44 Sentences With "lend an ear" | Random Sentence Generator

You can lend an EAR, and hopefully not have to part with it.

See if you can lend an ear, help or support to others going through something similar.

For that reason, the retired quarterback said he will always lend an ear when NFL-related opportunities are the topic.

Four years ago, we heard Frank Ocean fretting in the back of a taxi, begging the driver to lend an ear.

And lend an ear (and part of a temporal lobe) to a report about how music stimulates several parts of the human brain.

" Larry Wilmore "But men, we can't just reserve our listening for issues that anyone with the smallest amount of decency should lend an ear to.

Find social support where you can, and take time to be with people outside of your own family who can share their insight or at least lend an ear.

Tension is in the air on this day; but luckily, it doesn't seem you will have to face it alone, as your partners are eager to lend an ear and offer support.

Investors will also lend an ear to a speech from outgoing Federal Reserve Chair Janet Yellen at a presentation of the Paul H. Douglas Award for Ethics in Government in Washington at 2:30 p.m.

Though I'd expressed my gratitude several times, I couldn't shake off the feeling I "owed" her, so when she turned up uninvited, complaining about issues she had with her stepdaughter, I felt forced to lend an ear.

Never without a drink in hand, he'd anticipate and cater to our needs, lend an ear, make my friends the stars of the show, take photos, and serve compliments, all with a wink and a sexy smile.

That changed forever when author Anita Loos saw her in the revue Lend An Ear and suggested Channing be cast as the airheaded, gold-digging 1920s heroine Lorelei Lee in the musical adaptation of Loos' novel Gentleman Prefer Blondes.

When you lend an ear to a victim who's not ready to go public, it's hard to know how to keep her secret without also protecting her harasser — and making your own reputation vulnerable when the truth comes out.

She ventured to Los Angeles, where she did one-nighters and benefits before obtaining an audition with Marge Champion, who was looking for new faces for "Lend an Ear," a satirical revue for which Ms. Champion's husband staged the musical numbers.

He can breach Stussy's home and business at any time — with a switchblade, if necessary — but he's there to lend an ear and offer wisdom, which helps drive a wedge between Emmit and Sy. Emmit is perilously close to committing his full signature to this deal with the devil.

But if ever there was a time -- regardless of partisanship or personal animosity -- for citizens, academics and former officials with expertise and regional experience to volunteer their services, to share their wisdom, to lend an ear and maybe even a shoulder to the difficult work of the next few months ... this is it.

But if at the same time his administration does lend an ear to civil society — encouraging citizen activists to express themselves by showing them that speaking up pays off — it might then strike a balance with this new right-leaning Parliament, all the while still appearing to transcend the old left-right divide and so thwarting the extremists who use resentment to their own ends.

Most Aquarians are an equal blend of book smart and street smart, but getting swindled can happen to anyone and if you find yourself in a situation that's less than ideal, take it as a lesson—and if you find yourself beating yourself up over it, try to be gentle with yourself and reach out to someone who has been there, done that, and can lend an ear.

The first show, on April 6, 1948, featured the original Broadway cast of the musical Lend an Ear.

He directed Horowitz and Mrs. Washington (1980), which ran for six performances. From 1983 to 1986, he taught theater at Florida Atlantic University in Boca Raton, Florida. He was also responsible for bringing Carol Channing to Broadway in Lend an Ear!.

Channing, Nelson, and Scheerer won the Theatre World Award,"Theatre World Awards" (see 1948–49) theatreworldawards.org, retrieved March 6, 2010 and Gower Champion won the Tony Award for Best Choreography."Gower Champion biography" pbs.org, retrieved March 6, 2010"Lend an Ear Tony Award, 1949" tonyawards.

Eythe returned to New York. He turned producer, buying the rights to the revue Lend an Ear and much revising it. It debuted in New York in 1948, the cast including Eythe and a young Carol Channing. It ran for 460 performances until 1950.

She also worked as a choreographer or Assistant, including Lend an Ear in 1948 as assistant to the Choreographer; Make a Wish in 1951, as assistant to Gower Champion; Hello, Dolly! in 1964 as special assistant; and Stepping Out (1987) as choreographic associate."Marge Champion Broadway" ibdb.com, retrieved October 28, 2017Rich, Frank.

During 1983, the band released a single, "Hit The 'O' Deck" (a reference to turntables), and the album recorded the previous year, Lend An Ear. The band toured the UK from 14 February to 13 March 1983. A European tour followed from 29 March to 16 April. Their last ever live gig was in Portsmouth on 28 April 1983.

Lend an Ear opened on Broadway on December 16, 1948 at the National TheatreAtkinson, Brooks, "At the Theatre", The New York Times, December 17, 1948, p. 38 and moved three times before closing on January 21, 1950 after 460 performances.Green, Stanley and Green, Kay.Broadway Musicals Show By Show, 'Lend an Ear'Broadway Musicals Show By Show (google books).

