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"overpoweringly" Definitions
  1. in a way that is very strong or powerful
"overpoweringly" Synonyms
strongly forcefully powerfully intensely extremely penetratingly pervasively markedly uncontrollably consumingly mind-blowingly oppressively stiflingly repressively domineeringly restrictively irresistibly unbearably potently compellingly intolerably excruciatingly unendurably insufferably overwhelmingly dreadfully terribly agonizingly(US) frightfully severely fearsomely harshly burdensomely excessively harrowingly tormentingly torturously grievously pungently acridly sharply bitterly nauseatingly astringently nauseously offensively sickeningly sicklily cloyingly fetidly(US) mephitically aromatically passionately ardently deeply violently keenly fervently heartfeltly profoundly fervidly fierily wholeheartedly perfervidly frantically zealously fanatically fiercely acutely incontrovertibly indisputably authoritatively convincingly irrefutably cogently incontestably persuasively solidly tellingly undeniably unquestionably validly conclusively unassailably unmistakably vigorously almightily hardly mightily ferociously explosively crushingly brutally devastatingly forcibly heavily thunderously greatly blisteringly destructively compulsively obsessively obsessionally drivingly impulsively urgently neurotically addictively enthusiastically irrationally despotically tyrannically depressingly dictatorially inhumanly troublingly unfairly unjustly ironhandedly ruthlessly absolutely aggressively coercively inescapably unavoidably inexorably certainly imperatively inevitably irrepressibly surely ungovernably unpreventably fatedly deafeningly boomingly resoundingly loudly sonorously thunderingly ringingly clamorously piercingly roaringly clangorously earsplittingly plangently noisily resonantly reverberantly tumultuously vociferously tangily sourly tartly acidly piquantly stinkingly acerbly burningly hotly acerbically acidulously nippily actively austerely distastefully unpleasantly nastily disagreeably unpalatably displeasingly yuckily badly disgustingly rottenly unsavorily(US) unsavourily(UK) unwelcomely ickily revoltingly unpleasingly wickedly repulsively abhorrently noisomely repellently abominably appallingly foully grossly horridly ghastlily vilely predominantly chiefly principally leadingly mainly dominantly primarily foremostly centrally paramountly preeminently primely cardinally majorly firstly capitally grandly masterly sovereignly incisively cuttingly savagely trenchantly witheringly caustically mordantly bitingly scathingly scorchingly searingly vitriolically sardonically satirically madly frenziedly wildly excitedly frenetically abandonedly energetically uncontrolledly boisterously unrestrainedly agitatedly deliriously ebulliently feverishly furiously rabidly onerously arduously demandingly difficultly taxingly strenuously gruellingly(UK) exactingly challengingly laboriously tiringly exhaustingly tryingly punishingly rigorously gruelingly(US) wearingly formidably toilsomely intimidatingly terrifyingly alarmingly forbiddingly redoubtably dangerously dauntingly frighteningly threateningly horrifyingly menacingly fearfully horribly imposingly scarily awesomely broodingly toughly burlily muscularly bigly brawnily ruggedly beefily athletically stalwartly stoutly strappingly heartily substantially manfully manlily closely humidly muggily stickily stuffily airlessly steamily sultrily torridly fuggily soupily dazzlingly shiningly brightly brilliantly glitteringly radiantly beamingly luminously lustrously refulgently sparklingly fulgently glaringly gleamingly glowingly incandescently lucently resplendently splendidly bossily authoritarianly overbearingly imperiously autocratically controllingly draconianly officiously peremptorily pushily strictly tyrannously undemocratically crazedly ravingly manically maniacally ragingly unquenchably unstoppably crazily unbeatably invincibly invulnerably indomitably unconquerably insurmountably relentlessly unrelentingly impregnably insuperably perseveringly persistently More
"overpoweringly" Antonyms

31 Sentences With "overpoweringly"

How to use overpoweringly in a sentence? Find typical usage patterns (collocations)/phrases/context for "overpoweringly" and check conjugation/comparative form for "overpoweringly". Mastering all the usages of "overpoweringly" from sentence examples published by news publications.

But, overall, we were pleased that the tiramisu wasn't overpoweringly sweet.
Tannins showed their grip but not overpoweringly, and acidity was plentiful.
Both smell overpoweringly of disinfectant, but this does not entirely cover the cloying smell of the corpses.
We rejected several bottles, including some of the more expensive ones in the tasting, because they were so overpoweringly oaky.
It's entirely plausible that a woman could perceive an odor which is – for the woman – overpoweringly awful, while a man doesn't smell anything.
The prickly fruit is found throughout the region and is known for its overpoweringly putrid smell, though it is regarded as a delicacy by locals.
Shot in Morocco between searing sunlight and pillowy dunes, "You Go to My Head" is a mysteriously elusive romance whose location is almost overpoweringly tangible.
Later, 15-year-old Polly is overtaken by the same destructive force, becoming overpoweringly jealous of the beautiful and glamorous Laurel and her hold on Tom.
The urge to attribute humanlike powers of thought to an object, our normal tactic whenever we encounter what seems to be an intelligent agent, is almost overpoweringly strong.
