A few still persist, like the Salmagundi Club, though there are fewer and fewer.
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Some funds broaden their potential pool of holdings by including a salmagundi of stocks.
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Douglas' figurines are displayed in a show called The Art of Salmagundi at New York's Jack Hanley Gallery.
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It's a spiritless and insincere salmagundi that deserves to be in the compost bin with your leftover Brussels sprouts.
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The word "salmagundi" is derived from old French, and refers to an assembly of miscellaneous things into a scrambled whole.
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Nearly 13 objects from the Met's collection, from the Near Eastern and African departments to the arms and armor holdings, have been sucked into this sculptural salmagundi.
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The agency's art department, M.T.A. Arts & Design, founded and first funded in 1985, is rarely — in a salmagundi system 112 years old — presented with a brand-new, blank canvas.
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Douglas refers to her work as "The Art of Salmagundi," which draws its name from an old French and Middle English term that refers to a potpourri of miscellany.
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He also has a regular column in the quarterly journal Salmagundi.
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Salmagundi; or The Whim-whams and Opinions of Launcelot Langstaff, Esq. & Others, commonly referred to as Salmagundi, was a 19th-century satirical periodical created and written by American writer Washington Irving, his oldest brother, William, and James Kirke Paulding. The collaborators produced twenty issues at irregular intervals between January 24, 1807 and January 15, 1808. Salmagundi lampooned New York City culture and politics in a manner much like today's Mad magazine.
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Andrei Kushnir's website: www.andreikushnir.com; Salmagundi Club website: www.salmagundi.org; Washington Society of Landscape Painters website: www.wslp.org.
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The Salmagundi Club, sometimes referred to as the Salmagundi Art Club, is a fine arts center founded in 1871 in the Greenwich Village section of Manhattan, New York City. Since 1917, it has been located at 47 Fifth Avenue. , its membership roster totals roughly 900 members. The Salmagundi Club has served as a center for fine arts, artists and collectors, with art exhibitions, art classes, artist demonstrations, art auctions and many other types of events.
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He was also a member of The Lambs, Salmagundi Club and The National Arts Club in New York City.
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He was a founding member of the National Society of Mural Painters, and served as its president, 1904-1909. He was a member of the Architectural League of New York, and served as its vice-president. Turner joined the Salmagundi Club in 1872,Alexander W. Katlan, The Salmagundi Club: A Prestigious History, p. 4.
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A celebration of his life and work, and auction of his works and studio effects was held shortly after his decease at the Salmagundi Club.
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He was president of the Salmagundi Club from 1926 to 1927. He died in Presbyterian Hospital in New York after his right foot was amputated because of an infection.
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She has written forty-one picture books, such as The Duck in the Gun (1969), The Terrible Taniwha of Timberditch (1982), Salmagundi (1985), and The Cheese Trap (1995). The Duck in the Gun and Salmagundi are explicitly anti-war books. She has been actively involved in teaching early reading skills and helping those with reading difficulties, in which capacity she has written approximately 500 basal readers (termed reading books in New Zealand).
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Borg was married to Lily Borg Elmberg. He was a member of the National Academy of Design, the National Academy of Arts, Société Nationale des Beaux-Arts and the Salmagundi Club.
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His paintings were frequently exhibited at the Salmagundi Club in New York City between 1908 and 1946.Alexander Grinager. 1865-1949 (AskART and Artists' Bluebook)Salmagundi Club records, 1878–1947 (Smithsonian Institution) In 1916, he also painted a mural entitled Panorama of the History of the U.S. Navy for the Panama-Pacific International Exposition in San Francisco. Grinager participated in exhibits of the Minneapolis Art League and the Artists League of Minneapolis between 1887 and 1915.
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Gavin has received many awards for his landscape painting, most notably from the Salmagundi Club in New York City. He is a member of both the Salmagundi Club and the National Arts Club. Gavin Spielman's work is in countless private collections throughout the world. Gavin is also a skilled guitar and bass player and has played with many outfits including the likes of Winston Grennan, the inventor of the one drop rhythm which dominates Reggae to this day.
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The Salmagundi Club was a male-only club for its first century, although artworks by women were accepted and praised. A sister club for women artists, the Pen and Brush Club, was formed around the corner from Salmagundi in 1894. Salmagundi began admitting women members in 1973. Members of the Salmagundi Club have included Thomas P. Barnett, William Richardson Belknap, Ralph Blakelock, A. J. Bogdanove, Charles Bosseron Chambers, James Wells Champney, William Merritt Chase, C.K. Chatterton, Frederick Stuart Church, Jay Hall Connaway, John Henry Dolph, Charles Dana Gibson, Gordon H. Grant, Walter Granville-Smith, Edmund Greacen, Charles P. Gruppé, Emile Gruppe, William Hart, Childe Hassam, Ernest Martin Hennings, Harry Hoffman, Alexander Pope Humphrey, George Inness, Jr., Lajos "Louis" Jambor, John LaFarge, Ernest Lawson, Frank Mason, Leopold Matzal, Samizu Matsuki, John Francis Murphy, Spencer Baird Nichols, Richard C. Pionk, Howard Pyle, Will J. Quinlan, Norman Rockwell, Harry Roseland, Augustus Saint- Gaudens, Rudolph Schabelitz, Leopold Seyffert, Channel Pickering Townsley, Louis Comfort Tiffany, Edward Charles Volkert, J. Alden Weir, Jack Wemp, Stanford White, Stuart Williamson, and N.C. Wyeth.
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John Wells James Jr. (1873-1951) was an American artist who created impressionist landscape paintings. James was associated with the Salmagundi Club in Greenwich Village and the "New Hope School of Impressionism" in Bucks County, Pennsylvania. James worked as a New York businessman who founded a wholesale drug company and the Kings Highway Saving Bank, while pursuing painting as a lifelong hobby. He held his first public exhibition at the Salmagundi Club in 1950 when he was 77 years old.
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Sargent was the first female member of the Salmagundi Club, the American Portrait Society, and the Council of Leading American Portrait Painters. Throughout her painting career, Sargent has acted in movies, television, and commercials.
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Dr. Yukio Ishizuka has been happily married since 1966 to Colette Ducassé Ishizuka. He has three children, lives in New York, and is a member of Salmagundi Club of N.Y. as a resident artist since 1974.
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He was a member of the Buffalo Society of Artists, the Society of Illustrators, Salmagundi Club, and the New Rochelle Art Association. Hitchcock died at age 73 after a long illness, in New Rochelle, New York in 1942.
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It was founded in 1871. Originally called the New York Sketch Class, and later the New York Sketch Club, the Salmagundi Club had its beginnings at the eastern edge of Greenwich Village in sculptor Jonathan Scott Hartley's Broadway studio, where a group of artists, students, and friends at the National Academy of Design, which at the time was located at Fourth Avenue and Twenty-third Street, gathered weekly on Saturday evenings. The club formally changed its name to The Salmagundi Sketch Club in January 1877. The name has variously been attributed to salmagundi, a stew which the group has served from its earliest years, or to Washington Irving's Salmagundi Papers. Growing rapidly, the organization was housed in a series of rented properties including 121 Fifth Avenue, 49 West 22nd Street, 40 West 22nd Street and finally 14 West Twelfth Street, where it remained for 22 years. In April 1917, following a three-year search, the club purchased Irad and Sarah Hawley's 1853 Italianate-style brownstone townhouse at 47 Fifth Avenue between East Eleventh and East Twelfth Streets from the estate of William G. Park for $100,000.00 and erected a two-story annex in the rear at an additional cost of $20,000.00 to house its primary art gallery and a billiard room.
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After his discharge from the army, he returned to Manhattan in 1968 to paint. During this time, he studied with Arthur Foster at the Art Students League of New York. In 1971 the Salmagundi Club awarded him its four-year Young Artist’s Scholarship.
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As a member of the National Academy, Salmagundi Club president, and founder of the American Artists Professional League, Williams was an influential figure in the promotion of 20th-century art in America."Frederick Ballard Williams." LACMA Collections. Los Angeles County Museum of Art, n.d. Web.
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Granville-Smith died on December 7, 1938 at his daughter's home in Jackson Heights, Queens, New York. Granville-Smith was a National Academician in 1915 with the National Academy of Design and served as president of the Salmagundi Club in New York from 1924 to 1926. His works are part of the permanent collections of the Smithsonian Institution (Grey Day), Butler Institute of American Art (The Willow), Toledo Museum of Art (South Haven Mill), the Currier Museum of Art (Truth}, the Salmagundi Club, the Lotos Club, the Fencers Club of New York and the Art Club of Philadelphia. Many of his works can be seen at the Athenaeum website.
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He taught at the Newark School of Fine and Industrial Arts in New Jersey, 1928-1956.Merrill, Peter C. (1997). German Immigrant Artists in America: A Biographical Dictionary, Scarecrow Press. p. 174. He was a member of the Salmagundi ClubBenezit Dictionary of Artists. Gründ. 2009. vol.
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It reopened on November 23, 2003, with a revival of the musical Wonderful Town. Hirschfeld was also honored with a star on the St. Louis Walk of Fame. In 2002, Al Hirschfeld was awarded the National Medal of Arts. He was an Honorary Member of the Salmagundi Club.
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He was a charter member of the Salmagundi Club and served for three years as its secretary. He was a trustee of Berea College, and the namesake and founder of the William R. Belknap Prizes awarded for excellence in the fields of geology and biology in Yale's Sheffield Scientific School.
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Hoffman was a member of many art organizations, including the Salmagundi Club and the New York Watercolor Club. He was elected to the National Academy of Design in 1930. He won a gold medal at the Panama Pacific Exposition in 1915. His work is held by museums throughout the United States.
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Vezin was born circa 1859 in Philadelphia, Pennsylvania. Vezin became a painter at the age of 40. He exhibited his work at the Academy of Fine Arts, the National Academy of Design, and the Corcoran Gallery. He was the president of the Art Students League of New York and the Salmagundi Club.
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He won the Flagg Prize, the Cooper Prize and the Atheneum Prize from the Connecticut Academy of Fine Arts; the Harris Medal from the Art Institute of Chicago; the Turnbull Prize and the Isidor Prize from the Salmagundi Club; and the J. Francis Murphy Memorial Prize from the Rhode Island School of Design.
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The American Artists Professional League (AAPL) is an American organization that promotes artists and their works.American Artists Professional League Scrapbooks. Indiana.gov. Retrieved February 10, 2014. It was formed in 1928 in New York City by Frederick Ballard Williams, and the first meeting was held at the Salmagundi Art Club on January 29, 1928.
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The Cliff Dwellers has numerous affiliate clubs across the country and around the world. These include the Arts Club of Chicago and the Quadrangle Club (University of Chicago) (also based in Chicago), the Cosmos Club (based in Washington DC), the Salmagundi Club in New York City, and the Lansdowne Club in London, England.