Judy Clark (June 9, 1921 – December 27, 2002) was an American film and television actress and singer. Clark was the daughter of Jack Kaufman, who was a vaudeville performer. Clark's work as a singer included performing with Jimmy McHugh's Hollywood Singing Stars. She also danced and sang in the stage musical Lend an Ear at the Las Palmas Theater.

Hal Leonard Corporation, 1996, , p. 139 After the National Theatre, the show ran at the Broadhurst Theatre from February 21, 1949 to October 8, 1949, then the Shubert Theatre from October 10, 1949 to October 29, 1949 and finally the Mansfield Theatre from October 31, 1949 to January 21, 1950." 'Lend an Ear' Listing" playbillvault.com, accessed April 18, 2015 Playbill.

Lend an Ear was commissioned by Frederick Burleigh, and played as a small revue in April 1941 in Pittsburgh, Pennsylvania, at the Pittsburgh Playhouse, directed by Burleigh with the performers from Carnegie Tech"Gaynor Revue Opens Tonight"Pittsburgh Post- Gazette (google books), April 26, 1941 and in a "straw hat" theatre, but plans to produce the show in New York ended. After World War II ended, it was decided to proceed with the revue, and it began rehearsals in May 1948 in Los Angeles, California. Gower Champion became involved and went from advisor to choreographer to being credited as "Dances and Musical Numbers Staged by..." Lend an Ear premiered at the Las Palmas Theatre, Los Angeles, on June 14, 1948. Rehearsals for a New York opening began on July 26, 1948 at the Coronet Theatre (now the Eugene O'Neill Theatre).

Stein made his Broadway debut contributing sketches written with Will Glickman to the 1948 revue Lend an Ear. His first book musical came about when Richard Kollmar, husband of columnist Dorothy Kilgallen, asked him to write a musical about Pennsylvania that would promote the state as Rodgers and Hammerstein's Oklahoma! had its namesake. Stein and his writing partner Will Glickman were drawn to the Amish community of Lancaster County.

Soon afterwards Angela Jaeger, a New York jazz singer, joined the band. Jaeger had previously sung with a band called The Drowning Craze. The next LP, Lend An Ear, was recorded in the late summer of 1982, and the band appeared on the Christmas edition of Top of the Pops. Underwood and Jaeger were married at Hammersmith Registry Office in 1983, attended by many notables from the music scene, including Johnny Rotten.

There, she served as a second minister, organizing youth work, educational activities, women's meetings, and church suppers. As her husband was found, by congregants, to be difficult to talk to, church members would go to Martha "who was always happy to lend an ear". In 1937 the couple moved to Wellesley, Massachusetts, after Waitstill accepted a position at Wellesley Hills Unitarian Church. The couple separated after World War II, and were divorced in 1954.

Eythe appeared in and produced Lend an Ear for the Pittsburgh Civic Playhouse. He also acted in that play in Cohassett, Massachusetts with Sheila Barrett. He formed the Fox Chapel Players in Pittsburgh, a stock company composed mostly of former Carnegie students; it lasted one production of Lilliom. In June 1941 Eythe joined his first professional stock company, in Cohassett, appearing alongside such names as Ruth Chatterton, Nancy Carroll and George Nagel.

Seconds pass as he seemingly ponders the thoughts of his guests, leaving them or the listener a space to fill in the blanks. In addition, to being a congenial master of ceremonies, Fass is a good listener. He has always been ready to lend an ear and share the air with absolutely anyone who felt they had something to say. This largesse often leads to endless, boring mouthing off, but equally often leads to dynamic, intimate flurries of insight, energy, humor and understanding.

Will Glickman (Born: March 7, 1910 – died March 11, 1983) was an American playwright who frequently collaborated with Joseph Stein. Glickman made his Broadway debut in 1948 with sketches he and Stein wrote for the revue Lend an Ear. The two went on to collaborate on Mrs. Gibbons' Boys (1949), Alive and Kicking (1950), Mr. Wonderful (1956), The Body Beautiful (1958), and Plain and Fancy (1955), which proved to be their biggest success, garnering a Tony nomination for Best Musical.

Squibb at the 2013 Cannes Film Festival Squibb worked in musical theatre at the St. Louis Muny, and trained at the Cleveland Play House and HB Studio. While at the Cleveland Play House, she performed in productions of Marseilles, The Play's the Thing, Goodbye, My Fancy, The Heiress, Detective Story, Antigone, Ladies in Retirement and Bloomer Girl. In 1958, she played Dulcie in The Boyfriend Off-Broadway. In 1959, she starred in an Off-Broadway revival of Lend an Ear with Elizabeth Allen.

