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"photographically" Definitions
  1. in a way that uses or contains photographs or photography

297 Sentences With "photographically"

How to use photographically in a sentence? Find typical usage patterns (collocations)/phrases/context for "photographically" and check conjugation/comparative form for "photographically". Mastering all the usages of "photographically" from sentence examples published by news publications.

Plus, it's a rather beautiful area both photographically and to live in.
The ability to switch apertures is enticing, and the principle is photographically sound.
ISIS's killing fields should be documented photographically, forensically and through testimony; preserved; and published.
I began to explore and document it photographically almost immediately, mostly with my iPhone.
It's  extremely competent photographically, great for a magazine cover, but not much more than that.
Playing photographically with femininity, commodity, and bodily perception, Heather Bennett reveals a sly sense of humor.
Because daguerreotypes were positive images on metal plates, they were one-offs that couldn't be photographically reproduced.
Was part of that a reaction to how you felt communities like this were being depicted photographically?
"Roz Kidman Cox, the chair of the judging panel, said "photographically, it is quite simply the perfect moment.
Obama, though the rendering is not quite as photographically precise as Kehinde Wiley's painting of the former President.
But these pictures of babies were in fact so well photographically manipulated that they are both pretty cute looking.
But some scraggly looking antelopes provide the most impressive imagery in a film that otherwise doesn't stand out photographically.
Photographically, it is bookended front to back by black-and-white images Brody made on his return home to Massachusetts.
Third, the pattern of those bumps and grooves is created not photographically but as the product of calculations by a computer.
We've compared the two photographically below, but ultimately it will be up to you to decide which company's approach you like more.
DeCarava was always exploring ways to do photographically what he could do as a draftsman: make precise shapes on a white page.
Now in her 70s — and after years of being a photographically fetishized subject — Barzini has decided that she would like to disappear.
George Eastman Museum holds unparalleled collections, totaling more than four million objects, of photographs, motion pictures, cameras and technology, and photographically illustrated books.
It is surreal to speak on the phone with someone who has existed photographically for me since my own coming out in the 1990s.
The Paris-based photographer Floriane de Lasée now asks what breathtaking limits bridges can meet if they're completely turned—at least, photographically—upside down.
Fascinated by his hero Henri Cartier-Bresson's notion of "the decisive moment," the perceptive photographer developed a knack for snapping it—both photographically and historically.
I can't help sensing in these works, which photographically verify the passing hours or days or years, a quiet gratitude about the simple fact of return.
The tangled aftermath of war is at the core of another photographically enticing film noir, "The Bitter Stems," an Argentinean movie from 1956, directed by Fernando Ayala.
And while filter-flipping can be a useful to understand how they change an image's mood, pre-visualizing the filter you're going to choose is crucial to thinking photographically.
"Photographically, it is quite simply the perfect moment," Roz Kidman Cox, the chairwoman of the judging panel and the former editor of BBC Wildlife Magazine, said in the statement.
For €1,000, Ms. Siebens will recreate a gesture photographically and as a performance, which will then be documented on video and preserved on a memory stick in a presentation box.
While it's fairly easy to categorize the photographically incontinent under the headlines Narcissistic and Insecure, or some combination thereof, the photo-posting folks may not have the same clarity about themselves.
Recently rediscovered prints from the end of Annan's career, as well as his photographically illustrated books, will further show how he experimented with visual techniques, going back to his roots as a lithographer.
Bringing the four Olympians into augmented reality required finding a technique to capture them not just photographically, but also three-dimensionally, creating a photo-real scan that can then be viewed from any angle.
Popular veneration of Wright rests less on his architecture than on a single picture of Fallingwater (shot on a downstream path where only the photographically intrepid venture), combined with keen curiosity about the man.
Photographically speaking, the only way to convey, "I don't just love music, I live music" was by taking a pic where your eyes were closed and you were cupping the earmuffs of your gigantic headphones.
In an email correspondence with Hyperallergic, Van Houtryve said that Lines and Lineage questions if America's perception of Mexican heritage would be more accurate if it had been photographically documented as well as later periods.
But why do we constantly cite Talbot as the first individual to create a photographically illustrated book (now adding the words "commercially available" for accuracy), and why has Atkins received so little credit on that front?
One of them would lie down on a sheet of photographically sensitive paper unfurled on the floor as the other hovered above with a work lamp, exposing the paper to intense light for about 20 minutes.
Which ultimately means that this may not, in fact, be the perfect illustration of the point I'd been trying to make in my book, that photographically driven "fake news" has been around for at least a century.
There's no question the result was less photographically gripping than, say, Giambattista Valli's maximalist couture youthquake of bustiers-with-trains over high-waisted full trousers; his high/low frothing baby dolls of tulle and Chantilly lace, and neon pink entrance-makers, which are like candy for the selfie set.
AFAM's exhibition-design team has found a solution in the creative use of video screens and iPads equipped with custom-designed software that allows museum-goers to turn the photographically reproduced pages of numerous book works, even as they find themselves standing right next to their handmade originals.
The aspiration to photograph the People of the Twentieth Century isn't far removed from the conceptual artist Douglas Huebler's ambition "to photographically document the existence of everyone alive" or, for that matter, from Taryn Simon's A Living Man Declared Dead and Other Chapters I–XVIII (2548–222), which traces bloodlines.
"Lunar Orbiter's two pictures of the Earth taken from near the Moon, 240,000 miles away, showed photographically for the first time the Earth in one of its Moon-like phases at present a crescent-shaped 'last quarter' Earth," the New York Times pointed out in an article published a few days after the photographs were taken.
There was a lot of criticism from photographers who covered Obama as well as the White House Correspondents Association and the White House News Photographers Association Trump calls the media fake news, and particularly criticizes The New York Times and The Washington Post, yet photographically you are having more access than with previous presidents you've covered.
Advertise on Hyperallergic with Nectar Ads The larger question the show raises is this: We know that William Henry Fox Talbot aspired to create the first photographically illustrated book, The Pencil of Nature (2018–46)—but because of the laborious progress of that book's production, the diligent Atkins beat him to it with her modest edition about seaweed.
Just off the elevator there's Titian's gory, gorgeous "The Flaying of Marsyas," all the way from the Czech Republic, which may involve the work of later hands, and his fascinatingly episodic "The Agony in the Garden" from the Prado, in which a rough slash of yellow for a Roman soldier's lantern and his almost photographically precise chain mail glimmer in the night.
He realized his love for photography after he began photographically documenting his own performance art pieces.
It was George Mathew and Unni Krishnan Pulikkal who studied the life-stages, and photographically documented, for the first time in 2008.
From 1991-1993 Scharlin asked artist friends to describe her to police sketch artists. She then photographically enlarged and exhibited the resulting portraits.
This was originally done with photographic processes to create posters. It can now be done photographically or with digital image processing and may be deliberate or an unintended artifact of color quantization.
U.P., Oxford/New York, 1972–2007). 30 illustrations retained. Library Edition (Mountrath, Portlaoise: The Dolmen Press, in association with the University Press of Pennsylvania, 1985). 108 illustrations were photographically reduced by 11%.
On October 3, 1862, President Abraham Lincoln and General George McClellan visited Mount Airy, an event recorded photographically by Alexander Gardner. It was listed on the National Register of Historic Places in 1986.
Recent works under the series title "Photos" (2004) thematise "photographicisms". As such, phototypical aesthetic appearances can be seen - but in this case they are no longer photographically generated, but computer generated and executed (Digigraphics™).
Born in Johnstown, Pennsylvania, his most famous work was documenting photographically the immediate aftermath of the atomic bomb explosions at Nagasaki and Hiroshima, Japan, in 1945 and 1946 as a Marine photographer. He died in Nashville, Tennessee.
Bonnevoie, le 13 avril 1984: 8–20. (16 August 1845 – 13 July 1921) was a Franco- Luxembourgish physicist and inventor, and Nobel laureate in physics for his method of reproducing colours photographically based on the phenomenon of interference.
Sankt Andreasberg Observatory Website (in German), April 3, 2015.) and a computer aided mount of type Knopf MK70S were first used during the STATT 2015 (August 13–16, 2015). The reflecting telescope can be used visually as well as photographically.
They were poor quality, rushed into production for wartime needs, and had been produced by merely photographically reducing six-inch maps.F. J. Monkhouse, "The new Ordnance Survey map series: Scale 1:25,000", Town Planning Review, vol. 21, iss. 1, pp.
It remained the standard process for photographically illustrating books, magazines and newspapers during the next eighty years. Although much more technologically sophisticated methods eventually came into use for creating the printing plates, the structure of most printed halftone images has remained virtually unchanged.
It is found in rainforests and marshy forests. It is threatened by habitat loss and hunting for bushmeat. One subspecies, bouvieri, is rated as critically endangered; although it was last photographically documented in 2015, it may be on the brink of extinction.Pennant's red colobus . ARKive.
During this time he focused mainly on investigating hauntings, poltergeists and mediums. With Alan Gauld and Howard Wilkinson he created SPIDER (Spontaneous Psychological Incident Recorder). Many cases were monitored, photographically and electronically, but little significant evidence was obtained in twenty years of its use.
Phoebe was discovered by William Henry Pickering on 17 March 1899 from photographic plates that had been taken starting on 16 August 1898 at the Boyden Observatory near Arequipa, Peru, by DeLisle Stewart. (same as above) It was the first satellite to be discovered photographically.
The flash can be triggered electronically by being synchronised with an electronic detection device such as a microphone or an interrupted laser beam in order to illuminate a fast event. A sub- microsecond flash is fast enough to photographically capture a supersonic bullet in flight without noticeable motion blur.
The Spokesman-Review Landsburg was born in Seattle, Washington, and lived in Portland, Oregon, at the time of the eruption. In the weeks leading up to the eruption, Landsburg visited the area many times in order to photographically document the changing volcano.Bunce, Vincent (2000). "Restless Planet: Volcanoes", p.44.
Black light fluorescent lamp Fluorescent stamps can be detected with a black light fluorescent tube. Phosphorescent stamps can be detected using a shortwave UV lamp. The effects of both processes can be recorded photographically. Lamps for both ranges of wavelengths as well as combinations of both are available.
In order to speed the publication process, early volumes of the series (before electronic publishing) were reproduced photographically from typewritten manuscripts. According to Earl Taft it has been "enormously successful" and "is considered a very valuable service to the mathematical community". there have been 2232 volumes in this series.
Many high schools, colleges, and elementary and middle schools publish yearbooks; however, many schools are dropping yearbooks or decreasing page counts given social media alternatives to a mass-produced physical photographically-oriented record. From 1995 to 2013, the number of U.S. college yearbooks dropped from roughly 2,400 to 1,000.
Ike Vern (1973) low tide on Arthur Kill reveals oil spills on the marsh grass at the Port Reading coal yard.In the early 1970s Vern produced picture documentation of pollution around the chemical storage, petroleum depots and drainage outlets at Arthur Kill, Staten Island, for 'Documerica: The Environmental Protection Agency's Program to Photographically Document Subjects of Environmental Concern'.Infinity, Volume 20, 1971, Page 44 Forty-nine of these photographs are held at the National Archives Catalog.Ike Vern photographs for DOCUMERICA: The Environmental Protection Agency's Program to Photographically Document Subjects of Environmental Concern at the National Archives Catalog In the late 70s he created photographic murals for New York City high schools and La Guardia airport.
As a result, commercial manufacturers of x-ray tomographic scanners started building systems capable of reconstructing high resolution images that were almost photographically perfect. In 1971, they published their research in PNAS.Three-dimensional reconstructions from radiographs and electron micrographs: Application of convolution instead of Fourier Transforms, Proc. Natl. Acad. Sci., vol.
He also lived and worked in Lebanon and Syria. His work is characterized primarily by architectural views of Jerusalem and the Holy Land. The paintings of Bauernfeind are mostly meticulously crafted, intricately composed and almost photographically accurate cityscapes and images of known sanctuaries in oil. In addition, he produced landscape scenes and watercolours.
Photograph by Tress of an abandoned car and unfinished apartment house at Breezy Point, Queens, in 1973. It was taken for the Environmental Protection Agency's Documerica program to photographically document subjects of environmental concern. Tress comes from a Jewish background; his parents immigrated from Europe. He was born in Brooklyn, New York.
The Táin, Hardback trade edition (Oxford/New York: O.U.P., in association with the Dolmen Press Limited, Dublin, 1970). This includes 33 illustrations photographically reduced from the original edition. It is enclosed by black cloth boards, stamped in white in a design by the artist with illustrated dust-jacket. The Táin, Paperback edition (O.
He exhibited at the Royal Academy from 1866 to 1893. In 1883 he was elected a member of the Royal Institute of Oil Painters. Barber became a very popular sporting and animal painter, specialising particularly in sentimental portraits of dogs, often with children. His work ranged from photographically realistic to quick sketches.
An entry for the word «daughter» () and its derivatives In 1955, the dictionary was reprinted in the Soviet Union again with a circulation of 100,000. This sixth edition relied also on that of 1880–1883 (i.e. without obscene words). Copies of the second edition were used as the source for the stereotype (photographically reproduced) reprint.
The work is a prime example of Eakins's scientific realism. The rendering is almost photographically precise – so much so that art historians have been able to identify everyone depicted in the painting, with the exception of the patient.Medical Class of 1889 and Thomas Eakins' painting of "The Agnew Clinic". University of Pennsylvania Archives and Records Center.
Eadweard Muybridge developed his Zoopraxiscope in 1879 and gave many lectures with the machine from 1880 to 1894. It projected images from rotating glass disks. The images were initially painted onto the glass, as silhouettes. A second series of discs, made in 1892–94, used outline drawings printed onto the discs photographically, then colored by hand.
John Wiley & Sons, Inc. The fish was barely alive, but it lived for six hours, allowing Erdmann to photographically document its coloration, fin movements and general behavior. The specimen was preserved and donated to the Bogor Zoological Museum, part of the Indonesian Institute of Sciences. DNA testing revealed that this specimen differed genetically from the Comorian population.
Sharpless 101 (Sh2-101) is a H II region emission nebula located in the constellation Cygnus. It is sometimes also called the Tulip Nebula because it appears to resemble the outline of a tulip when imaged photographically. It was catalogued by astronomer Stewart Sharpless in his 1959 catalog of nebulae. It lies at a distance of about from Earth.
Independently nodding mirrors can be used instead of moving slits to produce the same scan: the first mirror selects a slice of the Sun, the second selects the desired wavelength. The Spectroheliograph is a similar device, but images the Sun at a particular wavelength photographically and is still in useInformation on observatories including Meudon in professional observatories.
46P/Wirtanen was discovered photographically on January 17, 1948, by the American astronomer Carl A. Wirtanen. The plate was exposed on January 15 during a stellar proper motion survey for the Lick Observatory. Due to a limited number of initial observations, it took more than a year to recognize this object as a short-period comet.
To lessen the strain on the galvanometer the pen might instead only intermittently be pressed against the writing medium, to make an impression, and then move while pressure is released. Where greater sensitivity and speed of response is required a mirror galvanometer, might be used instead, to deflected a beam of light which can be recorded photographically.
It lived for six hours, allowing scientists to photographically document its coloration, fin movements and general behavior. The specimen was preserved and donated to the Bogor Zoological Museum, part of the Indonesian Institute of Sciences.Jewett, Susan L., "On the Trail of the Coelacanth, a Living Fossil", The Washington Post, 1998-11-11, Retrieved on 2007-06-19.
Louis Legrand (19th century) was a French photographer based in Shanghai who may have been commissioned to accompany French forces and photographically document their participation in the Anglo-French military expedition to northern China during the Second Opium War in 1860. No evidence has yet been found that Legrand actually joined the expedition or took photographs on it.
As at 29 July 2004, the physical condition of the appliance is excellent; with low archaeological potential. Restoration work such as rust removal and repainting, with mechanical work to bring the motor to a fully operational condition, has been carried out. The previous condition of the appliance was recorded photographically. The appliance would consist of approximately 85% original fabric.
