There is light at the end of the harrowingly long tunnel.
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This, if we're being honest, is neither particularly good nor harrowingly bad.
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The answer is 1917, Sam Mendes' harrowingly stressful World War I movie.
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That sometimes means negotiating a harrowingly narrow path between ethics and patronage.
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There's a polaroid camera in his house, and its purpose is harrowingly specific.
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She takes the standard repertory and makes it seem vividly, sometimes harrowingly new.
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In the documentary, Safechuck harrowingly describes being raped countless times by Jackson at Neverland.
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The young adventurer harrowingly scaled a mountainside, mid-avalanche, with no enemies in sight.
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The film opens with a harrowingly depicted car crash caused by young Jean's psychic powers.
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The installation, having encountered enough visitors to dry up the four dispensers, proves harrowingly empty.
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Michael says he isn't bothered if people think his taste in interior design is harrowingly corny.
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Its subject matter is rape, in the environmental, sociocultural and harrowingly personal senses of the word.
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Despite our material commitment, there is evidence that much is being squandered, misused, and harrowingly abused.
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"Right off of Snapchat in a harrowingly recognizable basement, with our classmates front and center," wrote Ponder.
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She doesn't romanticize the war; some of the Blitz scenes in "Life After Life" are harrowingly gory.
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The setup fragments life and pain into a harrowingly accurate representation of how we remember traumas and frustrations.
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Portraying a sorely tested Southern matriarch, she rails against God and the elements with a harrowingly Lear-like rage.
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A world première by the Baltimore-based composer Michael Hersch harrowingly evoked the spread of cancer in a body.
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That's what registers so harrowingly when the second act begins, with its description of Okot's journey of many deaths.
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The female characters also seem to often be preyed upon by the men and their victimization is made harrowingly real.
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He is also nearly twice the age of many of his rivals at the top of his harrowingly brutal profession.
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Instead, the novel — which fuses magical realism with a harrowingly vivid story of global migration and displacement — feels ominously relevant.
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But the audience squirms more here under unrelenting interpersonal unpleasantness than any violence, with some harrowingly realistic depictions of gaslighting.
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And unless you've had a harrowingly painful IUD insertion, a lot of commonly used methods require consistent use for peak effectiveness.
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The vision is also, perhaps more harrowingly, characteristic of how the idea of Hell has shaped perceptions of our own time.
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Portraying a sorely tested Southern matriarch, she can be found railing against God and the elements with a harrowingly Lear-like rage.
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It might just be a short video, it might literally only feature one actor—Limmy from different angles—but it is harrowingly real.
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At his Boone event, Sanders requested that attendees yell out how much they had in student debt, and a chorus of voices shouted harrowingly high numbers.
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It's a harrowingly Big Brother-ish move by anti-choice government officials that would seem unimaginable—if the federal government hadn't already engaged in similar behavior last year.
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Arriving in the shadow of a divorce, the record is a harrowingly human experience, less like a spooky haunted house than a taxidermy shack full of preserved memories.
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In spite of all she has going for her, she lacks self-esteem because she is dark-skinned in a society Dennis-Benn portrays as harrowingly shade-conscious.
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Bleak it may be, but it is Effie's fief, where she lives to intimidate, get blitzed and get lucky, her biorhythms dictated by cycles of harrowingly described hangovers.
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Many of Gfrörer's stories take the supernatural, or things that are otherwise alien to a modern reader (like the Plague), and rivet them to Earth with harrowingly intimate frustrations.
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CNBC First Class For most travelers flying out of Miami International Airport, the experience is far from glamorous, with harrowingly long lines and — if you're lucky — takeaway from KFC.
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A few details that come to light toward the end of Strong Island make what happened to William harrowingly ironic, and the end of his life even more tragic.
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Furthermore, by neglecting to exercise discretion when deciding on the fate of the United States' undocumented population, the Trump Administration is putting harrowingly innocent lives at risk as well.
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The duo of "Sex Jam One: Sexual Machinery" and "Sex Jam Two: Insect Incest" bookend a harrowingly alienating vision of sexuality that's underpinned by dissonance, skewed melody, and extended metaphor.
