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"re-present" Definitions
  1. re-present something to give, show or send something again, especially a cheque, bill, etc. that has not been paid
"re-present" Antonyms
antithesise(UK) antithesize(US) oppose disagree disapprove dissent contradict protest challenge contest defy counter gainsay disaffirm copy duplicate plagiarise(UK) plagiarize(US) replicate reproduce copycat imitate mimic mirror simulate clone counterfeit photocopy trace parrot literalize manifest expose reveal show display divulge unmask unveil misrepresent distort misconstrue contort falsify alter misinterpret warp garble pervert obscure deform mislead disfigure deviate twist change fudge mangle fake dispute controvert oppugn attack debate rebut dismiss decline deny discard disregard reject relinquish spurn shun disembody conceal cover disintegrate exclude hide confuse mix up skew bend manipulate misstate cover up direct fail halt idle prevent stop be original end cease separate break destroy raze forget refuse ignore disperse divide listen refrain suppress bottle up leave alone veto withhold refute take belie call in question cancel cancel out counteract disclaim disconfirm negate repudiate undermine disprove question extemporise(UK) extemporize(US) improvise wing it rush into do offhand do off the top of your head fake it play it by ear internalise(UK) internalize(US) keep continue differ reverse contrive invent ad-lib concoct cobble together oversee command handle lead manage conduct coordinate engineer head influence mastermind orchestrate overlook preside over run take the reigns of control originate abort kill explain describe elucidate define demystify explicate expound justify rationalise(UK) rationalize(US) simplify support delineate spell out throw light on deduct be real fall out tell truth erase wipe wipe out remove all traces of disorder disorganize neglect abandon desert endure reply tolerate decategorize declassify decompartmentalize disband split break up sever isolate branch crack splinter tear bifurcate disjoin concentrate harken hearken hark be all ears be attentive give attention keep your ears open lend an ear listen intently pay attention take note tune in disproportion imbalance slam criticise(UK) criticize(US) condemn censure knock pan denounce blast disparage lambaste pillory roast chastise reprehend savage confute debunk confound discredit invalidate contravene bust overturn be quiet censor contain hold back silence be silent bury keep secret repress shut up camouflage hold in say nothing shush generalize(US) generalise(UK) make a sweeping statement take a broad view

31 Sentences With "re present"

How to use re present in a sentence? Find typical usage patterns (collocations)/phrases/context for "re present" and check conjugation/comparative form for "re present". Mastering all the usages of "re present" from sentence examples published by news publications.

"It's unfortunate that the most expeditious way to seek justice in this case is to re-present this," he says.
Jones discovered hundreds of these images within the public image collection of the Library of Congress, and through exhaustive hours of research was able to collect a great deal of them and re-present them.
The scrapbooks on display show the way that newspaper images of the uprising and its characters were worked, reworked and arranged by those who consumed them, just as editing tools and the internet allow anyone to manipulate and re-present received imagery and video today.
All told, it seemed pretty brazen for Sehgal to re-present this particular work in the context of the Garnier, but the more I thought about it, the more necessary it seemed as an apt lubrication for the orchestrated dis-arrangements that would follow.
He suggested that she revise it under his supervision, but she chose instead to re-present it at Frankfurt University, where it was accepted.
A dramatistic perspective views individuals as actors "who creatively play, improvise, interpret, and re-present roles and scripts" (Conquergood, 1991, p. 187). Because the set of intangible activities that support the actual service itself provide a satisfying experience or a performance worth an increased financial burden (Pine & Gilmore, 1999).
This was to re-present everything they had accomplished in 2008 on Rove. Hamish and Andy have also appeared on Channel Ten's Good News Week and The 7PM Project several times. He is a founding member of Rock-Insult band, Coolboys and the Frontman, along with Andy Lee and Jack Post.
" The Routledge Companion to Science Fiction. Ed. Mark Bould et al. London and New York: Routledge, 2009. 197. In her article "A Grim Fantasy," Lisa Yaszek argues that Butler adapts two tropes of science fiction—time-travel and the encounter with the alien Other—to "re-present African-American women’s histories.
