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38 Sentences With "overbearingly"

How to use overbearingly in a sentence? Find typical usage patterns (collocations)/phrases/context for "overbearingly" and check conjugation/comparative form for "overbearingly". Mastering all the usages of "overbearingly" from sentence examples published by news publications.

Industrial Berlin cityscapes become overbearingly emotional, strangely nostalgic despite seeming unfamiliarity.
We rejected some wines that were overbearingly acidic — punishingly tart and lacking charm.
Mr. De Palma is remarkable company — witty, insightful and neither unduly modest nor overbearingly vain.
We rejected several bottles because they were overbearingly oaky, lacking the fine balance of our favorites.
I found the wine juicy and fruity but not overbearingly so, dry, refreshing and simply delicious.
She's out to her parents, who are overbearingly supportive; she and Molly identify as sex-positive feminists.
The Trader Joe's-brand juice tasted fresher, but we couldn't get over the pulp and overbearingly thick consistency.
When hijacked by the Master's control rooms, they burn an effulgent pink, so overbearingly bright that they become mesmerizing.
Maybe our jobs require us to consistently follow a schedule or strategy, or our boss is overbearingly set in his ways.
Overbearingly large phones have reached an elegance in design and level of technical prowess that weren't there a couple years ago.
Did I have to sneak out of a barely functioning inn in the middle of the night because the room smelled overbearingly of urine?
Shots often hinge on stifling contrast, like the overbearingly vivid blue of the ocean that seems to consume the frail, translucent white of Cora's back.
He felt more aggressive, finding himself overbearingly asserting his authority while at the prison and even hoping for a fight while shooting pool at the local bar.
Another theme that is common not only in The Keepers but many true crime series is the overbearingly bureaucratic system in place that can make real change take decades.
Just so he doesn't drown us, sink us, minstrelsy us, mug us on some urban dark corner, station very, very, overbearingly loud, filling the car so impossible to think.
Countless details have changed in the new version, some predictable in the move from vinyl to digital — there's a bit more bass, though not overbearingly — and many that are brand-new judgment calls.
There's plenty of action with a wide variety of weapons that turn Locusts into bloody messes, dark and moody ruins to explore, and that classic soldier banter that keeps everything from being overbearingly grim.
Words and intonations that come across as enthusiastic in a New York office might be construed as overbearingly aggressive in a London office (look up the nuances of the word "quite" if you don't believe me).
But such atmospherics come with the price of sitting with your knees entirely too close to your chest and an uneasily enforced intimacy with people who, no matter what their actual dimensions, always seem overbearingly large.
The candy isn't overbearingly sour (certainly not to the level of Warheads, which kids in my elementary school would run under the water fountain in order to shed its ultra-tart outer layer), but instead pleasantly tart.
If you're hosting a party that became overbearingly awkward, you can choose to say something to the biggest offender about his or her actions — or you could just not invite them again to a similar event, or try to only have them in social situations with certain people.
I'll admit that I flinched a little when the topic of autism was first introduced in the video, with an overbearingly emotional shift in the background music and a pair of somber title screens informing the viewer that Kimbo's youngest son, Kevlar, has autism, and that he trains with Kimbo every day.
This has caused inequity in the treatment of individual cases. Second, the DMCA has often been invoked overbearingly, favoring larger copyright holders over smaller ones. This has caused accidental takedowns of legitimate content, such as a record company accidentally removing a music video from their own artist. Third, the lack of consequences for perjury in claims encourages censorship.
Sara's family is an important, loving anchor in her life, an ever-present shelter from whatever storm she's currently weathering. Her parents live on the shores of Lake Grant across the water from Sara, who also lives on the lake. Her sister Tessa lives with them, in the apartment over their garage. Her mother, Cathy Linton, is religious, opinionated and often disapproving, sometimes overbearingly intrusive and hypercritical.
Delville developed a distinct style in his painting, which is unmistakable. His finished drawing and paintings are highly articulate and precise in the way he renders forms. However, his works are not overbearingly detailed, as is often found in realist art, but he manages to capture the essence of the forms he articulates using the simplest means possible. This is especially so in his approach to figures.
