A penetratingly simple song from one of this decade's most complex artists.
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There's something penetratingly sad about our need to be reassured that a "sinful" chocolate cake is not literally going to damn us.
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It described the book's author and Moon Juice's founder, Amanda Chantal Bacon, as "a powerful influencer in the wellness space," which struck me as the most penetratingly of-the-moment group of words I'd ever read.
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Caballerango takes its title from the Spanish word for "horse wrangler," and there are shots of horses throughout the film, which gently and penetratingly explores the fallout after a young caballerango named Nando dies by suicide following an argument with his father.
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The rest of the cast — which also includes a buoyant Nikiya Mathis as Walter's politically minded sister, Beneatha, the excellent Joshua Echebiri as her Nigerian suitor and a penetratingly officious Joe Goldammer as the sole white character — isn't all on the same level.
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Through Lebel — whose father, Robert Lebel, was a poet, collector, and art critic who wrote penetratingly on Marcel Duchamp — Ginsberg, Corso, and Burroughs had a decisive meeting in Paris with Duchamp, Man Ray, and the Surrealist poets Benjamin Péret and Gherasim Luca in 1958.
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It took the Afghan Whigs a couple of albums to identify a sound, but once they located it—a smoky, alcohol-soaked mix of hard rock, post-punk, and vintage R&B led by Dulli's penetratingly incensed and cutting lyrics—they established something unique that set them apart from a crowded market of distortion-happy rockers.
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No, more likely, I thought, entering the water and feeling the warm salt liquid envelop me, cooling nothing but seeming to focus the sun's rays more penetratingly on my skin and eyes and lips, more likely the woman enjoyed the idea of herself as someone who chooses an unusual partner; or—for that was only one possibility—she understood that we are all incomplete versions of an unafraid self trying to be born, and that our apparent wholeness only blinds us to this more substantial insufficiency.
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Something/Anything was released in February 1972. White-labeled promotional DJ issues of the LP were pressed on colored vinyl — the first record on red vinyl, the second on blue. Billboard reviewed that Rundgren's songs "have an aura of being irreverent, irrelevant little ditties, while in reality they are penetratingly strident observations", and that he seemed to have had fun making the album. "Hello It's Me" was released as a single late in 1972, and reached #5 on the Billboard Hot 100 the following year.
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" After the film was shown at the Stockholm International Film Festival, movie critic Susanne Ljung wrote: "This film should be obligatory pepping for all young women! Women's shaky way to independence, both sexual and professional, is all too seldom portrayed as sensitively and penetratingly as in this film." The Dutch VPRO Cinema awarded the film three and a half stars out of five and wrote: "An independent production in the tradition of Sex, Lies & Videotape, [but] without this level being reached. The parallel between Helen and the film project being talked about is a bit too obvious.
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Collins's works were classified at the time as "sensation novels", a genre seen nowadays as the precursor to detective and suspense fiction. He also wrote penetratingly on the plight of women and on the social and domestic issues of his time. For example, his 1854 Hide and Seek contained one of the first portrayals of a deaf character in English literature. As did many writers of his time, Collins first published most of his novels as serials in magazines such as Dickens's All the Year Round, and was known as a master of the form, creating just the right degree of suspense to keep his audience reading from week to week.
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"The Long Bright Dark" was critically acclaimed by most critics. Tim Goodman from The Hollywood Reporter said Fukunaga develops "a beautiful, sprawling sense of place" in the premiere, and identified the ensemble and the writing, which he believed "undulates from effectively brash soliloquies to penetratingly nuanced moments carried by sparse prose", as two of its other most satisfying attributes. Marshall Crook of The Wall Street Journal agreed, writing the show hits the mark with "good acting, smart writing, and lush cinematography". Willa Paskin of Slate described the episode as "creepy, gorgeous, unsettling, and searching" and noticed "a literary quality, an accretion of meaningful detail" within the show's narrative.
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A man in his sixties named Hirst begins a night of heavy drinking (mainly vodka) in his drawing room with an anonymous peer whom he only just met at a pub. Hirst's overly talkative guest, calling himself a poet, long-windedly explains how he is penetratingly perceptive, until he finally introduces himself as "Spooner". As the men are becoming more intoxicated, Hirst suddenly rises and throws his glass, while Spooner abruptly taunts Hirst about his masculinity and wife. Hirst merely comments "No man's land...does not move...or change...or grow old...remains...forever...icy...silent", before collapsing twice and finally crawling out of the room.
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With Bach's appointment to concert master and his regular monthly cantata compositions, he achieved permission to hold rehearsals in the church, to ensure high performance standards: "the rehearsing of the pieces at the home [of the capellmeister] has been changed, and it is ordered that it must always take place at the [the music gallery in the palace church], and this is also to be observed by the ". The orchestra at his disposition consisted of the members of the court cappelle, three leaders, five singers and seven instrumentalists, augmented on demand by military musicians, town musicians and choristers from a gymnasium. Bach conducted the first performance of on 20 May 1714. His son Carl Philipp Emanuel Bach remembered that he often conducted and played first violin: "he played the violin cleanly and penetratingly, and thus kept the orchestra in better order than he could have done with the harpsichord".
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