The 2014 Cybersource Fraud Benchmark Report found that only 60% of chargebacks are disputed by merchants, and that merchants have a success rate of about 41% with those they do re-present. To address these more effectively, technology companies have written code and built algorithms that help merchants determine if chargebacks are legitimate or fraudulent.
They produced a documentary on the artist, and held a public presentation announcing their acquisition of his collection on 28 November 2017. Mansaram's work are also in permanent collection of National Gallery of Canada and Art Gallery of Mississauga. His work was included in Re Present: Photography from South Asia, at the Kamloops Art Gallery in 2018.
Unable to secure sufficient funding to continue its operations, NYFAI closed in 1990. Ceres Gallery moved to SoHo and then to Chelsea and remained a gallery for women's art. However, a group continues to meet called (RE)PRESENT, a series of intergenerational dialogues at a NYC gallery to encourage discussion across generations about contemporary issues for women in the arts. It is open to all.
It is through the female heroine of the middle plot, Olivia, that the rhyming confessions of her sister Victoria are presented as pompous. The gay couple of the middle plot offers an ideal of marriage which is based upon independence and the pursuit of one's personal happiness. Whatever standards the heroic couples (re)present, it is the marriage of Olivia and Wildish that is central to the play. Therefore, the middle plot presents a golden mean between two extremes.
"Access Denied" was written and demoed for > Lightbulb Sun but no one liked it except me! So I took the opportunity to > re-present it to the band for inclusion on Recordings and this time they let > me do it. Finally "Buying New Soul" was a song recorded during writing > sessions just after Lightbulb Sun was finished. I think if it had been > written a couple of months earlier it would have been included on the album.
So that parents could spend more time with he tautoko, fluffy fings was placed at a child's eye level.' Art historian Peter Brunt observes of Reihana's work in Pasifika Styles: > Reihana's work exemplifies two preoccupations of contemporary Pacific art. > One is the desire to re-examine colonial history, to excavate, remember and > re-present countless micro-histories and counter-memories in formally > experimental ways. The second is the desire to draw inspiration from the > 'life-worlds' of cultural communities in the present.
Tania Bruguera (born 1968) is a Cuban installation and performance artist. She lives and works between New York and Havana, and has participated in numerous international exhibitions. Her work is also in the permanent collections of many institutions, including the Museum of Modern Art and Bronx Museum of the Arts and the Museo Nacional de Bellas Artes de La Habana. Bruguera's work pivots around issues of power and control, and several of her works interrogate and re-present events in Cuban history.
In 2008, MoMA PS1 exhibited Minus Space – The Art of Reduction, a survey of 54 artists from 14 countries affiliated with Minus Space. The exhibition was curated by Phong Bui, publisher of the Brooklyn Rail and P.S. 1 curatorial advisor. The exhibition marked the 5th anniversary of Minus Space.Minus Space, home In 2008 Minus Space also curated an exhibit to re-present abstract shaped canvas paintings as new, made by Mark Dagley first shown with Tony Shafrazi Gallery 20 years earlier in 1987.
Pronouns include mi 'I', nɛ 'me and you', nɛu 'us and you', nu 'we' (not you), wu 'you (thou)' ku 'you (ye)', lɛ 'he', ta 'she', yo 'it', fu 'they'. For possession, pronouns are prefixed on a noun, dropping their vowel: l'arafi 'his letter', w'agoji 'your money'. Tense prefixes include li- (past), ta- (future), lii- (habitual past), taa- (habitual future), yɛɛ- (habitual present), re- (present continuous -ing), ri- (past continuous -ing), ngi- (conditional, would), nge- (subjunctive, may), and a perfect in lo-. Simple present is not marked.
Bruce Barber, Reading Room III: The Red Room, Halifax, 1992 In his Reading Rooms, Barber worked with Alexander Rodchenko's 1925 Reading Room as a model for a workers' library and study. These multi-part installations made use of multi-media formats to re-present various forms of corporate advertising and news reporting. The Red Room addressed the construction of masculinity through media representation. The imagery used for critical readings was obtained from various sites of popular culture including film, advertising, war history, weapons magazines and comic books.
