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"gaiety" Definitions
  1. the state of being cheerful and full of fun
"gaiety" Synonyms
cheerfulness glee merriment happiness hilarity animation cheer gladness elation jollity mirth buoyancy effervescence exuberance joviality joyfulness joyousness light-heartedness liveliness vivacity festivity merrymaking jollification revelry celebration fun revels conviviality rejoicing frolics reveling(US) revelling(UK) whoopee carousal pleasure sport fun and games regalia finery best array feather frippery bravery caparison full dress glad rags gayety best bib and tucker garb attire formals best clothes Sunday best clothing black tie couture humour(UK) humor(US) funniness drollery drollness comedy comicality humorousness jocularity wit uproariousness amusement wittiness richness facetiousness jest comicalness comic buffoonery More
"gaiety" Antonyms
misery despondency gloom melancholy sadness depression discouragement dullness seriousness solemnity sorrow unhappiness work dejection gloominess blues woe desolation dispiritedness pensiveness sobriety lethargy pathos drama tragedy dourness gravity grief displeasure discontent discontentedness discontentment dissatisfaction apathy boredom chore failure labor(US) labour(UK) need pain task listlessness fatigue inertia weariness ennui heaviness languor anguish monotony disappointment dismay hate aversion disgruntlement disgust distaste choler crossness disapprobation irritation aggravation rags boringness blandness drabness dreariness insipidity insipidness staleness tediousness vapidity flatness lifelessness monotonousness slowness tedium vapidness jejuneness stodginess indifference nonchalance acedia incuriosity insouciance disinterest incuriousness unconcern impassiveness impassivity passiveness passivity uninterestedness casualness disinterestedness dispassion dispassionateness disregard insensibility

1000 Sentences With "gaiety"

How to use gaiety in a sentence? Find typical usage patterns (collocations)/phrases/context for "gaiety" and check conjugation/comparative form for "gaiety". Mastering all the usages of "gaiety" from sentence examples published by news publications.

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The only gaiety that exists is the gaiety you've brought with you, and how little you had to bring.
The joint venture, London-based LN-Gaiety Holdings Limited, is between live events promoter Live Nation Entertainment and Gaiety Investments.
But the area's mood remained somber compared with its bustling pre-war gaiety.
She is as disarming and funny as ever, but sometimes the gaiety seems a little forced.
His sense of history deals more with the episodic and consecutive than with the gaiety of simultaneity.
I look at her again, I look and see Her acceptance, Her ease in exchanging gloom for gaiety.
In fact, Daphne has troubles when she feels any emotion, be it love, ecstasy, horror, gaiety or anger.
Its general tenor will be one of gaiety, wit, and satire, but it will be more than a jester.
It fell near the Gaiety Theatre, and the church of St. Mary-le-Strand can be seen in the background.
As they indulged, the room filled with the forced gaiety of uppers, exasperating to witness from the outside looking in.
Farther Arkady's everyday deeds and his solitude, even though hidden behind carelessness and gaiety, became more and more clear to me.
Still, the parties prevailed into the early 1940s, a staple of Hollywood chic echoed in the casual gaiety of today's Golden Globes.
Gabriel's painting entitled "Haitian Revolution" (2017), inspired by Rainsford's engravings, presents the overthrow of white leadership with gaiety and matter-of-factness.
Some of the most moving work in the show is of empty brothel rooms, architecture designed for artificial gaiety, sex, and commerce.
But primarily this is not a source book, but a long ethical essay, with considerable gaiety, humor and a refreshing time perspective.
Performed on a bare stage, the work is mostly devoid of the humor, gaiety and flowing movement that leaven Ms. Bausch's later oeuvre.
But jerkin' was too lighthearted to sustain itself––its gaiety was, in part, a reflection of the general earnestness and optimism of youth.
As already, months from release, playing an old-to-its-makers build, it sparkles with the kind of singular gaiety that can't fail to enrapture.
Only two, the English pair in the final, have added as much to the gaiety of the competition as Ajax, and even that is debatable.
What if I told you there was a place on the Internet that involved the Trump family but was filled with gaiety, glamour, and lots and lots of glitter?
My favorite, "Two Dancers in the Changing Room Backstage at the Gaiety" (1991), is a gorgeously quiet observation of male performers that feels like a homoerotic update of Degas.
" Her preference was always for seeing things clearly and seeing things through: "Gaiety should be brave, it should have stout legs of truth, not a gelatine base of dreams and ­wishes.
CreditCreditAndrew White for The New York Times Ask people why they chose a parrot as a pet and they'll usually say they wanted a companion of exotic beauty, gaiety and intellect.
The awards ceremony, which was dedicated to the victims, their families and their friends, should have been strictly a celebration of talent, imagination and hard work, and gaiety in all its definitions.
The show was a mix of gaiety and somber reflection - fans could at times be seen jumping for joy, while others, holding banners saying "for our angels", could be seen wiping away tears.
Although they probably didn't do much in the way of flavor alteration, the "fettis" in Funfetti cake serve to illuminate the dessert with the gaiety of artificial coloring and needless but charming decoration.
" Mr. Farrell is from Castleknock, a relatively well-to-do Dublin suburb, and studied at the Gaiety School of Acting in Dublin before landing a role in 1998 on the BBC soap "Ballykissangel.
It's rare to see an artist smile during a performance, but Poe and Robinson were both grinning throughout, exuding a sly gaiety that that they wielded like a knife, a weapon to disarm viewers.
" Then there was Inès de la Fressange, otherwise known for her associations with Chanel and Roger Vivier, who added: "I think in France we sometimes lack a bit of lightness and gaiety in dressing.
Screaming in the Streets features pieces by household names like Keith Haring and Nan Goldin, as well as ephemera from queer "radical spaces" popular at the time like the Gaiety, The Club Baths and Danceteria.
In Istanbul, where a video on social media before the shooting showed well-dressed partyers at Reina ringing in the new year with sparklers, Champagne and confetti, the gaiety lasted just a little over an hour.
The package also includes breakfast, airport transfers, a holiday lights tour on a vintage bus, a mulled wine reception, cookie decorating, ice-skating and tickets to a holiday show of Rapunzel at the Gaiety Theater, in Dublin, on Christmas Eve.
It is, however, a rare moment of gaiety—Fragments of Him is not a happy tale, and while some of Sarah's memories are sweet, it's not too long before her relationship with Will begins to change, and Harry comes into both their lives.
The author Thierry Coudert follows his 2010 "Café Society" with this year's "Beautiful People of the Café Society: Scrapbooks by the Baron de Cabrol" (Flammarion, $120, 264 pp.), a peek into a rarefied world that spanned continents in its pursuit of glamour and gaiety.
"The proletarian staff of the hotel, the olive green uniform of the 'guerilleros,' the general lack of formality, all helped to emphasize the gaiety and the stimulating, if not revolutionary, character of the meeting," wrote one guest, the European journalist K.S. Karol, of the party.
And in every way that mattered his life story proved that we were wrong to listen to him, because at the end of the long slide lay only a degraded, priapic senility, or the desperate gaiety of Prince Prospero's court with the Red Death at the door.
Which is weird, as Mucha's version of Art Nouveau — an inimitable mixture of sumptuous pattern and voluptuous female goddess form — was synonymous with the champagne gaiety and decadence of Belle Époque Paris during a period where technological and aesthetic innovation was only first meeting exotic eclecticism at various World Fairs.
Hawthorne is musing idly in the Concord woods, where "sunshine glimmers through shadow, and shadow effaces sunshine, imaging that pleasant mood of mind where gaiety and pensiveness intermingle," when the bucolic peace is shattered by the whistle of a nearby locomotive, a "long shriek, harsh, above all other harshness" that reminds the writer that civilization's swarming anthill is not far off.
These musicals were imitated at other theatres. A particular attraction of the Gaiety shows was the beautiful, dancing Gaiety Girls.
Gaiety Girls in The Geisha, 1896; Blanche Massey center Gaiety Girls were the chorus girls in Edwardian musical comedies, beginning in the 1890s at the Gaiety Theatre, London, in the shows produced by George Edwardes. The popularity of this genre of musical theatre depended, in part, on the beautiful dancing corps of "Gaiety Girls" appearing onstage in bathing attire and in the latest fashions. The 1890s Gaiety Girls were respectable, elegant young ladies, unlike the corseted actresses from London's earlier musical burlesques.Article about the Gaiety Girls in Pick-Me-Up, London, 24 November 1894, p.
Gaiety Theater Gaiety Theatre, located on the Mall, was opened on 30 May 1887. Many popular film personalities have performed on its stage. Today, the Gaiety is primarily known for its social club. Schools in Shimla use this theater for performing arts.
The dance soon became popular at the Gaiety Theatre in London, where it was routinely performed by the theater's chorus line, the "Gaiety Girls".
From 1876 to 1879, he wrote several successful burlesques for the Gaiety Theatre, London, such as a burlesque of Dion Boucicault's Don Caesar de Bazan called Little Don Caesar de Bazan,Information about Little Don Caesar de Bazan and the Gaiety Theatre at VictorianWeb.org and The Gaiety Gulliver (1879).
"Gaiety" and phone number, scribbled on torn paper found in East Village apartment 2016 The Gaiety Theatre was a gay male burlesque theater in Times Square, New York City, for almost 30 years until it closed on March 17, 2005. The name on the awning over the entrance was Gaiety Theatre, but it was also called the Gaiety Male Burlesque or the Gaiety Male Theatre in advertisements. It was located at 201 W 46th Street, New York, NY 10036, on the second floor of the building that also housed what was the last Howard Johnson's restaurant in New York City. The Gaiety opened in late 1975 and closed in 2005 and was owned by Denise Rozis, run by both her and her younger sister, Evridiki Rozis.
Polly was a temperate dancer, all gaiety, estheticism plus athleticism.
After he saw a notice up in Dublin's Gaiety School of Acting, and having become interested in acting while working in a cinema, he applied. He graduated from the Gaiety School of Acting in 2004.
Gaiety School of Acting sign The Gaiety School of Acting (GSA) is a drama school located on Essex Street West in Temple Bar, Dublin, Ireland. It was founded by theatre director Joe Dowling in 1986.
The Gaiety replicates the Mercury Theatre in New York in 1937.
The undesigning gaiety of youth has the strongest claim upon your humanity.
She appeared as Rhea Porter in the musical comedy Morocco Bound at the Shaftesbury Theatre in 1893, where she came to the attention of the manager George Edwardes, the leading promoter of Edwardian musical comedy. Edwardes's musicals, beginning at this time, would feature his popular chorus line of glamorous yet respectable Gaiety Girls. Edwardes engaged Studholme to play the small role of Gladys Stourton, one of these Gaiety Girls, in the hit musical A Gaiety Girl (1893) at the Prince of Wales Theatre,Green, Stanley. "A Gaiety Girl", Encyclopedia of the Musical Theatre, p.
His daughter Florence acted at the Victoria Theatre and the Gaiety Theatre, London, before she married Edward Wroughton. Another daughter, "Nellie", was a well-known actress in Victorian burlesque and other comedy at the Gaiety, among other theatres.
378"Gaiety Theatre", Morning Post, 9 April 1896, p. 3 The next year, she returned to England to appear in Edwardian musical comedies at the Gaiety Theatre, beginning with My Girl and The Circus Girl, as Mme. Drivelli. In her roles at the Gaiety, she won critical praise for her "brightness, vivacity, and humour". She became known as for her comic "buxom bourgeoise" characters.
John Hollingshead of the Gaiety Theatre presented Offenbach's operettas to large and enthusiastic audiences.Gammond, p. 100 Between 1870 and 1872, the Gaiety produced 15 of his works. At the Royalty Theatre, Richard D'Oyly Carte presented La Périchole in 1875.
Information about several Farren performances The same year, Farren helped George Edwards obtain the lease to the Gaiety and became co-producer of the Gaiety company's shows. She toured in the US and Australia with Fred Leslie in 1888–89.
85 In 2003, she returned to the role of Mrs. Johnstone for a short run at the Cork Opera House, Belfast and Gaiety Theatre Dublin. In 2011 she again returned to the role of Mrs. Johnstone in the Gaiety Theatre Dublin.
The Gaiety Theatre and Opera House is a theatre in Douglas, Isle of Man which together with the Villa Marina forms the Villa-Gaiety complex. The Gaiety is situated on Douglas promenade, overlooking the sea and adjacent to the Villa Gardens, Arcade and Butts. Built in 1899 to the designs of architect Frank Matcham as an opera house and theatreA brief theatre history (Gaiety Theatre, Isle of Man) accessed 24 Nov 2007 the Gaiety, along with the nearby Villa Marina, stands on the site of a lodge occupied in the early 19th Century by Castle Mona architect and Atholl family retainer George Steuart, and then later bought by benefactor Henry Bloom Noble and donated for recreational use.Isle of Man Examiner.
He performed in stock, toured, and joined the Milton–Rays company.Information from W. Macqueen-Pope's book, Gaiety, Theatre of Enchantment, W. H. Allen, London, 1949 Payne first appeared in London at the Gaiety Theatre as Mephistopheles in a revival of Faust up to date. Most of Payne's subsequent career was spent at the Gaiety. He enjoyed much success for his comic turn as Shrimp, the Call Boy, in In Town (1892).
He described this in The Gaiety Years a book about Gaiety Girls. He also wrote an important work on Horatio Bottomley, the swindler. He had four children, the author Miranda Miller, the artist Timothy Hyman, the Afghan scholar Anthony Hyman and Nicholas Hyman.
The Gaiety is known for its annual Christmas pantomime and has hosted a pantomime every year since 1874. Actor and director Alan Stanford directed both Gaiety productions of Snow White and Sleeping Beauty. Irish entertainer June Rodgers starred in the Gaiety pantomime for years, until she began to headline the equally established Olympia Theatre panto. The Gaiety's pantomimes have included Irish performers that appeal to home grown audiences, including a number of Fair City actors.
Louise Henderson Louise Henderson was an English musical burlesque actress. She appeared in productions at the Gaiety Theatre, LondonHollingshead, John. Good Old Gaiety: An Historiette & Remembrance (1903) London:Gaity Theatre Co.] chapter IXGaiety Chronicles By John Hollingshead p.318 and at the Opera Comique in London.
The Gaiety Theatre was used as a location in the 2008 film, Me and Orson Welles.
O'Sullivan attended the Gaiety School of Acting in Dublin and joined the Abbey Theatre in 1991.
Also in 2019, she acted in Martin McDonagh's The Cripple of Inishmaan at the Gaiety Theatre.
This theatre also proved to be too small for the expanding audiences and in 1885 a new building was built on the crest of the Bluff at 256 Yamate and most performances moved to this new building. A touring theatre company led by George Crichton Miln gave some of the first full performances in Japan of Shakespeare's plays in English at the Gaiety Theatre in 1891. In 1908 this building was renamed as the Yamanote Gaiety Theatre, completely replaced the small Gaiety Theatre on Honmachi Street. Performances continued at this location until the Gaiety Theatre was completely destroyed in the 1923 Great Kantō earthquake.
Live from the Gaiety is a live album by The Dubliners. It was recorded during the Irish leg of their tour celebrating forty years on the road. The double album was recorded at the Gaiety Theatre in Dublin in June 2002. All surviving members took part.
As Jack Sheppard, and in similar roles, she had a unique position at the Gaiety, and was an unrivalled public favourite. In 1892 her health failed, and her retirement, coupled with Fred Leslie's death, brought to an end the type of Gaiety burlesque associated with them.
In March 1874 John and Michael Gunn took ownership of the Theatre Royal from John Harris, who had run it for nearly 25 years. John and Michael Gunn remained joint owners of the Gaiety Theatre, but John managed the Gaiety while Michael managed the Theatre Royal.
The Gaiety Theatre was not rebuilt after the earthquake and dramatic performances in Yokohama were all but forgotten. In 1980, Iwasaki Gakuen Academy built a museum at 256 Yamate to commemorate the school's 50th anniversary. During construction of this museum bricks from the original Gaiety Theater were discovered and used in the construction. The museum includes theatre space which available for public use and displays of props and clothing used for performances at the original Gaiety Theatre.
Grossmith and Laurillard opened Tonight's the Night, based on the farce Pink Dominoes, at the Shubert Theatre in New York in 1914, the first Gaiety show to be produced in New York before opening in London. He then moved to the Gaiety Theatre in London in 1915. At the Prince of Wales Theatre, Grossmith and Laurillard had successes with Mr Manhattan (1916) and Yes, Uncle! (1917). At the Gaiety Theatre, Laurillard's biggest hit was Theodore & Co (1916).
Born in Dungarvan, County Waterford, Ireland. He graduated from the Gaiety School of Acting in June 2009.
She then studied drama at The Gaiety School of Acting in Dublin, Ireland. She graduated in 1994.
The bride was herself an actress and Gaiety girl.J. M. Glover, Jimmy Glover, His Book (1911), p.
Her mind seemed wholly taken up with reminiscences of past gaiety, and aspirations after dissipations to come.
The play borrows elements from Robertson's Ours and Tom Taylor's Still Waters Run Deep. Gilbert had provided another work for John Hollingshead's Gaiety Theatre in London, Robert the Devil (1868), which had opened the theatre.Stedman, p. 62 An Old Score opened at the Gaiety on 26 July 1869.
McNulty in Ma Mie Rosette McNulty was born in Boston, Massachusetts, and began her career as a Gaiety Girl. She was later remembered as "among the prettiest and most popular of the girls at the Gaiety.""Great Queen Street Theatre", Illustrated Sporting and Dramatic News, Vol. 60, p.
Today the theatre continues with productions by local companies and touring productions of musicals, drama and opera. It now forms a part of the Villa-Gaiety complex together with the Villa Marina, a nearby 1,500 seat auditorium. The Gaiety Theatre featured on Isle of Man commemorative stamps in 1987, 19941994 Manx tourism centenary (Flags on Stamps) accessed 24 Nov 2007 and 2000. In February 2008, The Gaiety hosted a Hollywood movie Me and Orson Welles, starring Zac Efron, Christian McKay and Claire Danes.
Madonna's famous 1992 book SexSex, by Madonna, Meisel (Photos), O'Brien (editor), Warner Books, 1992 contained many pictures taken in the Gaiety and of the Gaiety dancers. In fact there were pictures from that photo shoot posted on the wall in the theater's Apollo lounge for years. After the book came out, the Gaiety became chic and many dancers and patrons were not entirely happy with the visitors that resulted. Her sexually themed music video Erotica (1992) was also at least partially shot there.
His gaiety and kindness even more frequently won him another name bestowed by his contemporaries, le bon chevalier.
And these hapless people whose gaiety at first had been so peaceful, at length belaboured each other soundly.
Gaiety Theater The Gaiety Theater was located Del Pilar Street in the Ermita district in the city of Manila. It was designed in the art deco style in 1935 by Juan Nakpil. As of 2014, it is dilapidated with several families living inside as caretakers. It was demolished in 2016.
Next she was Daisy in The Dollar Princess (1909) at Daly's and Polly in Peggy (1911) at the Gaiety.
8 D'Auban then acted as ballet- master at the Gaiety, choreographing its famous burlesques, until 1891. In 1870 and in 1875 at the Gaiety, D'Auban choreographed Charles Dibdin's musical farce, The Waterman. From 1868 to 1909, D'Auban arranged the dances for more than 150 productions in the West End, at 30 different theatres.
He remained based mostly at the Gaiety until the end of 1877, when he moved to the Globe Theatre under his own management for two years.Hollingshead, John. Good Old Gaiety (1903) London, p. 39 In 1878, Toole created the role of Charles Liquorpond in A Fool and his Money by H. J. Byron.
The Gaiety School of Acting was founded in 1986 and is operated as a "self funded not-for-profit organisation". The school aims to train actors for theatre, film and television. The school is based in Temple Bar, Dublin, with "Young Gaiety" classes also taking place in satellite locations in Bray and Malahide.
The Times praised the gaiety and charm of her performance."St Martin's Theatre", The Times, 4 November 1931, p. 10.
Subsequently, she also trained at the Gaiety School of Acting, afterwards appearing, for example, on television with Podge and Rodge.
In 1894 Réjane returned to the West End. Since her first appearance there, in 1877, she had been in a production of Alphonse Daudet's Le Nabab at the Gaiety in 1883."French Plays at the Gaiety", The Era, 30 June 1883, p. 5 Her reviews then had been good, but her return in June 1894 in Madame Sans-Gêne prompted superlatives from the critics and drew full houses, even with the counter-attraction of a Bernhardt season at Daly's Theatre."Madame Sans-Gêne at the Gaiety", The Pall Mall Gazette, 25 June 1894, p. 3; "Gaiety Theatre", The Times, 25 June 1894, p. 7; "The London Theatres", The Era, 30 June 1894, p. 7; and "The Theatres", The Daily News, 16 July 1894, p.
Gaiety Theatre or Gaiety Heritage Cultural Complex is a significant tourist hot spot of Shimla. It is located on The Ridge, Shimla. It is the hub of cultural events of the state. It also very popular among Bollywood as many songs and movies shot here often, recently Pachtaoge song by Arijit Singh shot here.
The title of the 1938 French ballet Gaîté Parisienne ("Parisian Gaiety"), which became the 1941 Warner Brothers movie, The Gay Parisian, also illustrates this connotation. It was apparently not until the 20th century that the word began to be used to mean specifically "homosexual", although it had earlier acquired sexual connotations. The derived abstract noun gaiety remains largely free of sexual connotations and has, in the past, been used in the names of places of entertainment; for example W. B. Yeats heard Oscar Wilde lecture at the Gaiety Theatre in Dublin.
He experimented with a modern-dress, family-friendly musical theatre style, with breezy, popular songs, snappy, romantic banter, and stylish spectacle at the Gaiety and his other theatres. These drew on the traditions of comic opera and used elements of burlesque and of the Harrigan and Hart pieces. He replaced the bawdy women of burlesque with his "respectable" corps of Gaiety Girls to complete the musical and visual fun. The success of the first of these, In Town (1892) and A Gaiety Girl (1893) set the style for the next three decades.
In addition to oriental shadings, Jones's music borrowed from continental European dance rhythms. Hall had taken some of the sauciness out of his style, since An Artist's Model, and evolved a combination of sprightly, up-to-date comedy and old-fashioned romance, into which he would insert parodies when the opportunity arose. Indeed, the Daly's Theatre shows were more romantic in character than the sillier Gaiety Theatre shows. Still, these musicals hewed to most of the features that made the Gaiety Theatre shows popular, especially Edwardes' pretty Gaiety Girls, dressed in the latest fashions.
Poster for A Gaiety Girl In the 1890s, Edwardes hit upon a new strategy for the Gaiety, which was a variation from the kinds of shows that he and Carte had produced and also had elements of the Gaiety burlesques and of music hall entertainments. The earliest of these shows, taking a cue from Dorothy, had a musical style similar to the Gilbert and Sullivan comic operas. Into this mix, he incorporated some of the elements of the form that Harrigan & Hart had established on Broadway a decade earlier.Kenrick, John.
The act appeared as members of "The Alimony Club" in Little Miss Chicago, a burlesque at the Gaiety Theatre in Chicago.
The Après Match team have sold-out venues all over Ireland including Vicar Street, the Olympia Theatre and the Gaiety Theatre.
Beginning in the 1880s, when comedian-writer Fred Leslie joined the Gaiety, composers like Meyer Lutz and Osmond Carr contributed original music to the burlesques, which were extended to a full-length two- or three-act format."Theatrical Humour in the Seventies", The Times, 20 February 1914, p. 9 These later Gaiety burlesques starred Farren and Leslie.
She played an extra in a play during a festival, then quit her steady job at the complaints department of a laundry to be an assistant stage manager. She performed twice with Eamon Morrissey at the Gaiety Theatre in Dublin. She considered Gaiety regular Maureen Potter an early influence in teaching her to connect with audiences.
In 1888, she joined the Gaiety Theatre company, playing Marguerite in the hit Victorian burlesque Faust up to Date, which toured America (1889–90), and then the British provinces. She then starred in Carmen up to Data. In the early 1890s, St. John continued to pay at the Gaiety and also toured in the operetta Rip van Winkle.
The cinema closed in 1965. It is not to be confused with the Gaiety Theatre, Sauchiehall Street, which became the Empire Theatre.
At the Gaiety Theatre in the same year, he played an important role in W. S. Gilbert's early comedy, An Old Score.
Rosie Boote (1878 – 17 August 1958) was an Irish Gaiety Girl who became the Marchioness of Headfort when she married in 1901.
In 1978 the organisation Friends of the Gaiety was formed to help attract larger audiences to the theatre as well as undertaking fundraising.
Alice Matilda Lethbridge (1866 – February 4, 1948) was an English music hall dancer and Gaiety Girl, best known for her "skirt dance" act.
Julia James (1914) Julia James (1890-1964) was an English actress of the 1900s Edwardian era, the leading lady at the Gaiety Theatre.
It was good exposure for the girls and made Romano's the centre of London's night- life.Gaiety Theatre Cuttings (Arthur Lloyd site) accessed 01 Mar 2007 Many of the Gaiety Girls, such as Marie Studholme, Ellaline Terriss, Lily Elsie, Florence Collingbourne, Cicely Courtneidge, Gladys Cooper, Phyllis Dare, Zena Dare, Mabel Love, Evelyn Laye, Jennie McNulty, Gaby Deslys, Camille Clifford, Gabrielle Ray, Sylvia Grey and Constance Collier, later enjoyed substantial acting careers.Profiles and photos of many of the best known Gaiety Girls (National Portrait Gallery, accessed March 9, 2008 One Gaiety Girl, Mabel Russell, became a Member of Parliament.
This was followed by A Southern Maid (1917; revived 1920) and Our Peg (later adapted into Our Nell). He also directed revivals of The Dollar Princess. In 1922, at the Gaiety Theatre, Evett produced adaptations of Catherine and The Last Waltz, which he co-authored. In 1924, he produced Our Nell, the revised version of Our Peg, at the Gaiety.
MCD Productions owns and operates a number of venues including The Olympia, The Gaiety, The Ambassador and The Academy. The Gaiety and Olympia Theatres both play host to the annual Dublin Theatre Festival. MCD in partnership with Live Nation are the parent company of English promoter Festival Republic and as such have an interest in festivals such as Glastonbury, Reading and Leeds Festivals.
Stedman, p. 62 By 29 March 1869, it was preceded by T. W. Robertson's play Dreams and The Two Harlequins and sometimes ran with Letty the Basketmaker, an obscure opera by Michael Balfe. The work was revived at the Gaiety Theatre several times over the next few years, and a tenth anniversary revival was staged at the Gaiety in 1878.Moss, Simon.
Parker, John...Who Was Who She made many appearances at the Gaiety Theatre especially in an Asian themed play called The Geisha. She was understudy to Ellaline Terriss at the Gaiety and after 1905 toured with George Edwardes company. Many later roles in the theatre were well-known children's characters i.e. Humpty-Dumpty, Red Riding Hood, Jack and the Beanstalk and Aladdin.
This was not considered to be financially viable and in 1939 the Gaiety Theatre closed. The interior fittings were stripped from the building, and sold at auction. Standing empty during World War II, the building suffered further damage as a result of bombing during air raids. In 1946 the shell of the Gaiety Theatre was purchased by Lupino Lane for £200,000.
Tamladu, the main festival of the Digaru and Miju Mishmi community is celebrated with much gaiety at Tezu and all over the Lohit district. Other festivals such as Mopin (Adi festival), Sangken (Khamti & Singhpo tribe), Reh (Idu Mishmi festival), and Losar (Monpa festival) are also celebrated. Other than this, Durga Puja (Dusshera), Kali Puja, Ganesh Chaturthi, etc. are also celebrated with much gaiety.
Blanche Massey Massey (at center) in The Geisha (1896) Blanche Massey (c. 1878? – 1929) was a Gaiety Girl and actress best known for her stage appearances in London and the United States in the 1890s. Among her appearances in many productions with the George Edwardes company, especially in Edwardian musical comedies, she was perhaps most remembered for A Gaiety Girl.
Bessie became owner of the Gaiety when Gunn died, and held it until 1909. Bessie Gunn died in Steyning, Sussex on 28 January 1928.
Hollingshead would later say that the piece was "too true to nature".Ainger, p. 82, quoting Hollingshead, Good Old Gaiety: An Historiette & Remembrance, p.
Gillan, Don. "Actresses and the Peerage", Stage Beauty website (2007) For example, in 1907, Denise Orme married Lord Churston and she later married the Duke of Leinster. Alan Hyman wrote in The Gaiety Years, :At the old Gaiety in the Strand the chorus was becoming a matrimonial agency for girls with ambitions to marry into the peerage and began in the nineties when Connie Gilchrist, a star of the Old Gaiety, married the Earl of Orkney and then in 1901, the Marquess of Headfort married Rosie Boote, who had charmed London the previous year when she sang Maisie in The Messenger Boy. After Connie Gilchrist and Rosie Boote had started the fashion a score of the Guv'nor's budding stars left him to marry peers or men of title while other Gaiety Girls settled for a banker or a stockbroker.
"Theatres", The Times, 4 September 1923, p. 8 In 1925 she made her New York debut at the Gaiety in the revue By-the-Way.
Helen Behan is from Bettystown, County Meath, Ireland. During her student day in college, Behan attended part-time acting courses at the Gaiety Theatre, Dublin.
Cultural found "Ekaterina". Moscow 2012 Gaiety Is The Most Outstanding Feature of the Soviet Union, Saatchi Gallery. London 2010 Russian landscape. Marat Gelman gallery. Moscow.
Percy Anderson designed the Japanese costumes for the musical, while the non-Japanese costumes were supplied by leading fashion houses."Gaiety Girls in The Geisha". Victoria and Albert Museum, accessed 4 August 2011 Blanche Massey was one of the Gaiety Girls in the piece. It also had a successful three-month Broadway run in 1894, followed by an American tour and a world tour.
The Ayr Gaiety Partnership is a charitable body formed by local community figures, with membership open to local residents. The directors at present are: Ian Welsh, David Quayle, Chris Fremantle, Graham Peterkin, and Professor Gayle McPherson. Membership is open to local residents and others with an interest in the theatre. Ayr Gaiety Partnership's first General Meeting is set to take place on 13 October 2014.
Emily Soldene caused a sensation when she wore tights and rode a horse onto the stage. In March 1874 the Gunn brothers took ownership of the Theatre Royal, Dublin from John Harris, who had run it for nearly 25 years. John and Michael Gunn remained joint owners of the Gaiety, but John managed the Gaiety while Michael managed the Theatre Royal. Michael's brother John died in 1877.
La princesse de Trébizonde was given productions in London and Brussels, among other cities, in 1870, and Offenbach was in London for the week of the 1870 production at the Gaiety; in his Gaiety Chronicles John Hollingshead noted that Offenbach "passed his evenings chiefly at the few music halls which London could boast of".Lamb, Andrew. How Offenbach conquered London. Opera, November 1969, Vol.
8 The opera was heard in Australia in 1873, starring Alice May,"Manuscripts, Oral History & Pictures". Library of NSW, accessed 19 June 2011 who also took the title role at the Gaiety Theatre, London in 1876."Gaiety Theatre", The Musical World, 30 December 1876, p. 863 Several productions were staged in New York in the early 1890s, the first one at the Casino Theatre.
The Times complained of the "flatness and insipidity" of Burnand's text and of his vulgarising the original."Gaiety Theatre", The Times, 9 October 1883, p. 9 The Observer was less censorious, finding the piece moderately amusing, and correctly predicting that it would run successfully until it had to make way for the annual Gaiety pantomime at Christmas."At the Play", The Observer, 14 October 1883, p.
Among other theatrical works that he produced, he mounted a long series of popular Victorian burlesques at the Gaiety, engaging Meyer Lutz to compose original scores for them. He also produced operettas, plays and other works. These productions made stars of Nellie Farren and several others. At the Gaiety, in 1878, Hollingshead was the first theatre manager to light his auditorium with electric lights.
Hollingshead called himself a "licensed dealer in legs, short skirts, French adaptations, Shakespeare, taste and musical glasses."Arthur Lloyd Music Hall site (on Gaiety) Cuttings accessed 01 Mar 2007 In 1886, Hollingshead ceded the management of the theatre to Edwardes, whom he had hired in 1885. Nellie Farren, as the theatre's "principal boy", and Fred Leslie starred at the Gaiety for over 20 years.
Stone, David. "George Grossmith" at the Who Was Who in the D'Oyly Carte website, accessed 9 March 2008 On 14 February 1872, Grossmith gave a sketch parody of a penny reading at the Gaiety Theatre, London, since on Ash Wednesday, theatres refrained from presenting costumed performances out of respect for the holiday. At the time, coincidentally, the Gaiety was presenting Thespis, Gilbert and Sullivan's first collaboration.Moss, Simon.
"Gaiety Theatre", The Musical World, 30 December 1876, p. 863 She continued to star in operettas and became a client of Richard D'Oyly Carte's artiste agency.
Lawrence Napper, "British Gaiety: Musical Cinema and the Theatrical Tradition in British film", in Stephen Cohan, ed. The Sound of Musicals (Palgrave Macmillan), pp. 32–34.
Guinguettes, restaurants and theatres were built outside the wall, so they could avoid these taxes. "Gaîté" is an old French spelling of "gaiety", reflecting this trade.
It was part of the last-night performance at the Old Gaiety, which was demolished soon afterwards. She retired from performing at the age of 41.
The 5th Annual Irish Film & Television Awards took place on 17 February 2008 at the Gaiety Theatre, Dublin, honouring Irish film and television released in 2007.
There is a ' and the work ends with a brilliant duet marked scherzo- duettino for the title characters whose "sparkle and gaiety" end the comedy perfectly.
Joey Stefano danced at the Gaiety in the late 1980s and early 1990s. He was one of the more famous Gaiety dancers (and porn stars), having been featured in Madonna's Sex book in 1992, as well as having a biography written about him by Charles Isherwood, Wonder Bread and Ecstasy, that touches on his life as an erotic dancer at the Gaiety.Wonder Bread and Ecstasy: The Life and Death of Joey Stefano, by Charles Isherwood, Alyson Publications, 1996, (paperback) Some of the porn stars and notable entertainers that have danced at the Gaiety: Will Clark, Billy Brandt, Chris Williams, Christian Fox, Gianfranco, Carlos Morales, Rod Barry, Jason Adonis, Tristan Adonis, Hunter James, Jon Ramsey, Mark Dalton, Johnny Harden, Kip Noll, Leo Ford and Adam Champ. Angelo Garcia, a former member of famed Puerto Rican boy band Menudo also briefly worked as a dancer at the Gaiety.
Wodehouse at Work to the End (revised edition, 1976), pp. 132-33; and Wodehouse, P. G. (1933) Heavy Weather, passim. Alan Hyman, an expert on burlesque theatre who penned the 1972 book The Gaiety Years, wrote: > At the old Gaiety in the Strand the chorus was becoming a matrimonial agency > for girls with ambitions to marry into the peerage and began in the nineties > when Connie Gilchrist, a star of the Old Gaiety, married the 7th Earl of > Orkney and then in 1901, the 4th Marquess of Headfort married Rosie Boote, > who had charmed London the previous year when she sang Maisie in The > Messenger Boy. After Connie Gilchrist and Rosie Boote had started the > fashion a score of the Guv'nor's budding stars left him to marry peers or > men of title while other Gaiety Girls settled for a banker or a stockbroker. > The Guv’nor finding this was playing ducks and drakes with his theatrical > plans had a 'nuptial clause' inserted in every contract.... Debutantes were > competing with the other girls to get into the Gaiety chorus while upper- > class youths were joining the ranks of the chorus boys.
The Gaiety Theatre is a category B listed performing arts venue in Ayr, Scotland. It is noted for its interior rococo features, its atmosphere and its acoustics.
From 20 to 29 September (10 days) the church attracts a huge crowd for the feast of St. Michael, which is celebrated with religious pomp and gaiety.
This entertainment was first produced at the Gaiety Theatre by its proprietor, John Hollingshead (also a member of the Club), as the Wednesday matinee on 13 February 1878.Hollingshead, John. Good Old Gaiety: An Historiette & Remembrance, pp. 39–41 (1903) London: Gaity Theatre Co Robert Soutar (Nellie Farren's husband) acted as director/stage manager, with John D'Auban choreographing the Harlequinade that was played at the end of the pantomime.
The benefit raised an estimated £7,000 () for her retirement. Farren's retirement, coupled with Fred Leslie's death, brought to an end the type of Gaiety burlesque associated with them, at the same time that Edwardian musical comedy was taking over London theatre. Farren made a few appearances in her last years at benefits. Her last public appearance was at a "Nellie Farren Night" at the Gaiety Theatre on 8 April 1903.
These hits established Millar in London. The Gaiety Theatre closed for renovations in 1902, and the last show at the old theatre was The Linkman; or, Gaiety Memories, with Millar starring as Morgiana. She married Monckton on December 25, 1902 in St. Mark's Church, Surbiton, England.Ancestry.com, England, Select Marriages 1538–1973, FHL Film Number 1278894, Reference ID: item 7 402 Monckton continued to write hit songs for her in subsequent shows.
Réjane led a company to London in 1894, giving the play in the original French at the Gaiety Theatre from 24 June 1894. Duquesne (Napoleon), Candé (Lefebvre), Lérand (Fouché) and Verneuil (Caroline of Naples) repeated the roles they had created the previous year."Gaiety", The Times, 25 June 1894, p. 7 The first British production of an English translation was given at the Lyceum Theatre in April 1897.
Four years later he joined the orchestra at the Theatre Royal, Dublin, of which he remained a member for six years,Parker (1925), p. 134 playing the violin.Glover, James M. "The Music Box", The Stage, 3 August 1923, p. 5 Later engagements in orchestras were at the Gaiety Theatre, Dublin; the Theatre Royal, Edinburgh; the Prince's Theatre, Manchester; and, in London, the Gaiety, the Shaftesbury and the Royalty.
In 1871, John Hollingshead commissioned Gilbert to work with Sullivan on a holiday piece for Christmas, Thespis, or The Gods Grown Old, at the Gaiety Theatre. Thespis outran five of its nine competitors for the 1871 holiday season, and its run was extended beyond the length of a normal run at the Gaiety,Walters, Michael. "Thespis: a reply", W. S. Gilbert Society Journal, Vol. 4, part 3, Issue 29.
The many actors who were attached to the theatre protested against its deconstruction. The station is now closed but is said to be haunted by an angry actress who still scares people today. Apart from this theatre, the Olympic, Opera Comique, Globe, Old Gaiety and many others were swept away by the scheme, they were replaced by the Gaiety, Aldwych and New Theatres, and a realignment of the Lyceum.
Layla has a diploma in speech and drama, as well as an education in mental health nursing. In 2012, she enrolled at the Gaiety School of Acting, Dublin.
Wilde was accepted to Bard College, but deferred her enrollment three times in order to pursue acting. She then studied at the Gaiety School of Acting in Dublin.
With high spirits, full of French gaiety, he tells of terrific storms encountered by his fishing boat, and of the many hardships which they faced with brave hearts.
He perceived that audiences wanted a new alternative to the Savoy-style comic operas and their intellectual, political, absurdist satire. He experimented with a modern-dress, family- friendly musical theatre style, with breezy, popular songs, snappy, romantic banter, and stylish spectacle at the Gaiety, Daly's Theatre and other venues. These drew on the traditions of comic opera and also used elements of burlesque and of the Harrigan and Hart pieces. He replaced the bawdy women of burlesque with his "respectable" corps of dancing, singing Gaiety Girls to complete the musical and visual fun. The success of the first of these, In Town in 1892 and A Gaiety Girl in 1893, confirmed Edwardes on the path he was taking.
She then was engaged by Augustus Harris as principal dancer at the Empire Theatre for three years and later played in Liverpool and elsewhere. She also joined the company of George Edwardes where, in the early 1890s, she appeared in the burlesques Cinder Ellen up too Late and Don Juan."An Objectionable Sultan; Play of Don Juan Expurgated to Please the Turkish minister". The New York Times, 3 November 1893, p. 9 Also at the Gaiety, Edwards cast her in In Town (1892), and, in 1894, still aged 16, she danced in A Gaiety Girl at Daly's Theatre and then played the role of Violet Deveney in Edwardes's hit Edwardian musical comedy, The Shop Girl, at the Gaiety.
89 One of George Edwardes' Gaiety Girls, she took over the title role in San ToyWearing (1890s), p. 427 and originated the role of Nancy Staunton in The Toreador.
George Edwardes had left the management of Richard D'Oyly Carte's Savoy Theatre. He took over the Gaiety Theatre and, at first, he improved the quality of the old burlesques.
Hollingshead (1903), pp. 40–64 John D'Auban acted as the theatre's ballet-master and choreographed the Gaiety burlesques and other pieces from 1868 to 1891."Mr. D'Auban's 'Startrap' Jumps".
"Sunflower Slow Drag" is a ragtime composition by Scott Joplin and Scott Hayden. It is about four minutes long and has been described as "full of gaiety and sunshine".
The Dungyur is also celebrated in every three years of the Torgya. Both the Dungyur and Torgya festivals are celebrated at the Tawang Monastery with traditional gaiety and enthusiasm.
Within two or three hours' sail of Glasgow one could find an almost pristine solitude of purple heather and solemn crags all unprofaned by watering-place gaiety or luxury.
It is a month of joy and gaiety, with swings hanging from tall trees. > Girls and women swing high into the sky, singing their joy. The gaiety is > all the more marked because women, especially the young ones, are expected > to return to their natal homes for an annual visit during Savan. The brothers serve as lifelong intermediaries between their sisters' married- and parental homes, as well as potential stewards of their security.
It is a month of joy and gaiety, with swings hanging from tall trees. Girls and women swing high into the sky, singing their joy. The gaiety is all the more marked because women, especially the young ones, are expected to return to their natal homes for an annual visit during Savan. The brothers serve as lifelong intermediaries between their sisters' married and parental homes, as well as potential stewards of their security.
It was the first show to feature Edwardes' Gaiety Girls, who were to feature in all of his similar musical comedies. Caryll, the music director at the Gaiety, conducted the performances of the piece himself. One of the most famous songs from the show was "Her golden hair was hanging down her back." As the run went on, songs were constantly changed and new business frequently introduced, especially when there were cast changes.
Cover of a programme for Sinbad the Sailor, Christmas 1892 pantomime at the Gaiety The Theatre Royal in Dublin was completely destroyed by fire on 9 February 1879. Gunn began to spend more of his time in Dublin. In 1883 he employed the theatre architect Frank Matcham to expand the Gaiety. Matcham redecorated the auditorium in baroque style and built an extension to the west that held the parterre and dress-circle bars.
Gaiety Theatre, London Standard, 26 November 1896, p. 4 Another hit, The Circus Girl remained at the Gaiety until mid-April 1898 and was followed a month later by A Runaway Girl, a musical comedy by Seymour Hicks and Harry Nichols with music by Ivan Caryll and Lionel Moncton. A Runaway Girl, in which Katie Seymour played Alice, Lady Coodle's maid, closed on 13 July 1900 after run of nearly twenty months.
David James and Nellie Farren as Blueskin and Jack This production was to be John Hollingshead's last burlesque at the Gaiety Theatre, and George Edwardes joined as his co-producer.Traubner, p. 196 Hollingshead had created a popular following at the Gaiety Theatre for musical burlesque. Other examples include The Bohemian G-yurl and the Unapproachable Pole (1877), Blue Beard (1882), Ariel (1883, by F. C. Burnand), and Galatea, or Pygmalion Reversed (1883).
Eimear Walsh, "Scandal in High Society" National Library of Ireland blog (July 18, 2011). Theirs was one of the first weddings in a trend of Gaiety Girls marrying titled husbands, and Rosie Boote's acceptance into society set a template for how the rest could be received."Actresses Who Married Into the Nobility" New York Times (August 12, 1906): SM7."A Gaiety Dancer Weds Mr. Aspinall" New York Times (September 8, 1907): C1.
16 (1903) London: Gaiety Theatre Co. By late September or early October 1871, Gaiety programmes announced that "The Christmas Operatic Extravaganza will be written by W. S. Gilbert, with original music by Arthur Sullivan."Rees, p. 10. There would be prominent roles for the popular comedian J. L. Toole, as well as Farren, the theatre's star "principal boy" in all of its burlesques. How and when the pair came to collaborate on Thespis is uncertain.
The novel was adapted into a 2019 stage play directed by Peter Sheridan, which was performed at the Gaiety Theatre, Dublin, and Everyman Theatre in County Cork in Spring 2019.
P. G. Wodehouse wrote a comic dramatisation of the creation of The New Aladdin called "The Cooks and the Gaiety Broth" as part of Plum Punch: The Life of Writers.
She was remembered as a woman of great wit, charm and gaiety. There is a memorial to her at St John the Baptist, Penshurst. The widowed Sidney died in 1851.
She appeared on a 1995 episode of Lifelines. Later she turned to acting, appearing in the Gaiety Theatre, Dublin in pantomime. In 2008 she appeared on The Podge and Rodge Show.
According to musical theatre writer Andrew Lamb, "The British Empire and America began to fall for the appeal of the [Edwardian] musical comedy from the time when A Gaiety Girl was taken on a world tour in 1894."Lamb, Andrew. "From Pinafore to Porter: United States- United Kingdom Interactions in Musical Theater, 1879–1929", American Music, Vol. 4, No. 1, British-American Musical Interactions (Spring, 1986), pp. 34-49, University of Illinois Press, retrieved September 18, 2008 Edwardes' early Gaiety hits included a series of light, romantic "poor maiden loves aristocrat and wins him against all odds" shows, usually with the word "Girl" in the title. After A Gaiety Girl came The Shop Girl (1894), The Circus Girl (1896) and A Runaway Girl (1898).
Edwardes also engaged Ivan Caryll as resident composer and music director at the Gaiety and soon put Caryll together with the writing team of Owen Hall, Harry Greenbank, Ross and Lionel Monckton. Edwardes and this team created a series of musical shows similar to Dorothy, but taking its lighter, breezier style a step further. These shows featured fashionable characters, tuneful music, romantic lyrics, witty banter and pretty dancing. The success of the first of these, A Gaiety Girl (1893), which played at other theatres, confirmed Edwardes on the path he was taking. For the next two decades, the "girl" musicals packed the Gaiety Theatre, including titles like The Shop Girl (1894), My Girl (1896),Hollingshead (1903), p. 74 The Circus Girl (1896), and A Runaway Girl (1898).
He produced The Ed Sullivan Show when it visited Ireland, insisting on the use of Irish artists, including Maureen Potter, who received a career boost from the experience. Fred O'Donovan handprints (Gaiety Theatre, Dublin) O'Donovan joined the Irish Theatre Company in the 1970s and achieved recognition as the producer of variety show Gaels of Laughter, which featured Maureen Potter and was performed at Dublin's Gaiety Theatre. Gaels of Laughter returned to the Gaiety Theatre for a one-night tribute show to O'Donovan on 25 January 2010, with Gay Byrne as host and John McColgan as producer. Other production credits include several Christmas pantomimes, Jury's Irish Cabaret, The Jack Benny Show and Juno and the Paycock, which featured Peter O'Toole, Siobhán McKenna and Jack MacGowran.
The father of the Edwardian musical was George 'The Guv'nor' Edwardes. He took over the Gaiety Theatre in the 1880s and, at first, improved the quality of the old Gaiety Theatre burlesques. Perceiving that their time had passed, he experimented with a modern-dress, family-friendly musical theatre style, with breezy, popular songs, snappy, romantic banter, and stylish spectacle. These drew on the traditions of Savoy opera and also used elements of burlesque and of Americans Harrigan and Hart.
Also in 1889, at the Lyric Theatre, he created the role of Dinniver in Doris. The same year, he also played Octavius Dell in The Jackal, by E. B. Aveling, followed by Solomon and Stephens' The Red Hussar, in which he created the role of Corporal Bundy. Back at the Gaiety, in 1890, Williams played Captain Ziniga in Carmen up to Data. In 1891, he played as Sir Ludgate Hill in another Gaiety burlesque, Cinder Ellen up too Late.
"Prince of Wales's Theatre", The Times, 16 October 1893, p. 14 A Gaiety Girl's success confirmed Edwardes on the path he was taking. He immediately set Hall, Jones and Greenbank to work on their next show, An Artist's Model. A Gaiety Girl led to some fourteen copies (including The Shop Girl, The Circus Girl, and A Runaway Girl), which were very successful in England for the next two decades, and were widely imitated by other producers and playwriting teams.
The Shop Girl was first produced by George Edwardes at the Gaiety Theatre in London, opening on 24 November 1894. The piece ran for an extremely successful 546 performances, transferring to Daly's Theatre."The Shop Girl at The Gaiety", Freeman's Journal, 13 March 1896, p. 5 It starred Seymour Hicks, George Grossmith, Jr., Arthur Williams, Edmund Payne, Willie Warde and Ada Reeve, who (being pregnant) was replaced in the cast by Kate Cutler and then Hicks' wife, Ellaline Terriss.
After Higgins' death Ernest Blythe was named managing director. She left the Abbey in 1944 to direct the Gaiety School of acting. In January 1948 she became resident producer at the Abbey.
The Gaiety Theatre (1878-1882) of Boston, Massachusetts, was located on Washington Street on the block between West and Avery Streets.Boston Almanac. 1879-1882 J. Wentworth oversaw its operations.Boston Daily Globe, Feb.
D Nellie Farren, as the theatre's "principal boy," and Fred Leslie starred at the Gaiety for over 20 years. Leslie wrote many of its pieces under his pseudonym, "A. C. Torr".Stewart, Maurice.
D Nellie Farren, as the theatre's "principal boy", and Fred Leslie starred at the Gaiety for over 20 years. Leslie wrote many of its pieces under his pseudonym, "A. C. Torr".Stewart, Maurice.
D Nellie Farren, as the theatre's "principal boy," and Fred Leslie starred at the Gaiety for over 20 years. Leslie wrote many of its pieces under his pseudonym, "A. C. Torr".Stewart, Maurice.
Other celebrities that have visited the Gaiety: RuPaul, Robin Byrd, John Rutherford, Andy Warhol, pornographer Paul Morris, John Waters, Divine, Diane Keaton and Shirley MacLaine, Cilla Black, The Lady Bunny and Paul O'Grady.
The Gaiety Theatre is a theatre on South King Street in Dublin, Ireland, off Grafton Street and close to St. Stephen's Green. It specialises in operatic and musical productions, with occasional dramatic shows.
