93 Sentences With "rasps" | Random Sentence Generator

Her breath came in rasps that echoed from her throat.

This rough structure is then carved and smoothed using rasps and sandpaper.

"Look me in the eyes," he rasps, making them as big as saucers.

"Beaucoup bitches in the lobby," Slim Jxmmi rasps in the opening moments of SremmLife 2.

I also stole a lot of rasps, but somehow no one ever cared about those.

Maria howls like Janis Joplin; gives us sexual authority à la Chrissie Hynde; and rasps like Courtney Love.

The vocal part is a kind of toned, modulated speaking: vowels elongated, pitches bent, full of whispers and rasps.

"You can't tell me you don't remember those nights," he rasps, and suddenly we're remembering nights of our own.

" When Keith Richards addresses the crowd, cigarette dangling, he rasps, "it's great to be here… it's great to be anywhere.

She wails, she shouts, she rasps, she exhorts, she fills phrases with teasing curlicues and holds pure tones endlessly aloft.

Yet when she rasps out the anthem "Before the Parade Passes By," you hear her voice as that of a nightingale.

You need someone to provide gurgling, grotesque mumblings and rumblings, rasps and hisses for your snake-headed manifestation of an ancient evil?

" Netflix heroine Nadia (Orange Is The New Black's Natasha Lyonne) rasps at the beginning of Russian Doll's season 1 finale, eighth episode "Ariadne.

"From your first word, you're JUDGED .... You've got four seconds to establish that you are sharp as a tack and enthusiastic as hell," The Wolf rasps.

It is as rhythmically driving as the First Piano Concerto, but far more elemental, a world of keening cries, choked rasps, eerie silences and crashing waves.

With members split between Johnson City, TN and Atlanta, Cemetery Filth is sworn to the tenets of ancient death—roiling riffs, slimy solos, rattling rasps and all.

So the Tully's closest relative is probably the modern lamprey, a jawless fish that hangs onto the sides of other bigger fish and rasps away at their skin.

Milx careens between guttural rasps, hoarse roars, gritted-teeth spoken word, a husky croon (see the breathless vocal harmonies on the discomfitingly pretty opening of "Lights in the Sky").

She sang bluntly about sex on her own terms, demanding satisfaction with feral yowls and rasps, her voice slicing across the grooves that she wrote and honed as her own bandleader and producer.

Gospel shaped her quivering swoops, her pointed rasps, her galvanizing buildups and her percussive exhortations; it also shaped her piano playing and the call-and-response vocal arrangements she shared with her backup singers.

A specter is haunting Her Majesty in her frail and lonely power; her ghost crawls with the frost in those misty end-of-the-world mornings; it rasps her destiny through clanking ceilings late at night.

From the land of bloodlust and death on "Drain the Blood," Dalle rasps "I'm living on shattered faith / The kind that likes to restrict your breath" over an opening riff that legitimately sounds like traversing cracked glass.

He sings in bluesy moans and rasps, edited together over an explosive backdrop of irregularly rumbling drums, splintered piano chords, noisy electronics and apocalyptic trombones; "Let me out of this dream," he concludes, knowing that's impossible. J.P.

"We are Venom," Tom Hardy's anti-hero rasps in a deep voice in the first look of the scaly Spider-Man villain in footage shown on Monday at CinemaCon, a trade convention for theater owners, in Las Vegas.

This is just extremely solid raw black metal with a hint of decent production—you can hear what's going on, and despite its minimal bent, there's a lot of interesting space to explore between the martial beats and gurgled rasps.

His latest effort, Luminiferous Aether, offers more of what we've come to expect: the cinematic feel, the bare bones vocal rasps, the lush melodies, the nimble riffs, the underlying wildness that recalls Drudkh's finer moments (particularly on the epic "Constellation Hipparchia").

Over a track that fleshes out the skeletal beat of most reggaetón with horns and Latin percussion, Ms. Lopez sings about the uncontrollable power of love, working from breathiness to gutsy rasps; Gente de Zona heartily agrees with her, growling in satisfaction.

As it rose, higher and higher, Mr. Cornell's voice could sustain a melody through the fray, or it could confront hard-rock turbulence with grunts, rasps, wails, bitter moans and, at the top of his range, full-bodied shrieks that admitted no weakness.

