129 Sentences With "pictorially" | Random Sentence Generator

The way we pictorially show this is through an infinity symbol.

The ballot presents this pictorially, as a choice between five little traditional houses or one.

By history I mean attention to what paintings do, how they operate pictorially, how they communicate.

Pictorially, it is one of the most open of Schapiro's works, the least confined by geometry.

From a long list we shortlisted about 6-8 really well-known parks we could represent pictorially.

He likes darkness, pictorially and of the soul, and in Getty Sr. he has a magnificent specimen.

Robin F. Williams's third show of paintings at P.P.O.W in Chelsea is a direct, pictorially savvy hit on the multilayered sexism of modern life.

"The Death of Europe" and "Maximus, to himself" are apt representations; pictorially tortuous, the script pendulates from side to side in waves of black ink.

It falls to the actors to endow this highly symbolic, pictorially overloaded environment with a sense of human reality — with flesh and blood and feeling.

That confidence about technical progress is pictorially rendered in Benjamin's beloved painting, Paul Klee's "Angelus Novus," (1920) which he purchased from his friend Gershom Scholem.

If one views the text in the back room, one can begin to understand why William believes it necessary to pictorially rehearse the action of insurrection.

The third is that Larsen pictorially manipulates the body as if it were a sectioned puppet, with every part capable of performing action that ostensibly conforms to its geometric structure.

"The model...may have undergone procedures twice over — first physically by means of surgery and through the conditioning processes of sport and dieting, and second pictorially by means of computer graphics," Alac writes.

That's because everyone's once-favorite way to pictorially say haha omg that shit is so hilarious I'm crying right now, the so-called "Tears of Joy" emoji, has experienced a major falloff in use.

He'll serve as executive music producer of A&E's ambitious remake of the miniseries ''Roots'' and is contemplating launching a line of T-shirts that pictorially spell the names of his favorite albums — an idea inspired by Egyptian hieroglyphics.

In some cases, such as "Woman with Outstretched Arms" (1961), the work has one element that pictorially is represented as an appendage, but conveys the sense of it being an "arm" because it is attached to the main "body" by a small joint.

The top portion, with its pink field and green tints, is painted with a flat, poster-like rigidity, while the undulating curves in the middle increase in size as they reach the band's bottom edge, creating a pictorially dissonant, perspectival illusion of receding space.

The German artist Maria Bussmann, who holds a doctorate in philosophy from the University of Vienna, presented a selection of drawings at Frosch&Portmann derived from a concordance to Ludwig Wittgenstein's Tractatus Logico-Philosophicus, in which sometimes literal, sometimes far-flung associations with individual words are rendered pictorially.

Among many, many other majestic dogs, cats, reptiles, and rodents, I follow Japanese toy poodles that all have better hair than I do and a chihuahua that is frequently pictorially staged as just about to take a train ride ride, wearing a wide-brimmed straw hat like a woman on the run from her messy yet vaguely glamorous past.

The meal began with a pictorially perfect tray of amuse bouches: thin-cut strips of yellowtail stomach dressed in a vinegar-miso sauce, which tasted smoked though they weren't, along with a small pile of herrings fermented in the dregs of sake, and a handful of fresh snap peas, each dabbed with tiny blobs of black sesame pesto.

The mother is made a surreal figure with an extended rectangle for a head, two lifted plates with holes for her breasts, one leg a straight rectangle with a bend to make a knee while the other leg is a strangely bent and angled trapezoid that structurally acts as support for the piece but pictorially makes her a grotesque figure.

Land case 183 SD, page 86; land case map D-1202 (Bancroft Library)."6 L.D.K."Shows drainage, buildings, etc.Relief shown pictorially.4362 L5292 Creator/Contributor: Ardisson, Esteban.

Land case 236 SD, page 29; land case map A-1272 (Bancroft Library).Shows drainage, boundaries, adjoining ranchos, etc.Relief shown pictorially and by hachures. Creator/Contributor: United States.

Users have written prose about their experiences;Lizard 2001.Siebert (Arts) some describing their visions pictorially, and there exist examples of visionary art which are 'salvia-inspired'. Others claim musical inspiration from the plant.

Buckley, p.426. Ainsworth's novel was adapted into a successful play by John Buckstone in October 1839 at the Adelphi Theatre starring Mary Anne Keeley. It has been described as the "exemplary climax" of "the pictorial novel dramatized pictorially".Buckley, p.

Illustration of the structure of the Tractatus. Only primary and secondary statements are reproduced, while the structure of the rest is indicated pictorially. There are seven main propositions in the text. These are: # The world is everything that is the case.

The back side pictorially describes rituals that involve counted bundles in front of deities. The rituals are intended for obtaining good luck and protection in several activities. Similar scenes are found in the codices Fejérváry-Mayer and Laud.van der Loo, Peter Lodewijk.

Semiconductor manufacturers can then fabricate integrated circuits on the top layer of the SOI wafers using the same processes they would use on plain silicon wafers. The sequence of illustrations pictorially describes the process involved in fabricating SOI wafers using the smart cut technology.

His contributions are also reported in the conversion of the Durbar Hall Ground in Kochi into an art gallery. He has embarked on a self appointed mission of pictorially documenting the cities of Kerala; the project, titled Nagarangal (The Cities), has been started with Kochi.

It has been described as the "exemplary climax" of "the pictorial novel dramatized pictorially".Buckley, p.438, quoting Meisel, p.265. The story generated a form of cultural mania, embellished by pamphlets, prints, cartoons, plays and souvenirs, not repeated until George du Maurier's Trilby in 1895.

Ceramics were usually stained black, although there are some variations. Lighter ceramics were also produced in smaller quantities. The characteristic brightness was obtained by rubbing with a rock that previously had been polished. Many animals, fruits, characters, and mystical entities have been represented pictorially on Chimú ceramics.

" Variety called it "Hollywood at its very best. The story certainly could not have been presented as powerfully through any other medium." Film Daily wrote, "This is one of the most important productions since the inception of talking pictures. It is grim, gripping and pictorially perfect.

The Los Angeles Times called it "a silk-and-satins sex jaunt.. Raft, light on his feet but heavy on his lines, makes an ideal type pictorially for the role." The New York Times called it an "episodic story" adding "Raft is a vivid and pictorially interesting type, rather than an actor in the technical sense, and consequently he proves unequal to the full implications of the fame-hungry dancer. The exterior attractiveness which Mr. Raft brings to the rôle gives "Bolero" considerable color, nevertheless, and the film, without coming close to realizing the real possibilities of the story as an overpowering study of megalomania, does manage to be moderately entertaining." The film was a box-office hit.

She wears a large red and white plume which pictorially acts to frame her face. Her left hand holds a large and elaborately folded white cloth, whose description, in its attention to line and abandonment of scale, has been described by art historian Antonio Domínguez Ortiz as "worthy of El Greco".