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Sibbert was a member of the American Institute of Architects and American Society of Civil Engineers as well as being a member of the Salmagundi Club in New York. He retired to Pompano Beach, Florida, after living for many years in New York City. Sibbert died in Pompano Beach on May 13, 1982.
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She enjoys the aspect of searching for the colors and textures she needs for each landscape. Flax is an Elected Member of Audubon Artists, Inc. (at the Salmagundi Club, NYC); and artist member of: Fuller Craft Museum, the Cotuit Center for the Arts, the Sandwich Arts Alliance and the Arts Foundation of Cape Cod.
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He also built a six-inch telescope with an electrical device which enabled him to follow the paths of stars.Yesterday's Papers A Society of Illustrators vice- president, Godwin was a member of the National Press Club and the Dutch Treat and Salmagundi clubs.Holtz, Allan. "Ink-Slinger Profiles: Frank Godwin," Stripper's Guide (March 07, 2012).
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The Providence Art Club, founded on February 19, 1880, is the third oldest continually operating art club in America, after the Philadelphia Sketch Club and New York's Salmagundi Club. It was the first art club in the United States to admit women as members.Ratcliffe, Christopher (11 March 2017). "Christopher Ratcliffe: The art of women's equality".
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He exhibited his landscapes frequently at the National Academy and the Boston Art Club. He was also a member of the Salmagundi Club, a group that included some of the most prominent painters of that time. His works have been displayed in the Clinton Library. The largest collection of his works is at the Everhart Museum.
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Cole was a member of the Nashville Golf and Country Club, the Pendennis Club, the Louisville Country Club, and the Salmagundi Club. Cole died of heart disease on November 17, 1934 on a train in Cave City, Kentucky. He was 60 years old. His funeral was held at the Christ Church Cathedral, and he was buried in Nashville.
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Cole studied art first under Isaac Craig, in Italy, then in Paris from 1892 to 1901 with Jean Paul Laurens and Jean-Joseph Benjamin-Constant at the Académie Julian,"Archives of American Art - Alphaeus P. Cole papers, 1885-1988 (collection summary)", Smithsonian Institution. Retrieved 2007-11-15."Alphaeus Philemon Cole" , Salmagundi Club. Retrieved 2007-11-15.
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Tucker was a member of the Salmagundi Club, and many of his works were exhibited at Salamagundi shows. Tucker’s Geraniums was shown at The Smithsonian Institution, National Gallery of Art, Washington, D.C. as a part of the American Artists Professional League, American Art Week Exhibition in 1963. Tucker also exhibited at several shows in the New York City area.
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His illustration work appeared on the covers of national magazines, including The Saturday Evening Post.Rutherford Boyd from Art.com. During the 1920s and 1930s, he exhibited regularly at the annual International Exhibition of Watercolors at the Art Institute of Chicago. He was a member of the American Watercolor Society, the Salmagundi Club, and the Architectural League of New York.
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She most recently studied voice with Liz Russo and Mark Murphy. Sellars co-created, along with writer/director/actor Celia Bressack, a Dorothy Parker reading series called The Potable Dorothy Parker: A Literary Cocktail. Featuring Sellars as Mrs. Parker, the readings took place at downtown New York City clubs and restaurants, including Telephone Bar, Salmagundi Club, and the former Mo Pitkins.
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In June 1919, Richards and Lundborg exhibited their artwork at the Paint Box Gallery. Richards' paintings, "Flame" and "Rain" were showcased at the Independent Artists show. During his career, Richards was a part of various art societies including, the Salmagundi Club of New York, Society of Independent Artists, and the Silvermine Artists Guild. He joined the latter guild in 1930.
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While living in New York he became a member of the Salmagundi Club. Townsley managed Chase's Shinnecock Hills Summer School of Art on Long Island and organized the Chase European Summer art classes starting in 1902 to Holland. From 1905 until 1910, he served as the director and an instructor at the London School of Art, working alongside Frank Brangwyn. Starting in c.
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He was reelected to the Fourteenth and Fifteenth Congresses and served from January 22, 1814, to March 3, 1819. Irving, a close friend of James Kirke Paulding, the U.S. Secretary of the Navy under Martin Van Buren, supported the War of 1812. Irving contributed several essays and poems to Salmagundi, written primarily by Washington Irving and James Kirke Paulding.Jones, p. 57.
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Sara Louise "Sally" Ball is an American poet, editor, and professor. She is the author of Annus Mirabilis (Barrow Street Press, 2005). Her poems and essays have appeared in literary journals and magazines including American Poetry Review, Harvard Review, Pleiades, Ploughshares, Rivendell, Slate, Threepenny Review, Salmagundi, The Southwest Review, The Threepenny Review, Yale Review, and the Review of Contemporary Fiction.
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She is the recipient of fellowships from the National Endowment for the Humanities, the Ford Foundation, Temple University, the Newberry Library, and the American Council of Learned Societies. Frank has also written numerous articles on literature and art in such publications as the New York Times Book Review, New York Times Magazine, The Nation, Art in America, Partisan Review, Salmagundi, and ARTnews.
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Frank Knox Morton Rehn (April 12, 1848 – July 7, 1914) was an American marine painter and president of the Salmagundi Club. Born in Philadelphia, he attended the Pennsylvania Academy of the Fine Arts, where he studied under Christian Schussele. For several years, he then painted portraits in Philadelphia. Using money earned in Philadelphia, he moved to the coast of New Jersey, where he began doing marine paintings.
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Sarony took numerous photographs of Samuel Clemens (Mark Twain). Clemens and Sarony were in the same social circles and shared many mutual acquaintances. They both belonged to the Lotos Club in New York City. Sarony helped in the founding of the Salmagundi Club, an association of artists, and was also a member of the Tile Club, whose members included well-known authors and journalists.
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The United States is described as a logocracy in Washington Irving's 1807 work, Salmagundi. A visiting foreigner, "Mustapha Rub-a-dub Keli Khan", describes it as such, by which he means that via the tricky use of words, one can have power over others. Those most adept at this are termed "slang- whangers", while Congress is a "blustering, windy assembly".Southern Quarterly Review, Harvard, 1845, pp.
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He began socializing with a group of literate young men whom he dubbed "The Lads of Kilkenny",Burstein, 47. and he created the literary magazine Salmagundi in January 1807 with his brother William and his friend James Kirke Paulding, writing under various pseudonyms, such as William Wizard and Launcelot Langstaff. Irving lampooned New York culture and politics in a manner similar to today's Mad magazine.Jones, 82.
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Sousa was a member of the Sons of the Revolution, Military Order of Foreign Wars, American Legion, Freemasons and the Society of Artists and Composers. He was also a member of the Salmagundi, Players, Musicians, New York Athletic, Lambs, Army and Navy and the Gridiron clubs of Washington. Sousa was also an honorary brother of the National Music Fraternity, Phi Mu Alpha Sinfonia. .New York Times.
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Tara Tallan, creator of Galaxion, in September 2009 There have been three versions of the Galaxion story. Around 1993, the story first appeared as one half of a photocopied, digest size flip comic book Salmagundi. In the late 1990s the story was relaunched in a self-published full-sized comic. There were also two "special issues": a shorter 99 cent special and a "flip book" with Amy Unbounded by Rachel Hartman.
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Huddesford's church in Loxley #'Warley, a Satire' (anon.), part i., October 1778; part ii., November 1778 #'Salmagundi: a Miscellaneous Combination of Original Poetry’ (anon.), 1791 #'Topsy Turvy; with Anecdotes and Observations illustrative of the Present Government of France’ (anon.), 1793 #'Bubble and Squeak: a Gallimaufry of British Beef with the Chopp'd Cabbage of Gallic Philosophy and Radical Reform' (anon.), 1799. #'Crambe Repetita, a Second Course of Bubble and Squeak' (anon.), 1799.
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Salmagundi is a quarterly journal that focuses on the humanities and social sciences. Founded by Robert Boyers, a long-time faculty member in the English department, it has been published at Skidmore since 1969 and now has an international subscriber base of several thousand readers. Each issue generally includes poetry, fiction, interviews, and essays. Salmagundi's editors often devote large sections of an issue to a timely special subject.
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Franklin De Haven (December 26, 1856 – January 10, 1934) was an American painter. He was born in Bluffton, Indiana. He married Elizabeth Woodcock of Jersey City in 1902. His paintings received awards including the Inness Prize in 1902, from the Salmagundi Club; Silver Medal from the National Arts Club in 1921; and the Brown-Bigelow Gold Medal from the Allied Artists of America in 1930, for his painting "Nocturne".
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Gerber was born in Brooklyn, New York, March 15, 1938. She received a Bachelors in English from the University of Florida in 1959, and a Masters in English from Brandeis University. She has published thirty books, and is an award-winning novelist and short story writer. She has published stories in The New Yorker, The Atlantic, Mademoiselle, Redbook, The Sewanee Review, Salmagundi, The Southwest Review, and many other journals.
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Peter Hastings Falk, The Annual Exhibition Record of the Pennsylvania Academy of the Fine Arts, Volume 2, 1876-1913 (Madison, CT: Sound View Press, 1989), pp. 219-220. PAFA awarded him the 1887 Temple Gold Medal for The Fisherman's Family, and purchased the painting for its collection. He was a member of the Art Club of Philadelphia, and the Salmagundi Club and Century Association in New York City.
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Barrett began writing fiction seriously in her thirties, but was relatively unknown until the publication of Ship Fever, a collection of novellas and short stories that won the National Book Award in 1996. Barrett's work has been published in A Public Space,"The Investigators in A Public Space Issue 18" . Retrieved 2013-07-6. The Paris Review, Tin House, Ploughshares, One Story, Triquarterly, Salmagundi, The American Scholar, and The Kenyon Review, among other places.
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Welish was the Judith E. Wilson Visiting Poetry Fellow at Cambridge University in 2005. Welish's The Annotated 'Here' and Selected Poems was a finalist for the Lenore Marshall Prize from the Academy of American Poets. Her writing on art has appeared in Art in America, Art International, Art News, BOMB (magazine), Partisan Review, and Salmagundi. A collection of her art criticism came out in 1999 entitled, Signifying Art: Essays on Art after 1960.
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His paintings were exhibited in New York City and Philadelphia, Pennsylvania, and his murals can be seen in Allentown's Phoebe Retirement Home, Cathedral of Saint Catharine of Siena and Asbury Methodist Church. Lindenmuth was also a member of the Salmagundi Club. Lindenmuth would later teach painting to students, including John E. Berninger, out of his photography studio. In 1912, Lindenmuth also put forth a proposal for the establishment of the Allentown Art Museum.