Thereby, the pictures of this strict beginning of the formalism debate are taken up and restaged photographically. In 1994, Leupold succeeded to exhibit his visual criticism in the Military Historical Museum in Dresden, where he first began his career. His work hung in the same house in which this far-reaching demonstration of power took place in 1953.
Comic Book Resources. The customary size of comic book pages in the mainstream American comics industry is 11 by 17 inches. The inker usually works directly over the penciller's pencil marks, though occasionally pages are inked on translucent paper, such as drafting vellum, preserving the original pencils. The artwork is later photographically reduced in size during the printing process.
Also known as Pickering's Wedge, or Pickering's Triangular Wisp, this segment of relatively faint nebulosity was discovered photographically in 1904 by Williamina Fleming at Harvard Observatory, where Edward Charles Pickering was director at the time. The Triangle is brightest along the northern side of the loop, though photographs show the nebulosity extending into the central area as well.
In 1975 Tominari established a photography company in Sendagaya, Tokyo. For the following three years he photographed for an encyclopedia, published by Asahi Shinbun-sha, of the plants of the world: Asahi hyakka: Sekai no shokubutsu. He contributed to fifty photographically illustrated guides to plants and similar works. He was awarded the 1990 Japan Picture Book Awards Grand Prize for his photo collection .
This is a list of color film processes known to have been created for photographing and exhibiting motion pictures in color since the first attempts were made in the late 1890s. It is limited to "natural color" processes, meaning processes in which the color is photographically recorded and reproduced rather than artificially added by hand-painting, stencil coloring, or other arbitrary "colorization" methods.
He helped illustrate over 200 volumes on cities and regions, architects and artists. Starting in about 1965 he photographed illustrations for the history of Italian literature and also photographed Apennine valleys including the region of Emilia-Romagna. Later his photography related to Italian art history. After 1980 he concentrated on photographically documenting the heritage of Novara, Lake Orta and Val d'Ossola.
Also, Daniel Rodes and Encarna Sanchez have published a new edition called The anciens icons of tarot reconstructed about Marseille's Tarot. More recently, Igor Barzilai has published a restoration of the Nicolas Conver tarot, hand-painted and using old paper techniques. The Dodal deck held in the Bibliothèque Nationale has been photographically published by Dussere, but is now out of print.
Printed copies of the script, "for the exclusive use of candidates," first appear in the archives with The Man From Where (1903–04). Although A Woodland Wedding (1899–1900) included a specialty skirt dance, and "The Pony Ballet" was a part of Tabasco Land (1905–06), The Mummy Monarch's kickline in 1907 was the first of that tradition to be documented photographically in the Triangle Archives.
Her nationality has been categorized as German, French, and Dutch, but she spent years in Brazil, Republic of the Congo, Thailand, and India. Described as "an especially outspoken example" of a group of early 20th-century female photographers who "could lead lives free from convention", she is best known for photographically-illustrated books such as her 1928 portfolio Métal.Rosenblum, Naomi. A History of Women Photographers, 2nd edition.
' , (Dutch for Hanny's object) is a rare type of astronomical object called a quasar ionization echo. It was discovered in 2007 by Dutch schoolteacher Hanny van Arkel while she was participating as a volunteer in the Galaxy Zoo project, part of the Zooniverse group of citizen science websites. Photographically, it appears as a bright blob close to spiral galaxy IC 2497 in the constellation Leo Minor.
Cameras were also fitted to the aircraft so the bombs' trajectory and effect could be recorded. Testing of the Disney bombs began in early 1945. Bombs were initially dropped on a bombing range near Southampton to photographically record their trajectory and calibrate bombsights. This was necessary as the flight-path of a rocket-accelerated bomb differed considerably from that of a free–falling bomb.
A post-earthquake lab test of the seismometer and an inspection of the photographically enlarged accelerogram revealed that the limit was hit twice, with a maximum deflection of 31 mm, as the needle bounced off the unit's mass. An extrapolation of the vertical record led to a maximum acceleration estimate of 2.2g for that site, and the unit was eventually replaced with a higher capacity digital device.
He found his own style early on and his work is easily recognizable from his use of reddish, sunset colors. However, some of his later paintings are reminiscent of the almost photographically realistic work of Eduard Gaertner. His popularity continued after his death, and his works formed part of a major exhibit at the "Jahrhundertausstellung Deutscher Kunst" (Centennial Exhibition of German Art) in 1906.
The instrument appears to have been mainly prevalent in Norway, where at least 160 instrument have been attested, 100 of them photographically. The core areas are Hedmark, eastern Trøndelag and Oppland, and Agder. The instrument is not known outside of Scandinavia, though within that region several variants of the instrument are found. There are two different theories as to the origin of the tungehorn.
Logo 2004-. American print clubs or printmaking societies were prolific in the 19th century. Their impetus was primarily exhibition, technical exchange, shared equipment, and the promotion of printmaking as a fine art, as opposed to a method of reproducing images. The invention of photography meant that reproduction of art works could be achieved photographically instead of through the graphic arts of etching, engraving, and lithography.
In Paris, Webb produced a "vivid record" of the city which earned him recognition. Then, Webbs moved back to New York City to live in Greenwich Village in 1952. In 1955, he was awarded a Guggenheim Fellowship to photographically record pioneer trails of early settlers of the western United States. He was hired in 1957 by the United Nations to photograph its General Assembly.
78 Todt specifically required her to "photographically [depict] the visages of his Reich autobahn workers from the various regions of the Fatherland".Cited in Philipp, p. 117 from Lendvai-Dircksen's introduction to the second edition of the book: "[Er wollte] das Antlitz seiner Reichsautobahnarbeiter aus den verschiedenen Gegenden des Vaterlandes fotografisch dargestellt sehen". The book appeared in 1937 and in a revised edition in 1942.
Voyager 1 color image of Amalthea (1979) Amalthea was discovered on 9 September 1892 by Edward Emerson Barnard using the 36 inch (91 cm) refractor telescope at Lick Observatory. It was the last planetary satellite to be discovered by direct visual observation (as opposed to photographically) and was the first new satellite of Jupiter since Galileo Galilei's discovery of the Galilean satellites in 1610.
Virginia law requires a notary to use a seal on every document they notarize. The law specifies that when a seal is used that it must be sharp, legible, permanent and photographically reproducible. Also, it is recommended that the notary seal be imprinted or stamped just below the notarial statement. Care should be taken to not obscure the signatures or other parts of the document.
It was also described and photographically illustrated online, by Russian lexicographer and blogger Alexei Plutser-Sarno, who himself participated in the action.Original account of the performance in Plucer-Sarno blog. Photos of the performance were also published by blogger adolfych.Performance photos published by blogger adolfych Following these blog reports, the action was covered by the media and met with mostly conservative responses in Russian society.
This placed them beyond the limit of most amateur telescopes. None of the other three asteroids showed signs of the cometary emission that would be expected from a weakly active cometary nucleus. This should not be surprising, since the targets lie in stable main-belt orbits. Ground-based observations of 182 Elsa, 224 Oceana, and 899 Jokaste were conducted visually, photographically, with VHS, and with CCD equipment.
As the title indicates, the album is a tribute to, and feature for, Manzanera's signature guitar, the red-and-black Gibson Firebird V11 guitar which he has played throughout his career – he can be seen holding the guitar in the "centrefold" photograph on Roxy Music's second album For Your Pleasure in 1972, and a photographically distorted image of it was used on the cover of Primitive Guitars.
In 1970, physicist Werner Kraus was commissioned to photographically document the Daimler-Benz Wankel engine’s combustion cycle. For this purpose, he invented a photo-optical system which captured images on a 1:1 scale. Later, based on the same system, Kraus, together with the artist and sculptor Erhard Hößle, built the Imago Camera. The camera and its photographs were exhibited in Munich during the Fluxus-movement.
" Making use of multiple cameras, Greenberg noted, "Photographically, of course, one camera is best. But as a movie maker, and because I want the film to be a success, I realize that the photography is not the most important thing. The whole movie is most important. So in pre-production, I was the one pushing the director to always shoot with two or three cameras.
Tim Keane, "Photographing the Women of British Art", Hyperallergic, 19 January 2019. She divorced her first husband in 1974, and during the late 1970s/early '80s Magnus married the photographer Jorge Lewinski (1921–2008) with whom she collaborated on a series of photographically illustrated books. Lewinski died in 2008. Magnus has worked to restore the in Alan, Haute- Garonne, a home that she shared with her husband.
Heavy smog in Los Angeles, 1973, Gene Daniels Documerica (stylised as DOCUMERICA) was a program sponsored by the United States Environmental Protection Agency to "photographically document subjects of environmental concern" in the United States from about 1972 to 1977. The collection, now at the National Archives, contains over 22,000 photographs, more than 15,000 of which are available online. The title is a portmanteau of "documentary" and "America".
This records refers to Samuel Carpenter, born 1649, who emigrated to Philadelphia, Pennsylvania and was a prominent citizen and leader. Horsham prospered during the Victorian era and early 20th century. The town, along with others, has been well documented photographically by Francis Frith. The pictures record many of the landmarks that are still in place today, although some, such the war memorial, Jubilee Fountain and Carfax Bandstand, have been moved.
Unique Photo runs both an online operation and an in- store operation. Their Fairfield, NJ superstore is a 50,000 square foot facility equipped with a multimedia classroom, a large rental equipment program, camera trade-in program, and a well-known professional photo lab. The facility also has a coffee bar, WiFi lounge, and meeting space. Unique Photo has a highly photographically-trained sales staff and offers free technical support.
One of the three earliest known photographic artifacts, created by Nicéphore Niépce in 1825. It is an ink-on-paper print, but the printing plate used to make it was photographically created by Niépce's heliography process. It reproduces a 17th-century Flemish engraving. Niépce's View from the Window at Le Gras (1826 or 1827), the earliest surviving photograph of a real-world scene, made using a camera obscura.
In 1927, Consemüller was commissioned by Gropius to photographically document Bauhaus's activities and people. This resulted in the creation of around 300 photographs documenting the school's work and environment. "Bauhaus Scene," a frequently reproduced photograph of his, combines three works by Bauhaus artists in one photo. It depicts a woman sitting in Breuer's Wassily Chair, wearing a theatrical mask made by Oskar Schlemmer and a dress designed by .
The 107th became the first operational photographic reconnaissance squadron in Northern Europe. Before the Normandy landings in June 1944, pilots of the Michigan National Guard's 107th Tactical Reconnaissance Squadron were flying photographic missions in preparation for D-Day. The squadron's pilots flew 384 missions to perform the dangerous task of photographically mapping the French coast before D-Day. Miraculously, only one aircraft was shot down from December 1943 to June 1944.
He also developed a project in San Clemente, California, that included 500 buildings and 1,000 residences. Day was a driving force in the real estate market of New York City. An article on William Hassler (1887–1921), who photographically mapped of the city of New York after the consolidation of the five Boroughs in 1898, mentions Day. Hassler utilized the Cirkut camera apparatus to do the laborious work.
It was discovered photographically in 1904 by Williamina Fleming (after the New General Catalogue was published), but credit went to Edward Charles Pickering, the director of her observatory, as was the custom of the day. The Veil Nebula is expanding at a velocity of about 1.5 million kilometers per hour. Using images taken by the Hubble Space Telescope between 1997 and 2015, the expansion of the Veil Nebula has been directly observed.
Dr. Miller published manuals designed to be student handbooks for the performance of experimental problems in physics. In 1908, Miller's interest in acoustics led him to develop a machine to record sound waves photographically, called the phonodeik. He used the machine to compare the waveforms produced by flutes crafted from different materials. During World War I, Miller worked with the physical characteristics of pressure waves of large guns at the request of the government.
The animation photo transfer process (APT process) is a photographic transfer system that can photographically transfer lines or solid blocks of colors onto acetate sheets (cels). A similar process is used in making the stencils for silk screen printing. The process relies on UV-sensitive inks that cure when exposed to light and stick to the plastic sheet, while the ink in the non- exposed areas is chemically removed from the sheet.
3 n° 1 (2012), accessed on 6 January 2013 and the development of large format images on posters and broadsides up to 1914. He has helped to design and organize several exhibitions in his specialist fields. In 2001, the Rijksmuseum acquired his collection of 19th-century photographically illustrated books, amounting to some two thousand volumes. Joseph is a Fellow of the Royal Photographic Society and corresponding member of the German Society for Photography.
Images that cannot be taken directly by the camera or seen by the human eye … A thought, an idea; an image that only develops after it has been recorded photographically, albeit through that very act … Something that expands our view of the world, our awareness, the space for association … Corresponding far more to fiction than to reporting: Let us call it Elusionistic Art. Elusionism [Lat. eludere / Engl. elude – evade, escape, avoid; Engl.
On the advice of none other than patron Eduard Douwes Dekker, Wijss changed the name of the hotel to the much more chic-sounding Hotel des Indes in 1856. In 1860, Wijss sold the hotel to the Frenchman Cresonnier. Louis Couperus, yet another writer, became a regular patron. Cresonnier commissioned the British photographers Walter B. Woodbury (1834–1885) and James Page (1833–1865) to photographically capture the hotel for an advertisement campaign.
Hans Kennedy was also instrumental in the discovery of the atmosphere of Pluto and was requested by NASA to photographically track several Apollo missions. He participated in photo- electric observations of the asteroid Kleopatra and found that it is an elongated metallic object consisting of an alloy of iron and nickel. Kennedy was a close associate of Gerald Kron (US Naval Observatory)and Bart Bok (University of Arizona). He produced over 32 papers and publications.
These are his first completely mechanically-produced paintings and are made by tinting and altering images on a computer and then photographically transferring them onto large sheets of fabric. Up until this point Polke had rejected mechanical processes, preferring to explore the visual effects of mechanical technology by hand.Sigmar Polke: History of Everything, October 2, 2003 – January 4, 2004 Tate Modern, London. From 2007, Polke continued to develop and refine his "Lens Paintings" series.
Visual Thinkers like she is, who think in photographically-specific images. 2. Music and Math Thinkers – who think in patterns and may be good at mathematics, chess, and programming computers. 3. Verbal Logic Thinkers – who think in word details, and she noted that their favorite subject may be history. In one of her later books, The Autistic Brain: Thinking Across the Spectrum, the concept of three different types of thinking by autistic individuals is expanded.
Early searchlight experiments were conducted at the siteLocation of the searchlight is between 1889 and 1892. The present observation post housing a searchlight was built in 1899. Needles Old Battery, WightCAM - photographically illustrated walks on the Isle of Wight website Just to the east of the Old Battery, at Hatherwood Point are the remains of Hatherwood Battery, built to defend the area alongside the Needles Battery. The Old Battery is a Grade II Listed Building.
It was discovered photographically by Richard M. West, of the European Southern Observatory, on August 10, 1975. The comet came to perihelion (closest approach to the Sun) on February 25, 1976. During perihelion the comet had a minimum solar elongation of 6.4° and as a result of forward scattering reached a peak apparent magnitude of −3. From February 25 through the 27th, observers reported that the comet was bright enough to study during full daylight.
There, under the guidance of Mick Williamson, Gómez Pérez began to build a portfolio of photographs taken in Zurich. During a demonstration of Teddy Boys, an Edwardian revivalist subculture, at Hyde Park, London, he began to photographically document their community. Those pictures began a portfolio, which he would later, in 1976, present for acceptance to the London College of Printing. Later in 1976, he also worked with Charles Harbutt at The Photographer's Place in Derbyshire.
In "Scope & Contents" page for series DOCUMERICA: The Environmental Protection Agency's Program to Photographically Document Subjects of Environmental Concern, compiled 1972 - 1977, National Archives Identifier 542493 / Local Identifier 412-DA; Series from Record Group 412: Records of the Environmental Protection Agency, 1944 - 2000. Record of holdings available from the National Archives Catalog of the National Archives and Records Administration under the National Archives Identifier 542493. Accessed February 18, 2009. The quality of the images varies.