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Delving into the underground drag and sex worker scene in Tokyo, the film unfurls in beautiful disarray, offering one of the most harrowingly pure expressions of cinematic queerness in history.
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Shot on 35mm film with rounded corner – which gives the feeling of thumbing through a family photo album – Two for Joy is a harrowingly honest portrait of a trauma-stricken family.
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The first is that poor Americans are obliged to move very frequently, regardless of the circumstances of their district, as the Princeton sociologist Matthew Desmond so harrowingly demonstrated in his research on eviction.
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This was harrowingly evident in Ivo van Hove's stark production earlier this season of Miller's "A View From the Bridge," which transformed a blue-collar Brooklyn apartment into a blood-drenched gladiator's arena.
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As I explored the permanent night of the Rainbow, I realized the 80s had never ended—there, Ronald Reagan was still the president of the United States, a thought I found harrowingly comforting.
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The Jets might have inspired a devastating flight of lyrical fancy from their receiver, but they are not the only NFL team capable of inspiring such strong and distinctive and harrowingly particular emotions.
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Joel Edgerton is haunting as a man driven to extremes to keep his family safe from ill-defined post-apocalyptic terrors; the knife's edge between trust and paranoia has seldom been walked so harrowingly.
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The road offers cyclists two options: an inside track, wherein riders navigate enormous boulders and the broken rubble road, or an outside track free of most obstacles but harrowingly close to a free fall.
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Indeed, the Canadian survey results are harrowingly similar to those in a study we conducted in the United States last year, which revealed a disquieting lack of knowledge about key Holocaust facts among American adults.
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One smaller film not to miss at the fest is Kazik Radwanski's Anne at 13,000 ft, a harrowingly intimate look at a woman (Deragh Campbell) struggling to deal with life and work under increasing psychological pressure.
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With visual austerity and not an ounce of sentimentality, Chukwu transforms a character study into an indictment of institutionalized murder, the horror of which is made harrowingly palpable as Bernadine's face becomes a rictus of pain.
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Pippen is still a workout freak while Jordan is famously a connoisseur of dangerous delights, be they cigars, harrowingly bad jeans, or the long, hard needle of pressure, and so the lifestyle factors bode well/poorly for Scottie.
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This administration continues to perpetuate the narrative that asylum seekers are opportunists — but the countless stories I have heard from immigrant survivors of gender-based violence fleeing unspeakable danger in their home countries paint a harrowingly different picture.
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The first sound in 2014's Heaven Knows What, a harrowingly brutal yet swooningly romantic biography of star Arielle Holmes' life as a homeless heroin addict, is the almost atonal burbling of synths, accompanying a passionate tarmac makeout.
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Yet Fincher and his superb ensemble of actors — including Jake Gyllenhaal, Chloe Sevigny, Robert Downey Jr., Mark Ruffalo, and a particularly chilling John Carroll Lynch — turn the obsession and ruin behind that failure into a harrowingly human drama.
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Rightly or wrongly, many have linked her death to the nature of her work—some of her later photographs, harrowingly beautiful, were taken on the grounds of mental institutions—as though she had paid a price for pursuing forbidden knowledge.
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They ended up with a harrowingly propulsive drama that was a sensation from its premiere: The most moving artifact in the Morgan exhibition is the copy of the "Otello" libretto Giulio Ricordi had with him at the first performance in Milan.
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It's a harrowingly personal gut punch about a pressing issue — the cruelty of the prison-industrial complex and its disproportionate harm of Black people and families — which never defaults to any of the expected formal tropes of an "issue" documentary.
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With peerless craft and technique, Mr. Nolan puts you in the air, on the sea and on the ground during a World War II rescue mission and, once the rescue is over, makes it harrowingly clear that the fight goes on. 280.
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"Gather the Daughters," Jennie Melamed's debut novel, presents a world in which child abuse has been normalized, even sanctified, and in which the salutary pleasures available to girls and women are few and far between — a world in which girls make a harrowingly quick journey from childhood to motherhood to death.