The Los Angeles Times described it as "a delightful tour through Japan."'Escapade in Japan' Interests Pictorially G M W. Los Angeles Times 12 Dec 1957: B18. The New York Times said it was "simple but delightful."Boys Run Away With 'Escapade in Japan' New York Times 24 Dec 1957: 11.

The bricks of small regular size are held together with an organic mortar of unknown composition (plant sap?). Originally the towers were covered by white stucco; remains of it can still be seen. Two of the towers are pictorially covered by roots. The five towers are surrounded by an enclosure.

Wiórek's likeness is depicted pictorially in the stained-glass windows of the Church of Our Lady Revealing the Miraculous Medal located in the Olcza district of the city of Zakopane (the Parafia Najświętszej Maryi Panny Niepokalanej Objawiającej Cudowny Medalik).Sanktuarium MB Objawiającej Cudowny Medalik, os. Piszczory 13, 34-502 Zakopane-Olcza (see online).

Pictorially, it is almost always a delight; in particular, I liked the recurring shots of the neat white chateau, reflected in its lake so that the whole thing looked like a double doll's-house. Mr Goring plays a difficult part with great integrity and just the right mixture of tenderness and chill.

The quantum corrections can be incorporated into a Monte Carlo simulator by simply introducing a quantum potential term which is superimposed onto the classical electrostatic potential seen by the simulated particles. Figure beside pictorially depicts the essential features of this technique. The various quantum approaches available for implementation are described in the following subsections.

There was a third principle that followed from the former that came to light during the Crystal period, again according to Green: "the principle that nature should be approached as no more than the supplier of 'elements' to be pictorially or sculpturally developed and then freely manipulated according to the laws of the medium alone".

A number of his letters have been reprinted with their illustrations in Yours Pictorially, a book edited by Michael Hutchings. In 1870, a painter friend in London, Thomas Armstrong, put Caldecott in touch with Henry Blackburn, the editor of London Society, who published a number of his drawings in several issues of the monthly magazine.

The magazine was published quarterly. (not only) Black+White was a pictorially led publication that became an internationally acclaimed visual arts magazine showcasing the world's best image makers. It included interviews with celebrities and features on popular culture and current events. The magazine gained notoriety for publishing nude photographs of mainly Australian celebrities, athletes, pop and soap stars.

For fifteen years Nolan had wanted to shoot in the IMAX format, and he also used it for "quiet scenes which pictorially we thought would be interesting". The use of IMAX cameras provided many new challenges for the filmmakers: the cameras were much larger and heavier than standard cameras, and produced noise which made recording dialogue difficult.

Von Arx was born in a town called Niedergösgen (Kt. Solothurn) near Zurich, Switzerland. In 1933 her family moved to Zurich, where she attended school including graduating from a trade school for women in 1947. She was restless and curious by nature and according to her daughter, fascinated by stories, whether they be spoken, written or depicted pictorially.

By construction, the ground state of the AKLT Hamiltonian is the valence bond solid with a single valence bond connecting every neighboring pair of sites. Pictorially, this may be represented as File:AKLT GroundState.png Here the solid points represent spin 1/2s which are put into singlet states. The lines connecting the spin 1/2s are the valence bonds indicating the pattern of singlets.

Relief shown pictorially. Pen-and-ink.4362 E48 was the smallest of the three large lakes in the Tulare Basin, in the southwestern San Joaquin Valley of California. It was the first of the lakes fed by the Kern River. Kern Lake is now a dry lake bed, due to agricultural diversion of the Kern River waters and the aquifer.

From this data he proposed a relationship of one major injury accident to 29 minor injury accidents, to 300 no-injury accidents. He drew the conclusion that, by reducing the number of minor accidents, industrial companies would see a correlating fall in the number of major accidents. The relationship is often shown pictorially in the form of a triangle or pyramid.

Gary Arnold of The Washington Post wrote, "Musically and pictorially, Altman can't hide his condescension. He has invented a wedding party, ostensibly a misalliance between old but tarnished Midwestern aristocracy and new, uncouth Southern wealth, but that seems to inspire him to nothing but stale jokes and complacent contempt".Arnold, Gary (October 4, 1978). "A Wedding: Stumbling Down the Aisle".

PhantomJS was released January 23, 2011 by Ariya Hidayat after several years in development. The first commit to the public project was in 2011. The logo commonly used to pictorially refer to PhantomJS is a fluorescent blue ghost atop a black background. This refers to the lack of graphical user interface, or main body of the browser, making PhantomJS users seem like ghosts.

Pictorially playing with the chiaroscuro technique, Beauregard invites us to a darkened and mysterious encounter with anonymous individuals who have been treated with plastic surgery. The pictures were taken after their plastic operations at the surgeon's practice. The viewer doesn't see scars. Technically these photographs have not been retouched by a software, yet simply retouched from the inside, by a surgical procedure.

Rosewater Hellenism was the opprobrious term applied in the late 19th C to an over-idealised form of neoclassical writing.J Richardson, A Life of Picasso (London 1991) p. 517 The bland Arcadia such writings presented was echoed pictorially in the art of Puvis de Chavannes, who in turn influenced the early Picasso of the Blue Period.J Richardson, A Life of Picasso (London 1991) p.

15 In that time he published the alchemical works of Michael Maier, Johann Daniel Mylius, Daniel Stolz von Stolzenberg, Thomas Norton and many others. His work was an influential aspect of seventeenth century alchemy, which saw the printing of an unprecedented number of alchemical texts. His copperplate engravings were used in the production of Hermetic emblems, used to convey the symbolic ideas in alchemy pictorially.

She came down from her loka above this Brahmanda to destroy Bhandasura and now is living on the top of Maha Meru mountain. Her abode is pictorially represented as Sri Chakra. Brahma, Vishnu, Shiva of this Brahmanda are her subordinates and cannot function without her power. Thus, she is considered the supreme Goddess and primary deity in Shaktism as she is the nearest representative of Adi Parashakti.

The film received generally positive reviews, with The New York Times calling it "both pictorially and dramatically striking". Despite the reviews, the film did poorly at the box office, earning only $174,081. King Vidor won the Volpi Cup for Best Director at the Venice Film Festival in 1935. The Wedding Night was released in DVD format by 20th Century Fox Home Entertainment on May 22, 2007.

The Ladder of Divine Ascent derived from manuscripts of the 11th and 12th century, pictorially bringing insight to heaven from a 30 rung ladder. The strategic placement of the ladder which cuts the icon into two complementary triangles, representing heaven in the higher triangular module and earth in the lower.Nelson, Robert, S. and Kristen, M. Collins. Holy Image and Hallowed Ground: Icons From Sinai.

Kenneth Tynan was profoundly impressed, not just with Roberto Gerhard's music but also with Sainthill's set design, which he called "pictorially magnificent, a restless Oriental kaleidoscope …". Other critics were less impressed. One wrote "Tony Richardson, Loudon Sainthill and Roberto Gerhard combine to make an assault of barbaric ferocity on our senses". Another opined, "Richardson and Sainthill dressed up the mouldy tale like some gargantuan dog's dinner".