In 2001, in the base of a pyramid, a team led by William Saturno (a researcher for the Peabody Museum of Archaeology and Ethnology) discovered a room with murals that were carbon-dated as from 100 BC, making them the oldest ones to date. Excavation started in March 2003.Saturno 2003 The murals were stabilized and a special technique was used for photographically recording the paintings. Fallen fragments were pieced together and also photographed.
A comet may be discovered photographically using a wide-field telescope or visually with binoculars. However, even without access to optical equipment, it is still possible for the amateur astronomer to discover a sungrazing comet online by downloading images accumulated by some satellite observatories such as SOHO. SOHO's 2000th comet was discovered by Polish amateur astronomer Michał Kusiak on 26 December 2010 and both discoverers of Hale–Bopp used amateur equipment (although Hale was not an amateur).
During the Second World War he worked with the National Buildings Record, photographically documenting Southampton. After retiring in 1946, he refocused his attention on Sudanese archaeology and wrote several further books prior to his death. Friends and colleagues remembered Crawford as a cantankerous and irritable individual. His contributions to British archaeology, including in Antiquity and aerial archaeology, have been widely acclaimed; some have referred to him as one of the great pioneering figures in the field.
The abductors sometimes will touch the forehead of the experiencer, which strangely, seems to ease their anxiety and whatever physical pain they may be experiencing. Reports of the entities drilling into the skull have also been given by several of Smith's clients. In one instance the claimed site of the drilling corresponded with an actual red mark on the back of experiencer's head. An attempt to document this mark photographically was made, but turned out unsuccessful.
In 1989 however, he was approached by the designer of the Van Dale dictionary, who wanted to test Trinité for use at 7pt. De Does suggested to specially design a new typeface instead. The first rough drawings were made with a felt- tipped pen, and then photographically reduced to be able to judge the design at the right size. The editors of the dictionary were happy with the results, and accepted the offer to produce the typeface.
Lcdr. Horace Bristol, one of Capt. Steichen's ace photographers, goes to work, photographically recording the war, stripped to the waist, 1944 Edith McPhee married Laurence A. Bristol and had one son, Horace Richard Bristol, later a renowned photojournalist, whose work is now featured at the Smithsonian Institution. After being left alone with a young son, she lived with her parents at 621 Pleasant Street, Santa Paula, California. The house was built in 1909 by Charles Godwin, originally from England.
Intense study of large numbers of stars suggest that 6.7% of stars with temperatures between and show rapid small-amplitude pulsations but are not members of other variable star classes. These are potentially Maia variables. Maia is surrounded by the Maia Nebula (also known as NGC 1432), a reflection nebula that is one of the brightest patches of nebulosity within the Pleiades star cluster. It is the only member of the New General Catalogue discovered photographically.
QuickTime VR (also known as QTVR) is an image file format developed by Apple Inc. for QuickTime, and discontinued along with QuickTime 7. It allows the creation and viewing of VR photography, photographically-captured panoramas, and the exploration of objects through images taken at multiple viewing angles. Supported up to the discontinued QuickTime version 7, QuickTime VR functions as a plugin for the standalone QuickTime Player, as well as working as a plugin for the QuickTime Web browser plugin.
Later techniques were developed to photographically copy images onto lithograph plates. The technique, with its ability to transfer fine detail, is considered most suitable for onglaze decoration, although it has been used for underglaze images. The roots of natural sponges were used in Scotland to make crude stamps to decorate earthenware pottery in the 19th century and early 20th century. Rubber stamps were introduced in the 20th century to decorate porcelain and bone china with gold lustred borders.
In 1878, Pierson went into partnership with his son-in-law Gaston Braun, the heir to the Braun Company and the brother-in-law of Léon Clément. They managed to resurrect the Société Adolphe Braun et Compagnie from the brink of collapse. From then on, Pierson's photographic collection belonged to Braun. In 1883, the Braun company signed an exclusive 30-year contract with the Louvre with the goal of reproducing photographically some 7,000 works of art.
As an associate editor, he teamed up with Kurt Ledterman, the other associate editor at Surfer Magazine. Secretary Chris Maxwell (nicknamed Max Criswell by Kurt) made the final member of a trio that would become the re-creators of Skateboarder Magazine. Photographically, Bolster was among the first to use fish-eye lenses, motor-drive sequences and strobes while documenting California's skateboarding culture. For example, Ty Page's multi- faceted, rapid-fire technique and footwork were nothing short of incredible.
In 2009, several Kromogram views of San Francisco made by Ives six months after the 1906 earthquake and fire were discovered while cataloging a collection of Kromograms at the National Museum of American History.The Australian 10 March 2011 They are believed to be the only existing images showing the aftermath of that disaster in natural color (i.e., with color recorded and reproduced photographically rather than added in by hand), as well as the earliest extant natural color photographs of San Francisco.
This is a royal symbol and only attested for kings. Therefore, this (now photographically united) statue shows a woman that ruled as king and must belong to Sobekneferu, the only ruling queen of the late Middle Kingdom.Biri Fay, R. E. Freed, T. Schelper, Friederike Seyfried: Neferusobek Project: Part I. In: G. Miniaci, W. Grajetzki (editors): The World of Middle Kingdom Egypt (2000–1550 BC) Contributrions on Archaeology, Art, Religion, and Written Sources. Band 1, Golden House Publications, London 2015, , 89-91.
A coordinatograph is an instrument which mechanically plots X and Y coordinates onto a surface, such as in compiling maps or in plotting control points such as in electronic circuit design. One historic application of a coordinatograph was a machine that precisely placed and cut rubylith to create photomasks for early integrated circuits including some of the earliest generations of the modern PC microprocessor. The coordinatograph produced layout would then be photographically reduced 100:1 to create the production photomask.
The series My Trip recorded Allan's 17-day road trip through rural Victoria, in 1975. In this publication she approaches people, recording their conversations and portrays them in their natural state through photography. Allan decided to travel alone, recording photographically what she saw and experienced. Having finished a body of work in the darkroom, she felt she need to go on a holiday and decided to use her camera to arbitrate her interactions with the strangers that she came across.
By his own account, Shingu's interest in sculpture developed as his interest in abstraction was expanding. He hung a painting outside to record it photographically: the wind interfered. He became fascinated by the potential for three-dimensional movement. "The work that followed relied on natural forces to make it move or make sound, and he began using more sophisticated materials for outdoor works," as traditional art materials were either too heavy to supply graceful natural movement or too quickly degraded under outdoor conditions.
The photo has had long cultural and social impact in the U.S. Many women feel that the rush of celebrities taking pregnant photos has made taking such photos glamorous for pregnant mothers. As the photos have become more common on magazine covers the business of documenting pregnancies photographically has boomed. Furthermore, the photo is critically acclaimed. Almost fifteen years after its publication the American Society of Magazine Editors listed it as the second best magazine cover of the last forty years.
292-293 The overall composition and the figures were designed by Edward Burne-Jones, who completed a 26 × 38 inch modello or design in watercolour and bodycolour heightened with gold in 1887. Large-scale cartoons for the tapestry weavers were created from photographically enlarged panels of Burne-Jones's watercolour. In a letter of 7 September 1886, Morris had suggested that the tapestry's colouration should be "both harmonious and powerful, so that it would not be overpowered" by the chapel's brilliantly coloured stained glass.
Historically, the term references the early days of printed circuit design, when the enlarged (for higher precision) "artwork" for the photomask was manually "taped out" using black line tape (commonly Bishop Graphics crepe). In the post-war era of the 1940–50s, the techniques developed for rapid and low-cost circuit reproduction evolved to photographically replicated 2D manufacturing. The verb "to tapeout" was already widely used for the process and adopted for transistor fabrication, which evolved to full integrated-circuit approaches.
The first critical edition of the manuscript was published by V. N. Ščepkin (Savvina kniga, Saint Petersburg 1903), photographically reprinted in Graz in 1959. Ščepkin was the first to perform a paleolinguistic analysis of the manuscript (Razsuždenie o jazyke Savvinoj knigy, 1899), and he ascertained that it was copied from a Glagolitic original. His 1903 edition led N. Karinski to propound several new readings and to fix some wrong solutions (Perečenь važnejših netočnostei poslednego izdanija Savvinoj knigi, Izv., XIX, 3, 206-216).
She was admired for the formal precision and balance of her photographic compositions. At one point, she went to Italy to document photographically the architectural work of Andrea Palladio and Filippo Brunelleschi. In the mid 1960s, Dearborn began volunteering in the prints and photographs department at the Metropolitan Museum, developing into a scholar of European prints. She occasionally curated exhibitions of prints and photographs in New York, and she was a participant in the New York Photo League's major 1948 retrospective.
For the new civic auditorium of the Los Angeles Police Department headquarters in downtown Los Angeles, Wagner created Ghost Grove (2009). Along the interior walls of the auditorium, Wagner photographically etched anodized aluminum with images of an orange grove, which once covered all of downtown Los Angeles and the greater Southern California sprawl.Villarreal, Yvonne. "Artistic Visions for LAPD's New Headquarters", Los Angeles Times, 21 October 2009. Wagner is currently creating a public art piece for the Moscone Station of San Francisco’s new Central Subway.
He surrounded himself with an aura of mystery and unavailability, savoring both exhibitions and public appearances. His reputation developed as much out of an absence as from a presence: he avoided the press and refused to have any of his works reproduced photographically. His first show was at Rome's Galleria L'Attico in 1969. In 1970, he published his Letter on Immortality, a theoretical enunciation of his research, focussing on the theme of time and the conquest of physical immortality, on the subtle confine between visible and invisible.
Stahl is the co-author with her husband Robert Dannin of Black Pilgrimage to Islam, the result of independently financed research about the propagation of normative Islam in the US and Canada.Robert Dannin & Jolie Stahl, Black Pilgrimage to Islam, (New York: Oxford University Press, 2002). This undertaking was the first successful and comprehensive ethnographic study about the propagation of orthodox Islam among black Americans, a phenomenon originating in early 20th century. From 1988-94 she performed fieldwork among American Muslim women and documented the entire project photographically.
A circa 1850 "Hillotype" photograph of a colored engraving. Long believed to be a complete fraud, recent testing found that Levi Hill's process did reproduce some color photographically, but also that many specimens had been "sweetened" by the addition of hand-applied colors. A heliochrome is a color photograph, particularly one made by the early experimental processes of the middle 19th to early 20th centuries. The word was coined from the Greek roots "helios", the sun, and "chroma", color, to mean "colored by the sun".
This meant photographically developing the emulsion sheets so any traces left by particles passing through them would show up as a small black dot. By connecting these dots across subsequent sheets, the path that each particle had taken was reconstructed and likely neutrino interactions identified. The characteristic properties of neutrino interactions were that several tracks suddenly appeared without any leading up to them. The tau neutrino was identified by one of those tracks showing a "kink" after a few millimeters, indicating decay of a tau lepton.
However, when he was in the mood, he could paint photographically and spent years apprenticing with Dan Gregory, an illustrator. During the preparation of one of his works, he proved his talent to a friend by caricaturing him in dust smeared on canvas. Karabekian's "secret" in Bluebeard is held in a large old potato barn building on his estate that he never lets anyone enter. The Temptation of Saint Anthony costs $50,000 and is solid green with one thin, vertical, day-glo orange strip of tape.
Randal Ford has photographically recreated covers for L.L.Bean, including antique covers, as well as vintage illustrations, for modern use. The cover story of the August 2013 issue of TIME Magazine discussed "the growing trend of childless couples in America" and its illustrations were photographed by Randal Ford, who stated that his "goal for the cover was to show two people as a family unit". He similarly recreated the 1961 cover for Field & Stream. Ford has shot more than twenty covers for the Texas Monthly magazine.
Iolo's depiction of the hall and estate has been variously described as impressionistic or almost photographically immediate. He emphasises the resemblance of the hall to recent masterpieces of church-building, and dwells lovingly on its many luxurious features. Yet he values Sycharth not so much as an architectural marvel but as a haven of safety and refinement in a troubled world. In this poem it symbolizes the order and stability of an ideal society, particularly through the poet's imagery of the symmetrical construction of the hall.
The score had to be photographed in manuscript for reproduction, because having it engraved using printing plates would have been too expensive. One of these photographically reproduced scores survives at the Centre national de la cinématographie. A copy of the film, apparently missing some scenes, survives in the Paper Prints collection at the Library of Congress. A short fragment of a hand-colored print of the film, featuring the fifteenth and sixteenth tableaux (Walpurgis Night and the Ballet of Celebrated Women) survives in an English private collection.
For example, prosthetic makeup can be used to make an actor look like a non-human creature. Optical effects (also called photographic effects) are techniques in which images or film frames are created photographically, either "in-camera" using multiple exposure, mattes or the Schüfftan process or in post-production using an optical printer. An optical effect might be used to place actors or sets against a different background. Since the 1990s, computer-generated imagery (CGI) has come to the forefront of special effects technologies.
In the original image, the album the boy holds is a copy of The Beatles' Capitol Records debut LP Meet The Beatles, but on the Utopia cover this has been photographically replaced with an image of the Swing To The Right cover (thereby creating the illusion of an endless regression of the same image). The August 1966 event was promoted by WAYX radio in Waycross and was one of dozens that took place across the country in August 1966 in response to Lennon's remarks.
Gasgoigne, section 68 Often the artist drew the illustration in reverse, and directly onto a block; in other cases the printer copied the illustration from a drawing. After the 1860s, images could be photographically projected onto the blocks, although it was more difficult for the printer to carve the reliefs without leaving the distinctive lines of the illustration.Gasgoigne, section 6.c Books printed by Evans have been reproduced using some of the original blocks which have "remained in continuous use for over a century".
Friedrich von Gerolt, Carlos de Berghes, Carta geognostica de los principales distritos minerales del estado de México … (Düsseldorf: Arnz, 1827). His maps for this book are regarded as outstanding examples of half- tone and color map-making and display. Egloffstein patented a method for photographically creating half-tone printing plates, which he sought to exploit commercially in the 1860s and 1870s, but with little commercial success.David A. Hanson, "Baron Frederick Wilhelm von Egloffstein: Inventor of the First Commercial Halftone Process in America," Printing History, vol.
The observatory also has a museum and exhibition centre where visitors can learn about the work of the observatory and CIDA as well as astronomy in general. The Quasar Equatorial Survey Team (QUEST) project is a joint venture between Yale University, Indiana University, and CIDA to photographically survey the sky. It now uses the 48 inch (1.22-m) aperture Samuel Oschin telescope at the Palomar Observatory with a digital camera, an array of 112 charge-coupled devices. Previously, it used the 1.0-metre Schmidt telescope of the Llano del Hato National Astronomical Observatory.
The Quasar Equatorial Survey Team (QUEST) is a joint venture between Yale University, Indiana University, and Centro de Investigaciones de Astronomia (CIDA) to photographically survey the sky using a digital camera, an array of 112 charge-coupled devices. Since 2009, it has used the 1 m ESO Schmidt Telescope in Chile. From 2003–2007, it used the 48 inch (1.22 m) Samuel Oschin telescope at the Palomar Observatory. Before that, it had used the 1.0-metre Schmidt telescope at the Llano del Hato National Astronomical Observatory in Venezuela.
The original article describing the Abney effect was published by Sir William de Wiveleslie Abney in Proceedings of the Royal Society of London, Series A in December 1909. He decided to do quantitative research following the discovery that the visual observations of color did not match the dominant colors obtained photographically when using models of fluorescence. A color-measuring apparatus commonly used in experiments in the 1900s was used in conjunction with partially silvered mirrors to split one beam of light into two beams.W. de W. Abney. “Measurement of Colour Produced by Contrast”.