He was responsible for the Gaiety's famous 'Corsican Trap,' and other period stage machinery, and it is to him, more than any other individual, that credit must be given. "A Full Circle - 100 Years of the Gaiety Theatre and Opera House" by Roy McMillan, Keith Uren Publishing, 2000, ISBN 0 - 9538628 - 0 - 1, and "Saving the Gaiety: And Other Misadventures of a Theatre Manager" by Mervin Russell Stokes, Lily Publications (1857), Foreword and introduction by Timothy West and Prunella Scales.
These shows were immediately widely copied at other London theatres and then in America. George Edwardes The first Edwardian musical comedy was In Town in 1892. Its success, together with the even greater sensation of A Gaiety Girl in 1893, confirmed Edwardes on the path he was taking."Gaiety Theatre" , ArthurLloyd theatre site"Musical Comedy" , Musicals Tour at PeoplePlayUK theatre site These "musical comedies", as he called them, revolutionized the London stage and set the tone for the next three decades.
The Glasgow Gaiety Theatre was a cine-theatre in Anderston Cross, Glasgow, Scotland. Originally known as the Victoria Music Hall, then the Tivoli Variety Theatre, and co-founded by a grandson of James Baylis of the Theatre Royal, Glasgow it opened in 1899 presenting Musicals, variety shows and pantomimes. When it was rebuilt in 1904 it changed to operate as a cine-variety under the name of Gaiety Theatre, becoming a full cinema in 1935. The Beatles appeared there in 1963.
The Times later commented, "Edwardes had an uncanny flair for personalities, and in his new recruit he found a personality indeed, an actress with a 'Gaiety sense', a comedian of a rare type, and a wholesome 'comfortable-looking' – his own words – foil to the orchidaceous showgirls of the Gaiety.""Miss Connie Ediss", The Times, 20 April 1934, p. 9 Edwardes sent her to New York, where she appeared in the Broadway production of The Shop Girl as Ada Smith.Green, p.
The first British repertory theatre was opened at the Gaiety Theatre in Peter Street in 1908 by Annie E.F. Horniman with great success. Productions were of a high standard and the plays included works by Ibsen, Synge, W.B. Yeats, George Bernard Shaw, Verhaeren, Gerhart Hauptmann, Sudermann and Euripides, as well as some of the English classical dramatists. Among dramatists of the early 20th century mention should be made of Stanley Houghton whose dramas were performed on the Gaiety stage.McKechnie, H. M., ed.
Lind's first appearance at the Gaiety Theatre was in December 1880 as a background performer in The Nine Days' Queen by Robert Buchanan. In 1882, she played at the Olympic Theatre in The Exiles of Erin, and in Little Miss Muffet at the Criterion Theatre. She returned to the Gaiety in 1882 in A Madcap Prince. She spent much of the next year at Her Majesty's Theatre in a revival of Jacques Offenbach's Le voyage dans la lune (A Trip to the Moon).
The Gaiety Theatre was a West End theatre in London, located on Aldwych at the eastern end of the Strand. The theatre was first established as the Strand Musick Hall in 1864 on the former site of the Lyceum Theatre. In 1868, it became known as the Gaiety Theatre and was, at first, known for music hall and then for musical burlesque, pantomime and operetta performances. From 1868 to the 1890s, it had a major influence on the development of modern musical comedy.
The illustrated periodicals were eager to publish photographs of the actresses in the latest stage hits, and so the theatre became an excellent way for clothiers to publicise their latest fashions."Designing Stage Costumes", Victoria and Albert Museum, accessed March 10, 2015 Poster for A Gaiety Girl Gaiety girls were polite, well-behaved young women. They became a popular attraction and a symbol of ideal womanhood. Edwardes arranged with Romano's Restaurant, on the Strand, for his girls to dine there at half-price.
The School of Media, Culture & Society at the University of the West of Scotland (UWS) and the Gaiety Theatre officially launched Scotland’s first Learning Theatre on Friday 19 September 2014. The launch event, which saw representatives from UWS, the Gaiety, as well as the National Theatre of Scotland in attendance, marks the first stage in the development of the partnership Learning Theatre, which will provide a centre for education, training and research in the area of performance and theatre craft. UWS enjoys close links with the Gaiety and the University’s new BA Technical Theatre degree, delivered in conjunction with the Theatre, had its first intake in September. The course, the only one of its kind in the country, offers thorough vocational training for those looking to work in stage management and theatre production.
At a May 1990 dinner and interview with Jess Cagle (Entertainment Weekly) and Rick X (host of Manhattan Cable TV's The Closet Case Show), Stefano discussed an alleged series of "dates" with David Geffen, who at one point implored Stefano to quit using drugs. After the videotaped interview appeared on Rick X's show, OutWeek Magazine "outed" Geffen, who went on to announce his homosexuality at an AIDS fundraiser. Stefano danced at the Gaiety Theatre, New York (male burlesque) in the late 1980s and early 1990s. He was one of the more famous Gaiety dancers (and porn stars), having been featured in Madonna's Sex book in 1992, as well as having a biography written about him by Charles Isherwood, Wonder Bread and Ecstasy, that touches on his life as an erotic dancer at the Gaiety.
Houghton's first productions were The Intrigues at the Athenaeum Society, Manchester on 19 October 1906, The Reckoning at the Queen's Theatre, London on 22 July 1907, and The Dear Departed at the Gaiety Theatre, Manchester on 2 November 1908, the first of many to be produced at the Gaiety Theatre, Britain's first regional repertory theatre. This theatre was owned and managed by Annie Horniman who encouraged local writers. Other plays to receive their premières at the Gaiety were Independent Means on 30 August 1909, The Younger Generation on 21 November 1910, The Master of the House on 26 September 1910, and Fancy-Free on 6 November 1911. For a time, Houghton was the honorary secretary of the Manchester Athenaeum Dramatic Society, and frequently gave his services as a producer.
Georgia Caine was Mme. Myrianne de Neuville, Hal Forde was Baron Charles de Chantilly and Craufurd Kent was Robert Friebur. The West End London production opened at the Gaiety Theatre on May 30, 1914.
The feminine and graceful 'French polka' (polka française) is slower in tempo and is more measured in its gaiety. Johann Strauss II's Annen Polka op. 114, Demolirer polka op. 269, the Im Krapfenwald'l op.
Below is a list of the characters from the play Philadelphia, Here I Come! along with a cast list from when it was first performed, at the Gaiety Theatre, Dublin, on September 28, 1964.
Beginning her acting career in Dublin, Brennan appeared in many of the major theatres including the Gate Theatre, the Abbey Theatre and the Gaiety Theatre, as well as touring community centres with Moving Theatre.
He was perhaps best known for starring in the Theatre Royal, Drury Lane's annual Christmas pantomimes, alongside Dan Leno and Herbert Campbell and as the author of long-running musicals at the Gaiety Theatre.
Ironically, it had "probably the largest audience" of any Gilbert and Sullivan première, as the Gaiety was the largest of the five London theatres at which their joint works premièred.Allen (First Night), p. 1.
His songs were known for their great gaiety. He was a popular poet and 27 of his songs are preserved, some in as many as 15 manuscripts. Four of his cansos survive with musical notation.
He married Agnes Ellen Gunn, younger daughter of Michael Ralph Thomas Gunn, the builder and owner of the Gaiety Theatre, Dublin and his actress wife Barbara Elizabeth Johnstone, who used the stage name Bessie Sudlow.
See, e.g., "Amateurs at Canterbury", The Athenaeum, 20 August 1870, p. 251 The cast for a performance at the Gaiety in 1880 included Cecil as Box, George Grossmith as Cox and Corney Grain as Bouncer.
The Gaiety Theatre Ayr is home to The Gaiety Theatre. Built in 1902, reconstructed after a fire in 1904, its façade remodelled in 1935, and further reinstated after a fire in 1955. In 1995, an annexe was constructed, including a new café, box office, dressing rooms and studio space. After a faltering start, which saw several years as a cinema after WWI, the theatre was bought by Ben Popplewell, from Bradford, who already had a track record of success running the Pavilion theatre on Ayr seafront.
For fifty years the Popplewell family ran the theatre – latterly as part of the Glasgow Pavilion business. During this time the Gaiety developed a reputation as a variety theatre with a 'summer' variety show – the Gaiety Whirl – which ran for 26 weeks at its height. Many British stars appeared regularly on its stage, and several started their careers there. The programme offered more than a summer show, however, with several weeks of Shakespeare and regular transfers from Glasgow Citizens theatre, being part of a varied offer.
9a The 1890s Gaiety Girls were polite, well-behaved young women, respectable and elegant, unlike the corseted actresses from the earlier burlesques. They became a popular attraction and a symbol of ideal womanhood. Many of the best-known London couturiers designed costumes for stage productions by the 1890s, particularly for the Gaiety Girls. The illustrated periodicals were eager to publish photographs of the actresses in the latest stage hits, and so the theatre became an excellent way for clothiers to publicise their latest fashions.
The Gaiety Theatre, King St South, Dublin On 21 April 1871 John and Michael Gunn obtained a 21-year license to establish "a well-regulated theatre and therein at all times publicly to act, represent or perform any interlude, tragedy, comedy, prelude, opera, burletta, play, farce or pantomime". The brothers had the Gaiety Theatre built on South King Street in Dublin 1871 for £26,000. Construction was completed in just 28 weeks. The designer was Charles J. Phipps, who was already experienced in theater design.
The piece was a hit, and for the next seven years he and Farren were the pillars of the popular Gaiety Theatre burlesques.Hollingshead (1898), pp. 443–44 In 1887, his Miss Esmeralda was successful; Frankenstein, or The Vampire's Victim, in which he played a monster in touch with his feminine side, was a flop. In 1888–89, Leslie, with Farren's Gaiety company, toured in the US and Australia, in Monte Cristo Jr. and Miss Esmeralda (together with Sylvia Grey, Marion Hood and Letty Lind).
Ruby Miller (14 July 1889 – 2 April 1976) was a British stage and film actress.Warren p.96 Originally one of George Edwardes’ ‘Gaiety Girls’, she was the subject of TV's This is Your Life in 1962.
6 He played Dr. Montague Brierly during part of the run of A Gaiety Girl at Daly's Theatre. He then went to South Africa with one of George Edwardes's companies, playing Miggles in The Shop Girl.
The Gaiety Girls cast included Joe Yule and Nell Carter, who welcomed their only child, Mickey Rooney, while on the same tour. After the birth of their son, Kammerer & Howland ended their professional and romantic relationship.
Roberts in The Commodore, 1886 In the legitimate theatre, he starred as Dr. Syntax in the Drury Lane Theatre pantomime Mother Goose (1880); as Mrs. Crusoe in Robinson Crusoe (1881 and 1886); in Sindbad the Sailor (1882; a show he repeated in 1906); in H. B. Farnie's Nell Gwynne (1884); in Farnie's The Grand Mogul (1884 with Florence St. John, Fred Leslie and Frank Wyatt);The Times, 19 November 1884, p. 6 Joe Tarradiddle in the English adaptation of Offenbach's La Vie parisienne; Stanley the explorer in the 1891 Gaiety Theatre burlesque of Joan of Arc by Adrian Ross and J. L. Shine,Hollingshead, John. Good Old Gaiety: An Historiette & Remembrance, p. 62 (1903) London: Gaiety Theatre Co. popularising the song "I went to find Emin"; in the early Edwardian musical comedy In Town (1892); Captain Arthur Coddington in the Gaiety burlesque of Don Juan (1893, by Meyer Lutz, A. C. Torr and Ross); Claude Du Val (1894), the title character in Gentleman Joe (1895); Black-Eyed See-Usan; and Dandy Dan the Lifeguardsman (1898), among others. Roberts had success in the 1890s with the hit song "Daddy Wouldn't Buy Me a Bow Wow".
In some cases, a marriage into society and even the nobility resulted. Edwardes arranged with Romano's restaurant, on the Strand, for his girls to dine there at half-price. It was good exposure for the girls and made Romano's the centre of London's night-life. Part of the programme for the old Gaiety's farewell performance Alan Hyman, an expert on burlesque theatre who penned the 1972 book The Gaiety Years, wrote: :At the old Gaiety in the Strand the chorus was becoming a matrimonial agency for girls with ambitions to marry into the peerage and began in the nineties when Connie Gilchrist, a star of the Old Gaiety, married the 7th Earl of Orkney and then in 1901, the 4th Marquess of Headfort married Rosie Boote, who had charmed London the previous year when she sang Maisie in The Messenger Boy.
He wrote many other burlesques for the Globe Theatre, the Olympic Theatre (including Richelieu in 1873 and Clockwork in 1877),Programme listings the Vaudeville Theatre (including Green Old Age, with music by Frederic Clay, in 1874; and a burlesque, Ruy Blas Righted), the Strand Theatre, and the Gaiety. At the Gaiety, he produced fourteen pieces between 1872 and 1884, among them the pantomimes Ali Baba (1872), Don Giovanni in Venice (1873), The Forty Thieves, (written with F. C. Burnand, H. J. Byron and W. S. Gilbert) (1878) and another version of the same story, with music by Meyer Lutz in 1880;"The Gaiety", The Times, 25 December 1880, p. 8 and the burlesques Aladdin, (1881); Little Robin Hood, (1882); and Valentine and Orson, (1882). He collaborated with Henry Brougham Farnie on 15 libretti or adaptations and occasionally joined with other dramatic writers.
The beat increases steadily, going faster and faster, and then rising to a crescendo as the boats cross the finish line. The ornate and painted 'dragons' on the boats' prows add to the gaiety of the festival.
It fails somewhat of the resonance, > gaiety, and zest we were seeking. But it has a personal dignity and meaning > to many of us here. Our name, dear Miss Moore, is—Edsel. I hope you will > understand.
Gaiety Theatre has been a part of various films and songs. Films like Tamasha, and songs like Pachtaoge by Arijit Singh, Main Nikla Gaddi Le Ke from the movie Gadar- Ek Prem Katha, etc. are shot here.
Henderson has written several plays and has performed at the Peacock Theatre, Gaiety Theatre, Bewley's Café Theatre, and in the Dublin Fringe Festival. She was nominated for a Hennessy Literary Award for her short story The Box.
Hicks and Alfred Butt revived the piece in London in 1920, at the Gaiety, where it was again a hit, running for 327 performances. Hicks directed and Warde choreographed. The cast included Evelyn Laye and Roy Royston.
At the Gaiety she appointed Ben Iden Payne as the director and employed actors on 40-week contracts, alternating their work between large and small parts. The plays produced included classics such as Euripides and Shakespeare, and she introduced works by contemporary playwrights such as Ibsen and Shaw. She also encouraged local writers who formed what was known as the Manchester School of dramatists, the leading members of which were Harold Brighouse, Stanley Houghton and Allan Monkhouse. The Gaiety company undertook tours of America and Canada in 1912 and 1913.
109 and 111 Helen Carte, formerly Helen Lenoir, Carte's assistant and second wife In June 1875 the Royalty closed for the summer, and Dolaro took her company on tour. While Trial by Jury and La Périchole were playing at the Gaiety Theatre, Dublin in September,"Public Amusements", Freeman's Journal, 6 September 1875, p. 1 Carte met Michael Gunn, a co-owner of the Gaiety. Gunn became a close friend of Carte's, later served as a manager in his theatrical company and was a shareholder and director in his hotel business.
In September, Cecil was at the Gaiety Theatre, London, reprising his role in Cox and Box opposite the composer's brother, Fred Sullivan, as Box."The London Theatres", The Era, 6 September 1874, p. 11. The next year, he was back at the Gaiety in The Merry Wives of Windsor as Dr. Caius; and at the Opera Comique, in As You Like It, as Touchstone, in The School for Scandal as Sir Peter Teazle, and in She Stoops to Conquer, as Tony Lumpkin. In 1876, he was back at the Globe.
The only Gothic theatre in Asia, and amongst just six in the world, it is definitely worth a visit. This complex has come up as a vibrant center of all types of creative and performing arts; for example - painting, photography, dance, drama, theatrics, elocution, sculpture, and classical and folk music. At the same time Gaiety Complex also provides Shimla schools an opportunity to participate in the cultural activities organised here. More than a century-old symbol of art and culture, the Gaiety is primarily known for its social club.
The Gaiety Theatre is a public hall in Naka-ku, Yokohama, Japan. It was built in 1866 by Dutch merchant MJB Noordhoek Hegt behind his office at Settlement plot 68. An amateur dramatic club was organized and performed at the public hall. Hegt rented the hall at a very reasonable price for the dramatic club's performances but it soon proved to be too small and was also being used for many other activities so, in 1870, another small theater was built on Honmachi Street and became the original Gaiety Theatre.
Programme cover for The Beauty Spot (1917) by Dolly Tree On 22 December 1917 The Beauty Spot opened at the Gaiety Theatre in LondonThe Beauty Spot (1917) - Broadway World database but this production shared only the title with its American counterpart.Gaiety Theatre production of The Beauty Spot (1917)- Over the Footlights pg. 21 The London version featured Evelyn Laye in an early appearance in a minor role.Brief biography for Evelyn Laye - National Portrait Gallery, London website The Beauty Spot ran at the Gaiety Theatre from 22 December 1917 to 4 May 1918 (152 performances).
Rather than accept another season with the joint company, Santley decided to establish a new English Opera enterprise at the Gaiety Theatre, working with the theatre's music director and conductor, Meyer Lutz. In autumn 1870 he launched a successful nine-week run at the Gaiety with Hérold's Zampa. He refused to sing Don Giovanni but he did stage Fra Diavolo (with himself in title role), and, in the lead-up to Christmas, The Waterman. Performances of Fra Diavolo continued through February 1871, while Lortzing's Czar und Zimmerman (as Peter the Shipwright) was staged for Easter.
An American newspaper reviewing A Gaiety Girl in 1894 explained the importance of the Gaiety Girls: "The piece is a mixture of pretty girls, English humor, singing, dancing and bathing machines and dresses of the English fashion. The dancing is a special feature of the performance, English burlesques giving much more attention to that feature of their attractiveness than the American entertainments of the same grade do."The Brooklyn Daily Eagle, Sunday, 23 December 1894, p.9a. Many of the best-known London couturiers designed costumes for stage productions by the 1890s.
He wrote in The Tatler under the pseudonym Bran Pie and in 1893 published an edition of Lady Mary Wortley Montague's Letters. He also published numerous French texts for the Pitt Press series. Ross and Carr's next work, in collaboration with James T. Tanner, was In Town (1892), a smart, contemporary tale of backstage and society goings-on. This left behind the earlier Gaiety burlesques and helped set the new fashion for the series of modern-dress Gaiety Theatre shows that quickly spread to other theatres and dominated British musical theatre.
Moratti, Mel. "Theatre in Melbourne 1888" at the Gilbert and Sullivan Down Under site At the same time, Leslie played roles in other pieces, for example David Garrick by Thomas W. Robertson at the Gaiety in 1886.Adams, p. 381 180px Leslie's Don Caesar de Bazan in Ruy Blas and the Blasé Roué (1888, a take off of Victor Hugo's play Ruy Blas), was perhaps the most popular of his later parts, and he and Farren starred at the Gaiety and toured in this production and in Miss Esmeralda, and Joan of Arc (1891).
"The Gaiety", The Era, 8 September 1883, p. 6 When Farren enlisted some of her colleagues at the Gaiety for a tour of the British provinces Monkhouse joined her, and subsequently he went on tour on his own account with a "farcical burlesque comedy" called Larks, first produced in Southport in February 1886."Larks at Southport", The Era, 27 February 1886, p. 15 In 1889 Monkhouse again appeared in London, playing Bouillabaisse in Robert Planquette's Paul Jones for the Carl Rosa opera company at the Prince of Wales Theatre.
During this time, he added the "e" to his surname. While working at the Opera Comique, Edwardes met his future wife, singer Julia Gwynne, whom he brought to the D'Oyly Carte Opera Company, where she became a principal player. The couple married in 1885 and produced three daughters, including one named Dorothy, and a son, D'Arcy. Souvenir programme from Ruy Blas and the Blasé Roué In 1885, Edwardes was hired to succeed John Hollingshead as manager at the Gaiety Theatre, producing the burlesques in which the Gaiety specialised.
Chapchar Kut is another festival celebrated during March after completion of their most arduous task of Jhum operation i.e., jungle-clearing (clearing of the remnants of burning). This is a spring festival celebrated with great fervour and gaiety.
Ziegfeld: The Public and Private Lives of Billie Burke (McFarland 2016), p. 207. Felix, Hugo, Victorien Sardou and Adrian Ross. The Merveilleuses: A New Comedy Opera, Chappell (1906), p. iii. She was also associated with the Gaiety Theatre.
The couple quickly separated but never divorced.Whittington- Egan, 1972, p. 261. Also in 1926, Dolores had a minor role in Riki Tiki at the Gaiety Theatre in London. The show lasted just two weeks after being badly received.
An amount of approximately 3-4 lakh rupees is spent on this arrangement every year. BURLA UTSAV is celebrated with gaiety in between 3-4 years. Cultural troupes from different parts of India take part in this Utsav.
Neville Cardus's praise in The Manchester Guardian was grudging: he called the play "an essay in facetiousness".Cardus, Neville. "Gaiety Theatre", The Manchester Guardian, 4 May 1920, p. 13 Notices for the London production were mixed, but encouraging.
"'Down to Earth' Offers Gaiety and Diversity", Pembroke Record [Providence, RI] 18 April 1958: 4. Web. 2 December 2011. In 1993, Brown presented him with an honorary doctorate.Gerald Rabkin, Richard Foreman, Johns Hopkins University Press, 1999, p. 240.
The presiding deity of the temple is 'Lord Shiva'. Shivratri is celebrated with full gaiety. It is a Hindu festival celebrated every year in reverence of Lord Shiva. Alternate common names/spellings include 'Herath', 'Hararatri', 'Shivaratri, Sivarathri, and Shivaratri.
Ria Mooney (1903 - 3 January 1973) was an Irish stage and screen actress, artistic director of the Abbey Theatre (1948-1963) and director of the Gaiety School of Acting. She was the first female producer at the Abbey Theatre.
It was directed by Dorothy Donnelly and Julian Alfred, with choreography by Julian Alfred. The New York run was followed by a touring production. The piece then had a London production at the Gaiety Theatre in 1924.Parker, John.
She played a twin in the theatre play The King and I at the Opera House in Cork. After leaving the C.A.D.A she was trained at the Gaiety School of Acting in Dublin, from which she graduated in 2006.
1874 Gaiety production starring Fred Sullivan as Cox Cox and Box quickly became a Victorian staple, with additional productions in Manchester in 1869 and on tour in 1871 (conducted by Richard D'Oyly Carte, with the composer's brother Fred playing Cox),"Public Amusements", Liverpool Mercury, 2 September 1871, p. 6 at London's Alhambra Theatre in 1871, with Fred as Cox,Biography of Fred Sullivan at the Who Was Who in the D'Oyly Carte website and at the Gaiety Theatre in 1872, 1873, and 1874 (the last of these again starring Fred as Cox and Cecil as Box), and Manchester again in 1874 (paired with The Contrabandista). There were also numerous charity performances beginning in 1867, including two at the Gaiety during the run of Thespis, and another in Switzerland in 1879 with Sullivan himself as Cox and Cecil as Box.Adams, pp. 348–49 Sullivan sometimes accompanied these performances.
They resemble the shape of a temple 'Gopura'. Gauramma (a symbolic idol of Gowri made of turmeric) is placed on top of the flowers. This little floral mountain is worshipped as Goddess Bathukamma. This festival is celebrated with joy and gaiety.
The News Chronicle critic wrote that "To have any sort of musical, let alone British, maintaining a spontaneous running gaiety and an irresistible tunefulness is a new and blissful experience."Winnington, Richard. "Review: 'Champagne Charlie'." News Chronicle, 26 August 1944.
Maudi Darrell (born Maud Rhoda Didcott, 10 February 1882 – 31 October 1910) was an English actress on the London and New York stages, and a performer in vaudeville. She was one of the fashionable young women known as "Gaiety Girls".
The last show at the theatre was the farce Running Riot, in 1939. By 1938 the Gaiety Theatre was in need of refurbishment. However, the theatre no longer conformed to the then current licensing regulations, and so extensive modernisation was required.
In London he soon took a prominent literary place and exercised much influence. Archer played an important part in introducing Ibsen to the English public, starting with his translation of The Pillars of Society, produced at the Gaiety Theatre in 1880.
The Ninth Symphony (1945), in contrast, was much lighter in tone. Gavriil Popov wrote that it was "splendid in its joie de vivre, gaiety, brilliance, and pungency!"Fay (2000): p. 147. But by 1946 it too was the subject of criticism.
Watson was born in Thorney, Cambridgeshire. He was the son of a Gaiety Girl, Barbara Hughes, and a music hall comedian, Nosmo King. Watson often appeared on stage with his father as straight man, where he was known simply as Hubert.
Games Results for Robert Dixon . Commonwealth Games Federation. Retrieved on 2016-03-17. “Adding to the gaiety of things sporting”: Stanley Wilson, the leading British javelin-thrower of the 1930s. Track Stats (March 2008). Retrieved on 2016-03-17.Commonwealth Games.
Interior of the Gaiety, 1869 In 1868, the theatre was sumptuously rebuilt by John Hollingshead as the Gaiety Theatre (announcing its dramatic policy in its name), on a nearby prominent site at the centre of the Aldwych, facing the eastern end of the Strand."Architecture: A city in flux brought to book", The Times, 11 December 2002 It was designed by the theatre architect C. J. Phipps, who also designed the Gaiety Theatre (1871) in Dublin. A restaurant operated in the building, and patrons could eat before seeing the show and then go directly to their seats without having to worry about the weather outside. The Gaiety Theatre opened on 21 December 1868, with On the Cards and several companion pieces, including the successful Robert the Devil, by W. S. Gilbert, a burlesque of the opera Robert le Diable.Digital Guide to Gilbert & Sullivan accessed 1 March 2007 The theatre was a venue primarily for burlesque, variety, continental operetta and light comedy under the management of John Hollingshead from 1868 to 1886, including several operettas by Jacques Offenbach and musical burlesques arranged by the theatre's music director, Wilhelm Meyer Lutz. Gilbert also wrote An Old Score for the theatre in 1869.
She was most acclaimed in the "principal boy" roles. These roles permitted the actress to show her legs in tights, and Farren became very popular with the young men of the Gaiety audience, who would wear a coloured scarf to show support for their favourite actress. Farren's colours were dark blue, light blue and white, and she could look out over the audience to compare the number of fans displaying her colours as compared to the colours of the other actresses. According to Hollingshead, Farren developed a "spinal complaint, which troubled her in her early Gaiety career [and] developed into locomotor ataxy" later.
142, Da Capo Press (2009), and when the piece transferred to Daly's Theatre in 1894, she was promoted to the title role."A Gaiety Girl", Daly's Theatre programme, 1894, accessed 22 August 2013 Studholme After that, she played a series of roles for Edwardes in London and on tour. She understudied Letty Lind as Daisy Vane in An Artist's Model, eventually taking over the role and recreating it in the New York production in 1895. In 1897 she toured the United States with Edwardes' Gaiety company. She also appeared on Broadway in a revival of In Town in 1897.
The Gaiety Theatre was a Broadway theatre at 1547 Broadway in New York City from 1909 until 1982, when it was torn down. The office building that housed the theatre, the Gaiety Building, has been called the Black Tin Pan Alley for the number of African-American songwriters, who rented office space there. It was designed by Herts & Tallant and owned by George M. Cohan. The theatre introduced revolutionary concepts of a sunken orchestra (the previous configuration had the orchestra on the same level as the seats in front of the stage) and also not having pillars obstructing sight lines for the balcony.
Stage Door Johnnies waiting after A Gaiety Girl The show's popularity depended, in part, on the beautiful "Gaiety Girls" dancing chorus appearing onstage in bathing attire and in the latest fashions. According to The Brooklyn Daily Eagle, "The piece is a mixture of pretty girls, English humor, singing, dancing and bathing machines and dresses of the English fashion. The dancing is a special feature of the performance, English burlesques giving much more attention to that feature of their attractiveness than the American entertainments of the same grade do."The Brooklyn Daily Eagle, 23 December 1894, p.
In the late 1930s, Chancellor worked more often in London. Following her appearance as Baby Furze in the 1938 production of Spring meeting by Molly Keane and John Perry, she was nominated as "Star of the Future" by the Daily Mail. She acted alongside Alec Guinness and Peggy Ashcroft in 1940 in Clemence Dane's Cousin Muriel at the Globe Theatre, directed by John Gielgud. She returned to the Gaiety Theatre in 1941, to act with Hilton Edwards in a production of Caesar and Cleopatra by George Bernard Shaw, a production that marked the 75th anniversary of the Gaiety.
Perhaps to balance the "girl" musicals for which the Gaiety was famous, Edwardes also presented a series of "boy"-themed musicals, such as The Messenger Boy (1900), The Toreador (1901, which introduced Gertie Millar), Two Naughty Boys (1906), The New Aladdin (1906), Havana (1908). Later, George Grossmith, Jr. and Edward Laurillard produced a number of successes at the theatre, including Tonight's the Night (1915) and Theodore & Co (1916). Many of these popular musicals toured after their runs at the Gaiety, both in the British provinces and internationally. Leopold Wenzel conducted during the Edwardian period, leaving the theatre in 1913.
The theatre in the 1920s Edwardes died in 1915, leaving his estate indebted and the theatre (as well as Edwardes' other theatres, including Daly's Theatre), in the hands of Robert Evett, formerly a leading tenor of the D'Oyly Carte Opera Company. Manuel Klein was music director at the Gaiety for several years beginning in 1915. Under Evett's management, the theatre prospered with another hit, Going Up (1918), followed by The Kiss Call (1919), and Faust on Toast (1921). In 1922, Evett produced Gaiety adaptations of Catherine and The Last Waltz, a work of which he was co- author.
In the burlesque Monte Cristo Jr. at the Gaiety, he sang the song "Ballyhooly". He also starred in the musical comedy hit The Messenger Boy as Cosmos Bey (1900 at the Gaiety).Adams, pp. 113, 127, 255, 291, 352, 503 and 547 Lonnen married Emily Inman, a dancer. They had a daughter, actress Jessie Lonnen,London Metropolitan Archives, England, Marriages and Banns (1754–1921), Saint Matthew's Church, Brixton, Register of marriages, p. 19 who performed with George Edwardes's company in EnglandThe Manchester Guardian 27 December 1919, p. 1 and the J. C. Williamson company in Australia.
Where other Dublin theaters had resident performers and technical staff, the Gaiety provided a stage for touring companies almost all year apart from Christmas, when they put on a pantomime produced in-house. This gave the public more variety, gave the touring companies a larger audience, and saved money since the theater needed fewer employees. The Gunns brought the best actors and troupes in the world of theatre to Dublin each year, performing classic plays by Shakespeare and others, classical opera, light opera from Gilbert and Sullivan, and opéra bouffe. Adelaide Ristori and Sarah Bernhardt appeared at the Gaiety.
22; Camden Press ; retrieved 18 April 2011 The preferred subjects for his work became the Middle East and Brittany; painting scenes of desert life and Breton peasantry. Although not visiting the Sudan he became a 'War Artist' for the 1890s Sudanese War, providing illustrations for London periodicals. His interest in illustration led to the production of French graphic influenced poster imagery, most notably the Yellow Girl advertisement for Today magazine, and Gaiety Girls,Society – Women and the family Victoria and Albert Museum "Victorian Vision" exhibition; V&A; Publications; retrieved 18 April 2011 a series of posters depicting actresses of the Gaiety Theatre.
Born in Bath, his first major work was the rebuilding of Theatre Royal, Bath in 1862/3, after the old theatre had been destroyed by fire. Moving to London, he quickly established himself as the leading theatrical architect, building, in rapid succession, the Queen's Theatre (1867), the Gaiety Theatre (1868), the Olympic Theatre (1870) and the Vaudeville Theatre (1871). Phipps designed the Gaiety Theatre, Dublin for John and Michael Gunn, opened in November 1871. Phipps's Savoy Theatre (1881), a state-of-the-art facility, was the first public building in the world lit entirely by electric light.
13, col. G Grossmith and Phyllis Dare in The Sunshine Girl Grossmith then returned to Edwardes's company as leading comedian, touring in Kitty Grey, and then starred in the Gaiety Theatre's hit The Toreador (1901). Grossmith supplied some of his own lyrics ("Archie") but scored his biggest hit with Rubens's song "Everybody's Awfully Good to Me." He then played in The School Girl (1903) and subsequently toured America in the piece, but he mostly remained at the Gaiety for the next dozen years, starring in a number of hits and becoming one of the biggest stars of the Edwardian era.
The term "choreographer" was not generally used at the time of Warde's career. Theatre programmes usually read, "The dances arranged by ...". Shows for which Warde arranged the dances included the burlesques Little Jack Sheppard (1885), in which he also appeared, and Cinder Ellen up too Late (1891). In 1889, he arranged the dances for Gilbert and Sullivan's The Gondoliers.Savoy Theatre playbill, The Gondoliers, 7 December 1889 The musical comedies that he choreographed included A Gaiety Girl (1893);Daly's Theatre programme, 1894 The Shop Girl (1894);Gaiety Theatre programme, 1894 The Geisha (1896);Playbill, Daly's Theatre, 27 April 1896 A Greek Slave (1898);Playbill, Daly's Theatre, 8 June 1898 A Gaiety Girl (revival, 1899);Playbill, Daly's Theatre, 6 June 1899 The Lucky Star at the Savoy Theatre (1899);Savoy Theatre playbill, 26 May 1899 San Toy (1900);Playbill, Daly's Theatre, 16 February 1900 Three Little Maids (1902); The Duchess of Dantzic (1903); and The Cingalee (1904), in which he also appeared.
Between 1896 and 1909, Connie Leon was popular in provincial theatre as a singer, dancer and comedian, including pantomime and in soubrette roles.The Era, 1 August 1896. The Gaiety Theatre, Burnley: "Miss Connie Leon, vocalist and dancer."The Era, 7 November 1896.
Notable sites that are presently located on Del Pilar Street include the Ermita Church, LandBank Plaza, the Malate Church, Gaiety Theater as well as several hotel buildings such as the New World Manila Bay Hotel (formerly Hyatt Hotel & Casino) and Diamond Hotel.
Murphy was born in Enniscorthy, the daughter of hair salon owners Brenda and Pat Murphy. She has five siblings. The family moved to Wexford when she was 12 years old. She trained at the Gaiety School of Acting from 2006 to 2008.
1890), the old St. Paul Hotel (1901), National Bank building (c. 1900), Gaiety Movie Theater (1920s), The Lyric (c. 1950), and Cavalier Theater/ Phillips Building (c. 1955). and Accompanying six photos It was listed on the National Register of Historic Places in 2011.
During the 1924–25 theatre season she appeared in The Blue Kitten at the Gaiety Theatre. She met John Sterling Barney, an American singer, at a party in 1927. They were married on . However, John Barney returned to America the following year.
He had first become interested in acting when his family saw a pantomime at the Gaiety Theatre in Dublin and he watched actors waiting for their cues in the wings.Smurthwaite, Nick (11 October 2006). "Filling in the blanks", The Stage: p. 35.
The play was first performed at Gaiety Theatre on 19 October 1901. The play is influenced by William Shakespeare's Othello. The play was published as a book in Gujarati titled Saubhagyasundari ane Bija Natakonu Navneet, in 1951 by Sastu Sahityavardhak Karyalay, Ahmedabad.
His wife continued performing under her married name.Barrington, p. 21; Cruickshank, Graeme. "The Life and Loves of Letty Lind" in The Gaiety, Issue 22, Summer 2007 Her last performance was in May 1879 in Sheffield as Mrs Denham in James Albery's comedy The Crisis.
Cruickshank, Graeme. "The Life and Loves of Letty Lind" in The Gaiety, Issue 22, Summer 2007 p. 5 In 1881, Lind left Paul's company. It is not clear exactly when their relationship ended, but Paul married Florence Kate Arthur (1867–1941) in London in 1889.
The office building above the Gaiety was popular among black composers who were not allowed in the Brill Building. Among them were Harry Pace, W.C. Handy, Clarence Williams (musician), Perry Bradford, Bert Williams, and Will Vodery. Andy Razaf would pick up his mail there.
"The Savoy Choreographers (II)," The Savoyard, Vol. XX, No. 2, September 1981, p. 23 In retirement, he took part in a BBC radio history of George Edwardes and the Gaiety in 1938, along with Hicks and Ellaline Terriss.The Manchester Guardian, 14 June 1939, p.
Works attributed to Richard Henry include Monte Cristo Jr. (burlesque melodrama 1886); Jubilation (musical mixture 1887); Frankenstein, or The Vampire's Victim, a parody of the Mary Shelley novel Frankenstein, presented at the Gaiety Theatre, London, in 1887; and Opposition (a debate in one sitting 1892).
After this, she toured in several of the Gaiety burlesques before creating the role of Dame Hecla Cortlandt in W. S. Gilbert and Osmond Carr's His Excellency in 1894. From 1895, she played in Edwardian musical comedy, pantomime and non- musical plays until 1900.
The "Manchester School" was a number of playwrights from Manchester, England, who were active in the early 20th century. The leading figures in the group were Harold Brighouse, Stanley Houghton and Allan Monkhouse. They were championed by Annie Horniman, owner of the Gaiety Theatre, Manchester.
He wrote, "I am up to my ears in work for the trees are in blossom and I want to paint a Provençal orchard of astonishing gaiety." While in the past a very active period would have drained him, this time he was invigorated.
"The Theatres", The Times, 1 October 1906, p. 12 At the same theatre he played Nix, the bo'sun, in another musical Havana in 1908; again, his performance received critical praise as the best thing in the piece."Gaiety Theatre", The Times, 27 April 1908, p.
Gaiety Theatre. The London Standard, 16 October 1893, p. 2 During the eight-month run of Don Juan, Seymour teamed up with Edmund Payne in a separate piece entitle, The Candle and the Moth, in which the two performed the Bon-Bon Dance.Gaiety Theatre.
"'Mozart' at the Gaiety", The Times, 17 June 1926, p. 12 After the London production, Guitry and Printemps took the piece to Broadway, Boston and Montreal in late 1926 and early 1927.Sharland, p. 85 They returned to the US and Canada in 1929.
The Play Pictorial, Vol. V (1905)Musical comedy in America, p. 66 (1991 ed.) (orig 1950) She appeared in both the 1893 West End production of A Gaiety Girl and also the 1894 Broadway production, playing Alma Somerset, the title role, in the latter.
Vorder Bruegge, Andrew. "W. S. Gilbert: Antiquarian Authenticity and Artistic Autocracy", Winthrop University, October 2002 , accessed 26 March 2008 Gilbert hired the Gaiety Theatre's ballet-master John D'Auban to choreograph most of the Savoy operas."Mr. D'Auban's 'Startrap' Jumps". The Times, 17 April 1922, p.
3 and The Toreador (1901). Nicholls appeared at the Gaiety in the role of Hooker Pacha in the long-running musical The Messenger Boy (1900). He was engaged by a touring theatrical company and undertook a six-month tour of South Africa in 1902.
The 1,600-capacity building hosted a circus until 1889, then reopened under new ownership on 28 July 1890 as the Gaiety Theatre and cinema. Never a success, it closed permanently in 1900 and passed into commercial use until its demolition for flats in 1930.
Jane McGrath is an IFTA Award nominated Irish actress. She is best known for playing Garda Sharon Cleere in the Irish drama series Red Rock since 2015. McGrath comes from Foxrock, outside of Dublin city. She graduated from the Gaiety School of Acting in 2009.
The Gaiety was purchased by music promoters MCD (in turn owned by Denis Desmond and his wife Caroline) in the late 1990s. The new owners undertook a refit of the theatre, with the Department of Arts, Sport and Tourism contributing to the restoration fund.
Nellie Farren Ellen "Nellie" Farren (16 April 1848 – 29 April 1904) was an English actress and singer best known for her roles as the "principal boy" in musical burlesques at the Gaiety Theatre. Born into a theatrical family, Farren began acting as a child. She made her professional adult debut in 1864 and joined the company at London's Olympic Theatre, performing in Shakespeare, contemporary comedies, dramas and musical burlesques. From 1868 to 1892, she performed at the Gaiety Theatre, which specialised in musical burlesque, becoming famous in the male and principal boy roles, which permitted an actress in the Victorian era theatre to show her legs in tights.
A number of cinemas were built, not only in the city centres of Perth or Fremantle, but also in the suburbs. The Cygnet Theatre was not the first cinema in the South Perth area. It was preceded by the picture shows held twice weekly at the Swan Street Hall (1922), the Gaiety Picture Theatre on the corner of Coode and Angelo Streets (1926) and the Hurlingham Picture Theatre on Canning Highway (1933). The Gaiety and Hurlingham were still in operation when the Como Theatre opened in 1938 as the most modern and up-to-date-cinema in the district, screening "talkies" for the first time.
After his family moved to Washington, D.C., Tucker attracted the attention of Jimmy Lake, the owner of the Old Gaiety Burlesque Theater, by winning its Saturday night amateur contest on consecutive weeks. After his second win, Tucker was hired there at full time as Master of Ceremonies, but left when it was soon discovered that he was underage. He graduated from Washington-Lee High School, Arlington, Virginia, near Washington, D.C., in 1938, and, joining the United States Cavalry, was stationed at Fort Myer in Arlington County, Virginia, but discharged for, once again, being underage. He returned to work at the Old Gaiety after his 18th birthday.
Mabel Russell in 1907 After leaving school Philipson found work in a Clapham Junction theatre box office before taking on a role in a play. She understudied for a lead pantomime actress, and took on the role when the leading lady became ill. This break led to a number of other roles, including becoming a Gaiety Girl at the London Gaiety Theatre where she was given a role in Havana, before taking on the role of Fifi in the 1907 London opening production of Merry Widow. In 1913, Philipson took on a role in Within The Law, a drama as recommended by Sir Herbert Tree.
Bracy was born in 1846 as Samuel Thomas DunnStone, David. Henry Bracy, Who Was Who in The D'Oyly Carte Opera Company, 4 September 2007, accessed 20 February 2010 in Maesteg, South Wales, the son of an ironworks manager. He began his theatrical career in 1866 at the Plymouth Theatre and spent three seasons with the company before making his London debut at John Hollingshead's Gaiety Theatre in 1870. Bracy appeared at the Gaiety for nearly four years."Music and Drama", The Sydney Morning Herald, 7 February 1914; accessed 20 February 2010 In 1873, Bracy was employed as a principal tenor with the Opera Comique in London.
She attended Nightingale Hall and Alexandra College, going on to train as a secretary. Her first appearance on stage was as a fairy in a benefit performance at the Gaiety Theatre in 1914. She appeared again at the Gaiety in 1922 as Gwennie in F. Anstey's The Man from Blankley's, Chancellor then studied drama under Frank Fay. In the 1920s she acted in the Dublin Drama League's productions in the Abbey Theatre. Once she joined the Gate Theatre her career progressed, establishing her as one of the principal actresses in the Gate by the early 1930s. Chancellor played Naomi alongside Orson Welles in a production of Jud Süss in October 1931.
The Times, 17 April 1922, p. 17Biographical file for John D'Auban, list of productions and theatres, The Theatre Museum, London (2009) Comedian E. J. Lonnen joined the Gaiety for many of Lutz's burlesques. After these, however, the age of burlesque was coming to an end, and with the retirement of Nellie Farren and Fred Leslie, it was essentially over. Gaiety Girls, 1896 For Joan of Arc, Edwardes had hired a young writer, Adrian Ross, who next wrote a less baudy, more lightly comic piece, similar to Dorothy, with a minimum of plot, focusing on songs with clever lyrics, In Town (1892), with stylish costumes and urbane, witty banter.
One of Cook's earliest professional engagements was in the obscure Michael Balfe opera, Letty the Basketmaker, produced by John Hollingshead at the Gaiety Theatre in London in 1868. This was played as part of the same programme with W. S. Gilbert's burlesque Robert the Devil. Cook also played Peter the Watchman in the burlesque Cinderella the Younger (by Alfred Thompson, composed by Émile Jonas) at the Gaiety in 1871, and the title character in The Sultan of Mocha, by Alfred Cellier, in Manchester in 1874–75. Cook then joined one of Richard D'Oyly Carte's touring companies in 1878 in Gilbert and Sullivan's The Sorcerer, playing the vicar, Doctor Daly,Ainger, p.
In 1893, one of his songs, "Linger Longer, Loo", composed for the 1892 burlesque Don Juan at the Gaiety Theatre, became popular throughout the English-speaking world. Jones's first hit show was A Gaiety Girl (1893), one of the first major successes of the Edwardian musical comedy genre. A series of Jones hits followed: An Artist's Model (1894), The Geisha (1896), A Greek Slave (1898) and San Toy (1899). After this, Jones had less frequent and intense successes, but his more popular shows included My Lady Molly (1902), See See (1906), King of Cadonia (1908), The Girl from Utah (1913) and The Happy Day (1916).
In 1893, one of his songs, "Linger Longer, Loo" was added to Lutz's 1892 burlesque Don Juan at the Gaiety Theatre.The Times obituary, 30 January 1946, p. 7 The song became popular throughout the English-speaking world and inspired a drawing by Toulouse-Lautrec of Yvette Guilbert singing it. In 1893, for A Gaiety Girl, with a libretto by Owen Hall, Edwardes gave Jones the opportunity to write the music, and the result was a hit show that enjoyed a long run and toured internationally, setting the trend for a new genre of popular musical theatre that came to be known as Edwardian musical comedy.
He reached the peak of his popularity after he joined John Hollingshead's company at the Gaiety Theatre, London in 1876, starring in the musical burlesques produced there during the next eight years. With Nellie Farren, Kate Vaughan and E. W. Royce, he made the fortune of this house, his eccentric acting and singing creating a style which had many imitators. Some of the roles in which he appeared there included Mephistopheles in Little Doctor Faust (1878). Photo and signatures of Farren, Terry and Gaiety friends In 1887 he went into management, opening Terry's Theatre, built on the site of the old Coal Hole public house and music hall on the Strand.
198–219, Routledge, 2003 The first of these, In Town in 1892 and A Gaiety Girl in 1893 (both of which were produced by Edwardes at the Prince of Wales Theatre), met with strong success and confirmed Edwardes on the path he was taking."Gaiety Theatre" , ArthurLloyd theatre site Edwardes dubbed his new musical plays "musical comedies". If Edwardes didn't invent the genre, he popularised it in Britain and was the first producer to elevate them to international popularity."Musical Comedy" , Musicals Tour at PeoplePlayUK theatre site He used the best writers and composers to create entertainments appealing to his Victorian and Edwardian audiences.
In April 1871, the brothers John and Michael Gunn obtained a 21-year license to establish "a well-regulated theatre and therein at all times publicly to act, represent or perform any interlude, tragedy, comedy, prelude, opera, burletta, play, farce or pantomime". The brothers built the Gaiety Theatre on South King Street for £26,000. Designed by architect C.J. Phipps, construction was completed in just 28 weeks. The Gaiety was opened on 27 November 1871 with the Lord Lieutenant of Ireland as guest of honour for a double bill which included the comedy She Stoops to Conquer and a burlesque version of La Belle Sauvage.
The city is known for the annual Ganeshotsav Festival, Carnival, Shigmostav celebrated with pomp and gaiety. The centre of such celebrations is the Municipal Garden, at the center of the town. The village feast of Holy Cross is also celebrated with great zeal in May and October.
Back come the shadowy > dancers, gyrating in a wild, mad rhythm. The weird gaiety reaches a climax; > there is a knock at the door, which flies wide open; the mother utters a > despairing cry; the spectral guests vanish; the music dies away. Death > stands on the threshold.
"Irish Landmarks: The Abbey Theatre". irishcultureandcustoms.com. Retrieved on 1 January 2013. The company leased the old Queen's Theatre in September and continued in residence there until 1966. Mooney took the opportunity to employ younger actors, many of whom she knew from her time teaching at the Gaiety.
Lind on a cigarette card Letitia Elizabeth Rudge (21 December 1861 – 27 August 1923), known professionally as Letty Lind, was an English actress, singer, dancer and acrobat, best known for her work in burlesque at the Gaiety Theatre, and in musical theatre at Daly's Theatre, in London.
He made his London debut in 1885 and appeared in several of the famous Gaiety burlesques from 1887 to 1891. He starred in such other major works as Little Christopher Columbus (1893), Baron Golosh (1895) and The Messenger Boy (1900) before dying at the age of 41.
Birthistle was born in Bray, County Wicklow, Ireland, but moved with her family to Derry, Northern Ireland when she was 14. She was raised Catholic but attended the non-denominational Foyle College. After her GCSEs, she studied acting at The Gaiety School of Acting in Dublin.
King was born in Dublin, the second of four children. Her father Ronan is an accountant and mother Edel is a volunteer teacher. She attended St. Brigid's Girls School in Cabinteely and St Joseph of Cluny Killiney. She trained at the Gaiety School of Acting, Dublin.
Shortly after its initial completion, Enescu wrote to Edmond Fleg, librettist of his opera Œdipe, reporting on 30 January 1934, "I console myself by taking refuge in composition. The result is a new piano sonata, ... full of gaiety, in complete contrast with the atmosphere which surrounds it!" (; ).
Charles Reade adapted the plot of Ralph the Heir for the stage under the name Shilly-Shally. The play ran for a month in 1872 at the Gaiety Theatre in London, with Trollope and Reade listed as the authors.Super (1988). pp. 308-9. Retrieved 2010-05-20.
Ireland Staged at the Gaiety Theatre, Dublin September 11–22 September 2012, Ben Barnes, director and on country-wide tour until October 19, 2012. The cast included Mischa Barton and Anne Charleston.OC's Mischa 'Steels' the show Irish Herald. 11 July 2012Mischa Barton live on Moncrieff tomorrow. Newstalk.
The Sid Williams Theatre is the performance theatre in the Comox Valley, Canada.Official Sid Williams Theatre web site It is in downtown Courtenay, British Columbia. The theatre was first called 'The Gaiety Theatre' in the 1920s. It was then called 'The Bickle Theatre' in the 1930s.
Google Books.Byron, Henry James; Davis, Jim (January 19, 1984). Plays by H. J. Byron: The Babes in the Wood, The Lancashire Lass, Our Boys, The Gaiety Gulliver. p. 42. Google Books. Retrieved February 19, 2013.Twain, Mark (1890 - 1910). The Mysterious Stranger and Other Stories. Digireads.