In a contemporary review, The Monthly Film Bulletin stated that "Pictorially the film is a knock-out" while the dubbed dialogue is "more inept than ever". The review concluded that The Ghost was "a splendid exercise in Grand Guignol" Leonard Maltin awarded the film two and a half out of a possible four stars complimenting the film's atmosphere, calling it a "Measured, moody horror, let down by routine plot".

Evidence for fully developed smelting, however, only appears with the Moche culture (northern coast, 200 BCE-600 CE). The ores were extracted from shallow deposits in the Andean foothills. They were probably smelted nearby, as pictorially depicted on the metal artifacts themselves and on ceramic vessels. Smelting was done in adobe brick furnaces with at least three blow pipes to provide the air flow needed to reach the high temperatures.

Howard Thompson wrote in the New York Times of April 23, 1959, "[The film] is enough to make anybody leave one of the neighborhood theatres, where it opened yesterday, and light out for Long Island Sound. Pictorially, this mild little Columbia frolic, about a teen-age girl with boy trouble, seems an ideal way to usher in the beach season." He praised performers Dee, Robertson, and La Roche.New York Times review.

The advantage of using models is that in some cases problems which appear difficult if expressed mathematically may be easier to understand when represented pictorially. VisSim uses a hierarchical composition to create nested block diagrams. A typical model would consist of "virtual plants" composed of various VisSim "layers", combined if necessary with custom blocks written in C or FORTRAN. A virtual controller can be added and tuned to give desired overall system response.

Each hub has exactly one upstream port and a number of downstream ports. The upstream port connects the hub (directly or through other hubs) to the host. Other hubs or devices can be attached to the downstream ports. During normal transmission, hubs are essentially transparent: data received from its upstream port is broadcast to all devices attached to its downstream ports (pictorially described in the USB 2.0 specification in Figure 11-2.

The canvas backdrop represented pictorially the characters of Handel's oratorio, and in the centre was depicted the resurrection itself. The role of Mary Magdalene was sung at the first performance by the soprano Margherita Durastanti. The participation of female singers was prohibited by Papal edict, and the Pope went to the length of admonishing Ruspoli for permitting Durastanti to take part. For the remaining performances, her role was sung by a castrato.

Near the stairs, on each side are two dvarapala (guardian) shrines but these are damaged. The platform around the temple serves as the circumambulation passage. The raised jagati platform circles around the main temple with a broad walking space. It is the pradakshina patha (circumambulation path), and is supposed to be walked in a clockwise manner in order to pictorially read the Ramayana, Mahabharata and Bhagavata Purana legends in the correct sequence.

O'Malley, pp. 104–105, 160–161 Above the cornice and to either side of the smaller scenes are an array of medallions, or round shields. They are framed by a total of 20 more figures, the so-called ignudi, which are not part of the architecture but sit on plinths, their feet planted convincingly on the fictive cornice. Pictorially, the ignudi appear to occupy a space between the narrative spaces and the space of the chapel itself.

This system of classification was represented pictorially by Alibert as the "Tree of Dermatoses". Reportedly, from his "tree", Alibert wished to introduce a method rather than a classification system.French Society for the History of Dermatology "Paris choosing a dermatological hero for the millennium" by Daniel Wallach Alibert was a prodigious writer, his best known work being the beautifully illustrated . His literary work also included biographies of famed scientists such as Lazzaro Spallanzani (1729-1799) and Luigi Galvani (1737-1798).

In the previous definitions, we often noted that a concept can be defined by just inverting the ordering in a former definition. This is the case for "least" and "greatest", for "minimal" and "maximal", for "upper bound" and "lower bound", and so on. This is a general situation in order theory: A given order can be inverted by just exchanging its direction, pictorially flipping the Hasse diagram top-down. This yields the so-called dual, inverse, or opposite order.

The staff of Variety magazine wrote of the film, "Novelty of scene and a warm, believable performance by Japanese star Shirley Yamaguchi are two of the better values in the production. Had story treatment and direction been on the same level of excellence, House would have been an all round good show. Pictorially, the film is beautiful to see; the talk's mostly in the terse, tough idiom of yesteryear mob pix."Film review Variety, July 1, 1955.

Finally he left Paris to settle in Milan (1980), in the eighties he processes the "blanks" or affiches covers: zeroed advertising posters covered with white sheets, as with the expired advertisement. In 1984 he made the second cycle of works dedicated to the cinema: Cinecittà 2. After 1986 he realizes 'Sovrapitture', inspired by graffiti: intervenes pictorially of torn poster glued on canvas. It drew anonymous writings, such as those that can be read on city walls: love notes and political slogans, etc.

In 2009 Rerrkirrwanga won Best Bark Painting category in the National Aboriginal and Torres Strait Islander Art awards with a particularly fine work--Gumatj Gurtha\--depicting her husband’s clan designs of fire. The fire is called Gurtha and is pictorially represented as trails of diamond. The diamond design, represents the various states of fire; the red flames, the white smoke and ash, the black charcoal and the yellow dust. The totemic significance of fire to the Yunupiŋu family of the Gumatj is paramount.

The poem in BL Add. MS 14997, a manuscript dating from c. 1500. The academic critic Huw Meirion Edwards considered that "The Seagull"’s imagery goes far beyond anything that had come before it in Welsh poetry, and Anthony Conran wrote that "pictorially it is superb…[it] has the visual completeness, brilliance and unity of a medieval illumination, a picture from a book of hours". Dafydd wrote several love-messenger poems, and is indeed considered the master of that form.

As a practical matter, the use of turtle geometry instead of a more traditional model mimics the actual movement logic of the turtle robot. The turtle is traditionally and most often represented pictorially either as a triangle or a turtle icon (though it can be represented by any icon). Today, the Python programming language's standard library includes a Turtle graphics module. Like its Logo predecessor, the Python implementation of turtle allows programmers to control one or more turtles in a two- dimensional space.

The oldest-known fragments of medieval pictorial stained glass appear to date from the 10th century. The earliest intact figures are five prophet windows at Augsburg, dating from the late 11th century. The figures, though stiff and formalised, demonstrate considerable proficiency in design, both pictorially and in the functional use of the glass, indicating that their maker was well accustomed to the medium. At Le Mans, Canterbury and Chartres Cathedrals, and Saint-Denis, a number of panels of the 12th century have survived.

McCarthy then turned to art as a therapeutic outlet from the menial work he was limited to by his precarious mental health. His mother died in 1940, leaving him alone in the big, dilapidated house (which was grand enough to have its own theatre for the staging of plays). His art depicts figures from popular culture as well as animals, biblical scenes, and everyday life. Pictorially, he had a predilection for glamorous women—movie stars, fashion models, and other celebrities—as well as sports heroes.