Malik, whom Warne and Waugh had accused of attempting to bribe them, said that he was delighted at the revelation. The Pakistani player said that the revelations discredited his accusers and vindicated his protestations of innocence. On the preceding tour of Pakistan a few months earlier, Waugh had appeared before a Pakistan Cricket Board judicial inquiry in Lahore to present his claims against Malik; the inquiry questioned the credibility of both Australian players and asked them to return to Pakistan to re-present their accounts of the events. The sports community strongly supported the players.
As a first step, the Inuit Tapirisat of Canada studied Inuit land occupancy in the Arctic, resulting in the publication of the Inuit Land Use and Occupancy Project. Diverse interests, such as those of hunters, trappers, fishermen and berry- pickers mapped out the land they had used during their lives. As Usher noted: These maps played a fundamental role in the negotiations that enabled the Inuit to assert an aboriginal title to the 2 million km² in Canada, today known as Nunavut. Evidently, counter-mapping is a tool by which indigenous groups can re-present the world in ways which destabilise dominant representations.
All living surfaces are decorated with a diverse range of complex molecules, which are key modulators of chemical communications and other functions such as protection, adhesion, infectivity, apoptosis, etc. Functional-Spacer-Lipid (FSL) Kode constructs can be synthesized to mimic the bioactive components present on biological surfaces, and then re-present them in novel ways. The architecture of an FSL Kode construct, as implicit in the name, consists of three components - a functional head group, a spacer, and a lipid tail. This structure is analogous to a Lego minifigure in that, they have three structural components, with each component having a separate purpose.
Public art by Martin Firrell, new colour theory based on Goethe's Theory of Colours and the writings of Rudolf Steiner Martin Firrell public art A Moral Idea (with Clare Short) Digital Billboards, UK 2019. Martin Firrell public art Power and Gender (with Inga Beale) Digital Billboards, UK 2019 Martin Firrell public art text 'Remember 1967', Digital Billboards, London. Commemorating the 50th anniversary of the 1967 Sexual Offences Act in England and Wales. Billboards re-present the demands of activists from the 1960s that still warrant attention in the present day (detail) Martin Firrell (born 4 April 1963 in Paris, France)Creative Review, "One to Watch".
Cooper has pushed our understanding of three aspects of accounting practice. First, his research on the political economy of accounting during the 1980s, helped to incite a vibrant research tradition on the role of accounting numbers in social struggle. Political economy of accounting approaches acknowledge that accounting numbers both selectively re- present social reality and act as a distributional mechanism for allocating societal resources. These insights have been taken up and used to study a variety of public interest accounting topics such as environmental reporting as well as class and gender-based aspects of financial reporting. Second, Cooper’s research on the accounting profession has illuminated the intersections among public accounting firm practices, the organization of the accounting profession, and the associated societal-level consequences.
Tram services in the area were withdrawn on 30 September 1950, so when the bridge was reopened the tram tracks were lifted. Another serious incident took place on 21 September 2005, when the James Prior, a 200-ton barge, collided with the bridge, causing serious structural damage costing over £500,000 to repair. The bridge was closed to all motor vehicles other than buses while repairs were carried out, causing severe traffic congestion; it eventually reopened on 16 January 2006. Brian King, the master of the James Prior, was formally cleared of navigating without due care and attention in 2008, when the judge in the case injured his back and was unable to proceed, and prosecutors decided not to re-present the case.
IDEAS’ logo is the wau bulan that flies freely in the sky – hence its name “Wau Bebas” or the Kite of Freedom. The traditional Wau Bebas motif symbolises IDEAS’ belief that the principles of Rule of Law (Kedaulatan Undang-Undang), Limited Government (Kerajaan Terhad), Free Markets (Pasaran Bebas), and Free Individuals (Individu Merdeka), are deeply rooted in Malaysia’s tradition and heritage. Their task is to rediscover these truly Malaysian values and to re-present them to contemporary Malaysian society so that their heritage will help Malaysia to prosper in a globalised world. A wau is only complete and functional when it is rooted to the ground via a string, depicting our call for abidance to the rule of law within a small, limited state.