Announced in 2007, the production teams based at the BBC Natural History Unit in Bristol and BBC Wales spent three years shooting over 70 stories in some of the most remote locations on Earth spanning about 40 countries. Each episode of the series focuses on a different human-inhabited environment, including deserts, jungles, the Arctic, grasslands, rivers, mountains, oceans, and the urban landscape. For the first time on a BBC landmark series, the production had a dedicated stills photographer, Timothy Allen, who documented the project photographically for the books and multimedia that accompany the series.
This project became a point of reference for several of the area's woodworkers, many of whom studied at the Fine Wood Working Program founded by James Krenov. Arita died in Fort Bragg, California on July 17, 2011 at 70. A posthumous printing of Arita's First Born folio was undertaken by Yosihiko Ueda in late 2011 for publication November 2012, with accompanying exhibits in Tokyo and Paris Photo 2012. Also published in 2012, Pure: Taiji Arita in California: Life and Work, which photographically chronicles the last twenty years of Arita's life.
Tesla's demonstrations of wireless power transmission at Colorado Springs consisted of lighting incandescent electric lamps positioned nearby the structure housing his large experimental magnifying transmitter,, recorded in "The Problem of Increasing Human Energy" article published in Century Magazine, June 1900 with ranges out to from the transmitter. There is little direct evidence of his having transmitted power beyond these photographically documented demonstrations.2 Jan, 1899, ‘‘Nikola Tesla Colorado Springs Notes 1899–1900’’, Nolit, 1978, p. 353. He would claim afterwards that he had "carried on practical experiments in wireless transmission".
Following the 1878 work of Italian engineer Pio PaganiniFinsterwalder remarked in 1890 that in Italy, thousands of square kilometres of alpine territory had already been photographically surveyed—with hardly anyone taking notice in Germany. What astonished Finsterwalder most was the skill with which the topographers of the I.G.M. [Istituto Topografico Militare] transformed the photos into maps. Anyone with an interest in mapmaking "will absorb himself with greatest pleasure into the many details of this map and will never stop to admire the accuracy and fidelity with which everything is overheard from nature." [Albertz, J., 2010.
At Goldsmiths College in 1968, Grylls produced an exhibition of his first photographically-based pun-sculptures, each made from cardboard and called collectively 'Ludwig Wittgenstein's Palace of Pun.' He took this with him to the Slade School of Fine Art and continued to make more pun-sculptures. His work was noticed at his final show at the Slade in 1970 by Jasia Reichardt, art critic and assistant director of the ICA. His first London exhibition was held at the ICA in October 1970 as one room in an exhibition entitled 'Ten Sitting Rooms.
The amount of this inclination was found by taking repeated observations of the zenith distance of a star during the one transit, the pole star being the most suitable because of its slow motion. Attempts were made to record the transits of a star photographically. A photographic plate was placed in the focus of a transit instrument and a number of short exposures made, their length and the time being registered automatically by a clock. The exposing shutter was a thin strip of steel, fixed to the armature of an electromagnet.
These are able to record photographically some pigments, depending on their chemical composition, which remain covered by later paint layers. For example, white lead, a common pigment, will be detected by X-ray, and carbon black underdrawings can often be seen with great clarity in infra-red reflectograms. These methods have greatly expanded the number of pentimenti art historians are aware of, and confirmed that they are very common in the works of many old masters, from Jan van Eyck onwards. The face of the woman in the image The Old Guitarist is painted over.
Projector-based golf simulator. A golf simulator allows golf to be played on a graphically or photographically simulated driving range or golf course, usually in an indoor setting. It is a technical system used by some golfers to continue their sport regardless of weather and time of day in a converted premises. Simulators have been available since the early 1970s, and systems range in cost from compact units costing well under $200 that work with a computer or video game console, to sophisticated ones costing tens of thousands of dollars.
Speleoperipatus is a monospecific genus of velvet worm in the Peripatidae family, containing the single species Speleoperipatus spelaeus. It is endemic to Jamaica, troglobitic, and currently known from only two sites, both in northern St. Catherine. Only five individuals have been found as of 2013; four specimens collected by Dr S. Peck in 1975 at Pedro Cave, and one individual found (not collected, but confirmed photographically by Peck) at Swansea Cave by members of the Jamaican Cave Organisation in 2010. The species is listed as Critically Endangered on the IUCN Red List.
Screen printing was first introduced in Japan in the early 18th century, said to be the invention of Yutensai Miyassak. The early Japanese version was a refinement to stenciling that used human hairs to hold together parts of the stencil, such as the outside and center of a circle, so that visible bridges could be eliminated. Eventually the technique evolved to use fine screens, with some areas blocked by a film and some lines or areas left open to allow paint to pass through. Techniques were developed to transfer images to screens photographically.
A row of small cameras set up to film a "bullet time" effect The bullet time effect was originally achieved photographically by a set of still cameras surrounding the subject. The cameras are fired sequentially, or all at the same time, depending on the desired effect. Single frames from each camera are then arranged and displayed consecutively to produce an orbiting viewpoint of an action frozen in time or as hyper-slow- motion. This technique suggests the limitless perspectives and variable frame rates possible with a virtual camera.
In the modern era the community would occasionally allow academics, such as Umberto Cassuto, access to the Codex, but would not permit it to be reproduced photographically or otherwise. The Codex remained in the keeping of the Aleppo Jewish community until the anti- Jewish riots of December 1947, during which the ancient synagogue where it was kept was broken into and burned. The Codex itself disappeared. In 1958, the Keter was smuggled into Israel by Murad Faham and wife Sarina, and presented to the President of the State, Yitzhak Ben-Zvi.
From 1972 to 1975, O'Rear was part of the Environmental Protection Agency's DOCUMERICA project, aimed at "photographically documenting the subjects of environmental concern in America during the 1970s" along with 70 other photographers including Bill Strode, Danny Lyon and John H. White. O'Rear is credited with the most photographs in the final DOCUMERICA collection. In 1980, he co- founded the photo agency, Westlight, with Craig Aurness, which was acquired in 1998 by Corbis. The same year, Corbis sent O'Rear around the world for a year to photograph major wine regions.
The first edition of Man's Place in Nature is arranged as follows: 8vo, 9x57/8 inches (23x15 cm), [viii]+159+[i]+8ads. Bound in dark green pebbled cloth with blind- stamped borders on boards, gilt lettering on spine as follows: head: Man's place in nature / [rule] / T.H. Huxley; foot: Williams and Norgate. Dark brick red advertisement end-papers front and back, with Williams & Norgate's publications. Frontispiece diagram of ape skeletons, photographically reproduced, after drawings by Waterhouse Hawkins, from specimens in the Museum of the Royal College of Surgeons.
In 1937, she worked with art historian Dorothy Miner to publish . Text and Illustrations of the Fifteenth Century from a French manuscript in the Walters Art Museum, which photographically reproduced 186 eight-line rhymed proverbs, each with accompanying pen-and-ink illustration, from a 15th-century manuscript. Miner provided a study of the work's iconography, while Frank's introduction and notes speculated on the provenance, author and date of the work. Apart from her monographs, Frank's academic output was prolific: she published at least 43 journal articles, and a further 84 reviews of academic books.
Most color and tone variations within an image, whether manually drawn or photographically generated, originate at or are caused by edges. These edges may be the edges of one object in front of another or they may be texture edges, shadow borders etc. More subtle shading may also be represented as if it were caused by edges. Therefore vision analysis techniques such as edge detection integrate well with the construction of diffusion curves and so they can facilitate the vectorization of real images and their later manual editing.
View of Newport from Mount Joy, looking north with the Medina estuary in the distance Seaclose Park in Newport, on the east bank of the River Medina, has since 2002 been the location for the revived Isle of Wight Music Festival, which is held once a year. Newport is home to the Postal Museum, possibly the largest private collection of vintage postal equipment and post boxes in the world.Isle of Wight Postal Museum , WightCAM – photographically illustrated walks on the Isle of Wight. Newport bus station is the town's central bus terminus.
In 2000, Eduardo Kac commissioned the creation of a transgenic GFP bunny as part of a piece called GFP Bunny. "The PR campaign included a picture of Kac holding a white rabbit and another, iconic image of a rabbit photographically enhanced to appear green." The Tissue Culture & Art Project in collaboration with Stelarc grew a 1/4 scale replica of an ear using human cells. The project was carried out at Symbiotica: the Art & Science Collaborative Research Laboratory, School of Anatomy and Human Biology, University of Western Australia.
Duplitized film was a type of motion picture print film stock used for some two-color natural color processes. It was introduced by Eastman Kodak around 1913. The stock was of standard gauge and thickness, but it had a photographic emulsion coated on both sides of the film base instead of on one surface only. In color film processes such as Cinecolor and Prizma, two black-and-white negatives photographed through red and blue-green filters, or by an equivalent bipack method, were photographically printed onto opposite sides of the duplitized film.
She ground up many of the red bricks from that house and used that as the medium for future drawings and sculptures. Baltar strives to return to a pre- industrial, childlike and primitive narration.’ Baltar's artistic production began in the 1990s with the so-called small poetic gestures, developed in her studio-home in Botafogo, a neighbourhood of Rio de Janeiro. In her work, Collecting Mist (1998–2004), which was shown at the New Museum, Baltar photographically captures herself in the Sisyphean task of trying to capture mist.
These were initially drawn by hand on tracing paper using one sheet for each of the five colours; the various dot or line screens being added using dry transfer screens, for example Letratone manufactured by Letraset in the UK. The map was drawn at twice final map scale, and photographically reduced to produce the five film positives for printing. This was a simple process that required very few specialist tools. Draughting film has replaced tracing paper. This is a plastic waterproof material etched on one side so that the ink will hold.
In the early 1990s, the statute was again changed to require a rubber stamp seal, with an impression type seal being optional and not acceptable unless used in conjunction with a rubber stamp. However, many notaries continue to use the impression seal with their rubber stamp to allow for easy detection when trying to determine which document is an original. This process is made more difficult for notaries who only use a rubber stamp seal, as the Florida statutes require that the seal be affixed in only photographically-reproducible black ink.
Promotional artwork for the film was released at Comic-Con, the poster was drawn in the style of the comic book by series artist Jock, and was later recreated photographically with the cast from the film and used as the theatrical release poster. A four-minute preview of the film was shown at WonderCon. A special "double volume" collected edition graphic novel was released to tie in with the film adaptation collecting including the volumes Ante Up and Double Down. A second book to collect the rest of the series was also released.
In 1919, American inventor Lee De Forest was awarded several patents that would lead to the first optical sound-on-film technology with commercial application. In De Forest's system, the sound track was photographically recorded onto the side of the strip of motion picture film to create a composite, or "married", print. If proper synchronization of sound and picture was achieved in recording, it could be absolutely counted on in playback. Over the next four years, he improved his system with the help of equipment and patents licensed from another American inventor in the field, Theodore Case.
His portraits of Jatra artists are staged spectacles that evoke not only the tragedy of this waning tradition, but also those of its practitioners. Using photography as a performative medium rather than documentary tool, Bose brings an original approach to an often photographically explored space of dying art form in India. Immersing the viewer in a surreal universe is crucial to Bose’s project "Full moon on a Dark Night." By way of those portraits, Bose conducts a psychological exploration of a community of individuals who have been relentlessly persecuted by society because of their identities and their gender or sexual orientations.
She commenced her artistic activity in the 1970s by creating woven forms and spatial structures, metal structures covered with weaving material. This was also the time of the introduction of tapestry into spatial designs such as "Landscape activities", which were a form of performance to be recorded photographically. The later period was marked by the artist's return to weaving techniques which she applied in her work ever since. Participation in the prestigious 5th International Biennial of Tapestry in Lausanne in 1971 led to the invitations to the succeeding bi- annual events and paved the way to many exhibitions worldwide.
The signals were brought on cables to a Quonset hut, where they were displayed on fifteen oscillographs and recorded photographically. Shortly after the experiment began to record shower data, lightning ignited the flammable liquid of one of the counters. Local firemen quickly extinguished the resulting fire before it spread to nearby trees, which were soaked with rain water. Because the trees played an essential role in suppressing atmospheric convection that would degrade telescopic observations, Harvard and MIT carried out tense negotiations, until an elaborate system of fire protection was installed, and the experiment was allowed to resume.
On 8 September 2010, eight stamps of the seventh definitive stamp series, entitled "Irish Animals and Marine Life", were issued at launch. They photographically illustrate Ireland's biodiversity. Issued in "Stamps on a Roll" self-adhesive strips, the stamps feature the following wildlife: tompot blenny, green tiger beetle, red squirrel, golden eagle, common octopus, hermit crab, sea slug and bottlenose dolphin. On 21 July 2011 a further eight designs were added featuring the beadlet anemone, the squat lobster, the cuckoo wrasse, the common frog, the green huntsman, the elephant hawk-moth, the goldfinch and the red deer.
Wolf Vostell collected photographs, artistic texts, personal correspondence with companions like Nam June Paik, Joseph Beuys, Dick Higgins, as well as other objects, which documented the work of the artists of his generation. Since the 1990s, Vostell's private library has been part of the archive. His work is documented photographically and is also part of the archive, which has been housed in the "Museo Vostell Malpartida" since 2006. Vostell initiated further happenings, among others 9-Nein-dé-coll/agen in Wuppertal in 1963, the Happening You in New York in 1964 and others in Berlin, Cologne, Wuppertal and Ulm.
Immediately after the war Chiba's photographs appeared in the contests pages of Camera and other magazines, and he became a central figure in the photographic culture of Akita (a part of Japan that would attract Ihei Kimura, Hiroshi Hamaya and other photographers). From 1952 Chiba freelanced as an Akita-based photojournalist in his free time, but after half a year's hospitalization he closed his kimono shop and opened a shop in Yokote selling photographic supplies. From around this time Chiba concentrated on photographically documenting the history of the area. Chiba was hospitalized in October 1965 and died on 29 December 1965.
Many of the friends that he met early on through Fried were part of the Neo-Plasticist world. Fritz Glarner had been a close friend of Mondrian, a kindred spirit and the man who photographically documented Mondrian's New York City studio. One of Suro's most intriguing friends was the German Dadaist poet, writer and drummer Richard Huelsenbeck who was also a psychiatrist who went by the name Charles R. Hulbeck. As in Mexico and Spain, Suro changed his style once again, expressing himself through geometric abstract images and eventually going on to works that were decidedly informal and expressionistic.
M." in "Sports and Pastimes" but was said to be performed by a French monk "Pere Mathieu". British magic dealer Ellis Stanyon sold the folded papers ready-made and included a routine in his 1905 book, "Magic: or Conjuring for Amateurs," and an outstanding, photographically-illustrated routine was included in C. Lang Neil's "The Modern Conjurer" (1903). Houdini mentioned the novelty in his 1922 book "Paper Magic." According to Stanyon, "The groundwork of the paper-folding is not by any means new, having been known for several hundred years at least under various names, as: "Chinese Fan," "Fantastic Fan," "Trouble Wit," etc.
The walls, ceilings and even solid beams were found to have concealed tubes. Journalists documented everything photographically to leave no room for doubt. Hering and Goodspeed were of the opinion that the tubing and the large steel sphere in the basement indicated the use of normal forces and possible deception, and Hering said in his signed statement that Keely had probably lied and deceived, and was satisfied that he had used highly compressed air to power his demonstrations. At a meeting of the Keely Motor Company's board on January 25, 1899, President B. L. Ackerman issued a statement denying the Philadelphia Press report.
A circa 1850 "Hillotype" photograph of a colored engraving. Long believed to be a complete fraud, recent testing found that Levi Hill's process did reproduce some color photographically, but also that many specimens had been "sweetened" by the addition of hand-applied colors. The first color photograph made by the three-color method suggested by James Clerk Maxwell in 1855, taken in 1861 by Thomas Sutton. The subject is a colored ribbon, usually described as a tartan ribbon. An 1877 color photographic print on paper by Louis Ducos du Hauron, the foremost early French pioneer of color photography.