By the 1840s, the smuggling had ceased. Modern stairs to the beach at Viking Bay By 1910, the population had reached about 10,000. A "guide book" of the 1930s by A.H. Simison (the photographic chemist) entitled Ramsgate (The Kent Coast at its best) Pictorially Presented, describes Broadstairs town as having approached modernisation and urban development "always with a consistent policy of retaining those characteristics for which it has for so long been renowned". The town has retained many aspects of historical interest, besides its maritime history.

The significance of the two-row style of wampum, according to Parmenter, is that it captures the original "ship and canoe" metaphor present in the Haudenosaunee understanding of the kaswentha relationship. Parmenter explains how this "ship and canoe" metaphor is one of many "media" by which the Haudenosaunee have represented pictorially their relationship to European newcomers over the centuries, with other media including "a piece of tree bark or rope" and (later) images of an iron chain and, eventually, a burnished silver and/or covenant chain.Parmenter (2013).

His relief of Messana obtained him the cognomen Messalla, which remained in the family for nearly 800 years. To commemorate his Sicilian victory, he arranged for it to be pictorially represented on the wall of the Curia Hostilia, the first example of an historical fresco at Rome. He is also said to have brought the first sundial from Catana to Rome, where it was set up on a column in the forum. Messalla was censor in 252 BC, when he degraded 400 equites to aerarians for neglect of duty in Sicily.

Most importantly, the Master was interested in experimenting with the layout of his drawings on the page. Using various illusionistic elements, he often blurred the line between the miniature and its border, frequently using both in his efforts to advance the narrative of his scenes. The Master's work is sometimes associated with the work of the Master of the Lübeck Bible. Major works include the "Spinola Hours" in the Getty Museum, "the most pictorially ambitious and original sixteenth-century Flemish manuscript",Kren & S McKendrick, 414, who also catalogue the Grimani Breviary and Vatican Hours.

The relationship of Guthlac A to Felix's Vita is debated, but Guthlac B is based on Felix's account of the saint's death. The story of Guthlac is told pictorially in the Guthlac Roll, a set of detailed illustrations of the early 13th century. This is held in the British Library, with copies on display in Crowland Abbey. Another account, also dating from after the Norman Conquest, was included in the Ecclesiastical History of Orderic Vitalis, which like the Guthlac Roll was commissioned by the Abbot of Crowland Abbey.

The whole spectrum of Victorian Britain was recorded pictorially in The Illustrated London News for many decades; special events were important to its success. The magazine did very well during the Great Exhibition of 1851 and the edition that reported the funeral of the Duke of Wellington in 1852 sold between 150,000 and 250,000 copies, according to various accounts. Illustrations came from all corners of the globe. By 1855, Ingram was using colour and had artists in Great Britain and continental Europe racing to the scene of stories to capture the drama in print.

It is a life size crossword puzzle grid, where words are spelled with objects arranged in wooden boxes. Poirier included a dictionary titled La Rousse & Le Robert illustrated by the famous Gabrielle d'Estrée a bare breasted redhead woman. The dictionary's cover page translates pictorially "La Rousse & Le Robert" since "la rousse" means redhead woman (Gabrielle D'Estrée) and "roberts" is old fashioned French slang for breast. Further, the title itself is a joke that associates the names of the two most common rival French language dictionaries Larousse and Robert.

The North Beach Precinct, Wollongong has research potential of State significance for demonstrating aspects of the management and social uses of beaches in New South Wales throughout the twentieth century. The archeological site of Puckey's Salt Works offers research potential concerning the history of salt manufacture in NSW. Although 'short-lived and "commercially inconsequential" it is significant as the only Australian example of a "tea-tree framework" ...presently known to be recorded pictorially'. The place possesses uncommon, rare or endangered aspects of the cultural or natural history of New South Wales.

The color of these two paintings are strongly flat,the edges or contours of the forms subjective exaggeration has been resorted to rather than attempting to remain faithful to pictorially reconstruct the visual world in his own way.As a result,from this period his picture gradually start to move towards abstraction.In 1958 he completed the diploma course in printmaking from the central school of arts and crafts of London with distinction from 1956 to 1974.He visited different galleries of England ,France,Italy,Germany,Belgium,Netherlands,Switzerland,Soviet union and India.

JoAnne Carson, Wishful Thinking, acrylic on canvas, 39" x 48", 2019. Carson returned to painting in the 2010s, pictorially expanding on the world of her sculptures with imaginary, futuristic landscapes and floral portraits that suggest narrative dramas with plants as protagonists.Wave Hill. "Nature Pops!" Wave Hill, Exhibits, 2016. Retrieved September 18, 2019. Her drawings form a visual and conceptual stepping-stone between her painting and sculpture; they were all exhibited together in her shows, "Hyper Flora" (2018, Big Town Gallery) and "Rise Up and Shine!" (2019 retrospective, Sage College of Albany).

A person nominated for beatification receives within the Roman Catholic Church the title of "Servant of God"; once he is actually beatified he is accorded the title of "Venerable" and "Blessed", which are a prerequisite for sainthood conferred in a process known as canonization. Szarek's likeness is depicted pictorially in the stained-glass windows of the Church of Saint Mary Immaculate Revealing the Miraculous Medal located in the Olcza district of the city of Zakopane (the Parafia Najświętszej Maryi Panny Niepokalanej Objawiającej Cudowny Medalik).Sanktuarium MB Objawiającej Cudowny Medalik, os. Piszczory 13, 34-502 Zakopane-Olcza (see online).

A papercut showing the character Fú written in 100 different ways (11 × 9 plus 1)Welch, Chinese Art, p. 4, by permission of the author The character Fú (, Unicode U+798F) meaning "fortune" or "good luck" is represented both as a Chinese ideograph and, at times, pictorially, in one of its homophonous forms. It is often found on a figurine of the male god of the same name, one of the trio of "star gods" Fú, Lù, Shòu. Mounted Fú are a widespread Chinese tradition associated with Chinese New Year and can be seen on the entrances of many Chinese homes worldwide.

The exhibit also displayed Ellis' famous depiction of Barack Obama, Obama, the 44th President. Ellis' art was featured at a 2011 exhibition at the Rosa Parks Library and Museum. The Museum, at Troy University in Montgomery, Alabama, hosted the exhibit, called Our History, Heritage, and Culture: An American Story, the Art of Ted Ellis, as part of its celebration of Black History Month.Artist Ted Ellis Partners with the Rosa Parks Museum at Troy University to Celebrate Black History Houston, TX (PRWEB) January 14, 2011 T. Ellis has been pictorially documenting African-American lifestyle, history and culture for thirty years.