Apollyon checks every box an aficionado of this breed of technically advanced death worship might wish for—the oppressive, hypnotic riffs (that occasionally crawl into filthy death/doom territory), buried rasps, primitive drums, droning bass, and sepulchral atmosphere all coalesce into a perfect document of true darkness.

While Hill channels his gothic side with Tom G. Warrior inflected singing in "Walk With Me in Nightmares" and "Saturnalian," it's the cutting back and forth between harsh rasps and haunting croons in "Old Wounds" that benefits most greatly from the clarity and sharpness of the album's production.

The aural nightmare is further complemented by band leader Philippe Tougas' dry rasps, wet, reptilian gurgles, and colorful tales of eldritch horror; like Immortal, Chthe'ilist has created its own fantasy realm to run wild within, but Eil'udom's malevolent gloom feels far more sinister than Blashyrkh's pristine snow drifts.

Two years after the band's last LP, Mare Cognitum's calling cards remain, twinkling out of the void—the cinematic feel, the understated vocal rasps, the lush melodies, the nimble riffs—and its creator revels in progressivism, flaunting a disregard for genre constraints even as Buczarski executes the traditional tremolo and chromatic scales with studied grace.

While the mezzo Hai Ting Chinn, her voice coolly blooming, evoked the torments of the shepherd boy Andres, a group of instrumentalist-actors drew cicada-like chirps and rasps from blank sheets suspended in space, striking tuning forks against rubber-and-metal bracelets and holding the vibrating wands against the paper until it seemed to speak, in surprised whispers.

The backdrop, a jumble of brightly colored furniture against a green field, seems almost like a theatrical set and does nothing to clear things up, but the variation in skin tones, which makes the character on the left appear Caucasian while the other could be African-American or Hispanic, hints at racial animosity — the prickly pear that rasps at attempts to overcome social boundaries.

Despite the name its woodworking uses go well beyond planemaking. Floats are similar to rasps and files. Rasps are generally coarse and cannot be resharpened. Files have angled ridges or teeth and cannot be resharpened.

Microplane originally made wood rasps and shaving disks, and they still do.

Rasps are used in shaping alabaster. Saws and chisels are used to rough out alabaster work.

The stone ceases to turn widdershins and rasps out a different rhythm as it begins to move deasil.

Surfaces can be smoothed down by rasps, files, and rifflers or by carborundum and emery, and the addition of water avoids a build-up of dust.

Rasps come in a variety of shapes—rectangular, round, and half-round—and vary in coarseness from finest, "cabinet", to most aggressive, "wood". Farriers, for example, commonly use rasps to remove excess wall from a horse's hoof. They are also used in woodworking for rapidly removing material, and are easier to control than a drawknife. The rough surfaces they leave may be smoothed with finer tools, such as single- or double-cut files.

Washington DC: World Wildl Fund. p 299-347. "Trills" are used to communicate over long distances to give away an individual's position. "Rasps" or "screeches" are usually associated with playful behavior.

Like many lampreys, this species feeds as an ectoparasite and parasite of fish. It clings on to the flanks or gills of the fish with its sucker and rasps at the tissues below.

On average, Geoffroy's tamarin ranges 2061 meters per day. Home range size varies between 9.4 hectares and 32 hectares. Communication occurs both though vocalization and by visual gestures. Vocalizations that have been recorded include whistles, twitters, trills, loud or soft sharp notes, sneezes and long rasps.

'Apapane are active singers, including in flight. There is considerable variation in their calls and songs, but phrases are often repeated. They are known to sing at a perch for 10-30 second intervals, and their song may include repeated squeaks, whistles, rasps, melodic trills, and clicking sounds.

It is one of the oldest Ute ceremonies. The bear symbolizes leadership, strength, and wisdom. A group of men have played musical rasps for the dance. Reason For The Bear Dance The bear dance is performed by the Ute Indians after the first sound of thunder is heard as spring comes.

Greater sooty owls are territorial and are thought to remain in the same area throughout their adult lives. Sooty owls have a distinctive range of calls including typical barn owl like rasps and screams, a distinctive "falling bomb" call and an insect like twitter used during close contact with other sooty owls.