Mitchell went back to Yerkes for the summers of 1909, 1910 and 1911 and then returned for a fifteen-month sabbatical in 1912 and 1913. Frank Schlesinger first demonstrated the technique of determining stellar parallaxes photographically at Yerkes in 1905, and Mitchell (along with Frederick Slocum) carried out research applying the technique, publishing their results in 1913. At that point, he was offered the directorship at the Leander McCormick Observatory at the University of Virginia. Mitchell spent much of his time and energy as director coming up with funds for running the observatory and paying staff and graduate students.
Shalet played the role for five years, juggling her filming commitments with her education (passing eight A Levels), and eventually with other roles. In 1997, after three years of playing Parker, she was cast in Andrew Davies' adaptation of his novel Getting Hurt, which aired the following year as part of BBC2's Obsessions season. The adult drama featured a scene of Nicholas Hope "photographically seducing her" which was described by the Times as one of the most powerful and chilling scenes in the drama. 1998 saw her make her stage debut, appearing in Philip Ridley's FairyTaleHeart at the Hampstead Theatre.
Parr and Badger include You could be in London, You could be in Vegas, But you’re in Brierfield (2010) and Thank you for travelling with Northern Rail (2012) in the third volume of their photobook history. The former publication was described by The Daily Telegraph in its weekly feature highlighting a photo book. Jason Evans, writing in Photoworks Issue 16, gave the project's publications and strategy a favourable review, he said it was "a refreshing position on politically and photographically aware self-publishing". Preston is my Paris was Dazed and Confused magazine's 'Zine of the Month' in February 2010.
With an electronic image sensor, this produces an electrical charge at each pixel, which is electronically processed and stored in a digital image file for subsequent display or processing. The result with photographic emulsion is an invisible latent image, which is later chemically "developed" into a visible image, either negative or positive depending on the purpose of the photographic material and the method of processing. A negative image on film is traditionally used to photographically create a positive image on a paper base, known as a print, either by using an enlarger or by contact printing.
Eadweard Muybridge had circa 70 of his famous chronophotographic sequences painted on glass discs for the zoopraxiscope projector that he used in his popular lectures between 1880 and 1895. In the 1880s the images were painted onto the glass in dark contours. Later discs made between 1892 and 1894 had outlines drawn by Erwin F. Faber that were photographically printed on the disc and then coloured by hand, but these were probably never used in the lectures. The painted figures were largely transposed from the photographs, but many fanciful combinations were made and sometimes imaginary elements were added.
In fact, each photographically captured spoke in any one position will be a different actual spoke in each successive frame, but since the spokes are close to identical in shape and color, no difference will be perceived. Thus, as long as the number of times the wheel rotates per second is factor of 24 and 12, the wheel will appear to be stationary. If the wheel rotates a little more slowly than two revolutions per second, the position of the spokes is seen to fall a little further behind in each successive frame and therefore, the wheel will seem to be turning backwards.
A Virginia notary must either be a resident of Virginia or work in Virginia, and is authorized to acknowledge signatures, take oaths, and certify copies of non-government documents which are not otherwise available, e.g. a notary cannot certify a copy of a birth or death certificate since a certified copy of the document can be obtained from the issuing agency. Changes to the law effective 1 July 2008 imposes certain new requirements; while seals are still not required, if they are used they must be photographically reproducible. Also, the notary's registration number must appear on any document notarized.
It includes early examples of St Andrew's involvement in the history of photography as well as published and unpublished items and albums from the 1840s on. Of particular importance is the negative archive of picture postcards from Valentine & Sons of Dundee from the mid-19th century to the 1960s. It also contains the negatives of the local press photographer George M. Cowie and of the botanist Robert M. Adam. The rare books collections comprise over 50 named collections comprising gifts from other libraries and subject-based collections based on illustrated children's literature and photographically illustrated books.
The slide is printed in metallic chromium via photolithography with the standard pattern, photographically reduced from a large master plot. Slides are available as photographic positive or negative prints to best fit the illumination technique used in various testing methods. A less expensive, abbreviated version omits the two tiniest groups at the center of the pattern (Group Number 8 and 9), since the lithography at that scale is costly, and the group elements represent resolution beyond the design of many imaging applications. In practice, the spatial resolution of an imaging system is measured by simply inspecting the system's image of the slide.
A Virginia notary must either be a resident of Virginia or work in Virginia, and is authorized to acknowledge signatures, take oaths, and certify copies of non-government documents which are not otherwise available, e.g. a notary cannot certify a copy of a birth or death certificate since a certified copy of the document can be obtained from the issuing agency. Changes to the law effective 1 July 2008 imposes certain new requirements; while seals are still not required, if they are used they must be photographically reproducible. Also, the notary's registration number must appear on any document notarized.
There are two types of polarizing filters readily available, linear and circular, which have exactly the same effect photographically. But the metering and auto-focus sensors in certain cameras, including virtually all auto-focus single-lens reflex cameras (SLRs), will not work properly with linear polarizers because the beam splitters used to split off the light for focusing and metering are polarization-dependent. Linearly- polarized light may also defeat the action of the anti-aliasing filter (low- pass filter) on the imaging sensor. Circular polarizing photographic filters consist of a linear polarizer on the front, with a quarter-wave plate on the back.
Baron followed Rags by learning to fly and making aerial landscapes from the window of his small Cessna. These photographs were the basis of two books, California From the Air: The Golden Coast (1981), and The Holy Land: Israel From the Air (1987), published by Squarebooks which Wolman founded in 1974, and which continues to publish an eclectic selection of illustrated books. In 1974, Wolman spent a year with the Oakland Raiders football team, using his full-access status to photographically document the entire 1974 season. The result was Oakland Raiders: The Good Guys, published in 1975.
Reviews characterize this work as pristine and unsettling, photographically precise, and radically unstable like "optical obstacle courses"; Bay Area critic DeWitt Cheng describes Schulz's depiction of space as "episodic and contradictory, and impossible to grasp as a totality […] fractured, like our consciousness." In her "The Impossibility of Keeping Borders" (2011–2) and "Incursion of Otherness" (2013–4) series, Schulz explored crinkled textures and torn, irregular edges to a greater degree, while continuing to address historic upheavals like the Arab Spring through puzzling juxtapositions of desolate landscapes, buildings with semi- transparent walls, and elements such as miniature rowboats, beds, and penguins.
Unfortunately, the phase differences between adjacent image picture elements ("pixels") also produce random interference effects called "coherence speckle", which is a sort of graininess with dimensions on the order of the resolution, causing the concept of resolution to take on a subtly different meaning. This effect is the same as is apparent both visually and photographically in laser-illuminated optical scenes. The scale of that random speckle structure is governed by the size of the synthetic aperture in wavelengths, and cannot be finer than the system's resolution. Speckle structure can be subdued at the expense of resolution.
It is hypothesized that the schizorhinal skull in proximally rhynchokinetic birds reflects ancestry, but has no adaptive explanation, in many living species. Species in which this has been recorded photographically include the following species: short-billed dowitcher, marbled godwit, least sandpiper, common snipe, long-billed curlew, pectoral sandpiper, semipalmated sandpiper, Eurasian oystercatcher and bar- tailed godwit (see Chandler 2002 and external links). Either prokinesis or some form of rhynchokinesis could be primitive for birds. Rhynchokinesis is not compatible with the presence of teeth in the bending zone of the ventral bar of the upper Jaw, and it probably evolved after their loss.
In Citizen Kane, Dunn's composites open the film and many of cinematographer Gregg Toland's "deep- focus" shots utilize Dunn's skill for creating optical composites. For Bringing Up Baby (1938), separate footage of Cary Grant, Katharine Hepburn, and a leopard were photographically combined by Dunn. Dunn's work became so highly sought after by other studios that he formed his own company, Film Effects of Hollywood, in 1946, working that business at the same time as working at RKO. Production on The Outlaw (1943) was halted owing to a controversy over how much of Jane Russell's bosom would be visible.
When the benefit does justify the procedure, then the radiation exposure (the amount of radiation given to the patient) should also be kept as low as reasonably practicable. This means that the images produced in nuclear medicine should never be better than required for confident diagnosis. Giving larger radiation exposures can reduce the noise in an image and make it more photographically appealing, but if the clinical question can be answered without this level of detail, then this is inappropriate. As a result, the radiation dose from nuclear medicine imaging varies greatly depending on the type of study.
Winstone's accession log details the 43,427 photographs he took between 4 December 1924 and 6 February 1988, many of which were in fulfilment of his self-appointed role as 'photographic recorder of Bristol', although the greater part was the creation of his library of 'Beautiful Britain' photographs. In addition he amassed a large collection of historic photographs of the city, and was meticulous in dating and captioning them, and thus Bristol's history since the mid-19th century is well documented photographically. Reece was awarded the Fellowship of the Royal Photographic Society for his contribution to photographic history.
Three separate black-and-white photographs of the subject were taken through carefully adjusted red, green and blue filters, a method of photographically recording color first suggested by James Clerk Maxwell in 1855 and imperfectly demonstrated in 1861, but subsequently forgotten and independently reinvented by others. Transparent positives of the three images were viewed in Ives' Kromskop (a device known generically as a chromoscope or photochromoscope), which used red, green and blue filters and transparent reflectors to visually combine them into one full-color image. Both monocular and stereoscopic Kromskop viewers were made. Prepared sets of images, called Kromograms, were sold for viewing in them.
Charles Q. Lewis, Navy SEALs: A History, (Garden City, NJ: Dockery Military Book Club) Heavy batteries would repeatedly lay suppressive fire by using light mortars, machine guns, rifle fire, and occasionally antiboat guns. The eastern beaches were photographically reconnoitered left- to-right by Sergeant Jim Burns and Captain Reynolds on GREEN Beach under the southeastern corner of Suribachi. Sgt. Clete Peacock covered RED Beach #1 in the center and Sgt. Robert Cole covered RED Beach #2 on the right, where Futatsu Rock separated RED #1 from RED #2. Both Burns and Peacock used a Contax 35 mm camera, and Cole used a Leica camera.
Astronaut, Susan Helms, looking out the window on the International Space Station Windows on Earth is a museum exhibit, website, and exploration tool, developed by TERC, Inc. (an educational non-profit organization, previously called Technical Education Research Centers), and the Association of Space Explorers, that enables the public to explore an interactive, virtual view of Earth from space. In addition, the tool has been selected by NASA to help astronauts identify targets for photography from the International Space Station (ISS). The program simulates the view of Earth as seen from a window aboard the ISS, in high-resolution, photographically accurate colors and 3D animations.
In laser holography, the hologram is recorded using a source of laser light, which is very pure in its color and orderly in its composition. Various setups may be used, and several types of holograms can be made, but all involve the interaction of light coming from different directions and producing a microscopic interference pattern which a plate, film, or other medium photographically records. In one common arrangement, the laser beam is split into two, one known as the object beam and the other as the reference beam. The object beam is expanded by passing it through a lens and used to illuminate the subject.
Others, such as The Lusitania at Liverpool (1907), were presumably filmed outdoors. E.G. Turner later wrote “we were buyers and sellers of everything in the kinematograph Industry, new or secondhand. There was one member, however, whose inclinations were photographically inclined, and so we took lease of Wembley Park and erected there something novel in the way of outdoor studios – a revolving platform, which allowed us to put up three sets of scenery at a time, when the wind allowed it, and each could be brought to the camera as required. Further, it was so constructed that we could always get the best of the light and sunshine.
The IBM Electromatic Table Printing Machine was a typesetting-quality printer, consisting of a modified IBM Electromatic Proportional Spacing Typewriter connected to a modified IBM 016 keypunch. A plugboard control panel was used for programming and formatting of the printout. A deck of punched cards containing the table (calculated and punched by other unit record equipment) to be printed was put into the IBM 016, which read them and then controlled the typing of the typewriter through a box containing solenoids that depressed the keys. Printed output could then be photographically reproduced on a printing plate, which would be used in a printing press to make as many copies as needed.
From the last quarter of the 19th century onwards, the role of Messalina has been as much about the stardom of those who played her as about the social message of the works in which she appeared. The star's name appeared in large print on the posters of the works in which she played. She was constantly featured in the gossip columns. Her role was iconised photographically, which she often inscribed for her admirers.Thomas F. Connolly, Genus Envy: Nationalities, Identities, and the Performing Body of Work, Cambria Press 2010, pp.102-3 Pictures of her as Messalina adorned the theatre magazines and were sold in their thousands as postcards.
In his early years, Morgenstern worked as a painter of battle scenes and landscapes; in his later and more prolific years from 1780 to 1810 he mostly worked on church and building interiors in miniature form. The paintings of this period were captivating for their perfect perspective and colorful treatment, lighting, and their details. His corpus was primarily composed of oil paintings, seldom etchings, at first often on copper, which increased their brilliance. His works often have, next to their artistic, immeasurable historic value as almost photographically exact representations of churches shortly before the turmoil of the French Revolution, which caused a secularization as well as a radical classical remodeling.
Larger scale removal of Brown's infilling of the site began in the 1880s, when the 10th Earl of Scarborough ensured that the process was recorded photographically. Responsibility for the ruins passed to the State following the First World War, after which Brown's lake was drained and the original water channels were rediscovered and reinstated. The Office of Works used the work as a way to provide jobs for the unemployed. Two cutwaters are visible, one to the west of the site near the 18th century banquetting lodge, and the other at the east of the site, which carries the public footpath to Laughton Pond.
Young's contemporaries raised objections that his results could simply represent diffraction effects from the edges of the slits, no different in principle than the fringes that Newton had previously observed. Augustin Fresnel, who supported the wave theory, performed a series of experiments to demonstrate interference effects that could not be simply explained away as being the result of edge diffraction. The most notable of these was his use of a biprism to create two virtual interfering sources by refraction. An electron version of the Fresnel biprism is used in electron holography, an imaging technique that photographically records the electron interference pattern of an object.
The third cartoon resembles the final work, with Christ seated on a throne and hands raised to either side of his face. A fourth and final cartoon was photographically enlarged in sections to guide the work of the tapestry weavers. At first Sutherland suggested that the tapestry could be woven by the Edinburgh Tapestry Company, but the work was eventually sent to at Felletin near Aubusson in the Creuse department of France. The French weavers, unlike those in Edinburgh, were able to make the whole tapestry in one piece, with a weave count of 12 warps per inch, using a gigantic 500 year old loom.
Caryn James, in The New York Times, wrote: "There is plenty here to offend the meek (whips and chains), the self- righteous (gay men and lesbians), not to mention the tasteful (a tacky and cluttered art design)". The Times Vicki Goldberg was dismissive, writing, "Unfortunately, not many of the images are very good photographically. Many are just pictures, or just porn." Writing for Spin, Bob Guccione, Jr. gave the book a particularly unfavorable review: Despite the controversy, which included the book being banned in Japan shortly after its release, Sex proved to be a commercial success, selling 150,000 copies on its release day in the United States alone.
That facility is no longer available, the compressors and No.1 gasholder being more or less intact but out of service by September 1999. The Ekibin gasholder was dismantled earlier in 1999 allegedly to facilitate upgrading of the SE freeway. The place was entered in the Queensland Heritage Register on 24 March 2000. In 2003 the Queensland Heritage Council approved demolition of what remained of the gasworks on condition that the place be photographically recorded prior to demolition; an interpretation plan be implemented; the gate, gateposts, fence and the governor be retained off-site; the gate, gateposts and fence be reinstated; and the governor be incorporated into the new development.
All the re-entry firings deliberately took place on clear moonless nights, so that the luminous wake of the re-entry body could be observed photographically. Further firings with different heads showed up some unusual phenomena, and further tests under the code names Gaslight and Dazzle were carried out in conjunction with the United States. A variety of heads were flown in these tests, including a plain copper sphere and a silica sphere. Heads composed of a composite asbestos-based material known as Durestos were also flown, and later tests finalised on a cone-shaped head re-entering pointed-end first, as used on many subsequent missile RVs.