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Mangiacapra's style has been described as "at once painterly and precise." Her work has been displayed at the Wickford Art Festival, Newport Art Museum, National Arts Club, the Salmagundi Club, the Kent Art Association, Catharine Lorillard Wolfe Art Club and the Rhode Island Watercolor Society. She holds signature artist memberships in the Northeast Watercolor Society, the Catharine Lorillard Wolfe Art Club, the Rhode Island Watercolor Society, and the Spring Bull Gallery, Newport, RI.
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He returned to the U.S. in 1907 and quickly gained a following for his representations of allegorical and mythical figures. That year, he established his studio in Manhattan, which he maintained for the next forty-five years. He was soon elected to the National Sculpture Society, the Salmagundi Club and the American Numismatic Society. When he was selected to join the National Academy of Design, he was the youngest member at the time.
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Samizu Matsuki (March 16, 1936 – August 4, 2018) was a Japanese artist and educator. She won the Gold Medal at the 1970 First New York International Art Show, the Grand Prix at the 1971 Locust Valley Art Show on Long Island, New York, and the Award of Excellence at the Abraham & Straus-Hempstead Art Show, "Long Island Art '74" for her explorations of Classical Realism. Matsuki was first woman member of the Salmagundi Club.
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Throughout his career Fenn prepared watercolors for exhibition and sale. He was among the founding members of the American Watercolor Society, attending the second meeting in 1867, and he regularly participated in their exhibitions. He was a member of the New York Watercolor Club, the Society of Illustrators, and the Salmagundi Club. He exhibited at the National Academy of Design in 1864 and at the Brooklyn Art Association between 1864 and 1885.
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Peter Hastings Falk, ed., The Annual Exhibition Record of the Pennsylvania Academy of the Fine Arts, Volume III 1914-1968, (PAFA, Sound View Press, 1989), pp. 187-88. He also won awards from the Connecticut Academy of Fine Arts, the Rhode Island School of Design, the Corcoran Gallery of Art, the Salmagundi Club, and other arts organizations, including a bronze medal at the Sesquicentennial Exposition in Philadelphia in 1926 (for Outskirts of Trenton).
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Connaway returned to Monhegan in the summers to tend to school business and art sales. In 1943 Connaway was elected a member of the National Academy of Design; he was also a member of the Salmagundi Club. The Connaways remained on Monhegan until 1947, when they moved to Vermont, residing in Dorset until 1953, then North Rupert. Connaway painted rural landscapes of the Vermont countryside and operated a summer art school, until 1966.
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The controversy led to his being denied tenure at MIT, according to Avishai, and he left for Harvard Business School in 1986. He there took up a position as an editor of Harvard Business Review (HBR). In 1987, he was awarded a Guggenheim Fellowship for continuing work on the writer Arthur Koestler, which led to eventual articles in The New Yorker, Partisan Review, and Salmagundi. His second book, A New Israel, was published in 1990.
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With the Great Depression Berthelsen lost his voice students, and the family had to sell many of their possessions and move to an ever-smaller series of apartments. A fellow artist suggested painting in oils, which he began to do, and he had gradually increasing success in selling his canvases. In the mid-1930s he was also involved in several New Deal art projects. He joined the Salmagundi Club in 1935 and remained a member until his death.
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Passantino was the author of The Portrait and Figure Painting Book (1979), which has been published in seven languages; Figures in Oil (1980); Portraits in Oil (1980); and Figure Painting Step by Step (2000). He contributed to the book, Six Artists Paint A Portrait, (1974). His awards include the Charles Noel Flagg prize at the Connecticut Academy of Fine Arts. Passantino's work has been exhibited at the Salmagundi Club, the Wadsworth Atheneum, the National Academy, and many shows.
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The painting remained in Hopper's ownership for several years. According to Jo's journal notes, it was displayed in 1945 at the Salmagundi Club's 75th anniversary exhibition, to which Edward had been invited as a guest exhibitor. At the exhibition, the painting won a $1,000 prize. The journal contains a scratched-out note stating that the painting was sold in spring 1948 to the Butler Art Institute in Youngstown, Ohio for "1,500 -1/3", paid on July 27, 1949.
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During World War I Greacen served for six months, but did so with the French YMCA because of his age. After returning to New York, Greacen continued his art career. In 1920 he was elected into the National Academy of Design as an Associate member, and became a full Academician in 1935. In 1922 a one-man show at the Macbeth Gallery was followed by his receiving the Samuel T. Shaw Prize, worth $1,000, from the Salmagundi Club.
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From 1870 to 1873 he studied in Antwerp, Belgium, and took further studies in Paris from 1880 to 1882. Afterwards he specialised in painting pet animals such as dogs and cats. In New York, Dolph became a member of the Kit Kat Club of avant- garde artists, the Lotus Club and the Salmagundi Club. He was elected into the National Academy of Design in 1877 as an Associate member, and became a full Academician in 1898.
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At this time, the New York art world was going through great changes with interest in Modernism and Expressionism. He vehemently opposed these ideas and contributed openly to the critics in New York newspapers and the Staten Island Advance. The only associations that were holdouts for realistic painting during this period were the Salmagundi Club, Allied Artists, and the American Artist Professional League. Leason became aligned with their members who felt the same way about the changing trends.
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Examples of his work can be found in the permanent collections of the Pratt Institute, the Brooklyn Historical Society and the Bridgehampton Museum. Springsteel formerly operated the Springsteel Art Gallery in Greenport, New York. In recognition of his artistic talent, Springsteel was elected to New York City's Prestigious Salmagundi Club, "one of the oldest art organizations in the United States", whose members have included such well-known artists as N. C. Wyeth, William Merritt Chase and Childe Hassam.
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He exhibited at the Pennsylvania Academy of the Fine Arts most years from 1916 to 1952,Peter Hastings Falk, ed., The Annual Exhibition Record of the Pennsylvania Academy of the Fine Arts, Volume 3, 1914-1968 (Madison, Connecticut: Sound View Press, 1989), pp. 289-290. and won prizes from the Salmagundi Club and the American Watercolor Society. Leith-Ross was elected an Associate of the National Academy of Design in 1928, and Folinsbee painted his diploma portrait.
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Volkert was originally a portraitist, but ceased painting portraits after his marriage ended in divorce. For many years he traveled between Cincinnati and New York City, and most preferred to paint cattle in Ohio farmlands. While living in New York, Volkert was president of the Bronx Art Guild. Other Association and Club Memberships included the American Federation of Arts, the National Academy of Design, National Arts Club, New York Watercolor Society, Paint and Clay Club, Duveneck Society of Cincinnati and the Salmagundi Club.
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His map of a park system for the Salmagundi Club is said to have inspired Frederick Law Olmsted's work. Hermany was also involved in the design of the River Pumping Station for the Cincinnati Water Works. He is buried at Cave Hill Cemetery in Louisville His son, Charles Scowden Hermany, lived from 1872 to 1903 and was also buried at Cave Hill Cemetery. In 2009 the Louisville Water Company (LWC) celebrated the 100th anniversary of the Crescent Hill Filtration Plant.
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He was president of the National Academy of Art for ten years and exhibited there, the Salmagundi Club and Grand Central Galleries many times. Today, Nichols’ work is among the collections of the Metropolitan Museum of Art, the Smithsonian Institution the National Gallery of Art and the Phillips Collection. Nearly blind, Nichols died in Bronxville on August 13, 1962, at the age of 9312 years after the death of his younger brother Spencer, and eight years after the death of his wife.
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It was an honor that promised a bright future, and Maurer hoped it would convince his demanding and skeptical father that he could, in fact, paint. Other awards received by Maurer included the Inness Jr. Prize of the Salmagundi Club in 1900 and a bronze medal at the Pan-American Exposition at Buffalo, New York in 1901. In 1905, he won the third medal at the Liege (Belgium) Exposition and a gold medal at the International Exposition in Munich. A successful future beckoned.
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He was a Fellow of the Pennsylvania Academy of the Fine Arts, and a member of the Art Club of Philadelphia. In New York City, he was a member of the Century Association and the Salmagundi Club, and a life member of the National Art Club. He was elected an honorary member of the Royal Society of British Artists in 1907, and elected to the Royal Institute of Oil Painters in 1910.Walter Elmer Schofield, 1867 - 1944, from Suffolk Artists.
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Natt exhibited her art at The Women's Pavilion of the Philadelphia Centennial Exposition of 1876. Her work was included in the 1888 exhibition "Women Etchers of America", where she is listed as Natt, Phebe D. (Miss). She exhibited her work in the Woman's Building at the 1893 World's Columbian Exposition in Chicago, Illinois. Natt also exhibited her work at the Paris Salon, the National Academy of Design, the Salmagundi Club, the Boston Art Club, and the Art Institute of Chicago.
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Seminole High School hosts Troupe 3266 of the International Thespian Society. Students may take part in the theatre department through classes or audition for the fall play and spring musical. On April 21–23, 2017 the Seminole High School Theatre Company produced The Wedding Singer. The school newspaper, The Seminole, is an elective course in which students may involve themselves in journalism, publishing, layout/design, photography, and advertising. Students may also be a part of the school’s yearbook, the Salmagundi Yearbook.
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If the Providence Art Club is closed, members are allowed reciprocal privileges from other clubs in the area, including the Brown Faculty Club, the Agawam Hunt, the Hope Club, the Rhode Island Country Club, and the Squantum Association. The Providence Art Club has also recently formed relationships with the Arts Club of Washington, Circolo della Caccia in Bologna, Italy, the Franklin Inn Club of Philadelphia, the National Arts Club, the Salmagundi Club of Manhattan, and the St. Botolph Club of Boston.
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During his final years, he led art classes as a volunteer at the Senior Center in Fort Lee, New Jersey. He was a member of a number of artist's unions, including the Salmagundi Club, the Pastel Society of America, the Garden State Watercolor Society, the New Jersey Watercolor Society, the Philadelphia Sketch Club, the Philadelphia Watercolor Society, the New Jersey American Artists Professional League, the Northeast Watercolor Society, the Ridgewood Art Institute, the Ringwood Manor Art Association and the Society of Illustrators.
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Winners of the NYIPC are awarded concert and recital appearances through the Stecher and Horowitz Foundation's Young Artists Series. They regularly appear at venues in New York, Connecticut, and Washington, D.C. including: Congregation Emanu-El of New York, NYC; Park Avenue Christian Church, NYC; The Bohemians, NYC; Salmagundi Club, NYC; Subculture Arts Underground, NYC; Downtown Music at Grace, White Plains, NY; Ossining Public Library, Ossining, NY; Canisius College, Buffalo, NY; Fairfield University, Fairfield, CT; Phillips Collection, Washington, D.C.; Church of the Annunciation, Washington, D.C.