Helgi, a warrior and sea-rover, visits the equally warlike queen of the Saxons, whom he woos overbearingly. Sent packing, he later returns and rapes her, a union resulting in a daughter, Yrsa, who years later becomes an instrument of vengeance when Helgi encounters and marries her. Only after they are wed does her mother reveal Yrsa's parentage. Haunted, Yrsa leaves Denmark to wed Adhils, King of the Swedes, and Helgi is ultimately killed in battle attempting to win her back.
María del Consuelo Dussauge Calzada (born 11 January 1968), more commonly known by her stage name Consuelo Duval, is a Mexican comedian and actress of film, television, theatre, and voice-over. She is known for her various comic characters such as the overbearingly abusive housewife Federica P. Luche from the sitcom La familia P. Luche, the dim-witted, cross-eyed receptionist Sisi, and the amiable, uncultured naca Nacaranda from La hora pico.Esmas - Biografía de Consuelo Duval, Retrieved January 5, 2011.
Martin Mull appears in his feature film debut as a zoned-out record spinner. He plays Eric Swan, a libidinous disc jockey with eyes for everyone female. The character is self-centered, smarmy, quick-tempered, and overbearingly insincere. During the course of the film, Swan beds a supposed girlfriend, encounters a female fan with a peculiar physical "gift", and barricades himself in owing to a severe emotional breakdown due to his agent's dropping him and his girlfriend's leaving him, all within the confines of QSKY's studio.
Detective Judge Timothy Parkerston-Trant was an upper-class Judge on track to making senior rank, who – after the death of the Star Chamber – is one of the few such men not purged from Senior Judge ranks as he's got actual detective skill. His great-uncle "Fluffy" was a member of the Council of the Star Chamber. Nobody wanted to work with him due to his overbearingly cheery nature, until Armitage took him as a partner out of desperation; he asks everyone to call him Timbo, but only Armitage and Treasure Steel actually do.
She had been at Blythewood for over a year but seemed no closer to conquering her alcohol problem than when she arrived, so he considered her a good test of whether the book had value. At first she read the book eagerly, delighted to know for the first time that there was a name (alcoholism) for what ailed her. However, she was soon repelled by the overbearingly religious message and told Tiebout that she could never accept it. Tiebout, according to Mann's biographers Sally and David Brown, quietly encouraged her to keep reading.
He had but little education, and on the early death of his father he became the sole support of his mother. When a young man he was successful in making several minor ascensions. Known more for his overbearingly contentious mannerisms, and a propensity to ride the coat tails of more successful balloonists, LaMountain was not considered relevant to the science of ballooning. In 1859 he was invited to join with the more senior and prominent, and just as sanctimonious, balloonist John Wise in an attempt to cross the Atlantic Ocean in Wise's mammoth aerostat appropriately named Atlantic.
In the review, Fullerton states that "due to Vedder's interest in all things anti-corporate, McCandless' renouncement of materialism is celebrated rather than the fact that he eventually died." He also says that it is "accomplished but occasionally overbearingly earnest." AllMusic staff writer Thom Jurek gave the album two and a half out of five stars, saying that "musically there isn't enough imagination to distinguish [the songs], to set the tension of dynamic in motion." "Hard Sun" was the most successful song from Into the Wild on the rock charts, reaching number 13 on the Modern Rock charts.
Murray Tinkelman, who was also an instructor at Parsons, said in a 1977 American Artist article that Fox was able to have a successful career as an illustrator when photography was a major form for illustration. Like Fox, Tinkelman studied under Reuban Tam and worked at Charles E. Cooper studio. He admired her use of abstract shapes, color, and symbolism and was determined as an illustrator to be "the second best Lorraine Fox". Fox was described as "an elegant, quiet woman, highly imaginative, gifted in design and a standout artist in a field overbearingly populated by men" by journalist Don Stewart.