The process (which de Forest called Phonofilm) recorded sound as parallel lines of variable shades of gray, photographically transcribing the electrical waveforms from a microphone, which were translated back into sound waves when the movie was projected. Case Lab fine-tuned the process with an invention called the 'Aeo-light' for use in sound cameras. During filming, audio signals modulated the Aeo-light to expose the film's audio directly inside the camera, streamlining Phonofilm's process for synchronizing a motion picture with its soundtrack. In 1924, Sponable focused on the design of these single-system cameras, in which both sound and picture were recorded on the same negative.
Gertner was born to a craftsman at the Holmen Naval Base. He attended the Royal Danish Academy of Fine Arts from 1831 to 1837 where he was one of the pupils of Christoffer Wilhelm Eckersberg, known as the father of the Golden Age of Danish Painting. Eckersberg taught him a naturalistic approach to painting, but Gertner went much further with inspiration from French art and the emerging techniques of photography. His virtuosity in producing almost photographically precise portraits impressed many; in particular, his ability to reproduce textures and materials -- crisp silk dresses, lustrous medals and jewellery, dark mahogany furniture, silky wallpapers, and soft carpets -- won him much acclaim.
Koner photographed many distinguished subjects, most notably Martin Luther King, Robert Frost, Margaret Mead, Robert Kennedy, Frank Lloyd Wright and Eleanor Roosevelt. Always eager to tell a story, Koner photographically retraced James Joyce's "Ulysses" main character, Leopold Bloom's journey through Dublin, covered the exchange of prisoners at the end of the Korean war for Collier'sMagazine, and in the early 1960s followed the migration by boat, of an Italian family to New York. When the interest in photojournalism diminished and virtually disappeared, Koner turned from magazines to corporate photography on an international scale. His color images of industry, architecture, nature and portraiture have been published worldwide.
Sarah Lundy, FBI, Oak Ridge lab tests on Casey Anthony's car released, Orlando Sentinel, October 25, 2008. In October 2009, officials released 700 pages of documents related to the Anthony investigation, including records of Google searches of the terms "neck breaking" and "how to make chloroform" on a computer accessible to Casey, presented by the prosecutors as evidence of a crime. According to detectives, crime-scene evidence included residue of a heart-shaped sticker found on duct tape over the mouth of Caylee's skull. However, the laboratory was not able to capture a heart-shape photographically after some duct tape was subjected to dye testing.
In it she displayed all the qualities which typifies the French or more correctly the Marsian school which even in the most intense moments never neglect confidence and elegance in posture, and an acting, studied and skillfully performed in the finest nuances but still so natural that hardly even a trace was visible of any conscious effort. In these parts of the art Mrs E deserve to be hold out as a role model." Private critics review her in a similar way. Marianne Ehrenström described Charlotta Eriksson as a woman with natural grace who was much loved as an actress, and M. J. Crusenstolpe said of her: "Mrs E. can be photographically painted with one word: elegance.
The EIS team chose to put its time-lapse cameras — Nikon D200 DSLR cameras powered by a custom-made combination of solar panels, batteries and other electronics — at accessible and photogenic sites that represented regional conditions well, had high scientific value and were photographically and logistically manageable. Each camera system weighs 125-150 pounds or more and had to be secured with anchors and guy wires against winds up to 150 mph, as well as against temperatures as low as -40 °F, blizzards, landslides, torrential rain and avalanches. The cameras shot once every hour, in daylight hours, for approximately 8,000 images per camera per year. The total survey archives now include more than 800,000 frames.
Due to this, Sorata is forced to "adopt" Mashiro and help her out with the basic tasks of everyday life that everyone else takes for granted; he even has to pick out underwear for her to wear or she will go out without them. Her focus on what she wants to do, draw manga, awes Sorata and inspires him. She has very bad grades, since she cannot pay attention in class, but she can still pass the make-up exams by photographically memorizing all of the answers with her art talent. In the third novel, Mashiro starts to develop feelings for Sorata and she even claims that she cannot live without him.
Although the first issue had a beefcake cover (a muscular black man clad only in the traditional Santa's hat and whiskers, shown with the magazine's coyly-placed logo), subsequent covers usually pictured a prominent African-American LGBT featured in the "BLK Interview" or photographically illustrated a theme of the month. Among those interviewed were singer Patti LaBelle (August 1990); porn star Randy Cochran (March 1989); poet Audre Lorde (April 1989); Carl Bean, founder of the Minority AIDS Project and of the Unity Fellowship Church (July 1989), Black AIDS Institute founder Phill Wilson (October 1990); Amassi and BMX founder Cleo Manago (March 1990); documentary-maker Marlon Riggs (April 1990); and Marjorie Hill, CEO of Gay Men's Health Crisis (August 1990).
An account of the evening recalled: > "He proceeded to state that photography had revealed the fact that > photographically active rays extended a distance of nine or ten times the > length of the visual spectrum. and both from the ultra violet and the infra > red portion of the spectrum; there emanated a long series of rays which, > though quite invisible, possessed chemical energy and heat, and with which > it was quite possible to make radiographs through many opaque substances, > and it was supposed that somehow in these outskirts of the spectrum, the > X-rays would be found if they are associated with light at all." Sutton then explained the apparatus he had prepared to demonstrate.
At oblique angles, the light intensity drops off drastically and the image dissipates. Therefore, in order to apply this phenomenon photographically, both projector and camera must be positioned along precisely the same axis - a physical impossibility sidestepped by the employment of a beam splitter. The beam splitter, mounted at a 45-degree angle to the projector axis, aligns the projected image directly to the camera's focal plane, even though the camera and projector are actually positioned at right angles to each other. The mirrored beam-splitter kicks part of the projected image up onto the screen, but being semi-transparent, also allows the camera to see through it, and thereby record the image reflected back.
In most practical color systems, including RCA's, the G signal is taken to be the reference as it has the highest resolution. Indeed, in 1932 to 1944 "Three- Strip" Technicolor, the image was enhanced by printing a monochrome image which was taken from a 0.5G negative (called the "key" image, and hence that color system was really an RGBK system, not unlike graphic arts' YCMK system) on the film's "blank receiver" before the color dyes were applied, as an edge enhancement measure. Edge enhancement is now a part of many electronically based color systems, but in "Three-Strip" Technicolor's day, it was accomplished photographically from the G image, the sharpest of the three.
The flight tested, for a longer period of time than any other, the capacity of the hardware and the human crew, on the long- term exposure to space conditions and observing (both visually and photographically) geological and geographical objects, weather formations, water surfaces, and snow and ice covers. The crew conducted observations of celestial bodies and practiced astronavigation, by locking onto Vega or Canopus, and then used a sextant to measure its relation to the Earth horizon. The orbital elements were refined to three decimal places by the crew. Commander Andriyan Nikolayev and flight engineer Vitaly Sevastyanov spent 18 days in space conducting various physiological and biomedical experiments on themselves, but also investigating the social implications of prolonged spaceflight.
After shooting the news he then spent the next 12 years covering major sporting events for Australia's leading daily newspapers, The Sydney Morning Herald and The Age. More recently, he received the award as 2010 Volunteer of the Year by The Steve Waugh Foundation, the charity established by former Australian Test Cricket captain Steve Waugh that aids youths with rare diseases. In 2011, he was awarded the contract as The Official Photographer to document photographically the most significant changes to The Sydney Opera House site since it was first built. In May, 2011 he won the Open Section First Prize in The Moran Contemporary Photographic Prize - for an image taken on World Rare Disease Day.
Depending on the parameterization employed, this collection will typically span some portion of a line, circle, plane, sphere, or other shape, although unstructured collections of viewpoints are also possible (Buehler 2001). Devices for capturing light fields photographically may include a moving handheld camera or a robotically controlled camera (Levoy 2002), an arc of cameras (as in the bullet time effect used in The Matrix), a dense array of cameras (Kanade 1998; Yang 2002; Wilburn 2005), handheld cameras (Ng 2005; Georgiev 2006; Marwah 2013), microscopes (Levoy 2006), or other optical system (Bolles 1987). How many images should be in a light field? The largest known light field (of Michelangelo's statue of Night) contains 24,000 1.3-megapixel images.
Once the root system is established, the fig grows vigorously, finally killing the host tree and then growing independently. The unusual formation of the Curtain Fig Tree was created when its vertical roots strangled the host causing it to fall into a neighbouring tree on a 45 degree angle. The extensive aerial roots of the strangler fig then dropped from the oblique angle of the fallen tree to the forest floor, forming a "curtain". North Queensland strangler figs were portrayed photographically in The Queenslander from as early as 1896 and on postcards soon after 1900. Descriptions of unusual tropical vegetation such as the giant strangler figs began to appear in tourist guides from the 1920s.
Images from this series were featured in a solo exhibition The South Bronx Trades at the Bronx Museum of the Arts in 2016, curated by Sergio Bessa. Peggy Roalf, in an article in Dart magazine, quoted Elisabeth Biondi, Visuals Editor at The New Yorker 1996-2011, Independent Curator, Writer and Teacher, on Fougeron’s work: > Ms. Fougeron decided to cover photographically each trade in four different > ways. Her compelling portraits focus on the working people; her striking > landscapes place the project geographically; her environmental pictures are > both informative and reflective; and her close-ups are simply beautiful > abstractions. Together it adds up to a remarkable artistic document of Port > Morris and Hunts Point.
Along with his father, Chadirji photographically documented much of Baghdad and the larger region of Iraq and Syria They feared the regional architecture and monuments would be lost to new development associated with the oil boom. In 1995, he published a book of his father's precious photographs.Chadirji, R., The Photographs of Kamil Chadirji: Social Life in the Middle East, 1920-1940, London, I.B. Tauris, 1995 His father's position as a politician gave him access to many people and places that may have been difficult for other photographers. In an interview with Ricardo Karam, Chadirji talked about his atheism; after studying philosophy with his wife Balqees Sharara, he came to the understanding that religions originated from magic.
Another important characteristic of dye transfer is that it allows the practitioner the highest degree of photographic control compared to any other photochemical color print process. A peculiar advantage of the process was that skilled Dye Transfer retouchers would use the same dyes the image was printed with to fill in blank white spaces between two or three separate colour photographs such as a background shot (rocks and a waterfall) one or more human figures, and more often than not a product shot (a cigarette pack) to produce a "strip in". Using the same dyes for photographically printing the images and for retouching meant that colour matching by eye would not show up differently when rephotographed.
Judah L. Magnes, President of The Hebrew University of Jerusalem asked Eliyahu Koren, then Korngold, to create a new font for an entirely new edition of the Hebrew Bible that he sought to publish under the University's auspices during World War II. The Bible was to be the first Bible designed, edited, printed, and bound by Jews in nearly 500 years. A design competition was held, and Korngold's font won. The preliminary version of the font that grew out of the competition was used in an edition of the Book of Jonah issued in 1946 by the publishing house of The Hebrew University (later Magnes Press). The font was not cast for this modest publication, but rather drawn by Korngold and reproduced photographically.
Hopkins began work on the screenplay for Better Things in 2003, and in 2004 was awarded the MEDIA New Talent Award for Best Screenplay by an under 35-year-old at the Cannes Film Festival. An intensive casting process then started in and around the West Midlands where the film was set. Hopkins built on the real-world casting techniques he had employed in his earlier short films, concentrating on ordinary people whose experiences were similar to those of his written characters, and whom he also found photographically compelling. As the film explores the issue of heroin addiction and the physical and emotional functions of drugs for the user, Hopkins cast several young people who themselves had been addicted to heroin.
The earliest surviving photographic artifacts by Niépce, made in 1825, are copies of a 17th-century engraving of a man with a horse and of what may be an etching or engraving of a woman with a spinning wheel. They are simply sheets of plain paper printed with ink in a printing press, like ordinary etchings, engravings, or lithographs, but the plates used to print them were created photographically by Niépce's process rather than by laborious and inexact hand-engraving or drawing on lithographic stones. They are, in essence, the oldest photocopies. One example of the print of the man with a horse and two examples of the print of the woman with the spinning wheel are known to have survived.
The Depression-era understanding of the painting as depicting an authentically American scene prompted the first well-known parody, a 1942 photo by Gordon Parks of cleaning woman Ella Watson, shot in Washington, D.C. American Gothic is a frequently parodied image. It has been lampooned in Broadway shows such as The Music Man, movies such as The Rocky Horror Picture Show, and television shows such as Green Acres (in the final scene of the opening credits) and the Dick Van Dyke Show ("The Masterpiece" episode). It has also been parodied in marketing campaigns, pornography, and by couples who recreate the image photographically by facing a camera in the same way, one of them holding a pitchfork or other object in its place.
Between 1893 and 1906, under the direction of Solon Bailey, the telescope at this site was used to survey photographically both the Large and Small Magellanic Clouds. Henrietta Swan Leavitt, an astronomer at the Harvard College Observatory, used the plates from Arequipa to study the variations in relative luminosity of stars in the SMC. In 1908, the results of her study were published, which showed that a type of variable star called a "cluster variable", later called a Cepheid variable after the prototype star Delta Cephei, showed a definite relationship between the variability period and the star's luminosity. This important period-luminosity relation allowed the distance to any other cepheid variable to be estimated in terms of the distance to the SMC.
The character has influenced Naruto manga author Masashi Kishimoto; in order to give Sasuke Uchiha a central role in the film Boruto: Naruto the Movie, Kishimoto made him the teacher of the protagonist Boruto Uzumaki as his father, Naruto Uzumaki, was busy. This was inspired by how Piccolo starts training Gohan when Goku dies in Dragon Ball. Piccolo's attack Special Beam Cannon / Makankōsappō became an Internet meme which started with Japanese schoolgirls photographing themselves apparently using, and being affected by, this attack in 2013. According to gaming blog Kotaku, the trend took off after photos were posted on Japan's largest bulletin board 2channel,, with photographs typically showing one person striking the ground or making a mystical gesture while others around them are photographically captured in mid-air.
With Professor Solomon Katz of the University of Pennsylvania, Eames formulated the theory that beer was an important factor in the creation of settled and civilised societies. Eames believed that beer was the most feminine of drinks, and thought that ancient societies considered it a gift from a goddess rather than a god, as from the gods Ama-Gestin and Ninkasis. Though not verified photographically or otherwise, Eames claimed to have found the world's "oldest beer advertisement" on a Mesopotamian stone tablet that dated to roughly 4000 B.C. Eames claimed that the tablet contained the tagline "Drink Elba, the beer with the heart of a lion." along with a depiction of a headless woman with large breasts holding goblets of beer in each of her hands.
The paper negative process consists of using a negative printed on paper (either photographically or digitally) to create the final print of a photograph, as opposed to using a modern negative on a film base of cellulose acetate. The plastic acetate negative (which is what modern films produce) enables the printing of a very sharp image intended to be as close a representation of the actual subject as is possible. By using a negative based on paper instead, there is the possibility of creating a more ethereal image, simply by using a type of paper with a very visible grain, or by drawing on the paper or distressing it in some way. One of the original forms of photography was based on the paper negative process.
It comprises large bodies of work by W. Eugene Smith, Henri Cartier- Bresson, Robert Capa, the Farm Security Administration photographers, Alfred Eisenstaedt, Lisette Model, Gordon Parks, James VanDerZee, and Garry Winogrand. Recent purchases have included work by contemporary photographers such as Carrie Mae Weems, Justine Kurland, Katy Grannan, Vik Muniz, and Susan Meiselas. Another component of the collection is a significant group of photographically illustrated magazines, particularly those published between World War I and II, such as Vu, Regards, Picture Post, Lilliput, Berliner Illustrirte Zeitung, Arbeiter-Illustrierte-Zeitung, and Life. Opened in 2015, the International Center of Photography at Mana Contemporary is a 15,000-square-foot space that houses the permanent collection, a media lab, areas for research, and a gallery.