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Tulloch was a bay or brown colt foaled in 1954 at Trelawney Stud, Cambridge, New Zealand. He was by the good racehorse and sire, Khorassan out of the race winner, Florida by Salmagundi (GB).Trelawaney Stud Retrieved on 25 April 2009 Khorassan (IRE) was the sire of 18 stakeswinners with 65 stakeswins, mostly in New Zealand.Khorassan (IRE) Retrieved 2010-11-20 Florida was also the dam of Tallahassee Lassie (unraced) and Tulloch's Sister (a multiple metropolitan race winner), before she was exported to the US.
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Recent theme issues include "The Culture of the Museum", "Nigerian Mathematics", "Homosexuality", "Art and Ethics", "The Culture Industry", "Kitsch", and "FemIcons." Nadine Gordimer, J. M. Coetzee, Tzvetan Todorov, George Steiner, Orlando Patterson, Norman Manea, Christopher Hitchens, Seamus Heaney, Mary Gordon, Susan Sontag, Benjamin Barber, Joyce Carol Oates, Richard Howard, Carolyn Forche, Martin Jay, and David Rieff are among the writers who have contributed to Salmagundi. Regular columnists include Benjamin Barber, Tzvetan Todorov, Martin Jay, Charles Molesworth, Marilynne Robinson, Carolyn Forché, and Mario Vargas Llosa.
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Healy's poems and essays on culture and politics have been published in many magazines and journals, including the Paris Review, Yale Review, BOMB, Salmagundi, Tin House, Drunken Boat and the New York Times. His work has also appeared in a variety of anthologies and artist books. In 2014, Healy was a fellow of the Harriet Monroe Institute, where he worked with poets Adam Fitzgerald and Robert Polito and biographer Karin Roffman to create a documentary archive of poet John Ashbery's home in Hudson, New York.
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John Austin Sands Monks (1850–1917) was an American painter and etcher known especially for his paintings of sheep. Born in Cold Spring, New York, to John and Sarah Catherine Monks, he was educated at the Hudson River Institute and studied engraving under George N. Cass and painting under George Inness. He was a longtime resident of Medfield, Massachusetts, and had a studio in Boston. He was a member of the Boston Art Club, the Copley Society, the Salmagundi Club, and the New York Etching Club.
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In 1911, he won his first important award at the Swedish-American Exhibition in Chicago and when he was elected to Associate membership of the National Academy of Design. Shortly thereafter, he was appointed by the Art Students League to the directorship of the Woodstock School of Landscape Painting. In 1912, the Salmagundi Club presented him with the Vezin Prize for watercolors, as well as the first Isidor Prize. In the following year, Carlson won a silver medal from the Washington Society of Artists.
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Caniglia created all new artwork cover for this special release to coincide with the film release of World War Z. In the fall of 2013 he completed Easton Press' 170th anniversary edition of Charles Dickens' A Christmas Carol. In the fall of 2016 he completed the Easton Press' limited artist edition of O.Henry' short stories. In 2017, Caniglia left Omaha to apprentice with the Norwegian figurative painter Odd Nerdrum. His print "Dreaming of Rembrandt" won an award in the Salmagundi Club's SCNY Monotype Exhibition in 2018.
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He was also the only person beside Terry and musical director Philip A. Scheib to receive the on-screen credit in the earlier Terrytoons.An introduction Early Terrytoons Moser painted landscapes in recent years and exhibited in galleries in New York City and Westchester County. He was a member of the Allied Artists of America, the American Water Color Society and the Salmagundi Club. He was one of the founding members and the first treasurer of the Hudson Valley Art Association and he was its historian until his death.
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Born in Wheeling, West Virginia, Thomas Wharton received a master's degree in music at the University of West Virginia before moving to New York City. He then studied art and design at The Art Student's League, the School of Visual Arts, the New York Studio School, and Parsons. His paintings have won The Georgie Read Barton Award from the Hudson Valley Art Association, The Katlin Seascape Award and the Windsor Newton Award from the Salmagundi Club. Thomas Wharton co-founded Adventure House Communications Group with business partner Robert Lowe in 1990.
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This included the Inness Gold Medal (1901), Gold metal at the St. Louis Exposition (1904), The Saltus Medal (1912), and the silver medal at the Panama-Pacific Exhibition (1915). From 1929 to 1933, Bruce Crane was the President of the famed Salmagundi Club of New York City (founded 1871) and its artist of the year in 1902. He was also associated with the Grand Central Art Galleries, participating in its 1933 members' drawing. In 1897, he was elected into the National Academy of Design as an Associate Academician, and became a full Academician in 1901.
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Beal was active in the art community. By 1934, he was a participant in the Salmagundi Club, Lotus Club, Century Club, National Academy of Design and the American Water Color Society. He was also a member of the Society of American Engravers and the National Arts Council. His progressive tenets marked him as a "modernist", and he helped found the Society of Independent Artists and the New Society of Artists, which consisted of fifty of the most important painters of the day, including George Bellows, Childe Hassam, John Sloan, William Glackens and Maurice Prendergast.
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Winter exhibited his paintings and won prizes at the National Academy, the Pennsylvania Academy of the Fine Arts, and the Salmagundi Club, and during his lifetime he also exhibited at the Corcoran Gallery of Art in Washington, D.C., the Currier Gallery of Art in Manchester, New Hampshire, and the Memorial Art Gallery in Rochester, New York. His work was included in an exhibition devoted to the work of foreign-born American artists at the 1939 New York World's Fair. Winter's scrapbooks are in the collection of the Smithsonian Archives of American Art.
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Edmund William Greacen (1876–1949) was an American Impressionist painter. His active career extended from 1905 to 1935, during which he created many colorful works in oil on canvas and board. One of his works, a reproduction of which is at the Smithsonian Institution, was awarded the Salmagundi Club's Samuel T. Shaw Prize in 1922.Edmund W. Greacen papers, 1905-1949 In addition to his work as an artist, Greacen also founded, ran and taught in New York City's Grand Central School of Art for more than 20 years.
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The Gotham Independent Film Awards () are American film awards, presented annually to the makers of independent films at a ceremony in New York City, the city first nicknamed "Gotham" by native son Washington Irving, in an issue of Salmagundi, published on November 11, 1807. Part of the Independent Filmmaker Project (IFP), "the largest membership organization in the United States dedicated to independent film" (founded in 1979), the awards were inaugurated in 1991 as a means of showcasing and honoring films made primarily in the northeastern region of the United States.
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From the 1890s until his death, Minor exhibited frequently with the Tonalists in New York. In 1897, he was elected a member of the National Academy of Design, New York. In 1900, Minor achieved the height of his success at the historic William T. Evans sale in 1900, where his painting The Close of Day (private collection) fetched $3,050, the highest price for a landscape by a living American painter at that auction. Over the course of his lifetime, Minor was a member of the Society of American Artists and the Salmagundi Club.
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He was one of the original members of the Society of American Artists, was made a National Academician in 1883, and was also a member of the American Water Color Society, the New York Etching Club, and the Salmagundi Club. He was president of the Arts Federation of New York. In 1899, Dielman was elected president of the National Academy of Design. In 1903, he became professor of drawing at the College of the City of New York and about the same time was made director of the art schools at Cooper Union.
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Farnsworth's 1936 Time magazine cover painting of Haile Selassie Farnsworth's awards include six from the National Academy of Design (1941), one from the National Arts Club (1941), one from the Los Angeles County Museum of Art (1945) and one from Grand Central Galleries (1928). Farnsworth belonged to the National Arts Club, an Academician of the National Academy of Design, the Salmagundi Club, Washington Society of Art and the Provincetown Art Association. Painter Helen Alton Sawyer was his wife and they operated a summer art school in Truro, Massachusetts. They wintered in Sarasota, Florida.
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In the early Sixties he began to send bronzes to juried New York shows where they were accepted, earning him membership in the National Sculpture Society, the Salmagundi Club, the Society of Animal Artists and other prestigious groups. When the Cowboy Artists of America formed in Oklahoma, Scriver was invited to join them and then the National Academy of Western Art. With both groups he won top prizes. In the mid-Sixties the Professional Rodeo Cowboys Association commissioned him to create a heroic- sized portrait of Bill Linderman, a famous champion.
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Members must be proposed and seconded by existing members. As of 2012, the Club has no reciprocal clubs in the UK. However, a number of clubs outside the UK of similar character and prestige have reciprocal arrangements, including the Cercle de l'Union interalliée in Paris, The Arts and Letters Club of Toronto, the St. Botolph and Algonquin Clubs in Boston, the Cosmos Club in Washington DC, the Arts Club of Chicago and the Arts Club of Washington DC, and the Century Association, The Coffee House, National Arts Club and Salmagundi Club in New York.
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Judy Takács (born 1962, New York) is a contemporary figurative painter, known for her realistic paintings from her ongoing, traveling portrait series, Chicks with Balls: Judy Takács paints unsung female heroes. “Takács is a figurative artist who tells stories about people who have something uplifting to share.” She is an elected member of, and sits on the board of the Allied Artists of America in the position of Social Media Chair. In 2018, Takács was elected to membership in the Salmagundi Art Club and the Catharine Lorillard Wolfe Art Club in New York City.
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Belknap continued to be active in business, attending the International Congress of Chambers of Commerce in Liège in 1905. From 1907 to 1909, he was chairman of the Louisville Board of Parks. He was a member of several civic and religious organizations, including the Pendennis Club, the Louisville Country Club, the Salmagundi Club of Louisville, and the Warren Memorial Presbyterian Church of Louisville, where he was a deacon and chairman of the board of trustees. He was president of the Yale Alumni Association in Louisville and director of that city's YMCA.
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On November 22, 2009, Pioneers For A Cure celebrated its first "Pioneer Of The Year Award" with a gala event at the Salmagundi Club in New York City with more than 250 friends and supporters. Attendees were welcomed by Harold Blond, President of the Israel Children's Cancer Foundation as well as Dana Ehrlich of the Israeli Consulate. The "Pioneer Of The Year Award" was presented to Mira Sasson, whose artwork and portraits were on display at the gallery. Musical performers included Neshama Carlebach, Pharaoh's Daughter, Adrienne Cooper and Art Bailey, Greg Wall, Jeremiah Lockwood, Rashanim, Dov Rosenblatt and many more.
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Her work has been shown in two salon D'Automme shows in Paris, at the Institute Mexicano Norteamericano de Relacionnes Culturales in Mexico City and with "Women's Work", the Montana Women's Center Art Survey Exhibition. In addition, she exhibited in New York at the 33rd exhibition of the Knickerbocker Artists at the Salmagundi Club from November 22 to December 3, 1983 and at the 83rd Annual Open Watercolors Exhibition February 10 to 18 1983 at the National Arts Club. Also, Ward has received over a dozen awards from Montana Art societies and shows.Artist Files, Library at the National Museum of Women in the Arts.