"Views" will arrive in a world overpoweringly influenced by Drake: His softening of the lines between genres is ever-present, from the Weeknd to Bryson Tiller to even Sam Hunt.
The English wine and food writer Fiona Beckett has argued that the slight bitterness of saffron goes well with reds from southern France as long as they aren't overpoweringly fruity.
It may sound like a flavor overload, but the drink is savory and round and flavorsome, and not overpoweringly cheesey or mushroomy, even with the lump of cheese on a stick used as a garnish.
It could be any number of things: the overpoweringly sour scent of human body odor; the romantic panpipes playing in the background; the fact that the safe word is "jellyfish;" or the growing circle of heavy-breathing old men looking on.
The still doesn't look as beautiful as a traditional Scottish still, made like something out of Wallace and Gromit with more rivets and bolts than sweeping curves, but the raw spirit that comes out of it smells incredible, and surprisingly not overpoweringly alcoholic.
The works include Serge Poliakoff's 1937 gouache "Bandes Colorées," which runs through nine colored stripes from red to violet and back to yellow again, and Juan Uslé's nine-foot-tall, overpoweringly handsome 2017 painting "Soñe Que Revelabas (Missouri)," which mostly consists of black-and-verdigris-colored vertical strokes.
Ms. Mitchell keeps in check the play's various strands, which include a gay couple — Carl (Peter Hobday) and Rod (George Taylor) — whose love is tested to the limit and beyond, and Tinker's own infatuation with an unnamed dancer (Natalie Klamar) who dares herself to speak the words "I love you" amid an overpoweringly gray landscape that snuffs out such sentiments at every turn.
The novel received positive reviews upon publication. Writing for the Toronto Star, Robert Wiersema called it "deceptively simple, and almost overpoweringly rich." The novel was longlisted for the 2019 Giller Prize,"Margaret Atwood, Andre Alexis among 12 authors up for $100,000 Giller book prize". Toronto Star, September 3, 2019.
The album was met with moderate success and favorable reviews. Lucky reached #82 on the Billboard 200. The single, "See These Bones", was listed by The Times as one of London's Best Songs of 2008, and described it as "2008's most overpoweringly propulsive and gloriously euphoric song".
Musically, VIVIsectVI is an electronic industrial album that is characterized by chaos, repetitive loops, and layers. The music, described as "manic" and "dense", presents a sonic wall that is difficult to penetrate upon initial listening. The band emphasizes programmed drum machine loops and rhythms which are augmented by the production to sound overpoweringly mechanical. On the liner notes, a message reads, "Play this music loud or not at all".
The story concerns a meeting of the 'local Psychical Society' at which guest speaker, Major Weaver, claims to have 'proof positive' that 'the spirit does not die when the body dies'. The Major appears ill and carries a handkerchief with an overpoweringly sweet odor. As he speaks his words become increasingly disjointed until finally it degenerates into an 'odd jangling note' as he collapses back into his chair. A doctor from the audience rushes onstage, discards the handkerchief and pronounces him dead.
LDS church leaders have repeatedly condemned the use of sexually arousing literature and visual material for decades. They have compared pornography to a plague or epidemic that is overpoweringly addictive like hard drugs such as cocaine on multiple occasions. They've also stated that viewing erotic material can become a habit that's "almost impossible to break" which can metaphorically "blast a crater" in the brain. The church hosts meetings and has a website to assist members who wish to curb their consumption of pornographic material, and has asked church members to attend an anti- pornography rally.
" Dan Caffrey of Consequence of Sound described it as "their least groovy album." Dan Owens of DIY wrote: "Far from snug or welcoming, the Gang’s overpoweringly thick-sounding ninth album is as refreshingly abstract as anything they’ve done before." NME critic Phil Hebblethwaite criticized the band's use of Gang of Four name, describing the album as "a distracted listen" and "an experimental Gill production that should be out under his name only." NOW critic Mark Streeter wrote: "Gang of Four rein in their frayed energy on What Happens Next, compartmentalized into a broad tonal range and spacious mix.
Canon David John Garland David John Garland (1864–1939) was an Anglican clergyman and a military chaplain in Queensland, Australia. As senior army camp chaplain in Queensland from 1914 to 1917, Garland experienced the World War I both at home and at the front. He was one of the originators of the now annual Anzac Day ceremonies. Described as "overpoweringly energetic with a distinctive flair, if not genius, for organisation", he played a pivotal role in the Queensland experience of the war, and was a central figure in a variety of committees and organisations established to aid the war effort and support or commemorate serving or returned soldiers.
Rzucek later alleged that then she was held there against her will for 20 hours, bound and gagged, sodomized and tortured in various ways. Jovanovic maintained that the acts were consensual. The two exchanged further emails after the event, with Rzucek describing her state at one point as "quite bruised mentally and physically, but never been so happy to be alive" and "the taste is so overpoweringly delicious, and at the same time, quite nauseating" (using a phrase from William S. Burroughs' Naked Lunch). Shortly thereafter, Rzucek talked to family and friends about the incident, and a few weeks later she filed a complaint with the police.