Lamb, Andrew. "Comic Opera Goes Latin-American, 1890-92: Part 2" in The Gaiety, Winter 2006, p. 46 The fashion in the late Victorian era was to present long evenings in the theatre, and so producer Richard D'Oyly Carte preceded his Savoy operas with curtain raisers.Lee Bernard.
Traubner, p. 91The Times, 19 November 1884, p. 6, col. D In 1885 Leslie joined the Gaiety Theatre, London company as Jonathan Wild in H. P. Stephens and W. Yardley's burlesque Little Jack Sheppard, with music by Meyer Lutz, and also starring Nellie Farren as Jack.
Another early production was Alfred Thompson's Columbus!, or the Original Pitch in a Merry Key (1869). Nellie Farren starred in both Columbus and Robert the Devil. She continued as "Principal Boy" at the Gaiety for the next 25 years, first under Hollingshead and then under George Edwardes.
The Guv'nor finding this was playing ducks and drakes with his theatrical plans had a 'nuptial clause' inserted in every contract... Debutantes were competing with the other girls to get into the Gaiety chorus while upper-class youths were joining the ranks of the chorus boys.
Burlesque of opera or classical works was popular in Britain from the 1860s to the 1880s. Other examples at the Gaiety include The Bohemian G-yurl and the Unapproachable Pole (1877), Blue Beard (1882), Ariel (1883, by F. C. Burnand), Galatea, or Pygmalion Reversed (1883), Little Jack Sheppard (1885), Miss Esmeralda (1887), Frankenstein, or The Vampire's Victim (1887), Mazeppa, Faust up to Date (1888), Ruy Blas and the Blasé Roué (1888), Carmen up to Data (1890), Cinder Ellen up too Late (1891), and Don Juan (1892, with lyrics by Adrian Ross).Programme for Carmen up to Data John Hollingshead managed the Gaiety Theatre from 1868 to 1886 as a venue for variety, continental operetta, light comedy, and numerous musical burlesques composed or arranged by the theatre's music director, Wilhelm Meyer Lutz. Hollingshead called himself a "licensed dealer in legs, short skirts, French adaptations, Shakespeare, taste and musical glasses."Arthur Lloyd Music Hall site (on Gaiety) Cuttings accessed 01 Mar 2007 In 1886, Hollingshead ceded the management of the theatre to George Edwardes, whom he had hired in 1885.
After Connie Gilchrist and Rosie Boote had started the fashion a score of the Guv'nor's budding stars left him to marry peers or men of title while other Gaiety Girls settled for a banker or a stockbroker. The Guv'nor finding this was playing ducks and drakes with his theatrical plans had a 'nuptial clause' inserted in every contract.... Debutantes were competing with the other girls to get into the Gaiety chorus while upper-class youths were joining the ranks of the chorus boys.Information about the stagedoor Johnnie marriages The building was demolished in 1903 as part of the road widening of the East Strand and the new Aldwych-Kingsway road development, and Edwardes quickly built the New Gaiety Theatre at the corner of Aldwych and the Strand. The Orchid (1903) opened the new theatre, followed by The Spring Chicken (1905), The Girls of Gottenberg (1907), Our Miss Gibbs (1909), Peggy (1911), The Sunshine Girl (1912), The Girl on the Film (1913), Adele (1914), and After the Girl (1914).
Danby as Blueskin and Florence Levey as Polly Stanmore in the revival of Little Jack Sheppard (1894) His first success on the London stage was as Morel in Monte Cristo Jr. at the Gaiety Theatre (1886) and in a tour of Australia in 1888/9 and the United States in 1889;Thomas Allston Brown, A History of the New York Stage From the First Performance in 1732 to 1901, Dodd, Mead and Company, New York (1903) - Google Books, p. 255 he played Captain Sneak in a revival of Alfred Cellier's The Sultan of Mocha (1887); Don Salluste in Ruy Blas and the Blasé Roué at the Gaiety Theatre (1889); Valentine in Faust up to Date in an American tour with the Gaiety Company (1890);Brown, p. 400 Jacques Darc in the burlesque Joan of Arc at the Opera Comique (1891);Review of Joan of Arc - The Daily News, London, Monday, 19 January 1891, p. 3cJ. P. Wearing, The London Stage 1890-1899: A Calendar of Productions, Performers, and Personnel, Rowman & Littlefield (2014) - Google Books pg.
Fiesta is a 1941 American Technicolor film directed by LeRoy Prinz that was one of Hal Roach's Streamliners. The film was the motion picture debut of the Los Angeles Civic Light Opera star Anne Ayars. The film was re-released in 1948 by Favorite Films and retitled Gaiety.
In The Manchester Guardian, James Agate commented on Mudie's acting in 1909, "[He] has a definite and genuine feeling for the stage. His enunciation is very faulty, his accent not good … but the acting instinct is there."Agate, James. "Gaiety Theatre – Candida", The Manchester Guardian, 26 October 1909, p.
On the last night of her act at the Gaiety Theatre, Jane meets Snade, her supposed fan. He gives her a diamond bracelet, saying it is a "token of his appreciation." Jane, unsuspecting, gladly accepts his gift. Later that evening, she is visited by Tom, an old friend.
Soon after the band's formation, Peadar Mercier and Seán Keane joined. Ceoltóirí Chualann continued to play until 1969. Their music was featured in the 1968 documentary, The Village, by Mark McCarty (director) and Paul Hockings (anthropologist). During 1969 they recorded two albums, Ó Riada and Ó Riada Sa Gaiety.
"Retirement of Gaiety Conductor", The Observer, 23 February 1913, p. 10 In addition to ballets, his many works include art songs, orchestral works, and operas in the late Victorian era and early Edwardian period. He also composed songs that were incorporated into some works of musical theatre.Richards, Jeffrey.
A fine figure, a superbly-shaped head, > clear cut and very handsome features and a powerful yet musical voice, are > hers, and she has, too, an admirable method. As an impersonation of > Beatrice, her performance, nevertheless, leaves something to desire. Mdlle. > Rhéa obtained, in short, a qualified success.The Gaiety.
Burnside was born in Glasgow, Scotland. His father was George Burnside, a manager of the Gaiety Theatre in Glasgow. His mother was Margaret Thorne, an actress, whose father was William Hubberthorne, a theatre proprietor. His siblings were Janet Agnes (born about 1853), John, Ann R., Isabella, and George.
6 and Sir Titus Wemyss in The Circus Girl in December of that year."Gaiety Theatre", The Morning Post, 7 December 1896, p. 6 He then revived Larks for a provincial tour,"Provincial Theatricals", The Era, 23 October 1897, p. 22 before returning the cast of The Circus Girl.
Berlioz biographer David Cairns has written: "Listening to the score's exuberant gaiety, only momentarily touched by sadness, one would never guess that its composer was in pain when he wrote it and impatient for death".Cairns, D. Berlioz: Servitude and Greatness 1832–1869. Allen Lane, London, 1999, p. 670.
Lady Headfort had two sons and a daughter, and lived primarily at the family house in County Meath."Lord Headfort's Wife from Stage" Washington Post (March 3, 1908): 6."Ex-Gaiety Girl Conquers Irish" Los Angeles Times (February 19, 1906): I17. She attended three kings' coronations at Westminster Abbey.
He also used a lisp to good effect: "It gave a perfect character to the lovable little men he always impersonated". In 1909, Payne made a film entitled A Gaiety Duet, in which he starred with his co-writer, George Grossmith, Jr."A Gaiety Duet (1909)", BFI.org, accessed 10 September 2015 Payne was married twice, firstly to Emily Saxon (1864–1899) whom he met in the theatre and married in 1888."Marriage Record for Edmund James Payne in the District of Middlesbrough", Civil Registration Marriages 1837–2005, vol. 9D, January–March 1888 They had four children, Emily, Alice, Edmund and Harry.Census Transcript Household London 1891, Hackney St. John"The Payne Family", 1901 England Census, Ancestry.
There was always a misunderstanding during act one and an engagement at the end.Coward, Noel. Foreword to Musical Comedy by Raymond Mander and Joe Mitchenson (New York: Taplinger Publishing, 1969), pp. 7-8 In the words of a contemporary review, Edwardes’ musicals were "Light, bright and enjoyable." Later Gaiety Theatre "girl" musicals included The Orchid (1903), The Spring Chicken (1905), The Girls of Gottenberg (1907), Our Miss Gibbs (1909), The Sunshine Girl (1912) and The Girl on the Film (1913). Perhaps to balance the "girl" musicals, the Gaiety also presented a series of what could be described as "boy" musicals, such as The Messenger Boy (1900), The Toreador (1901), The New Aladdin (1906) and Theodore and Co. (1916).
Shortly before the tour began, a British theater impresario named Edward Jarrett traveled to Paris and proposed that she give private performances in the homes of wealthy Londoners; the fee she would receive for each performance was greater than her monthly salary with the Comédie. When Perrin read in the press about the private performances, he was furious. Furthermore, the Gaiety Theater in London demanded that Bernhardt star in the opening performance, contrary to the traditions of Comédie Française, where roles were assigned by seniority, and the idea of stardom was scorned. When Perrin protested, saying that Bernhardt was only 10th or 11th in seniority, the Gaiety manager threatened to cancel the performance; Perrin had to give in.
Also in 2007, Landmark produced the huge hit The Last Days of the Celtic Tiger (Olympia Theatre) by Paul Howard, a savagely funny satire on Ireland's 'get rich quick' years leading up to "The Crash" of 2008. Philip O'Sullivan played Charles O'Carroll Kelly, the corrupt, ruthless father of the play's rugby-glory days fantasist and narcissistic anti-hero Ross. Paul Howard wrote and Landmark produced two further Ross satires, Between Foxrock And A Hard Place (2010/2011, Olympia/Gaiety Dublin/ Cork Opera House) and in 2014/15 Breaking Dad (Gaiety/Cork/Limerick) with O'Sullivan reprising his role as Charles. All three plays were directed by Jimmy Fay and were phenomenally popular with the public.
The success of A Gaiety Girl in 1893 confirmed to Edwardes that the lighter "musical comedy" was the right path for musical theatre. The Shop Girl heralded a new era in musical comedy, and the critics were amazed that the author had provided such a coherent story, as there had been hardly any story at all in burlesque. Over a dozen copies followed at the Gaiety Theatre (including My Girl, The Circus Girl, and A Runaway Girl) over the next two decades and were widely imitated by other producers and playwriting teams. They also led to the next level of sophistication in the integrated musical comedy at Daly's Theatre and elsewhere in London.
The theatre was financed by a joint stock company and built in 1864 as the Strand Musick Hall by Bassett and Keeling. This large theatre, with over 2,000 seats,Arthur Lloyd Music Hall site (early history of the Gaiety) accessed 1 March 2007 was built at a time when many new theatres were being built in London.Arthur Lloyd Music Hall site (on Gaiety) The Times 11 December 1868 accessed 1 March 2007 Unlike at many other music halls, the proprietors decided to ban smoking and drinking within the hall, and these activities were accommodated in the adjacent saloons. A novel gas lighting system was incorporated in the hall, using prisms and mirrors to create a soft light.
In 1888 she appeared in London at Toole's Theatre as Inez in Charles Lecocq's Pepita, and the following year created the role of Malaguene in Robert Planquette's Paul Jones. Her debut in musical comedy was in George Edwardes's In Town at the Gaiety Theatre in 1893, in a small ingénue role and later deputising for the star, Florence St. John. Later that year, she was similarly cast as Lady Edytha Aldwyn in A Gaiety Girl, also covering for and later succeeding Decima Moore in the lead role. In 1895, she was a replacement player in the title role in The Shop Girl at the GaietyWho's Who in the Theatre: A Biographical Record of the Contemporary Stage, pp.
Meyer Lutz's Ali Baba and The Forty Thieves was performed in 1880 (Hollingshead had produced a highly successful charity production called The Forty Thieves at the Gaiety in 1878), and a burlesque of Aladdin, by Robert Reece, in 1881. These were followed by Little Robin Hood (1882), a burlesque by Reece, Blue Beard (1882), Ariel (1883, by F. C. Burnand, based on The Tempest), Don Yuan, Byron's Little Don Caesar de Bazan (a send-up of Boucicault's play), Mazeppa (1884), Little Jack Sheppard (1885), Monte Cristo Jr. (1886), and dozens of others.Plarr, Victor G. Men and Women of the Time (1898) G. Routledge, London John D'Auban choreographed the Gaiety burlesques from 1868."Mr. D'Auban's 'Startrap' Jumps".
The club's self-advertised aim was > to be 'a place given up to gaiety', its art-subversive interiors 'brazenly > expressive of the libertarian pleasure principle ...' [...]nytimes.com Ezra Pound complimented Strindberg on her acumen. Other luminaries who frequented the establishment included Katherine Mansfield, Ford Madox Ford, Augustus John and Wyndham Lewis.
She retired in 1983. Until 1973, she gave dancing recitals every second year in Dublin, first in the Theatre Royal and then in the Gaiety Theatre. She designed the costumes and arranged the choreography with the help of her sister, Sheela Ballagh. She collaborated with Austin Clarke and Mary Davenport O'Neill.
Religious services were held across the country on Easter Monday in remembrance of the veterans of the Rising. The Garden of Remembrance in Parnell Square was opened by the President and later in the day Raidio Éireann presented a live commemorative concert that was held live at the Gaiety Theatre.
He sang in the Gaiety Theatre, the Strand, under the management of John Hollingshead.Evening Telegraph, 29 December 1923 It was during this period that he changed his name to Ludwig. This may have been because of frequent misspellings or because a more Germanic named suited the life of an opera singer.
Everyone attires themselves in their beautiful traditional dresses and costumes according to their social status. There is an air of gaiety and light heartedness everywhere. Gifts of food and drinks are exchanged during the Festival. Among friends, the number of cooked meat given denotes the depth of friendship and ties.
Programme for Carmen up to Data In the early 1890s, as burlesque went out of fashion, Edwardes changed the focus of the theatre from musical burlesque to the new genre of Edwardian musical comedy.Ganzl, Kurt, "Musicals", London: Carlton (1995), p. 56 ; Hyman, Alan, "The Gaiety Years", London: Cassell (1975), p.
After university Louis started work at a pharmacy but after a few years gave that up to become a film agent in London. In the meantime Maurice acquired Dublin's Gaiety Theatre, which was passed on to Louis.Roderick Flynn, Patrick Brereton: Historical Dictionary of Irish Cinema. Scarecrow Press, 2007, p. 99.
This was Comex 1. In India, the five contingents visited different regions - then known as Calcutta, Madras, Bombay, Rajasthan, and Lucknow. They all met up again in Simla – staying at the Viceregal Lodge and performing at the Gaiety Theatre. Comex came under the patronage of Prince Philip, Duke of Edinburgh.
Kundam Festival is celebrated in the Tamil Month of Panguni (March - April). This is the most famous annual festival, lakhs of devotees from different directions throng the temple in this month which is marked by festivity and gaiety. Erode district will get a local holiday during this famous Kundam festival.
13 Beginning in the next year, he starred as the ridiculed judge in the hit musical A Gaiety Girl."Prince of Wales's Theatre", The Times, 16 October 1893, p. 14 After the long run of that piece, in 1885 he was featured in another hit Edwardes musical, An Artist's Model.
Though nearly eighty years old, he resumed his labors and his customary manner of life. He undertook in 1799 a complete edition of his works, which was published at Venice in 24 vols. At this death at the age of 90 years, he still retained his gaiety and vivacity of mind.
In 1818, Søren Abel had a public theological argument with the theologian Stener Johannes Stenersen regarding his catechism from 1806. The argument was well covered in the press. Søren was given the nickname "Abel Treating" (Norwegian: "Abel Spandabel"). Niels' reaction to the quarrel was said to have been "excessive gaiety".
As part of the integrated Villa- Gaiety complex, the venue plays host to a variety of entertainment; notable amongst these are music concerts and comedy shows. The Villa Marina has also hosted numerous indoor sporting events such as darts tournaments, chess tournaments, boxing tournaments and International All-Star Professional Wrestling.
The piece opened at the Gaiety Theatre on 25 September 1886. It starred Marion Hood in the title role opposite the popular Hayden Coffin, with comedians Arthur Williams, Furneaux Cook and John Le Hay.Cast information for Dorothy in Adams, William Davenport. A Dictionary of the Drama, (1904) Chatto & Windus, p.
The festival of Mahashivratri is celebrated with pomp and gaiety at the temple by local people residing in surrounding villages. The temple is built in a place which is quite inaccessible and away from the main settlements of the time. The temple is small compared to the average Goan temple.
In 1880, she was Kitty Clark in The Little Mother at the Gaiety Theatre, London. Venne appeared in the 1881 comedy Out of the Hunt at the Comedy Theatre with E. H. Sothern.The Glasgow Herald 26 September 1881 The same year, she played Mrs. Pilate Pump in Blue and Buff, Mrs.
The play was revived in July 2010 at the Young Vic Theatre in the West End, starring Irish actress Rosaleen Linehan. The production transferred to Dublin's Gaiety Theatre where Linehan reprised her role opposite Derbhle Crotty. It then returned to the Young Vic for another run, closing in September 2011.
Merivale wrote many farces and burlesques. For John Hollingshead he produced a burlesque, The Lady of Lyons Married and Settled, performed at the Gaiety Theatre (5 October 1878), and Called There and Back (15 October 1884). The Butler (1886) and The Don (1888) were both written for the actor J. L. Toole.
The ballet was scripted by the poet F. R. Higgins, designed by Mainie Jellett and composed by Elizabeth Maconchy. The performance opened in the Gaiety Theatre, Dublin in February 1941. It was a typical example of the work of Cullen between 1939 and 1944. The ballets were often based on Irish themes.
Alison Skipworth made her first stage appearance at Daly's Theatre in London in 1894, in A Gaiety Girl. Her first American performance came the following year at the Broadway Theatre in New York City. She sang in light opera in An Artist's Model. In this production she served as understudy to Marie Tempest.
Phelim Drew (born 1969) is an Irish actor. Phelim Drew is the son of the Irish folk singer Ronnie Drew, one of the founders of The Dubliners. He graduated at Gaiety School of Acting. In 1989 Phelim Drew gave his debut as an actor in My Left Foot: The Story of Christy Brown.
64 Miss Esmeralda premiered on 8 October 1887 at the Gaiety, starring Marion Hood in the title role, with Frank Thornton as Quasimodo and featuring comedy star E. J. Lonnen and dancer Letty Lind. Percy Anderson designed the costumes.Howard, Cecil. "Miss Esmeralda", The Theater: A Monthly Review and Magazine, Wyman & Sons, 1887, pp.
A natural comedian, Milroy appeared in Glasgow, which he continued to make his base, had his own show at the Tivoli Theatre, Aberdeen in the 1950s and was a regular favourite at the Gaiety Theatre, Ayr. Milroy was awarded an MBE in 2000 for services to entertainment. Milroy died in Glasgow's Western Infirmary.
After demobilisation he worked as an extra and in repertory. He did a screen test for Riverside Studiosat Rank and joined The Company of Youth at the age of 27. Reed made his film debut in The Years Between (1946) and then appeared in Gaiety George (1946). In both he had unbilled roles.
Hats incorporated details such as feathers and trims – some are said to have even included whole stuffed birds. The picture hat became fashionable again from the end of the 19th century – popularised in images of Gibson Girls in the United States and Canada and in the Gaiety Girls of the London theatre.
Ancona was born in Louth, Lincolnshire. She was raised in Troon, Scotland, and is of Italian Jewish descent. Her father was a commander in the Royal Navy and her mother was an artist who painted the sets at the Gaiety Theatre in Ayr. She attended Marr College, a secondary school in Troon.
He designed theatre sets for the Abbey, Gate, Olympia and Gaiety Theatres as well as for the stage in London. He acted in and produced several plays. From 1969 to 1974 Ryan was editor of The Dublin Magazine. He was a broadcaster, being a long-time contributor to Sunday Miscellany on Radio Éireann.
Nellie Bromley in Pascoe, Charles E. (ed.) The Dramatic List (1880), David Bogue, London, pp. 60–61] She also played in comedies and toured with Edward Askew Sothern. Like her mother, she soon appeared in many of the West End theatres including the Globe, Olympic, Royal Court, the Gaiety and the Strand.Stone, David.
He was a person full of discipline and Principles and kept his words. Punctuality was the order of the day. He retired in November 1996 and handed over to Mr. Ben. Nikoi koteye as the substantive Headmaster, in whose term the school celebrated its 75th (Diamond Jubilee) with great pomp and gaiety.
Charles Danby in a carte de visite of 1891 Charles Clemson Percy Danby (1858 - 7 September 1906) was a British actor, singer and comedian of the late Victorian era who regularly appeared at the Gaiety Theatre in London. During his career he made 37 tours of the United States and three of Australia.
Sixteen of his musicals ran for more than 400 performances. Ross tailored each song to fit the style required by the producer – songs for the Gaiety were different from those for Daly's. Many of his most popular shows, songs (both for the theatre and beyond it) and adaptations are still performed today.
It is likely that, otherwise, Workman would have continued as principal comedian of the company.Murray, Roderick. "A review of Lytton – Gilbert and Sullivan's Jester by Brian Jones" in The Gaiety (Summer, 2006) Rupert D'Oyly Carte wrote to Workman in 1919 asking him to return to the company as principal comedian, but Workman declined.
In 1921, her family moved to Summer Hill, Shimla, India, and Sher-Gil soon began learning piano and violin. By age nine she, along with her younger sister Indira, was giving concerts and acting in plays at Shimla's Gaiety Theatre at Mall Road, Shimla.Amrita Shergill at sikh-heritage. Sikh-heritage.co.uk (30 January 1913).
She was for a short period lessee of the Theatre Royal, Nottingham, and assisted at the opening of the Gaiety Theatre, Edinburgh. cites Era, 26 September 1875, p. 11. Latterly she was in reduced circumstances and was obliged to appear as a vocalist in music halls. She died at Edinburgh 20 September 1875.
6 which The Times again compared to W. S. Gilbert's work, this time less favourably."Prince of Wales's Theatre", The Times, 24 March 1892, p. 9 The second piece by Hood and Slaughter was The Crossing Sweeper, presented at the Gaiety Theatre, with Kate Cutler and Florence Lloyd.The Observer, 16 April 1893, p.
Gaiety George is a 1946 British historical musical film directed by George King and Leontine Sagan and starring Richard Greene, Ann Todd and Peter Graves.Harper p.179 It is set in the late Victorian music hall, when an Irish impresario arrives in London. The film was inspired by the memory of George Edwardes.
At the same time, the death of Fred Leslie and retirement of Nellie Farren by 1892 helped bring to an end the era of Gaiety burlesque. Edwardes produced shows at other theatres as well. For instance, in 1892, he took over the Prince of Wales Theatre.The Times obituary, 5 October 1915, p.
South Central is a neighborhood in Salem, Oregon, United States, located just south of downtown. Major neighborhood features include Bush's Pasture Park, the Asahel Bush House and Museum, Deepwood Estate, Gaiety Hill-Bush's Pasture Park Historic District, South Salem High School, and Mahonia Hall, the official residence of the Governor of Oregon.
Nolan was the daughter of ex-Head Constable Nolan of the Royal Irish Constabulary. She had two sisters, who became nurses, and three brothers, one of whom died in World War I. The family resided at Ringsend, Dublin. As a teenager, Nolan appeared as a chorus girl at the Gaiety Theatre, Dublin.
Gertie Millar and Payne in The Spring Chicken, 1905 Edmund James "Teddy" Payne (14 December 1863 – 15 July 1914),"Edmund Payne's Fortune", Manchester Courier and Lancashire General Advertiser, 3 August 1914, p. 10 was an English actor, comedian and singer best known for creating comic roles in a series of extremely successful Edwardian musical comedies. He was often paired with the comic actor George Grossmith, Jr. After about a decade touring and in stock productions, Payne joined the company at the Gaiety Theatre in London, gaining notice for creating a comic character in the musical In Town (1892). He spent more than two decades at the Gaiety, using his diminutive stature, malleable features, distinctive lisp and comic dance ability to his advantage.
It is run as a cafe bar by a Christian charitable trust promoting responsible drinking, also as the location of a safe space late at night and for operating a street pastor service. It is an award- winning and popular venue true to its original purpose of providing a venue for up-and-coming musical acts. In Northern Ireland, the Grand Opera House, Belfast, Frank Matcham 1895, was preserved and restored in the 1980s.Over 106 Years of Theatre Going at Northern Ireland's Premier Theatre (Grand Opera House) accessed 1 November 2007 The Gaiety Theatre, Isle of Man is another Matcham design from 1900The Gaiety Theatre (Isle of Man) accessed 1 November 2007 that remains in use after an extensive restoration programme in the 1970s.
Although the piece was successful, French operettas then became the fashion at Daly's Theatre, and Monckton went back to composing music for others' shows. Further collaborations with Caryll at the Gaiety included The Spring Chicken in 1905 ("I Don't Know, But I Guess", "Alice Sat By the Fire", and "Under and Over Forty"), The New Aladdin, in 1906 and The Girls of Gottenberg in 1907 ("Two Little Sausages", "Rheingold", and "Berlin on the Spree"). These songs were among the most widely played and sung numbers of the contemporary light musical theatre. A last success at the Gaiety was Monckton and Caryll's Our Miss Gibbs in 1909 ("Moonstruck", "Mary", "In Yorkshire", "Soldiers in the Park", "Maisie", "Keep off the Grass" and "Our Farm"), which became an international hit.
The Gaiety was extended by theatre architect Frank Matcham in 1883, and, despite several improvements to public spaces and stage changes, it retains several Victorian era features and remains Dublin's longest-established, continuously producing theatre. Patrick Wall and Louis Elliman bought the theatre in 1936 and ran it for several decades with local actors and actresses. They sold it in 1965, and in the 1960s and the 1970s the theatre was run by Fred O'Donovan and the Eamonn Andrews Studios, until - in the 1980s - Joe Dowling (former artistic director of the Abbey Theatre) became director of the Gaiety. In the 1990s, Groundwork Productions took on the lease and the theatre was eventually bought by the Break for the Border Group.
Frank and Jesse James wrote letters to the Kansas City Star signed "Jack Sheppard".Linebaugh, p.7. Nevertheless, burlesques of the story were written after the ban was lifted, including a popular Gaiety Theatre, London piece called Little Jack Sheppard (1886) by Henry Pottinger Stephens and William Yardley, which starred Nellie Farren as Jack.
Progressive Silent Film List: Sick Abed at silentera.comSick-a-bed produced on Broadway by Klaw & Erlanger, at the Gaiety Theatre February 25, 1918 to May 1918; IBDb.com This film survives at the Library of Congress.Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress,(<-book title) p.
Upon the death of the famous producer George Edwardes in 1915, Evett returned to England, where he became the managing director of Daly's Theatre, the Gaiety Theatre and Edwardes' other theatres. He produced such hits as The Maid of the Mountains (1917), sometimes directing and even writing shows. His last production was in 1925.
It was a comic play about a rustic character who ran a hotel straddling the Nevada-California border. He is lazy, often drunk and a spinner of entertaining yarns. Winchell Smith saw the potential of the play. He agreed to rewrite it and stage it at the Gaiety Theatre in partnership with Bacon and Golden.
Gray, Donald J., "The Uses of Victorian Laughter", Victorian Studies, Vol. 10, No. 2 (December 1966), pp. 145–76, Indiana University Press, accessed 2 February 2011 The last Gaiety burlesques were Carmen up to Data (1890),Adams, pp. 254–55 Cinder Ellen up too Late (1891), and Don Juan (1892, with lyrics by Adrian Ross).
Gaiety Theatre was opened on 30th May 1887, this historic cultural center was designed by the renowned English architect Henry Irwin. The building's exquisite Gothic style of architecture is a true manifestation of Victorian artistry. It was once part of the large Town Hall Complex. It had the capacity of more than 300 people.
Merry is fully trained in the Meisner Acting Technique and has also studied at the Gaiety School of Acting, The Abbey School and Bow Street Academy. More recently she was awarded Best Actor at the Limerick Film Festival 2016 and was part of Jasons Byrnes 'Inlands' show as part of Dublin Theatre Festival 2016.
Locals celebrate Donyi-Polo day (indigenous day) with much gaiety and festivity. It is organized by village community on 1 December every year, with worship starting from Donyi-Polo Namlo. With cultural program following afterwards. The Sippi River Festival was organized for the first time in the year 2020 on 23 to 26 February.
It starred Gertie Millar, Gabrielle Ray, Harry Grattan, Edmund Payne and George Grossmith, Jr. The show also had a successful Broadway run, revivals and a U.S. tour.Howarth, Paul. "The Orchid", The Gilbert and Sullivan Archive, 4 February 2017 The Orchid was the first show produced at the renovated Gaiety Theatre.The Orchid, The Play Pictorial, Vol.
John Hollingshead had managed the Gaiety Theatre from 1868 to 1886 as a venue for variety, continental operetta, light comedy, and musical burlesques. In 1886, Hollingshead ceded the management of the theatre to George Edwardes, whom he had hired in 1885. Fred Leslie wrote many of the theatre's pieces under his pseudonym, "A. C. Torr".
Alexandria Sharpe (born 4 May 1972) is an Irish soprano singer and actress mostly known for her live roles in London's West End and on the Irish stage (both the Olympia and Gaiety Theatres). In the United States she is best known as one of the former members of Celtic Woman from 2008–2010.
Liz Nugent attended Holy Child Killiney, in County Dublin. At the age of six she suffered a brain injury which left her with dystonia. After leaving school she moved to London for a time. After her return to Ireland she enrolled in an acting course at the Gaiety Theatre, but soon switched to stage management.
From the start the organisation set ambitious social, economic and cultural goals. But the first priority was to re-open with a successful panto. On 11 December 2012, after many last minute challenges, the Gaiety re-opened for what turned out to be a sell-out run of over 40 performances of the panto Cinderella.
Many of the productions in these years were opera-bouffes adapted from the French. M. L. Mayer, formerly of the Gaiety Theatre, staged twice-yearly seasons of plays in French. The Coquelins and other luminaries of the Comédie-Française appeared here in the 1880s, when the Royalty was 'the recognized home of the Parisian drama.
Darbyshire admired the Gothic Revival style of Alfred Waterhouse but also designed in the neoclassical style. He is best known for his theatrical architecture. He designed Manchester's Gaiety Theatre and a theatre at Rawtenstall, and carried out alterations at Manchester's Theatre Royal and the Prince's theatres. In London he altered and decorated the Lyceum Theatre.
The Burdett Coutts memorial, Old St Pancras. Danby's name is near the bottom John Danby (1757 – 16 May 1798) was an English composer of glees, of which he wrote around 92, some of which were only published after his death. Among the most popular of his glees are Awake, AEolian lyre! and Let Gaiety Sparkle.
The Spencer family first appeared in the RTÉ/BBC miniseries Family in 1994. The novel was adapted as an opera by the composer Kris Defoort and the director Guy Cassiers. It received its world premiere in November 2001 at deSingel in Antwerp, and toured extensively before being played in Dublin's Gaiety Theatre in October 2003.
Pierre Larousse. Grand Dictionnaire universel du XIXe siècle, 1er supplément, 1878. He produced almost a hundred comédie en vaudevilles, comedies and operetta libretti, which played successfully on the stages of Paris. Chivot and Duru were known for the ingenuity of their subjects, fantasy of the episodes, pure comic situations and gaiety of the dialogues.
A copy is in the British Library. The libretto to Mock Turtles was republished by The Gaiety journal in September 2001. The fashion in the late Victorian era was to present long evenings in the theatre, and so producer Richard D'Oyly Carte preceded his Savoy operas with curtain raisers such as Mock Turtles.Lee Bernard.
On 18 February 1886, the piece moved to the Gaiety Theatre, London, and by the end of 1885 another cast had begun touring the piece in the British provinces.Adams, William Davenport. "Erminie", A dictionary of the drama, vol. 1, p. 465, Chatto & Windus, 1904 It soon toured throughout the world, reaching Australia by 1889.
For thirty years from 1929 they produced two shows a year in Dublin, first in the Oympia, later in the Gaiety. He wrote many scripts for Radio Éireann. He also acted as business manager and stage manager for O'Dea and the rest of the cast, and acted in bit parts in plays, sketches and pantomimes.
For the next three decades, Edwardes ruled a theatrical empire including the Gaiety, Daly's Theatre, the Adelphi Theatre and others, and sent touring companies around Britain and abroad. In the early 1890s, Edwardes recognised the changing tastes of musical theatre audiences and led the movement away from burlesque and comic opera to Edwardian musical comedy.
Its formal revival was met with gaiety and excitement and, in the reorganization of the editorial board in 1947, Mrs. Adelina A. Zerrudo was named Editor. This marked the rehabilitation of the institutional publication. The issues of the 1950s reflected in their pages a kind of hiatus before the mighty turmoil of the 1960s.
Walley was born Cork, Ireland, and raised in the Glanmire area. He was a pupil of Christian Brothers College, Cork. Walley is a great-grandson of William Norton, former Tánaiste. From an early age, Walley took an interest in Drama and Theatre studies, attending classes in the Gaiety School of Acting and the Cork School of Music.
From the late 1970s she appeared in pantomimes with Maureen Potter. In 1984 Bushnell starred in a musical based on the life of Édith Piaf, No regrets, written specially for her. She was lauded for capturing Piaf's stage presence and husky voice. The show suffered when it had to move from the Gaiety Theatre to the National Stadium.
Charleston will play Ouiser Boudreaux in the production, which will premiere at the Gaiety Theatre, Dublin in September and will be followed by a nationwide tour.OC's Mischa 'Steels' the show Irish Herald. 11 July 2012Mischa Barton live on Moncrieff tomorrow Newstalk. 11 July 2012 In August 2012, Charleston was a contestant on BBC TV's Celebrity Masterchef.
Willis was born to famous comedian and actor Dave Willis, who performed sketches in Scotland in the 1930s. During this time, in Ayr, his father was in the Gaiety Whirl summer shows. Willis would add many of his father's ideas to his own repertoire. During World War II, he found himself starring as a comedian for army concert parties.
The cast included Joe Yule and Nell Carter, who welcomed their only child, Mickey Rooney, while on the same tour.1915 publicity photo signed: "From Kammerer & Howland, Who are going to the top." The Gaiety Girls’ tour was the last for the duo of Kammerer & Howland. Howland returned to Providence, RI, with their son shortly after his birth.
The Bhils attending Baneshwar Fair sing traditional folk songs in high pitched voices sitting around a bonfire every night. Cultural shows are arranged by youngsters of the clan. Groups of villagers are also invited to participate in the programme. The fair resounds with the gaiety of songs, folk dances, magic shows, animal shows and acrobatic feats.
The village is well known in the district for its scenic beauty and her majestic Chingjui Matha. Khamor Ngkhui (meaning 'ancient or fore- fathers festival' or Khamui Phanit festival), a feast of thanksgiving and providence where local-brewed rice-beer and traditional bread are its core attractions. It is celebrated with much gaiety in the month of April.
Lou Tellegen in German Farce. New York Times, March 18, 1915, p. 11Taking Chances, Internet Broadway Database retrieved May 7, 2014 On November 29, 1915, Troutman opened at Broadway’s Gaiety Theatre as Lillian Wakeley in Avery Hopwood's Sadie Love, a farce-comedy that closed at the Harris Theatre on February 19, 1916, after a combined run of eighty productions.
Claude Rains: An Actor's Voice, the University Press of Kentucky (2008) At the Royalty Theatre in 1922 he played Simeon Ristitch in Mr. Budd (of Kennington), and at the Lyceum in 1924 he was Father Pius in Under His Protection. His last known stage performance was at the Gaiety Theatre in 1924, as Judge Delafield, J.P., in Poppy.
On Approval is a 1926 play by Frederick Lonsdale. It premiered at the Gaiety Theatre, New York, on 18 October 1926 where it ran for 96 performances. It opened in the West End of London at the Fortune Theatre on 19 April 1927 and ran until 2 June 1928."Fortune Theatre", The Times, 20 April 1927, p.
Rosenthal sued the Anderson Company for $11,850 asking that an accounting be made for additional percentage per terms of contract. He attached the Gaiety receipts, but the management put up a bond and lifted it. In 1915, citing that he is tired of being on the road, he accepts Cohan & Harris' offer to manage the Bronx Opera House.
The Olympia, along with Dublin's Gaiety Theatre and The Helix Theatre, presents an annual Christmas pantomime. Its most recent productions have been Aladdin, Cinderella, Jack and the Beanstalk, Robin Hood and a revival of Cinderella which starred Jedward as the Fairy Godbrothers. In 2011, the Olympia pantomime featured Jedward once more in Jedward and the Beanstalk.
Port Sunlight was widely celebrated. In 1912, it became the subject of a hit West End musical comedy, The Sunshine Girl, at the Gaiety Theatre, London. It starred Phyllis Dare, one of the most popular pin-ups of the Edwardian era, and was written by Paul Alfred Rubens. The show introduced the tango dance to British audiences.
Even though "[M]ost democratic socialists recognize that strict equality of incomes is unworkable and also unjust",(p211) extreme disparities seem to be "immoral." Small entrepreneurs are OK but corporate salaries are "obscene." There is a need for "moral restraint". Still, the extravagance of the rich is the difference between socialist drabness and urban brightness and gaiety.
Situated at a height of 2200 m, Tarakund lies in the Chariserh Development Area. A small lake and an ancient temple adorn the place. The Teej festival is celebrated with great gaiety when the local people come here to worship and pay homage to God. On the occasion of Shivratri, local people go Tara Kund to worship Lord Shiva.
254 Later in 1887, Lind played in Miss Esmeralda at the Gaiety. She was on loan to Augustus Harris's company at the Theatre Royal, Drury Lane for the Christmas pantomime, playing the princess in Puss in Boots. With George Edwardes's London Company, she spent most of 1888 and part of 1889 in Australia and the United States.
The couple had similar characters, shared a love for adventure and festivities, and she "was always ready to accompany him on perilous journeys, to climb mountains or ford rivers, with the same unquenchable courage and gaiety of heart."Julia Cartwright: Christina of Denmark. Duchess of Milan and Lorraine. 1522-1590, New York, 1913 She had no children.
Rhéa eventually made her way to Britain where she studied for the English stage under John Ryder. With limited English language skills and only a month's preparation, on June 10, 1881, she made her London début at the Gaiety Theatre playing Beatrice in Shakespeare's Much Ado about Nothing. A critic wrote: > Mdlle. Rhéa has striking endowments.
Retrieved 23 February 2013 She first appeared on stage at the age of twelve in a production of The Silver King, a melodrama by Henry Arthur Jones and Henry Herman."Hilda Trevelyan – link with Barrie", The Times, 11 November 1959. p .5 By the age of sixteen she was touring in the musical comedy A Gaiety Girl.
Maud Rhoda Didcott was born in London in 1882, the daughter of Hugh Jay Didcott and Rose Fox. Her father was a theatrical agent, and her mother was a dancer who had a novelty act involving singing while skipping rope.Henry George Hibbert, Fifty Years of a Londoner's Life (Dodd, Mead & Company 1916): 110, 145.John Hollingshead, Gaiety Chronicles (A.
When she was playing in the Gaiety Theatre, Dublin in September 1875, the manager, Michael Gunn, was attracted to Bessie. Gunn was a silent partner of Carte for several years. Carte was Michael Gunn's best man when he married Bessie on 26 October 1876 at the St Marylebone Parish Church, London. The bride was given away by George Dolby.
Judith Leyster used a candle to light up the activities that were taking place and establish the nighttime setting. In contrast, the daylight scene of The Merry Trio serves to show that true gaiety can be found in moderation. When Hofrichter offered this interpretation of The Last Drop, she only knew of the concealed skeleton from x-ray images.
The golden statue on the dome depicts Laetitia, the Roman Goddess of Gaiety, and was an original fixture back in 1910. Laetitia is holding a laurel crown as a symbol of celebration. The statue was removed during the Second World War, as it was thought to be a direction finder for German bombers. It was eventually replaced in 1991.
Allen's other plays include a rendition of Rip van Winkle, co-authored by Joshua Logan in 1976, The Tax Collector in 1977, and Honky Tonk Nights, a 1986 collaboration with David Campbell. Allen also wrote several books including Theatre and Drama in the Making in 1964 and Gaiety: the life and times of the American Burlesque show in 1980.
"English Opera at the Gaiety", The Glasgow Herald, 20 April 1880, p. 4; and "Theatres", The Glasgow Herald, 24 August 1880, p. 6 In November 1880 Lely joined the D'Oyly Carte Opera Company at the Opera Comique, London. He replaced George Power in the leading tenor role of Frederic in the original London production of The Pirates of Penzance.
Kael 1991, p. 179. Despite the negative reviews by Crowther and Thomas, most critics of the period were positive, praising the film, Robert Cummings' performance and welcoming Hal Wallis' new discovery, Lizabeth Scott.Gose, Betty. "Pathos and gaiety artfully combined to make 'You Came Along' showing now at the Paramount." Amarillo Daily News (Amarillo, Texas), September 21, 1945, p. 23.
Julia James was born in London in 1890. In 1905 she began her career in Supper Belle in Blue Bell at the Aldwych Theatre under Seymour Hicks. She was the leading lady at the Gaiety Theatre appearing in The Girls of Gottenburg, Havana and Our Miss Gibbs. She "had wonderful red hair that attracted admiring glances wherever she went".
The Gaiety Theatre (1908-1949) or Gayety Theatre of Boston, Massachusetts, was located at no.661 Washington Street near Boylston Street in today's Boston Theater District.Boston Register and Business Directory, 1918 It featured burlesque, vaudeville and cinema. Performers included Clark and McCullough, Solly Ward, and Lena Daley; producers included Charles H. Waldron, Earl Carroll, and E.M. Loew.
Traubner, pp. 196–97 In 1891, Leslie and Farren again toured Australia with the Gaiety company in Ruy Blas and Cinder Ellen up too Late (with Sidney Jones as conductor).Moratti, Mel. "Theatre in Melbourne 1891" at the Gilbert and Sullivan Down Under site Leslie died while rehearsing for his last burlesque, Don Juan (with lyrics by Adrian Ross).
"Queen of my Heart", Dorothy's hit song, was very popular as a parlour ballad. Dorothy is a comic opera in three acts with music by Alfred Cellier and a libretto by B. C. Stephenson. The story involves a rake who falls in love with his disguised fiancée. It was first produced at the Gaiety Theatre in London in 1886.
In the early 1890s, as burlesque went out of fashion, Edwardes changed the focus of the theatre from musical burlesque to the new genre of Edwardian musical comedy.Ganzl, Kurt, "Musicals", London: Carlton (1995), p. 56 ; Hyman, Alan, "The Gaiety Years", London: Cassell (1975), p. 64 Many works of literature and theatre have been based on Sheppard's life.
The Era, 23 April 1892, p. 13 Pounds (left) with Kate Cutler and Marie Studholme in A Gaiety Girl, 1894 Pounds made her first professional stage appearance in 1890 as a chorus girl under the management of George Edwardes. After three months he gave her a small role in Joan of Arc at the Opera Comique in January 1891.
400pxA five-movement ballet occurred somewhere in Act II, staged by W. H. Payne.Payne was a well-known actor-dancer and the father of Harry and Fred Payne, regulars at the Gaiety who portrayed Preposteros and Stupidas in Thespis. See Stewart, Maurice. 'The spark that lit the bonfire', in Gilbert and Sullivan News (London) Spring 2003.
359 and in 1885 he again played Green Jones in The Ticket-of-Leave Man (opposite his wife, who played Sam), a role he reprised in his benefit performance in 1891 at the Gaiety Theatre."Dramatic and Musical Intelligence", The Colonies and India, 14 November 1891, p. 18 In 1890 he was the stage manager at Adelphi Theatre.
"Craig Claiborne of the New York Times said Fisher's prose perfectly captured the wit and gaiety of the book and lauded the hundreds of marginal glosses that [she] added to elucidate the text."Poet, supra at 203. During this period, Mary also was working on a biography of Madame Récamier for which she had received an advance.
William Tudor has a huge debt and is forced to give up his family castle. He sells it to war millionaire John Kershaw and goes to London to visit his granddaughter Irene. Meanwhile, Tudor's nephew and Irene's sweetheart Owen travels to South Africa to oversee his father's mines. Irene becomes a chorus girl at the Gaiety Theatre.
The Isle of Man has two cinemas, both in Douglas. The Broadway Cinema is located in the government-owned and -run Villa Marina and Gaiety Theatre complex. It has a capacity of 154 and also doubles as a conference venue. The Palace Cinema is located next to the derelict Castle Mona hotel and is operated by the Sefton Group.
He then managed his wife's tour for three seasons before becoming the manager of the Gaiety Theatre in San Francisco. According to reports, in January 1914, he arranged for Marie Dressler tocome to the Gaiety when a contract had been signed for the showing of white-slave films (a popular genre in early cinema) at the house at the same time. A cash bond of $1,500, that had been put up as guarantee that the films would be put on at the time specified in the contract, was forfeited by the Gaiety's owner George M. Anderson. Jake Rosenthal was first fired verbally by Thomas O. Day of the Anderson executive forces but because he was refusing to recognize his authority, Anderson himself had to later dismiss him by mail.
Monte Cristo Jr. later toured the United Kingdom with much of the London cast before a production by the London Gaiety Burlesque Company Tour opened at Dockstader's Theatre in New York on 2 April 1888 It then toured Australia in mid-1888 with Alfred Cellier as the conductor and a cast including Danby, Farren, Grey, Hood, Leslie and Lind.Monte Cristo Jr. (1888), The Australian Live Performance Database The Gaiety cast including Farren but augmented by a pretty female American chorus opened on 15 November 1888 in a reworked production at the Standard Theatre on Broadway. While the American audience was largely unappreciative of the play in general and its doggerel verse in particular, it did start a new craze for dancing in long and "swishy" skirts as displayed by the female chorus.Franceschina, John.
She continued to tour the UK for the next few years in Robert Buchanan's drama Storm Beaten, the pantomime Queen of Hearts and George Faucett Rowe's Fun in Bristol, among other shows. Lind performing a skirt dance in 1890 In 1887, Lind began her long and successful association with George Edwardes at the Gaiety Theatre in a series of burlesques, beginning with Monte Cristo Jr., taking over the role of Mariette, which was created by Lottie Collins. Collins devised her own cross between skirt dancing and the Can-Can in her performance of her hit song 'Ta-ra-ra-boom-de-ay'. It was around this time that Lind fans began to number in the "tens of thousands" as her fame was spreading.W. Macqueen-Pope, Gaiety, Theatre of Enchantment, W. H. Allen, 1949, p.
In April 1867 the Robertsons returned to London, where Madge appeared at Drury Lane, playing Edith Fairlam in The Great City, and then at the Haymarket in E. A. Sothern's company, appearing with him in Our American Cousin, Brother Sam, David Garrick and A Hero of Romance, and playing leading roles in two other productions there. At the opening of John Hollingshead's Gaiety Theatre in December 1868 she played Florence in On the Cards, a comedy adapted from the French;"The Gaiety Theatre", The Theatrical Journal, 13 January 1869, p. 10 she also appeared there as Lady Clara Vere de Vere in Dreams in 1869, before rejoining the Haymarket company, at this point on tour under the management of J. B. Buckstone. She played Viola, Rosalind, Lady Teazle, Kate Hardcastle and Lydia Languish.
11 In October 1892 Monkhouse played Don Pedro in Charles Lecocq's Incognita at the Lyric. The following January at the Shaftesbury Theatre he produced but did not appear in La Rosière, his own adaptation of Jaconde, an old French opéra comique with new music by Edward Jakobowski. After appearing as Carambollas in The Magic Opal at the Lyric and in the title role in Poor Jonathan he played the Rev Montagu Brierly in A Gaiety Girl in the West End in 1893–1894 and then on a world tour in 1894–1895."Round the World with A Gaiety Girl", The Era, 9 May 1896, p. 17 Back in the West End, he created the roles of Marquis Imar in The Geisha in April 1896,"Daly's Theatre", The Morning Post, 27 April 1896, p.
Holly Near,Holly Near and Derk Richardson, Fire in the Rain-- Singer in the Storm: An Autobiography (W. Morrow, 1990):154. Mary Watkins, Bitch and Animal,Sara Warner, Acts of Gaiety: LGBT Performance and the Politics of Pleasure (University of Michigan Press, 2012):155-156. John Simon, Diane Lincoln, Melanie DeMore, Jamie Anderson, Dorothy Dittrich, Ferron, Ruth Huber, Linq, and Joel Zoss.
While some eat food and take rest during the journey, others endure the ritual without these. Groups of Meenas (Jorwal & Jagarwar gotra) arrive in a spirit of gaiety, dancing, singing and creating a lively atmosphere. The courtyard becomes the venue for dances and songs sung in praise of the guardian deity. The Katare clan regard Kaila mata as their Kul Devi.
The Prince and Princess of Wales and many other dignitaries attended.Elliot, p. 125 Most of the proceeds were given to the Royal General Theatrical Fund and some to hospitals. The entertainment was presented again, with similar success, at Brighton on 9 March 1878 and again at the Gaiety on 10 April, to benefit wives and children of seamen killed in the sinking of .
The play The Coming of Stork had premiered in 1970 at La Mama Theatre, run by Betty Burstall. Her husband Tim Burstall saw the play and hired Williamson to adapt it, commenting that: > It had a kind of gaiety and brio. It was good-natured and it celebrated our > own lives in a very straightforward way. It wasn't the precious or arty.
At the instance of Gilbert, Hicks wrote a drama called One of the Best, a vehicle for Terriss's father William Terriss at the Adelphi Theatre, based on the famous Dreyfus trial. The Hickses were frequent guests of Gilbert at his estate in Grim's Dyke. Terriss next played the title role, May, in My Girl (1896 at the Gaiety).Hollingshead, p.
The ploy to bring the Marquis back to Paris failed when, instead of returning to Paris, the Marquis offered asylum to the imaginary nun in his home in Normandy. French literature gained one of its most poignant novels. Croismare finally returned to Paris in 1767, having lost none of his gaiety, playfulness and grace, which held true until company where his death.
Typically, the festival centres around Halloween, perhaps a natural parallel given the atmosphere created by the poem and the fate of its protagonist. Past events have included recitals by actress Karen Dunbar, an original Burns theatre production at The Gaiety Theatre in Ayr starring BAFTA winner Iain Robertson, and a popular parade that has attracted up to 8000 people to Ayr’s town centre.