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Robin Skelton, in The Malahat Review, said it "retains the brilliance of the original;" Robert Boyers, in Salmagundi, said, "Nowhere does it read like a translation." Rilke Scholar John Mood called it "the nearest to a definitive Elegies we're apt ever to get in the English language." Jan Freeman, director of Paris Press, said, "No other translation compares to this one."editorial reviews on Amazon Less effusive, the review in the Virginia Quarterly Review called the translation "admirable," "clear and readable," and "faithful" to Rilke's meaning, but found Miranda's translation "prosaic," and prefers the translation by Harry Behn.
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Chambers was a member of the Society of Illustrators, in New York City, and the Salmagundi Club, an important art club also in the city. In April 1921 his work was exhibited at the Babcock Galleries on 49th St.,"Exhibition of Paintings by C. Bosseron Chambers", Babcock Galleries, New York. April 11th to 23rd, 1921 in 1923 he illustrated Sir Walter Scott's Quentin Durward for Scribners.Catalogue off Copyright Entries, Third Series: 1951, Copyright Office, Library of Congress, 1952 In November 1935, a number of portraits were on display at the Macbeth Gallery on E. 57th St.Arts Magazine, Vol.
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David W. Keihl writes "James E. Allen valued the worth of hard work and personal ingenuity for survival. He did not participate in the WPA programmes". In 1932, Allen first entered his prints in juried exhibitions and his work began to receive widespread academic and critical acclaim. That year his "The Builders" received both a Shaw Prize from New York’s Salmagundi Club and a Henry B. Shope Award from the Society of American Etchers, now known as the Society of American Graphic Artists (SAGA). A year later, “Brazilian Builders” took a Charles M. Lea Award at the Philadelphia Print Club Exhibition.
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Bartholomew Roberts and his fleet in the background attacking merchant ships off Quidah in 1721. According to legend; at this time Black Bart Roberts was eating breakfast of salmagundi with Captain Hill of the captured ship 'Neptune' aboard the 'Royal Fortune' when one of his crew shouted that the Ranger was returning from her chase with the merchant ship. A few moments later they discovered the incoming vessel was not their sloop but the Swallow. One of the pirates, a man named Armstrong who had absconded from the 'Swallow's' sister ship 'Weymouth' at Madeira, recognized the Royal Navy frigate and told Captain Roberts.
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Plaque marking what was once Berlin's childhood home (designed by Mikhail Eisenstein) in Riga, engraved in Latvian, English, and Hebrew with the tribute "The British philosopher Sir Isaiah Berlin lived in this house 1909–1915" Angliyskaya Embankment in Saint Petersburg, where Berlin lived as a child during the Russian Revolutions Born on 6 June 1909,Joshua L. Cherniss and Steven B. Smith (eds), The Cambridge Companion to Isaiah Berlin, Cambridge etc.: Cambridge University Press. 2018, p. 13. Berlin was the only surviving child of a wealthyIsaiah Berlin: IN CONVERSATION WITH STEVEN LUKES, ISAIAH BERLIN and Steven Lukes, Salmagundi,No. 120 (FALL 1998), pp.
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Takács' work has been recognized by the Portrait Society of America, the Art Renewal Center, the National Arts Club, Cincinnati Arts Club, Allied Artists of America, Catharine Lorillard Wolfe Club, and the Salmagundi Club, NYC. She has participated in Women Painting Women Exhibitions along with Rachel Constantine, Alia El-Bermani, Diane Fiesel and Sadie Valeri, and multiple Poets/Artists publications and live exhibitions. Takács' work is archived at the Artists Archives of the Western Reserve. Her work has been exhibited at the Butler Institute of American Art, the Zanesville Museum of Art, Evansville Museum, Museum of Contemporary Art Cleveland, Haggin Museum and ARTneo.
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The purchase of one of his paintings by the Cincinnati Museum of Art may have encouraged him to abandon lithography for a career as a fine artist.Orlando Museum His paintings retained the subdued colors and strong contrasts of the Munich school until he adopted the Impressionist palette late in his career. After his arrival in New York Potthast worked as a magazine illustrator, and exhibited regularly at the National Academy of Design, the Society of American Artists and the Salmagundi Club, winning numerous prizes. By 1908 he was installed in a studio in the Gainsborough Building.
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They were also used to teach soldiers how to draw military maps in the field and how to identify points of military importance such as zones of good cover. In 1918, the Salmagundi Club in New York spearheaded the effort to produce range-finder paintings for the U.S. military, providing canvas and painting materials. The program resulted in dozens of landscape paintings of various French and Belgian sites that were roughly . Most showed towns and villages in the near or middle distance, along with other militarily important features such as roads, bridges, canals, fields, forests, and hills.
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Photo of William Wadsworth William Wadsworth (born 1950) is an American poet. Wadsworth's work has appeared in The New Republic, The Paris Review, The Yale Review, Tin House, Salmagundi, and the Boston Review, among other magazines, as well as in several anthologies, including The Best American Erotic Poems, edited by David Lehman, and the Library of America Anthology of American Religious Poems, edited by Harold Bloom. His collection of poems, The Physicist on a Cold Night Explains, was published by Vaso Roto Press in 2010. From 1989 to 2001, Wadsworth served as executive director of the Academy of American Poets, where he oversaw the launch of the website poets.
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James Kirke Paulding (August 22, 1778 – April 6, 1860) was an American writer and, for a time, the United States Secretary of the Navy. Paulding 's early writings were satirical and violently anti-British, as shown in The Diverting History of John Bull and Brother Jonathan (1812). He wrote numerous long poems and serious histories. Among his novels are Konigsmarke, the Long Finne (1823) and The Dutchman's Fireside (1831). He is best known for creating the inimitable Nimrod Wildfire, the “half horse, half alligator” in The Lion of the West (1831), and as collaborator with William Irving and Washington Irving in Salmagundi. (1807-08).
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M. Vincent -In Search of Motif No. 1: The History of a Fish Shack 2011 – Page 62 "According to the Gloucester Daily Times, Charles P. Gruppé's charming pictures Wharf at Rockport and Fishing Shacks were the pictures perhaps attracting the most attention." His work was part of the painting event in the art competition at the 1932 Summer Olympics. He was a member of the Rochester Art Club, Pulchri Studio, the American Watercolor Society, New York Color Club, the National Arts Club, the Art Club of Philadelphia, and the Salmagundi Club. He died on 30 September 1940, in his summer home in Rockport, Massachusetts.
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Retrieved March 20, 2011. He has also won acclaim for his work in Anhui, China winning the Audience Award and the Runner Up Award at the 2007 Salmagundi Film Festival, and for his photojournalistic travels in more than 58 countries Light, Brian. (2011). "The Filmmakers Society". Retrieved March 20, 2011. Gong was born in Beijing, China, raised in Rome, Italy, studied at the University of Virginia and graduated with degrees in Biology and Psychology, and obtained an M.A. in Photojournalism and Documentary Photography at the London College of Communication at the University of the Arts London.Gong, Steve. (2011). "Steve Gong Photography". Retrieved March 20, 2011.
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Kemble was born in 1786 to a prominent family in New York City, the eldest son of prosperous attorney and merchant Peter Kemble of New Jersey. Ships of the firm Gouverneur & Kemble conducted trade in the West Indies, Europe and China."Gouverneur & Kemble letter book", New York Public Library Archives Kemble was educated in New York and graduated from Columbia College in 1803, then entered the mercantile business. He was friends with Washington Irving and other members of city society, who enjoyed socializing at Cockloft Hall (an old family mansion on the Passaic River which Kemble inherited and was sometimes known as "Salmagundi" or the "Bachelor's Elysium").
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James Francis Day (1863–1942), generally known as Francis Day, was an American artist, whose paintings may be found in many private and public collections, largely in the United States. He was born in LeRoy, New York and studied at New York's Art Students League and the Ecole des Beaux-Arts in Paris under Ernest Herbert and Luc-Oliver Merson.. He specialized in painting family scenes.Ask Art, Francis Day He was a member of the Salmagundi Club, the Society of American Artists, and an associate of the National Academy of Design. He married Mary Evelyn Smith in 1887 then moved to New York City.
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He was awarded the Black & White Prize in 1913 and the Shaw Etching Prize, all from the Salmagundi Club in New York City for two successive years, 1913 and 1914. Quinlan's works can be found in the permanent collections of the New York Public Library, the New York Historical Society, the Oakland Museum in California, the Hudson River Museum in Yonkers, New York, and the John H. Vanderpoel Art Gallery of Chicago. Two of his oil paintings, on loan from the Hudson River Museum, are displayed at Yonkers City Hall. The New York Historical Society has an extensive selection of his New York City etchings in its Print Collection.
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Reiter, Joel M., MD. Personal Correspondence, December 2013. New York, NY: The Osar Diethel Library, DeWitt Wallace Institute for the History of Psychiatry, Weill Cornell Medical College. He was a Latinist, a geology hobbyist, a gardener, a stamp and fine- art collector, a member and benefactor of the Salmagundi Art Club of New York (the annual Jane Impastato Award), the founder of Baseball International supporting youth baseball in Italy, a volunteer consultant and forensic psychiatrist for the NYPD, and a weekly house doctor for the Metropolitan Opera. He lived with his wife and children at "Five Acres," the family residence in Pelham Manor, New York.
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Salmagundi was founded by Robert Boyers in the fall of 1965, using money he earned as a youth, singing at his neighborhood Jewish temple, and at weddings and Bar Mitzvahs. Boyers drew inspiration for his quarterly from other "little magazines" of the era, such as Partisan Review, F.R. Leavis's Scrutiny, and T.S. Eliot's Criterion, among others. The title of the magazine was chosen as a reference to the 19th-century periodical of the same name, published by Washington Irving. In 1969, the magazine moved its headquarters to Skidmore College, in Saratoga Springs, N.Y. Boyers and his wife, Margarita "Peg" Boyers are both professors in Skidmore's English Department.
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In Washington D.C. he joined the local Society of Artists and exhibited at the Corcoran Art Gallery (1910), Veerhoff Gallery (1911), and Sloan Galleries (1913).Washington Post, 23 March 1913, p. II.1. He became an exhibiting member of the Salmagundi Club of New York, Pennsylvania Academy of Fine Arts, and the Water Color Clubs on Chicago and New York. Award winning palette knife painting of Point Lobos near Carmel, CA by William Posey Silva In 1911 Silva purchased property in Carmel-by-the-Sea, California, and established a summer studio; a year later he and his family occupied a home there on Carmelo Street.