His first company was formed with his brother in Philadelphia—B. C. & R. A. Tilghman—for the production of chilled iron shot for the stone industry. Around 1879, Benjamin moved to London forming a new company, Tilghman's Patent Sand Blast Co. at Gray's Inn Road. This company used one of his patent methods for sharpening files and rasps.

Native Hawaiians used the hard wood of olopua to make au koi (adze handles), apuapu (rasps for making fish hooks), ōō (digging sticks), lāau melomelo (fishing lures), pou (house posts), pāhoa (daggers), pīkoi (tripping weapons similar to a rope dart), and spears. Because the wood burned well even if green, it was used as wahie (firewood).

The umbrella slug feeds on sponges and its colouring often makes it well camouflaged. It rasps the surface of the sponge with its radula, opening the cleft on its base wide so that it can press its mouth against the surface of the sponge. This slug has been found on Tethya spp., Aaptos aaptos, Ancorina alata and Plakina trilopha.

In electric communication, there are some distinct types of signals that serve special purposes such as courting or aggression. Examples of these special EODs include: "rasps", "chirps" and "smooth acceleration". Rasp is a burst of pulses at a relatively constant frequency performed by some species during courtship. Chirp is a rapid increase or decrease in frequency.

The surfboard is then shaped using an array of tools, including but not limited to the following: surforms, rasps, sanders, and planes. After the form of the surfboard is sculpted from the blank, the shaper can lay fiberglass sheets over the top and bottom of the surfboard, and laminate each sheet with a thermosetting substance, such as polyester resin.

Walrus males are known to use vocalizations to attract mates. Pinnipeds can produce a number of vocalizations such as barks, grunts, rasps, rattles, growls, creaks, warbles, trills, chirps, chugs, clicks and whistles. While most vocals are audible to the human ear, a captive leopard seal was recorded making ultrasonic calls underwater. In addition, the vocals of northern elephant seals may produce infrasonic vibrations.

Eventually the sculptor has changed the stone from a rough block into the general shape of the finished statue. Tools called rasps and rifflers are then used to enhance the shape into its final form. A rasp is a flat, steel tool with a coarse surface. The sculptor uses broad, sweeping strokes to remove excess stone as small chips or dust.

Eventually, the sculptor has changed the stone from a rough block into the general shape of the finished statue. Tools called rasps and rifflers are then used to enhance the shape into its final form. A rasp is a flat, steel tool with a coarse surface. The sculptor uses broad, sweeping strokes to remove excess stone as small chips or dust.

The stone carver generally uses a shallower stroke at this point in the process. Eventually, the sculptor has changed the stone from a rough block into the general shape of the finished statue. Tools called rasps and rifflers are then used to enhance the shape into its final form. A rasp is a flat, steel tool with a coarse surface.

For especially furry ends like on cedar, rasps can be used for smoothing. The wood then needs to be transported to the building site. It is convenient to have the source of cordwood and construction site nearby. Once a proper foundation has been poured which rises 12-24 inches above ground level with a splash guard, construction of the walls can begin.

O'odham songs are accompanied by hard wood rasps and drumming on overturned baskets, both of which lack resonance and are "swallowed by the desert floor". Dancing features skipping and shuffling quietly in bare feet on dry dirt, the dust raised being believed to rise to atmosphere and assist in forming rain clouds.Zepeda, Ofelia (1995). Ocean Power: Poems from the Desert, p.89. .

The zest is cut into ribbons, one drawn through each hole. Other tools are also sometimes called zesters because they too are able to separate the zest from a citrus fruit. For example, when Microplane discovered that its surform type wood rasps had become popular as food graters and zesters, it adapted the woodworking tools and marketed them as "zester / graters".

Different species rarely coexist to compete for resources. If two species occur in the same area they tend to occupy different microhabitats due to ecological displacement. In courtship the male chirrups, bobs his head and stomps his foot and the female rasps and squeals. Reproductive data suggests that golden moles breed throughout the year, but peaks in the wetter months when food is more abundant.

