

It was not a "rotten structure," as he emptily claimed.
About how emptily delicious and briefly satisfying a Big Mac from McDonald's is.
When it ended, the tape flapped emptily as the reel spun around the capstan.
These teens don't emptily parrot these sentiments, Bob says, but start exploring and researching it in their own lives.
As Mr. Kaufmann did at the Met a few years ago, he wanders a bit emptily through the title role.
"They're us, that's all," Peter (Ken Foree) says mournfully, watching brainless ghouls wander emptily around the mall in 1978's Dawn of the Dead.
It's a commitment to redemption that reminds you that the novels directly channel the life; there's nothing arid, nothing emptily philosophical in her considerations.
There will be no one from the prize foundation to straighten out the misunderstanding; the poor Ess voices will echo emptily up to the lobby chandelier.
Sporting a tracksuit and Real Madrid parka, Jamel is standing between the swimming pool's gate and a police truck, emptily staring at the roundabout down the road.
The edits snap, the colors pop and the cinematography serves the performances and the story rather than embalming them in an emptily showy, self-regarding directorial conceit.
The innocent-looking male romantic lead of White Nights, Park Gun-woo (played by Jin Goo), is a figurehead who's strung along emptily, and betrayed at every turn.
Cut prescription drug prices President Trump emptily promised to lower the skyrocketing costs of prescription drugs, and Democrats can help him achieve that with their edge on health care.
Once poli­ticians would emptily pretend to have thought about an issue and ''evolved'' toward a new position, even as it was obvious to all observers that the move was strategic.
Trump has pivoted emptily in an attempt to make the pandemic something he can fight—malicious gossip, then a media conspiracy, then a crudely racialized threat, and finally a pseudo-war.
I'd always been good at doing nothing, but, since I'd quit smoking, staring emptily into the distance had become the only thing I could do without wanting a cigarette too badly.
It proves that for some people nightclubs can remain positive places; that it's possible to grow with the experience and not just find yourself emptily trying to recreate the magic of what-once-was.
It's unclear, though, if the vividly staged and shot results — with their chases, poses, negative space and sexploitation vibe (we're a long way from Antonioni) — were supposed to be this silly and emptily decoratively.
The stylishly murderous and emptily enjoyable movie is a wish-fulfillment feature about a Detroit comic store employee named Clarence (Christian Slater) who meets his perfect woman, Alabama (Patricia Arquette), and embarks on a bullet-strewn criminal adventure with her.
Watch: Angel Haze on Striving, Struggling, and Surviving As Morrissey—and the many distinguished novelists who've won Literary Review's annual Bad Sex in Fiction Award—can attest, it's hard to write about sex without sounding sappy, mechanical, or emptily pornographic.
The Obama administration's weak offering to take in 10,000 more Syrian refugees in the next fiscal years only looks generous in contrast to the Islamophobic, isolationist invective of Donald Trump, and the U.S. governors who emptily threatened to block entry to all Syrians seeking asylum.
Decades later, as we all are trapped in a political discourse that emptily refers to empathy and knows enough to speak about trauma, but only in the abstract, and in which there appear to be "sides" on the question of what is the most ethical way to imprison children, "Stone Butch Blues" is exactly the book all of us should be reading.
He manages to be, as Hua Hsu pointed out in a recent New Yorker article, an "Asian Everyman" who plays down "identity politics" and opts for an almost anachronistic message about everyone coming together — one that, in its rosy vagueness, contrasts with the rest of the field's willingness to dive, however emptily, into thorny questions about busing, reparations or gender equality.
A visceral depiction of self-reckoning is found on "Rifles and Rosary Beads" (Mirrors frighten me / I don't recognize what I see / A stranger with blood on his hands / Brother, I'm not that man), "Bullet Holes in the Sky" is a sad yet sassy retort to those of us who emptily salute veterans on Veterans Day (They thank me for my service and wave those little flags / They genuflect on Sundays and yes, they'd send us back), while "Iraq," one of two songs to explicitly deal with what it is to be a woman in the military.
It requires less effort, too, to cachinnate than to chatter ever so emptily.