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John Drexel was born in Stamford, Connecticut. He is a graduate of the University of Connecticut and holds an M.A. in English from the University of Leeds, England, where his thesis advisor was Geoffrey Hill. He subsequently worked as an editor at Oxford University Press and other publishing houses in New York City, and served as general editor of The Facts On File Encyclopedia of the 20th Century. Mr. Drexel's poems have appeared in numerous magazines, including First Things, Hudson Review, Image, Oxford Poetry, The New Criterion, New Ohio Review, Notre Dame Review, The Paris Review, Salmagundi (magazine), Southern Review, St. Petersburg Review, Valparaiso Poetry Review, and Verse.
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Coggins's work has been accepted for show by the American Watercolor Society, the Salmagundi Club, the American Artist Professional League, and the Pastel Society of America. Coggins received a number of awards and accolades during his career, including the American Revolution Round Table Award in 1969, the Daniel Boone National Foundation's Americanism Award in 1985, the Mystic Maritime Gallery's Purchase Award in 1989, the International Maritime Exhibition's Rudolph Shaeffer Award from 1987 to 1990, and Berks Art Council's Pagoda Award in 1995. In 2000, he was inducted to the International Association of Astronomical Artists Hall of Fame as a Living Legend and celebrated master of the genre of Space Art.
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Madness was believed at the time to be highly contagious, and when King John's knights saw the villagers behaving as if insane, the knights swiftly withdrew and the King's road was re-routed to avoid the village. One of the mad deeds seen by the knights was a group of villagers fencing off a small tree to keep a cuckoo captive from the Sheriff of Nottingham. One of the three pubs in the village is known as the "Cuckoo Bush Inn". Reminded of the foolish ingenuity of Gotham's residents, Washington Irving gave the name "Gotham" to New York City in his Salmagundi Papers (1807).
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The player seeks to win at the Battlefish minigame, a parodical variant of Battleship set in a fish market Hodj 'n' Podj is a computer board game and minigame compilation for one to two players. It is set in a fairy tale world, in the kingdom of Po-Poree, whose twin princesses Mish and Mosh have been kidnapped by the villainous Salmagundi. The player controls the suitor Hodj, and races the competing suitor Podj—controlled by the computer or a second player—to rescue the princesses first. Each turn, a spinner randomly determines the distances Hodj and Podj may travel across the game board.
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Some trace it to salmagundi, a popular meat and salad dish originating in 17th-century England and popular in colonial America. Others contend chef's salad is a product of the early twentieth century, originating in either New York or California. The person most often connected with the history of this salad is Louis Diat, chef of the Ritz-Carlton in New York City during the 1940s. While food historians acknowledge his recipe, they do not appear to be convinced he originated the dish, which is more popularly attributed to either chef Victor Seydoux at the Hotel Buffalo, a Statler Hotel in Buffalo, New York or to chef Jacques Roser at the Hotel Pennsylvania in New York City.
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JS took over his father's role and completed the remainder of the show's run. Now acting as an official understudy, JS filled many of his father's other theatrical engagements, including a rerun of Harlequin and Mother Bunch; or, the Yellow Dwarf, in which he caused a scandal by threatening and verbally abusing a heckler in the audience.McConnell Stott, p. 255 In the early 1820s, Grimaldi made a brief recovery and held a six-week engagement at the Coburg Theatre where he appeared as Clown in Salmagundi; or, the Clown's Dish of All Sorts; a pantomime which ran for a week before being replaced by Disputes in China; or, Harlequin and the Hong Merchants.
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Born in Moose Lake, Minnesota, Pionk studied with Daniel Green and Sidney Dickinson at the Art Students League of New York. In 1984, he was named Master Pastelist by The Pastel Society of America Pastel Society of America, Thirty-Seventh Annual Open Juried Exhibition, 2009, Retrieved 2010-07-24 and in 1997 was inducted into the Pastel Hall of Fame. The Pastel Journal Blog, The Pastel Hall of Fame, Tuesday, July 31, 2007, Retrieved 2010-07-24 He taught at the Art Students League The Art Students League of New York, Instructors and Lecturers - Past and Present, Retrieved 2010-07-24 and was President of the Salmagundi Club. Pionk garnered many awards for his work.
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'The Rhapsodic Fallacy' is an essay by United States poet Mary Kinzie in which she defines and attacks a "rhapsodic" conception of poetry. It was first published in Salmagundi of Fall 1984Salmagundi, Fall 1984, pages 63-79 and was collected in The Cure of Poetry in an Age of Prose: Moral Essays on the Poet's Calling, and a somewhat shorter version of the essay was later anthologized in Twentieth-Century American Poeticsedited by Dana Gioia, David Mason, and Meg Schoerke The essay was one of several of the mid-1980s that sparked a heated discussion over the role of form in American poetry, and was thus implicated in the formation of the New Formalism movement.
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His works won recognition and numerous awards from such institutions as the following: the Paris Salon, the Art Institute of Chicago, the National Academy of Design (Second Hallgarten Prize, 1900; First Hallgarten Prize, 1902; Altman Prize, 1916); and the Salmagundi Club (Isidor prize, 1917). He was awarded the Lippincott prize from the Pennsylvania Academy of Fine Arts (1921). He received awards from the American Exposition, Buffalo; the Boston Art Club, the Corcoran Gallery, and the Panama Pacific International Exposition in San Francisco (silver medal, 1915). His works are held in many museums in the United States and around the world, including a collection from David and Peggy Rockefeller, now in the Museum of Fine Arts, Boston.
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Cover art by Richard A. Kirk Tales of Pain and Wonder is Caitlín R. Kiernan's first short story collection. The stories are interconnected to varying degrees, and a number of Kiernan's characters reappear throughout the book, particularly Jimmy DeSade and Salmagundi Desvernine. The stories run the gamut from dark fantasy ("Rats Live on No Evil Star" and "Estate") to ghost stories and supernatural horror fiction ("Angels You Can See Through" and "Anamorphosis") to noir fiction ("Breakfast in the House of the Rising Sun" and "Lafayette"). A number of the stories have a decidedly H. P. Lovecraftian flavor and the influence of Charles Fort, as does much of Kiernan's fiction published since Tales of Pain and Wonder.
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An agnostic, but an intensely spiritual man, Malraux maintained that what was needed was an "aesthetic spirituality" in which love of 'Art' and 'Civilization' would allow one to appreciate le sacré in life, a sensibility that was both tragic and awe-inspiring as one surveyed all of the cultural treasures of the world, a mystical sense of humanity's place in a universe that was as astonishingly beautiful as it was mysterious. Malraux argued that as death is inevitable and in a world devoid of meaning, which thus was "absurd", only art could offer meaning in an "absurd" world.Sypher, Wylie "Aesthetic of Doom: Malraux" pages 146-165 from Salmagundi, No. 68/69, Fall 1985-Winter 1986 page 148.
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He has served as a judge of the National Book Award and the Pulitzer Prize Jury in Criticism, and as a director and president of The National Book Critics Circle. He is the author of more than 180 essays and reviews that have appeared in The New York Times Book Review, the Wall Street Journal, The American Scholar, The Threepenny Review, Bookforum, Salmagundi, The Yale Review, The Atlantic, The New Republic, and other publications. His book Critical Children: The Use of Children in Ten Great Novels, an examination of works by British and American writers from Dickens to Philip Roth that use children as vehicles of moral and cultural interrogation, was published in September 2011.
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Genista tinctoria (dyer's broom, also known as dyer's greenweed or dyer's greenwood), provides a useful yellow dye and was grown commercially for this purpose in parts of Britain into the early 19th century. Woollen cloth, mordanted with alum, was dyed yellow with dyer's greenweed, then dipped into a vat of blue dye (woad or, later, indigo) to produce the once-famous "Kendal Green" (largely superseded by the brighter "Saxon Green" in the 1770s). Kendal green is a local common name for the plant. The flower buds and flowers of Cytisus scoparius have been used as a salad ingredient, raw or pickled, and were a popular ingredient for salmagundi or "grand sallet" during the 17th and 18th century.
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Rungius was made a member of The Camp Fire Club in 1896 (Runguis was in Germany when the club was founded but he was elected in absentia as one of the original twenty members). Rungius was also a member of the Boone and Crockett Club (member in 1927), The Salmagundi Club (1907), Outfitter for the annual climbing camps of the Alpine Club of Canada (1910), Associate Member of the National Academy of Design (1913, member and in 1920 he was elected as a full Academician), Honorary Scout with the Boy Scouts of America (1927), member of The Century Club, member of The Painters of the Far West, and a member Society of Animal Painters and Sculptors.
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Peter Hastings Falk, ed., The Annual Exhibition Record of the National Academy of Design, 1910-1950 (Madison, CT: Sound View Press, 1990), p. 510. He exhibited regularly at the Pennsylvania Academy of the Fine Arts from 1902 to 1913, and was awarded PAFA's 1906 Temple Gold Medal for his Portrait of Madame Fisher.Peter Hastings Falk, ed., The Annual Exhibition Record of the Pennsylvania Academy of the Fine Arts, Volume II, 1876-1913 (Madison, CT: Sound View Press, 1989), p. 485. He was awarded a bronze medal at the 1904 World's Fair in St. Louis; and a silver medal at the 1915 Panama-Pacific International Exposition in San Francisco. He was a member of the Salmagundi Club in New York City.
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Hedin's fiction, essays, and interviews have been published in The New Yorker,"From Henry James to Virginia Woolf: What You Won' Learn From Writers' Letters," The New Yorker, 2013 Slate,"Scandal at the National Book Awards: Was The Moviegoer's victory in 1962 a fix?" Slate, 2012 The Nation,Benjamin Hedin for The Nation The Chicago Tribune, Poets and Writers, Salmagundi, The Georgia Review, The Gettysburg Review, and Radio Silence. He is the editor of Studio A: The Bob Dylan Reader, widely regarded as one of the finest collections of music writing.Publisher's Weekly Review of Studio A: The Bob Dylan Reader, 2004 He is currently finishing a novel, The Price You Pay, and is also the producer and author of the forthcoming documentary The Blues House.
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Kelly, J.C., The South on Paper: Line, Color and Light, University of South Carolina Press, 2000, p.29 From around 1885 Champney focussed almost exclusively on pastels. He exhibited pastel works at the Columbian Exhibition in Chicago (1893, 1898). In 1882 he was elected into the National Academy of Design as an Associate member.Kelly, J.C., The South on Paper: Line, Color and Light, University of South Carolina Press, 2000, p.29 He was also a member of the Salmagundi Art Club. The Champney's marriage was a very happy one.Willard, F.E. and Livermore, M. (eds), Woman of the Century, Fourteen-Hundred Seventy Biographical Sketches, New York, Charles Wells Moulton, 1893 James died on 1 May 1903 in a New York elevator accident.