The bone was fashioned into tools such as spoons, knives, awls, pins, fish hooks, needles, flakers, hide scrapers and beamers. They made musical rasps, flutes and whistles as well as toys of bone. Decoratively carved articles were also made of bone such as hair combs, hair pins and pendants. Antler is much harder than bone and was used for flakers, points, knives and hair combs.

Mounted points are small grinding wheels bonded onto a mandrel. Diamond mounted points are tiny diamond rasps for use in a jig grinder doing profiling work in hard material. Resin and vitrified bonded mounted points with conventional grains are used for deburring applications, especially in the foundry industry. Mounted points is a small handle with a general name, used in electric mill, hanging mill, hand drill.

In horticulture, surforms are used to smooth pruning cuts and shape exposed wood. Surforms are popular among creators of bonsai, especially among those who use deadwood bonsai techniques. Surforms are used also to shape surfboards, trim drywall, pages 217, 219 and in sculpture. page 52 In automobile repair shops, for decades panel beaters have used surform files and rasps to shape plastic body filler.

Rineloricaria lanceolata (chocolate-colored catfish) is a very common species of suckermouth (family Loricariidae). It rasps algae off river rocks, and with its suction-cup like mouth it sticks to them, even in the most oxygenated, fast-flowing mountain streams. It sometimes even resides in Iguazú Falls in the Misiones Province, Argentina. It will also take small aquatic isopods, amphipods and even takes parasitic ostracods off other fish (preferably characins') bodies.

Frantic tremolo picking in the style of early Possessed and Death built on passionate rhythmic percussion topped with wailing atonal and melodic guitar solos comprise a potent mix which lives up to the principle of death metal technique to craft pounding ritualistic and spirited death metal. Vocals are forged from guttural rasps and often develop into high shrieks while lyrics deal mainly with the occult and anti-Christianity.

The upper trace shows an oscillogram of the original waveform, the lower figure is a sound spectrogram of the same recording. A photo of the species is shown in the inset panel. The male produces "rasps", which are bursts of high frequency discharges, as his coursthip calling song. The males electric organ discharge waveform is longer in duration than the female's and thus the sound has a lower pitch.

RASP can be integrated as a framework or module that runs in conjunction with a program's codes, libraries and system calls. The technology can also be implemented as a virtualization. RASP is similar to Interactive Application Security Testing (IAST), the key difference is that IAST is focused on identifying vulnerabilities within the applications and RASPs are focused protecting against cybersecurity attacks that may take advantages of those vulnerabilities or other attack vectors.

The latter is used to cut the rebate to hold the upper. The final operation is to finish the sole perfectly smooth by rasps and short bladed knives. Grew & Neergaard summise that a similar method was used in medieval times, in part from an illustration in the Mendel Housebook. A workman is shown using a small hand adze for finishing pattens with drawknives (or possibly stock knives) hanging on the wall behind.

Nassarius fossatus is a predator and scavenger. When the tide is out it crawls across the surface of the mud leaving a distinctive trail. It is able to detect odors with its long proboscis and when it finds something edible, it winds its foot round it and rasps at the surface with its radula. A dead fish in a creek has been found to attract snails from as far away as downstream.

The diverse range of music styles and instruments is matched by a variety of vocal styles in the genre. From the "spine-chilling death shrieks" in Finntroll to the black metal rasps of Skyforger or Moonsorrow, there is no shortage of extreme vocals in folk metal. Other bands to feature extreme vocals include Cadacross, Ensiferum, Ithilien and Equilibrium. In contrast, bands like Mägo de Oz and Metsatöll are known to feature "clean" singing in line with their more traditional metal approach.

The basic style of the album was described by critics as a mixture death and progressive metal, with some melodic elements. Mark Fisher of Metal Forces wrote that "The first is that Extol have gone even further into the progressive aspect of their music than their last two albums did. The band full-on channel aspects of Rush, Yes and King's X without apology." Vocally, the band ranges from death growls to progressive, pop-style clean singing to black metal rasps and wails.