Marjorie Browne (1910-1990) was a British musical theatre actress who made occasional films. Her West End appearances included the original productions of Cole Porter's Wake Up and Dream at the London Pavilion in 1929; Stanley Lupino's musical Sporting Love at the Gaiety in 1934; and as Marjanah in the revival of Chu Chin Chow at the Palace in 1940.
A postcard from the P&O-Orient; liner "Oriana" of 1960: "Friendly and picturesque, this restaurant combines gaiety with unobtrusive surroundings." Designed by Brian O'Rourke. laminated into Warerite plastic panels, a line later pursued by Perstorp Group. The 1960 modernisation of the interior of the Port of Spain General Hospital, Trinidad, by the architects Devereux and Davies, included murals by McNish.
Retrieved 24 November 2016.Big Event Only Nine Days Away , The Morning Bulletin, 6 March 1954. Retrieved 24 November 2016.Photo: Wool Fleece Arch , The Morning Bulletin, 15 March 1954. Retrieved 24 November 2016. Buildings that were illuminated with colourful lights at night included the Rockhampton Post OfficeAir of Gaiety at Post Office , The Morning Bulletin, 15 March 1954. Retrieved 24 November 2016.
George and 'W.F.' were both managers at Greenwich; Tom acted there. Of Morton's four daughters, three eventually married theatre men.'A Few Matters in General', Morton, pp. 140-164 Constance, married his Scottish scenic designer, Tom Bogue, who in 1889 left the Gaiety Theatre, Glasgow to produce Morton's Christmas pantomime.‘Music and the Drama’, Falkirk Herald, 27 March 1889 p.
Special Collections: K Plays, University of Minnesota, 8 April 2005, accessed 18 November 2009 That same year, he married Ellaline Terriss.Taylor, C.M.P. Terriss, Ellaline. Oxford Dictionary of National Biography, Oxford University Press, accessed 7 January 2012 After that, he starred in a revival of Little Jack Sheppard at the Gaiety Theatre, London. This brought him to the attention of the impresario George Edwardes.
Several other theatres, especially the Gaiety and the Queen's, had in the meantime begun to provide entertainment of varying quality for the growing theatrical public. These included a further series of Shakespearean revivals given at the Queen's Theatre by Messrs. Flanagan and Louis Calvert. The Independent Theatre staged some of the plays of Henrik Ibsen for the first time in England outside London.
Many were also members of the Voluntary Aid Detachment. The Mountain in the club name refers to Three Rock Mountain, the same mountain that Three Rock Rovers were named after. A second story claims the club was named after The Maid of the Mountains, the operetta written by Harold Fraser-Simson, which was being performed at the Gaiety Theatre, Dublin in August 1918.
The lavish entertainments, gaiety, and extravagance of the queen's household, which had reached its peak during Anne Boleyn's time, was replaced by strict decorum. She banned the French fashions Anne had introduced. Politically, Jane appears to have been conservative. Her only reported involvement in national affairs, in 1536, was when she asked for pardons for participants in the Pilgrimage of Grace.
Wisden commented: "Constantine, in the mood suggesting his work in Saturday afternoon League cricket, brought a welcome air of gaiety to the Test arena. He revolutionised all the recognised features of cricket and, surpass[ed] Bradman in his amazing stroke play." For his all-round performances during the season he was chosen as one of Wisden's Cricketers of the Year.
MacQueen-Pope, p. 29 His mother set up as voice teacher in London, where he met leading performers, including members of George Edwardes's Gaiety Theatre company, classical musicians such as Landon Ronald, and singers such as Adelina Patti. Another of his mother's associates was Clara Butt, who taught him to sing "Abide with Me" when he was a boy of six.
That winter, Mitchell described the 46-year-old Frederick as "an old man lacking half of his teeth, with greying hair, without gaiety or spark or imagination." Frederick suffered from gout and influenza, and refused to change his uniform, which was moth- eaten and covered in food and snuff stains.Bassett, p. 145. However, the situation could have been far worse for Frederick.
During the Postclassical history, painters rarely ever mixed colors; but in the Renaissance, the influential humanist and scholar Leon Battista Alberti encouraged artists to add white to their colors to make them lighter, brighter, and to add hilaritas, or gaiety. Many painters followed his advice, and the palette of the Renaissance was considerably brighter.John Gage, (1993), Color and Culture, pp. 117–19.
2 The family eventually moved to London and Burnside became a call boy to the Gaiety Theatre. He was befriended by director and stage manager Richard Barker who, observing Burnside's eagerness, taught him much about theater. According to his passport application,Available at Ancestry.com he arrived in New York in October 1894, invited by Lillian Russell to direct her productions.
In early 1997, Amnesty held a comedy gala at the Gaiety Theatre in Dublin. The performers were primarily Irish performers including: Barry Murphy, Brendan O'Carroll, Pauline McLynn, Dermot Morgan, Kevin McAleer, Owen O'Neill, and Kevin Gildea. The show was videotaped and televised on ITV in March 1997. In 1998, Amnesty staged a reprise of "So You Think You're Irish" in Dublin.
Carmen up to Data is a musical burlesque with a score written by Meyer Lutz. The piece was a spoof of Bizet's 1875 opera Carmen. The libretto was written by G. R. Sims and Henry Pettitt. After a tryout in Liverpool in September 1890, the piece premiered at the Gaiety Theatre, London, on 4 October 1890, produced by George Edwardes.
Greenbank was also a known quantity, first for having supplied the theatre with two other curtain raisers, Captain Billy (1891) and Mr. Jericho (1893). In addition, by this time, Greenbank's reputation was well established, having supplied lyrics for a number of hit musicals, including A Gaiety Girl (1893), An Artist's Model (1895), The Geisha (1896), and The Circus Girl (1896).
The Lord Mayor of Dublin laid the foundation stone in a ceremony on 1 July 1871, although by that time the work was already quite advanced. The Gaiety Theatre opened on 27 November 1871. The opening performance was She Stoops to Conquer, performed by the John Woods Company. The prologue by John Francis Wall was delivered by Mary Frances Scott-Siddons.
In Joyce's Finnegan's Wake, Gunn (or Makeall Gone, Gun the farther, etc.) is repeatedly used as a symbol of the creator-god-father. Gunn died at his London residence near Hampstead on 24 October 1901 at the age of 61. His estate was estimated at just over £20,000. His wife became owner of the Gaiety and held it until 1909.
Bhai Phonta in West Bengal is celebrated with much splendour. The ceremony is marked with many rituals along with a grand feast arranged for the brothers. It is necessary that, both brother and sister are more than 5 years of age. The festival of Bhai Bij is popular in Haryana, Gujarat, Maharashtra and Goa and is celebrated with great fervour and gaiety.
The White Countess is a 1954 play by J.B. Priestley and his wife Jacquetta Hawkes. It was first staged at the Gaiety Theatre in Dublin before transferring to London's West End. However, it ran for only five performances at the Saville Theatre before closing. The production was savaged by most critics, although the reviewer of the New Statesman defended it.
During her time away from wrestling, Quin worked as an actress and was cast in numerous plays in 2011 and 2012. She graduated with a degree in acting from the Dublin Institute of Technology, and has attended Columbia College Chicago and the Gaiety School of Acting. She also worked as a flight attendant with Aer Lingus for two and a half years.
That she failed in the second-rate neurotic drama The Second Mrs Tanqueray was due to her unsuitability for exaggerated histrionics.Forbes-Robertson, F. "Dame Madge Kendal", The Times, 20 September 1935, p. 17 St John Ervine wrote "Madge Kendal was an accomplished but not a great actress", but a "great comedienne". He praised her "verve … extraordinary vitality and her gaiety".
Hollingshead was one of the first London theatre managers to eliminate fees for programmes and coat check. He left the Alhambra to manage the newly redesigned Gaiety Theatre. In addition, Hollingshead managed shows at the Opera Comique from time to time. He produced a revival of Gilbert's Princess Toto there in 1881, paired with Rutland Barrington's short play, Quid Pro Quo.
Monkhouse (left) as Sir Tristram Testy in Maid Marian, 1891, with Harry Parker and John Le Hay Harry Monkhouse was the stage name of John Adolph McKie (18 May 1854 – 18 February 1901), a comic actor and singer. He appeared in the British provinces, the West End and featured in a round the world tour of A Gaiety Girl in 1893 to 1895.
Michael Parsons, "The Irish Couple Who Scandalised London Society" Irish Times (January 14, 2012). She was widowed in 1943 and died in 1958, aged 80 years, in London."Gaiety Girl, First to Wed a Peer, Dies" Chicago Daily Tribune (August 19, 1958): A8. Portraits of the Marquess and Marchioness by artist Sir William Orpen were auctioned by Sotheby's in London in 2012.
Gaiety Theatre in Dublin, Ireland. In 1973, Tóibín won a Jacob's Award for his performance in the RTÉ comedy series, If The Cap Fits. On 29 October 2002, Tóibín won Best Actor at the Christian Film and Television Excellence awards ceremony in Dublin. Tóibín received an Honorary Doctor of Arts Degree from University College Cork (UCC) on 4 June 2010.
The most famous fireworks are during the festival at Sree Rudhira Mahakali (shortened to Uthrali) Kavu. This takes place in the month of Kumbham (February–March). The pomp and gaiety of this occasion is matched only by the fireworks of the Thrissur pooram or Nenmmara Vallangi Vela. It falls on the very next Tuesday of the Machad Mamankam during the month of Kumbham.
John Hollingshead had a lot of balls in the air: This engraving shows him juggling ballet, opéra bouffe, and drama. Impresario and author John Hollingshead, the lessee of London's Gaiety Theatre since 1868, had produced a number of successful musical burlesques and operettas there. Indeed, Hollingshead "boasted that he kept alight 'the sacred lamp of burlesque.'"Dark & Grey, p. 63.
It highlights the principle of cooperation in cultivation which, in turn, helped in moulding the community life of the people of Tulunadu. It is a collectively executed task in which every household participates with men and animals. Celebrated in the traditional way in the household family here every year. The villagers and the Guttinamane family celebrates the ritual with pomp and gaiety.
She next created the non-speaking role of Etoff in Edward German's comic opera Tom Jones at the Apollo Theatre in London (1907),Cast list for Tom Jones (1907) - British Musical Theatre website and in 1908 she played Princess Helene in the operetta A Waltz Dream at the Hicks Theatre.Wearing, The London Stage 1900-1909, p. 399D. Forbes- Winslow, Daly's - The Biography of a Theatre, W. H. Allen & Co., London (1944) This was followed by George Edwardes's production of Havana at the Gaiety Theatre before joining the cast of The Gay Gordons at the Aldwych Theatre. In his history of Daly's Theatre D. Forbes Winslow wrote of this period: > Dorothy said one of the happiest times of her life was when she was with > George Edwardes at the Gaiety Theatre, understudying at the age of sixteen > several parts in Havana.
Sheridan's performances in revues, variety shows, and pantomimes kept the spirit of the old music hall and vaudeville alive on the Dublin stage well into the era of television.The Irish Times, "Nostalgic evening in Olympia revue", 4 April 1972 He performed frequently at Dublin's Queen's Theatre from 1940 onwards, and he appeared also on the stage of the Theatre Royal, Dublin. In 1976, he was deemed by The Irish Times to have "stolen the show" when he performed his own songs in Noel Pearson's production of You Ain't Heard Nuttin' Yet at the Gaiety Theatre, Dublin.The Irish Times, "'You Ain't Heard Nuthin' Yet' at the Gaiety", 3 March 1976 He was a regular at the Olympia Theatre, Dublin, and was one of the leaders of the campaign to raise funds for the theatre's restoration following the collapse of the proscenium arch in 1974.
As an actor Sheridan appeared in a number of stage plays including the world première of Brian Friel's Crystal and Fox, in which he played the supporting role of Pedro in a Hilton Edwards production at the Gaiety Theatre.The Irish Times, "New Friel play at the Gaiety Theatre", 13 November 1968 He was also among the cast of several films shot in Ireland, for instance, Ulysses and Where's Jack?. One of his more unusual acting roles came in 1966 when he portrayed the trade union leader, James Larkin, in a pageant staged in Croke Park to commemorate the Irish struggle for independence.RTE Libraries and Archives, retrieved 23 December 2010 One of Sheridan's last live appearances was in The Heart's A Wonder, a musical based on John Millington Synge's Playboy of the Western World, which was staged at Limerick's Crescent Theatre in September 1978.
Ross contributed lyrics to almost all of the Gaiety Theatre's shows, beginning with The Shop Girl (1894, with his song "Brown of Colorado") and Go-Bang in 1895. He wrote over two thousand lyrics and produced lyrics for over sixty musicals thereafter, including most of the hit musicals through World War I. In 1896, he contributed to the Gaiety Theatre hit, The Circus Girl. He also wrote lyrics for the one-act comic opera, Weather or No (1896), which played as a companion piece to The Mikado at the Savoy Theatre, as well as several other Savoy operas, such as Mirette (1894), His Majesty, or The Court of Vignolia (1897), The Grand Duchess of Gerolstein (1897) and The Lucky Star (1899). Lily Elsie in The Dollar Princess Ross also wrote lyrics for the shows at Daly's Theatre.
Here she discovered her skill as a theatre administrator. She bought a property and developed it into the Abbey Theatre, which opened in December 1904. Although she moved back to live in England she continued to support the theatre financially until 1910. Meanwhile, in Manchester she had purchased and renovated the Gaiety Theatre in 1908 and developed it into the first regional repertory theatre in Britain.
Wild Heather is a 1917 play by the British writer Dorothy Brandon. A woman looking to marry has to choose between two very different men. After debuting at the Gaiety Theatre in Manchester in August 1917, it transferred for a West End run at the Strand Theatre lasting 79 performances between October 1917 and January 1918. The cast included Lyn Harding and Helen Haye.
In these salons the traditional etiquette and formality of Louis XIV was abandoned. These new suites of smaller rooms were furnished in a new style that met the needs of comfort, intimacy and elegance. Beginning in about 1730, His preference was for the style called rocaille, a term which referred to an ornamental decoration resembling a stylized seashell, a style which expressed gaiety and fantasy.
Her keen eyes and quick, > almost bird-like movements but added to her charm. She was one who, for all > her learning, her high sense of duty, had a gallant gaiety altogether her > own.Miss Mary Anderson's Tribute, in The Times, 25th January 1932. An anecdote often narrated to her friends by Bertha Phillpotts illustrates her indifference to hardship and her great sense of humour.
She was one of producer George Edwardes' famous Gaiety Girls and originated several roles in musical comedies. Studholme toured widely in the British provinces and abroad in shows that had enjoyed successful London productions, and she became extremely popular in the British provinces. She ended her career in music hall comedy sketches. After her retirement from the stage, she fostered a boy and adopted a girl.
The Galesburg Orpheum was built in 1916. In 1915, owner William J. Olson signed a contract with Harvey A. Craig to lease the Orpheum and provide its management, upon the completion of the theatre. At the time, Olson also owned the Gaiety Theatre on the corner of Cherry and Simmons Street. Olson wanted the Orpheum to outclass its competitors, attracting the most popular acts and fashionable audiences.
They speak a Tibeto-Burman language, but the exact origin of their language is disputeu. The festival celebrated with enormous pomp and gaiety is BooriBoot-yullo and is celebrated on 6 February. The rituals of these festivals are carried out by the community priests (Nyub/Nyubu) which include chanting of hymns and sacrificing animals viz. mithun (Sobe/sebe), goat, chicken (pork), pig(Irri) etc.
Weekly Dispatch, London, 20 January 1907, p. 6f She also played in pantomime as a principal boy. Ediss (left) with Edmund Payne, George Grossmith, Jr. and Gertie Millar in The Orchid, 1903 She received a lucky break in 1895 when she was asked to fill in for an ailing Nellie Farren at the Gaiety Theatre, London. George Edwardes signed Ediss to a three-year contract.
Another important local building, demolished in 1930, was the Gaiety Theatre on Park Crescent Place, which runs northwards from Park Crescent to Trinity Street. It was the Royal Hippodrome from 1876 until 1889, and held a popular circus. After a short closure, it reopened in 1890 as a theatre specialising in melodrama and music hall performances. It was demolished in 1930 and replaced by flats.
603Edwards, G. Spencer. "Concerning Olive Morrell", The Illustrated Sporting and Dramatic News, August 5, 1905, p. 894 As a Gaiety Girl, Morrell's appearance and gowns were at least as reviewed as her talents, and she was a popular subject for photo postcards."Miss Olive Morrell", Punch, November 8, 1906, p. 8, via Trove In 1904, Morrell defended actresses from criticism by writer Marie Corelli.
Radić's oeuvre consists of stage works—opera Love, that’s the main thing and ballet The Ballad of the vagabond moon; vocal-instrumental compositions The Scull-Tower, The Standup country, Awaiting Maria, Scenes from the countryside, The Name list, Landscapes, and The Besieged gaiety; orchestral pieces a Symphony, Sinfonietta, Two Symphonic images, Divertimento, Concertino, and Variations on a folk theme; as well as chamber and solo pieces.
Described in 2007 by Bloomberg as "a fixture on New York's downtown scene for over a quarter- century", her work spans from early "absurdist gaiety" to more recent serious reflection, which nevertheless represents the "maverick imagination and crazy- quilt multimedia work" for which the artist is known.Tobias, Tobi. (January 15, 2007) Chuma's crazy-quilt choreography returns to Chelsea: N.Y. Dance Bloomberg.com. Retrieved 2008-08-05.
Born in Dublin where she still lives, Carroll was educated in University College Dublin, the College of Music in Dublin and of the Gaiety School of Acting. She became best known as the character of Nicola Prendergast on the Irish TV soap Fair City. She worked in the role for fourteen years. While she was working Carroll was also writing her first novel in her dressing room.
Potter was born in Dublin and educated at St. Mary's school in Fairview. She had a long career in Irish theatre, mainly as Ireland's première comedienne, but also as a straight actress. She was a regular performer at the Gaiety Theatre in Dublin and for many years starred in Christmas pantomime. She became the first star to have a bronze cast of her handprints outside the theatre.
The Traveling Salesman is a 1921 American comedy film starring Fatty Arbuckle. It is based on a 1908 play, The Traveling Salesman, by James Grant Forbes. A 1916 film adaptation of the play starred Frank McIntyre, who had also starred in the play.The Traveling Salesman as produced on Broadway at the Liberty Theatre (August 10, 1908) and the Gaiety Theatre (September 7, 1908) totaling 280 performances; IBDb.
It was made into a film by director Richard Linklater which was released in 2009. The Guardian critic Sophie Martelli described the film as a "schmaltzy yet charming coming- of-age story." Me and Orson Welles was a The New York Times bestseller and the film in 2008 starred Zac Efron and Claire Danes. The movie was filmed in the Gaiety Theatre on the Isle of Man.
Powers began on the stage in Boston in 1880 and also spent time in circuses and later, in vaudevilles. In the 1890s, he acted in many American versions of the so-called Gaiety musicals, originating in the London's West End, then coming into vogue in the United States.American Musical Theatre: A Chronicle, by Gerald Martin Bordman and Richard Norton. His entire career was spent in live theatre.
Oh! Oh! Delphine in 1913 at the Shaftesbury Theatre, and as Jericho Mardyke in Our Nell in 1924 at the Gaiety Theatre. He also appeared in Madame Pompadour (1924). A late Gilbert and Sullivan performance was in Trial by Jury at a benefit matinée for Courtice Pounds in 1927, when Passmore was joined by stars including Leslie Henson and Derek Oldham.The Times, 13 December 1927, p.
Bordman, Gerald and Richard Norton. American Musical Theatre: A Chronicle, Oxford University Press (4th edition, 2011), p. 110 The piece was first performed under the management of George Edwardes, premiering at the Gaiety Theatre in London on 23 December 1886. Nellie Farren, E. J. Lonnen, Fred Leslie, Marion Hood and Jenny Lind appeared in the cast during the run, which ended in early October 1887.
48–49 At the time an initial run of 100 performances was considered a success;"Edmond Audran" Opérette – Théâtre Musical, Académie Nationale de l'Opérette (in French). Retrieved 24 November 2019 Le Médecin malgré lui achieved that and was revived in Paris and elsewhere during the rest of the 19th century and into the 20th.Gounod, p. 156 In 1893 the British Musical Times praised its "irresistible gaiety".
In the early 1930s, Louis Elliman sold a 50% share in the Gaiety to entrepreneur Patrick Wall, a Clare man. The pair also owned the Metropole and the Savoy cinemas. Along with Patrick Wall, Elliman acquired the Theatre Royal, Dublin in 1936. With the outbreak of the Second World War, Wall and Elliman were forced to keep the two theatres going with native talent only.
There are 200,000 strangers in town, and > all the inhabitants are in the streets. All is gaiety and splendour. (The > Pictorial Times, 1846). The Prince was taken on a processional tour through the city, including a visit to the town hall where the royal address was made, before departing aboard the ferry across to the Cheshire side of the Mersey and then northwards towards the Albert Dock.
A number of heritage buildings are located within the community. Our Lady of the Assumption Roman Catholic Cathedral, the former Convent of Jesus and Mary and the former Bishop's Residence were designated the Gravelbourg Ecclesiastical Buildings National Historic Site of Canada in 1995. Gravelbourg Court House, College Mathieu Pavilion, Gravelbourg Post Office, Gaiety Theatre and Canadian National Railway Station are also listed heritage sites.
He was Horatius on the tottering bridge; Hector, who alone stood between Troy and destruction. He was born to rescue. But he is more dangerous than those who are stubborn or grim. He has something of D'Artagnan in him; there is a gaiety besides the simplicity and strength; seen in the slight list of the cap, and in a certain jauntiness and optimism of gait.
These were fashionable, elegant young ladies, unlike the corseted actresses from the burlesques. Gaiety Girls were polite, well-behaved young women and became a popular attraction and a symbol of ideal womanhood. Some became popular leading actresses. The young ladies appearing in George Edwardes's shows became so popular that wealthy gentlemen, termed "Stage Door Johnnies", would wait outside the stage door hoping to escort them to dinner.
Pages 197-8, R. D. Laing, A Biography, Adrian Laing, Peter Owen (1994) Howard and Blaikley's concept album, Ark 2 (1969), performed by Flaming Youth, drew the comment that Blaikley and Howard "have a wit, gaiety, dignity and melodic flair reminiscent of Leonard Bernstein...which suggest that pop is becoming the serious music – in the proper sense – of the age" Derek Jewell, Sunday Times 1961.
Lincoln first became involved with the film industry for J.C Williamson, managing his Anglo-American Bio-Tableau in 1904 to 1905.Bateman, p 173 He then managed the Australasian tour of the Gaiety Company for Williamson. While doing this he received notice to meet up with Clement Mason who had film of the Russo-Japanese War. Lincoln toured with this and some other films throughout Western Australia.
Michael Ralph Thomas Gunn (1840 – 24 October 1901) was an Irish businessman and theater manager who built and ran the Gaiety Theatre, Dublin. For several years he was closely involved with Richard D'Oyly Carte, and the Gilbert and Sullivan operas. He invested in some of Carte's ventures and helped manage Carte's theater and touring productions in England while Carte was in the United States.
Richard D'Oyly Carte In 1875 a company organized by Richard D'Oyly Carte started a tour of England and Ireland. Carte's company performed La Périchole, La fille de Madame Angot, and Trial by Jury, by Gilbert and Sullivan. After ten weeks in England, the company opened at the Gunns' Gaiety Theatre on 5 September 1875. Michael Gunn became enthusiastic about Carte's plans for comic opera in England.
Robinson married the Honourable Nea Arthur Ada Rose D'Amour Annesley, fifth daughter of Arthur Annesley, 10th Viscount Valentia, in 1846. Lady Robinson was described as "a majestic-looking woman", "fond of gaiety and society". Their daughter, Nora, (born in St Kitts in 1858) married Alexander Finlay in St James' Church, Sydney on 7 August 1878. This vice-regal wedding attracted great interest from the populace and press.
This film version, once thought to be lost, survives at the Museum of Modern Art.The American Film Institute Catalog Feature Films: 1911-20 by The American Film Institute, c. 1988Erstwhile Susan as produced on Broadway at the Gaiety Theatre, January 18, 1916 to June 1916, 167 performances; IBDb.comSilent Players: A Biographical and Autobiographical Study of 100 Silent Film actors and actresses; by Anthony Slide, pp.
The Times, 17 April 1922, p. 17 From about 1880, Victorian burlesques grew longer, until they were a whole evening's entertainment rather than part of a double- or triple-bill. In the early 1890s, these burlesques went out of fashion in London, and the focus of the Gaiety and other burlesque theatres changed to the new more wholesome but less literary genre of Edwardian musical comedy.Gänzl, Kurt.
The Theatre, Joan of Arc at > the Gaiety. London St James Gazette, 1 October 1891, p. 7 On 6 February 1892 at the Prince of Wales's Theatre, Seymour danced in the debut of Blue-Eyed Susan, a comic opera by George R. Sims, Henry Pettitt and Frank Osmond Carr based on Douglas Jerrold's Black Eyed Susan."Prince of Wales", London Standard, 26 February 1892, p.
London Evening News and Post, 30 June 1892, p. 2Gaiety Theatre, Cinder-Ellen up too Late. London Standard, 3 September 1892, p. 4, Over the summer and early fall of 1892 Seymour toured with Cinder-Ellen up too Late and remained with the show when it reappeared at the Gaiety Theatre at the beginning of October for a run that would continue until mid-December.
Gaiety Theatre. The Football Evening News, 13 January 1900, p. 2 She next played Rosa, another maid (Lady Punchestown's) in The Messenger Boy, a musical comedy in two acts by James T. Tanner and Alfred Murray, lyrics by Adrian Ross and Percy Greenbank, with music by Ivan Caryll and Lionel Monckton, with additional numbers by Paul Rubens. Seymour remained with A Messenger Boy through February 1901.
Since 2005, Wairoa has been host to the annual Wairoa Māori Film Festival, New Zealand's premiere Maori and indigenous film festival, which has hosted film makers from across the nation and around the world. In 2015, the festival began to be hosted in part at the newly revitalised Gaiety Theatre, which had recently been fitted out with one of the world's most advanced theatre sound systems.
" Bolitho took a similar line in his 1943 book Combat Report, attesting to Hull's "bubbling, unquenchable gaiety". According to Bolitho, Hull was "possessed of a magic power of creating happiness in others; making them belittle their cares, of inspiring them with confidence, not simply in him but in themselves. Of imbuing them with his own abounding love of life. Where Caesar was, laughter was.
A New York critic later claimed that their "Dancing Quakers" routine was parodied by Margaret and Despard in Gilbert and Sullivan's 1887 opera Ruddigore.Stone, David. "J. H. Ryley", Who Was Who in the D'Oyly Carte Opera Company, 8 August 2011, accessed 7 June 2012 Ryley also appeared at The Gaiety in a musical play, Ali Baba a la Mode, in 1872. He and Barnam soon separated.
Boisseau (2004) Folly Theatre In 1883 her father died, leaving her a modest inheritance to live on. She continued taking minor roles at the Folly, but changed her stage name back to Florence Farr when she began performing at the Gaiety Theatre in May. Her commanding presence and beautiful speaking voice were noted by George Bernard Shaw. She soon attained modest success on London's West End stages.
795, A & C Black, accessed 12 July 2011 and Harry Greenbank. It was produced by George Edwardes at the Gaiety Theatre, London, opening on 21 May 1898 and ran for a very successful 593 performances. It starred Hicks's wife, Ellaline Terriss and Edmund Payne. The work had stiff competition in London in 1898, as other successful openings included A Greek Slave and The Belle of New York.
Will Vodery (October 8, 1885 – November 18, 1951) was an American composer, conductor, orchestrator, and arranger, and one of the few black Americans of his time to make a name for himself as a composer on Broadway, working largely for Florenz Ziegfeld. He had offices at the Gaiety Theatre office building in Times Square.Bloom, Ken, Broadway: An Encyclopedia, Routledge; 2nd edition (November 11, 2003), .
Vice Versa: A Lesson to Fathers is a play by Edward Rose that adapted the 1882 novel of the same name by Thomas Anstey Guthrie. The play debuted at the Gaiety Theatre, London on 9 April 1883. The story is a fantasy about a body swap between a father and son. Rose played the son in the debut production; Charles Hawtrey played the father.
Hollingshead, John. Good Old Gaiety: An Historiette & Remembrance, pp. 39–41 (1903) London: Gaity Theatre Co Many of Gilbert's Bab Ballads, stories and other works, especially in the 1860s, reflect his interest in the harlequinade and his ideas about the moral issues that it presented, particularly in connection with the cruel character of Clown.Gilbert, W. S. "Getting Up a Pantomime", London Society, January 1868, pp.
To create the piece, Carte had selected a composer that he knew could get the job done: Ford had studied under Arthur Sullivan and written several operas up to that point. Greenbank was also a known quantity, having supplied the theatre with another curtain raiser, Captain Billy. Greenbank also collaborated on A Gaiety Girl in 1893, a piece that would become a hit and establish his reputation.
Critics praised this alteration, feeling it was a more explosive introduction to the character. The production was hugely successful and ran for 121 performances. It subsequently toured internationally, and was performed to critical acclaim at the Gaiety Theatre, London in March 1888 and the Shakespeare Memorial Theatre in August. It was also chosen as the inaugural performance at Daly's Theatre in London on 12 March 1893.
Through Fox he became an intimate of the Holland House circle. After his tour he made annual visits abroad and was as well known in French as in English society. He was a small man with a weak physique but exceptionally intelligent. His temperament was mercurial swinging between poles of gaiety, wit and restless activity on one hand and melancholy, hypochondria and indolence on the other.
Performances of Thespis were interrupted on 14 February 1872, Ash Wednesday, since London theatres refrained from presenting costumed performances out of respect for the religious holiday. Instead, a "miscellaneous entertainment" was given at the Gaiety, consisting of ventriloquists, performing dogs and, coincidentally, a sketch parodying a penny reading by the young George Grossmith, who, several years later, became Gilbert and Sullivan's principal comedian.Moss, Simon.
On such an occasion, a performer would normally choose a piece likely to sell well, as the beneficiary was entitled to the income (after expenses), and tickets were generally offered at "inflated prices".Rees, pp. 81–82. The actress was a Gaiety favourite, "not only in respect of her voice but also her delicious French accent and, of course, her figure."Rees, p. 14.
Even the version of the libretto printed in 1911 is not free of sloppy editing. Note the line "He's you're brother". The surviving libretto is not the version heard by audiences at the Gaiety Theatre. There are numerous discrepancies between the original libretto and what was described as happening on stage, and reviewers repeatedly quoted dialogue that has no equivalent in the published libretto.
Johnson and Lazarevich write that Cimarosa's reputation during his lifetime reached a height unsurpassed until Rossini's heyday, and he continued to be highly regarded into the 19th- century. Eugène Delacroix preferred Cimarosa's music to Mozart's. He wrote of Il matrimonio segreto, "It is perfection itself. No other musician has this symmetry, this expressiveness and sense of the appropriate, this gaiety and tenderness, and above all … incomparable elegance".
Donnelly has appeared in many different roles around Ireland and has also directed and written shows. His first theatre role was in 2005 where he featured in the chorus of The Wireman at the Gaiety Theatre, Dublin. He then continued to play Rod in Singin' in the Rain and Ethan in The Full Monty, both at the Olympia Theatre, Tony in West Side Story at the Solstice Theatre, Aladdin in Aladdin and Collins in Michael Collins: A Musical Drama, both at the Cork Opera House, Prince Charming in Cinderella at the Gaiety Theatre, Dublin and Chorus in Sweeney Todd: The Demon Barber of Fleet Street at the Gate Theatre. In 2008, he joined the West End production of Les Misérables as a swing and, as a member of the cast, was part of the Les Misérables concert with the Bournemouth Symphony Orchestra on the Isle of Wight.
Annie Horniman. Annie Elizabeth Fredericka Horniman CH (3 October 1860 – 6 August 1937) was an English theatre patron and manager. She established the Abbey Theatre in Dublin and founded the first regional repertory theatre company in Britain at the Gaiety Theatre in Manchester. She encouraged the work of new writers and playwrights, including W. B. Yeats, George Bernard Shaw and members of what became known as the Manchester School of dramatists.
According to her brother Cecil Beaton in The Book of Beauty (1933): "I am enthralled at the childish intentness and gaiety of Nancy when looking for a coral tiara in a curiosity shop, by the complexion that emerges from underneath the water after she has fallen off an aquaplane board, by her dazzling blondness when, like a Gainsborough, writing her diary on a haystack." She died on 6 June 1999.
Briscoe, Johnson. The actors' birthday book, p. 103 (1908) Moffat, Yard and Company Studholme succeeded Marie Tempest in 1899 in the title role of San Toy on tour in the British provinces. In 1900 she took over the role of Nora from Violet Lloyd in The Messenger Boy at the Gaiety Theatre, London, where she enjoyed great success with the wartime song hit, "When the boys come home once more".
In 1966 at the Gaiety Theatre in Dublin he appeared in productions of Juno and the Paycock and Man and Superman. Sam Spiegel, producer of Lawrence of Arabia, reunited O'Toole with Omar Sharif in The Night of the Generals (1967), which was a box office disappointment. O'Toole played in an adaptation of Noël Coward's Present Laughter for TV in 1968, and had a cameo in Casino Royale (1967).
Following the London run, a UK and Ireland tour began in September 2019 at the Theatre Royal, Windsor before touring to the Theatre Royal, Glasgow, New Wimbledon Theatre, Regent Theatre, Stoke-on-Trent, Milton Keynes Theatre, The Alexandra, Birmingham, Opera House Manchester, Gaiety Theatre, Dublin, King's Theatre, Edinburgh, Eden Court Theatre, Inverness and His Majesty's Theatre, Aberdeen. The production starred Sophie Ward as Chris and Paul Nicholas as Merrin.
From about 1866 the Olympic Theatre was managed by Benjamin Nottingham Webster. From 7 November 1868 he played Inspector Javert in the first production of The Yellow Passport by Henry Gartside Neville, an adaptation of Les Misérables by Victor Hugo. He appeared in A Life Chase, an adaptation by himself and John Oxenford of Le Drame de la Rue de la Paix, at the Gaiety Theatre opening on 11 October 1869.
After seventy years of private ownership, the local council acquired the Gaiety Theatre freehold in 1974. It then operated as a municipal theatre under direct local authority management. After many years of successful operation, the theatre began to lose audiences and the council felt the revenue subsidy it provided and the requirement for capital investment required a new approach. In January 2009 the theatre closed, leaving Ayr without a theatre.
Millar and Edmund Payne in The Spring Chicken Millar became one of the most photographed women of the Edwardian period."Pretty Faces Win Much Money", The St. Paul Globe, May 1, 1904, p. 24 She had top billing as the Hon. Violet Anstruther in The Orchid, the show that opened the new Gaiety (1903; introducing the songs "Little Mary", "Liza Ann", and "Come with me to the zoo").
You would be surprised (or perhaps you would not?) to know how much of a strange sort of happiness and even gaiety there is between us." Davidman underwent several operations and radiation treatment for the cancer. In March 1957, Warren Lewis wrote in his diary: "One of the most painful days of my life. Sentence of death has been passed on Joy, and the end is only a matter of time.
Picard very fine, the wedding party in full dress – ceremony first at the mairie - then at the church. Monet entering first with Suzanne, then Butler and Mme. H (Hoschede). Considerable feeling on the part of the parents - a breakfast at the atelier – lasting most of the afternoon. Frequent showers, champagne and gaiety - … Dinner and evening at the Monet's - bride and groom left at 7:3 for the Paris train.
Early revivals included The Gaiety Theatre, London (1885, with Marion Hood as Phoebe and Arthur Roberts as Barnacle) and Toole's Theatre (1886).Adams, p. 159 The satiric, cynical risqué story is based on the nautical poem and song of the same title by Richard Brinsley Sheridan, who is best known for "A School for Scandal." Strangely, a version of this adult- themed story was created for children and published in 1881.
He too is in love with her primarily because of the wonderful letters she sends him daily. Unbeknownst to him, the letters are actually written by the real Valentine. He has a difficult time reconciling the "Valentine" of the letters with the gaiety and flirtatiousness of Sylvia, the woman he believes to be Valentine. She does not behave at all like a well- bred orphan recently bereft of her uncle.
Advertising for the Caravan Club, 1934 By the early 1930s Neave was an experienced club promoter. He had already run the Jamset club and the Cosmopolitan club in Wardour Street and in 1934, with Billy Reynolds, opened the Caravan Club on 14 July in a basement in London's Endell Street. The club was gay and lesbian-friendly with low-level criminality and prostitution thrown in. Advertising promised "All night gaiety".
While Rufino Tamayo founded the Oaxacan School, it was Rodolfo Nieto who defined it. Rodolfo added a dramatic tone to skull art. Using light colors fixed against dark hues, he showed the continual battle of life and death. With gaiety, humor, whimsies, and boyhood stories of Tarzan the Ape Man fighting the perils of the jungle, Rodolfo laughed at death while living in the shadows of his own deepening depression.
Writer Gideon Haigh said of Australian batsman Victor Trumper: "If it is possible for a cricketer to be their period, rather than merely part of it, then Trumper is the "Golden Age" of cricket. In the gaiety and gallantry of his strokeplay, the charm of his personality, even in his frailty, transience and suddenness of death, Trumper personifies what we understand as the values and nature of his time".
"Francis Doble: A West End personality", The Times, 23 December 1969, p. 8 The following year she essayed management for the only time, appearing at the Gaiety Theatre in her own production of Ballerina, a mix of drama, ballet and musical comedy. It ran for less than a month and was replaced by a revival of Charley's Aunt in which she did not appear."Theatres", The Times, 11 December 1933, p.
This occasion is celebrated with great reverence, pomp and gaiety all over South Asia, including India, Pakistan, Bangladesh, Sri Lanka, Azerbaijan and Turkey and Central Asia including Uzbekistan, Tajikistan, Kazakhstan, Turkmenistan & Kirghistan. The Salafi Arabs do not celebrate this holiday. In the Arab world the festival is celebrated with enthusiasm by Arabs with Sufi heritage, and Shias. In Iraq, people give children candies as they walk around their neighborhoods.
"Broadway's 'Come Back, Little Sheba' Ends March 16" Playbill, March 16, 2008 Anderson starred as Andy Dufresne in the stage version of the film The Shawshank Redemption which premiered at the Gaiety Theatre, Dublin in May 2009."Dublin 'Shawshank' stars are revealed" rte.ie, 27 March 2009 The play transferred to the West End at the Wyndham's Theatre in London, from 4 September 2009 to 29 November 2009.The Shawshank Redemption officiallondontheatre.co.
In Bangladesh, Shia Muslims in Dhaka, Chittagong, Rajshahi and Khulna continue to celebrate it regularly. However, tradition goes back to historical East Bengal's link to the Mughal Empire; the empire celebrated the festival for 19 days with pomp and gaiety. Shia Muslims in Bangladesh have been seen spraying water around their home and drinking that water to keep themselves protected from diseases. A congregation to seek divine blessing is also arranged.
An only child born in Munich, Germany, Preissner moved to Mallow, County Cork with her mother, Bernie, from Dublin after she had separated from her husband, Stefanie's German father. She gained a BA in Spanish and drama and theatre studies from University College Cork. She attended the Garda Síochána College in Templemore, county Tipperary for a short period. She attended the Gaiety School of Acting in Dublin in 2008.
The first films shown were of a train, a ship, a cavalry charge, and demolishing a wall.Montreal Gazette, Renewed Gaiety in Chinatown, Tuesday October 28, 2008, page A8 The show continued for two months, and were presented by Louis Minier and his assistant Louis Pupier.Cinema in Quebec in Silent Era, The Arrival of the Cinematographe in Québec (accessed 28 October 2008) In September 1896, continuous showings with the cinematographe lumiere started.
It was not only the hazards of mining and > the grim environment of Butte that propelled men and women to frenzied > gaiety, but also the thought that here were arenas of self-expression denied > them elsewhere in a city ringed by the copper collar.Mary Murphy, Mining > Cultures: Men, Women, and Leisure in Butte, 1914–41. (Urbana: University of > Illinois Press, 1997), 225. Choosing sides in this battle was unavoidable.
When the company was back in London, Irving informed Cartwright that his role in the forthcoming Hamlet revival would be that of the servant of Polonius - a part with barely any lines. Cartwright left Irving's company and travelled to Bombay, where he had been hired to manage the launch programme of 35 musical and theatrical productions at the city's new Gaiety Theatre, which opened on 6 December 1879.
The Villa Marina is an entertainment venue in Douglas, Isle of Man which forms part of the wider Villa-Gaiety complex. It is located on Harris Promenade, looking out onto Douglas Bay, and comprises the Royal Hall, Broadway Cinema, Promenade Suite, Dragon's Castle and the Colonnade Gardens. The architect was Alban Jones, whose design was chosen in an open competition judged by Professor Adshead of Liverpool University.Isle of Man Examiner.
In Wilde's time this was No. 16 – the houses have been renumbered. In London, he had been introduced in 1881 to Constance Lloyd, daughter of Horace Lloyd, a wealthy Queen's Counsel, and his wife. She happened to be visiting Dublin in 1884, when Wilde was lecturing at the Gaiety Theatre. He proposed to her, and they married on 29 May 1884 at the Anglican St James's Church, Paddington, in London.
Born a twin (his sister Mary Wilder died in 2010), Goodwin is the son of Jessie Lonnen, a successful musical comedy actress before her marriage, and A.E. Goodwin, deputy head of Inland Revenue at Somerset House. His maternal grandparents were E. J. Lonnen, a star of the old Gaiety Theatre, and Emily Morgan, a dancer. Previous generations were strolling players. When Goodwin was three his father died unexpectedly.
At the Theatres, The New York Times, November 5, 1901, p. 7 In April 1903 Earle was signed to be in a musical comedy at the Gaiety Theatre in London, England, by George Edwardes. It was her second London engagement and was planned for the following season.Virginia Earle to Play in London, The New York Times, April 26, 1903, p. 11 The piece was the A. Baldwin Sloane opera, Sergeant Kitty.
If he did, the knew all about it too. It was a matter of extreme difficulty to get him to make up his mind about anything—especially if it was for his own good. One of the present writers had a long-drawn-out and weary task in persuading him to play in Going Up at the Gaiety, in which he made an immense success. He was very doubtful about it.
The well-known Shaw Brothers film company once operated Papar's sole cinema, called New Gaiety. It closed in the 1990s; however, a nearby street is still named Jalan Cinema ("Cinema Road") after the now-defunct theatre. Despite repair and refurbishment over the years, the Papar railway bridge looks much as it did in the Second World War. It featured in Allied plans to retake North Borneo from the Japanese Army.
As a music hall manager she was less successful. In 1879 she purchased the Star Music Hall in Bermondsey (where Bessie Bellwood had made her debut), and from July 1882 to 1883 she kept a public house in Southwark. She purchased the Rainbow Music Hall (later renamed the Gaiety Theatre) in Southampton in July 1884. Opening in September 1884 after refurbishment, it burned down in December of the same year.
The house did not prove auspicious for the prince, though he apparently spent a lot of time there. It was famous throughout Male’, as a place for merriment and gaiety with numerous music and dance performances organised by the young prince for his entertainment. Izzuddin however soon became the victim of a smear campaign organized by his uncle Al Ameer Abdul Majeed Rannabandeyri Kilegefaanu and cousin Hassan Fareed.
He made a speech saying, "It will be a proud day for me. My appearances on the Gaiety stage are without doubt the highlights of my career and I am honoured to have been asked to give my prints". He played Dr. Paul O'Callaghan in the first series of the Irish TV programme The Clinic. He played Judge Ballaugh, alongside Cate Blanchett, in Jerry Bruckheimer's film Veronica Guerin.
Mayatungri Temple:It is also known as daughter of the Hills and is South of Ramgarh in the Chutupalu Valley. Although it is located on a height of , it takes only 15 minutes to march its peak. Every year the local festival of karma is celebrated here with gaiety and fanfare by the people of the surrounding villages. It is popularly believed that worshipping on the hill brings rain to this area.
See Gänzl, Kurt. "Mademoiselle Clary: Sparkeion of Croydon", Kurt of Gerolstein, 9 June 2018 :Nicemis – Constance Loseby :Pretteia – Rose Berend :Daphne – Annie TremaineGänzl, Kurt. "Three times a star: from Thespis to Trovatore", Kurt of Gerolstein, 7 June 2018 :Cymon – Miss L. Wilson :Principal dancers: Mlle. Esta, Misses Lizzie Wright and Smithers Chorus of aged deities and thespians; Gaiety Corps de Ballet The first performance was conducted by Arthur Sullivan.
Robert Soutar in 1870 Robert Soutar (1830 – 28 September 1908) was an English actor, comedian, stage manager, writer and director for the theatre. He began his career as a journalist but soon moved into acting. In 1867, he married actress Nellie Farren, and the next year, the two joined the company at the Gaiety Theatre in London. There, he stage managed and wrote for the theatre in addition to acting.
The play ran at the Mark Taper Forum, Los Angeles, California in November 2016. The play opened at the Brooklyn Academy of Music (New York City), running from 11 January 2017 to 5 February. The production returned to Ireland, playing at The Gaiety Theatre; the original run was planned from 28 March to 15 April 2017, but the run was extended to seven months "due to phenomenal demand".
Although he was well received by the critics – The Washington Post noted that "his work has been pronounced astonishingly clever by the critics wherever he played" – at times he continued his unprofessional stage behavior, which led to a rebuke from John Drew, who attended a performance. After a short run in Toddles at the Garrick Theatre, Barrymore was given the lead role of Mac in A Stubborn Cinderella, both on tour and at the Broadway Theatre in Boston. He had previously been earning $50 a week during his sporadic employment but now enjoyed a wage increase to $175. He briefly appeared in The Candy Shop in mid-1909, before he played the lead role in Winchell Smith's play The Fortune Hunter at the Gaiety Theatre in September the same year. It was his longest- held role, running for 345 performances until May 1911, initially at the Gaiety Theatre in New York, and then on tour.
In 1909, Dare created the role of Eileen Cavanagh in the hit musical The Arcadians at the Original Shaftesbury Theatre. A review from Playgoer and Society Illustrated noted, "Miss Phyllis Dare does everything that is expected of her; she dances nicely, sings sweetly and looks pretty....""The Arcadians" This was an extraordinarily long-running musical, playing for 809 performances, and Dare stayed for the entire run. The musical marked the beginning of Dare's association with producer George Edwardes, and she went on to star in several more of his productions in the next three years, including The Girl in the Train at the Vaudeville Theatre (1910, as Gonda van der Loo), Peggy at the Gaiety Theatre (1911, as Peggy), The Quaker Girl in Paris (1911, as Prudence) and The Sunshine Girl at the Gaiety and then on tour (1912–13, as Delia Dale). She left The Sunshine Girl in 1913 to join the cast of The Dancing Mistress, as Nancy Joyce, at the Adelphi Theatre.
This type of work, the Victorian burlesque, was popular in Britain at the time. Other examples include The Bohemian G-yurl and the Unapproachable Pole (1877), Blue Beard (1882), Ariel (1883, by F. C. Burnand), Galatea, or Pygmalion Reversed (1883), Little Jack Sheppard (1885), Monte Cristo Jr. (1886), Miss Esmeralda (1887), Mazeppa, Faust up to Date (1888), Ruy Blas and the Blasé Roué (1888), Carmen up to Data (1890), and Don Juan (1892, with lyrics by Adrian Ross).Programme for Carmen up to Data John Hollingshead had managed the Gaiety Theatre from 1868 to 1886 as a venue for variety, continental operetta, light comedy, and numerous musical burlesques composed or arranged by the theatre's music director, Wilhelm Meyer Lutz. Hollingshead called himself a "licensed dealer in legs, short skirts, French adaptations, Shakespeare, taste and musical glasses."Arthur Lloyd Music Hall site (on Gaiety) Cuttings accessed 01 Mar 2007 In 1886, Hollingshead ceded the management of the theatre to George Edwardes, whom he had hired in 1885.
Jericho in 1893 and Old Sarah in 1897) and for the Lyric Theatre, where Horace Sedger asked him to supply the English lyrics to F. C. Burnand's adaptation of the French operetta Le coeur et la main (Incognita).Cover of the Vocal Score After that, George Edwardes put Greenbank together as lyricist with music director Sidney Jones and dramatist Owen Hall to create the hit musical comedy A Gaiety Girl in 1893. After the worldwide success of that piece, the three stayed together and subsequently formed the backbone of the team which produced the famous series of very successful series of Daly's Theatre musicals, including An Artist's Model (1895), The Geisha (1896), A Greek Slave (1898), and San Toy (1899). At the same time, Greenbank also provided lyrics for two of the most successful of the lighter shows produced by Edwardes at the Gaiety Theatre The Circus Girl (1896) and A Runaway Girl (1898).
Payne (Tippin) and Grossmith (The Genie) Lily Elsie as Lally The New Aladdin is an Edwardian musical comedy in two acts by James T. Tanner and W. H. Risque, with music by Ivan Caryll, Lionel Monckton, and additional numbers by Frank E. Tours, and lyrics by Adrian Ross, Percy Greenbank, W. H. Risque, and George Grossmith, Jr. It was produced by George Edwardes at the Gaiety Theatre, opening on 29 September 1906 and running for 203 performances. The London production starred Grossmith, Harry Grattan (who also choreographed), Lily Elsie, Edmund Payne and Gaby Deslys (making her London debut). Gertie Millar, the established star of the Gaiety soon became available and replaced Elsie in the leading role, but shortly thereafter The Merry Widow made Elsie a big star. The Aladdin story had been dramatised extensively in England before and was very popular in pantomime versions, but this was the first book musical on the subject.
Edna May and Soutar: balcony scene, The Belle of Mayfair (1906) A baritone leading man, he played a number of roles in Edwardian Musical Comedies, including Bobbie Rivers in A Gaiety Girl (1894),A Gaiety Girl, The Sketch, 10 October 1894, p. 569 Algernon St. Alban in An Artist's Model at the Lyric Theatre (1895), the parody A Model Trilby; or, A Day or Two After Du Maurier, based on the popular play Trilby, staged at the Opera Comique and produced by his then-retired mother in 1895,"Kate Cutler in A Model Trilby; or, A Day or Two After Du Maurier", Footlight Notes, accessed 10 October 2013The Times, 18 November 1895, p. 3 Dick Cunningham in The Geisha at Daly's Theatre (1897),Farren Soutar on the Opera Scotland website Lieut. Crosby in The Wrong Mr. Wright at the Strand Theatre (1899),The Wrong Mr. Wright, The Sketch, 6 December 1899, p.