In 1919 and 1920, Lee De Forest, inventor of the audion tube, filed his first patents on a sound-on-film process, DeForest Phonofilm, which recorded sound directly onto film as parallel lines. These parallel lines photographically recorded electrical waveforms from a microphone, which were translated back into sound waves when the movie was projected. Some sources say that DeForest improved on the work of Finnish inventor Eric Tigerstedt — who was granted German patent 309.536 on 28 July 1914 for his sound-on-film work — and on the Tri-Ergon process, patented in 1919 by German inventors Josef Engl, Hans Vogt, and Joseph Massole. The Phonofilm system, which recorded synchronized sound directly onto film, was used to record vaudeville acts, musical numbers, political speeches, and opera singers.
Henri Cadiou (26 March 1906, Paris – 6 April 1989) was a French realist painter and lithographer known for his work in trompe-l'oeil paintings. He is credited with being a founder of the l’école de la réalité in 1949 (called nowadays Mouvement Trompe-l’oeil-réalité). 'De la Réalité' was reaction against abstract art, seen at the Salon de Mai of 1960 where he exhibited paintings that were almost photographically realistic, in particular Shower Curtain and Electoral Panel, with which he caused a stirReacting against abstract art. He was also president of the Association for the Protection of the Cité Fleurie (the "Flowering City"), a wooded area around the boulevard Arago in Paris's 13th arrondissement where about thirty artist’s studios are located.
In astronomy, a discovery image is typically a drawing, film base photograph, photographic plate, or digital image in which a celestial object or phenomenon was first found. This can include planets, dwarf planets, small solar system bodies (asteroids, comets, etc.) or features found on or near those objects such as ring systems or large craters. For example, a moon of Saturn, Phoebe, was the first satellite to be discovered photographically by William Henry Pickering on March 17, 1899 from photographic plates that had been taken starting on August 16, 1898 at Arequipa, Peru by DeLisle Stewart.Pickering, E. C.; Harvard College Observatory Bulletin, 49 (March 17, 1899)A New Satellite of Saturn, Astronomical Journal, Vol. 20, No. 458 (March 23, 1899), p.
Military use of explosives, Germany, 1584; Philadelphia, University of Pennsylvania, Rare Book and Manuscript Library MS Codex 0109, fol. 67v-68r The Digital Scriptorium database enables public viewing of non- circulating materials normally available only to specialists with restricted access. As a visual catalog, DS allows scholars to verify cataloguing information about places and dates of origin, scripts, artists, and quality. Special emphasis is placed on touchstone materials such as manuscripts signed and dated by scribes, thus beginning the American contribution to the goal established in 1953 by the Comité international de paléographie latine (International Committee of Latin Paleography): to document photographically the proportionately small number of codices of certain origin that will serve stylistically to localize and date the vast quantities of unsigned manuscripts.
In the summer of 1969 Dr. Charle Fletcher of Vanderbilt University conducted a field school and did limited archaeological sampling at the site, although the results of his studies remain unpublished. A few years later in the summer of 1971 a local youth discovered a unique set of ceramic figurines at the site. John Dowd, a respected avocational archaeologist from Nashville, was contacted and after vising the location started the first photographically recorded excavations at the site. In the fall 1971 Mack Prichard the State of Tennessee's first modern state archaeologist visited the site and was instrumental in getting it added to the NRHP but was not able to raise the funds need to buy and save the site form residential development.
To allow its cargo to be unloaded, it was beached on the Bridgeton side of the river, where in the following years its rotting hulk was repeatedly buried and uncovered as the banks of the river shifted. In the winter of 2001–2002, unusually low water levels in the Missouri exposed the remains of the Montana for the first time since the mid-1960s, and the State Historic Preservation Office of the Missouri Department of Natural Resources contracted SCI Engineering, Inc., of nearby St. Charles to monitor and photographically document the remains. The following autumn, at the invitation of Dr. Steve J. Dasovich, head of SCI's Archaeological Services Division, members of East Carolina University's Maritime History Program conducted an excavation and investigation of the wreckage.
Chromotypograph refers to any number of obsolete graphic arts or printing processes which used cold and warm rinse etching baths to create surfaces by which color images could be relief printed from zinc plates in the letterpress manner. Such processes, as pioneered by Firmin Gillot represent a prototyping and experimental stage between the manual and process printing eras and are characterized by their utilization of various hand-originated textures and photographically transferred tones or outlines, which when combined with other color plates produced in a like manner could produce continuous tone color images unlike those found in similar technologies such as chromolithography. Chromotypograph is the preferred description for a number of process which include but are not limited to photo color relief, gillotage, chromotype, color relief etching, zincography, chromoxylography, color line block, glyptotype, Dallastint, Dallastype.
However, the correspondence of this shroud with the shroud in Turin, and its very origin has been debated by scholars and lay authors, with claims of forgery attributed to artists born a century apart. Some contend that the Lirey shroud was the work of a confessed forger and murderer.Mercer dictionary of the Bible by Watson E. Mills, Roger Aubrey Bullard 1998 page 822 Professor Nicholas Allen of South Africa on the other hand believes that the image was made photographically and not by an artist. Professor John Jackson of the Turin Shroud Centre of Colorado argues that the shroud in Turin dates back to the 1st century AD.BBC News March 21, 2008 Shroud mystery refuses to go away The history of the shroud from the 15th century is well recorded.
Rather, he raises the more challenging question of how inherently abstract political concepts about the nation and the culture as a whole can be represented photographically…But equally significant is the unique form of documentary storytelling that he has invented in American Power—colorful, sweeping, concerned, intimate, honest.” In the New York Times, Martha Schwendener wrote: “What is interesting, beyond the haunting, complicated beauty and precision of these images, is Mr. Epstein's ability to merge what have long been considered opposing terms: photo-conceptualism and so-called documentary photography. He utilizes the supersize scale and saturated color of conceptualism, and his odd, implied narratives strongly recall the work of artists like Jeff Wall.” In 2008, Epstein won the Berlin Prize in Arts and Letters from the American Academy in Berlin.
A mere shift of the eyes will do... Yet it is just this translation, written out in clear language and then realized photographically, that for many is insurmountable... [it] represents an unbridgeable chasm, an impossibility on which a complex of desire is built." The documented result was shown in New York to great critical acclaim; "Where We Come From is [Jacir's] best so far. An art of cool Conceptual surfaces and ardent, intimate gestures, intensely political and beyond polemic, it adds up to one of the most moving gallery exhibitions I've encountered this season."Holland Cotter: ART IN REVIEW; Emily Jacir, May 9, 2003, The New York TimesTom Vanderbilt, Emily Jacir - Openings, February 2004, ArtForum Other reactions expressed "that her efforts resonated with the aspects of desire, fear and restricted movement.
Clay painting animation is a form of clay animation, which is one of the many kinds of stop motion animation. It blurs the distinction between clay animation, cel animation and cutout animation. Clay painting animation (which is also a variation of the direct manipulation animation process), is animation where clay is placed and flattened on a flat supporting surface and moved like "wet" oil paints as on a traditional artistic canvas to produce any style of images, but with a clay 'look' to them, filmed frame-by-frame by an animation camera (shooting from above, and in a traditional animation stand) after each small adjustment of the clay images. The clay-painting process has also been used as a background, photographically combined with other forms of animation, and even live action.
Maksutovs optics can be used in Newtonian configurations that have minimal aberration over a wide field of view, with one-fourth the coma of a similar standard Newtonian and one-half the coma of a Schmidt-Newtonian. Diffraction can also be minimized by using a high focal ratio with a proportionally small diagonal mirror mounted on the corrector, allowing this design to achieve contrast and image quality approaching that of unobstructed high-end refractors (although with some vignetting when used photographically). Like the Maksutov–Cassegrain, the overall diameter of the optical system is limited, due to the mass of the corrector plate. Synta Taiwan currently produces a 190 mm version under the Sky-Watcher brand as does Explore Scientific with a 152 mm version designed in collaboration with astronomer David Levy.
Cover of the journal Göttinger Miszellen (GM) Göttinger Miszellen (often abbreviated as GM) is a scientific journal published by the Seminar für Ägyptologie und Koptologie (Göttingen, Germany) which contains short scholarly articles on Egyptological, Coptological, and other related subjects. Founded in 1972, its aim is to publish information about new discoveries and theories as quickly and efficiently as possible, and to be a forum for scholarly discussions on Egyptology. In line with this philosophy, GM is published at least four times a year, and contributors (who may submit articles in German, English or French) are required to submit camera-ready copy, as articles are reproduced photographically rather than being re-typed or loaded from diskette. Copy is not edited at all by the publishers and is the verbatim work of each author.
Research conducted by Van Wyk and Mathews in the late-1980s and mid-1990s, culminating in two photographically illustrated books titled African Painted Houses: Basotho Dwellings of Southern Africa (Van Wyk, 1998) and The African Mural (Chanquion & Matthews, 1989)), suggests that the art of litema cannot be understood in purely aesthetic terms. In several works on this topic, Gary Van Wyk (1993, 1994, 1996, 1998) states that Sesotho murals are a form of religious art, appeals to the ancestors for the rain that delivers the fertility that nourishes the fields and thereby sustains the herds and the human community. Murals, he says, can be seen as prayers in paint. If the ancestors are satisfied, they provide rain that washes away the murals, and the cycle of life begins anew.
A golf simulator allows golf to be played on a graphically or photographically simulated driving range or golf course, usually in an indoor setting. In some cases, based on the location of the sensing devices, it is now possible to capture data on both ball and club for most accurate speed and directional information, and simulated ball flight behavior. The data about a golfers swing that is collected during a golf shot is extrapolated to provide ball flight trajectory and roll out according to certain calculated relationships to the ball's flight performance per the tracked motion of the ball or club, adding environmental aspects through which the ball is projected, including terrain, wind, rain and other such influences or obstacles. Also noted on specific height and width of the screen on the net.
Keith Smith first met the artist and curator Nathan Lyons while in his second year at the School of the Art Institute of Chicago. Lyons, then head of exhibitions at George Eastman House, included work by Smith in the exhibition “Seeing Photographically” in October 1966. Also in 1966, Smith met John Szarkowski at New York's Museum of Modern Art. Szarkowski was impressed by the young artist and purchased a photograph and photo-etching for the Museum's collection. Smith was included in several group exhibitions at the Museum in the early 1970s: “Photography: New Acquisitions” in 1970, and “Unique/Multiple: Sculpture/Photographs” in 1973. Smith's first solo exhibition “Photographs by Keith Smith” was held at the Art Institute of Chicago in 1968, while Smith was still a student at the School there.
These two objects are generally identified today (as by the NGC/IC Project and Uranometria) with two brighter knots of nebulosity in a cloud at the northern edge of the loop, to the east of the northern edge of Pickering's Triangle. NGC 6979 was reported by William Herschel, and while the coordinates he recorded for Veil objects were somewhat imprecise, his position for this one is tolerably close to the knot at J2000 RA Dec . The identifier NGC 6979 is sometimes taken to refer to Pickering's Triangle,See, for example, this photo posted by Astronomy Magazine (accessed 2010-12-01). but the Triangle is probably not what Herschel saw or what the Catalogue intended for this entry: it was discovered only photographically, after the Catalogue was published, and long after Herschel's observation.
McNeil's sequence of photographs titled Fly By Night Mythology was well received. Emeritus Professor of American Literature, Mick Gidley, commented that the sequence "represents both recovery of history and, photographically, creation through revision" in a manner that "frames in photographs - both old and new - a national myth that incorporates the first Americans". The sequence features a series of archive photos from McNeil's family history of growing up in Anglo-American culture juxtaposed with images of his Tlingit tribe members, as a representation of his own mixed ancestry and of the relationship between the two histories. The early photographs in the work are also a symbolic representation of traditional Tlingit stories, featuring examples of "Raven the Changeling and Trickster playing the protagonist", along with representations of interactions between Chief Pontiac and George Washington.
Dunn saved model animators Willis O'Brien and Pete Peterson considerable work whenever possible by photographically compositing images of Fay Wray with model animation footage of Kong after all the best footage of both "elements" had been shot, eliminating the worry of rear-screen maintenance during model animation in many shots. Dunn's work also eliminated the contrast differences inherent in the use of rear-screen projection. Dunn repeated such work for the sequel, Son of Kong, released in December 1933, and did optical/photographic composites for the airplane-wing-dance sequence in the first Astaire-Rodgers musical Flying Down to Rio (1933). The Hunchback of Notre Dame (1939) and Orson Welles' Citizen Kane (1941) were other well remembered RKO films on which Dunn worked before America entered the second world war.
This was the first Australian tapestry to be commissioned by an architect for a site specific project and was instrumental in establishing the incorporation of artworks into large scale projects as common practise. The first stage was completed in time for the first intake of fifteen Foundation students for the first term beginning 26 January 1965.Tocal College Council, 1964, p1 One of these was Malcolm Henderson, who photographically recorded the construction of the College and retains the collection of slides..Henderson, 2012 On 5 November, 1965 the College was opened by Sir Robert Menzies, then Prime Minister of Australia. Also in 1965, Ian McKay and Philip Cox were awarded the Sir John Sulman Medal for Outstanding Architecture and later in 1966, the Blacket award, by the Royal Australian Institute of Architects.
Later on, the boom in Philippine photography, resulted to photographic albums bound and collected by Filipino families that preserved recorded baptisms, school life, family reunions, social gatherings and outings, marriages, wedding anniversaries, wakes, and funerals. For them, photography has become a tool for preserving familial genealogy and societal history, recorded imageries that are handed down continuously from one generation to another. The Filipinos developed their own unique character of posing in front of the camera. Because they are sensitive and self-conscious to how they should present and portray themselves through photographs, Filipino individuals or groups are not passive posers. Photographically, they are able to project a “certain style (…) or aspect” of themselves. In viewing images, Filipinos find “layers of meaning about the (…) character and persona” of the subject, or subjects, caught in the photograph.
Election monitor group FEFA reported receiving cases throughout the voting day of "improper interference" by local Independent Election Commission (IEC) staff in the voting process, raising continued concerns about the impartiality of IEC election officials. Their post-election provisional report also detailed cases of election officials being ejected from polling stations by representatives of candidates. Photojournalist Peter Nicholls of The Times photographically documented an apparent case of ballot box stuffing amid low voter turnout in Pul-e-Charkhi, in Kabul province.Afghan polling station gave clear image of nothing but a box of tricks In a further irregularity, the supposedly indelible ink used to mark the index finger of voters to prevent voting more than once was found to be easily removable in many instances – a repeat of a problem that had also occurred in the 2004 and 2005 elections.
Preston is My Paris Publishing (PPP) is a photography-based project that creates publications, site-specific installations, live events, digital applications, education, writing, talks and workshops. It was started in 2009 by Adam Murray (born 1983, Loughborough) and Robert Parkinson (born 1986, Burnley) as a photocopied zine with the intention of encouraging the exploration of Preston as a subject for creative practice and to focus more attention on the city. It has been described as "politically and photographically aware", "photographing and publishing a view of a disregarded, ordinary Britain" "in a playful way". It has self-published numerous publications in zine, newspaper and book formats, which have been included in exhibitions and are held in public collections at the Tate Library, Fotomuseum Winterthur Collection, Manchester Metropolitan University Artists’ Books Special Collection, London College of Communication Special Collection and National Art Library.
The spatial variation in this information (the "image") may be viewed by projecting the magnified electron image onto a fluorescent viewing screen coated with a phosphor or scintillator material such as zinc sulfide. Alternatively, the image can be photographically recorded by exposing a photographic film or plate directly to the electron beam, or a high-resolution phosphor may be coupled by means of a lens optical system or a fibre optic light-guide to the sensor of a digital camera. The image detected by the digital camera may be displayed on a monitor or computer. The resolution of TEMs is limited primarily by spherical aberration, but a new generation of hardware correctors can reduce spherical aberration to increase the resolution in high-resolution transmission electron microscopy (HRTEM) to below 0.5 angstrom (50 picometres), enabling magnifications above 50 million times.