In 1948, Hanya Holm became the first Broadway choreographer to have her dance scores copyrighted, for her work on Kiss Me Kate. In 1951, Stanley D. Kahn published Kahnotation, a dance notation system specific to tap dance. In the 1970s, North Korean choreographer U Chang-sop developed a system of dance notation for Korean dance called the Chamo System of Dance Notation, which uses pictorially based symbols. In 1975, Ann Hutchinson Guest reconstructed choreographer Arthur Saint-Léon's Pas de Six from his 1844 ballet La Vivandière, along with its original music by composer Cesare Pugni, for the Joffrey Ballet.

The conception is classically correct. No theater could be > conceived that would be adequate in space or speed of action to carry across > to an audience what was conveyed in this film. In Indiana, a reviewer emphasized the film's spectacular effects and its depiction of Jesus: > 'If Christ Should Visit Verdun' would make a good subtitle for > 'Civilization,' for that is really its theme. ... Pictorially, and in the > spectacular effects that can be achieved within range of the camera, as well > as in the sheer beauty of many of its scenes, it is a masterpiece indeed.

On January 13, 1966, at the Ministerial Conference of the Commonwealth in Lagos, sanctions against the regime at Sailsbury were discussed. Harold Wilson pictorially described expectations of already decided sanctions against Rhodesia, such as a Petrol embargo. The sanctions would be increasingly biting.Lester B. Pearson, Mike: The Memoirs of the Rt. Hon. Lester B. Pearson, Volume Three: 1957-1968, S. 284 On April 14 he declared, with regard to the acrimonious sanctions against Rhodesia, that Britain was a humiliated toothless bulldog, and forecasted that if the Africans rose in Rhodesia, then Britain would defend her kith and kin.

A theme is selected and created pictorially on a large scale, to strict rules and using only the produce of the particular district which typically includes wool, wheat, apples, pumpkins, sugar cane, citrus fruit, vegetables and brightly coloured bottles of preserves. Sydney Royal Judges scrutinise every element individually – grains, pulses, fruit, oils, vegetables, fibre – to determine who has the best in each region. Points from the different sections plus the extra points for General Presentation and Effective Display are added together to determine the overall winner. Attendees are also able to buy produce from the farmers at the front of the exhibits.

On the other hand, much sculpture that is located within church buildings is as fresh as the day it was carved. Because it is often made of the very substance of the building which houses it, narrative stone sculpture is often found internally to be decorating features such as capitals, or as figures located within the apertures of stone screens. The first Christian sculpture took the form of sarcophagi, or stone coffins, modelled on those of non-Christian Romans which were often pictorially decorated. Hence, on Christian sarcophagi there were often small narrative panels, or images of Christ enthroned and surrounded by Saints.

In addition, their headdresses are simpler and the garment worn on the lower body is based on Javanese court dressScott- Kemball (1970), p. 41. Plots based on the Panji cycle are also common in East Javanese wayang klitik (using wooden puppets), in West Javanese wayang golek (using three-dimensional rod puppets), and in wayang beber (stories depicted pictorially on scrolls). It is also the principal basis of the stories used in wayang topeng (masked dance-pantomime). In Bali, where the cycle is known as Malat, the story is performed in the Gambuh plays and in the operatic Arja.

It was founded in 1996 by the Discovery Institute with funding provided by Fieldstead & Company, the Stewardship Foundation, Howard Ahmanson, Jr. and the Maclellan Foundation. The evolution of the Center's name in 2002 reflects its attempt to present itself as less religiously motivated in the public's eye.also PDF The evolving banners on the CRSC/CSC's website pictorially parallel these verbal efforts to disassociate the site from its overtly religious origins. The "renewal" in its name referred to its stated goal of "renewing" American culture by grounding society's major institutions, especially education, in religion as outlined in the Wedge Document.

This was in a magnificently hand-produced Arts and Crafts Movement edition, The Baby's Own Aesop: being the fables condensed in rhyme with portable morals pictorially pointed by Walter Crane. Some later prose editions were particularly notable for their illustrations. Among these was Aesop's fables: a new version, chiefly from original sources (1848) by Thomas James, 'with more than one hundred illustrations designed by John Tenniel'. Tenniel himself did not think highly of his work there and took the opportunity to redraw some in the revised edition of 1884, which also used pictures by Ernest Griset and Harrison Weir.

The Gesellschafts- und Wirtschaftsmuseum was principally financed by the social democratic municipality of Vienna, which was effectively a separate state (known as Red Vienna) within the new republic of Austria. An essential task of the museum was to inform the Viennese about their city. Neurath stated that the museum was not a treasure chest of rare objects, but a teaching museum. The aim was to “represent social facts pictorially” and to bring “dead statistics” to life by making them visually attractive and memorable. One of the museum’s catch- phrases was: “To remember simplified pictures is better than to forget accurate figures”.

It was upgraded in the early 1880s to accommodate locomotive haulage, and the company took delivery of its first locomotive in 1884.Rod Howard, 2001 Industry came briefly to North Beach the following decade when an English pharmacist, Courtney Puckey, established an experimental saltworks at the southern end of the beach adjacent to the railway cutting, which still forms a prominent landmark. The saltworks operated for about ten years from the middle of the 1890s onwards. Although short-lived and "commercially inconsequential" it is significant as the only Australian example of a "tea-tree framework" presently known to be recorded pictorially.

Pictorially, the search frontiers will go through each other, and instead a suboptimal path consisting of an even number of arcs will be returned. This is illustrated in the below diagrams: 400px What comes to space complexity, the algorithm colors the deepest nodes in the forward search process in order to detect existence of the middle node where the two search processes meet. Additional difficulty of applying bidirectional IDDFS is that if the source and the target nodes are in different strongly connected components, say, s \in S, t \in T, if there is no arc leaving S and entering T, the search will never terminate.

Steffens has noted one essential feature of his musical creativity: "There is always an extra-musical stimulus which has a very intense effect on me, more intense even than only a music-related sensation." He frequently uses literary sources for his compositions—for example works by Nelly Sachs, Ingeborg Bachmann, Clemens Brentano, Dylan Thomas, Federico García Lorca, Friedrich Hölderlin, Juan Ramón Jiménez, Ezra Pound, or Arthur Rimbaud. "Following the text closely and interpreting it musically, I put it into sounds," Steffens says of his compositional work with literary texts. As an opera composer he tells stories, he experiences, senses, and feels pictorially and in terms of stage settings.

The painter and biographer Giorgio Vasari, in his Lives of the Artists, describes the figure of Jonah as it appeared in the mid-16th century: The large figure of Jonah is of great significance to the total composition, both pictorially and theologically, being symbolic of the Risen Christ. The figure occupies the pendentive which rises from the altar wall to support the vault, and strains backward, his eyes turned towards God. The foreshortening described by Vasari was innovative and highly influential to later painters. The cleaning of this significant figure has left a few remnants of black shadow visible to the extreme left side of the painting.