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Then follow the harrowingly narrow main road to the wild east side, making a pit stop for foie gras frites (€12) at the cliffside hotel Le Toiny, where you can lounge poolside and soak up views that stretch a few dozen miles to St. Kitts and Nevis on a clear day.
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The work is mixed — at times it feels like Cao is still figuring out and growing into her style — but the standouts more than hold their own: harrowingly detailed dioramas of a post-apocalyptic town and a romantic video that whirls through Second Life, made by Cao's avatar in the virtual world, China Tracy.
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But to be honest, the lesson was entirely lacking in the highly specific, varied nuances that come not just from having sex, but being sexually active and interested in other people (especially if they're of the same gender) and the myriad of sex-related stuff (trauma, errors, confusion) that comes to harrowingly define your teenage years and early twenties.
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Reality: First message you read when you wake up facedown on your pillow, harrowingly alone and at midday, is an Uber receipt saying somehow you spent $35 getting home last night, and three furious missed calls and a "Fuck it, fine, we're in [pub at least an hour's travel from where you currently are] if you're around" message from the friend you forgot you were supposed to meet this morning, and now you must go about making yourself strong again and tough.
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American journalist and soap opera critic Connie Passalacqua Hayman (pen name "Marlena De Lacroix") briefly summed up the character role: > ... Slezak's 'Viki' is the consummate soap opera heroine, because she has so > harrowingly and humanistically triumphed over all her life's tragedies.
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Billboard Chris Payne wrote that Del Rey's "vocal theatrics and some harrowingly haunting string- laden production draw us in". Esther Zuckerman of Entertainment Weekly said the title track "delivers on its Del Rey-ian promise with a dramatic, retro flair".
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The Down Beat review by Bill Meyer says "this suite encompasses contemporary chamber music, ritualistic vocal incantations and harrowingly violent expressions of agitation. Strings clash, and woodwinds carve out eerie melodies against backdrops that shift mercurially from emptiness to elastic grooves to looming orchestral chasms."Meyer, Bill. Intergalactic Beings review.
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" The Film Stage's B+ review predicted it "would render any parent who ever thought of voluntarily sending their kid away to one of these establishments moot." BT News Network called the film "a harrowingly haunting motion picture," that "incites thought and debate – two things that too few films are daring enough to do." Horror staple magazine Fangoria found Coldwater to be "a satisfying, lasting, and chilling experience." Warren Cole Smith for the politically conservative World News Mag wrote: "Think Cool Hand Luke meets Pulp Fiction, with a touch of The Shawshank Redemption thrown in.
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It was filmed on location at Auschwitz, the first major film to do so. While the film was negatively received, Dafoe's performance was lauded by some critics; Peter Travers of Rolling Stone felt he gave a "disciplined performance" and Janet Maslin thought he was "harrowingly good". Dafoe reunited with Platoon director Oliver Stone for a small appearance in the biographical war drama Born on the Fourth of July (1989). Dafoe played a paraplegic, wheelchair-bound Vietnam veteran who befriends the film's subject Ron Kovic (played by Tom Cruise), another paraplegic veteran.
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Y. State of Mind' After the Towers Fells" Born to Use Mics: Reading Nas's Illmatic., pp. 2010. 117–28. Sohail Daulatzai describes this language as "chilling" and suggests that it “harrowingly describes and imagines with such surreal imagery, with so much noir discontent and even more fuck-you ambition, the fragile and tenuous lives of ghetto dwellers…” Author Adam Mansbach interprets Nas' violent aesthetics as a metaphoric device meant to authenticate the rough edges of his persona: "Nas's world and worldview are criminal and criminalized. Hence, he uses metaphoric violence as a central trope of his poetic.
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On the 6th, while Tulagi was anchored at Kerama Retto for rearming, a Japanese air attack penetrated air space over the harbor. The carrier took one of her attackers under fire at 4,000 yards, but the Japanese plane came harrowingly close before turning aside to dive into a nearby LST which burst into flames 200 feet high. Minutes later, Tulagi shot down another attacker and chased off a third with her accurate fire. The next day, Tulagi resumed her station off Okinawa, providing planes for air strikes called in by ground observers and for running photo- reconnaissance and patrol missions.
