Sentences Generator
And
Your saved sentences

No sentences have been saved yet

"foolery" Definitions
  1. a foolish act, utterance, or belief
  2. foolish behavior

54 Sentences With "foolery"

How to use foolery in a sentence? Find typical usage patterns (collocations)/phrases/context for "foolery" and check conjugation/comparative form for "foolery". Mastering all the usages of "foolery" from sentence examples published by news publications.

Thomas Foolery offered "gimmick upon gimmick," according to the Washington Post.
He also used to own a Washington bar called Thomas Foolery that accepted Bitcoin payments.
It was relatively tame foolery by internet standards — and far tamer compared to what happened earlier this afternoon.
Where some see the cross as superstitious foolery or a stumbling block, others see grace and sublime love.
Why She's The Schitt: As Schitt's Creek's sole black person, Ronnie stays ready to call everyone out on their foolery.
The internet has not stopped thinking about the moment, which spoke deeply to parents and victims of remote interview foolery alike.
His photobombing may have ruined a few glamorous shots, but the Internet gained roughly a million memes thanks to his foolery.
After getting his Ph.D., Davis opened a bar in D.C. called Thomas Foolery, which was one the city's first establishments to accept Bitcoin payments.
Three weeks ago, the Facebook page Groomery Foolery — a self-described "groomer humor page made by groomers, for groomers" — posted a shocking photo of an intact male dog with glittery, blue testicles.
And with, I don't know how you translate it into English, jugendlicher Leichtsinn—that's sort of the foolery of someone being young—you think you can just do this book and then it's done.
Yes, a story about a random crew attempting to solve movie-earth-energy-crisis #1042 through multidimensional foolery seemed interesting, but this movie so wanted to be the bag of shit that wasn't the affront to my exposed nostrils.
In answering this question, Lloyd hits the highlights of D'Souza's colorful career: his student days at Dartmouth College where he pioneered a form of right-wing tom foolery, his bid to be a serious journalist writing about political correctness in his book Illiberal Education (1991), his overt hostility towards African-Americans displayed in his book The End of Racism (1995), his move towards a more popular audience in demagogic documentaries and polemics such as The Roots of Obama's Rage (2010), his scandal-plagued tenure as president of King's College, the extramarital affair which ended his first marriage and also entangled him in an campaign finance violation which led to becoming a convicted felon in 2014, his dubious redemption by a politically motivated pardon from President Donald Trump, and his current status as one of Trump's foremost advocates.
I wouldent encourage sich a lot of tom foolery to save your consarned neck.
Hereby you may perceive how much I do attribute to the wise foolery of our morosoph, Triboulet.
It is but foolery, but it is such a kind of gaingiving as would perhaps trouble a woman.
It is but foolery, but it is such a kind of gaingiving as would perhaps trouble a woman.
A story of magic, malice, devotion and ghostly tom-foolery, with art begun by Lisa Jonté and finished by Tracy Williams.
Entertainer Red Skelton visited the Tom-Foolery in 1980 and they became fast friends. The Tom-Foolery closed in 1987. Mullica asked Skelton for his advice after the closure, and Skelton suggested that he take his best material and perform it as a pantomime with music. This would eliminate any language barrier and could be performed anywhere in the world.
He previously used a number of stage names while growing up such as Dirty-D, Bassics, Tommy and Tom Foolery but they were never used professionally.
Cameron Mackintosh produced Tom Foolery in 1980, a revue of Lehrer's songs that was a hit on the London stage. Lehrer was not initially involved with the show, but he was pleased with it; he eventually gave the stage production his full support and updated several of his lyrics for the show. Tom Foolery contained 27 songs and led to more than 200 productions, including an Off-Broadway production at the Village Gate which ran for 120 performances in 1981. Lehrer made a rare TV appearance on BBC's Parkinson show in conjunction with the Tom Foolery premiere in 1980 at the Criterion Theatre in London, where he sang "I Got It from Agnes".
Major productions in the last two decades of the century included Tom Foolery (1980–1981), Can't Pay? Won't Pay! (1981–1983), and the long-running Run for Your Wife (1983–1989).