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Meanwhile, the new literary movement in American poetry began to at last attract the attention of mainstream critics. By 1983, Neoformalism was noted in the annual poetry roundups in the yearbooks of The Dictionary of Literary Biography,The Year in Poetry was contributed by Lewis Turco from 1983 to 1986. and throughout the mid-1980s heated debates on the topic of free verse vs. formalism appeared in several literary journals.for example, see Salmagundi 65 (1984) with Mary Kinzie's piece "The Rhapsodic Fallacy," (pages 63 - 79) and various responses; Alan Shapiro's piece "The New Formalism," in Critical Inquiry 14.1 (1987) pages 200 - 13; and David Wojahn's "'Yes, But ...': Some Thoughts on the New Formalism," in Crazyhorse 32 (1987) pages 64 - 81.
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Out of Town Trolley (1916) Subway riders in NYC In 1904 Mora was voted an Associate member of the National Academy of Design, and was elected a full member in 1906, probably its first Hispanic member. He was also voted as a member to 15 other art societies. Mora won numerous medals and awards within the New York artistic community, including the Rothschild Prize, the Carnegie Prize, the Shaw Purchase Prize at the Salmagundi Club; and in 1915 he won a gold medal at the Panama Pacific International Exhibition in San Francisco. Mora taught illustration and life classes at both William Merritt Chase's Chase School of Art (renamed the New York School of Art in 1898, later to become Parsons) and the Art Students League.
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He exhibited in New York, Brooklyn, Chicago, and elsewhere in the United States, as well as in the Royal Academy of London and the salons of Paris and Antwerp. Minor was plagued with bad health during the last decade of his life, decreasing the quantity and likely the quality of his works. He died at his home in Waterford, Connecticut, on August 4, 1904. His paintings are owned by the Smithsonian American Art Museum, the Yale University Art Gallery, the Mead Art Museum, the Lyman Allyn Museum, the Florence Griswold Museum, the Brooklyn Museum, the Newark Museum, the Robert Hull Fleming Museum, the Haggin Museum, the Salmagundi Club, the Memorial Art Gallery, and the University of Arizona Museum of Art.
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He exhibited at the Pennsylvania Academy of Fine Arts, The Art Institute of Chicago, the National Academy of Design, the Society of American Artists and the Salmagundi Club in New York City. One of his works was included in the Louisiana Purchase Exhibition in St. Louis in 1904, for which he was awarded a silver medal. For nearly fifty nears after his death, his heirs did not circulate his work at all. It was not until the mid-1960s that many of them became available for sale for the first time after the last of his direct descendants died. As art historians, the gallery world and the public have become more familiar with Robertson Kirtland Mygatt’s work, he has grown in popularity.
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Salmagundi was a moderate success, spreading Irving's name and reputation beyond New York. He gave New York City the nickname "Gotham" in its 17th issue dated November 11, 1807, an Anglo-Saxon word meaning "Goat's Town".Burrows, Edwin G. and Mike Wallace. Gotham: A History of New York City to 1898. (Oxford University Press, 1999), 417. See Jones, 74–75. The fictional "Diedrich Knickerbocker" from the frontispiece of A History of New-York, a wash drawing by Felix O. C. Darley Portrait of Washington Irving by John Wesley Jarvis from 1809 Irving completed A History of New-York from the Beginning of the World to the End of the Dutch Dynasty, by Diedrich Knickerbocker (1809) while mourning the death of his 17-year-old fiancée Matilda Hoffman.
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Supporting a growing family by work for corporate America, Lawton followed his artistic development with exhibitions at the Chautauqua Institute in New York State. He had a regional gallery relationship with the Bonfoey Gallery in Cleveland, Ohio, which handled his work successfully for many decades. The late 1960s and 1970s brought more honors and recognition through national exhibitions, for which he received many awards. An instructor at the Cleveland Institute of Art in the 1970s, he was invited to become a member of the Salmagundi Club in New York City. In 1970 he was featured on the Watercolor Page of the American Watercolor magazine.American Watercolor Magazine 1970 The Watercolor Page The same year a one artist show at the Bonfoey Gallery sold out.
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He had worked on this book for two years at the Iowa Writers' Workshop, and in California, and at Vassar while teaching. It was published in 1999 by Bard/Avon (), and was widely reviewed, favorably by Publishers Weekly and Atlanta Journal- Constitution, mixed by The New York Times and Rocky Mountain News."Fiction review: The Hindenburg Crashes Nightly", Publishers Weekly, 6/28/1999. Retrieved 2011-11-22."'Hindenburg' an irresistible look at love affair", Atlanta Journal-Constitution, August 15, 1999."Books: The Hindenburg Crashes Nightly", by Diane Cole, The New York Times, September 5, 1999."Hrbek's 'Hindenburg' Proves to be a Slow Boat", by Greg Moody, Rocky Mountain News, August 11, 1999. Since 1999, Hrbek has written short fiction, with stories appearing in Harper's Magazine, Salmagundi, Idaho Review, Conjunctions, and Black Warrior Review.
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John Banovich, Man Eaters of Tsavo, 2002 oil on Belgian Linen 50 x 80 in John Banovich (born 1964) is an American oil painter known internationally for his large, dramatic portrayals of wildlife. Today, Banovich's work can be found in museum, corporate and private collections. While Banovich is most closely associated with African species, namely elephants, lions, leopards, cape buffalo and rhinoceros, Siberian tigers, Chinese pandas, and North American megafauna (such as grizzly and polar bears, bison, and puma). Raised in Butte, Montana, Since then, Banovich's work has appeared in many venues, including the Leigh Yawkey Woodson Art Museum’s Birds in Art show, the Hiram Blauvelt Art Museum, the Salmagundi Club, traveling exhibitions sponsored by the Society of Animal Artists and showcases hosted by Safari Club International and Dallas Safari Club.
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"Mary Whyte is the artist of record of a changing world. . . a world she's captured in a style all her own," says CBS News. In Whyte’s Working South exhibition of 50 works that aired on CBS News, Whyte proclaimed about her work: "Getting a likeness is the easy part, making a good painting that endures, that speaks forever is the difficult part." Whyte has works in corporate, university, private, and museum collections, and has exhibited nationally including the Greenville County Museum of Art, Butler Institute of American Art, Gibbes Museum of Art, The Salmagundi Club, National Arts Club, Mennello Museum of American Art, Telfair Museums, Morris Museum of Art, and internationally in the China and Foreign Countries International Watercolour Summit at the Nanning Art Gallery in Nanning China, and Thailand in the World Watermedia Exposition.
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He began to venture into the fields of wood/steel engraving and etching, but these works sold substantially less than his portraits. He contributed several drawings to the Encyclopædia Britannica. They moved again, to the United States, in 1911. In 1918, Cole became a member of the Salmagundi Club, the nation's oldest professional art club. From 1924 to 1931, he taught portrait and still life classes at Cooper Union. He was elected to the National Academy of Design in 1930. He was the president of the New York Water Color Club from 1931 to 1941. In the 1940s, Cole worked as a judge of paintings in Max Pochapin's Manhattan Hall of Art, a merchandising art gallery, which was a revolutionary idea at the time."Cut-Rate Art", Time' magazine, September 6, 1943. Retrieved 2007-11-15.
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BEFORE Image of Teacher's Lounge at Balboa Elementary, San Diego, California- Outreach to Teach AFTER Image of Teacher's Lounge at Balboa Elementary, San Diego, California - Outreach to Teach Evette Ríos is National Spokesperson for Goodwill Industries and is on the board of DIFFA, the Design Industries Foundation Fighting AIDS a registered 501(c)(3) that grants funding to some of the country's top providers of services to those living with HIV and AIDS. Other DIFFA board members include Kelly Wearstler, Whoopi Goldberg and David Rockwell. She is Co-Chair of the PR Committee at the Salmagundi Club, one of the oldest Arts club in the Country and a registered 501(c)(3). and served as Co-Chair at the 2013 and 2012 Design on a Dime event alongside Lara Spencer, Genevieve Gorder and Sabrina Soto which benefits Housing Works.
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A yatra is a journey. Kirchwey's poems have appeared in AGNI, The Atlantic, Grand Street, The Hudson Review, The Kenyon Review, The Nation, The New Criterion, The New Republic, Salmagundi, The New York Review of Books, The New Yorker, Parnassus, Partisan Review, Poetry, Slate, The Southwest Review, American Scholar, Sewanee Review, Arion, Tin House, The Yale Review, and elsewhere. While known best for his poetry, Kirchwey also wrote the play Airdales & Cipher, which was presented as a public reading at several venues, including the Appalachian Summer Festival in Boone, North Carolina, as well as the 92nd Street Y. The play was based on a work by Greek playwright Euripides entitled Alcestis and won the Paris Review Prize in 1997 in the category of poetic drama. He has also read aloud the works of other writers such as Eudora Welty.
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B.H. Fairchild (born 1942) is an American poet and former college professor. His most recent book is The Blue Buick (W.W. Norton, 2014), and his poems have appeared in literary journals and magazines including The New Yorker, The Paris Review, The Southern Review, Poetry, TriQuarterly, The Hudson Review, Salmagundi, The Sewanee Review. His third poetry collection, The Art of the Lathe, winner of the 1997 Beatrice Hawley Award (Alice James Books, 1998), brought Fairchild's work to national prominence, garnering him a large number of awards and fellowships including the William Carlos Williams Award, Kingsley Tufts Poetry Award, California Book Award, Natalie Ornish Poetry Award, PEN Center USA West Poetry Award, National Book Award (finalist), Capricorn Poetry Award,Waywiser Press > Author Page: B.H. Fairchild, The Art of the Lathe , accessed October 29, 2006 and Rockefeller and Guggenheim fellowships.
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When a painting of his called "A Peep at the Side Show" was included in an exhibition by the American Watercolor Society in 1912, the critic for the New York Herald described it in detail and said it was "a good picture of a not uncommon scene in the rural districts in spring and summer." He showed again at New York Watercolor Club in 1913 and the following year won a prize for best watercolor shown in an exhibition at New York's Salmagundi Club. C.K. Chatterton, Henry Weare's Place, about 1920, oil on panel, 24 x 30 inches There is a gap during the next decade during which there are no records of exhibitions in which Chatterton participated. In that time he married, took up teaching positions, and was employed as a superintendent of art education in the Newburgh public school system.