In 1951, he moved to New Zealand and began incorporating New Zealand resources into his Scandinavian-influenced works. He used New Zealand and introduced timbers in his works, including kowhai, tanekaha, akeake, rewarewa, manuka, macrocarpa, cherry wood, privet, mangrove, and silky oak. Borgstrom worked by drawing a design on a piece of wood and roughly creating the shape using a Scandinavian bow saw. He would then use knives and chisels to further refine the carving, followed by work with files and rasps.

Bone rasps (musical instrument) have been recovered and may have been used for making music for enjoyment or as part of a ceremony. Smoking pipes were also used for both recreational smoking and for use in a ceremony. Generally unstemmed pipes were for recreational use and stemmed pipes such as calumets were used for ceremonies. Many items of personal adornment have been recovered such as stone, bone and copper ornaments or pendants; bone plume holders and hair tubes made of bird bone.

There are several types of surform tools, used to make different shapes. They include flat plane; flat, half-round, and round rasp, and a variety of other shaping/shaving tools. Larger surform tools are designed for two-handed use; smaller ones for one-handed use. Although some of these tools are called planes, the United States International Trade Commission has ruled that under the Harmonized Tariff Schedule of the United States they belong to the class of files, rasps, and similar tools.

Bob Demuyser: The Farrier shoes hoof Some farrier tools, including hammers, nippers, rasps, and hoof knife, a set of custom-made corrective shoes are shown below the toolset A farrier is a specialist in equine hoof care, including the trimming and balancing of horses' hooves and the placing of shoes on their hooves, if necessary. A farrier combines some blacksmith's skills (fabricating, adapting, and adjusting metal shoes) with some veterinarian's skills (knowledge of the anatomy and physiology of the lower limb) to care for horses' feet.

He is best known for his speech consisting mostly of grunts, growls, and rasps (in his earlier appearances, he does speak English with primitive grammar) as well as his ability to spin like a vortex and bite through nearly anything.Warner Bros – The Lineup – Taz – retrieved December 23, 2012 Taz does have one weakness: he can be calmed by almost any music. While in this calm state, he can be easily dealt with. The only music known not to pacify Taz is the bagpipes, which he finds insufferable.

Variety film critic Tony Scott, wrote that Shaughnessy ‘doesn’t do much convincing’ and that his former Days of Our Lives co-star Ross fared better, giving her character ‘an easygoing, even sympathetic, quality.’ He also noted Pfeiffer's ‘intelligent face’ and felt that Simpson ‘turns in the best scene of the production when he rasps into a phone.’ Scott added that the production was technically sound, but faults were the result of Schreiner's ‘absurd script.’T. Scott, 'Review: A Kiss So Deadly, Variety, 14 October 1996, accessed 6 January 2015.

Hell III's first half, "Mourn", begins with a slow, clean guitar segment that lasts for five minutes. Ben Hudgins of Heathen Harvest wrote about this passage, "there’s a lengthy ambient guitar introduction that sulks on the borders of the apocalyptic domain of black metal before plunging over the edge into the tar-choked realms of sludge." Following that, the song quickly transitions into the downtuned guitar and driving percussion signature to doom metal. Unlike many singers in similar bands, M.S.W.'s vocals are delivered as high-pitched rasps.

The fashioning of high end gunstocks calls for an extremely high level of skill and craftsmanship, as the finished product must be pleasing aesthetically, fit the shooting customer like an orthopedic device, all the while having the ability to withstand high levels of recoil from the firing of many thousands of rounds. Wood gunstocks may be fashioned with automated machinery (for production firearms) while high end gunstocks are hand made using saws, chisels, gouges, rasps, and files. The surfaces are then finished by sanding, scraping, staining, oiling, or lacquering.

This makes the wood easier to carve and avoids radial splits that tend to develop in logs that are allowed to dry naturally. Carvers use simple hand tools, such as axes, adzes, spoke shaves, and rasps to shape the shell. A well-carved djembe does not have a smooth interior but a texture of scallops or shallow grooves that influence the sound of the instrument. (Djembes with smooth interiors have tones and slaps with too much sustain.) Often, interior grooves form a spiral pattern, which indicates a carver taking pride in his work.