An' here, they'n gi'en you lots o' good grogram and flannel, as should ha' been gi'en by good rights to them as had the sense to keep away from such foolery.
"Tom Lehrer's 'The Elements' and 'Clementine' (1959)", The Gilbert and Sullivan Discography, 5 October 2008, accessed December 15, 2017 The song is also included in the musical revue Tom Foolery, along with many of Lehrer's other songs.
He served three years in Korea and Germany. Once he had finished his military service he moved to Colon, Michigan, where he built illusions and demonstrated magic for Abbott's Magic Company. Mullica then moved to Atlanta, Georgia where he attended bartending school. In 1976, he opened his own nightclub called The Tom-Foolery Magic Bar Theater.
Accessed September 17, 2015. "The future Ford of foolery was born Soren Sorenson Adams in Aarhus, Denmark, in 1869. His father was a sabot maker, who removed to Perth Amboy, N.J., when Sam—as he has always been called—was two years old." In 1904 Adams found himself employed as a salesman for a dye company.
Mr. Reuter has also started a new game company called, "Game Inventors of America," which is located in Corinth, Texas. Unauthorized variations of Sequence have appeared many times over the years. Names of the unauthorized versions include, "One-Eyed Jack," "Jack Foolery," and "Jack Off." In "One-Eyed Jack," the board is constructed using actual playing cards.
This amazes the twin, but Messenio explains that spies of the city's thieves probably have learned his name. Erotium, tiring of what she considers foolery, tells Menaechmus to come in to dinner and bring Peniculus. Peniculus, he answers, is in his baggage—and what dinner is she talking about? The dinner he ordered when he presented his wife's mantle, she replies.
In 1993 he played the part of Inspector Lejeune in The Pale Horse, a BBC Radio 4 adaptation of the novel by Agatha Christie. It was adapted specially to mark the 50th anniversary of the Saturday Night Theatre strand. He was a member of the London cast of Tom Foolery. He died in London, England, of a stroke at the age of 74.
What came as a surprise was that the film did not pack a sensible story that might have made us sit through the haranguing second half." The Times Of India gave a review stating "The performances vary from loony to queer. It would be unfair to call it acting. What the characters just indulge in is absolute tom-foolery of degenerated variety.
The comic frame makes fun of situations and people, while simultaneously provoking thought. The comic frame does not aim to vilify in its analysis, but rather, rebuke the stupidity and foolery of those involved in the circumstances. For example, on The Daily Show, Jon Stewart uses the "comic frame" to intervene in political arguments, often offering crude humor in sudden contrast to serious news.
The two main characters, Cow and Chicken, made cameo appearances as aliens in Ben 10: Omniverse. They were the second Cartoon Network characters to make cameo appearances in the Ben 10 franchise, Billy from The Grim Adventures of Billy & Mandy being the first. Adler reprised his roles for the cameo. Chicken made a cameo near the end of the Cartoon Planet episode "Tom Foolery".
Donald Corren is an American Broadway and film actor and screenwriter. He created the role of Cosmé McMoon opposite Judy Kaye's Florence Foster Jenkins in the 2005 Broadway production of Souvenir. He also starred on Broadway in Torch Song Trilogy, for which he received awards from both the Los Angeles and San Francisco Drama Critics Circle while on tour. He appeared Off Broadway in The Last Sunday in June, Saturday Night, and Tom Foolery.
After singing the first song that is all it took. She knew then the music had chosen her. Her first single gig was in 1960 at the Tallyrand where she sang for 1 ½ years before she was approached by Bert Coleman, proprietor at the Top of the Foolery where she performed for 9 ½ years. Although she often had a day job, Wells also toured Europe and South America, often performing in a group with her husband, pianist Ron Elliston.
Lane McCray (born April 13, 1960) is an American singer, songwriter, rapper and entertainer best known for fronting the famous '90s eurodance act La Bouche. He was stationed in Germany and Turkey with the United States Air Force. As an all-around entertainer in the US, Lane performed in regional musical theater productions of West Side Story, A Chorus Line, Tom Foolery, Sophisticated Ladies and La Bohème. McCray left the USAF to pursue his musical career full-time.