Another major technological development was the introduction of "natural color," which meant color that was photographically recorded from nature rather than added to black-and-white prints by hand-coloring, stencil- coloring or other arbitrary procedures, although the earliest processes typically yielded colors which were far from "natural" in appearance. While the advent of sound films quickly made silent films and theater musicians obsolete, color replaced black-and-white much more gradually. The pivotal innovation was the introduction of the three-strip version of the Technicolor process, first used for animated cartoons in 1932, then also for live-action short films and isolated sequences in a few feature films, then for an entire feature film, Becky Sharp, in 1935. The expense of the process was daunting, but favorable public response in the form of increased box office receipts usually justified the added cost.
"Abe Edgington," owned by Leland Stanford; driven by C. Marvin, trotting at a 2-24 gait over the Palo Alto track, 15th June, 1878 "Sallie Gardner," owned by Leland Stanford; ridden by G. Domm, running at a 1.40 gait over the Palo Alto track, 19th June, 1878 (1878 cabinet card, "untouched" version from original negatives) The Horse in Motion is a series of cabinet cards by Eadweard Muybridge, including six cards that each show a sequential series of six to twelve "automatic electro-photographs" depicting the movement of a horse. Muybridge shot the photographs in June 1878. An additional card reprinted the single image of the horse "Occident" trotting at high speed, which had previously been published by Muybridge in 1877. The series became the first example of chronophotography, an early method to photographically record the passing of time, mainly used to document the different phases of locomotion for scientific study.
The relief organisation "Medico International", which is one of participant to the International Campaign to Ban Landmines together with concept artist Peter Zizka collaborated under the motto of The Virtual Minefield in order to draw attention to the threat of land mines and unexploded ordnance in many of the world's countries. For this purpose, Peter Zizka created a floor-based art installation called “The Virtual Minefield” which photographically shows precise images of land mines. Those walking over it experience the bizarre beauty inherent in the pattern of varied shapes and materials. The terrible item is not immediately apparent. Within the scope of the art and charity event “600 x Bewegung schaffen – Räumt die Mine” (“600 x creating movement – clear the mines”) to raise money for the land mine victim fund of Medico International, it was possible to acquire 80 × 80 cm segments of the installation.
69 The architect, Rifat Chadirji along with his father, Kamil Chadirji, feared the vernacular architecture and ancient monuments would be lost to the new development associated with the oil boom in the mid- century.Al-Khalil, S. and Makiya, K., The Monument: Art, Vulgarity, and Responsibility in Iraq, University of California Press, 1991, p. 95 They documented the region photographically and in 1995, published a book entitled, The Photographs of Kamil Chadirji: Social Life in the Middle East, 1920-1940, which recorded the buildings and lifestyles of the Iraqi people.Chadirji, R., The Photographs of Kamil Chadirji: Social Life in the Middle East, 1920-1940, London, I.B. Tauris, 1995 The artist, Lorna Selim, who taught drawing at Baghdad University's Department of Architecture, in the 1960s took her students to sketch traditional buildings along the Tigris and was especially interested in exposing young architects to Iraq's vernacular architecture, alley-ways and historical monuments.
The original engine wasn't abandoned but saved for later use, which eventually happened when he had a flirt with helicopters: The helicopter experiments are known and photographically documented, but late in the century a down-scaled model of his helicopter was found deep in storage and it had a relatively small three- cylinder radial engine fitted which is considered being reuse of his original engine, hence the first functioning radial engine still exists and is displayed at the technology museum of Elsinore (Helsingör) where it is started up on a daily basis! The know-how from the three-cylinder was used as the basis for a yet more powerful five-cylinder model in 1907. This was installed in his triplane and made a number of short free-flight hops as mentioned below. In 1905, he constructed a monoplane, and in the following year a "semi- biplane".
Parker, John H. (Lt.), The Gatlings At Santiago, Middlesex, U.K.: Echo Library (reprinted 2006), p. 68: At Lt. Parker's order, the Detachment secured about 10,000 additional rounds of captured Spanish 7mm Mauser ammunition, which allowed the gun crew to keep the two M1895 guns in action. The M1895 in 6mm Lee was also utilized by American Naval and Marine forces during the Philippine–American War, and the Boxer Rebellion, where it proved to be accurate and reliable. Around 1904 the Mexican government purchased 150 of these guns in 7mm Mauser caliber, and these guns were employed throughout the protracted Mexican Revolution. Use of the 7mm M1895 in the Mexican Revolution has been photographically documented, including the use of the gun by what appears to be a Villista. The US Navy also deployed some 6mm Lee M1895 guns from ship armories during the 1914 Vera Cruz fighting and occupation.
He was the first successfully to determine radial velocities of stars photographically and as a result he discovered the spectroscopic binaries. In 1899 one of the biggest refractor in the world, Great Refractor of Potsdam, with lenses of 80 and 50 cm, was manufactured by the firms of Steinheil and Repsold, and mounted in a 24 m dome. It was inaugurated in a great celebration by the German emperor, Wilhelm II. Although it did not realize all the hopes astronomers had for it, nevertheless two important discoveries should be mentioned: the interstellar calcium lines in the spectrum of the spectroscopic binary Delta Orionis by Johannes Hartmann in 1904 and the presence of stellar calcium emission lines — a hint of stellar surface activity — by Gustav Eberhard and Hans Ludendorff about 1900. Ten years later one of the most famous astrophysicists of this century, Karl Schwarzschild, became director of the observatory.
Loreto Otero and Jorge González are Los Updates, South American auto exiles with laptops, turntables, synthesizers and voices produce a strong sound collage, whose ultimate goal is the pleasure in the dance floor, while searching that immortal song. Jorge joined as a singer, bassist, guitarist, programmer, songwriter and producer the legendary group The Prisoners, who sold over a million and a half albums since the mid-80s, breaking records asisitencia public (with its particular mix of electropop and new wave ) in over a dozen nations, filling two days running the National soccer Stadium Santiago in December 2001 (140 thousand people in total) and related thronging stadiums in several other countries . Without going any further, Latin MTV began broadcasting with " We are sudamerican rockers " written, sung and produced by Jorge Gonzalez. Loreto since 2001 photographically documented every tour the band and produced the visual accompaniment of various tours.
Two years later he was invited to teach at Princeton University and was given the position of David Hunter McAlpin Professor of the History of Photography and Modern Art. This was the first endowed professorship in the history of photography in the United States. That same year he curated a show at the museum called “Photography into Sculpture”, the first comprehensive survey of photographically formed images used in a sculptural manner. The show has been called “one of the great contributions to the history of photography.” due to its intent to redefine photography in a new spatial concept. From 1973 to 1978 Bunnell was also the Director of the Princeton University Art Museum, where he helped build the collection of photographic holdings into “one of the great North American teaching collections.” In 1979 he was awarded a Guggenheim Foundation Fellowship for further study of the history of photography.
Photographic lenses and equipment are designed around the film to be used. Although the earliest photographic materials were sensitive only to the blue-violet end of the spectrum, partially color-corrected achromatic lenses were normally used, so that when the photographer brought the visually brightest yellow rays to a sharp focus, the visually dimmest but photographically most active violet rays would be correctly focused, too. The introduction of orthochromatic emulsions required the whole range of colors from yellow to blue to be brought to an adequate focus. Most plates and films described as orthochromatic or isochromatic were practically insensitive to red, so the correct focus of red light was unimportant; a red window could be used to view the frame numbers on the paper backing of roll film, as any red light which leaked around the backing would not fog the film; and red lighting could be used in darkrooms.
The work (more specifically the first three orchestral movements) was submitted in 1928 as an entry for the 1928 International Columbia Graphophone Competition in memory of Schubert and won second prize in the 'English Zone' of that contest; in the final international judging in Vienna it was one of a number of works – others were by Czesław Marek, Franz Schmidt and Charles Haubiel – that lost out to the Sixth Symphony of Kurt Atterberg. It was however published in 1932 by the Leipzig-based Cranz & Co. (in an edition beset with printing errors), as "Symphony No. 2" — the number it bore until Brian renumbered his early symphonies in 1967, eliminating the long-defunct A Fantastic Symphony of 1907 and inserting the previously-unnumbered Sinfonia Tragica of 1948 as the new No. 6. A photographically-reduced study score of the Cranz edition was published by United Music Publishers in 1976, though with little effort to correct the copious errors, and still bearing the by-now incorrect No. 2.
Poster promoting a Phonofilm demonstration (December 1925) In 1921 de Forest ended most of his radio research in order to concentrate on developing an optical sound-on-film process called Phonofilm. In 1919 he filed the first patent for the new system, which improved upon earlier work by Finnish inventor Eric Tigerstedt and the German partnership Tri-Ergon. Phonofilm recorded the electrical waveforms produced by a microphone photographically onto film, using parallel lines of variable shades of gray, an approach known as "variable density", in contrast to "variable area" systems used by processes such as RCA Photophone. When the movie film was projected, the recorded information was converted back into sound, in synchronization with the picture. From October 1921 to September 1922, de Forest lived in Berlin, Germany, meeting the Tri-Ergon developers (German inventors Josef Engl (1893–1942), Hans Vogt (1890–1979), and Joseph Massolle (1889–1957)) and investigating other European sound film systems.
Bulgarian Tsar Ferdinand declared on the eve of war: "the purpose of my life is the destruction of Serbia". Many Bulgarian troops were sidelined from front line duty to take part in the occupation of Serbia, past animosities led to brutality, the local population was left a choice between Bulgarization or being subject to violence, large scale deportations and the treatment of the residents of the occupation zones came close to genocidal actions. The ‘’, a report covering alleged atrocities committed in Serbia, published after the war, stated that ‘anyone unwilling to submit him or herself to the occupiers and become Bulgarian was tortured, raped, interned, and killed in particularly gruesome manners, some of which recorded photographically'. Exhumation of Serbs executed by Bulgarian occupiers in Surdulica between 1916 and 1918 Bulgarian units that occupied Serbian territories showed extreme brutality, systematically expelling the non-Bulgarian population in the regions they occupied, they arrested the population and set the rebel villages on fire.
Separation masters are a method of long-term preservation for most modern color motion picture film. Since monopack color film - (where materials for registering all the colors of the spectrum are contained on one film - its opposite is bipack colour film where two films face each other and the lower spectrum reds and yellows are on one film and the higher spectrum greens and blues are on another film - see Technicolor three strip) used in such processes as ECN, ECP and their successive revisions - contains photographically active color couplers which remain in the film after development, the emulsion will continue to produce chemical reactions in the image which cumulatively create a color fading, usually heavily biased towards the pink spectrum. In order to protect against this occurrence, the technique of separation masters was created. Separation mastering is essentially an inversion of the Technicolor three-strip system, which used filtration to create three black and white masters each sensitized for one of the RGB spectrums and then printed the negatives with a CMYK colorspace.
In 2011, Austrian amateur Matthias Kronberger discovered a planetary nebula (Kronberger 61, now nicknamed "The Soccer Ball") on old survey photos, confirmed recently in images by the Gemini Observatory; both of these are likely too faint to be detected by eye in a small amateur scope. But a much more obscure and relatively 'tiny' object—one which is readily seen in dark skies by amateur telescopes, under good conditions—is the newly discovered nebula (likely reflection type) associated with the star 4 Cygni (HD 183056): an approximately fan-shaped glowing region of several arcminutes' diameter, to the south and west of the fifth-magnitude star. It was first discovered visually near San Jose, California and publicly reported by amateur astronomer Stephen Waldee in 2007, and was confirmed photographically by Al Howard in 2010. California amateur astronomer Dana Patchick also says he detected it on the Palomar Observatory survey photos in 2005 but had not published it for others to confirm and analyze at the time of Waldee's first official notices and later 2010 paper.
About this time he also moved to Ealing outside London where he would live for the rest of his life operating an astronomical observatory from the back garden of his house. Common realised he would need very large telescopes to gather enough light to record the images of stars photographically so he began building a series of ever larger Newtonian reflecting telescopes using the then new technology of silver coated glass mirrors. For the first of these, a telescope of his own design constructed in 1876, he tried to grind and polish his own 17 inch mirror but gave up on the idea and ordered an 18-inch (46 cm) mirror from the optical firm of George Calver of Chelmsford. In 1877 and 1878 he published several articles on his visual observations of the satellites of Mars and Saturn. Common's photograph of the Orion Nebula, for which he won the Royal Astronomical Society's Gold Medal ;The 36-inch reflector In 1879 he bought a new mirror from Calver to mount in a larger Newtonian reflecting telescope he was building.
Dunn produced the lightning-electrocution scene at the end of The Thing from Another World (1951) by scratching the lightning, frame-by-frame, on a strip of black film and then compositing the best of that footage with live action footage of the monster burning and shrinking (done by Dunn via pulling back the camera on a track while filming the monster image element against a black background), with those two elements then photographically combined with the unmoving image of the floor and walls that surround the creature in the final composite. During the brief 3-D craze and the more permanent shift to widescreen processes such as CinemaScope, Dunn pioneered the use of optical composites using these developments, inventing and refining new equipment to achieve it. Dunn worked for Desilu Productions, founded by Desi Arnaz and Lucille Ball, their TV production required the occasional use of optical effects, especially for increasingly elaborate title sequences, and Dunn's Film Effects of Hollywood was one of several optical houses that supplied them. From 1965, Dunn became one of four optical houses that supplied visual effects for the company's (later Paramount) Star Trek TV series.
In 1998 Lorenzetti was chosen to receive the South Florida Cultural Consortium's Visual Artist Fellowship and he received a $15,000 cash award for his documentary photography which he used in part to create The Image Expedition,South Florida Cultural Consortium's list of past award recipients a not-for-profit documentary organization which serves to "photographically document and preserve ancient places and indigenous ways of life that, with the passage of time, might otherwise be lost forever...it is global visual artifact gathering." Lorenzetti’s work as a documentary photographer and writer has been featured in over 20 publications, notably The New York Times and The Miami Herald. Lorenzetti and his wife, Linda Rice Lorenzetti, the writer, have produced two transmedia projects together: The Birth of Coffee, published by Random House in 2001, and Collecting Visual Artifacts, published by IX/Lighthouse Press in 1998. Both projects have also become traveling exhibitions appearing at exhibition venues throughout the United States. Lorenzetti’s photographs are also part of the permanent collection at The Victoria and Albert Museum in London, the National Gallery of Art in Washington, D.C. (Corcoran Gallery of Art) and the Santa Barbara Museum of Art.
Comet 29P/Schwassmann–Wachmann, also known as Schwassmann–Wachmann 1, was discovered on November 15, 1927, by Arnold Schwassmann and Arno Arthur Wachmann at the Hamburg Observatory in Bergedorf, Germany. It was discovered photographically, when the comet was in outburst and the magnitude was about 13. Precovery images of the comet from March 4, 1902, were found in 1931 and showed the comet at 12th magnitude. The comet is unusual in that while normally hovering at around 16th magnitude, it suddenly undergoes an outburst. This causes the comet to brighten by 1 to 5 magnitudes. This happens with a frequency of 7.3 outbursts per year, fading within a week or two. The magnitude of the comet has been known to vary from 18th magnitude to 10th magnitude, a more than thousand-fold increase in brightness, during its brightest outbursts. Outbursts are very sudden, rising to maximum in about 2 hours, which is indicative of their cryovolcanic origin; and with the times of outburst modulated by an underlying 57-day periodicity possibly suggesting that its large nucleus is an extremely slow rotator. The comet is a member of a relatively new class of objects called "Centaurs", of which at least 500 are known.

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