Souvenir – 1st anniversary performance of The Shop Girl At the Gaiety Theatre, Edwardes hired Ivan Caryll as the resident composer and music director, and created a series of shows featuring fashionable characters and costumes, tuneful music, romantic and topical lyrics and pretty dancing. He embedded these elements in an often tenuous but nonetheless continuous original narrative. Like burlesque, Edwardes' "girl" musicals featured chorus lines and other devices for the display of women's bodies, but within the context of the simple narrative, elaborate displays of contemporary fashion and scenery, and light parody of social convention and topical issues. For the next two decades, the "girl" musicals, with popular songs by Lionel Monckton and lively books by Owen Hall, filled the Gaiety Theatre, including The Shop Girl (1894), The Circus Girl (1896), A Runaway Girl (1898), The Orchid (1903), The Spring Chicken (1905), The Girls of Gottenberg (1907), Our Miss Gibbs (1909), The Sunshine Girl (1912), and After the Girl (1914).
George E. Haggerty and Bonnie Zimmerman (Taylor & Francis, 2000):556.Sara Warner, Acts of Gaiety: LGBT Performance and the Politics of Pleasure (University of Michigan Press, 2012):139. In 1978, Millington and Robbins collaborated with Williamson on the album Live Dreams, which was a live album of recorded performances, featuring Millington on drums and guitars and Robbins on bass and cello.Win 15:1-22 (New York Workshop in Nonviolence, War Resisters League, 1979):174.
Of her performance in the latter, the critic of The Sketch wrote of her: > This very talented and very charming actress ... once more … makes a > distinctive mark and secures a bewitching triumph. Miss Kitty Loftus is, > indeed, the fairy incarnation of the truest spirit of burlesque. She is a > tricky sprite and a fantastic elf. She is an embodied lightness, instinct > with the glad sparkle and effervescent gaiety of her peculiar branch of > theatrical activity.
To ensure her high status in Sydney society, her mother, Elizabeth Bligh, kept Mary constantly supplied with the latest fashions from London. In return, Mary sent her mother bird feathers and precious stones from New South Wales. However, despite her public gaiety, her private life was taken up with concern about her husband's health which deteriorated since their arrival in New South Wales. Her husband John Putland died of tuberculosis on 4 January 1808.
A poster for the opening run at the Abbey Theatre from 27 December 1904 to 3 January 1905 The Abbey arose from three distinct bases. The first was the seminal Irish Literary Theatre. Founded by Lady Gregory, Edward Martyn and W. B. Yeats in 1899—with assistance from George Moore—it presented plays in the Antient Concert Rooms and the Gaiety Theatre, which brought critical approval but limited public interest.Foster (2003), pp.
She also became a co-producer of the Gaiety Theatre. After Farren suffered an attack of rheumatic fever in 1891, her health forced to retire from the stage in 1892. A gala benefit for her was arranged at the Theatre Royal, Drury Lane in 1898. It was attended by nearly the entire theatrical community at which the most famous actors of the day performed, and which raised the astonishing sum of £7,000 () for her retirement.
James McNeill Whistler saw The Grasshopper and was charmed by Farren as the 'grasshopper', a girl who escapes from a circus troupe. In January 1878, Whistler made drawings of her in performance. Another success was her Smike in Nicholas Nickleby (1886). On 3 May 1886, the Gaiety Theatre was host to a benefit concert for its music director, composer Meyer Lutz, including a scene from his burlesque Little Jack Sheppard, in which Farren performed.
Until it was demolished in 2016 several families acting as caretakers of the old cinema were living inside. According to them, there were efforts to resurrect the Gaiety Theater in the 1990s but it failed. As of 2014, the theater was closed and the building remained in a dilapidated state. The roof of the building collapsed years ago leaving the cinema house open to all weather elements contributing to its fast deterioration.
Nowadays around 70 elephants take part in the pooram procession on the sixth day of the seven-day festival. Pachari melam, Pandi melam, Panchavadyam add to the festive tempo. The arattu (holy bath of the idol of the deity) ritual is performed with great pomp and gaiety in the Arattupuzha river on the following day. The final pooram is conducted—these days with 61 caparisoned elephants—bearing bright coloured parasols, presenting an amazing spectacle.
Chief among them are temples dedicated to Shiva, Anjaneya and Yellammadevi. There is an annual rathotsava(theru) held in the season of March/April, where a seven layered wooden chariot is pulled by devotees through the village thoroughfares. The chariot procession starts from the Shiva temple (Eeshwarana Gudi) and guides its way to the Yellamma Devi temple in the center of the village. The occasion is marked with religious fervor and gaiety.
He attended Clongowes College before going to University College Dublin, and was part of the 'Dramsoc' (Imperial College Dramatic Society). He achieved an honours degree. He then attended the Gaiety School of Acting, Dublin in 2003. His film and television credits include roles in the television series Proof, The Clinic, Trouble in Paradise and Clean Break, and the films Inside I'm Dancing, Happy Ever Afters, Satellites and Meteorites, and The F Word.
He started work in the family hotel, though also participating in amateur theatricals in Scarborough. He was allowed by his family to become a drama student at RADA in 1925, where actor Claude Rains was one of his teachers. Laughton made his first professional appearance on 28 April 1926 at the Barnes Theatre, as Osip in the comedy The Government Inspector, which he also appeared in at London's Gaiety Theatre in May.
She was back on Broadway for the American production of The Arcadians (1910) as Mrs. Smith.Green, p. 14 She then returned to England to play a role that was added for her to The Girl in the Train (1910), in which she sang "When I was in the Chorus at the Gaiety". Similarly, for Peggy (1911), when the popularity of the show began to wane, Edwardes had a new role written for Ediss.
Collaborating with her sister Nuala, Charlton wrote an adaptation of Synge's Playboy as a ballad opera called The heart's a wonder. It was performed in UCD's Aula Maxima in November 1957, after they had graduated. In August 1958, it was performed professionally at the Gaiety Theatre, Dublin. The orchestral arrangements was by Gerard Victory, costumes and sets were by Micheál Mac Liammóir, with Milo O'Shea and Joe Lynch starring in the production.
For ten years from 1961, Hammond-Stroud was a principal baritone with the English National Opera.Murray, Roderick (ed.), "Said I to Myself, Said I: An Interview with Derek Hammond Stroud", The Gaiety, Summer 2005, pp. 9–16 He also appeared regularly at The Proms beginning in 1968. He became particularly known for performances as Alberich in Wagner's Der Ring des Nibelungen, Herr Faninal in Der Rosenkavalier and Beckmesser in Die Meistersinger von Nürnberg.
But it's not enough just to trot out legions of minions and cobble together a plot. Audiences deserve more imagination and inventiveness than this wan recycling." Owen Gleiberman of Entertainment Weekly gave the film a 'C' grade, saying "By the end, every child in the audience will want his or her own monster-minion toy. Adults will just regret the way that Despicable Me 2 betrays the original film's devotion to bad-guy gaiety.
Gaiety: Theatre of Enchantment, 1949, p. 301 Stanley's health began to fail after the 1906 San Francisco earthquake left him near destitute. He and his wife later moved to Denver, where he died in 1909 at the age of sixty-one."Paul Stanley", The New York Times, March 17, 1909, p. 9 News of his death was carried in newspapers nationwide, including The New York Times, Chicago Daily Tribune and Los Angeles Times.
While lyrical segments and leisurely gaiety can be commonly found in Radić's compositions, other works, as early as his diploma work feature pungent harmonies and polytonality. His remarkable themes are generally shaped by scherzo-like and burlesque rhythms, as his works often communicate grotesque and parody. Despite the fact that he challenged tonal clichés by unusual treatment of parallel chords and obstinate figures, Radić did not abandon the tonal line of thought.
Festivals celebrated in the village include Jhula (in the month of sawan), Chhath, Diwali, Durgapuja and Holi. The major festival of this area is Chhath puja in which people offer their prayer to Lord Sun. Almost all the people wherever they are, their major desire is to celebrate Chhath puja at their home with their family members and villagers. Holi and Diwali are other two festivals celebrated with so much of gaiety.
In 1881, at the Olympic Theatre, he created Sir Whiffle Whaffle in another Solomon and Stephens opera, Claude Duval. At the Gaiety Theatre, in 1882, he created the role of Amaranth CVIII in Solomon and Stephens' Lord Bateman. In 1883, he played Prospero in Ariel, a burlesque by F. C. Burnand.NY Times article that includes a brief review of Ariel In early 1886, he played the title role in a burlesque, Oliver Grumble.
Gaiety, September 1869 In the port of Palermo, the crowd are watching Robert, Duke of Normandy, consuming an enormous meal and smoking cigarettes (a cheeky piece of business, as Robert was played by a woman), accompanied by a sinister companion, Bertram. The crowd expresses their doubts about Robert's creditworthiness (to the tune of Meyerbeer's opening brindisi). Among them is Albert, the Prince of Granada. Robert leaves the bill for Bertram to pay.
Louise lived out the remainder of her life in exile. Queen Sophie of the Netherlands met Louise Marie in 1862 and described her in a letter to a friend: > The other day I made the acquaintance of the Duchesse de Parme, Count > Chambord's sister. She is much larger than Princess Mary of Cambridge, very > small, but lively, agreeable, without bitterness after so many misfortunes. > Her boys are dwarfs but full of French repartée and gaiety.
Miss Esmeralda is a Victorian burlesque, in two acts, with music by Meyer Lutz and Robert Martin and a libretto by Fred Leslie, under his pseudonym "A. C. Torr", and Horace Mills. It is based on Victor Hugo's Notre Dame de Paris. The piece premiered in 1887 at the Gaiety Theatre in London, starring Marion Hood in the title role, with Frank Thornton as Quasimodo and featuring E. J. Lonnen and Letty Lind.
The lyrics were written by Adrian Ross.Cruickshank, p. 26 She then played in Pick-me-up (1894, with George Grossmith, Jr. and Jessie Bond). After this, Lind rejoined George Edwardes's management to star at Daly's Theatre in a series of hit musicals: A Gaiety Girl (1894, as Alma Somerset), Go-Bang (1894, as Di Dalrymple), An Artist's Model (1895, as Daisy Vane), The Geisha (1896, as Molly Seamore), and A Greek Slave (1898, as Iris).
His Snehsarita (River of Affection, 1915) had a lead character of a woman participating in the Indian independence movement. His another Sudhachandra (Sudha and Chandra, 1915) focused on swaraj (self-rule) and Madhubansari (Sweet Flute, 1917) focused on home-rule movement. Madhubansari ran successfully for two years due to great direction, fine acting and music. The Gaiety Theatre — now Capitol Cinema — owned by the company from 1893, was filled with spectators for these plays.
Rarely did Goya again reach such decisiveness of touch. Every brushstroke is a calligraphic marvel at the same time that it describes with consummate precision the expression of faces and the emotional charge of each stance or gesture. We have arrived here at the perfect balancing point between the early tapestry cartoons and the later Black Paintings. All the riotous gaiety of the former appeals to the eye from the surface of the painting.
" Dr Johnson in his work A Journey to the Western Isles, said, "This is truly patriarchal life. This is what we came to find". The lexicographer found life in Raasay most agreeable. "Such a seat of hospitality amids the winds and waters fills the mind with a delightful contrariety of images with the rough ocean and howling storm without; within is plenty and elegance, beauty and gaiety, the song and the dance.
Independent Means is a stage play written by Stanley Houghton, a leading member of the Manchester School of dramatists. The play was Houghton's first professional full-length play which was written in 1908. Its first title was The Unemployed, but this was changed to avoid confusion with a one-act play with a similar title. It was chosen by Annie Horniman to open the second season at the Gaiety Theatre, Manchester, on 30 August 1909.
It was an immediate success and was chosen to open the next two seasons, and it was published in 1911. It was broadcast by Granada Television in 1960. Otherwise the play remained unknown until it was "discovered" in the British Library by Chris Honer, artistic director of the Library Theatre, Manchester. It was decided to produce the play at the Library Theatre in 2008 to celebrate the centenary of the Gaiety Theatre.
Thousands of devotees who visit Doddikatta every day to seek blessings from Lord Shiva. Many devotees from all around the world visit this shrine to worship holy lord Shiva on the auspicious day of Shivaratri. Regular Poojas are conducted three times a day in the temple and special poojas like Rudrabhisheka are conducted periodically. Major Festivals, like Mahashivaratri, are celebrated by a large number of devotees with much gaiety and religious activities.
The success of Me and My Girl made Lane a rich man. Lane continued to act on stage and on television in England for the rest of his life. In 1946, after it sustained damage during World War II, he purchased the shell of the Gaiety Theatre in London to rescue it from dereliction, intending to produce comedies. He failed to win the financial backing to refurbish it and sold it in 1950.
When Bobby arrives in Deadrock, it's clear that the gold mining town has seen better days. The men, who are cowboys, sing "Bidin' My Time" in a long, slow drawl. Everett Baker receives a letter from New York warning of the bank foreclosing on the Gaiety Theater. The only woman left in this forlorn town is Everett's daughter, the spunky Polly Baker, who vows to get even with Bobby Child if she ever meets him.
Retrieved 26 July 2010. Book of Kells Handel's oratorio Messiah was first performed at Neal’s Music Hall, in Fishamble Street, on 13 April 1742. There are several theatres within the city centre, and various well-known actors have emerged from the Dublin theatrical scene, including Noel Purcell, Michael Gambon, Brendan Gleeson, Stephen Rea, Colin Farrell, Colm Meaney and Gabriel Byrne. The best known theatres include the Gaiety, Abbey, Olympia, Gate, and Grand Canal.
Sharp, p. 13 In 1903, she played Mrs. Greaves in Billy's Little Love Affair at the Criterion Theatre,List of London plays followed in December of that year by the farce, Madame Sherry at the Apollo Theatre. She also appeared at the star-studded final performance at the "Old" Gaiety Theatre on 4 July 1903, singing Marguerite in an excerpt from Faust up to Date and led the singing of Auld Lang Syne.
Starting in 1974, Irish stage and screen producer Noel Pearson mounted an Irish production of Joseph, starring Tony Kenny in the title role and with Pearson playing Jacob , which ran off-and-on for several years on several stages, starting in the Olympia Theatre in Dublin, moving on to Limerick and then the Gaiety Theatre in Dublin, followed by several other venues over the next 4 years . A cast recording was produced by Ram Records .
In 1920 he played Mr. Hooley in the revival of The Shop Girl at the Gaiety Theatre;J. P. Wearing, The London Stage 1920-1929: A Calendar of Productions, Performers, and Personnel, Rowman & Littlefield (2014) - Google Books, pg. 15 Mr Belcher in Old Bill, M.P. (1922) at the Golders Green Hippodrome;Wearing, 1920-1929, pg. 176 Count Hogginarmo in the pantomime The Rose and the Ring at Wyndham's Theatre (1923);Wearing, 1920-1929, pg.
Caryll's first big success at the Gaiety was The Shop Girl (1894), which ran for an almost unprecedented 546 performances and heralded a new form of respectable musical comedy in London. The composer conducted the piece himself. Meanwhile, Caryll also had success elsewhere. The Gay Parisienne (1896), written with George Dance, ran for 369 performances at the Duke of York's Theatre, played in New York as The Girl from Paris (281 performances) and toured internationally.
In her time she became the most photographed of the "Gaiety Girls"; her roles were portrayed in numerous picture postcards. She was featured in periodicals such as The Era, The Stage, and The Play Pictorial, and in 1906, in The Illustrated Sporting and Dramatic News in scenes from The Spring Chicken. Rowlands died of heart failure at the age of 23 following surgery for appendicitis. She is buried at Finchley Cemetery, North London.
Lemaître's sketches of modern authors show great insight and unexpected judgment as well as gaiety and originality of expression. He was admitted to the French Academy on 16 January 1896. Lemaître's political views were defined in La Campagne Nationaliste (1902), lectures delivered in the provinces by him and by Godefroy Cavaignac. Lemaître conducted a nationalist campaign in the Écho de Paris, and was for some time president of the Ligue de la Patrie Française.
She also starred in the successful Havana in 1908 at the Gaiety Theatre, London. Greene appeared in 1915 in a revival of Florodora, earning good notices,, Footlight Notes and performed through 1916, at least as late as 22 November of that year, at the London Palladium., Footlight Notes She married twice: first in 1896 to Richard Temple, Jr., the son of the D'Oyly Carte principal bass, Richard TempleThe English Illustrated Magazine, Vol. 25, no.
Rollins and Witts, p. 8 Oscar Wilde, no fan of Burnand's farces, wrote, in anticipation of seeing Patience: "With Gilbert and Sullivan I am sure we will have something better than the dull farce of The Colonel".Wilde, p. 109, letter to George Grossmith, April 1881 For the Gaiety Theatre, Burnand wrote a burlesque of The Tempest entitled Ariel in October 1883, with music by Meyer Lutz, starring Nellie Farren and Arthur Williams.
We Moderns (1925) is an American silent comedy film directed by John Francis Dillon and starring Colleen Moore. The film was produced by Moore's husband John McCormick (1893-1961), was released through First National Pictures. It was based on the play and novel by Israel Zangwill. The play ran for 22 performances in 1924 at the Gaiety Theatre (New York), produced and directed by Harrison Grey Fiske and starring Helen Hayes and Isabel Irving.
Battles' first performance with the Gate came in H.T. Lowe-Porter's Abdication, which opened at the Gaiety Theatre in Dublin on September 27, 1948.irishplayography.com entry for Abdication His role as the Second Duke was minor and he is little mentioned in reviews. Gate founders Edwards and MacLiammoir both took parts, the latter the lead role of the Prince, with Edwards wearing also the hat of director. Abdication debuted to much anticipation.
254 In 1878, Gilbert realised a lifelong dream to play Harlequin, which he did at the Gaiety Theatre as part of an amateur charity production of The Forty Thieves, partly written by himself. Gilbert trained for Harlequin's stylised dancing with his friend John D'Auban, who had arranged the dances for some of his plays and would choreograph most of the Gilbert and Sullivan operas."Mr. D'Auban's 'Startrap' Jumps". The Times, 17 April 1922, p.
Between then and 1920 she appeared as Maggie in The Ever-Open Door (Aldwych Theatre, 1913) and Isabella in Quality Street (Duke of York's, 1913), followed by two revues, More and Pell-Mell (Ambassadors Theatre, 1915), the part of Emily in Cyril Harcourt's Wanted, A Husband. In the Christmas seasons of 1918 and 1919 she played the Princess in Old King Cole at the Grand Opera House, Belfast and the Gaiety Theatre, Dublin.
Born in Greenwich in London, he was the son of the actor, stage manager, and director Robert Soutar and the actress and singer Nellie Farren,Joseph Farren Soutar, England & Wales, FreeBMD Birth Index, 1837–1915, Ancestry.comThe Times obituary for Nellie Farren, The Straits Times, 28 May 1904, p. 2 known for her roles as the "principal boy" in musical burlesques at the Gaiety Theatre. His older brother was Henry Robert Soutar (1868–1928).
The Hippodrome company sided with Klein, and Shubert was forced to sell his interest."Manuel Klein" at the Composers and Lyricists Database Klein went back to England the same year and became music director of the Gaiety Theatre, London. He suffered a trauma at the bombing of the theatre during World War I by the Zeppelins and never fully recovered."Death of Manuel Klein", The New York Times, 2 June 1919, p. 15.
This project would incorporate many of Vienna's suburbs and the removal of the medieval fortifications were replaced by the magnificent Ring boulevard with parks, gardens and many other structures of architecture grandeur. Strauss' famous polka was first performed at a soirée in the 'Sperl' ballroom alongside his waltz Karnevalsbotschafter op. 270 on 22 November 1862. The polka does not, however, suggest anything from its unconventional title although it never runs out of typical Strauss good-humor and gaiety.
"Carina, Tonight" in St James's Gazette, 28 September 1888, p. 1 On 29 April 1889, Thorne opened at the Vaudeville Theatre in the comic opera Faddimir, playing the lead part of Faddimir the First,"Faddimir, or the Triumph of Orthodoxy" in The Theatre, Volume 22 (1889), p. 335 with his wife also in the company. In July 1890, he played Wilson in Brander Matthews's melodrama A Gold Mine at the Gaiety Theatre, which closed in August.
Annie became a well-known public figure in Manchester, lecturing on subjects which included women's suffrage and her views about the theatre. In 1910 she was awarded the honorary degree of MA by Manchester University. During the First World War the Gaiety continued to stage plays but financial difficulties led to the disbandment of the permanent company in 1917, following which productions in the theatre were by visiting companies. In 1921 Annie sold the theatre to a cinema company.
It ran until the 1850s, introducing entertainments similar to Evans Music-and-Supper Rooms, in nearby Covent Garden.The clubs are marked by historic plaques on the modern Coal Hole public house. Edward Terry, as owner-manager, opened the theatre on 17 October 1887, with the farce The Churchwarden, followed by The Woman Hater. Terry had been the leading comedian of the Royal Strand Theatre and then starred in John Hollingshead's company at the Gaiety before entering theatre management.
He initially followed his father into the jewellery trade, but enjoyed such success with his innovative laughing songs at local concert parties that he was invited to join a theatrical tour at the age of 18. His theatrical career took off, and he appeared in music hall and the West End. One of his most successful performances was in Tonight's the Night at the Gaiety Theatre, London in 1914–15. Penrose married architect's daughter Harriet Lewcock in 1899.
Fiona reminds him that the end of the day is near, and Tommy tells her he wants to stay in Brigadoon with her. They go to find Mr. Lundie. Meanwhile, in the village, Meg tells about the day her parents were drunkenly married ("My Mother's Wedding Day"), and the townsfolk dance until the sound of Highland pipes pierces the air. The gaiety is interrupted as Archie Beaton enters carrying Harry's body, led by the pipers playing a pìobaireachd.
Their plots were simple, and they included elaborate displays of contemporary fashion and settings, and lighthearted parody of modern social convention and topical issues.Traubner, Richard. Operetta: A Theatrical History, pp. 198–219, Routledge, 2003 He replaced the bawdy women of burlesque with his "respectable" corps of dancing, singing Gaiety Girls who wore the latest fashions, and also showed off their bodies in chorus lines and bathing attire, as well as singing, to complete the musical and visual fun.
His adaptation of a French operetta by Émile Jonas called The Two Harlequins opened the new Gaiety Theatre, London in 1868, together with his distant cousin, W. S. Gilbert's, Robert the Devil and another piece. Beckett's pieces include numerous burlesques and pantomimes, the libretti of Savonarola (Hamburg, 1884) and The Canterbury Pilgrims (Drury Lane, 1884) for the music of Dr. C. V. Stanford. With the composer Alfred Cellier, Beckett wrote the operetta Two Foster Brothers (St.
Kammerer & Howland were billed alongside celebrated entertainers, such as Will Rogers and Marie Stoddard. In 1914, Kammerer joined the White Rats of America, a labor union organized by theatre employees in an effort to destabilize the Vaudeville Managers Association. Toward the end of the decade, Kammerer & Howland appeared together in American burlesque. They married and had one child, Donald L. Kammerer, born in Missouri during Kammerer and Howland’s tour with the 1919-1920 season of Pat White’s Gaiety Girls.
Lanier's poem, dedicated to Margaret Clifford, Countess of Cumberland and her daughter Lady Anne Clifford refers to Philomela's "sundry layes"(line 31) and later to her "mournful ditty" (line 189).Lanyer, Emilia. "The Description of Cookeham" in Salve Deus Rex Judaeorum (1611). The image of the nightingale appears frequently in poetry of the period with it and its song described by poets as an example of "joyance" and gaiety or as an example of melancholy, sad, sorrowful, and mourning.
In Offenbach's last decade, he took note of a change in public taste: a simpler, more romantic style was now preferred. Harding writes that Lecocq had successfully moved away from satire and parody, returning to "the genuine spirit of opéra-comique and its peculiarly French gaiety."Harding, p. 208 Offenbach followed suit in a series of 20 operettas; the conductor and musicologist Antonio de Almeida names the finest of these as La fille du tambour-major (1879).
To fill out the evening (as long programmes were the fashion in Victorian theatre), he needed another piece. He remembered a libretto for a one-act comic opera that W. S. Gilbert had written and shown to him in 1873, called Trial by Jury.Stedman, p. 125 Meanwhile, Sullivan's popular 1867 opera, Cox and Box, had been revived at the Gaiety Theatre in 1874, and Carte had already asked him to write a piece for the Royalty.
Simple in design but full of energy and life, the cumbia is the folk dance which best captures the spontaneous, fun-loving mood of fiesta time in Panama. The simple, repetitive melodies and accented drumbeats create a general feeling of happiness and gaiety which is reflected in the spirit of the dancers. the tempo is rapid as couples move quickly around the large circle, making individual turns and exchanges as directed by subtle changes in the music.
Riverdance cast at the Gaiety Theatre, Dublin, 2019. Riverdance continues to be performed all over the world, in a diminished format and in smaller venues. Current productions are geared towards smaller theatres, whereas past productions have been performed in large theatres and arenas. Sets have therefore been simplified and some numbers contain fewer performers than in past productions (such as those seen on the Live from New York City (1996) and Live from Geneva (2002) DVDs).
In 1893, Moore returned to the D'Oyly Carte organisation to create the role of Bab in the unsuccessful Jane Annie, with a libretto by J. M. Barrie and Arthur Conan Doyle and music by Ernest Ford. Moore then left D'Oyly Carte again to appear in La fille de Madame Angot at the Criterion Theatre. Next, she created the ingénue role of Rose Brierly in A Gaiety Girl (1893–94), one of George Edwardes's hit musical comedies.
Born in Bow in London, she was the eldest of three children of William Thomas Blyth (born 1857), a publican, and his wife Jane (née Finley) (1862–1897), an actress. Her brother was the dancer Vernon Castle."Miss Coralie Blyth", The Times, 27 July 1928, p. 16 Blythe's early theatrical appearances included West End roles replacing Marie Studholme as Gladys Stourton in the Edwardian musical A Gaiety Girl (1894) and in a pantomime, Santa Claus, over Christmas 1894.
A season at the Chichester Festival Theatre included 'Stephen Undershaft' in George Bernard Shaw's Major Barbara with Donald Sinden, directed by Christopher Morahan and as assistant director, Sam Mendes; at the Gaiety Theatre, Dublin, 'Broadbent' in Shaw's rarely seen John Bull's Other Island with Cyril Cusack, directed by Joe Dowling; 'Cassius' in a national tour of Julius Caesar for the New Shakespeare Company and a 12-month national tour of Noël Coward's Private Lives with Gemma Craven.
Laetitia, deriving from the root word laeta, meaning "happy", "glad", "lucky", "successful", "prosperous", "luxurious", "lush", or "abounding", was a minor Roman goddess of gaiety. Her name was used to mean happiness with prosperity and abundance. She is usually shown with greenery to depict the abundance of seasonal decorations that many sites would include. Wreaths of flowers or leaves are commonly worn at festivals or holy rituals, similarly Laetitia would be shown wearing a garland to mean celebration.
Hart, Brawner, McCormick, and three other chorus girls were arraigned in West Side Court but were freed by Magistrate Guy Van Amringe, who presided in Commercial Frauds Court, on May 7, 1935. Keller was detained in bail fixed at $500, as was Goodman, pending a trial date. Along with them, Van Amringe ordered detained Edward Rowland, assistant manager of the Gaiety Theatre, New York, 1539 Broadway (Manhattan).Burlesque Girls Freed, New York Times, May 8, 1935, pg. 22.
Lightnin' is a 1925 American silent comedy film directed by John Ford. It was based on a successful play of the same name. The original run of the play started in 1918 at the Gaiety Theatre (New York) and continued for 1,291 performances, breaking the record for longest running play at that time. The film was remade in 1930 by Henry King for Fox as an early talkie starring Will Rogers with support from Louise Dresser and Joel McCrea.
Williams' first big success, and likely his most celebrated role, was William Lurcher, which he created in the record-setting hit comic opera Dorothy, beginning in 1886. In 1888, he appeared in The Spitalfields Weaver by Thomas Haynes Bayly. At the Gaiety Theatre, in 1889, he played Bardell V. Pickwick in Dickens' stage adaptation of his novel, The Pickwick Papers. At the Britannia Theatre in 1889, he appeared in The Harvest Storm, by Colin Henry Hazlewood.
The notices for the first production were enthusiastic. Le Ménestrel found the libretto very funny and observed that Lecocq's music showed a composer of true gaiety of temperament."Athénée", Le Ménestrel, 19 April 1868, p. 163 L'indépendance dramatique praised the text, the performers and the score, its sole reservations being that Lecocq had not taken the opportunity to incorporate some genuine Chinese music, and that his finale verged on vulgarity as the rest of the score had not.
Limerick had her acting debut in 1902, in Bristol. She was a member of the Abbey Players in Dublin, and a member of Annie Horniman's repertory company of the Gaiety Theatre in Manchester."The Stage" Field Illustrated (2 August 1913): 17. In 1909 George Bernard Shaw chose Limerick for the role of Hypatia in his play Misalliance, but she had to refuse the role to play Beatrice in her husband's production of Much Ado About Nothing in Manchester.
Kate Vaughan (1852 – 21 February 1903) was the stage name of Catherine Alice Candelin, a British dancer and actress. She was best known for developing the skirt dance and has been called the "greatest dancer of her time".St Johnston, pp. 170–171 After performing as a young girl, Vaughan had a seven-year engagement at the Gaiety Theatre in London from 1876 to 1883, where she joined its Victorian burlesque troupe that included Nellie Farren and Edward Terry.
McKenna made his stage debut at the Pike Theatre in Dublin in 1953 as John Buchanan in Tennessee Williams' Summer and Smoke. He played a season at the Gaiety Theatre with Anew McMaster's Shakespearean company, and was a member of The Gas Theatre Company directed by Godfrey Quigley. Through family contacts he sought an interview with the managing director of the Abbey Theatre, Ernest Blythe. Despite Blythe's concerns that "his nose was too long and he would grow fat".
Frankenstein, or The Vampire's Victim (sometimes called Frankenstein, or The Model Man) is a musical burlesque written by Richard Henry (a pseudonym of Richard Butler and Henry Chance Newton). The music was composed by Meyer Lutz. The piece is a burlesque of the 1818 Mary Shelley novel Frankenstein and the Adelphi Theatre drama based on the novel. Opening at the Gaiety Theatre, London on 24 December 1887, the production was a flop, closing after a week.
831 Two English adaptations were staged in London in 1874 under the titles To the Green Isles Direct and The Island of Bachelors, the latter a Gaiety Theatre production with Arthur Cecil as Anatole, Constance Loseby as Gabrielle and Nellie Farren as Eglantine."The London Theatres", The Era, 20 September 1874, p. 10 The opera was revived in Paris in 1885 in its original version. In 1942, at the Apollo, Paris, a new version was presented.
Chahut's voluptuous expression and upward linear schematic embodies the Humbert-Blanc qualities and features of gaiety. Seurat makes use, too, of Charles Henry's theories on the emotional and symbolic expression of lines and colors, and the works of Michel Eugène Chevreul and Ogden Rood on complementary colors. Seurat was also influenced by Japanese prints, and the graphic works of Jules Chéret. While Seurat acknowledges Henry as an influence for his "esthétique", Humbert's and Blanc are not mentioned.
Every year the annual church festival is celebrated with all pomp and gaiety. The people of Kavalkinaru from all around the world make a compulsory attend, to celebrate the annual feast in the month of May. People come here during this festive season in the mood of nostalgia in receiving their lifelong friends and relatives who had been far-away for several years. It becomes an occasion for renewing their old ties and attitude toward each other.
The companies also toured for six months until the death of Lord Longford in 1961. During this period Edwards and MacLiammóir (Gate Theatre Productions) ran shows in Dublin's Gaiety Theatre and toured productions to Europe, Egypt and North America. In 1961, he took a two-year break from theatre to become the first Head of Drama at Telefís Éireann, Ireland's national broadcaster and, a year later, he won a Jacob's Award for his television series, Self Portrait.
Gunn's father was Michael Gunn (1840–1901), who had managed the Opera Bouffe Company tour for Richard D'Oyly Carte, and was the manager of the Gaiety Theatre, Dublin. His mother was Barbara Elizabeth Johnstone, who performed in burlesque and opéra bouffe under the stage name Bessie Sudlow. Selskar Michael Gunn was born in London, England on 25 May 1883. In 1900 Gunn went to the United States to study at the Massachusetts Institute of Technology (MIT).
Lonnen's signature tune, "Killaloe" Lonnen in Frankenstein Edwin Jesse "E. J." Lonnen (1860 – 31 October 1901)"Edwin Jesse ('E.J.') Lonnen as a policeman", National Portrait Gallery, accessed 27 August 2012 was an English actor, comedian and singer known for his performances in musical burlesques, operettas and musical comedies, particularly at the Gaiety Theatre, London at the end of the Victorian era. Lonnen began acting as a child in pantomime and other theatre in the British provinces.
On 28 July 1925, when he was known as Viscount Dunsford, he married Guinevere Jeanne (née Sinclair) Gould (1885–1978) at the American Presbyterian Church in Montreal. Guinevere, an actress at the Gaiety Theatre, was the widow of George Jay Gould, and a daughter of Alexander Sinclair of Dublin. Her grandfather was Sir Edward Sinclair, provost of Trinity College, Dublin, and her cousin was Sir George McMunn, High Commissioner of Palestine. They were divorced in 1975.
In 1910, Morris met John Galsworthy who encouraged her to open her own school in St Martin's Lane, London. That same year she toured with her own company, first called "Margaret Morris and her Dancing Children". In 1911 she was the choreographer and principal dancer for The Little Dream, a fantasy by John Galsworthy, at Annie Horniman's Gaiety Theatre, Manchester. She also created the dancing scenery for Rutland Boughton's Opera The Birth of Arthur at the Winter Gardens, Bournemouth.
In 2007, Hall guest-starred on the British TV show Hotel Babylon. She has also appeared in the BBC comedy series French and Saunders. In June 2012, Hall made a one-week appearance with David Soul at the Gaiety Theatre, Dublin, in a reprise of the Pulitzer Prize nominated play by A. R. Gurney, Love Letters. On September 10, 2012, Hall was announced as a contestant for the tenth series of the British dance show Strictly Come Dancing.
He condemns elaborate and expensive furnishings and clothing, and argues against overly passionate music and perfumes, but Clement does not believe in the abandonment of worldly pleasures and argues that the Christian should be able to express joy in God's creation through gaiety and partying.Ferguson (1974), p. 82 He opposes the wearing of garlands, because the picking of the flowers ultimately kills a beautiful creation of God, and the garland resembles the crown of thorns.Ferguson (1974), p.
It won Best Venue at the Fringe Awards that year. The Warren houses six theatres, two bars, a coffee shop and a kids' area The Den and is the largest venue at Brighton Fringe. For Brighton Fringe 2019 the venue was home to 250 visiting companies, creating the real hub and heart of Brighton Fringe. For 2020 The Electric Arcade on Madeira Drive will be added to Otheplace Brighton's stable, housing two studio theatres; The Pit and The Gaiety.
She first appeared on the London stage in 1925 at the Gaiety Theatre in the chorus. Her theatre work included the original productions of Rodgers and Hart's Present Arms (1928), and Spring is Here (1929) on Broadway; and the musical Ever Green (1930) in London's West End. She also played in the original production of Noël Coward's Words and Music at the Adelphi Theatre, London, in 1932. In 1950 she appeared in Esther McCracken's Cry Liberty.
The Roots: The Early History of Tap Dancing, p. 154 Retrieved 13 February 2014 Seymour began in song and dance routines at a very young age and would go on to appear in a string of highly successful long-running musicals staged at London's Gaiety Theatre during the 1890s. She fell ill in 1903 while on a theatrical tour of British South Africa and died not long after her return voyage home.Death of Miss Kate Seymour.
London Standard, 29 December 1892, p. 4, After an eight-month run in Round the Town, Seymour returned to the Gaiety Theatre on 9 September 1893, where she would remain until 1901, to appear in Edwardes' revival of Audran's comic opera La Mascotte,Amusement Notes. London Evening News and Post, 1 September 1893, p. 1 and on 21 October, Don Juan, a burlesque by James T. Tanner, with lyrics and music by Adrian Ross and Meyer Lutz, respectively.
"Janin, p. 69; tr. Storey, Pierrots on the stage, p. 5. Théodore de Banville followed suit: "both mute, attentive, always understanding each other, feeling and dreaming and responding together, Pierrot and the People, united like two twin souls, mingled their ideas, their hopes, their banter, their ideal and subtle gaiety, like two Lyres playing in unison, or like two Rhymes savoring the delight of being similar sounds and of exhaling the same melodious and sonorous voice.
Dublin is also home to the Royal Irish Academy, membership of which is considered Ireland's highest academic honour. The Institute of International and European Affairs is also in Dublin. Dublin Business School (DBS) is Ireland's largest private third level institution with over 9,000 students located on Aungier Street, and Griffith College Dublin has its main facility in Portobello. There are also smaller specialised colleges, including The Gaiety School of Acting and the New Media Technology College.
Wellesley continued to serve at Dublin Castle, voting with the government in the Irish parliament over the next two years. He became a captain on 30 January 1791, and was transferred to the 58th Regiment of Foot. On 31 October, he transferred to the 18th Light Dragoons and it was during this period that he grew increasingly attracted to Kitty Pakenham, the daughter of Edward Pakenham, 2nd Baron Longford. She was described as being full of 'gaiety and charm'.
Following a limited engagement at Dublin's Gaiety Theatre from 22 February until 9 March 2013, starring Declan Bennett (Guy) and Zrinka Cvitešić (Girl), the show made its West End debut at the Phoenix Theatre, London. Previews began 16 March, which was followed by a 9 April opening night. Bennett and Cvitešić reprise their roles from the Dublin run. Bennett and Cvitešić made an appearance on BBC's The Graham Norton Show for the televised show on 31 May 2013.
Pierre Terrail, seigneur de Bayard (c. 1476 – 30 April 1524) was a French knight at the transition between the Middle Ages and the Renaissance, generally known as the Chevalier de Bayard. Throughout the centuries since his death, he has been known as "the knight without fear and beyond reproach" (le chevalier sans peur et sans reproche). He himself preferred the name given him by his contemporaries for his gaiety and kindness, "le bon chevalier", or "the good knight".
Metro Toronto council approved creation of a week-long Carnival Toronto, aiming to rival Mardi Gras. Chairman John Fisher of the newly formed Friends of the Carnival, Inc. conceived the event as being 2 million people "expressing themselves in an organized week of gaiety, frivolity and fun." The organization would also seek to merge the events of Caribana, the Italian Festival, Canadiana Week, Japanese Tanabata Festival, Mariposa Folk Festival, and a summer music festival, plus all Dominion Day celebrations.
Eliza Vestris in The Alcaid In 1834, the present house opened slightly to the west, with a frontage on Wellington Street,Wellington Street was a new thoroughfare constructed between Waterloo Bridge and Bow Street. The former site became an unsuccessful arcade, which was demolished to build the Strand Musick Hall (sic), another unsuccessful venture. In 1868, the auditorium was rebuilt and it reopened as the Gaiety Theatre. under the name Theatre Royal Lyceum and English Opera House.
Gaynor Rowlands (3 April 1883 – 18 July 1906), was an English actress, singer, and dancer, born in London, of Welsh parents. In Wales she became known as "Eos Gwalia": The Nightingale of Wales. Gaynor Rowlands Rowlands began her career in the ballet of The Empire Theatre, London under Miss Katie Lanner, graduating in 1900. She joined the company chorus line of George Edwardes’ Gaiety Theatre in 1900, toured India in 1901/02, and quickly became a star.
He found early employment as dramatic critic for the Literary Gazette, through a chance meeting with the editor John Morley. He then concentrated on writing about the contemporary stage. In 1869 he succeeded John Abraham Heraud, as dramatic critic of the Athenæum, and retained the post for the rest of his life. In 1871, during the siege of Paris, Knight used his influence to secure the invitation to the Comedie Française to act at the Gaiety Theatre in London.
Irving Berlin wrote a song, called "Along Came Ruth", for the play. It opened at the Gaiety Theatre on 23 February 1914. Along Came Ruth was then adapted into a 1924 silent movie, directed by Edward F. Cline and starring Viola Dana. A Spanish version entitled La señorita del almacén was published at Madrid in the year following its premiere at the Victoria Eugenia Theatre in San Sebastián on September 26, 1913, as translated by Spaniard writer Sinibaldo Gutiérrez.
Accessed 8 June 2010 During the run of the last of these, the aged theatre was condemned and was required to be closed.The Gaiety Theatre, The Theatres Trust, accessed 15 September 2011 Henson also returned to film work in the 1930s, appearing in A Warm Corner (1930), The Sport of Kings (1931), It's a Boy (1933), The Girl from Maxim's (1933) and Oh, Daddy! (1935). His later films were The Demi-Paradise (1943) and Home and Away (1956).
Mud and Mirror Work (also known as Lippan Kaam) is a traditional mural craft of Kutch, Gujarat, India. Lippan or mud-washing using materials locally available in the region like mixture of clay and camel dung keeps the interiors of the houses cool. Though the work is limited mainly to the interior walls, it can be found on the outer walls as well. These scintillating murals bring life, gaiety, and beauty to generally harsh life of people of Kutch.
During his later years he confined himself to parts portraying old men, in which he was unrivalled. In 1855 he made his final appearance at the Haymarket, as Lord Ogleby in a scene from the Clandestine Marriage. With Faucit, he left two sons, Henry (1826–1860) and William (1825–1908), both actors. The former was the father of Nellie Farren, long famous for boy's parts in Gaiety musical burlesques, in the days of Edward Terry and Fred Leslie.
37 and played in pantomime, in low comedies with Cooper Cole's Strand Company, and, for a year, was a member of the company headed by Edward Terry at the Gaiety Theatre in London. In 1886 he created the part of Tom Strutt in Alfred Cellier's comic opera Dorothy, and played it throughout its run of 931 performances, which ended on 6 April 1889. A fortnight later he created the role of Crook in Cellier's next opera, Doris.
In this place research work is carried out to find new varieties of tea and also the curative effects of green tea. The island of Majuli, the largest island on the Brahmaputra, and the Nambar Forest Reserve can be visited from Jorhat. In Majuli there are numerous monasteries and the Nambar Forest Reserve is famous for being a regenerating hot spring. Description of Tea Festival The Tea Festival in Jorhat is all about tea, music and gaiety.
John Hollingshead in 1895 John Hollingshead (9 September 1827 – 9 October 1904) was an English theatrical impresario, journalist and writer during the latter half of the 19th century. After a journalism career, Hollingshead managed the Alhambra Theatre and was later the first manager of the Gaiety Theatre, London. Hollingshead also wrote several books during his life. An innovative producer, Hollingshead brought Gilbert and Sullivan together in 1871 to produce their first joint work, a musical extravaganza called Thespis.
Mulee'aage was occupied by Prince Hassan Izzuddin between 1920 and 1934. The house did not prove auspicious for the prince, though apparently he spent a lot of time there. It was famous throughout Male' as a place for merriment and gaiety with numerous music and dance performances organized by the young prince for his entertainment. Izzuddin however soon became the victim of a smear campaign organized by his uncle Al Ameer Abdul Majeed Rannabandeyri Kilegefaanu and cousin Hassan Fareed.
Early Middle Eastern music was influenced by Byzantine and Persian forms, which were themselves heavily influenced by earlier Greek, Semitic, and Ancient Egyptian music. Egyptians in Medieval Cairo believed that music exercised "too powerful an effect upon the passions, and leading men into gaiety, dissipation and vice." However, Egyptians generally were very fond of music. Though, according to E.W. Lane, no "man of sense" would ever become a musician, music was a key part of society.
"Morley, Henry. The Journal of a London Playgoer from 1851 to 1866. London: George Routledge & Sons, 1866. pp. 350–354 Photograph of Ellen Terry as Lady Macbeth, an 1888 production In 1884 at the Gaiety Theatre, Sarah Bernhardt performed the sleepwalking scene barefoot and clad in a clinging nightdress, and, in 1888, a critic noted Ellen Terry was "the stormy dominant woman of the eleventh century equipped with the capricious emotional subtlety of the nineteenth century.
Lee, Alfrida. "The Adelphi Theatre Calendar" 1867–1868, The London Stage 1800–1900, The Adelphi Calendar Project, accessed 3 October 2014 On 21 December 1868 Farren and Soutar joined the Gaiety Theatre for the re-opening of the theatre under John Hollingshead's management, where Soutar served as stage manager, writer and actor for some 10 years.Parker, J. "Farren, Ellen (1848–1904)", rev. Patty S. Derrick, Oxford Dictionary of National Biography, Oxford University Press, 2004, accessed 8 October 2013Hollingshead, John.
The Druid Theatre Company presented a revival in 2016–2017. Directed by Garry Hynes, the cast stars Marie Mullen as Mag, Aisling O'Sullivan as Maureen, Aaron Monaghan as Ray and Marty Rea as Pato. The production started in Ireland in Galway at the Town Hall Theatre in September 2016, and then toured to The Everyman, Cork; the Lime Tree Theatre, Limerick; and the Gaiety Theatre, Dublin. The play then toured in the US starting in November 2016.
An English adaptation for Broadway was prepared by Harold R. Atteridge and Edward Delaney, with additional music by Al Goodman and opened at the Century Theatre in New York on May 10, 1921, running for 185 performances. The show was directed by J. C. Huffman. Another English adaptation was prepared for the London stage by Robert Evett and Reginald Arkell. This version opened at the Gaiety Theatre, London on December 7, 1922 and ran for 240 performances.
Blackall also designed Lowell, Massachusetts' first steel frame building, the ten story Sun Building (1912-1914). Opened in 1908 and designed by Blackall, the Gaiety Theatre was one of the only theatres in New England that would allow African Americans to perform vaudeville.Lombardi, Kristen. "Curtain Call" Boston Phoenix (October 15–21, 2004) It was also the first of Blackall's theatres to use a large steel girder to support the balcony, eliminating the need for architectural columns.
Sunny Side Up is a 1929 American pre-Code Fox Movietone musical film starring Janet Gaynor and Charles Farrell, with original songs, story, and dialogue by B. G. DeSylva, Lew Brown and Ray Henderson. The romantic comedy/musical premiered on October 3, 1929, at the Gaiety Theatre in New York City.NY Times October 4, 1929 Movie Review The film was directed by David Butler, had (now- lost) Multicolor sequences, and a running time of 121 minutes.
Jennie McNulty, 1890 Jennie McNulty or Jenny McNulty (1866"Jennie McNulty", 1891 England Census, Ancestry.com (pay to view) - 1927"Jennie M Paulet", England & Wales, Death Index, 1916–2007, Ancestry.com (pay to view)) was an American-born British actress. Beginning her career as a Gaiety Girl, she went on to act in featured roles on the London stage in musical theatre around the close of the 19th century, including comic operas and operettas, Victorian burlesques, farces and Edwardian musical comedies.
Redstone wrote some music for the Tiller Girls, who were at the time performing in Paris. This led to an invitation by John Tiller to visit his dance school in Manchester, and incidentally married one of his star performers. In 1907 he conducted a Christmas pantomime in Leeds, and later was associated with George Grossmith and George Edwardes at the London Gaiety, writing scores for musical comedies and revues. He wrote the revue Everybody's Doing It which was produced at the Empire.
Already the most popular couple on the London stage, Terriss and Hicks received an outpouring of sympathy. They moved on, becoming even more famous over the next decade. She next starred in the title role of a new show co-authored by Hicks, A Runaway Girl (1898), which became one of the Gaiety Theatre's most successful shows. This was followed by With Flying Colours (1899). The couple adopted a daughter, Mabel, in 1889, and Terriss gave birth to another child, Betty, in 1904.
"The spark that lit the bonfire", in Gilbert and Sullivan News (London) Spring 2003. Farren next played the title role in Alfred Thompson's Columbus!, or the Original Pitch in a Merry Key (1869). Farren continued at the Gaiety for the next 25 years, playing in comedies of all kinds and in Shakespearean dramas, first under Hollingshead and then under George Edwardes, performing the lead in dozens of shows, many also starring Edward Terry, Kate Vaughan, Fred Leslie and E. W. Royce.
Rolland on the 'It's Behind You' website After a disagreement with McShane, Rolland renamed the character Old Mother Kelly, but to all intents and purposes the character was the same. After McShane's death in 1964, Rolland moved to Rhyl where every Christmas he played the pantomime dame at the Gaiety Theatre. Usually he played the dame as Old Mother Riley, but occasionally he appeared as Old Mother Goose. In 1973 he joined the cast of Jess Yates' Junior Showtime as Old Mother Riley.
Edwards decided from an early age that she wanted to be an actress. She appeared in a summer review at the Palace Theatre on Brighton Pier and then in Topsy and Eva at the Gaiety Theatre in London's West End, aged just 17. The show was based on Uncle Tom's Cabin by Harriet Beecher Stowe. She had a leading role in The Dubarry (1932) and a long run as Milady de Winter in The Three Musketeers at the Theatre Royal.
This book is named Light, after the poem with which she had won The Borestone Mountain Poetry Award for 1974. It is characteristic of Diesendorf that another substantial volume, published ten years later at the age of 69 by Phoenix Press, Holding the Golden Apple, comprised love poems. The poem Light encapsulates those qualities of personal vision that characterise Diesendorf's poetry. She brought to insular Australia her experiences of Europe, memories of music, art and gaiety, tempered by loss, deprivation and courage.
Stone, David. "Alice May", Who Was Who in the D'Oyly Carte Opera Company, 29 October 2003The Musical World, 15 April 1876, p. 277 After May and Allen returned to England, she first performed in Liverpool for R. W. South in December 1876,"Miss Alice May", The Era, 3 December 1876, p. 16 and later the same month she began to star at the Gaiety Theatre, London, in the title roles of Offenbach's La Grande-Duchesse de Gérolstein and La belle Hélène.
To overcome the heartbreak due to the loss of the war, St. Petersburg was overcome with forced gaiety, which Ollie joined in. Throughout the summer of 1906, violence raged throughout Russia, prompting many of the elite to flee to the comfort of their country homes. Soon, these same estates were being torched and pillaged nightly, sometimes entire villages would out for the looting. On the horizons, nobleman and their families could see the glow of fires and the cries of the savage mobs.
