The editorial voice of Babe was also evolving into something bawdier.
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But it gets bawdier a few hundred lines later: OPHELIAYou are keen, my lord, you are keen.
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Kohan saw an opportunity for bawdier, more bravura storytelling, with women of every background, sexual identity, and ethnicity shoved into close proximity.
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Her songs are pep talks stuffed with witty ripostes: "I just took a DNA test / Turns out I'm a hundred percent that bitch" is bawdier than anything Bedingfield would write, but arguably just as corny.
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Related music and lyrics appeared as early as 1835, in the art song "La Danza" (Tarantella Napoletana) by Gioachino Rossini and Carlo Pepoli. By 1871 in Italy, bawdier versions were circulating. In 1927, New York City's Italian Book Company arranged and recorded a version by Sicilian sailor Paolo Citorello (sometimes spelled Citarella), and an American court upheld their copyright in 1928.
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Baum's work with fellow writer Emerson Hough were intended as musicals. The Maid of Athens and The King of Gee-Whiz exist in scenarios that were published in Alla T. Ford's The Musical Fantasies of L. Frank Baum (1958), although no music appears to exist for them. These plays reflect an earthier, bawdier sensibility than Baum's other work, his novels for adults included, presumably due to Hough's influence.
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The chant was first sung on a trip of fans to an away game in Sweden, ca. 1982.Glanvil, Rick Chelsea FC The Official Biography, 2005, 2nd edition 2006, , p. 150 The lyrics were probably put together by a terrace regular named Mick Greenaway. :Carefree, wherever we may be :We are the famous CFC :And we don't give a fuck :Whoever you may be :'Cause we are the famous CFC Usually, the chant is sung with bawdier lyrics.
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" The Globe and Mail crime fiction critic Derrick Murdoch complained that the villains were weak especially compared to Fleming's own, and that love interest Lavender Peacock is "a schoolgirl next to Pussy Galore." Murdoch also criticized the plot saying, "The story line is also a bit cluttered. There's one sub-plot about an international terrorist that seems derived indirectly from Robert Ludlum's The Bourne Identity, and another about a stolen birthright that could come directly from Victorian melodrama. In his Liquidator series, Gardner showed that he can be much slyer, funnier and bawdier than he has allowed himself to be here.
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Carolina Oliphant, Lady Nairne, 1766-1845. Songwriter. Portrait by alt=woman in dark dress The Laird o' Cockpen is a song by Carolina Oliphant, Lady Nairne (1766–1845), which she contributed anonymously to The Scottish Minstrel, a six-volume collection of traditional Scottish songs published from 1821 to 1824. Much of the Scottish poetry in Carolina's time was concerned with writing genteel verses for somewhat bawdier earlier songs, and The Laird o' Cockpen is no exception, being set to the music of "O when she cam' ben she bobbit". Nairne's family and upbringing was staunchly Jacobite.
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This version is featured in the film Radio Days. In 1944, Jaffe took credit for words and music, without collaboration, on "Bell Bottom Trousers"—although he freely admitted that it wasn't an entirely original concept. For a hundred years or more, sailors sang a much bawdier version of the tune, much too "blue" for the times. Jaffe's cleaned-up version was tame enough for Ruth McCullough to sing when Tony Pastor's orchestra recorded the song. And additional recordings by Guy Lombardo, Louis Prima, Jerry Colonna and others made "Bell Bottom Trousers" Tune-Dex Digest's number two selling song for 1944-45 (second to "Don't Fence Me In").
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Their Modern Psychology and Education (1926) was welcomed by its Observer reviewer as "one of the most informative, interesting, and humorous things that I have ever seen as an attempt to write for training-college students".Kenneth Richmond, 'Parents and Psychology', The Observer, 14 November 1926 They also adapted works for children for 'The King's Treasuries of Literature', a series edited by Arthur Quiller-Couch: The Canterbury Pilgrims bowdlerised some of the bawdier elements of the Canterbury Tales.Siân Echard, Printing the Middle Ages, University of Pennsylvania Press, 2008, pp.141-2 Sturt's biography of Francis Bacon defended Bacon against Macaulay, whom she characterised as "a man writing in semi-ignorance to please the most hypocritical audience that ever existed".
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272 Additionally, various literary critics have noted the poem's likely influence on Garcilaso de la Vega's second eclogue. In France, Jean de la Fontaine used the plots of some of the bawdier episodes for three of his Contes et Nouvelles en vers (1665–66). In chapter 11 of Sir Walter Scott's novel Rob Roy published in 1817, but set circa 1715, Mr. Francis Osbaldistone talks of completing “my unfinished version of Orlando Furioso, a poem which I longed to render into English verse…” The modern Russian poet Osip Mandelstam paid tribute to Orlando Furioso in his poem Ariosto (1933). The Italian novelist Italo Calvino drew on Ariosto for several of his works of fiction including Il cavaliere inesistente ("The Nonexistent Knight", 1959) and Il castello dei destini incrociati ("The Castle of Crossed Destinies", 1973).
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