The Evening Standard reported at the time: > Channel 4 is taking the extraordinary step of launching itself with one of > the most shocking films about mental illness ever shown on British TV. > Walter, which occupies the key slot in next Tuesday's opening night > schedule, features scenes of homosexual molestation in a mental hospital, > patients covered in excrement, and a suicide in a barber's shop. As part of his review of Channel 4's launch night, Chris Dunkley of the Financial Times wrote that: > The temptation is to go overboard in praise of Walter, first of the > channel's 'Film On Four' productions, because its cause was so worthy and > the central performance by Ian McKellen so overpoweringly moving.
I do not for one > moment believe that the doctrine which has these lazy consequences is true. > I realize, however, that I have an overpoweringly strong bias against it, > for, if it is true, philosophy is, at best, a slight help to lexicographers, > and at worst, an idle tea-table amusement. Ernest Gellner wrote the book Words and Things, in which he was fiercely critical of the work of Ludwig Wittgenstein, J. L. Austin, Gilbert Ryle, Antony Flew, P. F. Strawson and many others. Ryle refused to have the book reviewed in the philosophical journal Mind (which he edited), and Bertrand Russell (who had written an approving foreword) protested in a letter to The Times.
At one point he plumbs the baritone for a bumptious bass note and soars to the top of the instrument's range in one breath, effortlessly concealing the remarkable technical skill required for such seemingly throw-away trifles. This sheer joy at music making seems to give his playing a life-force of its own.'Stuart Nicholson, 'Serge Chaloff' in Max Harrison (ed),The Essential Jazz Records: Modernism to Postmodernism, 1999, p.180 Richard Cook and Brian Morton in The Penguin Guide to Jazz declared the album 'Chaloff's masterpiece' and described it as 'vigorous and moving...'Thanks for the Memory' is overpoweringly beautiful as Chaloff creates a series of melodic variations which match the improviser's ideal of fashioning an entirely new song.
In a review of Bring 'Em All In, Kevin O'Hare, writing for the Star Tribune described the song as a "fiery closer". Dan Bennett of the North County Times wrote: "On songs such as "Sensitive Children" and "Building the City of Light", Scott has attempted to fashion a complete observational and self-realization journey in one package." Trouser Press commented: "...Scott is still carried away with his new age idealism: the lyrics of "Long Way to the Light" and "Building the City of Light" are both so insufferably earnest and overpoweringly positive that they distract all attention away from any merits the music might have." Chuck Groth of the St. Louis Post-Dispatch felt "Building the City of Light" was one of the album's tracks that was "forced and melodramatic".
" In the May 1984 issue Williams added, "Initial reaction to the Macintosh has been strongly, but not overpoweringly, favorable. A few traditional computer users see the mouse, the windows, and the desktop metaphor as silly, useless frills, and others are outraged at the lack of color graphics, but most users are impressed by the machine and its capabilities. Still, some people have expressed concern about the relatively small 128K-byte RAM size, the lack of any computer language sent as part of the basic unit, and the inconvenience of the single disk drive." Jerry Pournelle, also of BYTE, added that "The Macintosh is a bargain only if you can get it at the heavily discounted price offered to faculty and students of the favored 24 universities in the Macintosh consortium.
Alice Sebold in 2007 Critics in the US were generally positive; many noted that the story had more promise than the idea of a brutally murdered teenage girl going to heaven, and following her family and friends as they get on with their lives would have suggested. "This is a high-wire act for a first novelist, and Alice Sebold maintains almost perfect balance", wrote Katherine Bouton in The New York Times Book Review. Ali Smith of The Guardian wrote that The Lovely Bones "is a determined reiteration of innocence, a teeth-gritted celebration of something not dismembered or shattered at all, but continuous: the notion of the American family unit, dysfunctional, yes, but pure and good nonetheless." The Observer's Philip Hensher considers that the novel was "very readable" but "ultimately it seems like a slick, overpoweringly saccharine and unfeeling exercise in sentiment and whimsy".
In the 1950s "gamine" was applied notably to the style and appearance of the Belgian-born actress Audrey Hepburn (1929–1993): for example, in the films, Sabrina (1954) and Funny Face (1957). Hepburn also played the role of the gamine Gigi in New York (1951) in the play of that name, based on the novel (1945) by Colette, who had personally "talent-spotted" her when she was filming in Monte Carlo.Judith Thurman (1999) Secrets of the Flesh – A Life of Colette On film and in photographs, Hepburn's short hair and petite figure created a distinct and enduring "look", well defined by Don Macpherson,Stars of the Screen (Marks & Spencer, 1989) who cited her "naïveté which did not rule out sophistication", and described her as "the first gamine to be accepted as overpoweringly chic". Other film actresses of the period regarded as gamines included Leslie Caron (b. 1931), who played the leading role in the 1958 musical film of Gigi; Jean Seberg (1938–79), best known in Bonjour Tristesse (1957) and Jean-Luc Godard's À bout de souffle (1960); Jean Simmons (1929-2010), for example, in Angel Face (1952); and Rita Tushingham (b.

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