The bathers are in the River Seine. The slope forming most of the left hand side of the painting was known as the Côte des Ajoux, near the end of the rue des Ajoux, on the north bank of the river. Opposite is the island of la Grande Jatte, the east tip of which is shown as the slope and the trees to the right, and which Seurat has pictorially extended beyond its actual length. The Asnières railway bridge and the industrial buildings of Clichy are in the background. Locations such as this one were sometimes shown on French nineteenth century maps as Baignade (or, ‘bathing area’).

Kuala Lumpur, 1998, hlm. 74-79 is a kind of parable about the end of the world. In it, the absurdity of everyday life from the point of view of eternity is pictorially conveyed and the process of refraining is interestingly described.Путеводитель по страницам газет и журналов России — Kontinent 1998, № 98 Alexander Dudoladov is the author of the screenplay for the movie Brunette for 30 cents (1991, directed by Sergey Nikonenko),Брюнетка за 30 копеек (1991) as well as the screenwriter and co-director of the film Grandfather is Good, But Does... Not Tell There the Money was Hidden (1993, in cooperation with Anatoly Grushko and Igor Rukh).

Two scripts are well attested from before the end of the fourth millennium BCE: Mesopotamian cuneiform and Egyptian hieroglyphs. Hieroglyphs were employed in three ways in Ancient Egyptian texts: as logograms (ideograms) that represent a word denoting an object pictorially depicted by the hieroglyph; more commonly as phonograms writing a sound or sequence of sounds; and as determinatives (which provide clues to meaning without directly writing sounds). Since vowels were mostly unwritten, the hieroglyphs which indicated a single consonant could have been used as a consonantal alphabet (or "abjad"). This was not done when writing the Egyptian language, but seems to have been a significant influence on the creation of the first alphabet (used to write a Semitic language).

M.T. Hla's portraits are a different matter. He is recorded by the art writers G. Hla Maung and Nyan Shein as possessing strong skills in portraiture, to the degree that he could depict faces accurately and realistically, from memory, after 30 minutes or so of exposure to his subjects. While this may be true of faces, most of M.T. Hla's full body portraits reveal awkwardness of anatomical proportion, with figures appearing exaggeratedly short or squat, or standing stiffly as if posing self- consciously for a snapshot. It is possible that M.T. Hla's early background in Traditional Burmese painting, which is pictorially stiff in terms of its depictions, particularly of the Buddha or human figures, influenced these portraits.

The gear rides around the dial with the Moon, but is also geared to the Sun—the effect is to perform a differential gear operation, so the gear turns at the synodic month period, measuring in effect, the angle of the difference between the Sun and Moon pointers. The gear drives a small ball that appears through an opening in the Moon pointer's face, painted longitudinally half white and half black, displaying the phases pictorially. It turns with a modelled rotational period of 29.53 days; the modern value for the synodic month is 29.530589 days. The Metonic train is driven by the drive train b1, b2, l1, l2, m1, m2, and n1, which is connected to the pointer.

He was a painter (mostly oils), engraver and muralist, but most of his work was in murals. His early influences were those of his teachers at La Esmeralda. Diego Rivera strongly influenced the anecdotic character of his compositions and José Clemente Orozco, with humanism and themes of the universal. Antonio Rodríguez Luna stated “Messeguer never forgot the social concerns of the old masters, nor the most appropriate method for representing human beings (figuration): but he rejected their followers who were content to repeat what had been created by their predecessors.” His works did not tell stories like that of classic Mexican muralism but they did not betray the movement pictorially or ideologically.

As with van Eyck's Madonna of Chancellor Rolin, the panel creates an intimate setting between the donor and Virgin. This is emphasised by the donor's physical proximity to the Virgin which, according to art historian Jeffrey Chipps Smith, "mentally and pictorially [breaches] the barriers between heaven and earth" and implies the "patrons are visually immortalized as meriting the Virgin and Child's personal attention."Smith (2004), 228 The intimacy is further enhanced by small details such as the overlap between the donor and Saint George, who casts a shadow on van der PaeleRothstein (2005), 53 and seems to have accidentally stepped on his surplice as he leans forward to introduce the canon to the Virgin.

It is represented as half woman shown as half of Parvati in this Elephanta panel on the right side, with breast, waist, feminine hair and items such as a mirror in the upper hand. The second half-man side is Shiva with male characteristics and items iconographically his symbol. In Shaivism, the concept pictorially symbolizes the transcendence of all duality including gender, with the spiritual lacking any distinctions, where energy and power (Shakti, Parvati) is unified and is inseparable with the soul and awareness (Brahman, Shiva). In the panel, the relief shows a headdress (double-folded) with two pleats draped towards the female head (Parvati) and the right side (Shiva) depicting curled hair and a crescent.

A depiction of Heinrich's original ratios An expanded triangle similar to that proposed by Bird in 1966 The accident triangle, also known as Heinrich's triangle or Bird's triangle, is a theory of industrial accident prevention. It shows a relationship between serious accidents, minor accidents and near misses and proposes that if the number of minor accidents is reduced then there will be a corresponding fall in the number of serious accidents. The triangle was first proposed by Herbert William Heinrich in 1931 and has since been updated and expanded upon by other writers, notably Frank E. Bird. It is often shown pictorially as a triangle or pyramid and has been described as a cornerstone of 20th century workplace health and safety philosophy.

Despite suffering from fever, he travelled to the coast on a number of occasions to witness storms breaking on the shore, and a visit to artists in England afforded further opportunity to study the elements while crossing the English Channel.Borias, 9:04 He drew and painted numerous preparatory sketches while deciding which of several alternative moments of the disaster he would depict in the final work.Hagen & Hagen, 376 The painting's conception proved slow and difficult for Géricault, and he struggled to select a single pictorially effective moment to best capture the inherent drama of the event. Among the scenes he considered were the mutiny against the officers from the second day on the raft, the cannibalism that occurred after only a few days, and the rescue.

In 1949, spearheaded by the campaigning of MP Davie Fulton, crime comics were banned in Canada in Bill 10 of the 21st Canadian Parliament's 1st session (informally known as the Fulton Bill). The Criminal Code defined crime comics as a magazine, periodical or book that exclusively or substantially comprises matter depicting pictorially (a) the commission of crimes, real or fictitious; or (b) events connected with the commission of crimes, real or fictitious, whether occurring before or after the commission of the crime and made it an offence to produce, publish or distribute them. The provisions remained in the Criminal Code until December 2018 when Bill C-51 was adopted during the 42nd Canadian Parliament. Previously, crime comics also could be ordered forfeited by the provincial courts.

Toland's techniques were revolutionary in the art of cinematography. Cinematographers before him used a shallow depth of field to separate the various planes on the screen, creating an impression of space as well as stressing what mattered in the frame by leaving the rest (the foreground or background) out of focus. In Toland's lighting schemes, shadow became a much more compelling tool, both dramatically and pictorially, to separate the foreground from the background and so to create space within a two-dimensional frame while keeping all of the picture in focus. According to Toland, this visual style was more comparable with what the eyes see in real life since vision blurs what is not looked at rather than what is.