Following the 2016 federal election, which was a double dissolution, Prime Minister Malcolm Turnbull said that his government would re-present the bills to reinstate the Australian Building and Construction Commission (ABCC) to a joint sitting of parliament, despite a cabinet minister having declared the bills' prospects as dead because the government did not have the numbers to pass either of the bills, and news media outlets decrying the likelihood of the government having the numbers to pass the relevant pieces of legislation in a joint sitting due to "a Senate that looks even more difficult and unwieldy than before the election and fewer government members in the House of Representatives." However, a joint sitting was made unnecessary when the trigger bills were reintroduced to parliament after the election and all were passed with amendments.
These personal histories include pizza sellers frustrated with their failing businesses, railway workers trapped in repetitive jobs and homeless people relying on random acts of kindness. But the subtext of Mahemoff’s poetry is that a kind of extraordinariness can be found in the ordinary if one takes the time to look. Cath Vidler observes, "Indeed, the apparent autobiographical nature of many of Mahemoff's poems fits well with his special ability to encapsulate experience and re-present it in language with all its original potency intact". Reviewing Urban Gleanings, Mahemoff’s latest book, in The Australian, Jane Smith says of 'Ali', “The grains to be gleaned from this book are the details Mahemoff describes, the 'copper-coloured skink' that is 'like a thought vanishing', or 'a sedentary man with a whistle/who looks like he’s never done/anything else'.
The People's Assembly may ask the withdrawal of confidence from the Prime minister by the request of One-tenth of the total seats (46 members). The People's Assembly may move to a vote of confidence from the government by a simply majority vote after at least 3 days from the request and a “istegwab” of the government. After the decision of withdrawing the confidence from the government has been made, the decision is moved to the president who may accept it and the government is then asked to resign or the president may re-present the case to the assembly once again, if the same decision was taken, the president is then forced to accept the decision. If the assembly reverts its decision, then this motion cannot be opened to the floor in the same parliamentary session.
Two of the entrants, Sydney architects Emil Sodersten and John Crust, were however encouraged to re-present a joint design. A limited budget and the effects of the Depression confined the scope of the project. The Memorial was initially planned as a museum memorial dedicated solely to the remembrance of Australian involvement in World War I. However, in 1939, as it became clear that a second war of similar proportions would break out, the Memorial's Board of Management decided to make the building a space for the remembrance of all Australian involvement in war. This involvement would be characterised as a continuation of Australia's experience of World War I. The building was completed in 1941, after the outbreak of World War II. It was officially opened following a Remembrance Day ceremony on 11 November 1941 by the then Governor-General Lord Gowrie, a former soldier whose honours include the Victoria Cross.
Cultural studies has evolved through the confluence of various disciplines—anthropology, media studies, communication studies, Literary Studies, education, geography, philosophy, sociology, politics, and others. While some have accused certain areas of cultural studies of meandering into political relativism and a kind of empty version of "postmodern" analysis, others hold that at its core, cultural studies provides a significant conceptual and methodological framework for cultural, social, and economic critique. This critique is designed to "deconstruct" the meanings and assumptions that are inscribed in the institutions, texts, and practices that work with and through, and produce and re-present, culture. Thus, while some scholars and disciplines have dismissed cultural studies for its methodological rejection of disciplinarity, its core strategies of critique and analysis have influenced areas of the social sciences and humanities; for example, cultural studies work on forms of social differentiation, control and inequality, identity, community-building, media, and knowledge production has had a substantial impact.
Some episodes were rerun from July 2 to July 20, 2001 as part of Vale a Pena Ver de Novo, presented by Susana Werner, in an attempt to raise the audience's schedule, which was down since the reprise of the novel Tropicaliente the previous year; however, the reruns' audience numbers were lower than any soap opera had recorded before - some episodes came in third, behind SBT and TV Record. In addition, Globo was under pressure from the Brazilian Public Ministry for airing episodes with age rating of 14 during the afternoon, where age-classified material was not permitted at that time. The rejection to the reprise of Você Decide was so great that it motivated the creation of an anonymous site, which contained a text positioning itself against a global decision and a poll in which the permanence of the novels is not Vale a Pena Ver de Novo it conquers by wide margin. With the total failure of Você Decide, as soon as the second week of reprise of the episodes, the network decided to re-present for a second time A Gata Comeu, which resulted in a quick recovery of ratings for the afternoon schedule.

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