Born Leander Eugene Berg in Astoria, Oregon, he moved to Seattle when he was one year old. He was inspired to become a dancer by watching Fred Astaire when he was a child. After serving in the Army during World War II during which he also performed in the musical This Is the Army, Nelson landed his first Broadway role in Lend an Ear, for which he received the Theatre World Award. He also appeared onstage in Follies, which garnered him a Tony Award nomination, and Good News.

He received an Emmy Award for Best Director in 1964 for The Danny Kaye Show. He made his Broadway debut in the musical Lend an Ear in 1948, appearing with Carol Channing, Gene Nelson, and won a Theatre World Award for his performance for outstanding debut. He also appeared as a dancer in the 1943 film Mister Big and other films with the tap group The Jivin' Jacks and Jills. Scheerer directed the 1980 crime-comedy film How to Beat the High Cost of Living, which starred Jessica Lange, Jane Curtin and Susan Saint James.

During the show run he began appearing in TV in episodes of The Philco-Goodyear Television Playhouse ("Dinner at Antoine's", "This Time, Next Year", an adaptation of "The Little Sister", "The Promise"). He announced he had bought the rights to the novel The Perfect Round by Henry Morton Robinson and wanted to turn it into a play. In November 1949 Eythe left the cast of Lend an Ear, replaced by John Beal. He returned to films with the lead role in a B film at Columbia, Customs Agent (1950).

In April 1991, during his Urbi et Orbi Sunday message at St. Peter's Basilica, John Paul II called for the international community to "lend an ear" to "the long-ignored aspirations of oppressed peoples". He specifically named the Kurds, a people who were fighting a civil war against Saddam Hussein's troops in Iraq, as one such people, and referred to the war as a "darkness menacing the earth". During this time, the Vatican had expressed its frustration with the international ignoring of the pope's calls for peace in the Middle East.

The wedding of Georgette and Ted in 1975 After college, Engel appeared in musical productions with Washington's American Light Opera Company. She moved to New York City in 1969, appearing off- Broadway in Lend an Ear, and for a year as Minnie Fay in the Broadway production of Hello, Dolly!, starting in December 1969." Hello, Dolly! Cast replacements" Playbill (vault), accessed March 31, 2016 A 1971 off-Broadway production of The House of Blue Leaves eventually played in Los Angeles, where Engel was seen by Mary Tyler Moore and her husband, producer Grant Tinker, her soon-to-be employers.

The Norwegian Church Abroad or The Norwegian Seamen's Church (Norwegian: Sjømannskirken) is a religious organisation serving Norwegians and other Scandinavians travelling abroad. Founded in 1864, The Norwegian Seamen’s Mission – Sjømannsmisjonen – was established to secure the moral and religious education of Scandinavian seafarers, but also to give them "breathing room" where a fellow countryman was available to lend an ear and give some attention. Today, the churches and their staff together with travelling pastors around the globe represent a "resource center" for all Norwegians travelling internationally. Also, over time, many of the Scandinavians have converted to Roman Catholicism, or more recently, other forms of Protestantism.

St. Olav's Church, London, England The Norwegian Church Abroad or The Norwegian Seamen’s Church () is a religious organisation serving Norwegians and other Scandinavians travelling abroad. Founded in 1864, The Norwegian Seamen’s Mission – Sjømannsmisjonen – was established to secure the moral and religious education of Scandinavian seafarers, but also to give them a "breathing room" where a fellow countryman was available to lend an ear and give some attention. Today, the churches and their staff together with travelling pastors around the globe represent a "resource center" for all Norwegians travelling internationally. Sjømannskirken annually serves around 700 thousand Norwegians through over 30 churches and 16 mobile services in 30 countries around the world.

My One and Only Thrillreceived generally positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 71, based on 10 reviews. AllMusic remarked that "These are slight, subtle progressions but what impresses is how thoroughly My One and Only Thrill lives up to the promise of her debut, offering another album that is as enchanting in its sound as it is in its substance", awarding the album with four out of five stars.[ Allmusic review] The Times gave the album four out of five stars and described it as "an exceptional album and anyone who thought the great age of the torch singer was long over should lend an ear".

In the end, there is a monologue by Harish Kalyan, which people might not lend an ear to." Sify gave 2 out of 5 and wrote "Ispade Rajavum Idhaya Raniyum will be liked by fans who enjoyed films like Kaatru Veliyidai and Neethane En Ponvasantham, where the two lovers are a confused pair." The Indian Express gave 1.5 out of 5 stars "Though Ispade Rajavum Idhaya Raniyum tries to explore how men behave in relationships when they come from a broken family, it justifies the violent behaviour of the protagonist." Srinivasan Ramanujam of The Hindu reviewed it as "A film that’s just as confused and complicated as the love story it portrays." Baradwaj Rangan of Film Companion gave 1.5 out of 5 and wrote "The film takes a misconceived stab at self-awareness, with a conversation about stalking that’s not just badly written but not exactly relevant either, given this particular sequence of events.