In his review in The New York Times, Andre Fennwald praised the film for its "uncommonly adult style", calling it "both pictorially and dramatically striking". Fennwald also noted the "uniformly expert" performances by Cooper who "continues to reveal a refreshing sense of humor in his work", the "highly talented" Sten, and Vinson who is "excellently right as the wife, playing the part with such intelligence and sympathy that she contributes definitely to the power of the climax". Fennwald concludes: The Wedding Night has received generally favorable reviews from recent film critics. In his review for the Immortal Ephemera website, Cliff Aliperti gave the film eight out of ten stars, calling it a "frank romance" with "standout performances" by Gary Cooper, Anna Sten, and Helen Vinson.

Bosley Crowther, the film critic at The New York Times, lauded the film when it was first released. He wrote, "Warner Brothers, which already has taken one feeble swing and a cut at Ernest Hemingway's memorable story of a tough guy, To Have and Have Not, finally has got hold of that fable and socked it for a four-base hit in a film called The Breaking Point, which came to the Strand yesterday. All of the character, color and cynicism of Mr. Hemingway's lean and hungry tale are wrapped up in this realistic picture, and John Garfield is tops in the principal role ... Some solid production and photography along the coast and in actual harbors for small boats round out a film which is gripping and pictorially genuine."Crowther, Bosley.

The spatial variations of support for particular policies are routinely mapped in order to pictorially represent the electoral geography of a territory, which can allow for the recognition of patterns of location. Ron Johnston considers the entire process and outcome of the election through the examining lens of territory maps. He claims that electoral results are the outcome of superimposing the map of cultural, economic, religious, and demographic characteristics with the determined map of electoral districts and applying the issues on the ballot. The selection of mapping paradigms using color, patterning, brightness or darkness effects is employed in order to visually detail aspects and characteristics of interest in elections, such as voter participation, intensity of support, population density, and constituency boundaries which may not easily be noticed by considering words and numbers.

Interior of Paalen's studio in San Ángel, with his painting Les Cosmogones It was in the 1940s that Paalen's art particularly played a major role in changing the conception of abstract art. Due to his magazine DYN, his presence and exhibitions in New York City, 1940 Julien Levy, 1945 Peggy Guggenheim's The Art of This Century gallery and 1946 in Berlin, he influenced significantly the genesis of Abstract Expressionism. Paintings such as Les premiers spaciales of 1941 set entirely on the new pictorial space because they concentrate on pictorially immanent means: Rhythm, light and colour. Important is that they transform the rhythmical appearance of the fumage imprints into a neo-cubist rhythm, which Paalen then compares with the fugue and jazz, through a mosaic-like fracture and complementary contrasts.

The painting, particularly in the context of its title, humorously references the long legacy in feminist art of using food as a stand-in for the body as seen in works like Marilyn Minter's 100 Food Porn paintings." In part spurred on by recent developments in the politics in America, Greene paints women in creative fields, posed to echo historical figurative paintings. Interviewing them and researching into their working lives generates ways to render pictorially—through allusions, icons, objects, patterns, and symbols—the rich personhood of the subjects. Jorge Daniel Veneciano, former Director of the Sheldon Museum of Art, commenting on the vibrancy of the still-life genre in the era of transnationalism and globalism, states "Greene's recent painting provides an arch interpretation of the still-life genre and the promises it makes.

With the end of most original Canadian comic book publishing in 1947, Canada's superheroes disappeared, and the country entered a phase of foreign comic book domination. In November 1948, a crime comics scare hit the country when a pair of voracious comic book readers in Dawson Creek, British Columbia, shot at a random car while playing highwaymen, fatally wounding a passenger. When authorities discovered their taste for comic books, media attention focused on the emerging crime comics genre as an influence on juvenile delinquency. A bill to amend Section 207 of the Criminal Code was drafted, and passed unanimously, making it an offense to make, print, publish, distribute, sell, or own "any magazine, periodical or book which exclusively or substantially comprises matter depicting pictorially the commission of crimes, real or fictitious", on 10 December 1949.

He designed the color scheme, draperies and stage curtain at Belasco's Stuyvesant Theatre (now operating as the Belasco Theatre) that opened in 1907. In 1910, Buckland was described as Belasco's "art director," responsible for the design of scenery, costumes and other artistic details. One newspaper reviewer wrote the following about the sets designed by Buckland for the stage production of Omar, the Tentmaker: "Pictorially nothing finer has ever been disclosed upon the stage than the succession of sumptuous Oriental pictures evolved for the production by Wilfred Buckland, who for 10 years served as art decorator for David Belasco." Buckland's Broadway credits include The Rose of the Rancho (scenic design, 1907), A Grand Army Man (scenic design, 1907), Adrea (stage director and scenic design, 1905), The Music Master (scenic design, 1904), The Darling of the Gods (design, 1903), and Du Barry (design, 1901).

Schlieker was born in 1924 in Schöningen (today Grędziec, Poland), East Pomerania, where he grew up and completed a formal education before deciding to study applied arts at a local studio. After a period of focused study, he served as a soldier for three years in the German army, an experience which he later expressed pictorially in flamboyant 50s colours and through artistic work groups. (These have returned to new importance thanks to the lectures of the poet, Baudelaire [Les fleurs du mal].) After the war and a temporary stay at an artist’s centre in Mecklenburg, Schlieker moved to Hamburg to study at the Kunsthochschule (arts college) under Erich Hartmann. Upon completing his studies in 1951, he married Gisela Chrambach and moved to Bochum in the Ruhr Valley, where he began life as a freelance artist.

Despite criticism of the plot, Sun Valley Serenade was received with general positivity from critics, and Miller earned praise for his band's role in the film, with Barry Ulanov writing for Metronome: > Miller comes across as a convincing band leader, and, even more important, a > convincing human being in this film. He’s on mostly for music, but most of > the film is music and the dozen or so reels are a better showcase for the > Glenn Miller band than they are for the Sonja Henie torso and limbs, with > and without skates. Never has a movie made more of a popular band and never > has a movie featuring such an organization presented its music so > tastefully... Pictorially, Trigger Alpert and Maurice Purtill take the > honors. Trigger hops around like mad and Maurice looks like the movies’ idea > of a swing drummer, all right.

Part of the soft systems methodology, rich pictures provide a mechanism for learning about complex or ill-defined problems by drawing detailed ("rich") representations of them. Typically, rich pictures follow no commonly agreed syntax, usually consist of symbols, sketches or "doodles" and can contain as much (pictorial) information as is deemed necessary. The finished picture may be of value to other stakeholders of the problem being described since it is likely to capture many different facets of the situation, but the real value of this technique is the way it forces the creator to think deeply about the problem and understand it well enough to express it pictorially (a process known as action learning). Rich pictures are a diagrammatic way of relating your own experiences and perceptions to a given problem situation through the identification and linking of a series of concepts.