In some species of Bryozoa, the first part of the stomach forms a muscular gizzard lined with chitinous teeth that crush armoured prey such as diatoms. Wave-like peristaltic contractions then move the food through the stomach for digestion. The limpet rasps algae from rocks using teeth with the strongest known tensile strength of any biological material Molluscs have a structure called a radula which bears a ribbon of chitinous teeth. However, these teeth are histologically and developmentally different from vertebrate teeth and are unlikely to be homologous.

They may have been decorating their bodies with ochre crayons and perhaps tattoos, scarification, and piercings. The exact symbolism of these works remains enigmatic, but EEMH are generally (though not universally) thought to have practiced shamanism, which cave art—specifically of those depicting human/animal hybrids—played a central part in. They also wore decorative beads, and plant-fibre clothes dyed with various plant-based dyes, which were possibly used as status symbols. For music, they produced bone flutes and whistles, and possibly also bullroarers, rasps, drums, idiophones, and other instruments.

After several years in freshwater habitats, the larvae undergo a metamorphosis that allows young, post-metamorphic lampreys to migrate to the sea or lakes, and start the adult hematophagous method of feeding. Some individuals start hematophagous feeding in the river before migrating to the sea, where sea lampreys prey on a wide variety of fish. The lamprey uses its suction cup-like mouth to attach itself to the skin of a fish and rasps away tissue with its sharp, probing tongue and keratinized teeth. A fluid produced in the lamprey's mouth, called lamphredin,Fig.

Instead of the conventional procedures of thematic repetition and development, Tambuco unfolds in what the composer describes as "a constant process of consequent evolution. That is to say, an initial idea serves as an 'antecedent' to a 'consequent', which in turn immediately becomes an antecedent to a new consequent, and so on until the end of the piece" . Chávez elsewhere characterizes such a procedure as being "like a spiral" The work falls into three main sections, each characterized by the predominance of certain instruments: # Rasps, rattles, and blocks (b. 1–158) # Definite- pitched instruments (glockenspiel, celesta, vibraphone, chimes, and marimba, b.

In 1984, David B. Weishampel proposed a new hypothesis on how hadrosaurids fed. His study of the sutures between bones in fossil skulls concluded that ornithopods, a group of bird-hipped dinosaurs that includes hadrosaurids, had flexible upper jaws and that when the lower jaw clamped shut, pressure would spread outward from both sides of the upper jaw. The upper teeth would grind against the lower teeth like rasps, trapping the plants and grinding them up. The theory remained largely unproven until the study by Purnell, Williams and Barrett, which Science magazine called, "The strongest independent evidence yet for this unique jaw motion".

They include acid-resistant lab ceramics, refractory bricks and linings, filler in paint, electrical insulation, boilermaker's chalk, chromic-acid purification pots, and crucibles used in the manufacture polycrystalline-diamonds. Blocks of pyrophyllite are stilled quarried and sold as either "Wonderstone" or "African Stone" for sculpting. It can be easily carved with rasps and power tools and finished with a beautiful polish. The quarries are also the source of naturally grooved, spherical to disk-shaped, and sometimes intergrown concretions composed of either hematite, pyrite, or wollastonite, which are collected by gem, mineral, and rock collectors and subject of much folklore.

A'a was probably made using stone-bladed tools, though if it was made after the arrival of Europeans to Polynesia in the 1760s iron tools may also have been used in its construction. Ray or shark skin rasps, breadfruit leaves, cowrie shells and coconut oil would have been used to finish and polish the statue. According to a Rurutuan tradition, A'a was carved by Amaiterai, who had visited London and encountered the Christian god there. The cavity originally, according to this story, held three figures, representing the three elements of the Trinity – God the Father, God the Son, and God the Holy Spirit.

Seela is known for an expressive vocal range, "one moment she rasps like a Jersey deli queen, the next she's cooing coquettishly."Raoul Hernandez, " Seela, Something Happened," Austin Chronicle March 3, 2000. This is evident in her solo work and when delivering jazz standards with the Jazz PharaohsJay Trachtenberg, "Old Man Time, Lament, One," Austin Chronicle April 23, 2004. or with TOrcH where she has been credited with "unswerving hipness" succeeding where others have failed "in melding her own style with those from the past."Michael Pronko, " Concert Previews, LIVE Torch," Japan Times May 8, 2005.