The elevator once again operates and goes to the parking garage. When the doors open, Ellen drops her knife and faces the garage. She hears voices ahead telling her to hold the elevator open for them, and soon a large group of people run toward her direction shouting and screaming, fleeing from something behind them, implying that what Hank first told Ellen and Ben was true and monsters were indeed attacking. The people squeeze past Ellen as she grins emptily, implying they will be Ellen's next victims instead.
John Gielgud, long-time colleague and friend In 1970 Richardson was with Gielgud at the Royal Court in David Storey's Home. The play is set in the gardens of a nursing home for mental patients, though this is not clear at first. The two elderly men converse in a desultory way, are joined and briefly enlivened by two more extrovert female patients, are slightly scared by another male patient, and are then left together, conversing even more emptily. The Punch critic, Jeremy Kingston wrote: The play transferred to the West End and then to Broadway.
She repeatedly and emptily assures him she will. At a party one night, Jason meets another former punk who tells him that Jim Cassady has recently been spotted, homeless and panhandling on the streets of Hollywood. This is the first sighting of Cassady, as far as Jason knows, since Rule of Thumb disbanded in the early 80s. Jason has always been mystified and intrigued by Cassady's disappearance, and he determines to find him, eventually discovering that Cassady is now living in a bleak Los Angeles suburb with his elderly mother.
McComb said of the recording, "All of these songs are hysterical exercises to try and deceive people into thinking that the narrator is feeling one way, when it can be a damning indictment of the narrator of the song. He’s the person mouthing off, covering up this great big hole. Mr. Butcher it was who said 'bluster emptily', which is the feeling of someone trying to hide an enormous wound by an enormous amount of words." In 1992 the Greek indie band Rest in Peace changed their name to Raining Pleasure as a reference to the record's title track.
Intuition in phenomenology refers to cases where the intentional object is directly present to the intentionality at play; if the intention is "filled" by the direct apprehension of the object, you have an intuited object. Having a cup of coffee in front of you, for instance, seeing it, feeling it, or even imagining it – these are all filled intentions, and the object is then intuited. The same goes for the apprehension of mathematical formulae or a number. If you do not have the object as referred to directly, the object is not intuited, but still intended, but then emptily.
In 1970 Gielgud played another modern role in which he had great success; he joined Ralph Richardson at the Royal Court in Chelsea in David Storey's Home. The play is set in the gardens of a nursing home for mental patients, though this is not clear at first. The two elderly men converse in a desultory way, are joined and briefly enlivened by two more extrovert female patients, are slightly scared by another male patient, and are then left together, conversing even more emptily. The Punch critic, Jeremy Kingston, wrote: The play transferred to the West End and then to Broadway.
As bureaucracy promotes a rationally organized, rule-oriented functioning of society, Kreiss, Finn, and Turner claim that peer production undermines this aspect due to its tendency to encourage individual behavior based on private morality. This tendency, they argue, degrades autonomy by “collapsing public and private boundaries,” allowing people's professional lives to extend into their private domains. Other critics claim that the participatory nature of peer production is apt to generate misinformation and products of inferior quality. In his book The Cult of the Amateur, Andrew Keen assesses peer- produced content on the Internet and asserts that it exists as a “smokescreen” which emptily promises more truth and deeper knowledge, but actually leading to the disappearance of truth.
Publishers Weekly wrote in 1999: > Strauss's narrators, whether telling their stories in the first or third > person, are middle-aged intellectuals and observers resigned to their fates > and often undone by "rare conjunctions" and "borderline encounters." ... > Despite Strauss's beautifully limpid writing, the reader craves more > continuity than is provided, and latches onto the first-person segments > hoping for an engagement that rarely manifests itself. In the end, these > disconnected speeches spin themselves out emptily[.] Noah Isenberg of The New York Times wrote that "Strauss offers redolent musings, sumptuous and refined", although "much of the writing here is marred by its opacity and by tiresome, pretentious rambling that keeps the reader from ever gaining access to the deeper meaning Strauss's work undoubtedly aspires to convey".

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