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As Kramden, Gleason played a frustrated bus driver with a battleaxe of a wife in harrowingly realistic arguments; when Meadows (who was 15 years younger than Kelton) took over the role after Kelton was blacklisted, the tone softened considerably. When Gleason moved to CBS, Kelton was left behind; her name had been published in Red Channels, a book that listed and described reputed communists (and communist sympathizers) in television and radio, and the network did not want to hire her. Gleason reluctantly let her leave the cast, with a cover story for the media that she had "heart trouble". At first, he turned down Meadows as Kelton's replacement.
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Bryant observes an epistemological dimension to the story, as Delano admires the black race not for its humanity but for its perceived servility. This prejudiced view renders Delano unable to see the black people's ability to revolt and unable to understand the slave ship's state of affairs. The issue is "not his lack of intelligence, but the shape of his mind, which can process reality only through the sieve of a culturally conditioned benevolent racism," and Delano is eventually "conned by his most cherished stereotypes."Bryant (2001), xxxii Berthoff sees a contrast between Delano and Don Benito's "awareness," caused by the "harrowingly different circumstances" through which they come to meet each other.
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After All These Years was recorded in producer's Norbert Putnam's 1875 mansion the Bennett House In Franklin, Tennessee. After the glossy production of Newbury's last album The Sailor, After All These Years was a return of sorts to the orchestrated melodies and haunting song suites of his earlier albums. "The Sailor", which had been left off its namesake album, features a harrowingly darker sound that hearkens back to Newbury's earlier work, "painted with broad strokes and with metaphorical allusions to heaven, hell, and earth." For the most part, the songs contained on the LP speak to a longing for the old days, but with more optimism than on Newbury's Frisco Mabel Joy album, which explored the same theme.
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" One of the film's strongest detractors was Time Out magazine's Keith Uhlich, who called the film "war porn of the highest order". Geoff Pevere wrote in his review for The Globe and Mail, "The sensation of being pinned down and shot apart is so harrowingly conveyed ... that one almost forgives the movie's failure to be quite as persuasive in almost every other respect." While praising the film for its visuals and sound effects, as well as Berg's atmospheric direction, Kyle Smith of the New York Post gave Lone Survivor a mixed review. Smith concluded his review by describing it as "a movie about an irrelevant skirmish that ended in near-total catastrophe, during a war we are not winning.
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Tim Turi from Game Informer praised its high replay value, jump scares, well-executed lighting, dark, unpredictable world, as well as the sounds of enemies, but criticizing the distracting texture pop-in and disappointing story. He summarized the game as "an unnerving experience that keep your palms sweaty while delivering a harrowingly rewarding gameplay trial." Shaun McInnis of GameSpot spoke well of its striking atmosphere, tense combat that encourages resourcefulness, and rewarding skill progression system, but criticizing the nonsensical story and forgettable characters, autosave system, and a few frustrating boss fights. As the aspect ratio of the game received criticism, a patch was released on June 23, 2015 that allows players to play the game in full screen.
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The scene showing the little girl's mother in her wake, with her lips sewn shut. Author Leslie C. Dunn declared it as one of the most troubling shots in the history of mainstream music videos. The music video was filmed during the last week of October 1989 at Culver Studios in Culver City, California, and was directed by David Fincher, who worked with Madonna in her video for "Express Yourself". Described by Carol Clerk, author of Madonnastyle, as "harrowingly autobiographical", the video was shot entirely in black-and-white and recreates the death scene of a young woman, exploring the tempestuous relationship that ensues between the husband and the daughter she has left behind.
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That fiddle floating in the background offers a portrait of loneliness and rage that is unbridled and self-destructive in the classic honky tonk style." In the liner notes to the 1999 Sony reissue of the album (which paired it with 1976's The Battle), Daniel Cooper writes that "I Just Don't Give a Damn" "hearkens back to the sort of material Jones's idol Hank Williams used to write when Hank was feeling his most embittered. In his prolific career, Jones has made dozens of bone-chilling recordings that languish as forgotten, seemingly throwaway album tracks and B-sides...Yet all these years later 'I Just Don't Give a Damn' rings harrowingly true and honest, like a sketched, 3 a.m. self-portrait by one of America's greatest artists.
