They love the worst stuff: food, games, outfits — the more garish, the better.
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Looking purely at the photo filter effects, I also personally prefer Prisma's results — finding PicsArt's results generally more garish.
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It's an even bigger, more garish sign of the times that the debate itself is being conducted in bad faith.
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I actually appreciate the look of it more than I do some of the more garish iterations of Wear OS I've seen — the TicWatch is honest to what it is.
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Manufacturers are well aware of their products' lowly reputation, but every time a company tries to resuscitate their esteem, it only manages to make high-visibility golf balls even more garish.
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The more individual the disco infiltrator, the more garish their entrance to the club, the better (see: pictures of Bianca Jagger riding a real white horse inside New York's legendary Studio 54 nightclub).
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Should the Jaybirds fail, Mr. Perdomo had a backup: trusty white Apple earbuds, the minimalist sound-delivery system that was all the rage not so long ago but has increasingly been replaced by more garish accessories.
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As contemporary women's magazines strive to be ever more "woke," (a goal that raises its own issues of sincerity, given that these publications will never be fully freed from capitalist concerns) '70s Cosmopolitan looks more and more garish.
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While Büsch's joyful little bees show how the stately, utilitarian order of Biedermeier can be turned into something far more garish, "Teppich mit Kreismuster – Moda 1062 Schwarz" –– six intersecting white, silver, blue, green, and red circles against a black background –– addresses the diminishing returns of a most revolutionary art movement, constructivism.
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The jokes were better and the outfits were more garish than at the correspondents' dinner, but Donald TrumpDonald John TrumpPossible GOP challenger says Trump doesn't doesn't deserve reelection, but would vote for him over Democrat O'Rourke: Trump driving global, U.S. economy into recession Manchin: Trump has 'golden opportunity' on gun reforms MORE was still not in attendance.
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The Ford Zodiac of 1959, though Spot-On's first model, is widely available even though it is one of the oldest of the series. Many Zodiacs survive with their boxes intact. There still exist, however, rare colour combinations such as salmon pink over grey, pale lemon, and the slightly more garish bright pink. This was one of the first models Spot-On offered with or without working lights.
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This incarnation of the cave features a multitude of flashing lights, mostly in neon. On the whole, this Batcave is similar to that in Batman Forever, only more garish in its decoration. A capsule containing Robin's Redbird motorcycle rises out of the floor, and a long tunnel lined with neon lights leads out of the cave. The turntable holding the batmobile returns, but in a more elaborate fashion.
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The Court took particular note that, while the composition and posing of the models is the same, other elements are different. For instance, the lighting between the two photos is different: in the Paramount photo the lighting is more garish, including greater contrasts and brighter colors while in the Leibovitz photo the lighting is warmer and more subdued. In the Paramount photo the ring on the model's right-hand is, again, garish, and much larger than the ring Demi Moore is wearing on her right hand. These artistic choices on the part of Paramount's designers heighten the parodic effect.
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Alternatively, the socially-dominant may implement magical realism to disassociate themselves from their "power discourse." Theo D'haen calls this change in perspective "decentering." In his review of Gabriel Garcia Márquez' novel Chronicle of a Death Foretold, Salman Rushdie argues that the formal experiment of magic realism allows political ideas to be expressed in ways that might not be possible through more established literary forms: > "El realismo mágico", magic realism, at least as practised by Márquez, is a > development out of Surrealism that expresses a genuinely "Third World" > consciousness. It deals with what Naipaul has called "half-made" societies, > in which the impossibly old struggles against the appallingly new, in which > public corruptions and private anguishes are somehow more garish and extreme > than they ever get in the so-called "North", where centuries of wealth and > power have formed thick layers over the surface of what's really going on.
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Describing how Villanelle "does what she always does—exploit society's misogyny by imitating a victim of it"—Emily Nussbaum wrote in The New Yorker that the potent idea that undergirds the show is that "femininity is itself a sort of sociopathy, whose performance, if you truly nail it, might be the source of ultimate power". 29 April 2019 print edition. Angelica Jade Bastién wrote in Vulture that the second season, with new showrunner Emerald Fennell, "trades in the precise mordant wit of series creator Phoebe Waller-Bridge for something more garish and horrifying", further describing the "wild consumption" of food and clothing "that builds into the closest thing the show has come to a genuine sex scene between" the two women. Bastién also perceived that "Killing Eve is deeply indebted to film noir, a genre whose backbone is the ways people lose their soul in the face of desire—...but it's a noir operating at the tenor of a fairy tale".
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