Refurbishing the old building, he added two more theatres to the complex – the Leonard Rayne, opened on 18 July 1983, (renamed the Rex Garner in 1994) and the Richard Haines Theatres. In 1988 he purchased the derelict Alvin Cinema in Camps Bay. Together with designer Jan Corewyn, they transformed it with a post modern façade draped with a sculptured curtain, and named it Theatre on the Bay. In the 1980s, Toerien also brought Sir Cameron Mackintosh's Tom Foolery to South Africa.
People often say, "don't criticize, what you don't understand", meaning that first people should understand things and their effects properly, before launching into criticism. If they do not, the criticism might "backfire" and have an effect which is opposite to what is intended. Criticism is truly foolish, if people persist in a criticism regardless, even though it is demonstrably not well-taken. Foolish criticism is sometimes also interpreted as comical criticism ("critical foolery" or "fooling around with criticism") where the critic aims to entertain with his criticism.
Tomfoolery (or Tom Foolery) is a musical revue based on lyrics and music that American mathematician, songwriter, and satirist Tom Lehrer first performed in the 1950s and 1960s. Devised and produced by Cameron Mackintosh, it premiered in London at the Criterion Theatre, directed by Gillian Lynne, on 5 June 1980, where it had a successful run. It subsequently opened on December 14, 1981 Off-Broadway at the Top of the Gate in Greenwich Village, New York, where it ran for 120 performances.Tomfoolery production and plot information www.nodanw.
The Dumb Knight, Act 3, Scene 3 While the subplot of Prate and Alphonso provide comic foolery and clash with the main plot at the end of the play. Although the title of the play is The Dumb Knight, Philocles, the “dumb knight” and the second in command to the King of Cyprus, is only mute for a couple of scenes in Act Two and Three. Philocles has an active voice throughout the play and his spell of speechlessness is used to advance the main plot but is not the plots focus.
They had a number of West End and Broadway theatre runs and international tours, notably with the late Joan Rivers. They had their own series on BBC Radios 3 and 4, and two TV specials on Channel 4. He starred in the 1996 production of Salad Days at the Vaudeville Theatre, and in Tom Foolery (Jermyn Street and national tour). He co-devised and starred in the original production of the Sondheim revue Putting It Together. In 2011, he starred in Cowardy Custard (national tour) with Dillie Keane.
When I saw the prisoner step aside to avoid the puddle I saw the mystery, the unspeakable wrongness, of cutting a life short when it is in full tide. This man was not dying, he was alive just as we are alive. All the organs of his body were working—bowels digesting food, skin renewing itself, nails growing, tissues forming—all toiling away in solemn foolery. His nails would still be growing when he stood on the drop, when he was falling through the air with a tenth of a second to live.
Spymonkey is an international comedy and physical theatre company, based in Brighton. Its members are Toby Park and Petra Massey, both British, Aitor Basauri, a Spaniard, and Stephan Kreiss, a German. According to the theatre director, Tom Morris, ‘Spymonkey follow a rich comic tradition which runs from Tommy Cooper through Morecambe and Wise to Reeves and Mortimer. They are clowns supreme, the high priests of foolery.'Quoted in Spymonkey's 2004 press brochure For Julian Crouch of Improbable Theatre, they are ‘groundbreaking and sharply brilliant, Spymonkey dance along the very boundary of artistic bravery.
In his last novel he wrote: ″Each of us who has been on this earth is a tiny enigma frequently unspoken for various reasons and is just a one-way passenger who comes and goes seldom leaving some tangible trail. All of us in the final reckoning, no matter how vain, are merely dust for the wind, to be blown about whilst yet alive along with all our absurd passions, misapprehensions, intolerances, manias for achieving justice, fears, tom-foolery....″Stamatov,V. Hostage and fugitive Fatherland 1997 p.7 He died in Sofia, Bulgaria in 1998.