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In the waiting room the next day, David gets into an altercation with an elderly patient who has never heard of Al Bowlly. By the time he is finally called to see Dr Chilton (Anthony Bate), David is agitated by the older man's ignorance – especially as today is the anniversary of Bowlly's death. The doctor's calm demeanour, however, soon puts David at ease and, with some difficulty, David explains that his mother died six weeks earlier after having nursed her throughout his adult life and harrowingly recounts how, at the age of ten, he was abducted by a stranger and sexually assaulted. Alongside these traumatic events, David hints as some "wicked" acts he has committed but Chilton stops him before he can elaborate on these and prescribes him some anti-depressants.
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The Provenance ran from 1995 to December 2008, where the band announced on their MySpace page that a mutual decision to split up had taken place: > "We all felt it would be wrong to continue our musical endeavors within a > concept that sadly grew tired and weary to us...We thought it better to call > it quits while we were at our peak rather than push forward making a new > album that would undoubtedly have lowered the flag at half staff." The band released a series of demos, followed by four full-length studio albums, one of which released a single. Their last album, Red Flags, received good reviews from critics, and was called 'harrowingly seductive' by Terrorizer Magazine. A track from Red Flags called 'At The Barricades' was featured on the Metal Hammer Peaceville Records promo sampler in 2006.
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The Holocaust has been the subject of many films, such as Night and Fog (1955), The Pawnbroker (1964), The Sorrow and the Pity (1969), Voyage of the Damned (1976), Sophie's Choice (1982), Shoah (1985), Korczak (1990), Schindler's List (1993), Life Is Beautiful (1997), The Pianist (2002) and The Boy in the Striped Pyjamas (2008). A list of hundreds of Holocaust movies is available at the University of South Florida, and the most comprehensive Holocaust-related film database, comprising thousands of films, is available at the Yad Vashem visual center. Arguably, the Holocaust film most highly acclaimed by critics and historians alike is Alain Resnais' Night and Fog (1955), which is harrowingly brutal in its graphic depiction of the events at the camps. (One of the more notable scenes shows Jewish fat being carved into soap.) Many historians and critics have noted its realistic portrayal of the camps and its lack of histrionics present in so many other Holocaust films.
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In its review, The New York Times praised the performances of Dafoe ("harrowingly good") and Robert Loggia ("a memorably physical performance"), but complained that the film overall is "thoroughly mundane", obvious and sentimental, also singling out for criticism the "outstandingly intrusive score". Also taking note of the "intrusive score", Rolling Stone found all of the cast melodramatic with the exception of Dafoe's "disciplined performance" and dismissed the film as "earnest but woefully misguided". Time Magazine noted that the film "is too respectful of its subject to find more in it than noble cliches", highlighting Young's "bland direction" and concluding that "[t]he film's only and considerable virtue lies in its documentation of the desperate strategies people devised to stay alive in the death camps." Roger Ebert of the Chicago Sun-Times felt that, by showcasing the fights and expecting viewers to root for Arouch, the filmmakers in effect force audiences to behave no differently from the Nazis in the story.
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Much of the chapter is spent examining Colonel Ross' thoughts while he perfunctorily reviews his seemingly routine daily paperwork, which he has brought with him on the brief visit. Two memoranda foreshadow major incidents in the storyline: the arrival of officers of Project 0-336-3, a group of African-American pilots slated to form a bombardment squadron; and an ever-expanding grandiose plan by another problem colonel (this one General Beal's own Executive Officer) to hold a surprise birthday parade ceremony for General Beal on Saturday using numerous military aircraft and troops in a flyover. The opening segment ends when the general's AT-7, in the midst of the harrowingly described turbulence of a nighttime thunderstorm, barely avoids a mid-air collision with a B-26 bomber landing at Ocanara. After an angry exchange with his own co-pilot, in which he impetuously has the co-pilot arrested, General Beal is distracted while mollifying Colonel Ross; his co-pilot confronts the bomber's crew, who are all African-American, and punches the black pilot in the face.
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