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Williamson has also created many personal works, including, Pina Bausch (Choreographer) and Bruno Schulz, (Author of 'Street of Crocodiles', Teacher and Artist), has exhibited at the Royal Academy Summer Exhibition, annually at the Society of Portrait Sculptors show, the Mall Galleries and The American Masters Exhibition at the Salmagundi Club in Manhattan, and has exhibited many of his pastel drawings worldwide. In 2001 Williamson was asked to train a group of Ecuadorian artists in portraiture, molding, wax casting, colouring, and hair insertion for the development of their Historical Museum at the Metropolitan Cultural Center in Quito, Ecuador. In 2014 Williamson sculpted a twice life-size bust of Professor Kin Yon Tin, who was one of the founders of the Civil Engineering Department at Fudan University, China. The bust was unveiled in Wuhan, China 21 October 2016.
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In 1903 Berninghaus had two designs selected for the 1904 St. Louis World's Fair medal competition. In 1905 Berninghaus and his wife, Emelia, had their second son, Julius Charles Berninghaus, who would go on to become a well known New Mexican landscape painter in his own right. By 1908 the painter had firmly established himself as one of St. Louis' foremost artists, having won a competition at the St. Louis Post-Dispatch, become a member of the St. Louis Artists' Guild, the Society of Western Artists, and the Salmagundi Club, and held a one-man exhibition of fifty Western paintings at the Noonan-Kocian Gallery. In 1914, a year after his wife died of diabetes, the Anheuser-Busch Brewing Company release a promotional booklet titled Epoch Marking Events of American History that was composed of billboard illustrations that Berninghaus had previously completed for the company.
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Fraser was a Commissioner of the South Carolina Art's Commission from 2003–2012, he is an elected member of the Salmagundi Club, an elected Fellow of the American Society of Marine Artists, a Signature member of Plein Air Painters of America (PAPA), and a member of the California Art Club. He garnered his first award in 1984, The John Young Hunter Award from Allied Artists of America. Since then he has been honored with the Award of Excellence from Mystic International, The Mary S. Litt Award from the American Watercolor Society, the Pursuit of Excellence/American Master award from the Hubbard Museum of Art, and the Edgar Payne Gold Medal Award for Best Landscape from the California Art Club's 100th Juries Gold Medal Exhibition, among many others. Fraser hangs in permanent collections in 9 museums across the United States and Bermuda, and at the White House Historical Association.
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In the late 1990s, Goldenberg turned to landscapes derived from the woodlands, rolling hills and farms of Dutchess County, New York, which culminated in a 1999 show that critic Hilton Kramer wrote, put him on the map as "one of the leading landscape painters of his generation."Molesworth, Charles. "Caught in the Mind's Eye: Serviceable Art and Art in the Service of Ideas," Salmagundi, Summer 2004, p. 30-42.Athineos, Doris. "Drawing Room," Traditional Home, June/July 2002, p.151–5. Kramer particularly admired as "virtuosic" the pictorial dialogue between the depicted, richly variegated terrain and its distorted reflection in water landscapes such as Pond and Brook (both 2000). Others noted, in works such as the large-scale Grandview (2004), the patchwork compositional play, evocative multi-chromatic palettes, dramatic brushwork, and sense of light.de Palenzuela, Baron Corso. "Tom Goldenberg's 'Bucolic Enchantments,'" The Country and Abroad, August/September 2009, p. 74.
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Simon's poetry is also influenced by the two years (1970–1971 and 1990–1991) during which she lived and studied in Chennai and Bangalore, South India, and where she studied Hinduism, classical Tamil, and yoga with famed yogi, T.K.V. Desikachar. She also lectured about contemporary American poetry at Bangalore University in 1991, as well as serving in 2006 as a University of California visiting poet and faculty member at Lund University in southern Sweden. Simon's poems have appeared in more than two hundred literary magazines and journals, including Poetry, The New Yorker, The Georgia Review, The Gettysburg Review, The Los Angeles Times Book Review, The Hudson Review, Ploughshares, The Kenyon Review, Grand Street, Orion, Salmagundi, TriQuarterly, Prairie Schooner, and The Southern Review. Her work has also appeared in over two dozen poetry anthologies, including Garrison Keillor's More Good Poems (for Hard Times), W.W Norton, 2005.
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Her thesis is that 'all value is radically contingent, being neither a fixed attribute, an inherent quality, or an objective property of things but, rather, an effect of multiple continuously changing, and continuously interacting variables'—that is, value is the 'product of the dynamics of a system, specifically an economic system.'" Steele went on to zero in on this flaw in Smith's argument: "If she adopts the therapeutic goal of Wittgenstein and Rorty that seeks to rid us of obfuscatory vocabularies, she offers no justification for her vocabulary, no metatheoretical argument against competing nonfoundationalist problematics. Such a gap would not be a serious problem if the book were not so contentiously aimed at exposing others' views." Martin Mueller, reviewing the book in Salmagundi, pointed to what he found as a weakness in her account of value: "There may be practical virtue in the amiable hypocrisy of a conceptual style that never asserts the ultimate principles by which it is guided.
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'[I consider myself] a landscape painter, a painter of landscapes who also liked to hunt and fish'Peter Bergh, The Art of Ogden M. Pleissner (Boston: David R. Godine, 1984) “You can say that a picture has a sense of place, but in a painting, a landscape, to me it’s the mood conveyed that counts.” “A friend of mine New York at the Salmagundi Club asked me why I didn’t paint watercolors. I said I don’t know how, and he said all you have to do is keep your board a little slanted so when you wash the color onto the paper it runs downhill. That I was my only lesson in watercolor.” “It’s hard to say whether I have a favorite place to paint. There are many fascinating places in Europe and there’s so much right here in this country. . . Whether it’s Vermont, Normandy, or Paris, it doesn’t make that much difference, really.” -1983 interview “Vermont is quite a different country.
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In 1991, he co-founded the academic journal GLQ: A Journal of Lesbian and Gay Studies, and served as its editor until 2006. His work has been published in the Journal of Bisexuality, Identities: Journal for Politics, Gender and Culture, Journal of Homosexuality, Michigan Feminist Studies, Michigan Quarterly Review, Representations, the Bryn Mawr Classical Review, Ex Aequo, UNSW Tharunka, Australian Humanities Review, Sydney Star Observer, The UTS Review, Salmagundi, Blueboy, History and Theory, Diacritics, American Journal of Philology, Classical Antiquity, Ancient Philosophy, Yale Review, Critical Inquiry, Virginia Quarterly Review, American Notes & Queries, London Review of Books, Journal of Japanese Studies, Partisan Review, and Classical Journal. He has been a Rome Prize Fellow at the American Academy in Rome and a Fellow at the National Humanities Center in North Carolina, as well as a fellow at the Stanford Humanities Center, the Humanities Research Centre at the Australian National University in Canberra, and at the Society for the Humanities at Cornell University.
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Boccia painted until his death, at age 91. Boccia is currently the subject of a large-scale critical monograph to be published in 2019 authored by Rosa JH Berland, in cooperation with the Edward E. and Madeleine J. Boccia Trust, St. Louis, Missouri; this project is garnering the attention of the art community at large. Boccia was the subject of numerous solo exhibits and group shows, the most recent being his inclusion in the show" The Ghost Army of World War II, The Salmagundi Club Gallery, New York, New York June 14, 2015 - June 25, 2015" honoring the special battalion of WW II, the Ghost Army, whose artistic ingenuity allowed them to create visual tricks to fool the Nazis into believing the Allied ground power was stronger than the reality. This exhibit represented a culmination of the PBS 2013 Ghost Army documentary film as well as the 2015 book, The Ghost Army of World War II, by Rick Beyer and Elizabeth Sayles, Princeton Architectural Press.
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Informed that six years would pass before she could be declared free of cancer, in 1970 she plunged into the New York fine arts cultural scene. By 1975 her explorations of Classical Realism had won her a gold medal at the 1970 First New York International Art Show, membership as one of the first woman artists in the hitherto men-only New York art club, the Salmagundi Club, the Grand Prix at the 1971 Locust Valley Art Show on Long Island, New York, and the Award of Excellence at the 1974 Abraham & Straus- Hempstead Art Show, "Long Island Art '74". Becoming less concerned about a resurgence of cancer, Matsuki, who'd become known as "the shark" by friends for her seemingly never slowing down, then worked at a more leisurely pace and stopped entering competitions. She returned to Oregon in 1980, where she taught at the Albany Art Center, worked on a baccalaureate at Oregon State University in nearby Corvallis, employed by the university as a janitor, and created additional drawn works.
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Robert Philipp won prizes in most of the important exhibitions of his time"Robert Philip," Art Students League: 1978-1979, New York, 1978. including the National Academy of Design, New York, Second Hallgarten Prize (1922); the Chicago Art Institute, First Prize and Logan Gold Medal (1936); Carnegie International, First Honorable Mention (1937); the Corcoran Gallery, Washington, D.C., Corcoran Silver Medal and Clarke Prize (1939); International Business Machine Corporation, Honorary Award and Medal for Distinction and Contribution to American Art (1939); Academician, National Academy of Design (1945); the National Academy of Design, Thomas B. Clark Prize (1947); the National Academy of Design, Ranger Food Purchase Award (1950); the National Academy of Design, First Altman Prize (1951); Laguna Beach Art Association Festival, First Prize (1951); the Art Directors ClubMedal of Merit (1954); the National Arts Club, New York, Gold Medal (1955); Allied Artists of America, Bronze Medal (1958); Audubon Artists, Emily Lowe Award (1959); Allied Artists of America Prize (1960); the National Academy of Design, Henry Ward Ranger Purchase Award, Benjamin Altman Prize (1962); the Salmagundi Club, New York, Prize (1960); the National Academy of Design, Benjamin Altman Prize, Gloria Layton Memorial Prize (1966); and the American Watercolor Society, William Church Osborne Award (1967).
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In 1917, Cordelia Wilson was honored by having two paintings selected for the inaugural exhibition of the new New Mexico Museum of Art in Santa Fe. The show featured easel works by George Bellows, Robert Henri, F. Martin Hennings, and Leon Kroll, who were working in the Southwest at that time, along with the "Taos Six" (Oscar E. Berninghaus, Ernest Blumenschein, Irving Couse, Herbert Dunton, Bert Geer Phillips, and Joseph Henry Sharp) and other members of the Taos Society. One of her paintings exhibited in the show, A Mexican Home, was reproduced in the January–February 1918 issue of the journal Art and Archaeology (published by the Archaeological Institute of America) that featured a cover article about the museum's opening. Among Cordelia Wilson's largest landscapes is a 50" x 70" canvas, created for World War I military training. It was exhibited at the School of American Research of Santa Fe in 1917 with other large-scale so-called "range finder" paintings by Blumenschein, Berninghaus, Phillips, Gustave Baumann, Walter Ufer, Leon Gaspard, and others. They had been commissioned by the U.S. Army based on a proposal by the Salmagundi Club of New York, whose members wanted to make a special contribution to America’s war effort.
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