Review, from Variety is about Lucy, a professional dogwalker (played by Morgan), who gradually assumes the identity of a dog. Tergesen plays Peter, her embarrassed husband, and Kudrow plays their veterinarian. Variety, reviewing the film after its Sundance screening, said it "seems to be a throwback to the craziness-as-higher-expression-of-individuality school that was in vogue between The King of Hearts and Harold and Maude, noting "Lucy's withdrawal doesn't seem to spring from anything -- unless urban life's everyday rudeness and an overbearingly suburban-banal family background count -- and scene by scene, Bark! builds no discernible rhythm, viewpoint or mood apart from a faint, rudderless, shaggy-joke tenor.
In his l'Amour des Ames he outlines the figures using long, curvaceous contours, and their anatomy is only lightly suggested using gentle contrasts in light and shade; the effect is the expression of great beauty without being overbearingly sensual: a technique often seen in Renaissance frescos. Delville had a great imagination for colour and its use for expressive purposes. His colours are often vivid, almost visionary; most clearly seen in his Trésors de Sathan which is bathed in an atmosphere of luminous golds and yellows. In his L'Ange des Splendeurs he captures the effect of iridescent, diaphanous gold in the angel's drapery contrasting distinctly with the heavy earthiness of the natural details (animals, spiders, vegetation) at bottom right hand side.
Gender dynamics can similarly affect feelings, with men sometimes acting overbearingly when interviewing women and acting dismissively when being interviewed by women, and same-gendered pairs being vulnerable to false assumptions of commonality or a sense of implicit competition. In terms of class, participants of perceived lower status demonstrate, in some cases, either excessive skepticism or excessive submissiveness, and in terms of age, children and seniors may exhibit fears of being patronized. In order to minimize these social group related negative feelings, researchers should remain sensitive to possible sources of such tensions, and act accordingly by emphasizing good manners, respect, and a genuine interest in the participant, all of which can all help bridge social barriers. Finally, another aspect of interviews that can affect how a participant feels is how the interviewer expresses his or her own feelings, for interviewers can project their moods and emotions onto those they are interviewing.
He offered to resign one of his honorary titles—Zuo Pushe (左僕射, which, if not honorary, would be one of the heads of the executive bureau of government (尚書省, Shangshu Sheng)). Emperor Daizong agreed, although when Li Baoyu then also offered to resign the command of Fengxiang Circuit, Emperor Daizong refused. In 770, as part of Emperor Daizong's plot with the chancellor Yuan Zai to kill Yu Chao'en, who had by then become overbearingly powerful, Yuan's ally Huangfu Wen () was moved from Shan Circuit (headquartered in modern Sanmenxia) to Fengxiang, while Li Baoyu was moved from Fengxiang to Shannan West Circuit (山南西道, headquartered in modern Xi'an, Shaanxi, to the southwest of Chang'an). When Li Baoyu was embarking from Fengxiang, heading for Shannan West's capital Zhouzhi (), it was said that his soldiers were so angry about the movement that they pillaged Fengxiang for several days.
From the mid-1980s onward, Somaini came back again to the execution of large scale works in Italy and Japan, where the dialectics of the mark brought the sculptor to deal with positive/negative shapes, as in Europe’s Gate, Como, 1995. This activity went on in successive works of great commitment like Fortunia (1988), in a series of Lotte con il serpente characterized by an organic nature overbearingly lively, as in Fortunia Vincitrice (2000). Some of the above-mentioned works were presented in the anthological exhibition set up in the Brera Palace of Milan in 1997, in the Quadrennial of Rome of 1999, in the Carrara Biennales of 1998 and 2000 and in the anthological exhibition at the Pergine Castle (Trento) in 2000. In recent years the sculptor carried forward, side by side to his plastic activity, his drawing and painting activity in a more intensive way. In 1999, he realized a large series of works on paper that recalled in a fantastic way the myths and legends related to the Vulcan Etna, revisited also through the reading of Maria Corti's book (Catasto magico, Einaudi, 1999).

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