The Barque of Dante (), also Dante and Virgil in Hell (Dante et Virgile aux enfers), is the first major painting by the French artist Eugène Delacroix, and is a work signalling the shift in the character of narrative painting, from Neo-Classicism towards Romanticism. The painting loosely depicts events narrated in canto eight of Dante's Inferno; a leaden, smoky mist and the blazing City of the Dead form the backdrop against which the poet Dante fearfully endures his crossing of the River Styx. As his barque ploughs through waters heaving with tormented souls, Dante is steadied by Virgil, the learned poet of Classical antiquity. Pictorially, the arrangement of a group of central, upright figures, and the rational arrangement of subsidiary figures in studied poses, all in horizontal planes, complies with the tenets of the cool and reflective Neo-Classicism that had dominated French painting for nearly four decades.

If we focus on the right hand side of the > painting alone, we see a woman in red underwear eating chocolate ice cream, > a soldier on a rocking horse (painted black and white), a woman bathing > naked in the pool with her breasts exposed the water, and a man in green > shorts poised to dive off a mountain peak into the water. These figures > don’t engage with one another at all, and their scale in the landscape is > not pictorially correct, at least according to the principles of linear > perspective, since some are oversized while others appear miniaturized by > comparison. The layering of imagery is reminiscent of collage techniques, > with the foreground figures sitting uneasily against the background > landscape. This is intentional, used by the artist to convey the utter > artificiality of the scene - a world controlled by corrupt and debauched > P.L.A., officers and Party officials.

An important step toward the recognition of NZSL was the publication in 1998 of a comprehensive NZSL dictionary by Victoria University of Wellington and the Deaf Association of NZ. It contains some 4000 signs (which correspond to many more meanings than the same number of English words, because of the way signs can be modulated in space and time), sorted by handshape, not English meaning, and coded in the Hamburg Notational System, HamNoSys, as well as pictorially. In 2011, Victoria University launched an Online Dictionary of New Zealand Sign Language based on the original 1998 work, which includes video clips of each sign with examples and the ability to search for signs based on features of the sign (handshape, location, etc.) as well as the sign's English gloss. For some years, TVNZ broadcast a weekly news programme, "News Review", interpreted in NZSL. This was discontinued in 1993 after a joint survey of deaf and hearing-impaired people found a majority favoured captioned programmes.

KNOCHEN, 2007, pen on paper Lammert appeared before the public both with paintings and drawings from very early on and was represented in many exhibitions of German art (e.g. „Deutschlandbilder“, Bern 1997 and „Art of Two Germanys“, County Museum of Art, Los Angeles, 2009). His work is driven by a conceptual approach that questions the limits of what is pictorially representable. This applies to the early portraits (Stephan Hermlin, 1987) which were described as painted protest against a society unaware of its history and to the subsequent series of paintings, drawings and graphic art: beginning with the early group paintings „People Waiting“ (1983 – 88) via the frozen white nudes and butchery paintings up to the graphic sequence „Kinne“ that invalidates the cliche Heiner Müller. His large-sized series of paintings „allied“ (1994–1995), he palimpsestically applied shades of red paint to the backside of maps increasingly illustrate his principle of reduction: he reduces fragments of human figures in the context of the cartographical pattern.

Retrieved 25 June 2014 The church was pictorially featured in the July 2009 edition of Country Life magazine, under the title "Let there be light". In the same issue the magazine described the St James' restoration as one of community involvement and fundraising over five years, particularly referring to the Hanoverian coat of arms "restored by the community". Church use was open to non-liturgical activities including concerts, talks, family activities, and a film club."Let there be light", Country Life magazine, 29 July 2009, p.67 St James received a runner-up £5,000 prize and silver medal for its restoration in the 2012 'Village Church for Village Life Award' sponsored by Country Life, mentioning a church transformation with new upholstered seating, kitchen, toilets and west screen."Parish Church Restoration", Country Life magazine, July 2012 The Lincolnshire International Chamber Music Festival staged a 2012 'Meet the Composer' event at St James' with composer and violist Sally Beamish, and held string instrument workshops for children.

From this point of view, the pre-writing system which developed around 3400–3200 BC functioned as an aide-mémoire and was not capable of recording complete phrases because it only had symbols for real objects, especially goods and people, with a vast number of numerical signs for the multiple different metrological systems, and only a few actions (Englund calls this the stage of the 'numerical tablets' and of the 'numero-ideographic tablets'). The signs then began to take on a larger number of values, making it possible to record administrative operations more precisely (approximately 3200–2900 BC, Englund's 'proto-cuneiform' phase). In this period or even later (at latest around 2800–2700 BC), another type of meaning was recorded by means of the rebus principle: an association of pictograms could indicate actions (for example head + water = drink), while homophony could be used to represent ideas ('arrow' and 'life' were pronounced the same way in Sumerian, so the sign for 'arrow' could be used to indicate 'life', which would otherwise be difficult to represent pictorially). Thus, some ideograms appeared.

It should hold and fascinate spectators for its two- and-a-half hours of sheer, pell-mell movie making, even though characters are stereotypes whose melodramatics are as dated as the period itself." Time felt "Pictorially, the film is magnificent, and some of the handsomest scenes—an orange sun rising over the peaks of the Forbidden City, midnight pyrotechnics as the Imperial arsenal blows up, the gates of the great Tartar Wall being stormed by Boxers in scarlet turbans—are almost as good as the evocative paintings by Water-colorist Dong Kingman, which open and close the picture. It was doubtless ghastly to wait 55 days at Peking until a troop of international reinforcements arrived, and the moviegoer who goes through the whole siege in two hours and 30 minutes comes out feeling lucky." Awarding the film four complete stars, Dorothy Masters of the New York Daily News wrote: "A powerful drama of global interest, the film has integrity, a component frequently lost in the razzle-dazzle dangled by so many multi-million-dollar colossals.

Burian depicted the American sauropods Brontosaurus (1940), Diplodocus (1952 & 1965?), and Barosaurus walking on land in elephantine fashion, and his 1941 reconstruction of the East African sauropod Brachiosaurus (the only image showing the main subject in water) became one of the most reproduced dinosaur images in history. Although it is now considered unlikely that Brachiosaurus could have inhaled in deep water (unless it had a strengthened pleural cavity as do some whales), the reconstruction is remarkably realistic and was still being reproduced 60 years after it was painted. As with many of his works, Burian's sauropod reconstructions reached iconic status, with the celebrated palaeontologist William Elgin Swinton (1900–1994) noting: "The ideas as well as the pictorially beautiful restorations of Zdenek Burian, done under the direction of the late Joseph Augusta (1962), create a lasting impression that appears to be decisive. The Czechoslovakian experts have placed us all in their debt and the life- restorations of Brontosaurus, Diplodocus and Brachiosaurus provide debating points as well as aesthetic satisfaction" (The Dinosaurs, 1970: 189).