And taking the groove-led songs at face value, they sound free and invincibly happy.
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There's a thing in gaming known as "god-mode," where, temporarily, you can play invisibly and even invincibly.
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The invincibly ignorant and the intellectual huckster have every right to express their opinions, but their right to free speech is not the right to an audience.
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The American art critic Hilton Kramer once described Basquiat as "a talentless hustler, street-smart but otherwise invincibly ignorant, who used his youth, his looks, his skin color and his abundant sex appeal" to win fame.
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" But he held much faith in the country's democracy: "There is one thing which America demonstrates invincibly, and of which I had been in doubt up till now: It is that the middle classes can govern a state.
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In a book or on screens, a painting appears invincibly itself, but when hung high or low, surrounded by plenty of space or little, near works that harmonise or works that clash, clustered by theme or chronologically arranged, a painting's impact can be enhanced or blunted.
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The music reflects their contrasting attitudes: Escamillo remains, says Newman, "invincibly polite and ironic", while José is sullen and aggressive.
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The Jews who refuse to convert are regarded as "deliberately defiant" rather than "invincibly ignorant". ;1263: Disputation of Barcelona. ;1264: Pope Clement IV assigns Talmud censorship committee. ;1264: Simon de Montfort inspires massacre of Jews in London.
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The Cultivation of Hatred: The Bourgeois Experience: Victoria to Freud (The Bourgeois Experience: Victoria to Freud). WW Norton & Company. p. 82. "In 1913, Dr. Vladan Djordjević, a Serbian politician and expert in public health, characterized Albanians as bloodthirsty, stunted, animal—like, so invincibly ignorant that they could not tell sugar from snow. These "modern Troglodytes" reminded him of "prehumans, who slept in the trees, to which they were fastened by their tails.
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While in France, Day struggled over which girl to choose to take forward with the experiment. Both were beautiful; Lucretia was more cheerful, Sidney more reserved and studious. The trio returned to England in spring 1770, by which time Day had finally decided that he would carry on with Sidney's training. Edgeworth explained that each of Day's projects with Sabrina had been successful, but he had come to the conclusion that Lucretia was "invincibly stupid".
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' The Chickasaw were amply equipped with English arms via a trade route from the English and small Chickasaw settlements in South Carolina and Georgia. Their rectangular palisade forts with loopholed walls were complemented by round fortified houses, also with loopholes. With this technology the Chickasaw invincibly maintained their homeland against relentless pressure from the French and Choctaw, including a repeat campaign in 1739 and numerous small attacks by Choctaws for the next 20 years. A village once thought to possess archaeological remains of Ackia battleground was made a U.S. National Monument in 1938.
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For three days in succession, he sallies out with the emperor's army and fights invincibly, first as a black knight, then as a red knight and finally, on the third day, as a white knight, even managing to cut off the sultan's head during the final day's fighting. Like the Anglo-Norman romance hero Ipomedon, he fights in differently-coloured arms every day and nobody knows who these knights are who have conducted themselves so magnificently on the field of combat. The emperor's daughter, however, knows the truth. However, she is mute and thus unable to tell anyone anything.
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Lee Ji-hyun (also Lee Ji-hyeon, ; born March 10, 1982) is a South Korean former swimmer, who specialized in individual medley events. She represented her nation South Korea in two editions of the Olympic Games (1996 and 2000), and also a top eight finalist in the 400 m individual medley at the 1998 Asian Games in Bangkok, Thailand. Lee made her first South Korean team, as a fourteen-year-old teen, at the 1996 Summer Olympics in Atlanta, swimming only in the women's 400 m individual medley. There, she fought off a sprint freestyle challenge from Hsieh Shu-tzu to invincibly dip the five-minute barrier for the sixth spot and twenty-eighth overall in the opening heat, finishing with a time of 4:59.52.
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Yekaterina Olegovna Rudenko (; born October 16, 1994) is a Kazakh swimmer, who specialized in backstroke events. She represented her nation Kazakhstan in two editions of the Olympic Games (2008 and 2012), finished fifth in the girls' 50 m backstroke at the 2010 Summer Youth Olympics in Singapore, and later captured two silver medals in the 50 and 100 m backstroke at the 2014 Asian Games in Incheon. Rudenko became the youngest ever swimmer (aged 13) to compete for the Kazakh team at the 2008 Summer Olympics in Beijing, swimming in the 100 m backstroke. She cruised to the top of the field with a 1:03.84 to invincibly slide under the FINA B-cut (1:03.86) by two hundredths of a second (0.02) at the Kazakhstan Open Championships three months earlier in Almaty.
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A Catholic dogma, Extra Ecclesiam Nulla Salus (literally "no salvation outside the Church") has sometimes been interpreted as denying salvation to non-Catholic Christians as well as non-Christians, though Catholic teaching has long stressed the possibility of salvation for persons invincibly ignorant (through no fault of their own) of the Catholic Church's necessity and thus not culpable for lacking communion with the Church. In the 20th century this inclusive approach was expressed in the condemnation of Feeneyism and in the declaration of the Second Vatican Council, which said that "the plan of salvation also includes those who acknowledge the Creator" (Lumen gentium § 16), although this is ambiguous and numerous interpretations have arisen. Vatican II further affirmed that salvation could be available to people who had not even heard of Christ. (See Acts 17:23 [NRSV trans.
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In a review for The Telegraph, critic Hilton Kramer begins his first paragraph by stating that Basquiat had no idea what the word "quality" meant. The criticisms to follow relentlessly label Basquiat as a "talentless hustler" and a "street-smart but otherwise invincibly ignorant" arguing that art dealers of the time were "as ignorant about art as Basquiat himself." In saying that Basquiat's work never rose above "that lowly artistic station" of graffiti "even when his paintings were fetching enormous prices," Kramer argued that graffiti art "acquired a cult status in certain New York art circles." Kramer further opined that "As a result of the campaign waged by these art-world entrepreneurs on Basquiat's behalf—and their own, of course—there was never any doubt that the museums, the collectors and the media would fall into line" when talking about the marketing of Basquiat's name.
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