"Tom Foolery", Guide, 26 (7), p. 8. Waters includes a historical reference to the medical profession starting to acknowledge and identify female homosexuality in the 19th century when a friend of Diana's named Dickie reads aloud during a party from a medical text describing the histories of several acknowledged lesbians, including Dickie's own. One story discussed among the wealthy women at the party is about a young woman with a large clitoris, which they consider congenital in lower-class women. They attempt to prove their point with Diana's maid Zena, but Nan prevents this humiliation, which precipitates her final rift with Diana.
Fearful of his anger Lollia distracts him by scolding him for how poorly he dresses. The distraction works as Prate changes subjects informing his wife of the impending duel of the main plot, and has his clerk, Precedent, find “a good standing for [his] wife”.The Dumb Knight, Act 1, Scene 2 Believing his master is asking for advice about regaining “good standings” with Lollia, Precedent provides foolery in the form of misunderstanding the command, most of the advice having sexually undertones. Eventually Prate sets his clerk straight, and they all – Lollia, Cologuintida, Precedent, and Prate – leave for the duel.
The attitude to life of Mr. Blake, the music master, Is expounded in a single phrase. "I wonder why that didn't hit me," he ponders when a loose slate slides from a rooftop and shatters at his feet. Poor Mr. Blake has had 35 years of bad luck...Mr. Lynn contrives to leaven his foolery with touches of genuine pathos, but when his luck changes to prove the comforting theory that a man has as much good as bad fortune in his life, he fairly romps in his Rookery Nook style, through broader and yet broader farce.
Owens, W. M., "The Third Deception in Bacchides: Fides and Plautus' Originality," The American Journal of Philology 115 (1994), pp. 381-382. V. Castellani commented that: > Plautus' attack on the genre whose material he pirated was, as already > stated, fourfold. He deconstructed many of the Greek plays' finely > constructed plots; he reduced some, exaggerated others of the nicely drawn > characters of Menander and of Menander's contemporaries and followers into > caricatures; he substituted for or superimposed upon the elegant humor of > his models his own more vigorous, more simply ridiculous foolery in action, > in statement, even in language.V. Castellani.
In 1975 he set up 'Tom Fool's Theatre of Tom Foolery', which started as a troupe of 'mummers', before worked closely with the Footsbarn theatre. In 1976 he was involved with a series of 'monster-raising' exploits, which brought him extensive media coverage, particularly when he started 'invoking' the monsters with the help of a coven of nude witches. His attempts to 'raise' Morgawr the Cornish sea monster, were covered by BBC TV, Fortean Times, local newspapers, and appeared in national newspapers such as the Reveille and News of the World. At around the same time he reported on sightings of the 'Owlman' of Mawnan.
The girls were to be taught to "dance, work, read, write, cast accounts and the business of housewifery". This was a fairly advanced curriculum for its time, since girls of this class were expected to be able to read but not necessarily to be able to write. The new charity was initially to be administered by her nephew William Godolphin and his heirs, The Dean and Chapter declined to take on the task on the grounds that the idea of educating women was "mere foolery and dreaming". Every year, in November, the School commemorates its founder Elizabeth Godolphin when the Head Girl, accompanied by members of the Upper Sixth, lay a wreath on her tomb in the cloister of Westminster Abbey.
Songs & More Songs by Tom Lehrer is a reissue of musical satirist Tom Lehrer's two studio albums (Songs by Tom Lehrer and More of Tom Lehrer), combined with other studio sessions and a newly recorded version of "I Got It From Agnes". "Agnes" was a song from Lehrer's early live repertoire which he "polished up" for the Cameron Mackintosh-produced musical revue Tom Foolery in 1981, but which Lehrer himself never professionally recorded until 1996. The booklet notes include an essay by Dr. Demento and the original sleeve notes from the LP releases. The material from Songs and More of... were the original versions self-issued on Lehrer Records, the 1966 Reprise rerecording of Songs not considered for the reissue.