During the feast, the Muslim chief offered his only daughter to Datu Tayaotao to be his wife, as reward and bond, to strengthen the relation of the two tribes. The wedding took place at Datu Tayaotao’s enclave, followed by a three-day feast. The Muslim Datu, overwhelmed by the gaiety and lavishness of the celebration, proclaimed and called Datu Tayaotao as Datu Kitaotao, the chief of the land of wealth. After his death, the locality was named after Datu Kitaotao.
Nigel Burton, Susan Thach Dean: "Isidore de Lara", Grove Music Online ed. L. Macy (Accessed 30 January 2009), (subscription access) In the early 1880s, de Lara began to switch his attention to composing music for the theatre. His first opera, The Royal Word, premiered at the Gaiety Theatre, London on 17 April 1883 with de Lara portraying the role of Charles II of England. This was soon followed by Wrong Notes (1883) and Minna, or The Fall from the Cliff (1886).
Siddharth's next independent production, the musical drama The Infinite Space, is a story of a young Buddhist monk who accidentally discovers the secret to infinity. The film featured music of the well known Grammy Award nominee, Tibetan flute player Nawang Khechog, and had its local premiere at the Gaiety Theatre, Shimla. The film was selected to compete at the IDSFFK 2015 International Film Festival of Kerala and was also selected by the University of Manchester UK for their Insight Film Curation scheme 2015.
Initially, it was a five-story building with a theatre, ballroom, armoury, police office, bar and galleries. After nearly two decade from its date of establishment, it was found that the building was structurally unsafe. It was partially demolished, but the Gaiety Theatre remain untouched. With a rich history to its credit, the theatre was the center for entertainment and socialisation, where Viceroy Lord Lytton wrote and staged a play called 'Walpole', and Rudyard Kipling acted in 'a scrap of paper'.
Helen Maud Holt, aged 16 Holt was born in London, the daughter of William Holt."Obituary – Lady Tree – A Great Figure of the Stage", The Times, 9 August 1937, p. 12 She was educated at Queen's College, London, taking high honours in classics, and making her stage debut in a student production of a Greek drama. Her professional debut was in January 1883, playing Jenny Northcott in a revival of Sweethearts, by W. S. Gilbert, at the Gaiety Theatre, London.
Five historic theaters—the original Helen Hayes, Morosco, Bijou, and the remnants of the Astor and Gaiety—needed to be demolished to clear the site. Protesters, including actor Christopher Reeve and impresario Joseph Papp, tried to stop the destruction, even forcing a Supreme Court challenge. By the time construction began, years later, original operators Westin had dropped out due to the delay and Marriott built the hotel in a joint partnership with Portman's development company. The hotel opened on September 3, 1985.
Warde in 1911 Willie Warde (1857 – 18 August 1943) was an English actor, dancer, singer and choreographer. The son of a dancer, his first theatre work was with a dance company. He was engaged to arrange dances for London productions and was later cast as a comic actor in musical theatre. He was associated for over two decades with the Gaiety and Daly's theatres under the management of George Edwardes, playing in and choreographing burlesques and, later, Edwardian musical comedies.
He made his name in such famous Wagner roles as Wotan in the Ring cycle, Hans Sachs in Die Meistersinger and as the Dutchman in the Flying Dutchman. In Britain this part was often referred to as Vanderdacken, though Wagner never used that name. In 1883 he sang in Il Trovatore in the Gaiety Theatre, Dublin. A prototype telephone carried the performance to Earlsfort Terrace, Dublin, half a mile away, where an astonished audience was able to hear the singers and orchestra.
Selim returned to the track as a five-year-old in the Craven Stakes at Newmarket on 30 March 1807, when he started favourite of the eleven-strong field. Selim won the race from Walton and Currycomb, who finished in second and third respectively. Two days later he finished second to Lydia in the £50 Subscription Place. He then won the third class October Oatlands Stakes at Newmarket from Gaiety, after starting the odds-on favourite of the five runners.
Good Old Gaiety: An Historiette & Remembrance, pp. 39–41 (1903) London: Gaity Theatre Co His last full-length play, The Fairy's Dilemma (1904), drew heavily on (and satirised) pantomimic conventions. But Harlequin Cock Robin was Gilbert's only solo essay in the genre of traditional pantomime.Stedman, passim In the West End, during the mid-19th century, pantomimes traditionally opened at the major theatres on 26 December, known in England as Boxing Day, intended to play for only a few weeks into the new year.
Following this, he starred in a revival of Little Jack Sheppard at the Gaiety Theatre, London which brought him to the attention of impresario George Edwardes. Edwardes cast Hicks in his next show, The Shop Girl, in 1894. Its success led to his participation in two more of Edwardes's hit "girl" musicals, The Circus Girl (1896) and A Runaway Girl (1898), both starring Terriss. He first played the role of Ebenezer Scrooge in 1901 and eventually played it thousands of times onstage.
Madame Blum, struck by Prudence's charmingly simple grey Quaker dress, tries to persuade her to accompany her back to Paris ("Tip Toe"). The marriage ceremony between the princess and Charteris takes place, and Prudence, carried away by the gaiety of the scene, is induced to take a sip of champagne. At this moment, with the wine to her lips, her aunt and uncle and the other Quakers appear on the scene. They sternly command her to leave these sinful people.
She was asked to play Éponine in Les Misérables for the Cameron Mackintosh Company in the UK and Ireland and in the Concert Tour of Les Misérables. She created the role of Bernadette in the Andrew Lloyd Webber/Ben Elton Musical The Beautiful Game. On her return to Ireland she played the role of Kate Foley in The Wireman in the Gaiety Theatre, Dublin. Alex has sung with the Icelandic Royal Philharmonic Orchestra, The Danish National Symphony, and the RTÉ Concert Orchestra.
Tom Jordan Murphy (15 January 1968 – 6 October 2007) was an Irish theatre and film actor best known for his 1998 Tony Award winning performance in The Beauty Queen of Leenane. In 1996, Murphy created the role of Ray Dooley in The Beauty Queen of Leenane. This production started life at the Town Hall Theatre, Galway, directed by Garry Hynes and presented in association with the Druid Theatre Company. It also played at Dublin's Gaiety Theatre and in London's West End.
Cruickshank, p. 34 Lind also played Clotide in The Gay Pretenders by George Grossmith, Jr. at the Globe Theatre (1900) and Ellen in The Girl from Kays at the Apollo Theatre (1902), her last performance in a West End show. In 1903, Lind returned to the stage to try her luck again in the music halls. Lind made her final public appearance at the Gaiety Theatre, singing one of her first hits, "Listen to my tale of woe" from Ruy Blas.
Léopold de Wenzel (23 January 1847 – 21 August 1923), also known as Leopold Wenzel, was an Italian conductor and composer. Born in Naples, Wenzel spent most of his career working in London, with the exception of some years spent in Paris.Opera Glass Wenzel was appointed as musical director, music arranger and ballet composer at the Empire Theatre of Varieties in London in 1889, where he wrote and arranged numerous ballets. Later, he conducted at the Gaiety Theatre, London until 1913.
In reply, William McGonagall wrote "Lines in Praise of Tommy Atkins" in 1898, which was an attack on what McGonagall saw as the disparaging portrayal of Tommy in Kipling's poem. In 1893, for the musical play A Gaiety Girl, Henry Hamilton (lyrics) and Samuel Potter (music) wrote the song Private Tommy Atkins for the baritone C. Hayden Coffin. It was immediately published by Willcocks & Co. Ltd. in London and published by T. B. Harms & Co. in New York the next year.
Born in Dublin, Pilkington grew up in the affluent suburban village of Malahide, and attended Manor House School, Raheny. Trained at the Gaiety School of Acting, Pilkington began her career at the age of 15 when she appeared in The Miracle directed by Neil Jordan. She appeared onstage in the plays The Plough and the Stars and The Iceman Cometh. At age 18 she moved to London where she was given a part in a Miramax film which eventually fell through.
She is wearing a white satin and tulle dress dotted with silver foil stars and with diamond stars in her hair. This portrait is one of Empress Elisabeth's most iconic representations and one of Winterhalter's best-known works. Winterhalter came into his own as a portrait painter during the second Empire and he painted his best work during the last two decades of his life. He matched his style to the luxury and relaxed atmosphere of the age, its hedonism and gaiety.
BV 241: [6] Stücke [Pieces] Op. 33b, for piano :Comprises: ::Series I (ded. Max Reger): :::1) Schwermut [Melancholy] :::2) Frohsinn [Gaiety], :::3) Scherzino [Little Scherzo] ::Series II (ded. Isabella Stewart Gardner): :::4) Fantasia in modo antico [Fantasia in antique style]. Allegro risoluto :::5) Finnische Ballade [Finnish Ballade] :::6) Exeunt omnes [Everyone exits] :Composed: 1895 (Beaumont) :Manuscript: Busoni Archive No.223 (sketches) ::Title: Finnische Ballade ::4 sheets, notated on one side only, attached :Publications: ::1) Leipzig: C. F. Peters, Copyright 1896, cat. no.
The dereliction of the old Athenaeum continued until 1989, when it was purchased by a local businessman. In an interview with the Limerick Post, a director of the new Theatre Royal Company said, "We see it primarily as a theatre and would compare it to the Olympia or the Gaiety in Dublin..."Limerick Post, 29 July 1989. During the renovation, many of the architectural features of the original hall were carefully restored, including the three ceiling domes.Limerick Post, 28 October 1989.
She played the role of the title character's mother, Veronica Loy until the final season in 2016. She returned to the stage in June 2010, to Dublin's Gaiety Theatre to play Lady Bracknell in Rough Magic Theatre Company's production of Oscar Wilde's The Importance of Being Earnest.Cox, Gordon. "Stockard Channing to topline 'Earnest' " Variety (New York, Los Angeles), January 25, 2010 Channing appeared in the play Other Desert Cities Off-Broadway at Lincoln Center and then on Broadway, as of October 2011.
According to Hollingshead, D'Auban was the champion of star-trap jumpers, able to spring through the trap, from below the stage, high up in the air in sight of the audience."Mr. D'Auban's 'Startrap' Jumps". The Times, 17 April 1922, p. 17 D'Auban began his forty-year association with W. S. Gilbert in 1868 by appearing in the bill at the opening of Hollingshead's Gaiety Theatre, London, including as one of two mysterious fiddlers in Gilbert's burlesque Robert the Devil.
R. Venkaiah, flush with funds, in 1912 built a permanent cinema in the Mount Road area named Gaiety Theatre. It was the first in Madras to screen films on a full-time basis. The theatre later closed for commercial developments. Swamikannu Vincent, who had built the first cinema of South India in Coimbatore, introduced the concept of "Tent Cinema" in which a tent was erected on a stretch of open land close to a town or village to screen the films.
Gaiety Theatre, Dublin gaietytheatre.ie On June 24, 2012, Larry Storch and Marie Wallace presented a benefit performance at The Actor's Temple in New York City. From May 7–11, 2013, Glynis Barber and Michael Brandon performed the play at Dundee Repertory Theatre, Scotland, directed by Ian Talbot. On June 29, 2013 Katharine Ross and her husband Sam Elliott performed the play as a benefit for the Malibu Playhouse at the Edye Second Space, the Broad Stage, Santa Monica, directed by Diane Namm.
Grant Farred, writing in Modern Fiction Studies, criticized Mda for his implicit condemnation of the historical, violent tactics used to resist Apartheid. Farred characterizes this lack of sympathy with historical actors as typical of Post-Apartheid viewpoints. Alternatively, Rita Barnard praised the book for what she believed to be an "optimistic" tone, stating that it did not "offer a ratification of received codes of conduct". Further, she praised the novel's lightness, and its willingness to replace a "sober militancy with gaiety and laughter".
After returning to Dublin in the early 1980s, McEvoy got a job as a runner at the Dublin Theatre Festival and studied acting at the Oscar Theatre School. McEvoys earlier theatre work includes The Philanderer (George Bernard Shaw) and Semi-Private (Mary Halpin) at The Gate. She starred with Siobhán McKenna in the original production of Bailegangaire (Tom Murphy) and Wood of the Whispering (M. J. Molloy) with Druid Theatre directed by Garry Hynes, also Charlie's Aunt at the Gaiety Theatre, Dublin.
During this period, he continued to compose new music, including theatre scores, for other companies. For two years thereafter, he was the musical conductor at the Gaiety Theatre, London. After conducting for Thomas Edison's British recording studio for several years, in 1915 Byng joined HMV full-time, where he conducted a great number of recordings. From 1917 to 1924, he conducted many of the early acoustic sets of the Gilbert and Sullivan operas in cooperation with the D'Oyly Carte Opera Company.
In 1876, she appeared adaptations of two French plays at the Haymarket Theatre and the Standard Theatre, and in Lady Clancarty by Tom Taylor, and the next year she played in The Lady of Lyons and The School for Scandal. Other important roles in the 1870s included Lady Macbeth and Lady Teazle, both at the Theatre Royal, Edinburgh. She appeared in the breeches role of Abdallah in The Forty Thieves, a burlesque at the Gaiety Theatre, in 1878.Hollingshead, John.
The first play written by Brighouse was Lonesome Like, but the first to be produced was The Doorway. This was performed in 1909 at Annie Horniman's Gaiety Theatre in Manchester and produced by Ben Iden Payne. Horniman and Payne gave strong support to Brighouse in the early stages of his career. Many of his plays were one-act pieces; three of the best of these (The Northerners, Zack and The Game) were published together as Three Lancashire Plays in 1920.
" After playing successfully at the Théâtre Edouard VII,"Mozart", The Times, 17 December 1925, p. 14 the company presented the piece for a three-week season in London in June and July 1926."'Mozart' at the Gaiety", The Times, 17 June 1926, p. 12 The critic James Agate wrote, "It is not exaggerating to say that on Monday evening people were observed to cry, and by that I mean shed tears, when Music's heavenly child appeared at the top of the stairs.
36-37 Paterson was an inventor too, designing, refining and patenting several pieces of projector equipment.Thomson (1988) pp. 39, 40 On 5 September 1908 Paterson opened Aberdeen's first permanent cinema, The Gaiety, in the former Saint Katherine's Hall on Shiprow, between Union Street and Provost Ross's House. The latter now forms part of the Aberdeen Maritime Museum. In 1910 The Torry Skating Rink Syndicate opened its Sinclair Road premises as The Torry Picture Palace with films syndicated from Dove Paterson's Aberdeen Cinematic Bureau.
While still in his teens, Liam explored writing and painting, though he was particularly drawn to the theatre. In his early performing days, he began to call himself Liam rather than William or Willie. Before he was twenty years old, Liam had founded the local dramatic society now called "Brewery Lane Theatre and Arts Centre", and had produced, directed, set-directed, and starred in John Millington Synge's The Playboy of the Western World. Liam also performed at the renowned Gaiety Theatre in Dublin.
4 and then went on to work in a revue with the Irish comedian John Molloy at the Gaiety Theatre in Dublin. They used to sing songs between acts. Before joining the Dubliners full-time, Kelly had spent some time playing at English folk clubs such as the Jug o'Punch in Birmingham, run by the folk singer Ian Campbell. The group played at the Edinburgh Festival in 1963 and that led to them being featured on a BBC programme called Hootenanny.
The Girl from Paris At first, Caryll earned a poor living by giving music lessons to women in the suburbs. Then he sold some songs to George Edwardes, who eventually hired him as the musical director for the Gaiety and Lyric Theatres. He attempted to raise orchestral standards by banning the deputy system, under which a player who was offered a lucrative engagement could send a substitute to perform in the theatre. Caryll's first theatre piece was Lily of Léoville in 1886.
Hyman, p. 130 Since bankrupts are ineligible to sit in the House of Commons, he had to resign his seat; after his departure the future Lord Chancellor, F. E. Smith, wrote that "[h]is absence from the House of Commons has impoverished the public stock of gaiety, of cleverness, of common sense".Messinger, pp. 206–07 Prior to his bankruptcy, Bottomley had ensured that his main assets were legally owned by relatives or nominees, and was thus able to continue his extravagant lifestyle.
Adams, p. 282 For Charles Morton, in 1871 at the Islington Philharmonic, she first appeared as Drogan in the long-running production of Geneviève de Brabant (also directing the production), which became her favourite role.Adams, p. 570 Now widely popular, she starred at the Gaiety Theatre, London in 1872 in another production of Geneviève de Brabant and as Mlle. Lange in La fille de Madame Angot in 1873. Soldene was also, for several years, a principal boy in British Christmas pantomimes.
The following year saw more pamphlets on a demand for a National Theatre from London publisher Effingham William Wilson.Effingham William Wilson A House for Shakespeare. A proposition for the consideration of the Nation and a Second and Concluding Paper (1848) The situation continued, with a renewed call every decade for a National Theatre. Attention was aroused in 1879 when the Comédie-Française took a residency at the Gaiety Theatre, described in The Times as representing "the highest aristocracy of the theatre".
Payne (Mr Girdle) The Spring Chicken is an Edwardian musical comedy adapted by George Grossmith, Jr. from Coquin de Printemps (1897) by Jaime and Duval, with music by Ivan Caryll and Lionel Monckton and lyrics by Adrian Ross, Percy Greenbank and Grossmith. Produced by George Edwardes at the Gaiety Theatre in London, it opened on 30 May 1905. It ran for a very successful 401 performances. The London production starred Grossmith, Harry Grattan, and Gertie Millar, with Henry Lytton later joining the cast.
In 2008, Lindsay attended workshops at the Gaiety School of Acting in Dublin and also with directors Vinny Murphy and Graham Cantwell. She has worked in feature and short films and television commercials and is also a voice-over artist. Lindsay completed her first full-length script for the stage, Christmas Fairy Tells All - a wacky, alternative Christmas show for grown ups. It was staged at The New Theatre, Temple Bar, Dublin from Monday 29 November to Saturday 4 December 2010.
In 1678 he narrowly escaped death at the hands of the deranged Earl of Pembroke, with whom he was engaged in a lawsuit.Kenyon, J.P. The Popish Plot Phoenix Press reissue 2000 p.306 Portrait of Sackville by Godfrey Kneller, 1694 His gaiety and wit secured the continued favour of Charles II, but did not especially recommend him to James II, who could not, moreover, forgive Dorset's lampoons on his mistress, Catherine Sedley, Countess of Dorchester. On James's accession, therefore, he retired from court.
6 Later in 1868, at the opening of the Gaiety Theatre, she played Mrs Cureton in a play by Alfred Thompson, On the Cards, adapted from L'Escamoteur by Paulin Meunier.Knight, Joseph, revised by J. Gilliland. "Litton, Marie", Oxford Dictionary of National Biography, Oxford University Press, 2004, accessed 21 December 2014 She next appeared there as Alice Renshaw in Uncle Dick's Darling, by H. J. Byron (1869). After this, she appeared for a year for Mrs Nye Chart at the Theatre Royal, Brighton.
Yvonne is a musical comedy with a book and lyrics by Percy Greenbank and music by Jean Gilbert and Vernon Duke (at that time still using his birth name of Dukelsky).Vernon Duke, PBS, accessed 22 April 2013 It was adapted by Greenbank from an Austrian musical of the same name. Some additional songs were written by the show's conductor, Arthur Wood. The story concerns an engaged young lady, Yvonne Savigny, the daughter of old professor who loves riotous gaiety.
After the failure of 'the Gaiety', Torr returned to the music hall, successfully reviving his career with new comic songs as well as old favorites. By 1899, his performances were increasingly out of fashion with London audiences and Torr retired for a second time. Returning to Leicester, in 1904, he injured himself after falling off the stage while intoxicated during a performance of 'On the Back of Daddy-O'. In 1909, Torr became the manager of the Malt Cross in Nottingham.
1820 architect's plans of the Olympic Theatre The Olympic Theatre, sometimes known as the Royal Olympic Theatre, was a 19th-century London theatre, opened in 1806 and located at the junction of Drury Lane, Wych Street and Newcastle Street. The theatre specialised in comedies throughout much of its existence. Along with three other Victorian theatres (Opera Comique, Globe and Gaiety),Aldwych Theatre history, accessed 23 March 2007. the Olympic was eventually demolished in 1904 to make way for the development of the Aldwych.
In the 1960s, Potter turned to ballet, writing four orchestral scores for the Cork Ballet company. The first of these, Careless Love, became the composer's own favourite of all his compositions. Several years later, following a successful battle with alcoholism, he wrote what some regard as his magnum opus, Sinfonia "de Profundis" (1969). The première was given at the Gaiety Theatre, Dublin on 23 March 1969 in a performance by the RTÉ Symphony Orchestra under the baton of Albert Rosen.
He wished to popularise chelambatam by harnessing the popular influence of cinema. At that time the common mass of Kerala were not even aware of cinema, hence the idea was quite a challenge. He took the challenge and left to Madras (now Chennai) to learn techniques of film-making and to acquire necessary equipments. Madras was the budding centre of film production in South India and had the only permanent talkies in South India, named Gaiety which was established in 1912.
8 Hood provided the lyrics to Lionel Monckton's song, "What Will You Have to Drink?", interpolated into the Gaiety Theatre burlesque Cinder Ellen up too Late in 1892.Basil Hood biography at the British Musical Theatre website of the Gilbert and Sullivan archive, 31 August 2004, adapted from The Encyclopedia of the Musical Theatre by Kurt Gänzl, accessed 11 June 2010 Hood then wrote two short operettas with music by Walter Slaughter. The first was Donna Luiza,The Observer, 27 March 1892, p.
After its last performance at the Gaiety in 1872, Thespis appears to have remained unperformed until 1953, although an attempted reconstruction from the 1940s has been discovered.Tillett & Spencer, p. 4. Tillett and Spencer, who discovered the ballet music, identified twenty separate reconstructions of Thespis between 1953 and 2002. About half of these use music adapted from Sullivan's other works; the others use new music for all but the surviving songs, or, in a few cases, re-compose those as well.Tillett & Spencer, p. 6.
George Edwardes George Joseph Edwardes (né Edwards) (8 October 1855 – 4 October 1915) was an English theatre manager and producer of Irish ancestry who brought a new era in musical theatre to the British stage and beyond. Edwardes started out in theatre management, soon working at a number of West End theatres. By the age of 20, he was managing theatres for Richard D'Oyly Carte. In 1885, Edwardes became a manager at the Gaiety Theatre with John Hollingshead, who soon retired.
Jack O'Diamonds is a musical play with music by Noel Gay and book and lyrics by Clifford Grey and H.F. Maltby. It opened at London's Gaiety Theatre on 25 February 1935.Robert Seeley, Rex Bunnett, Brian A. L. Rust, ed., London Musical Shows on Record, 1889-1989: a hundred years of London's musical theatre (General Gramophone Publications, 1989), 110 The New York Times reported that it opened to good notices and that its American star, Zelma O'Neal "scored a triumph".
He followed this with a role in Don Juan (1893) and gave a popular performance as Mr. Miggles in The Shop Girl (1894) that widened his reputation. He first shared the stage with George Grossmith, Jr. in The Shop Girl, and the two would be paired in many further productions. He created more comic roles in The Circus Girl (1896) and A Runaway Girl (1898). Payne always rehearsed in a pair of velvet shoes and rode to and from the Gaiety on a bicycle.
"Botany Bay" is a song that can be traced back to the musical burlesque, Little Jack Sheppard, staged at The Gaiety Theatre, London, England, in 1885 and in Melbourne, Australia, in 1886. The show was written by Henry Pottinger Stephens and William Yardley, with music composed and arranged by Wilhelm Meyer Lutz. The show's programme credits "Botany Bay" as "Old Air arr. Lutz", and the more recent crediting of the music for "Botany Bay" to Florian Pascal,"Botany Bay" catalogue information is totally spurious.
She passed intermediate from St. Bede's College, Shimla in 1953, and joined Bhargava Municipal College (BMC), during this period, she acted in several English plays at Shimla's noted Gaiety Theatre. Her father was on a UN assignment, so after graduation she joined the prestigious Royal Academy of Dramatic Art (RADA) in London, UK.Feeding on Priya's memories, Gullu lives on... The Tribune, 3 August 2002.Priya Rajvansh, the adored Shimlaite The Tribune, Chandigarh, 21 April 2000.Glamour girls from Himachal Pradesh The Tribune, 16 March 2007.
Until retirement, he was the southwest Scotland representative of Christie's, the auctioneers. He was devoted to opera and also helped stage revues at the Gaiety Theatre in Ayr, including a memorable performance in 1956 — playing Julius Caesar on roller skates. In order to maintain Blairquhan’s viability, he developed the estate for corporate entertainment, weddings and film location work. Whenever the Open Championships came to nearby Troon or Turnberry, up to 80 guests would find accommodation in the mansion, Milton, and in seven holiday cottages, converted from outbuildings.
"Obituary", The Cricketer, 5 May 1945, p. 32. Smith was a schoolteacher who played most of his cricket during the summer school holidays. In 1958 A. A. Thomson said of him: "Ernest was one of that devoted band of August schoolmasters – happily they survive to-day – who pack their boys off home and add a kind of academic gaiety to the month's cricket." He added that Smith could "defend like a lowered portcullis if Yorkshire were in serious trouble" or bat "like a charging cavalry leader".
After premiering at the Grand Opera House in Belfast on February 13, 1960, and receiving a good review from a Variety correspondent, it moved to the Gaiety Theatre in Dublin. For two nights Orson did a one man show, starting with readings of J.M Synge, Riders to the Sea, Moby Dick and the works of Isak Dinesen. The 2nd half was a TV show with questions from the audience. Afterwards it was revealed that the TV cameras were fake, just to attract an audience.
The Foire Saint-Germain after its reconstruction in 1763. Pierre Datelin, dit Jean Brioché, (1567 – 1671) was a famous French puppeteer. First a tooth- puller, Brioche opened in Paris in 1650, the first puppet theaters at foires Saint-Laurent et Saint-Germain, The gaiety and verve of his speeches helped make his name and that kind of entertainment equally popular. He later went to Switzerland, where he was imprisoned and almost judged as a sorcerer, because the mechanism of his young players couldn't be understood.
The Gaiety Theater was a stand-alone art deco cinema house located at M.H. del Pilar Street in the Ermita district of the city of Manila. It was designed by Juan Nakpil, National Artist of the Philippines for Architecture, in 1935. The construction of these early theaters in the City of Manila provided the venue for early forms of entertainment like bodabil, a local adaptation of vaudeville, with most eventually converting to movie theaters with the growth and popularity of Philippine cinema in the metropolis.
Our Hearts Were Young and Gay is a book by actress Cornelia Otis Skinner and journalist Emily Kimbrough, published in 1942. The book presents a description of their European tour in the 1920s, when they were fresh out of college from Bryn Mawr. Skinner wrote of Kimbrough, "To know Emily is to enhance one's days with gaiety, charm and occasional terror". The book was popular with readers, spending five weeks atop the New York Times Non-Fiction Best Seller list in the winter of 1943.
The Cornwall Apartments is a building on the National Register of Historic Places in the Capitol Hill section of Denver, Colorado. The apartments were designed by Denver architect Walter Rice in a Mexican colonial style that capturing a cosmopolitan spirit and gaiety in the unusual architectural elements for 1900, such as its balustrades, mouldings, and varied balconies. Reed made most of the terra cotta trim himself. Cornwall Apartments, Denver, Colorado in 1903 It may have been the first building of a Spanish-derived architectural style.
These roles were "invariably the same, whatever the play ... the plump, attractive little lady with the infectious chuckle and the keen Cockney sanity". She next appeared in A Runaway Girl (1898) as Carmenita,"Matinee at the Assembly Rooms", Bath Chronicle and Weekly Gazette, 30 November 1899, p. 3 The Messenger Boy (1900) as Mrs. Bang,"Gaiety Tomorrow: The Messenger Boy", London Standard, 13 April 1900, p. 4 The Silver Slipper, The Toreador (1901) as Amelia, The Orchid (1903) as Caroline Twining, The Spring Chicken (1905) as Mrs.
Scene from The Toreador The Toreador is an Edwardian musical comedy in two acts by James T. Tanner and Harry Nicholls, with lyrics by Adrian Ross and Percy Greenbank and music by Ivan Caryll and Lionel Monckton. It opened at the Gaiety Theatre in London, managed by George Edwardes, on 17 June 1901 and ran for an extremely successful 675 performances. It starred Marie Studholme, Gertie Millar, Harry Grattan, Edmund Payne, George Grossmith, Jr. and the young Sidney Bracy. Gabrielle Ray later joined the cast.
At the Regent's Park Open Air Theatre she was directed by the theatre's founder as Rosalind in As You Like It and Imogen in Cymbeline. In 1955 she played Queen Elizabeth in the Laurence Olivier film of Richard III, then reprised the role for Olivier's company at The Old Vic in 1962 (opposite Paul Daneman's Richard), alongside the part of Portia in Julius Caesar. In 1963 and 1964 she appeared alongside Michael MacLiammoir at the Gaiety Theatre, Dublin and the Vaudeville Theatre, respectively. Counsell, John.
Parker, John. "Blythe, Coralie", Who's Who in the Theatre, Vol. 3, Pitman, 1916, accessed 20 September 2013 She had three roles in George Edwardes shows at the Prince's Theatre, Bristol: Lucille in The Circus Girl (1897–1898), Ada Branscombe in Three Little Maids (1902, also at the Theatre Royal, Nottingham) and The Orchid (1904–1905). In between these, she appeared at Edwardes's Gaiety Theatre in London in chorus roles in The Circus Girl, A Runaway Girl, A Greek Slave, San Toy and The Messenger Boy.
Byrd was so taken with the beauty of the land, that he prophesied a future settlement in the vicinity, where people would live "with much comfort and gaiety of Heart." He named the river along which they camped as the "Dan", for Byrd felt he had wandered "From Dan to Beersheba." After the American Revolutionary War, the first settlement developed in 1792 downstream from Byrd's campsite, at a spot along the river shallow enough to allow fording. It was named "Wynne's Falls", after the first settler.
On August 7, 1919, the Actors’ Equity Association officially declared a strike against the PMA. The strike resolution read: The resolution passed on the first vote unanimously and the strike was in effect by 7 p.m. That night, twelve famous New York theaters closed, including Shubert Playhouse, Gaiety, Astor, and 44th Street. The managers, completely unprepared for the strike, were forced to give an estimate of $25,000 in ticket refunds that night and had to quickly find actors to replace the stars that had walked out.
By the mid-1930s, there were 10 cinemas, of which the Capitol was the largest and the newest. It opened in 1930 and was followed by the Alhambra, Marlborough, Pavilion, Roxy, Wembley, Tivoli, Empire, Jubilee and Gaiety. As the Mansions fronted the theatre, the large movie billboards announcing the latest films were placed on its frontage, resulted the two buildings so closely associated that one was often mistaken for the other. The Namazie Mansions was sometimes erroneously referred to as the “Capitol Theatre building”.
The new Ayr Gaiety is unlike most theatres in the UK because it is largely run through voluntary effort. Most of the people undertaking front of house, technical, fundraising, marketing and maintenance are doing so on a voluntary basis. Although the volunteering effort overall is led by the Executive Director and Board- each volunteer team is supported and led by one of the staff team members. The Gaiety's current full-time staff team consists of just nine employees led by Executive Director Jeremy Wyatt.
The anti-naturalist tone of Chahut, with its primacy of expression over appearance and its eloquent use of lines and color, reflects the influence of both Charles Blanc and Humbert de Superville. Humbert's theory inspired Blanc's idea that lines (just as colors) induce feelings. The direction of a line changes the expression, and are therefore signs of emotion. Horizontal lines are synonymous with calmness, by association with equilibrium, duration and wisdom, while expansive lines embody gaiety, by virtue of their association with expansion, inconstancy and voluptuousness.
Nellie Farren soon became the theatre's star "principal boy" in all the burlesques and played in other comedies. She and comic Fred Leslie starred at the theatre for over 20 years, with Edward Terry for much of that period. Her husband, Robert Soutar was an actor, stage manager and writer for the theatre. A typical evening at the Gaiety might include a three-act comic play, a dramatic interlude, a musical extravaganza, which might also include a ballet or pantomime (in the tradition of a Harlequinade).
Bessie Sudlow in 1870 Bessie returned to England and in September 1874 played with Lydia Thompson’s company in Blue Beard, a burlesque by Henry Brougham Farnie, at the Charing Cross Theatre in London. In January 1875 she performed at the Theatre Royal, Dublin in The Yellow Dwarf, a pantomime. The Era described her as "a very graceful and attractive actress and sings pleasingly". She appeared at the Gaiety Theatre, Dublin in March 1875 in The Isle of Bachelors, adapted from Charles Lecocq’s comic opera Les cent vierges.
Arlott, who had written his first cricket book that summer, concluded with a tribute to Compton: > To close the eyes is to see again that easy, happy figure at the wicket, > pushing an unruly forelock out of the eye and then as it falls down again, > playing off the wrong foot a stroke which passes deep-point like a bullet > ... never again will the boyish delight in hitting a ball with a piece of > wood flower directly into charm and gaiety and all the wealth of > achievement.
The "Pas de Quatre" from Faust up to date (1888), one of many Gaiety burlesques choreographed by D'Auban D'Auban quickly became popular as a grotesque dancer and "star-trap" performer in London music halls early in his career. From 1865 to 1868, he danced in many of the Alhambra Theatre burlesques and pantomimes under director John Hollingshead.Hollingshead, John. My Lifetime, 2 vols., Chapter XXIII, (1895) S. Low, Marston: London He made a sensation in Paris in 1866, introducing that city to the star-trap.
Idris Lewis was born in Birchgrove near Swansea on 21 November 1889, the son of a coal miner. He was interested in music as a child, and when he was sixteen he won a scholarship to study at the Royal College of Music in London. In 1911 and 1912, after completing his studies at the Royal College, Lewis toured India and the Far East, giving piano recitals. He became assistant director at Daly's Theatre in London, and musical director at the Lyric and Gaiety Theatres.
Tallant was the designer, and Herts serving as the engineer and businessperson. The 1903 New Amsterdam Theatre was their first big success, followed by the Fulton (razed in 1982), the Gaiety (razed in 1982), the Liberty (defunct in 1933), the Lyceum, the New German Theatre, and the Brooklyn Academy of Music. Herts perfected the cantilevered arch construction that enabled theater architects to support balconies without the use of columns.Broadway: Its History, People, and Places: An Encyclopedia, by Ken Bloom, Taylor & Francis, 2004, pp. 241-242.
Whiting had some success as a child singer, winning a Butlin's Talent Contest hosted in the holiday camp's packed out Gaiety Theatre. Whiting was later spotted by a theatrical agent at the Connaught Rooms Holborn, where he was performing at a Jewish wedding at the age of 12. He only sang one song ("Summertime") which he had rehearsed as a one-off song with the group Teal Lewis and the , who provided the evening entertainment. This was set up by his father to get him noticed.
"His Excellency," The Era, 3 November 1894 "Miss Alice Barnett, as the mighty Dame Hecla, fulfilled the promise of her name, bursting out into flame at the slightest provocation … excruciatingly funny."The Bury and Horwich Post, 5 March 1895, p. 7 After a brief run at the Gaiety Theatre in The Shop Girl, in the summer of 1895,"Advertisements and Notices", The Standard, 9 July 1895, p. 4 Barnett again travelled to America, where she toured in His Excellency with George Edwardes's Lyric Company.
To its north are two smaller buildings, dating to around 1910, the newest buildings in the district. To the south of the large warehouses are smaller buildings. At 403 River Street is a three-story building dating to the same period as the warehouses, but 405-407, originally built as the Gaiety Theatre in 1888 and rebuilt with Dutch Colonial Revival stepped gables after a fire twenty years later. The west side is dominated by three large three-story brick warehouses all built around 1885.
Film- stars Prithviraj Kapoor, Moti Lal, Shobhna Samarth, I.S. Johar, and Sunder .also used to watch his plays in Delhi and Simla's Gaiety Theater performed in many of Mehta's plays in Bombay (now Mumbai). Mehta is also credited with writing the farce play Uljhan, the first Hindi play staged by the Indian Armed Forces. This play was written by him at the desire of Field Marshal K.M. Cariappa, who wanted the Indian Armed Forces to do plays in Hindi, the national language, after having attained independence.
Even at Defence Services Staff College, Wellington (Nilgiris) in 1975, the spirit of giving equal importance to Hindi and English under FM Sam Manekshaw at Coonoor was carried forward by Lt. Gen A N Sethna, then Commandant of Staff College. Two plays were staged: Mehta's Hindi comedy Dhai Akhar Prem Ka'a, and 'See How They Run', an English comedy. Dhai Akhar Prem Ka'; was again staged by Army in 1982 at Gaiety Theater, Shimla. At that time General K Sunderji was Army Commander Western Command.
7 When the piece moved to the Globe Theatre in London, Barry moved with it. The Times wrote that she "has all the force required by the arduous character of Margaret, and she expresses the tenderer emotions with good effect".The Times, 8 October 1873 Barry next took on the role of Edith Dombey in a play called Heart's Delight, adapted from Dombey and Son. She played at the Gaiety Theatre, London, as Armande in Led Astray by Boucicault, in 1874, before touring outside London briefly.
In 1896, Edwards was 17 years old and appearing at Johnny Palmer's Gaiety Saloon in Brooklyn, when James Hyde, a vaudeville agent, saw him performing. He booked a tour for Edwards and four other boys as The Newsboys Quintet act. In 1898, while performing in this act, Edwards wrote his first song, to a lyric by Tom Daly, "All I Want is My Black Baby Back". Edwards could not write music at that time, so he hired Charles Previn to write down the notes.
The creation of the Glynn Vivian Art Gallery was made possible when in 1905 Richard Glynn Vivian offered his collection of paintings, drawings and china to the City with an endowment of £10,000. The donor laid the foundation stone himself in 1909, but it was after his death that the Gallery was formally opened in 1911, with "great enthusiasm and gaiety".Guide to the Collections of the Glynn Vivian Art Gallery Swansea (1970), p. 6. The building was designed by Glendinning Moxham in the Edwardian Baroque style.
After the war he starred in a British musical, distributed by Warners, Gaiety George (1946), which was a flop. He returned to Hollywood, and appeared in Fox's big budget Forever Amber (1947), but in support of Cornel Wilde. He went to Universal to play the villain in The Fighting O'Flynn (1948) with Douglas Fairbanks Jr. At Fox he was third billed in The Fan (1949), based on the play Lady Windermere's Fan. Greene returned to England to appear in That Dangerous Age (1949) and Now Barabbas (1949).
Fr. Lawrence Dsouza served as 21st parish priest and during his time Fr. Nelson Olivera served as assistant parish priest. Fr. Gerald Dsouza served as the 23rd parish priest. Fr. James Dsouza, an energetic priest is serving as the 23rd parish priest at Belthangady during his tenure; the current church was built for the cost of 3.5 crores rupees. He is the guiding force to celebrate post centenary silver jubilee celebrations with pomp and gaiety along with Fr. Paul Prakash serves as the 20th assistant parish priest.
In order to permit the expansion, the property next-door to the church had also been purchased. Whilst the congregation had no church to worship in, services were held at various locations throughout the town, including The Gaiety Theatre and Hastings Pier pavilion. The Memorial stone was laid on 11 September 1884 at 3:30pm, with a large crowd of people, mainly members of the congregation and worthies such as the Mayor, Alderman Thorpe and a number of Pastors and Ministers of surrounding churches.
Montgomery made reputation in America and Australia, being well received as Louis XI and Sir Giles Overreach in A New Way to Pay Old Debts. On 31 July 1871 he began with Hamlet a short and unprosperous season at the Gaiety Theatre, in the course of which he played also Meg Merrilies (Guy Mannering). On 1 September, at 2 Stafford Street, Bond Street, he shot himself, while, according to the verdict given at an inquest, of unsound mind. He was buried in Brompton cemetery.
In 2001 Marty Maguire took on the role of Kenneth McCallister at the Celtic Arts Theater and Falcon Theatre, Los Angeles. This production then toured to the Tricycle Theatre in London, the Edinburgh Fringe, and to the Gaiety Theatre and Liberty Hall in Dublin. It was staged again, at the Tricycle and the Irish Arts Centre, New York, in 2006. In August 2007 Patrick Kielty starred in a production directed by Ian McElhinney in Belfast's Grand Opera House, which also played in Trafalgar Studios.
Patrick Angus (1953–1992), a late 20th-century American painter, created a number of oil or acrylic paintings of the interior of the Gaiety and some of its dancers and customers in the 1980s. Some of those titles are: Grand Finale (1985), The Apollo Room I (1986), Remember the Promise You Made (1986), Slave to the Rhythm (1986), All The Love in the World (1987), Hanky Panky (1991)Strip Show: Paintings by Patrick Angus, introduced by Douglas Blair Turnbaugh. London: Editions Aubrey Walter, 1992.
The E major start soon transposes into a section in A-flat major, where both hands bounce around with a dotted melody which is the second theme. This section turns slightly slower and less jolly with scales up and down in the right hand which rise and get quicker before a brillante slide down the keys leads neatly into a recapitulation of the first theme. The gaiety continues on into a final flourish at the end. The piece carries a dedication to Harriet Cohen.
The layout was problematic and Matcham had to make a series of adjustments. To compensate, he designed a ventilation system which involved the installation of an exhaust duct over the auditorium gas light which caused the heat from the burners to rise up and create a movement of air through the theatre. It was a design that he also used on the Gaiety, Matcham's second Glaswegian theatre. The Royalty took just four weeks to complete and was relatively inexpensive, two factors that helped enhance his reputation.
By the sixth week of the strike, those charged with rioting were in court, and soon found guilty. The local paper The Leith Observer, under the cover of a pseudonym, lambasted the decision. The strike finally ended on 14 August, when James O'Connor Kessack informed a mass meeting of dockers at the Gaiety Theatre that more strike-breakers ready to cross the picketline were coming from Newcastle. Advised by the leadership of the NUDL, the assembled mass meeting voted by a large majority to end the strike.
Such stars as Atang de la Rama, Katy de la Cruz, Canuplin, Dionisia Castro, often staged performances that audiences loved. The entrance fee range from 50 centavos and up and one can buy at the gate a mask, a horn and a bag of confetti. The children wore a harlequin, a clown's costume, or a dunce cap, while the elder ones wore dominoes or similar attractive attires. The scene was like New Year's Eve with all the gaiety, laughter and gossips in old Manila circling around.
Waller returned to the West End, working for a succession of managements. At the Strand Theatre in early 1887, he played Roy Carlton in Jack-in-the-Box, which his biographer in the Oxford Dictionary of National Biography describes as his first substantial success in London. At the Opera Comique he played Ernest Vane in Masks and Faces"Opera Comique Theatre", The Observer, 27 March 1887, p. 3 and Captain Absolute in The Rivals; and at the Gaiety Theatre he played Jacques Rosney in Civil War.
Following Henry's depression and suicide in 1863, ownership passed to Henry's widow Mary Ann. Between 1868 and 1871, Eleanor Bufton (married to Arthur Swanborough) managed the Greenwich Theatre, and resources were shared between the two theatres. According to Erroll Sherson, writing in 1923, the Strand was burlesque's first real nursery and its permanent home. Here graduated Marie Wilton (later Lady Bancroft), Patty Oliver and Edward Terry; each would later maintain the burlesque tradition at the Prince of Wales's, The Royalty, and The Gaiety, respectively.
Richter's cannon act inspired a scene in the Henry James Byron burlesque, Little Doctor Faust, when it played at the Gaiety Theatre. Nellie Farren's titular character would climb into a cannon, escaping through a hidden trap door in the stage while her costar, Edward O'Connor Terry, used a ramrod to simulate preparing the cannon to fire. After an explosion, she would run back in from the other side of the stage. This act, too, met with an accident when the trap door failed to open.
The basement of №81 was home from July 1934 to the Caravan Club that advertised itself as "London's Greatest Bohemian Rendezvous said to be the most unconventional spot in town" which was code for being gay-friendly. The club helpfully promised "All night gaiety". It was run by Jack Rudolph Neaves, known as "Iron Foot Jack" on account of the metal leg brace he wore, and was frequented by both gay men and lesbian women. It was financed by small-time criminal Billy Reynolds.
The play chosen was The Countess Cathleen by W. B. Yeats. It was done by a very efficient London company that included Miss May Whitty (Dame May Webster) and Mr. Ben Webster. The next production given was Martyn's play The Heather Field. In the following year the Irish Literary Theatre produced at the Gaiety Theatre three plays: Maeve by Edward Martyn, The Last Feast of Fianna by Alice Milligan, and The Bending of the Bough by George Moore.Fay: The Fays of the Abbey Theatre. 1935. p.
He narrated a retelling of the great Irish Myths and Legends--scripted by Steven Byrne--over a six CD set in 2006. He also narrated the stories of Oscar Wilde in his distinctive voice for a series released on CD by the News of the World newspaper. Both were re-released as CD box sets in 2010. Ronnie Drew in 2004 On 22 August 2006, Drew was honoured in a ceremony where his hand prints were added to the "Walk of Fame" outside Dublin's Gaiety Theatre.
A contemporary illustration of Thespis from The Illustrated London News of 6 January 1872 In 1871, producer John Hollingshead brought Gilbert and Sullivan together to produce a Christmas entertainment, Thespis, at his Gaiety Theatre, a large West End house. The piece was an extravaganza in which the classical Greek gods, grown elderly, are temporarily replaced by a troupe of 19th-century actors and actresses, one of whom is the eponymous Thespis, the Greek father of the drama. Its mixture of political satire and grand opera parody mimicked Offenbach's Orpheus in the Underworld and La belle Hélène, which (in translation) then dominated the English musical stage.Tillett, Selwyn and Spencer, Roderic. "Forty Years of Thespis Scholarship", text of talk delivered at the Sir Arthur Sullivan Society Festival weekend, Cirencester, 21 September 2002.Jean-Bernard Piat: Guide du mélomane averti, Le Livre de Poche 8026, Paris 1992 Thespis opened on Boxing Day and ran for 63 performances. It outran five of its nine competitors for the 1871 holiday season, and its run was extended beyond the length of a normal run at the Gaiety,Walters, Michael. "Thespis: a reply", W. S. Gilbert Society Journal, Vol. 4, part 3, Issue 29.
He co-wrote the book for the musical play Miss Esmeralda (1887) to music by Meyer Lutz and first performed at the Gaiety Theatre in London.Miss Esmeralda - University of Bristol Theatre Collection - Theatricalia website His stage appearances include Bertie Fitz Bunnyon in As Large as Life (1890) at Terry's Theatre,Wearing, pg. 18 Remendado in Carmen up to Data (1890) at the Gaiety TheatreWearing, pg. 37 Tom Edge in Zephyr (1891) at the Avenue Theatre,Wearing, pg 56 touring in The Circus Girl (1897),The Circus Girl - Footlight Notes Widow Twankey in Aladdin at the Prince’s Theatre in Manchester (1900) with Ada Reeve and G. P. Huntley,Neville Cardus, Second Innings: Autobiographical Reminiscences (London: Collins, 1950), pp. 23-34 in the Comedy Oddity ‘Mashing the Misses’ (1904) at the Argyle Music Hall in Birkenhead,Argyle Theatre Collection - University of Sheffield Adolphus Dudd in The Girl Behind the Counter (1906),The Girl Behind the Counter - University of Kent Theatre Collection Valet in The Hon'ble Phil with Denise Orme and G. P. Huntley at the Hicks Theatre (1908),Denise Orme (1884-1960) - Stage Beauty website and Swaak in A Persian Princess (1909).
Other Gaiety stalwarts were Edward Terry, Kate Vaughan and Fred Leslie. The theatre's music director, Meyer Lutz, composed or arranged the music for many of its most successful burlesques. Illustration of Thespis, the first Gilbert and Sullivan work In 1870, Henry James Byron's Uncle Dick's Darling starred a young Henry Irving. This was the last play that theatre buff Charles Dickens saw before his death. Other pieces at Hollingshead's Gaiety in 1870 included Dot (Dion Boucicault's version of The Cricket on the Hearth); and The Princess of Trebizonde, based on the Jacques Offenbach operetta (1870). Thespis, the first collaboration between Gilbert and Sullivan, played at the theatre in 1871, with Farren as Mercury and J. L. Toole in the title role. Offenbach's Les deux aveugles played in 1872, starring Fred Sullivan. This was followed by such works as Shilly-Shally (1872) by Anthony Trollope and Charles Reade; Antony and Cleopatra (1873); and The Battle of Life, (based on Charles Dickens's Christmas story of that title). Two other Dion Boucicault plays produced by Hollingshead's company in the early 1870s were Night and Morning and Led Astray.
The election was set for 30 November 1881. At the beginning of September 1881, city councillors Taylor and Aaron Ayers were discussed in the media as likely candidates for the upcoming mayoral election. On 25 November, the incumbent James Gapes announced his candidacy for a third term as mayor, as he was not satisfied with the other two contenders for the position, city councillors Charles Taylor, and George Ruddenklau. Following a requisition, Gapes arranged a public meeting at short notice for Friday, 25 November at the Gaiety Theatre in Cathedral Square, which was well attended.
On 4 July in the evening the Dree priest traditionally inaugurates the Dree festival in their respected villages. Next day on the 5th July, Dree is officially solemnized and celebrated at common ground with traditional gaiety after it is inaugurated by a Chief Guest unfurling the Dree flag followed by Dree Anthem sung by group of artistes. Everybody present are served with Dree Taku (cucumber), Dree 'O' (rice or millet beer) followed by community feast. To add colour to the celebration the Pri-Dances, Daminda and other folk dances are displayed.
Redbook in 1913 The magazine was first published in May 1903 as The Red Book Illustrated by Stumer, Rosenthal and Eckstein, a firm of Chicago retail merchants. The name was changed to The Red Book Magazine shortly thereafter. Its first editor, from 1903 to 1906, was Trumbull White, who wrote that the name was appropriate because, "Red is the color of cheerfulness, of brightness, of gaiety." In its early years, the magazine published short fiction by well-known authors, including many women writers, along with photographs of popular actresses and other women of note.
Two of the songs were Irish novelties ("Clancy Lowered the Boom!" and "I Had a Hat (When I Came In)"). The other songs, Take Me Out to the Ball Game and In the Good Old Summertime, capitalized on the success of two MGM blockbuster films of the same names, starring Gene Kelly, Esther Williams, and Frank Sinatra ("Take Me Out to the Ballgame"); and Judy Garland and Van Johnson ("In the Good Old Summertime"). Dailey and The Andrews Sisters were an excellent match, and their vocal stylings were full of gaiety and fun.
