I love reading celebrity blogs, the trashier the better. Dlisted.
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Bit louder, bit trashier, bit drunker, and more easily bought. Allegedly.
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But its genre-hopping and its trashier elements are very much intentional.
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"The newer or trashier the clock, the more pain I experience," he added.
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WM: Darren Aronofsky makes one trashier piece after the next, and I just really support that. Anyway.
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She loves The Walking Dead, she says, but she also loves trashier stuff like Ex on the Beach and Big Brother.
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The steroidal "Turandot" staging, one of the Met's two remaining Franco Zeffirelli productions, looks ever trashier and more unhelpfully, unevocatively excessive.
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The mercenary trash people were even trashier than we'd been led to believe, turning on the Alexandrians after striking a better deal with the Saviors.
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He delivers some great laughs in his trashier interactions with Eleanor, but as of episode 4 of the new season, he's clearly on a path that will push his character to catch up with his compatriots' growth.
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"Have you ever heard of a stupider and trashier man than the president of the United States?" asked Ms. Sharp, an interior designer who lives not far from the elegant condominium where about 75 women gathered this month to help the House candidate Lizzie Pannill Fletcher.
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While John Bush at AllMusic felt they were a "post-punk unit resurrecting the trashier elements of '60s garage and psychedelic rock with willful abandon".
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The album received generally mixed reviews and criticism because it was a remix album and not a true follow-up. Allmusic called the album "trashier, flashier, gaudier, and altogether more disposable" than its predecessor So Real. The album was a commercial success, debuting and peaking at number 21 on the U.S. Billboard 200 chart. It later received a Gold certification from the RIAA, for sales exceeding 500,000 copies in the U.S. alone.
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In 2003 they released a split LP with American crust punk act From Ashes Rise and in 2004 their second album, ...In Blood, both on Havoc Records. After the Release of ...In Blood, Victims embarked on their first US tour. Their third album, Divide and Conquer, released in 2006 on Havoc Records, is described by the band as rougher and trashier. This is the first album not being produced by Mieszko Talarczyk, frontman for the band Nasum, who died during the 2004 Indian Ocean earthquake and tsunami.
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"Zombies" is taken from The Misfits song "Astrozombies". More than a side-project, this band is an experiment by the band members who felt like doing it just for fun. All the songs released under this name are in fact Balzac songs, mixed down rougher and trashier, giving each song more of a lo-fi and under-produced sound. For the full-length album the band launched under this moniker, they kept their identities hidden using nicknames and showing no track list or band photo on the package.
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Typical sizes are 16" to 22" for the swish, and 16" to 20" for the pang. Both swish and pang have the upturned and flanged edge of a china cymbal, with a very small bell, a thin profile overall with little taper, and a relatively thick rim for their size and weight. Although principally ride cymbals, they can also serve as exotic crash cymbals, particularly in the smaller sizes and at higher volumes. As a ride they can be mounted either bell up, for a trashier tone, or bell down, for a more mellow tone and better access to the ride area; As a crash they tend to be mounted bell down, to give a traditional rim angle.
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"We just had to go with it in the end" agreed Cauty.The KLF interview, Snub TV, 30 January 1989 Drummond recalled the experience in a BBC Radio 1 interview with Richard Skinner in late 1990. Skinner called the record an "aberration", to which Drummond pleaded "guilty", adding that "we justified it all by saying to ourselves 'We're celebrating a very British thing here... you know, something that Timmy Mallett understands'". In a KLF Communications information sheet, Drummond called "Doctorin' the Tardis" "probably the most nauseating record in the world" (a claim also made on the label of the record itself) but added that "we also enjoyed celebrating the trashier side of pop".
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The thing is, the revamped, puzzlingly titled I Wanna Be with You [Special Edition] (thereby giving the impression that this is an extended EP release or that there's a "regular" edition of I Wanna Be with You, which there's not) works a lot better than its predecessor. Why? Because it's trashier, flashier, gaudier, and altogether more disposable: all essential ingredients for a good teen pop album, since it should be something that is of the moment, not designed for the ages. I Wanna Be with You is definitely, almost defiantly of the moment, and while there's more than its fair share of filler (let's face it, there was a reason why the album needed to be reworked), that filler glitters here where it was simply dull on the predecessor. And, most of all, it's pretty fun, whether it's on ballads or dance numbers.
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In 2002, Lee released an album with the name “Hsia Yu’s Yue Hun Band 夏宇愈混樂隊” (The trashier the better band of Hsia Yu). In the album, she compiled 13 of the lyrics that were not shortlisted by record companies, and invited producer Rou Zheng Chen to write and produce the songs. These songs were performed by many indie artists, including Faye, the former vocal of F.I.R. Lee also personally narrated for the album in the name of Hsia Yu. In 2016, Lee and sound artist Jun Yan together published “7 Poems and Some Tinnitus七首詩和一些耳鳴”, an experimental sound artwork with seven tracks of Lee's narration along with Yan's music arrangement. Other than this album, Lee's has also made a few occasional appearances in other artists’ works; mostly through narration of poems in the name of Hsia Yu. Such albums include Sandee Chan's song “Ni Zai Fan Nao Xie She Me Ne? Qin Ai De 你在煩惱些什麼呢？親愛的”, Hello Nico “Wo Men Ku Nan De Ma Xi Ban我們苦難的馬戲班”, Waa Wei's “Gou Yin勾引”, Sodagreen's “Spring 春．日光” album, and Chiu Pi's “Zheng Ye Da Yu整夜大雨”, etc.
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