Instead, it leads into the second movement, "Potación de Guaya" ("Drink of Grief"), which somehow sounds even statelier and sadder.
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By necessity, Guillaume Meilland's first collection as the men's design director of Salvatore Ferragamo was statelier, quieter, less likely to spook the horses.
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Statelier and sterner than "American Surfaces," these photographs translate the thoroughfares of Philadelphia, Los Angeles, Miami Beach and especially America's burgeoning suburbs into meticulously composed tableaus.
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Pierpont's original melody is statelier and more classical than the exuberant modern version; it features a slightly melancholy tone that belies the ostensible joy of the lyrics.
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In the second, the strings mostly took over the arpeggios, holding them to a statelier tempo, and the elements inspired by the chants came more to the fore.
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Frenzied Afro-Cuban dancing mixes with statelier Mexican danzón; one set piece is illuminated by a flashing neon sign, and another puts Mercedes and her sister in a museum, surrounded by pre-Columbian artifacts.
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Radio City Music Hall holds 6,000 people, and it is a marvel: a gem of Art Deco architecture, shaped like a bandshell for a statelier future than ours, a steampunk megaphone of a room, with dramatic gold curtains.
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Such was Mr. Trump's inaugural take on a Washington tradition that seems to exist mostly because it existed the year before, a sort of "Apprentice" for the long-necked set, superimposed on the White House for a statelier feel.
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Previous versions of the project were installed in poster form, but this version's sturdier materials (nylon banners hung from wood poles) give the work a statelier feel and create a fitting tension between its form's gravitas and its content's jarring levity.
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The Armory Show, held on two cruise-ship piers jutting into the Hudson River, is the largest and loudest; uptown, at the Park Avenue Armory, is the statelier Art Show, mounted by an art dealers' professional association; and downtown are NADA and the Independent, trendier fairs with parallel but distinct approaches to young art.
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In his presence it was easy to believe that one had a private revelation of those great concerns which in prosaic living seem verbal and remote; with him one walked quickly through portals, that are usually closed, into the statelier mansions of the soul. He was an eager guide. Whoever happened to be there, he took with him in his explorations, not pausing to ask whether his companion had the wit or the courage for such adventures.
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And as Tito, Stuart Burrows was "more agreeable to listen to" than Böhm's Peter Schreier. On the other hand, Böhm himself sometimes conducted better than Davis, delivering a livelier Overture and a statelier March and allowing Tito more time to meditate in his dark night of the soul.Gramophone, January 1980, p. 1121 The Estates Theatre in Prague, where La clemenza di Tito was premiered Hilary Finch reviewed the album on CD in Gramophone in September 1987.
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The mostly poor dwellings on the shore having been razed the previous day, the Portuguese cannons now have a clear view of central city and the statelier homes of the richer citizens of Calicut and bring their larger ordnance to bear.Lopes. (p. 191) The city is relentlessly bombarded all morning – some 400 large rounds and an indeterminate number from the smaller caliber guns Lopes (p. 191); Bergamo (p. 117) estimates 300 large rounds and an infinite number of smaller ones.
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Improvements in the religious, social and legal sectors as well as in education and agriculture owed themselves to him. Art, science, trade, industry and transport all blossomed. As a friend of the fine arts and sciences, he had the old Schloss Pettersheim torn down and on the same spot arose a magnificent hunting lodge (of palatial proportions) with great garden complexes, elaborately laid out by either the Swedish Baroque architect Jonas Erikson Sundahl or, with Sundahl's collaboration, the Paris architect Pierre Patte (1723-1814). This new, statelier complex was built in the years 1759-1768 as a secondary residence.
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For example, a song about a father's love for his son may be interpreted as God the Father's love for God the Son, or as a human father's love for his human child. This lyrical ambiguity echoes the double-voicedness of 19th century spirituals, and may have musical crossover appeal to the larger secular market (Darden 2004:79-80). Common themes include hope, deliverance, love, and healing (Waldron 2006). In comparison with traditional hymns, which are generally of a statelier measure, gospel songs are expected to have a refrain and a pronounced beat with a syncopated rhythm.
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Vanni’s most famous work is a polyptych in the church of Santo Stefano alla Lizza. It gives the viewer a greater sense of Vanni’s manner. The central panel contains a portrait of the Virgin and Child and apart from the color being striking, there is a “silhouette-like character of the design”. The Madonna is set like a dark pattern against the gold background of her throne. There is almost no attempt at chiaroscuro except around the face and hands which gives the piece a rather flat effect, and is an example of Simone Martini’s influence. The drapery of the Virgin however, is an example of Lorenzetti’s influence. Simple folds and lines along with the Madonna’s stiff upright pose is nothing like the Madonna’s of Martini but the “statelier figures of Lorenzetti”. The facial expression is completely of Vanni’s own.
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