Michael presented a weekly show on Saga FM every Sunday, playing songs from stage shows and classic records. When Saga FM was bought by Real Radio company GMG Radio, Michael decided not to move across to Smooth Radio. Michael also starred in several pantomimes with Jack Milroy and completed many runs at the Pavilion Theatre in Glasgow, the Gaiety Theatre, Ayr and the Edinburgh Kings in various productions and plays. Michael made a brief cameo in an episode of the BBC series VideoGaiden, playing himself in a speaking role.
Agriculture had never needed protection, but now demanded it from the lower prices of imported foodstuffs, such as Russian grain. French winegrowers strongly supported the tariff – their wines did not need it, but they insisted on a high tariff on the import of tea. One agrarian deputy explained: "Tea breaks down our national character by converting those who use it often into cold and stuffy Nordic types, while wine arouses in the soul that gentle gaiety that gives Frenchmen their amiable and witty national character." Gordon Wright, France in Modern Times (1995) p.
61, 65, 73–74. Frances and her husband refused to attend Lord Randolph and Jennie's wedding at the British Embassy in Paris, which took place on Frances's 52nd birthday. Like the rest of the 19th-century British aristocracy, the Marlboroughs regarded American women as "strange and abnormal creatures with habits and manners something between a Red Indian and a Gaiety Girl". When the newly-wed couple moved to their home in Curzon Street in London, however, Frances arrived to help Jennie pay her first visits to the leaders of London society.
Farren gained a large following among the theatre's mostly male audience. Farren created the role of Mercury in Gilbert and Sullivan's first collaboration, Thespis and created or played roles in works by Dion Boucicault, Anthony Trollope, Charles Dickens, William Congreve and Henry James Byron, among many others. In the 1880s, she created roles in the series of famous Gaiety burlesques with musical scores by Meyer Lutz, often written by Fred Leslie. Some of her most famous of these later roles were the title characters in Little Jack Sheppard and Ruy Blas and the Blasé Roué.
Nellie Farren Farren began her long tenure at the Gaiety Theatre in December 1868, at the re-opening of the theatre under new management by John Hollingshead, playing Sprightly in On the Cards and the title role in its companion piece, Robert the Devil, by W. S. Gilbert, a burlesque of the opera Robert le Diable. This ran until May 1869.Digital Guide to Gilbert & Sullivan Her husband, Robert Soutar, joined the theatre at the same time and served as an actor, stage manager and writer there.Stewart, Maurice.
Edna Loftus was born in London and grew up in Southwark. She first appeared at The Palace in a February 1906 revival of the musical comedy The Catch of the Season and as a female attendant in Madame Lingerie. She starred in the 1906 adaptation of The New Aladdin in the role of Madge Oliphant for the Gaiety Theater. While not a primary role, she was lauded by the theater publication The Tatler as being "a beauty", her photographs appearing in many of the publicity items for New Aladdin.
Cover of the first edition publication of Eithne (1910) Eithne, also known as Éan an Cheoil Bhinn (The Bird of Sweet Music), is considered by many critics to be the first full-scale opera written and performed in the Irish language. It was written by English/Irish composer Robert O'Dwyer. The work saw its first performance at the Round Room in Dublin's Rotunda during Oireachtas na Gaeilge, a festival of Irish culture, in 1909, conducted by the composer. It was performed again in May 1910 at the Gaiety Theatre, Dublin.
Bean's aim was to establish a fun park of a relative size that would "make adults feel like children again and inspire gaiety of a primarily innocent character". The first notable attraction of interest to open at Pleasure Beach was Sir Hiram Maxim's Captive Flying Machine, a rotary swing ride designed by the British inventor of the same name in 1904. A Mill Chute water ride followed in 1905, which opened under the name The River Caves of the World. Both of these rides are still operational today.
Her share of prize money is said to be considerable, respecting which she has been several times within the last few days at Somerset-place. In her manner she exhibits all the traits of a British tar, and takes her grog with her late mess-mates with the greatest gaiety. She says she is a married woman; and went to sea in consequence of a quarrel with her husband, who, it is said, has entered a caveat against her receiving her prize money. She declares her intention of again entering the service as a volunteer.
" The facade of the house (Façade architecturale), designed by Raymond Duchamp-Villon, was not very radical by modern standards; the lintels and pediments had prismatic shapes, but otherwise the facade resembled an ordinary house of the period. The rooms were furnished in a bourgeois, colorful, and rather traditional manner, particularly compared with the paintings. The critic Emile Sedeyn described Mare's work in the magazine Art et Décoration: "He does not embarrass himself with simplicity, for he multiplies flowers wherever they can be put. The effect he seeks is obviously one of picturesqueness and gaiety.
Rodrigo Rodrigues is a Brazilian filmmaker, actor, theatre director, theatrical producer, film producer, set and costume designer, and author based in London, United Kingdom. Rodrigues developed a facial expression technique for actors that was taught in workshops at the Gaiety School of Acting and was the basis for his book Facial Expression for the Actor. He created the Irish theatre group The Dublin Core and won the Irish Times Theatre Awards for best costume designer for the play The Trojan Women, which used costumes made from recycled materials.
In a long article in Le Figaro in July 1856, Offenbach traced the history of comic opera. He declared that the first work worthy to be called opéra-comique was Philidor's 1759 Blaise le savetier, and he described the gradual divergence of Italian and French notions of comic opera, with verve, imagination and gaiety from Italian composers, and cleverness, common sense, good taste and wit from the French composers. He concluded that comic opera had become too grand and inflated. His disquisition was a preliminary to the announcement of an open competition for aspiring composers.
Having reconnoitred the Turks' position, the previously erected barricade was shoved down and, side-by-side, Sasse and Shout ran forward. While Sasse fired his revolver and Shout lobbed bombs, the Australian party advanced in short stages along the trench and built a barricade each time they halted. Bean wrote that Shout fought with "splendid gaiety" throughout the assault, historian Stephen Snelling adding that Shout was "laughing and joking and cheering his men on". As the Australians progressed, the two officers located a suitable position to raise their final barricade.
A celebration of the construction of the Tower of Refuge was held on May 9, 1932. The celebrations included a visit to the Isle of Man by Sir Godfrey Baring, the then Chairman of the Royal National Lifeboat Institution who was a guest of the Lieutenant Governor of the Isle of Man, Sir Claude Hill. The celebrations also featured the Douglas Lifeboat and Rocket Brigade and culminated with an evening at the Gaiety Theatre. Isle of Man Steam Packet Company vessel RMS Mona aground on the Conister Rock.
An enthusiastic group of overseas attendees at the Tuesday night barbecue and party, as The Kingsmen play on stage in 1997 As one Linux Journal piece noted, "SCO Forum [is] famous for its fun, casual environment." UNIX Review mentioned Forum as being associated with "the usual Santa Cruzian gaiety". Indeed, the 'having a fun experience' aspect was something that the company's two founders, Larry Michels and Doug Michels, both emphasized. The environment and the dress code were both casual (although some vendor representatives did not always get the message at first).
George Thom, the Scots missionary and minister, wrote to Hooker in 1824, claiming that "the collectors from Prussia spend their time in sloth and gaiety in Cape Town, and are now sunk lower than any Colonist". After the termination of his contract, Mund drifted eastward, visiting Plettenberg Bay and Knysna and reaching Uitenhage. Later Mund took up the position of land surveyor at Plettenberg Bay, with Maire deciding to practise medicine in Graaff-Reinet. From his letters to William Hooker in 1827 and 1829, Mund continued to collect, though likely on a smaller scale.
Leatitia is a feminine given name, of latin origin meaning "joy, gladness". The name Leatitia has many variants, including but not limited to: Laetitia (Latin), Laeta (Latin), Letja (Dutch), Letizia (Italian), Leticia (Spanish), Letisya (Turkish) and Letisha (American). The name Leatitia first appeared in the form Lettice in medieval England and is derived from the Roman goddess Laetitia of gaiety, symbolic of happiness, prosperity and abundance. Leatitia is most commonly pronounced as Le-Tee-Sha, Le-Ti-Sha, Le-Tah, Le-Ti-Ci-A or Le-Ti-Zia.
A 1949 article in Radio Album magazine pointed out the similarity between author and character: "Knowing Rose Franken is having special insight into how Claudia got the way she is. ... People who should know claim that Miss Franken is Claudia." Franken's obituary in The New York Times described the Claudia works as follows: > Miss Franken's works displayed a steadfast conviction that marriage was a > compound of gaiety and disaster, in which the partners matured as the result > of shared experience. A woman, moreover, through fortitude understanding and > perspective, could make marriage a happy estate.
He walks into Gaiety to briefly say hi to his audiences... It's a pop-cultural experience all right, and fully worth it." Shubha Shetty-Saha of Mid Day rated it with two and a half stars saying, "The best thing about the movie, of course is Salman Khan. His fans will not be disappointed and yes, they will get to see him topless in the climax." Shalini Saksena of The Pioneer gave the film six out of ten saying, "Believe it or not but Salman Khan is on a roll.
Ming dynasty Beijing, in contrast with the later conservative Manchu Qing capital, was a city of gaiety and markets and fairs. Descriptions are given of Ming period fairs with literary men in pursuit of books, art objects and antiquities. Poetry is an integral part of the book and the authors portray a scholar in verse as finding nothing in his purse, but only able to twitch his own whiskers with his hopeful hand. Along with Ming period art that was treasured in its own day, there are descriptions of western paintings of Chris] for sale.
Mabel Philipson (née Russell; 2 January 1886 – 9 January 1951), known as Mrs Hilton Philipson when not on the stage, was a British actress and politician. Having starred in multiple plays in London, including a period as a Gaiety Girl, Philipson decided to leave acting to marry Hilton Philipson in 1917. Her husband stood for the National Liberal party in the 1922 general election and although he was successful, the result was declared void. Philipson ran for the Conservative party in the subsequent by-election in 1923, securing a larger majority than her husband did.
7 Macdonald writes: Grave in the Cimetière de Montmartre Lakmé was quickly taken up by opera houses across Europe, and productions followed in London (1885) and New York (1886); reviews of the American production were highly enthusiastic; those of the British production were less so, but in both cities it prospered at the box-office."Lakmé at the Gaiety", The Musical World, 13 June 1885, p. 364 "'Lakmé' in New York", The Orchestra Musical Review, 27 March 1886, p. 620 Delibes' last years were financially comfortable and socially secure.
Leonard Mudie Cheetham was born in Cheetham Hill, a suburb of Manchester, England, the son of Thomas Hurst Cheetham and Lucy Amy Mudie. He made his stage debut with Annie Horniman's company at the Gaiety Theatre, Manchester in 1908. He remained with the company for several seasons, in a wide range of roles including Humphrey in The Knight of the Burning Pestle, Verges in Much Ado About Nothing, Alan Jeffcoate in the première of Hindle Wakes, Joseph Surface in The School for Scandal, Gordon Jayne in The Second Mrs. Tanqueray and Walter How in Justice.
From 1894–96, at the Gaiety, he created the role of Mr. Hooley in another hit, The Shop Girl, and Drivelli in The Circus Girl. In between, he played Bob Acres in The Rivals by Richard Brinsley Sheridan in 1895. From 1898 to 1901, he played at the Comedy Theatre with Sir Charles Hawtry in Lord & Lady Algy, The Cuckoo, as Penny in An Interrupted Honeymoon, by F. Kinsey Peile, and in the long- running A Message from Mars, by Richard Ganthony, among other works. In 1902, he portrayed Dudley Mortimer in The Broken Melody.
11 but Neville Cardus in The Manchester Guardian thought her Yum-Yum, "not quite in the right key.... She sang rather finely but her song at the beginning of Act II does not ask for a full-blown concert method.""Theatre Royal", The Manchester Guardian, 17 March 1920, p. 7 Another critic of the same paper thought her voice "a little light" for Patience, but added that "she has gaiety and charm, and that is much."A. S. W., "A Patience Audience", The Manchester Guardian, 17 November 1920, p.
The Circus Girl is a musical comedy in two acts by James T. Tanner and Walter Apllant (Palings), with lyrics by Harry Greenbank and Adrian Ross, music by Ivan Caryll, and additional music by Lionel Monckton."The Circus Girl", The Guide to Musical Theatre, accessed October 23, 2012 The musical was produced at George Edwardes's Gaiety Theatre, beginning 5 December 1896, and ran for a very successful 497 performances. It starred Seymour Hicks as Dick Capel and his wife Ellaline Terriss as Dora Wemyss. Edmund Payne and Arthur Williams also appeared.
Quotation from translation > by A. G. Rigg available at . Benoît de Sainte-Maure's description in Le Roman de Troie (The Romance of Troy) is too long to quote in full, but influenced the descriptions that follow. Benoît goes into details of character and facial appearance avoided by other writers. He tells that Troilus was "the fairest of the youths of Troy" with: > fair hair, very charming and naturally shining, eyes bright and full of > gaiety... He was not insolent or haughty, but light of heart and gay and > amorous.
As literary editor, in fact if not in formal title, at the Guardian, Monkhouse helped to launch the career of James Agate by publishing his open letters from France during the First World War. Agate appears in Monkhouse's play Nothing Like Leather barely disguised as the theatre critic "Topaz". He began to write drama for the Gaiety Theatre, Manchester, shortly after it was opened by Annie Horniman, along with Stanley Houghton and Harold Brighouse, forming a school of realist dramatists independent of the London stage, who were known as the Manchester School.
Grace Palotta as Daisy The Messenger Boy is a musical comedy in two acts by James T. Tanner and Alfred Murray, lyrics by Adrian Ross and Percy Greenbank, with music by Ivan Caryll and Lionel Monckton, with additional numbers by Paul Rubens. The story concerned a rascally financier who tries to discredit a rival in love. After a tryout in Plymouth, it opened at the Gaiety Theatre in London, managed by George Edwardes, on 3 February 1900 and ran for a very successful 429 performances. Harry Grattan and Edmund Payne starred.
They were championed by Annie Horniman, owner of the Gaiety Theatre. Manchester is noted for its excellent theatres. Larger venues include the Manchester Opera House, Quay Street, a commercial theatre promoting large scale touring shows which often plays host to touring West End shows, the Palace Theatre, Oxford Street, and the Royal Exchange Theatre, a small producing theatre in Manchester's former Cotton Exchange. The Library Theatre was a small producing theatre situated in the basement of the city's Central Library, and the Lowry Centre is a large touring venue in Salford.
Next she toured in The New Barmaid in the role of Dora; in The Silver Lining; and as Sadie Pinkhose, the "other woman", in The Lady Detective. In 1899, she played Dandini in a version of Cinderella at the Grand Theatre, Fulham.The Times obituary, 26 April 1952, p. 8 In the new century, she starred in a series of hit musical comedies produced by George Edwardes. In 1900, she played Isabel Blythe in the touring production of The Messenger Boy. Edwardes's next show was The Toreador in 1901 at the Gaiety Theatre in London.
Venues used to host performances include Pigeon Point National Park ("Main Stage" & "Side Lawn"), Derek Walcott Square in central Castries ("Jazz on the Square"), The Great House, Fond D'or Heritage Park, Rudy John Beach Park, Vieux Fort Square, Balenbouche Estate, (the previous three events making up "Jazz in the South"), Soufrière Waterfront, La Place Carenage ("Teatime Jazz"), Duty Free Pointe Seraphine ("Jazz on the Pier"), Rodney Bay Beachfront ("Jazz on the Beach"), Mindoo Phillip Park, Royal St. Lucian Hotel,Fire Grill (Jazz on the Grill), Rodney Bay Marina and Gaiety on Rodney Bay.
Casson had always been interested in acting and had taken part in amateur productions in his youth. He continued to act semi-professionally until 1904, when he left his father's business to work as a professional actor. He joined the Royal Court Theatre under Harley Granville-Barker and remained there until 1908, when he joined a repertory company founded by Annie Horniman at the Gaiety Theatre in Manchester, the first repertory theatre in the country. On 22 December 1908, in Aylesford, Kent, he married Sybil Thorndike, who was another member of the company.
Townsend was born in Howth, County Dublin, the son of Lorna Hogan, an Irish model, and Peter Townsend, an English professional golfer. He attended the Gaiety School of Acting in Dublin where he made his non- professional stage debut in the school's 1993 production of Colin Teevan's Tear Up The Black Sail. His professional stage debut was in 1994's True Lines, directed by John Crowley. True Lines was first performed in Kilkenny; it later moved to the Dublin Theatre Festival and on to the Bush Theatre in London.
Born Alfreda Schoolcraft in New Orleans, Louisiana, into a family of actors and artists. She was reportedly the grandniece of President Zachary Taylor through her mother, Mathilda Schoolcraft. Her father, Henry R. Schoolcraft was an actor who appeared in shows in Mobile, Alabama, and at Crisp's Gaiety Theater in New Orleans and who despite his death in 1854, saw to it that his son Luke Schoolcraft and his daughters Jane and Alfreda all pursued careers in theater. She and Jane performed sketches as a pair in local variety theater.
The Era called him "most artistic" in the role."Gaiety Theatre" (Dublin, Ireland), The Era, 3 May 1884 In the first half of 1885, he toured as the Counsel to the Plaintiff in Trial by Jury and Sir Marmaduke Pointdextre in The Sorcerer, while also continuing to appear as Florian in Princess Ida. In July 1885, he toured Britain in the title role in The Mikado before being sent to New York to play the same role in the first authorised American production of that opera at the Fifth Avenue Theatre.
Lupino wrote and performed in several shows, including Phi-Phi (1922) and From Dover Street to Dixie (1923) at the London Pavilion. In 1926-'27 he appeared on Broadway in Naughty Riquette and The Nightingale, returning to England to play at the Gaiety Theatre in London, including Love Lies (1929), Hold My Hand (1932), and Sporting Love (1934), which ran for 302 performances. He also wrote and starred in So this is Love (1929) at Drury Lane and The Love Race. He also performed extensively for BBC Radio.
Pogson: Miss Horniman and the Gaiety Theatre Manchester. Rockliff Publishing Corporation Ltd (1952) It was the play in performance at the Royal Exchange Theatre during the 1996 Manchester bombing and the play with which the theatre reopened in December 1998 after almost two-and-a-half years of repair works following the bomb damage. Both productions were directed by Helena Kaut-Howson with Ewan Hooper as Mr Jeffcote, Sue Johnston as Mrs Jeffcote, Colin Prockter as Mr Hawthorn, Nicholas Gleaves as Alan Jeffcote and Sophie Stanton as Fanny Hawthorn. The production won a MEN Award.
Rooney was born Ninnian Joseph Yule Jr. in the Brooklyn borough of New York City on September 23, 1920, the only child of Nellie W. Carter and Joe Yule. His mother was an American former chorus girl and burlesque performer from Kansas City, Missouri, while his father was a Scottish vaudevillian who had emigrated to New York from Glasgow with his family at the age of three months. They lived in the Greenpoint neighborhood of Brooklyn. When Rooney was born, his parents were appearing together in a Brooklyn production of A Gaiety Girl.
For the first ten years, Moriarty danced in many of the ballets. From 1956 the Company performed with international guest artists – among them, at a special ballet recital of 1965, Sir Anton Dolin. From 1970-73 it had very successful appearances in Dublin, in 1971-73 performing with the Cork Symphony Orchestra for a week at the Gaiety Theatre to packed houses. In 1992 the Ballet Week was given in tribute to its founder, who had died in January of that year; the President of Ireland, Mary Robinson, attended the opening.
In 2009, Matthew Mitcham was the Chief of Parade of the Sydney Gay and Lesbian Mardi GrasMardi Gras gaiety lightens economic gloom after being declared the 2008 Australian Sports Performer of the Year. In February and March 2010, Mitcham appeared in the second season of Rexona Greatest Athlete Australia reality television series in which 8 of Australia's most popular sports athletes compete in 8 episodes in various challenges to win the "best athlete" award. He also announced taking part in the Cologne 2010 Gay Games in Germany. He was seen promoting the Games.
Edava's secular credentials are impeccable and sublime, with Hindus and Muslims living shoulder to shoulder without making any ripples in the placid social waters of this pristine coastal village. There is no wonder because the village is just a microcosm of a larger Kerala. Edavites, cutting across religious affiliations, are used to wake up to devotional songs from temples and call for prayers from mosques. Edavites, cutting across religious belief, enjoy major temple festivals in the village with all fervor and gaiety, without providing any room for nefarious communal elements to disturb this glorious tradition.
Gaiety Theatre C.N.R. Station Post Office Gravelbourg was settled in the early 1900s and was one of the French block settlements of the Gravelbourg-Lafleche-Meyronne area in southwestern Saskatchewan, In 1930 it became the cathedral city of the Roman Catholic diocese of Gravelbourg. Gravelbourg carries the name of its founder Abbé Louis-Pierre Gravel. Louis- Pierre Gravel was designated a Person of National Historic Significance in 1956. The inscription on the monument in Gravelbourg built in 1958 to honour him reads: Gravelbourg celebrated its centennial in 2006.
By early 1934 he had established himself in London, cast soon after arrival in the lead role of Lord Fancourt Babberley in a 1933 revival of Charley's Aunt at the Gaiety TheatreJ P Wearing, The London Stage 1930-39, 2nd ed. Lanham, Maryland: Rowman and Littlefield 2014, entry 33.387, p. 329"SYDNEY LETTER" Queensland Figaro (Brisbane, Qld : 1901 - 1936) Saturday 13 January 1934, Page 14. He appeared in supporting roles in several British B films before being offered a key role as Flavius in the 1935 Hollywood movie The Last Days of Pompeii.
As described in a film magazine, on a moonlit night many years prior to the story, John Carteret (Standing) and the beautiful Moonyeen (Talmadge) were to be married. The guests were assembled and the garden in which the wedding would take place presented a scene of gaiety, beautifully decorated and lit with many lanterns. Just prior to the ceremony, Jeremiah Wayne (Ford), desperately in love with Moonyeen, forces his way through the crowd and tries to stop the wedding. As John moved towards him, Jeremiah drew a pistol and leveled it at the bridegroom.
Two members left Sol Music Ensemble and Mehabadi invited two students of SOL Music Educational Institute (Houman Behzadi & Pouria Keshavarz) to join the Ensemble and to form a violin trio. They performed and recorded SOL’s 4th album (“Gaiety”) in 2000 (by Hamavaz Ahang publishing company). Gaiety's cover was designed by Hida Behzadi using the picture of a painting by Bahman Mehabadi. In these years, the Ensemble's public relations was voluntarily and actively done by Homa Sadr Arhami, a music lover who always devotedly supported SOL Music Ensemble with her activities.
The Simla Agreement treaty was signed in Shimla by Zulfiqar Ali Bhutto, the President of Pakistan, and Indira Gandhi, the Prime Minister of India. The agreement paved the way for diplomatic recognition of Bangladesh by Pakistan. Technically the document was signed at 0040 hours in the night of 3 July; despite this official documents are dated 2 July 1972. Pre-independence structures still dot Shimla; buildings such as the former Viceregal Lodge, Assembly Chamber, Auckland House, Christ Church, Gorton Castle, Shimla Town Hall and the Gaiety Theatre are reminders of British rule in India.
In June 1875 she performed in a promenade concert at the Theatre Royal, Dublin in honour of the American team taking part in an Irish–American International Rifle Match. Bessie was in a company organized by Richard D'Oyly Carte that started a tour of England and Ireland on 21 June 1875. Carte's company performed La Périchole, La fille de Madame Angot, and Trial by Jury, a Dramatic Cantata by Arthur Sullivan and W.S. Gilbert. After ten weeks in England, the company opened at the Gaiety Theatre, Dublin on 5 September 1875.
In October 1875 Bessie performed as an opera bouffe soprano, playing "Cesarine" in Charles Lecocq's Fleur-de-Thé. Emily Soldene recalled in her 1898 memoirs that D'Oyly Carte was producing this new comic opera at the Criterion Theatre. The actress playing "Caesarine" had to be replaced at the last minute, and Carte wired the Gaiety Theatre manager Michael Gunn to send Miss Sudlow from Dublin. She heard the music for the first time when she was on stage, and had to improvise where she had forgotten the words, but the reviewers were enthusiastic.
Gifford experienced the living conditions of the landless rural poor while lodging in labourers' cottages during this time. As a result, she became a supporter of the campaigns of the land agitator and nationalist MP Laurence Ginnell. She was also influenced by her sisters nationalism and feminism. With them, she became involved with the Irish Women's Franchise League, and got to know Countess Constance Markievicz. She got parts in stage plays, including ‘Eleanor's enterprise’ by George Birmingham in the Gaiety Theatre, a play produced by the countess's husband, Count Casimir Markievicz.
In 1931, the newly established Gate Theatre ran into financial difficulties and Lord (Edward) and Lady (Christine) Longford provided financial support. The Longfords worked with Edwards and MacLiammóir at the Gate until 1936, then a split developed and two separate companies were formed and played at the Gate for six months each. The companies also toured for six months until the death of Lord Longford in 1961. During this period Edwards and MacLiammóir (Gate Theatre Productions) ran shows in Dublin's Gaiety Theatre and toured productions to Europe, Egypt and North America.
Contemporary press caricature of D'Auban Frederick John D'Auban (1842 – 15 April 1922) was an English dancer, choreographer and actor of the Victorian and Edwardian eras. Famous during his lifetime as the ballet-master at the Theatre Royal, Drury Lane, he is best remembered as the choreographer of many of the Gilbert and Sullivan operas. After performing as a child with his family, D'Auban continued a career as a comic dancer in music hall and pantomime. He also served as dance master for the Alhambra Theatre, the Gaiety Theatre, London, and, for decades, Drury Lane.
The last of these, The Way of the World (1700) is the one Congreve work regularly revived on the modern stage. However, at the time of its creation, it was a relative failure and he wrote no further works for the theatre. With the accession to the throne of William of Orange, the whole ethos of Dublin Castle, including its attitude to the theatre, changed. A theatre at Smock Alley stayed in existence until the 1780s and new theatres, such as the Theatre Royal, Queens' Theatre, and The Gaiety Theatre opened during the 19th century.
Karobes Limited was a leading British supplier of car accessories in the 1950s–1970s. The company was based in Leamington Spa in central England. In the 1950s it was the major seller of seat covers in the UK and had the reputation of selling luxury goods: :"Those seat-covers for instance, bright tartans, contrasting Bedford cords, or leopardskin, they all play a part in bringing gaiety to modern motoring."Karobes advertisement in the magazine The Autocar, 25 October 1957 Karobes was listed as UK trademark 670281 (14 June 1948, till 1997).
Scene from As You Like It (1750) "The very air of the place", wrote Hazlitt about the Forest of Arden, "seems to breathe a spirit of philosophical poetry; to stir the thoughts, to touch the heart with pity, as the drowsy forest rustles to the sighing gale",Hazlitt 1818, p. 306. and the character who most embodies the philosophical spirit of the place is Jacques, who "is the only purely contemplative character in Shakespear." Among the lovers, Hazlitt particularly likes the character of Rosalind, "made up of sportive gaiety and natural tenderness".
Both participated in creation of the famous movie Moscow Does Not Believe in Tears which won an Academy Award for Best Foreign Language Film in 1980. From January 19–22, 2012, Tab Hunter and Joyce DeWitt performed the play at Judson Theatre Company in Pinehurst, North Carolina, directed by Daniel Haley. They performed it again in October 2012 at Arrow Rock Lyceum Theatre and in January 2013 at Sedona International Film Festival. From June 18–23, 2012, Jerry Hall and David Soul, directed by Michael Scott, performed at the Gaiety Theatre, Dublin.
In 1956, she moved to Aer Lingus where she first experienced acting alongside the Metro Players, an amateur group of players which included her colleagues. Brosnan Walsh designed costumes for The Secret Marriage produced by the Irish National Opera in 1976. She acted with Mobile Theatre and Team Theatre Company throughout the 1970s and 1980s, appearing on stage in The Puppeteer from Lodz (1986), The Year of the Hiker at the Gaiety (1990) and The Mother (1997). She was member of the Backlane Painters, with whom she exhibited and sold her work.
Hugh Clout, Agriculture in France on the Eve of the Railway Age (1980) on the 1830s. French winegrowers strongly supported the tariff – their wines did not need it, but they insisted on a high tariff on the import of tea. One agrarian deputy explained: "Tea breaks down our national character by converting those who use it often into cold and stuffy Nordic types, while wine arouses in the soul that gentle gaiety that gives Frenchmen their amiable and witty national character." Gordon Wright, France in Modern Times (1995) p.
Aylwin was born in Hawick and was educated at George Watsons College, Edinburgh.Gillan, Don. Jean Aylwin at the Stage Beauty website, accessed 13 December 2012 She began her professional stage career in 1904 with a touring company playing character roles in smaller towns in the British provinces in such melodramas as The Red Coat and No Cross, No Crown. She later toured with a company managed by George Dance as a shop assistant in the Edwardian musical comedy The Girl from Kays, and next was engaged at the Gaiety Theatre, in the chorus.
The British musical comedy Florodora (1899) was a popular success on both sides of the Atlantic, as was A Chinese Honeymoon (1901), which ran for a record-setting 1,074 performances in London and 376 in New York. After the turn of the 20th century, Seymour Hicks joined forces with Edwardes and American producer Charles Frohman to create another decade of popular shows. Other enduring Edwardian musical comedy hits included The Arcadians (1909) and The Quaker Girl (1910).See, generally, Index to The Gaiety, a British musical theatre publication about Victorian and Edwardian musical theatre.
In 2012, Andrews joined Pauline McLynn and Deirdre O'Kane in the Gaiety Theatre production of Fiona Looney's play, Greener. In 2013, he starred alongside Seána Kerslake in the Irish touring production of The Bruising of Clouds. In 2016, Andrews played, Irish poet and writer, Brendan Behan, in the Jim and Peter Sheridan production of Meet the Quare Fellow starring alongside Gary Cooke. Andrews has been a mainstay in the Irish Christmas pantomime scene since 2004, having appeared in the Olympia Theatre annual panto every single year since his debut.
It was then that Theodore realized who he had lost: :Little Pipö was not only my last family link to the past. She was also the organizer of the day-to-day details of my life, the sharer of my innermost feelings. She knew with an uncanny instinct when to keep me free from interruption when I was immersed in scientific work, and when to open the gate to entertainment and gaiety. I never realized until she was gone how close we were to each other and how much I depended on her.
The Giyaras of Kati Before the independence of Pakistan in 1947, on this day people in Sindh used to be engaged in giving charity. The whole bazaar would be full with hundreds of beggars and the needy, who would spread a cloth before them, on which people, according to their might, would throw money, Bhugra, fruits etc. The jugglers used to arrange their Tamashas on the road with monkeys and bears dancing on the tunes played by the jugglers. An atmosphere of gaiety and gay prevailed all through the day. 16\.
The New York City Landmarks Preservation Commission later described the facade of number 7 as being "full of gaiety and frivolous vitality" and further, "on approaching the house, Paris and the Champs-Élysées immediately come to mind." In 1920, Codman left New York to return to France, where he spent the last thirty-one years of his life at the Château de Grégy, wintering at Villa Leopolda in Villefranche-sur-Mer, which he created by assembling a number of vernacular structures and their sites: it is his masterpiece, the fullest surviving expression of his esthetic.
Edgar Degas painted the scene of the Nuns' ballet twice. The earlier version (1871) is in the Metropolitan Museum of Art, New York. In 1876 Degas painted a larger version for the singer Jean-Baptiste Faure (who had sung the part of Bertram); this version is in the Victoria and Albert Museum, London.'The Ballet from Robert le Diable ', Metropolitan Museum of Art website, accessed 16 April 2012 The work's popularity spawned many parodies and pastiches including one by W. S. Gilbert, Robert the Devil, which opened at the Gaiety Theatre, London in 1868.
His gaiety and licentiousness are imitated and exaggerated by his somewhat later contemporary, the Epicurean Philodemus, and his fancy reappears in Philodemus's contemporary, Zonas, in Crinagoras of Mytilene, who wrote under Augustus, and in Marcus Argentarius, of uncertain date. At a later period of the empire another genre, was developed, the satirical. Lucillus of Tarrha, who flourished under Nero, and Lucian, display a talent for shrewd, caustic epigram. The same style obtains with Palladas, an Alexandrian grammarian of the 4th century, the last of the strictly classical epigrammatists.
In November 1927, his piano styles accompanied the Hamilton Sisters and Fordyce, American Vaudeville vocal harmonizer's who first recorded records in England. On 1 October 1929, Billy Mayerl's orchestra performed at the opening of the Locarno Dance Hall in Streatham. In the 1930s Mayerl composed several works for the musical theatre including three connected with horse racing, Sporting Love, opening at the Gaiety Theatre, London in 1934, Twenty to One (Coliseum 1935), and Over She Goes (Saville 1936). In 1938, jazz pianist Marian McPartland joined his group "Mayerl's Claviers" under the name Marian Page.
Theatre staff - owners, management and other employees (such as projectionists, organ or piano players, ticket sellers and ushers) - generally lived in the district, and the theatre offered a local community focus and sense of local identity. Competition for audiences was strong. The Triumph's closest contemporary competitors were the Broadway at the Woolloongabba Fiveways; the Mowbray Park Picture Theatre on Shafston Road; the Alhambra at Stones Corner; the Roxy (Gaiety) at Coorparoo; and the Norman Park Picture Theatre near the Norman Park railway station. Of these, only the Triumph survives.
He had a brief cameo in the 2004 movie version of Starsky & Hutch, alongside original co-star Paul Michael Glaser. In August 2008, Soul appeared in the reality TV talent show-themed television series Maestro on BBC Two. He appeared with Fred Ward and Willem Dafoe in the film Farewell directed by Christian Carion, which received its U.S. release in 2010. In June 2012, Soul made a one-week appearance with Jerry Hall at the Gaiety Theatre, Dublin in a reprise of the Pulitzer Prize-nominated play by A.R. Gurney, Love Letters.
Walter S. Gibson, Pieter Bruegel and the Art of Laughter, University of California Press, 2006, p. 25-26 Peeter Baltens' style is characterised by clearly and energetically defined forms. His palette, showing a preference for bright red, which made the figures stand out from the background, was audacious in its time. These bright colors emphasized the exuberant gaiety of the villagers' merrymaking. His most famous composition is the St Martin’s Day Kermis of which there are two versions, one in the Rijksmuseum and the other in the Royal Museum of Fine Arts Antwerp.
60, The History Press Ltd (2011) The next year he joined the company of the newly opened Queen's Theatre, where he acted with Charles Wyndham, J. L. Toole, Lionel Brough, John Clayton, Mr. and Mrs. Alfred Wigan, Ellen Terry and Nellie Farren. This was followed by short engagements at the Haymarket Theatre, Drury Lane, and the Gaiety Theatre. Finally he made his first conspicuous success as Digby Grant in James Albery's Two Roses, which was produced at the Vaudeville Theatre on 4 June 1870 and ran for a very successful 300 nights.
The Apocalypse Bear Trilogy played at the Melbourne Theatre Company as part of the Melbourne International Arts Festival in 2009. Katz adapted stories from the bible for The Mysteries: Genesis at Sydney Theatre Company in 2008. When the Hunter Returns was commissioned and produced by The Gaiety School of Acting in Ireland and had a return season at the Dublin Theatre Festival. Her play Goodbye Vaudeville Charle Mudd premiered at Malthouse Theatre (co-produced by Arena Theatre) and won the Victorian Premier’s Literary Award for drama in 2009.
After World War II, he left the army and returned to his hometown of Scarborough, North Yorkshire, where he was given shares in the failing Aberdeen Walk Picture House when his father, a solicitor, was able to arrange for a client to grant a mortgage for it. He renamed the cinema "The Gaiety" and turned it around financially. He built the business into Pentland Hick Cinemas,Bradford - Low Moor and Wyke Cinema History, Colin Sutton, 2004. Accessed 18 December 2007 a chain of seven cinemas including the Wyke Star.
Celebration dinner menu for Metropolitan Railway extension to Chesham 15th May 1889 by Spiers & Pond Ltd. Although he lived at Herne Hill, Pond died in Margate on 30 July 1881. He is buried in West Norwood Cemetery where his elaborate mausoleum is listed as Grade II. Spiers and Pond's business continued successfully until 1957, owning a dozen restaurants including the Gaiety Theatre Restaurant in The Strand, the Grand Hotel, Brighton, catering at the Regents Park Zoo and the Theatre Royal, Drury Lane and a monthly mail order catering catalogue.
But everything he has written is a poem in the best as well > as in the broadest sense of the word. Following the introduction is a preface written by Nin in 1934, which begins as follows: > Here is a book which, if such a thing were possible, might restore our > appetite for the fundamental realities. The predominant note will seem one > of bitterness, and bitterness there is, to the full. But there is also a > wild extravagance, a mad gaiety, a verve, a gusto, at times almost a > delirium.
In 1982, the theatre was demolished, along with the Morosco,Lawson, Carol (9 June 1982). Fallen Facade Revives Theater Razing Dispute, The New York Times Bijou, Gaiety and Astor Theatres, to make way for the Marriott Marquis Hotel, which now houses the Marquis Theatre. Parts of the Helen Hayes Theatre were salvaged before the theatre's demolition and were used to build the Shakespeare Center, home of the Riverside Shakespeare Company on the Upper West Side, which was dedicated by Miss Hayes and Joseph Papp in September 1982.O'Haire, Patricia (September 13, 1982).
In Camp."Sidney Jones" at the British Musical Theatre site (2004) In 1886, actress/producer Kate Santley engaged Jones as musical director for the tour of her musical Vetah. Jones then worked for Henry Leslie for nearly four years as conductor of tours of Alfred Cellier's comic opera hit Dorothy (starring Lucy Carr Shaw, sister to George Bernard Shaw), Doris and The Red Hussar. He was then music director for a tour of the Gaiety Theatre piece Little Jack Sheppard under the management of comedian J. J. Dallas.
After that, George Edwardes hired him as musical director for the Gaiety Theatre's 1891 tour of America and Australia, conducting the burlesques Ruy Blas and the Blasé Roué and Cinder-Ellen Up-too- Late. He briefly returned to conducting in the British provinces, but in 1892, after nine years of touring, Edwardes hired Jones to conduct the musical In Town at the Prince of Wales Theatre on London's West End. He next was musical director for another West End musical, Morocco Bound (1893), and for the London production of The Gay Parisienne (1896).
Renowned for his lavish spending and flamboyant lifestyle, he converted the family chapel inside the house into a performance space called the Gaiety Theatre. Plays were put on regularly, with "the Dancing Marquess" often taking the lead role himself. The 5th Marquess's extravagant spending drained the family fortune, and after his death in 1905, 6th Marquess began to sell off assets to help restore the solvency of the family. The family also sold off their main home at Beaudesert and their London house, and moved into Plas Newydd permanently.
Mary Moore was born in London on 3 July 1861, the daughter of a Parliamentary agent, Charles Moore; she was educated at Warwick Hall, Maida Vale.Parker, pp. 591–592 She made her stage debut at the Gaiety Theatre, London, under the management of John Hollingshead, but soon retired into private life on her marriage in 1878 to the playwright James Albery. They had three sons, born between 1879 and 1882: the eldest and youngest, Irving and Wyndham, went into politics; the middle son, Bronson, became a theatre manager.
Breed associations pay close attention to the quality of the hooves and legs, as well as the general movement. Their gaits are active, with clearly lifted hooves and a general impression of power and quality. Clydesdales are energetic, with a manner described by the Clydesdale Horse Society as a "gaiety of carriage and outlook". Clydesdales have been identified to be at risk for chronic progressive lymphedema, a disease with clinical signs that include progressive swelling, hyperkeratosis, and fibrosis of distal limbs that is similar to chronic lymphedema in humans.
Following the success of I Do Not Like Thee, Doctor Fell, the Abbey Theatre commissioned a new play from Farrell. The result was Canaries which premiered at the Abbey for the 1980s Dublin Theatre Festival, was an immediate success and won Farrell The Rooney Prize for Irish Literature.Evening Press 28 November 1980 This continued success allowed him to resign his clerical job at Sealink Shipping Company to devote himself to the theatre. Canaries has remained popular in Ireland and, in 1992, enjoyed a major revival at Dublin's Gaiety Theatre.
Hatch signed Bowie to the label based on two demos (this song and "Now You've Met The London Boys", as it was originally titled) proffered by Bowie's (then) manager Ralph Horton. The single and B-side were both recorded in the basement of Pye's offices in Great Cumberland Place (near Marble Arch, Central London) on 10 December 1965. Hatch also played piano on the single and provided backing vocals along with the rest of the group. The single was "promo launched" by Pye on 6 January 1966 at The Gaiety Bar, Bayswater.
He has photographed a carnival - freak show, girly show, grifters and geeks -with a sense of style. The carnival is a small vision of middle-America gone sour, reveling in mean gaiety, and it is not bad while it lasts. Then the monster comes in and drools." Varietys review of the film was similarly mixed: "For all the elegance of photography, [the] pic has nothing in particular up its sleeves, and devotees of director Tobe Hooper’s The Texas Chain Saw Massacre will be particularly disappointed with the almost total lack of shocks and mayhem.
In 1868, Hollingshead took over the Gaiety Theatre, which had been a large music hall. The auditorium was rebuilt and, under Hollingshead, it became a venue primarily for musical burlesque, variety, continental operetta, including several operettas by Jacques Offenbach, and light comedy, under Hollingshead's management, from 1868 to 1886. The theatre opened on 21 December 1868, with the successful Robert the Devil, by W. S. Gilbert, a burlesque of the opera Robert le Diable.Digital Guide to Gilbert & Sullivan accessed 1 March 2007 Gilbert also wrote An Old Score for the theatre in 1869.
Boucicault's Don Caesar de Bazan was travestied in Byron's Little Don Caesar de Bazan.Includes a profile of the Gaiety and other Victorian theatres Sheet music from Monte Cristo, Jr. In the late 1870s, the theatre became the first to install electric lighting on its auditorium. Hollingshead's productions there included The Bohemian G-yurl and the Unapproachable Pole (1877), Byron's farce Little Doctor Faust (1878)Information from Footlight Notes website Byron's Handsome Hernani, or The Fatal Penny-Whistle (1879);Information and images regarding Handsome Hernani, or The Fatal Penny-Whistle and Robbing Roy (1879).
That same year, he appeared in the Rough Magic Theatre Company's productions of A Midsummer Night's Dream and A Portrait of the Artist as a Young Man for the Kilkenny Arts Festival and the Dublin Theatre Festival, respectively. Mescal also appeared in a commercial for Denny sausages. Two years later, he starred in a production of The Lieutenant of Inishmore at the Gaiety Theatre. Mescal starred in his first television role alongside Daisy Edgar-Jones in the drama series Normal People, an adaptation of the 2018 novel of the same name by Sally Rooney.
216 At the Grecian Theatre, London in 1879 he came to public notice in The Black Flag playing the comic role of Sim Lazarus in an otherwise serious drama."The London Theatres", The Era, 17 August 1879, p. 5 Having come to the attention of West End managers, he obtained engagements at the Alhambra and the Gaiety theatres, appearing in Arthur Matthison's burlesque melodrama More Than Ever in November 1882. The following March he appeared as Tête de Veau in Blue Beard by F. C. Burnand, with Nellie Farren and Frank Wyatt.
William Luscombe Searelle (1853 - 18 December 1907) was a musical composer and impresario. He was born in Devon, England, and brought up in New Zealand, where he attended Christ's College, Christchurch. Searelle began working as a pianist in Christchurch and graduated to conductor. He sang, wrote, directed, composed and conducted: at the age of twenty-two his comic opera The Wreck of the Pinafore was produced at the Gaiety Theatre in London. The comic opera Estrella, written with Walter Parke, became a smash hit in Australia in 1884.
She appeared in Heart's Delight in 1873–1874, and Led Astray at the Gaiety Theatre in 1874. After touring outside London, she returned to star in Around the World in Eighty Days and Heartsease, both at the Princess's Theatre, London. In 1876, Barry starred in L'Étrangère and, later, True Till Death. Helen Barry continued to perform in the theatre after her second marriage. Less than two years after his marriage to Barry, the London Gazette of 11 April 1879 indicated that Alexander Rolls of 82 Regent's Park Road, Middlesex County, had declared bankruptcy.
Lamb (2001) Like The Merry Widow, Der Graf von Luxemburg deals with the themes of how the promise of wealth affects love and marriage, and the contrast between the gaiety of Parisian society and Slavic seriousness.Eckstein (2006) The libretto was written by Alfred Maria Willner, Robert Bodanzky and Leo Stein. Stein had previously worked with Lehár on his 1904 Der Göttergatte, and Bodanzky had co-authored the librettos for both Peter und Paul reisen ins Schlaraffenland and Mitislaw der Moderne. The libretto for Der Graf von Luxemburg was not completely new.
Nicholls was a popular songwriter and author; he collaborated with William Lestocq to write a three-act comedy, Jane, that first played at the Comedy Theatre, London, in 1890."The World of the Theatre", The London Illustrated News, 6 November 1920, p. 734 It starred Charles Hawtrey, Henry Kemble, Lottie Venne and Charles Brookfield."Jane: A Face in Three Acts", Archive.org; accessed 14 August 2016 He later achieved great success at the Gaiety Theatre with the Edwardian musical comedies A Runaway Girl (1898)"Obituary: Noted Comedian", Aberdeen Press and Journal, 30 November 1926, p.
John E. Housman observed that "There is much of Chaucer's indomitable gaiety in this ballad. The questions of the jealous husband and the evasions of his wife are treated here in a humorous vein". A version of the song called "Seven Drunken Nights"Roud Folksong Index was a hit single for Irish folk group The Dubliners in 1967, reaching No. 7 on the UK Singles Chart. A Danish version of the song featured in the historical drama series 1864, where it was sung by soldiers before a battle.
A History of The Musical – After G & S; The Gaiety Musicals, The Cyber Encyclopedia of Musical Theatre, TV and Film (2003) Like Thomas German Reed and W. S. Gilbert before him, Edwardes wanted to produce musical plays that were more respectable (and would attract a more affluent, polite crowd) than risqué burlesque. But Edwardes sought pieces that integrated spoken dialogue and music in a lighter, less satiric way than Gilbert and Sullivan had, using topical songs, fashionable costumes and sassy byplay between the characters.Traubner, Richard. Operetta: A Theatrical History, pp.
The Charm on ManxLiterature.com (accessed January 2017) Under Sophia Morrion's direction, they took on the name of The Peel Players ahead of their repeat performances.'Fixtures', Mona's Herald 13 November 1912 After a performance in Ramsey,(Untitled article) Peel City Guardian 7 December 1912 the plays were produced at the Gaiety Theatre in Douglas in January 1913 - a performance referred to as 'a complete success.'(Untitled article) Peel City Guardian 1 February 1913 This performance had the distinction of attracting the Lieutenant Governor of the Isle of Man, Lord Raglan, to attend.
Theatre Royal, Hawkins Street The fourth Theatre Royal opened on 13 December 1897 by the actor-manager Frederick Mouillot with the assistance of a group of Dublin businessmen. The theatre was designed by Frank Matcham and built on the site of the Leinster Hall theatre, which in turn had been built on the site of the third Theatre Royal. It had seating for an audience of 2,011 people. This new theatre found itself in competition with the Gaiety Theatre, which prompted Mouillot to try to attract as many big name stars and companies as possible.
250px With the advent of Edwardian musical comedy, Venne appeared in George Edwardes hits as Lady Virginia Forrest in The Gaiety Girl (1893), as Madame Amelia in An Artist's Model (1895) and as Lady St. Mallory in Three Little Maids (1902). In 1894, she was in Burnand's A Gay Widow with Hawtrey and Eva Moore. After An Artist's Model, she toured in the companies of Lewis Waller and Lillie Langtry. She returned to London in 1896 and resumed playing a constant schedule of new roles, including Lady Barker in The Mermaids at the Garrick Theatre.
Gaîté Parisienne (literally, "Parisian Gaiety") is a ballet choreographed by Léonide Massine to music by Jacques Offenbach orchestrated by Manuel Rosenthal in collaboration with Jacques Brindejonc-Offenbach, the composer's nephew.Vicente García-Marques, Massine: A Biography (New York,: Knopf, 1995), pp. 254–55. With a libretto and décor by Comte Étienne de Beaumont and costumes executed by Barbara Karinska, it was first presented by the Ballet Russe de Monte-Carlo at the Théâtre de Monte Carlo on 5 April 1938.Jack Anderson, The One and Only: The Ballet Russe de Monte Carlo (New York: Dance Horizons, 1981), p. 281.
4 Other English adaptations (including a second one by Burnand) were given at the Gaiety Theatre (1871),Gaye, p. 1359 the Alhambra Theatre (1873) and the Royalty Theatre (1878). The first New York production of the opera was given in German at the Stadt Theater, New York, in December 1867; the original French version followed, at the Théâtre Français (March 1868) and an English adaptation by Molyneux St John as Paris and Helen, or The Greek Elopement at the New York Theatre (April 1868). There were further US productions in 1871 (in French) and 1899 (in English), with Lillian Russell as Helen.
Here he was really able to expand, you can feel it in the > music." Richard Traubner, writing in Opera News, disagrees: "Ivanhoe ... reflects the ballad-rich British grand operas Sullivan grew up with, by Balfe (The Bohemian Girl) or Wallace (Maritana). The skill and flair Sullivan exhibits in the Savoy operettas in humor, gaiety and superb word-setting are barely required in Ivanhoe. It sounds instead like an extension of the hoary oratorio form popular in Victorian Britain ... with its plethora of hymn-like numbers interspersed with ballads of no particular interest and some strong ensembles.
" Anger was not a Clarke character trait. Toward the end of his life, Professor Clarke was described as "about five feet five inches in height, one hundred and ten pounds in weight, with pale blue eyes, little hair and most of that under his ears, chewing his finger nails and apparently absorbed in thought, though really most alert." His voice delivered in ". . . a low tone with a well-modulated and quite agreeable voice, using very well-chosen language, talking good sense, but with a mild undertone of gaiety, and you find him bright and entertaining and then you find him clever . . . .
With his brother's encouragement, he attended the Gaiety School of Acting, dropping out when he was cast as Danny Byrne on Ballykissangel, a BBC drama about a young English priest who becomes part of an Irish rural community. As an 18-year-old travelling in Sydney, he was at one time suspected for attempted murder. The police sketch looked remarkably like him and he had even described blacking out during the night in question. His only alibi was apparently a journal kept by his friend that explained the two had been across town that night, taking MDMA.