The members of the family Cymothoidae are commonly referred to as "fish lice" (although this term is also used for the family Argulidae, which are also crustaceans but not closely related). Like all Cymothoidae, A. capensis is an ectoparasite that attaches to a larger host and feeds off its body fluids. The species parasitizes fish, preferentially the hottentot Pachymetopon blochii, a mid-sized sea bream common in shallow- water kelp beds on the southern African coast. The isopod attaches itself to the fish's head above and behind the eye, rasps a hole into the skin, and consumes blood and other body juices.

Additional modifications in technique for a smaller or limited incision have been accompanied by many variations of knives, rasps and tubes through which these instruments and the imaging arthroscope or endoscope are passed. Despite the many manifestations of these devices they are all either a single or two portal system. Athrex, Brown-Instratek, Linvatek and other manufacturers modified the original one or two portal systems for endoscopic carpal tunnel release. Most of these methods utilize an endoscope to visualize the under surface of the transverse carpal ligament while others simply rely on instrumentation that allows for a smaller incision and instrumentation that aids in guiding the surgeon's modified blade or knife.

E. annectens skull preserving the keratinous beak (partially removed on the right side by accident), Natural History Museum of Los Angeles Between the mid-1980s and the first decade of the 2000s, the prevailing interpretation of how hadrosaurids processed their food followed the model put forward in 1984 by David B. Weishampel. He proposed that the structure of the skull permitted motion between bones that resulted in backward and forward motion of the lower jaw, and outward bowing of the tooth-bearing bones of the upper jaw when the mouth was closed. The teeth of the upper jaw would grind against the teeth of the lower jaw like rasps, processing plant material trapped between them. Such a motion would parallel the effects of mastication in mammals, although accomplishing the effects in a completely different way.

EEMH also created bone whistles out of deer phalanges. Such sophisticated music technology could potentially speak to a much longer musical tradition than the archaeological record indicates, as modern hunter-gatherers have been documented to create instruments out of: more biodegradable materials (less likely to fossilise) such as reeds, gourds, skins, and bark; more or less unmodified items such as horns, conch shells, logs, and stones; and their weapons, including spear thrower shafts or boomerangs as clapsticks, or a hunting bow. Potential EEMH instruments: bone flute (left), whistle (centre), idiophone (bottom), and bullroarer (top) It is speculated that a few EEMH artefacts represent bullroarers or percussion instruments such as rasps, but these are harder to prove. One probable bullroarer is identified at Lalinde, France, dating to 14 to 12 thousand years ago, measuring long and decorated with geometric incisions.

Soul of a Woman received favorable reviews, with many writers acknowledging the hopeful tone of the lyrics and the strength of Jones' performance, belying the weakened state of her health at the time of recording. For example, the New York Times noted that Jones "sounds anything but fragile... She wails, she shouts, she rasps, she exhorts, she fills phrases with teasing curlicues and holds pure tones endlessly aloft." American Songwriter called the album a "moving soul explosion that stands as one of the finest in her limited yet extraordinary catalog." AllMusic noted that Jones was "at the top of her game here, with her voice in fine shape and her phrasing and delivery on point, finding the right emotional details in the songs and working beautifully with the musicians, delivering powerful work on every cut," while also praising the musical performance by the Dap-Kings.

" Rolling Stones Jody Rosen stated that "it's Thug's own sound that predominates: the heroic howls, rasps, mumbles and wheezes of a man who is as captivating a vocalist as any in pop." For MTV News, Meaghan Garvey wrote that "Jeffery, like ATLiens 20 years prior, has that unqualifiable, absolute feeling of arrival," describing it as "irrepressible, bursting with uncannily memorable one-liners and dynamic experiments in flow and cadence over beats that, attached to a more easily marketable rapper, could be obvious radio hits." Pitchforks Sheldon Pearce described it as "rangy and stunning, an exciting new curve in the fascinating Young Thug arc," stating that "Thug understands the modern pop song construction better than anyone: anything and everything can be a hook." Robert Christgau wrote in Vice that Young Thug "makes black comedy out of irrepressible sound," stating that "his hoohoos and melismas and blahs and mwas and frogcroaks and put-puts are the message.