Critical acclaim for the off-Broadway production resulted in it transferring to PAF Playhouse and then to Circle Repertory Company, and finally to Broadway, where it ran for 1819 performances. Hadary worked off-Broadway again on the 1979 Howard Ashman and Alan Menken musical adaptation of Kurt Vonnegut's God Bless You, Mr. Rosewater, Ted Tally's 1980 play Coming Attractions, and the 1981 Tom Lehrer revue Tom Foolery. The following year he returned to Broadway to replace Harvey Fierstein in Torch Song Trilogy. A member of the acting company at Circle Repertory Company, Hadary won an Obie Award for his performance in the 1985 William M. Hoffman play As Is at Circle Rep, and again, the play moved to Broadway, where it was nominated for three Tony Awards and won the Drama Desk Award for Best Play.
English starred in cabaret in England, the Channel Islands, and Bangkok, performed Shakespeare, and appeared in minor parts in feature films, including The Wicked Lady (1983) with Faye Dunaway, Denholm Elliott, and John Gielgud, and House of the Long Shadows (1983) with Vincent Price, Christopher Lee, John Carradine, and Peter Cushing. She has starred as leading lady in many comedies and dramas, including Absent Friends, Suddenly at Home, Tommy Boy, Don't Dress For Dinner, Bedside Manners, and Shadow of Doubt. English is a veteran of several national tours, including nine months as the lead in Mike Harding's comedy Fur Coat and No Knickers, Ted Willis' play Tommy Boy, Tom Lehrer's Tom Foolery, Oscar Wilde's An Ideal Husband, and Russ Abbot's Madhouse. She travelled to Stockholm to perform a role in Neil Simon's I Ought To Be In Pictures.
Production on a Radioactive Chicken Heads-themed television pilot began as early as late 2011, when the band - with video director Kyle Caraher - launched a crowdfunding campaign on Indiegogo to help finance Behind the Mutants, a documentary-styled short about the origins of the Chicken Heads, as well as the release of a DVD with never before seen footage. The campaign was promoted by a video interview between the series' antagonist, Dr. Baron von Kluckinstein (played by artist Thom Foolery), and actress Allison Scagliotti, though no mention was made if Scagliotti had any further involvement with the project. Ultimately, the campaign only raised $1,537 of its desired $5,000 goal; though the Chicken Heads confirmed through Indiegogo that the amount was still enough to start pre-production, filming took place intermittently over a period of five years. During this time, the format of the pilot was significantly altered from its original mockumentary style into three individual segments based on the band's songs.
The king sniffs the air then heads over to the mirror looking at his cross-eyed reflection, suddenly the king grabs a candlestick and furiously shatters the mirror into a million pieces! As daylight dims and becomes night, L'Oiseau sings a booming lullaby to his children as they go to sleep; the lights of the palace are turned off as the song ends, then the bird continues on the same chord with a different verse, now mocking the king in his sleep hoping to give him nightmares as the full moon begins to shine; the police on patrol are angered by the bird's continued tom-foolery. In the king's apartment as the fire in the fireplace still burns bright while the king is tossing and turning in bed, it is revealed that the Shepherdess and the Chimney Sweep (along with the Statue of a man on a horse) have come to life. The young lovers talk about their mutual disliking of the king as well as their mutual love for each other.
In Praise of Folly starts off with a satirical learned encomium, in which Folly praises herself, after the manner of the Greek satirist Lucian, whose work Erasmus and Sir Thomas More had recently translated into Latin, a piece of virtuoso foolery; it then takes a darker tone in a series of orations, as Folly praises self-deception and madness and moves to a satirical examination of pious but superstitious abuses of Catholic doctrine and corrupt practices in parts of the Roman Catholic Church—to which Erasmus was ever faithful—and the folly of pedants. Erasmus had recently returned disappointed from Rome, where he had turned down offers of advancement in the curia, and Folly increasingly takes on Erasmus' own chastising voice. The essay ends with a straightforward statement of Christian ideal: "No Man is wise at all Times, or is without his blind Side." Hans Holbein's witty marginal drawing of Folly (1515), in the first edition, a copy owned by Erasmus himself (Kupferstichkabinett, Basel) Erasmus was a good friend of More, with whom he shared a taste for dry humor and other intellectual pursuits.

No results under this filter, show 54 sentences.

Copyright © 2024 RandomSentenceGen.com All rights reserved.