Although this was the first complete Berry book since 1922, the characters had had cameo roles in other Yates stories since, and there was a complete Berry story called "Letters Patent" in The Windsor Magazine in January 1929 which subsequently appeared in the book Maiden Stakes. The Best of Berry (Dents Classic Thrillers 1989) introduction by Jack Adrian In contrast with the gaiety of the writing, Mercer was at this time at a miserable period in his personal life, his first marriage to Bettine having failed by the time of publication in 1931; and by 1933 the couple were divorced.
By 1889, Walter was apprenticed with a notable Merseyside architect, when his father's Gaiety Theatre engaged the 25-year-old Tilly Ball as principal boy in pantomime that Christmas. Known professionally as Vesta Tilley (the 'Matchless' little Tilly), as the daughter of the former chairman of the St. George's Hall in Nottingham, Harry Ball, she had been on the stage since the age of four. By 1889 she was well known on the tour circuit as a male impersonator. Walter fell for Tilly, and against romantic competition that included Sir Oswald Stoll, managed to take Tilly to a dance and secure a kiss.
Once, she was seriously ill before a performance of L'Etrangére at the Gaiety Theater in London, and the doctor gave her a dose of painkiller, either opium or morphine. During the performance, she went on stage, but could not remember what she was supposed to say. She turned to another actress, and announced, "If I made you come here, Madame, it is because I wanted to instruct you in what I want done... I have thought about it, and I do not want to tell you today", then walked offstage. The other actors, astonished, quickly improvised an ending to the scene.
In 1997, Rodrigues opened Espaço Cultural Porão, a cultural college of art space containing four floors with available rooms to create and experiment with various art forms. In 2002, Rodrigues taught one of his own acting techniques, Facial Expressions For Actors, to the students at the Gaiety School of Acting, which included Aidan Turner from The Hobbit. Rodrigues created, managed and taught the theatre group The Dublin Core, an Irish Times Theatre Awards winning Theatre Group. Rodrigues teaches film making workshops every year at Rodrigo Rodrigues Studios in Paraty, Brazil, which includes acting, sets, props and costume making.
An American newspaper reported that the mood in the city was one of gaiety, with shouts of "Nelson has lost his last battle!" Some accounts relate that the Irish president, Éamon de Valera, phoned The Irish Press to suggest the headline: "British Admiral Leaves Dublin By Air"—according to the senator and presidential candidate David Norris, "the only recorded instance of humour in that lugubrious figure". Lettering from Nelson's Pillar in the Butler House Walled Garden in 2009 The Pillar's fate was sealed when Dublin Corporation issued a "dangerous building" notice. The trustees agreed that the stump should be removed.
In Kuala Lumpur, Thaipusam has become an almost national seat for Poosam celebrations. The venue of the Kuala Lumpur celebrations is a picturesque shrine right inside a cave that lies many feet above the ground, and can only be approached by a steep climb. This place, known as Batu Caves, is about eight miles from the city, and a chariot procession carrying the image of the deity to and from the place adds to the color and gaiety of the festival. Crowds from all over the country throng to the cave, including people of all classes and groups.
There Cecil started a successful association with the German Reed Entertainments, appearing in numerous comedies, farces, operettas and burlesques, such as Beggar My Neighbour: A Blind Man's Bouffe and Charity Begins at Home in 1872. He remained with the company for five years. Cecil appeared at many London theatres during his career including the Globe, the Gaiety, and Prince of Wales's Theatre. He appeared in such successful pieces as Peril as Sir Woodbine Grafton, Duty, The Vicarage, as Noel Haygarth and Caste by T. W. Robertson with the Bancrofts also in the cast, all in 1879, and later in other Robertson pieces.
The closure was met with considerable opposition and dismay among many Ayr residents, particularly since it appeared that the required capital and revenue investment to reopen the theatre would not be available. A public meeting attracted over 400 attendees, the future of the theatre was a key issue in the local press, many Scottish performers expressed their dismay and there was extensive discussion on social media. In early 2009 South Ayrshire Council invited tenders to take on the theatre management. The Ayr Gaiety Partnership (AGP), a charity formed for the purpose in Summer 2009, secured preferred bidder status.
In 1894, Hicks joined his wife in the successful "Fairy pantomime", Cinderella, produced by Henry Irving with music by Oscar Barrett, where she had been playing the title role. He played Thisbe, one of Cinderella's half-sisters who, in this version, were "Girton College girls who can jabber Greek and Latin, read French, play golf, and indulge in manly exercises. Thisbe has an affectation for intellectuality – Ibsen, Spooks, and the new humor." Edwardes gave Hicks the chance to star in his next show, The Shop Girl (1894), which became a hit at the Gaiety in 1894, playing for 546 performances.
IBDB Preston Sturges The film was previewed in Los Angeles on 17 June 1933, and after objections from the Hays Office about the sexual nature of the relationship between a stepmother (Eve Borden) and her stepson (Tom Garner Jr.), some re-editing was done. When this did not satisfy the censors, reshooting and more extensive re-editing was done to alleviate their concerns. The film was premiered in New York City on 16 August 1933 at the Gaiety Theatre, and was generally released on 6 October of that year. Fox coined the word "narratage" to describe the non-chronological narration of the story.
As Pierrot in Our Miss Gibbs After she returned to London, from New York, some of Millar's biggest successes were still in front of her. They included the title role of the hit Gaiety musical, Our Miss Gibbs (1909), with Millar introducing the songs "Moonstruck", "Yorkshire", and "Our farm", all written for her by Monckton. Monckton and Millar then moved to Edwardes' newest theatre, the Adelphi, where she played the title role, Prudence Pym, in another international hit, The Quaker Girl (1910). In this, she popularised the songs "The Quaker Girl", "The Little Grey Bonnet", and "Tony from America".
The cast of Our Miss Gibbs Gertie Millar as Mary Gibbs dressed as Pierrot Our Miss Gibbs is an Edwardian musical comedy in two acts by 'Cryptos' and James T. Tanner, with lyrics by Adrian Ross and Percy Greenbank, music by Ivan Caryll and Lionel Monckton. Produced by George Edwardes, it opened at the Gaiety Theatre in London on 23 January 1909 and ran for an extremely successful 636 performances. It starred Gertie Millar, Edmund Payne and George Grossmith, Jr. The young Gladys Cooper played the small role of Lady Connie. The show also had a short Broadway run in 1910.
Our country badly needs today a good bath in the sunshine of gaiety and humour – if not for our happiness, for our mental health." Banga Bhasha banam Babu Bangla orfe Sadhu Bhasha (Bengali Language vis a vis Traditional Bengali) and Sadhu Bhasha banam Chalit Bhasha (Book Language versus Colloquial Language) were two articles published in Bharati in 1912. According to Arun Kumar Mukhopadhyay, "He injected vitality into Bengali prose – a force imbedded in this very nature of spoken language. This resulted from his realization that a language is far removed from the way people speak it, loses the throb of life.
In Almond > Tree in Blossom, Vincent used the light, broken strokes of impressionism and > the dabs of colour of divisionism for a sparkling surface effect. The > distinctive contours of the tree and its position in the foreground recall > the formal qualities of Japanese prints." The southern region and the flowering trees seems to have awakened Van Gogh from his doldrums into a state of clear direction, hyper-activity and good cheer. He wrote, "I am up to my ears in work for the trees are in blossom and I want to paint a Provençal orchard of astonishing gaiety.
His first opera, created in collaboration with director Guy Cassiers was The Woman Who Walked into Doors, after the novel of the same name by Roddy Doyle. It premiered in November 2001 at in Ghent, before a very successful tour of Belgium, the Netherlands, Luxembourg, and the Festival d'Automne in Paris, the Musica festival in Strasbourg and the Ruhrtriennale in Germany. In October 2003, there were three performances in Dublin (the setting of the novel), at the Gaiety Theatre. Defoort split the orchestration between his own Dreamtime jazz ensemble and the classical Beethoven Academy (the Prometheus Ensemble in later performances).
The club opened on 14 July 1934. It advertised itself as "London's Greatest Bohemian Rendezvous said to be the most unconventional spot in town" - a code phrase for being gay- friendly - and promised "All night gaiety" and "Dancing to Charlie". The Caravan Club was run by Jack Neave (or Neaves) (aged 48) of Robert Street, London NW,"Crown Jeer at Court Entrance", The Daily Express, 29 August 1934, p. 7. known as "Iron Foot Jack" as he wore a metal device on his boot to lengthen his right leg, and was frequented by both gay men and lesbian women.
The others were The Merry Zingara; or, the Tipsy Gipsy and the Pipsy Wipsy (Royalty Theatre, 1868), a burlesque of Balfe's The Bohemian Girl and The Pretty Druidess; or, the Mother, the Maid, and the Mistletoe Bough (Charing Cross Theatre, 1869), a burlesque of Bellini's Norma.Stedman, pp. 34–62 Gilbert and his wife, Lucy, in 1867 The libretto of Robert the Devil is set in rhyming couplets, as are the other Gilbert burlesques. The opening night performance was under-rehearsed, partly because the new Gaiety Theatre was not finished until the last moment, leaving no time for rehearsal on its stage.
The Girls of Gottenberg is an Edwardian musical comedy in two acts by George Grossmith, Jr. and L. E. Berman, with lyrics by Adrian Ross and Basil Hood, and music by Ivan Caryll and Lionel Monckton. P. G. Wodehouse's personal papers indicate that he wrote the lyrics for one song, "Our Little Way", but this was not included in the libretto of show, and he was not credited as a lyricist. The musical opened at the Gaiety Theatre in London, managed by George Edwardes, on 15 May 1907, and ran for 303 performances. It starred George Grossmith, Jr., Edmund Payne and Gertie Millar.
These "musical comedies", as he called them, revolutionized the London stage and set the tone for the next three decades. Sidney Jones' The Geisha Edwardes' early Gaiety hits included a series of light, romantic "poor maiden loves aristocrat and wins him against all odds" shows, usually with the word "Girl" in the title, including The Shop Girl (1894) and A Runaway Girl (1898), with music by Ivan Caryll and Lionel Monckton. These shows were immediately widely copied at other London theatres (and soon in America), and the Edwardian musical comedy swept away the earlier musical forms of comic opera and operetta.
The closure met with considerable opposition and dismay among many Ayr residents, particularly since it appeared that the required capital and revenue investment to reopen the theatre would not be available. A public meeting attracted over 400 attendees, the future of the theatre was a key issue in the local press, many Scottish performers expressed their dismay and there was extensive discussion on social media. In early 2009 South Ayrshire Council invited tenders to take on the theatre management. Ayr Gaiety Partnership (AGP), a charity formed by local residents for the purpose in Summer 2009, secured preferred bidder status.
Henry Bracy in Australia, 1890s Henry Bracy (8 January 1846 – 31 January 1917) was a Welsh opera tenor, stage director and opera producer who is best remembered as the creator of the role of Prince Hilarion in the Gilbert and Sullivan comic opera Princess Ida. Bracy often played the leading tenor role in the works in which he appeared, becoming one of the most popular comic tenors of the Victorian era. His wife, Clara, was an actress. After beginning his career in Plymouth, Bracy spent four years performing at London's Gaiety Theatre in the early 1870s.
He went to London, according to Charles Burney, in 1768, but according to Francesco Florimo in 1772, returned to Naples in 1777. He continued to produce operas at an astounding rate, but was unable to compete successfully with the younger masters of the day. In 1793 he became maestro di cappella at St Peter's, Rome, where he died in 1804. He was a very prolific composer of Italian dramma giocoso and commedia per musica operas, and there is in most of his scores a vein of humour and natural gaiety not surpassed by Domenico Cimarosa himself.
Cover of the 1887 programme for Monte Cristo Jr. Monte Cristo Jr. was a Victorian burlesque with a libretto written by Richard Henry, a pseudonym for the writers Richard Butler and Henry Chance Newton. The score was composed by Meyer Lutz, Ivan Caryll, Hamilton Clarke, Tito Mattei, G. W. Hunt and Henry J. Leslie. The ballet and incidental dances were arranged by John D'Auban, and the theatre's musical director, Meyer Lutz, conducted.Theatre Programme for Monte Cristo Jr. (1887) at the Gaiety Theatre, London The play's doggerel verse was loosely based on The Count of Monte Cristo by Alexandre Dumas.
Souvenir - 1st anniversary of the opening The Shop Girl was a musical comedy in two acts (described by the author as a musical farce) written by H. J. W. Dam, with Lyrics by Dam and Adrian Ross and music by Ivan Caryll, and additional numbers by Lionel Monckton and Ross. It premiered at the Gaiety Theatre in London in 1894 and ran for an extremely successful 546 performances. Its cast included Seymour Hicks, George Grossmith, Jr., Arthur Williams, Edmund Payne, and Ellaline Terriss. It soon played in New York and was successfully revived in London in 1920.
Casson made her debut in the theatre at the age of six when she appeared as Belinda Cratchit in a 1921 production of Charles Dickens' A Christmas Carol. She appeared alongside her mother as Astyanax in The Trojan Women in 1922 and was Warwick's page in Saint Joan in Paris in 1924. Three years later, Casson made the first of six successive appearances as Wendy Darling at the Christmas performance of Peter Pan in the Gaiety Theatre and returned there in 1928. That year, she also toured South Africa with her parents, playing in Medea, Jane Clegg, The Lie, and Saint Joan.
Selina, Countess of Huntingdon in old age Until her death in London, Lady Huntingdon exercised an active, and even autocratic, superintendence over her chapels and chaplains. Alice Membury, appointed schoolmistress in Melbourne, Derbyshire by Lady Elizabeth Hastings, was ejected by the Countess for 'not turning Methodist'. Selina successfully petitioned George III about the gaiety of Archbishop Cornwallis' establishment, and made a vigorous protest against the anti-Calvinistic minutes of the Wesleyan Conference of 1770, and against relaxing the terms of subscription of 1772. On the Countess's death in 1791, the 64 chapels and the college were bequeathed to four trustees.
And in 1866 two first exquisite restaurants were opened at Ludgate Hill Station and another at Southend Victoria railway station. By the 1867 they managed "21 refreshment bars, including 18 on railways, and employed around 800 people".. In 1874 they had built, and owned, the Criterion Theatre and Restaurant in London's Piccadilly Circus. The bar in this shop was a famous place and was connected with Sherlock Holmes.. Their next shop, The Gaiety Theatre Restaurant at Aldwych in The Strand, London was opened in 1894. It became the office of Dickens where he produced the magazine Household Words.
It has the largest working pipe organ on the west coast, a remnant of its days as a showcase for silent films, in the early days of cinema. Grand Theater is newly renovated and is the home of Enlightened Theatrics, a professional theatre company and hosts the Salem Progressive Film Series on the third Tuesday nine months of the year. Capitol Pride (Salem's yearly Gay Pride Event) is held in early August. The personal house and garden of landscape architects Elizabeth Lord and Edith Schryver, known as Gaiety Hollow, are on the National Register of Historic Places.
In the 1880s and 90s, the theatre had further success with a number of burlesques with original scores by the theatre's music director, Wilhelm Meyer Lutz, including Faust up to Date (1888), Carmen up to Data (1890) and Cinder Ellen up too Late (1891). In the 1890s, the theatre introduced new style of musical theatre in London now referred to as the Edwardian musical comedy. These shows employed female dancers known as the Gaiety Girls and were extraordinarily popular, inspiring imitations at other London theatres. A success in this genre was The Shop Girl (1894), which was followed by many "girl"-themed musicals.
"Doll Face" Carroll is an entertainer looking to expand her repertoire. After a failed audition, where she is recognized as a burlesque performer from the Gaiety Theatre, her manager and fiancé Mike Hannegan suggest she writes an autobiography to project a more literate image and he hires Frederick Manly Gerard as a ghostwriter. Doll Face agrees on the condition she is allowed to dedicate the book to Mike with "For the love of Mike". Another performer in the burlesque show, Chita Chula, remarks that if the book is a success and Doll Face leaves the show it will probably have to close down.
Mike leaks word on the book to the press and, riding the publicity, argues the show got all the press it needs and that the book, although all but finished, needs not to be published. Doll Face, however, decides to go through with it and goes to Jamaica with Frederick for some final touch-ups. Boat engine trouble leaves them marooned on an island and, when Mike finds them, he misreads the situation and breaks up with her. Without "Doll Face" as headliner, the Gaiety Theatre struggles and Mike is forced to finally shut it down.
Brefni O'Rorke (26 June 1889 – 11 November 1946) was an Irish film actor.BFI Brefni O'Rorke He began studying acting with his mother, the actress Jane O'Rorke née Morgan who was born in 1858, and there was a brother, Frederic, twelve years old than him.Ireland Census 1901 Jane O'Rorke He made his professional début in 1912 at the Gaiety Theatre, Dublin in a production of Shaw's John Bull's Other Island. While still living in Dublin, he met and married in 1916 Alice Cole, a chorus-girl turned actress, who had divorced her first husband and immigrated from South Africa with her young son.
The tunnels are still viewable and are signposted as Tunnels Beaches. In 1856 writer Mary Ann Evans (pen-name George Eliot) accompanied George Henry Lewes to Ilfracombe to gather materials for his work Seaside Studies published in 1858. In more recent times actor Peter Sellers lived in the town when his parents managed the Gaiety Theatre, he first stepped on the stage there and reputedly played the drums!. Another actor Terry Thomas visited the town frequently to stay with his sister, and in the same period, Joan and Jackie Collins were schooled here and boarded in the town.
She comes from an established English show-biz family that goes back 4 generations. Her great- great-grandmother was a Gaiety girl; her great-grandfather a music hall performer and her grandfather was well-known stuntman and technical director, Rupert Evans. Other family members include actress Monica Evans, who understudied Joan Littlewood in Rhinoceros and later became become a Pigeon Sister in "The Odd Couple" and is the voice of Maid Marian in the 1973 film Robin Hood. Evans is a specialist in close-up and comedy magic, as well performing her burlesque-style magical-fire stage act.
VTCC became the second largest chain of music halls in the United Kingdom, second only to Moss Empires. Among their London theatres managed by Butt were the Globe and Queen's Theatres. Outside London Butt opened two new theatres, firstly, the Alhambra Theatre, Glasgow, in 1910, designed by Sir John James Burnet and, secondly, the Theatre Mogador, Paris in 1919 (delayed by the First World War), designed by Bertie Crewe. Butt became managing director of three West End theatres during the war: the Adelphi Theatre (1915–19), the Empire Theatre (1914–28) and the Gaiety Theatre (1915–19).
The first movement, in sonata form, is marked Allegro aperto. "Aperto" literally means "open", an attribute often used in Mozart's early concertos, and while the exact meaning Mozart intended is unknown, it conveys "radiance and gaiety", as the pianist Angela Hewitt notes. The development offers an episode of minor mode arpeggios and broken octaves in the piano, contrasted by "plaintive intervals" of the oboe. It is in the development, and only there, that Girdlestone considers that the movement "gives us a glimpse of the true Mozart", as the recapitulation reprises the "well-bred, aristocratic good temper" of the movement's opening.
She also appeared at the Globe in March 1917 as Gabrielle in Suzette. Other early roles included Lulu in Yes, Uncle! at the Prince of Wales Theatre in December 1917, and Regina Waterhouse at the Strand Theatre in December 1918. At the Apollo Theatre in 1919 she played the title role in Tilly of Bloomsbury "for about six weeks", according to her personal notes in Who's Who in the Theatre, followed by the role of Roselle in The Betrothal at the Gaiety in January 1921, concluding the year with what she charmingly called "several cinema plays".
In some sense the selection of elders served more symbolic and ideological, rather than pragmatic or political, ends. #At this point came the holding of court, wherein any cause for praise or demerit over the past year amongst those present were duly addressed, and specific disputes were settled where possible. #The Governor would make a second address. #The ceremony would invariably be capped off with a lavish feast, in which the Dutch and natives alike ate, drank and danced together, apparently in a spirit of general mirth and gaiety and festivities would continue well into the night.
After being discharged, Hill worked as a newspaper reporter in Texas, then took advantage of the GI Bill to do graduate work at Trinity College, Dublin, studying James Joyce's use of music in Ulysses and Finnegans Wake. Some sources say he graduated in 1949 with a bachelor's degree in literature. Other sources say his thesis was never completed because he became sidetracked by the Irish theater, making his stage debut as a walk-on part in 1947March 11, 1947, The Irish Press, pg. 6 at the Gaiety Theatre, Dublin, with Cyril Cusack's company in a production of George Bernard Shaw's The Devil's Disciple.
The new audiences demanded new theatres to be built in both the metropolitan and provincial areas. It was also the need of the time to remodel the old theatres. “Between 1860 to 1870 the Royalty, The Gaiety, The Charing Cross, The Globe, The Holborn, The Queen’s were remodelled. Later in the following decade of 1870 to 1880 The Court, The Opera Comique and The Imperial were built.” This brief list is proof of steadily increasing interest of the common public in the theatre. According to Allardyce, “there were nineteen theatres in London during the summer of 1851.
Ryley was born in 1841 in London, the son of John Riley, a solicitor’s clerk from London, and his wife Elizabeth (née Perry). By February 1863 Ryley was singing comic songs at Deacon’s Music Hall, Sadler's Wells Theatre, Price’s Music Hall and then at the Bedford Music Hall in Camden Town as "the comical comique". He married the actress Marie Barnam in 1864, and they had a daughter, Wallace (b. 1869). The couple performed a comic duet and dance act in London and on tour, and they were engaged at the Gaiety Theatre, London in 1872.
Although the piece was greeted warmly, as were most Savoy operas, audiences did not sustain enthusiasm for the work, and there were numerous revisions, particularly in the first act. The team also rushed an abridged version of the still-popular Cox and Box into production as a curtain-raiser. Nevertheless, The Chieftain closed after just three months. The fault lay partly in Burnand's weak and pun-filled libretto, but also was a result of changing audience tastes, as musical comedy, such as those produced at the Gaiety Theatre by George Edwardes, was supplanting light opera on the London stage.
' Le Moniteur Universel wrote disapprovingly that Madame Roland had gone to her death with 'ironic gaiety' and stated that like Marie Antoinette and the feminist Olympe de Gouges, she had been put to death because she had crossed the "boundaries of female virtue."Paul Hyland, Olga Gomez en Francesca Greensides (eds), The enlightenment: a sourcebook and reader, Routledge, Londen, 2003, 369. . When a few days later Jean-Marie Roland heard in his hiding place in Rouen that his wife had been executed, he committed suicide. Her beloved Buzot lived as a fugitive for several months and then also ended his own life.
On 15 July 1869 a complimentary benefit was given him by a distinguished party of amateurs at the Lyceum Theatre, and on 7 February 1877 he took a farewell benefit at the Gaiety Theatre, which realised £1,300. His later years were embittered by the loss in 1877, through the defalcations of his solicitor, of the greater part of his forty years' savings. He died at the residence of his daughter, Pembroke Lodge, East Molesey, Surrey, at the age of 69, and was buried in East Molesey cemetery. A miniature portrait of Parry by Maclise is in the possession of Horace N. Pym, Esq.
After the First World War Ricketts resumed his theatrical activity, and designed The Betrothal, by Maurice Maeterlinck (with Gladys Cooper) at the Gaiety Theatre (1921), Shaw's Saint Joan (with Sybil Thorndike) at the New Theatre (1924), Henry VIII (with Lewis Casson and Thorndyke) at the Empire Theatre (1925) and Macbeth (with Henry Ainley, Thorndyke and Casson) at the Princes Theatre (1926). In the same year he designed costumes and scenery for the D'Oyly Carte Opera Company's production of The Mikado at the Savoy Theatre, and did the same in 1929 for their The Gondoliers at the same theatre.
Missing from all of these prints is a title card with a short prologue, which was included in the original release. It read: > Atlantic City, in 1919, was not just a boardwalk, rolling-chairs and > expensive hotels where bridal couples spent their honeymoons. A few blocks > from the gaiety of the famous boardwalk, permanent citizens of the town > lived and worked and reared families just like people in less glamorous > cities. The scene in which Elmer approaches Bea with the idea to sell Delilah's pancake mix to retail customers refers to a legend about the origins of Coca- Cola's success.
From the 1870s electric lighting was increasingly used to illuminate public and private spaces. In 1878 there were 20 lighting installations in service in Britain. Installations included, for example, the Tay Bridge railway yard (1876–7); London’s West India Docks (1877); the Gaiety Theatre, London (1878); Bramall Lane football ground, Sheffield (1878); Victoria Embankment, London (1878); St. Enoch’s station, Glasgow (1878); and Blackpool Promenade (1879). In 1878 there were 34 private bills before Parliament seeking legal powers for local authorities and companies to supply electricity in various towns and to break- up streets to lay electricity cables.
Cranko collaborated with the designer John Piper on Sea Change, performed at the Gaiety Theatre, Dublin in July 1949. They collaborated again for Sadler's Wells Ballet on The Shadow, which opened on 3 March 1953.Reed, Cooke & Mitchell, p. 94 This period marked a transition in Cranko's career from dancer to full-time choreographer, with his last performance for the Sadler's Wells Ballet taking place in April 1950."John Cranko", Royal Opera House Performance Database, retrieved 19 March 2015 At 23 years old, he was appointed as resident choreographer for Sadler's Wells Theatre Ballet's 1950–51 season.
The absence of the tax stamp allowed the new paper to be published at the low price of twopence and it became a rapid success. It was well illustrated, well written, and energetically conducted. The office was at 2 Catherine Street, Strand, on a site subsequently covered by the Gaiety Theatre and Restaurant. Among the artists who worked for the paper were Julian Portch, an excellent all-round draughtsman who was especially good at battle-scenes, Edouard Monn, Gustave Doré, H. Valentine, Gustave Janet, A.J. Palmer, Kenny Meadows, Harrison Weir, G. Cruikshank, Myles Birket Foster, C.H. Bennett, and W. McConnell.
Recognizing his son's interest, John Keenan tutored Paddy, along with neighbouring children, including Finbar Furey and Davy Spillane. During this period, the Keenan household was an ongoing session. At age fourteen, Keenan played his first major concert at the Gaiety Theatre, Dublin, followed by a few years of touring with a number of musicians, including his father, as "The Pavees." At seventeen, Keenan went to England in an attempt to escape the strictness of his father's household, and ended up busking around London, singing and playing blues and rock songs on guitar for most of the following four years.
He sent the score to Camille Saint-Saëns, who used his influence to have it staged at the Bouffes Parisiens. Violet Melnotte secured the English rights, and it was presented in London featuring a young Hayden Coffin.Lily of Leoville at the Guide to Musical Theatre, accessed 29 October 2009 This was followed the same year by Monte Cristo Jr., a burlesque for the Gaiety and then by a number of shows produced for the Lyric, culminating with the very successful Little Christopher Columbus (1893). In 1890, he added numbers to the English-language version of La cigale et la fourmi.
The Palm and May is prefixed with the fifth line from Spring, the Sweet Spring, a poem from Thomas Nashe's poem cycle Summer's Last Will and Testament: : The Palm and May make country houses gay.'' This piece, in contrast to the preceding one, is full of mirth and gaiety. The fast tempo markings (Con moto; = 6366) and 6/8 time signature conjure up an image of a country dance or jig. The left hand paints most of the colour in the opening section with constant falling and rising arpeggios, while the right hand introduces the first theme.
Kelly was born 11 July 1929 in Dublin, Ireland,One source, which interviewed him, gives 1928: and educated at Dublin's Synge Street CBS Christian Brothers school.Irish Independent, 2005 He began acting at the age of eight at the city's Gaiety Theatre, and trained at The Abbey School of Acting. As a backup career, he additionally trained as a draughtsman and calligrapher, and also learned watercolour art. He appeared onstage in the original production of Brendan Behan's The Quare Fellow, and gained his first major career attention in Samuel Beckett's Krapp's Last Tape at the Dublin's Abbey Theatre in 1959.
Roche secured an invoice clerk-typist job with a foundry and agricultural machinery company, Pierce's, in Wexford. She moved to Dublin, attended the Brendan Smith Academy of Acting and acted with the Young Dublin Players, and based on that secured a role as a Public Relations Officer for the Gaiety Theatre, with her first client being Peter O'Toole. After her marriage to British fashion photographer Neil Campbell- Sharp, she began to write text to go with his work, and later to manage his career, and so became involved with fashion journalism. The marriage ended some years later.
Destined by his father to the profession of notary, Varin spent ten years at the bottom of a study, where he once came to Paris without money. Interested in writing plays, he spent a long time to break the circle of obstacles which opposed its inception. When the first success came, around 1825, he called himself Victor first, then took the pseudonym Varin, so that his father kept in ignorance of its gains, would not suppress his student pension. After he made his way to the stage, it provided very regularly plays, usually vaudevilles, full of gaiety and movement.
Upon his return to England, he appeared with Phelps, at Drury Lane for several years. In 1877, after being given a benefit at the Gaiety Theatre, in which he played Macbeth, he went to Australia, where he opened in Melbourne in the title role of Sheridan Knowles's Virginius, and was enthusiastically received. He repeated this role at the Surrey upon his return to England, also playing at the Standard and other theatres thereafter. Creswick was a founder member and governor of the Shakespeare Memorial Association in Stratford-upon-Avon, where he acted in the festival of 1883, playing Falstaff, Lear and Shylock.
Behan migrated to London, where he found work with the BBC, writing radio scripts, mainly for the Third Programme. His play Posterity Be Damned, produced in the Gaiety Theatre, Dublin, in 1959, dealt with republican activity after the Civil War of 1922–23. An autobiographical novel Teems of Times (1961) was received to critical acclaim, (particularly from the Observer theatre critic Kenneth Tynan, who was uncharacteristically effusive in his praise); the book was subsequently dramatised for television in 1977 by RTÉ. His autobiography, Tell Dublin I Miss Her, was also published in 1961 and sold well in the USA.
After a successful career in the music halls, Torr retired to Leicester, becoming landlord of the Green Man pub in 1882. A year later, he took on the Gladstone Vaults in Wharf Street, converting it into a music hall - the Gaiety Palace of Varieties. Aimed at an upmarket clientele, it opened on 30 April 1883, but after running into financial difficulties, closed three years later. It was during this period as a music hall promoter that Joseph Merrick wrote to Torr asking for employment as an exhibited freak, so he could escape the grinding poverty of life in the workhouse.
His freshest and best work is his Emaux bressans (1884), a volume of poems full of the gaiety and spirit of the old French chansons. Other volumes followed: Le Livre de la patrie, L'Heure enchantée (1890), A la bonne franquette (1892), Au bois joli (1894) and Le Clos des fées (1897). Vicaire wrote in collaboration with Jules Truffier two short pieces for the stage, Fleurs d'avril (1890) and La Farce du marl refondu (1895); also the Miracle de Saint Nicolas (1888). With his friend Henri Beauclair he produced a parody of the Decadents entitled Les Deliquescences and signed Adoré Floupette.
In his youth his musical talent and genial wit supplied much innocent gaiety, but the pressure of serious responsibilities and the adoption of a spiritual life somewhat subdued its exercise. His judgment and legal ability were such that advocates of the first rank said that were they to know his view of a case they could tell how it would be decided. When he communicated anything in writing, Pope Gregory used to say he never had occasion to read it more than once. He was selected as interpreter in the interview which the Pope had with the Czar Nicholas I of Russia.
The seven-day-long extravaganza is in keeping with the essence of the many Naga festivals; marked by feasts, dances, games and music, all in full measure. These celebrations invariably coincide with agricultural lean periods such as after-harvest, and therefore the feeling of gaiety and generosity, even to a fault. In the old days the rich used to host several-day-long feasts in which the villagers reveled, and guests from other villages were feted. These were times when the youth were pitted against each other in friendly competitions in performing arts and traditional sports, while the old proudly looked on.
Klein, Alvin. "Theater: Nonstop Gaiety in Merry Widow" The New York Times, April 28, 1991 She has appeared with opera companies and orchestras such as the Santa Fe Opera (1985 and 1990), the New York City Opera (1989), the New York Philharmonic (1990), the Boston Pops Orchestra (1990), and the London Symphony Orchestra (1990). Kaye has made several recordings, including Where, Oh, Where?: Rare Songs of the American Theater (Premier), Diva to Diva (Varèse Sarabande), which focus on musical theatre and "great musical theatre women", and Judy Kaye: Songs From The Silver Screen (Varèse Sarabande), saluting women singing in movie musicals.
Third verse of "When a gentleman supposes" from His Excellency, Act II By 1894, the popular trend on the London stage had moved from traditional comic opera to a new genre, musical comedy, with such shows as The Gaiety Girl becoming quickly popular. Gilbert added elements of the new genre to his later works. In the case of His Excellency, after approaching George Henschel unsuccessfully, Gilbert selected Carr as the composer for the new piece. Carr had enjoyed success in musical comedy, with In Town (1892), Morocco Bound (1893) and Go-Bang (1894), but critics inevitably found him inferior to Sullivan.
The group emerged from the 'Young Dublin Singers' who were playing in the Gaiety Theatre, Dublin one summer when producer Fred O'Donovan said he wanted backing singers for recordings. He chose McCoubrey, Dixon and King, and initially they did vocal backings for showbands on singles such as "Old Man Trouble" by The Royal Blues, "Nora" by Johnny McEvoy, "Quick Joey Small" by The Real McCoy, "Cinnamon" by The Trixons, "Joys Of Love" by The Dixies and "Papa Sang Bass" by The Ranchers. In 1967 O'Donovan suggested they be launched as a group.Don't put your daughter on stage, Mrs.
He represented King's Lynn, Norfolk, in conjunction with Lord George Bentinck, as a moderate reformer and a supporter of the government from 10 December 1832 to 29 December 1834, and spoke on the Reform Bill, on fees paid on vessels in quarantine, and on the Anatomy Bill. Lennox however was more interested in sport and literature, and preferred a life of gaiety and leisure. He was devoted to horse-racing, delighted in private theatricals, and once ran a hundred yards race in Hill Street, Berkeley Square, at midnight. He figured in Benjamin Disraeli's Vivian Grey as Lord Prima Donna (1827).
J. L. Toole, about 1874With the piece set to open on 26 December,Stedman, p. 94 Gilbert first read the libretto to the cast on 14 December, but Toole, who was playing the central role of Thespis, did not return from a tour of the British provinces until 18 December. He then appeared in nine performances at the Gaiety in the six days immediately after his return, and other actors had similar commitments. In addition, Hollingshead had committed the company to perform a pantomime at The Crystal Palace on 21 December, which included many of the performers who would be in Thespis.
During the 1910s, he worked as a journalist, initially as drama critic of the Star and later as literary critic of the Observer. He continued to write book reviews for the Observer long after quitting his official post in 1914. He had also published a few light-hearted novels - the first of these, A Boy's Marriage, came out in 1907 - but after World War I broke out, his literary output took on a more serious note. As war ended in 1918, his writings too resumed their former gaiety, in novels such as Young Mischief and Young 'Un.
Traditions of goan Hindus include festivals with processions wherein the deities are taken from the newly built temples in the Nova conquistas to their original sites in the Velhas Conquistas. While Caste system is still a major factor especially amongst the Hindu population and followed to a lesser extent by the declining Goan Christian population, the egalitarian Indian constitution has helped to a perceived degree. Goan Hindus celebrate the Yatra of Shree Mahadeva Shiva and Shree Mahadevi Shantadurga (Durga) besides those of other deities. The festival of Holi is called Shigmo in Goa and celebrated with gaiety.
Determined to stop this contingency plan, the trolls are forced to become ever more blatant in their sabotage until they are noticed. When Santa asks what their grievance is, the trolls complain they can't stand the gaiety that seems to shut them out. At that, Santa points a certain fact when he has his elves sing "Deck the Halls" with particular emphasis on the word "troll" in the lyrics. At that, Santa and the elves explain that the verb, "to troll," means to sing or play in a jovial manner, and thus trolls have a place in Christmas.
In 1886, he was a director of the Norfolk and Suffolk Brewing Company (Colchester Brewing Company), in 1887 director of the New Zealand Gold Extraction Company (Newberry Vautin Process) Ltd., and in 1888 the chairman of the Gaiety Theatre. He was chairman of The President Land and Exploration Company in 1889 and the same year appointed chairman of the board of Harrods Store, raising capital to buy the store from Charles Digby Harrod for £100,000. In the next decade several other departmental stores followed suit with his involvement including D. H. Evans (chairman), J. R. Roberts’ Stores (chairman), Crisp and Company of Holloway (director) and Paquin of Paris (director).
Painting of Keechaka and Draupadi by Raja Ravi Varma R. Nataraja Mudaliar, a car dealer who was based in Madras, developed an interest in motion pictures after watching Dadasaheb Phalke's 1913 mythological film, Raja Harishchandra at the Gaiety theatre in Madras. The former then learned the basics of photography and filmmaking from Stewart Smith, a Poona-based British cinematographer who had worked on a documentary that chronicled the viceroyship of Lord Curzon (1899–1905). Nataraja Mudaliar bought a Williamson 35 mm camera and printer from Mooppanar, a wealthy landowner based in Thanjavur, for 1,800. In 1915, he established the India Film Company, which was South India's first production company.
He was now a personage at court, where he won many over by his amiability and gaiety; and in political matters also his influence was beginning to be felt. During these years, he had a notorious love affair with Mette TrolleNordisk familjebok, Griffenfeld, Peder, 1904–1926. On the death of Frederick III (9 February 1670) Schumacher was the most trusted of all the royal counsellors. He alone was aware of the existence of the new throne of walrus ivory embellished with three silver life-size lions, and of the new regalia, both of which treasures he had, by the king's command, concealed in a vault beneath the royal castle.
In 1976 the restoration began under the direction of architect and theatre expert, Victor Glasstone. The theatre underwent further restoration, under the direction of Mervin Stokes, MBE, from the 1990s to replicate its 1900 opening condition in time for the centenary celebration in 2000. Exactly 100 years after opening, on 16 July 2000, the centenary was celebrated with a performance of "The Telephone Girl" which opened the Gaiety in 1900 and following which was a performance of "The Corsican Brothers," a popular play which in Victorian times and a special 'Corsican Trap' was constructed for the performance. It is believed to be the only working Corsican Trap in the World.
Another unique feature of the theatre is the working Act Drop depicting a dancing lady. The restoration of the Gaiety Theatre was directed over several years by the Theatre Manager of the day, Mervin Russell Stokes, who was later made an MBE for his contribution to the project. It was he who, with help, arranged for the funding and closely supervised the work done, carrying out some of it himself, always with a view to strict authenticity, even down to having the original paint colours, wallpaper and carpeting recreated. He went to great lengths to return the building to as near its original appearance as possible.
Her last regular role at the Gaiety was Nan in Good for Nothing in a benefit for Lutz in April 1891. Later in 1891, Farren suffered an attack of rheumatic fever while in Australia, performing in Cinder Ellen up too late, which aggravated her spinal disease. She had to withdraw from the London production of Cinder Ellen up too late. The spinal disease progressively crippled her, and by 1892, Farren had become too crippled to work steadily and was mostly retired from the stage.Some information about Farren In 1895, Farren had a partial recovery and managed her own company at the Opera Comique but had little success.
Account of the benefit by an audience member It included a performance of Trial by Jury in which W. S. Gilbert played the Associate and Effie Bancroft played the "Associate's Wife", the barristers were all playwrights, the jury included many well-known comic actors, the bridesmaids included well-known leading ladies of the day mixed with real chorus girls from the Gaiety; a huge "crowd in court" made up of D'Oyly Carte Opera Company principals and other actors was also assembled. Principals included Barrington, Pounds, Lewis, Passmore, Lytton and Perry.Cellier, François and Cunningham Bridgeman. "Gilbert and Sullivan and their operas", Little, Brown (1914), pp.
Kubelik's version had a "mood of pastoral gaiety and childlike wonder", and Szell's album was a low-risk option for someone wanting to own just a single version of the work. Abbado's LP was for collectors interested in how a conductor could turn a piece of music into something very different from what its composer had imagined and make it fascinatingly new. Eric Salzman reviewed the album on LP in Stereo Review in November 1978. Despite the advocacy of acolytes such as Bruno Walter, he wrote, Vienna had been slow to recognize that Gustav Mahler was on the same exalted level as Anton Bruckner.
Taking some time off from singing, he came back to the stage in full force in 2005 with his tour, "Seventy Years On". He sang as part of the Irish Legends act at the Gaiety Theater in Dublin in August 2005 with Ronnie Drew and Paddy Reilly of The Dubliners. In March 2006, fifty years after the Clancy Brothers and Tommy Makem recorded their debut album, Conor Murray wrote the first full-length biography on the group. The book, titled The Clancy Brothers with Tommy Makem & Robbie O'Connell: The Men Behind the Sweaters, chronicles the Clancy Brothers from the birth of Paddy Clancy in 1922 to early 2006.
The Gaiety Theater was first owned by Harry Brown, the American producer of La vida de Jose Rizal, the first feature film produced in the Philippines. It was known for showing art films patronized by expats and old Spanish families. During the Second World War, its operation was stopped until Karl Nathan obtained permission from the Japanese authorities to reopen it, which at the time was owned by a prominent Filipino family with whom Nathan had struck an agreement, provided he could get the Japanese permit. Tickets to this theater during the Japanese occupation were cheap as compared to other movie houses in downtown Manila.
O'Dwyer is chiefly notable for having written the opera Eithne (1909), one of the first full- scale operas written entirely in the Irish language. Although Muirgheis (1903) by Thomas O'Brien Butler (1861–1915) was earlier, that work had initially been performed in an English translation, whereas Eithne was performed in Irish. After a small-scale performance in 1909, the first full performance took place at the Gaiety Theatre, Dublin, on 16 May 1910. A concert performance of the work took place at the National Concert Hall, Dublin, in October 2017 featuring the RTÉ National Symphony Orchestra and singers Orla Boylan, Gavan Ring, Robin Tritschler and Eamonn Mulhall.
The referee expressed that they felt Cribb had been superior, but prior to the fight it had been agreed that going the distance meant the result was a draw. In early September he fought Tot Higgins again and won in four minutes, and later in the month he was scheduled to box Mick Dunn for the Australian middleweight championship. He fought Dunn in October to a capacity crowd of approximately 1,500 at the Gaiety Athletic Club and the fight was regarded as exciting with Dunn knocking Cribb's false teeth out of his mouth with a lefthanded punch, and Cribb knocking Dunn out in the eighth round to secure the championship.
During this period the buses carried a variety of advertisements along their side panels, with several distinctive buses carrying all-over advertising for local businesses including the Gaiety Theatre, Lombard Bank, Curraghs Wildlife Park and the National Coal Board. A further change of leadership in 1999 saw the introduction of brand-new buses and gradual phasing out of older stock, latterly used only on school services, and the advertising policy changed resulting in no advertisements appearing at all. By 2009 a further change of policy resulted in the reintroduction of advertisements which has proved popular, with local radio stations, estate agents, travel agents and cinemas taking advantage of the new schemes.
They regained some pride in the Fifth Test, when Grant's two well-timed declarations put Australia under pressure on a difficult pitch and the West Indies won in a close finish by 30 runs. Despite their modest results, the West Indians were popular in Australia, wrote the Australian cricket historian A. G. Moyes, because they "played cricket as though it was great fun – seriously enough but with gaiety mixed with gravity". Grant led the team's Test batting averages with 255 runs at 42.30, including 53 not out and 71 not out in the Second Test.A. G. Moyes, Australian Cricket: A History, Angus & Robertson, Sydney, 1959, pp. 478–81.
See Shubert Organization, Inc. v. Landmarks Preservation Commission of the City of New York and Save the Theatres, Inc. , Supreme Court of New York, Appellate Division, First Department, May 16, 1991, accessed March 10, 2013"Proposal to Save Morosco and Helen Hayes Theaters" , LHP Architects, accessed March 10, 2013Corwin, Betty "Theatre on film and tape archive" , International Association of Libraries and Museums of the Performing Arts, accessed May 10, 2013 it was razed in 1982, along with the first Helen Hayes, the Bijou, and remnants of the Astor and the Gaiety theaters; it was replaced by the 49-story Marriott Marquis hotel and Marquis Theatre.
In 1894, Edwardes sent Moore and the company to New York and then on tour in the U.S. While in Richmond, New York in February 1896, still touring in A Gaiety Girl, Moore married a fellow cast member, Cecil Ainslie Walker-Leigh, an Anglo-Irish career officer in the British Army who served in the Boer War and World War I and retired with the rank of Colonel. The company was then sent to Australia, where she starred as Bessie Brent in the musical comedy, The Shop Girl, and later played the Prima Donna of the Ambiguity Theatre in In Town. To please her mother, they had a church wedding.
She summed Delamere up thus: "Delamere had two great loves – East Africa and the Masai People.... Delamere's character had as many facets as cut stone, but each facet shone with individual brightness. His generosity is legendary, but so is his sometimes wholly unjustified anger.... To him nothing was more important than the agricultural and political future of British East Africa – and so, he was a serious man. Yet his gaiety and occasional abandonment to the spirit of fun, which I have often witnessed, could hardly be equalled except by an ebullient schoolboy."Markham, Beryl, West With The Night, North Point Press, San Francisco, 1983, pp.
She continued to act in films, including A Yank in Ermine (1955) and The Betrayal (1957), and featured in several episodes of the television drama series The Vise. Decker's stage work included playing Billie Dawn in the Dublin (Gaiety Theatre) production of "Born Yesterday" in 1949, and she performed onstage in 1951-52 in William Chappell's The Lyric Revue at the Globe Theatre in London. In 1957, when BBC Radio revived Ian Messiter's comedy panel game One Minute Please! (upon which Just A Minute was based), Decker appeared as a regular panelist on the ladies' team, playing against Gerard Hoffnung, Eric Sykes and Messiter.
1522-1590, New York, 1913 Dorothea was described as having a certain charm and gaiety which made her brother and his family devoted to her. She helped her brother design the terraced gardens, adorned with fountains and orangeries, in the precincts of the ducal palace: he named a bell in the new clock-tower of Nancy from 1577 after her. She attended the wedding between the King of France and Louise of Lorraine in Reims in 1573. On 26 November 1575 at Nancy, she married Eric II, Duke of Brunswick-Lüneburg, an old friend of her family and a recent widower from an unfortunate marriage with Sidonie of Saxony.
Mirabel Dorothy Hillier was born in London on 14 August 1891 and spent her childhood at the Baron's Court Hotel in Fulham, London that was managed by her grandparents James and Rachel Hillier. Her parents Henry Hope and Nellie Hillier (née Buck) assisted, but by 1922 her father was manager of the Haymarket Theatre, London. She had one brother (Cedric, died 1991, aged 99), a sister Beatrice (1895–1988) and a second sister who died in infancy. The family moved to West Ham and then Walthamstow, by which time the sisters were working as actresses or gaiety girls under the names Hope and Trixie Hillier.
Hicks and Terriss both had a comedy background, and they transformed the "lovers" roles in the new genre of Edwardian musicals from overly sentimental to mischievous and light-hearted characters exchanging witty banter. Hicks then worked as co- author on The Yashmak and then on one of the Gaiety Theatre's most successful shows, A Runaway Girl (1898), in which Terriss played the title role. This was followed by With Flying Colours (1899). Also in 1899, Hicks starred as the Duc De Richelieu in A Court Scandal, a comedy adapted by Aubrey Boucicault and Osmond Shillingford from Les Premières Armes de Richelieu by Dumanoir, at the Court Theatre.
A Gaiety Girl is an English musical comedy in two acts by a team of musical comedy neophytes: Owen Hall (book, on an outline by James T. Tanner), Harry Greenbank (lyrics) and Sidney Jones (music). It opened at Prince of Wales Theatre in London, produced by George Edwardes, on 14 October 1893 (later transferring to Daly's Theatre) and ran for 413 performances. The show starred C. Hayden Coffin, Louie Pounds, Decima Moore, Eric Lewis, W. Louis Bradfield, and later Rutland Barrington, Scott Russell, Huntley Wright, Marie Studholme and George Grossmith, Jr. Topsy Sinden and later Letty Lind danced in the piece. Choreography was by Willie Warde.
Millar, as Violet, and boys The Orchid is an Edwardian musical comedy in two acts with music by Ivan Caryll and Lionel Monckton, a book by James T. Tanner, lyrics by Adrian Ross and Percy Greenbank, and additional numbers by Paul Rubens. The story concerns marital mix-ups and the quest of a wealthy man for a $2,000 Peruvian orchid to be sent to France. When foul play keeps the flower from reaching its destination, it is discovered that a nearly identical orchid is growing in the garden of the horticultural college. The musical opened on 26 October 1903 at London's Gaiety Theatre and ran for 559 performances.
Langlais-Eteveneaux Cottage, Akaroa (built 1843) An Akaroa street sign showing French-language street names The Gaiety, Akaroa (built ) In 1838 Captain Jean François Langlois made a provisional purchase of land in "the greater Banks Peninsula" from 12 Kāi Tahu chiefs. A deposit of commodities in the value of £6 was paid and a further £234 worth of commodities was to be paid at a later period. On his return to France, Langlois advertised for settlers to go to New Zealand, and ceded his interest in the land to the Nanto-Bordelaise Company, of which he became a part-owner. On 9 March 1840, 63 emigrants left from Rochefort.
Programme for 1869 production Robert the Devil, or The Nun, the Dun, and the Son of a Gun is an operatic parody by W. S. Gilbert of Giacomo Meyerbeer's grand opera Robert le diable, which was named after, but bears little resemblance to, the medieval French legend of the same name. Gilbert set new lyrics to tunes by Meyerbeer, Bellini, Offenbach and others. The piece premiered at the opening of the newly rebuilt Gaiety Theatre in London on 21 December 1868. An extravaganza played on a very large scale, it ran for over 120 performances and played continuously in the British provinces for three years thereafter.
Lethbridge was a Gaiety Girl, best known for performing a "skirt dance", in which she manipulated a voluminous long skirt while dancing, swirling the fabric to reveal glimpses of knees and thighs. Lethbridge's version of the skirt dance involved arching her back almost to the horizontal, a challenging position that may have inspired similar moves for American dancer Loie Fuller. In 1896 she was described as "the tallest dancer on the English stage". She was appearing in the musical farce A Man About Town in 1897, when George Bernard Shaw reviewed her work as "sufficiently hard-working and conscientious" but showing "no compensating brilliancy in the twinkling of her feet".

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