Finn (pictured) and Boo dressed as the "Woofs" of Wall Street.
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Animal Planet likes the yule log idea, but thinks it could be a little sweeter, so it's swapping out wood for woofs.
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As he recounts his jarring life story to me at his newest, high-ceilinged, shiny location in Highland Park, he takes swigs of Hennessy, an ingredient in an experimental Cruffin that is served with a tiny pipette of boozy cereal milk, and woofs down more of his own pastries.
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Norwegian producer Cashmere Cat shared his latest track today, "9 (After Coachella)," in collaboration with London-based producer Sophie and Danish singer-songwriter MØ. It's a motley crew which yields an equally strange result: a loopy, clanging fusion of twisted pop and trap (complete with samples of dog woofs courtesy of presumably Cashmere Cat's own pair of Frenchies, who appear in the track's accompanying video) while MØ warbles longingly about a love she'll never have.
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In his Great Bear Almanac, Gary Brown lists 11 different sounds bears produce in nine different contexts. Sounds expressing anger or aggravation include growls, roars, woofs, champs and smacks, while sounds expressing nervousness or pain include woofs, grunts and bawls. Sows will bleat or hum when communicating with their cubs.
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Dog star Peter the Great woofs through the title role as the only witness to the murder of Barbara Jane's stepfather.
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Vocalizations of the first category include woofs, growls, huffs, barks, bark howls, yelps, and high-frequency whines. Woofs are used as low- intensity threats or alarms, and are usually heard near den sites, prompting the pups to immediately retreat into their burrows. Growls are used as threats at short distances, but have also been heard among pups playing and copulating males. Huffs are high-intensity threat vocalizations produced by rapid expiration of air.
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Moaning can be heard away. Chuffing—soft, low-frequency snorting similar to purring in smaller cats—is heard in more friendly situations. Other vocal communications include grunts, woofs, snarls, miaows, hisses and growls.
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Group members produce soft whining sounds, but alarm calls are different, consisting of loud woofs and clicks. Coatis typically sleep in the trees. When an alarm call is sounded, they climb trees, and then drop down to the ground and disperse. Predators of the South American coati include foxes, jaguars, jaguarundis, domestic dogs, and people.
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George A. Mears House is a historic home located at Asheville, Buncombe County, North Carolina. It was built about 1885, and is a 2 1/2-story, brick Queen Anne style dwelling. It features a number of projecting bass, mansard and garble woofs, and ornamental whaparound verandah. It was listed on the National Register of Historic Places in 1979.
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Gary Brown, in his Great Bear Almanac, lists over 25 different sounds in 16 different contexts. Sounds such as barks, screams, grunts, roars, snarls, whickers, woofs, and yelps are made when angered, threatening, or when fighting. When hurt or afraid, they shriek, yowl, or whimper. When feeding, sloth bears make loud huffing and sucking noises, which can be heard over 100 m away.
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The mantled howler uses a wide range of other sounds, including barks, grunts, woofs, cackles and screeches. It uses clucking sounds to maintain auditory contact with other members of its group. Male mantled howler howling in the trees The mantled howler also uses non-vocal communication, such as "urine rubbing" when in a distressful social situation. This consists of rubbing the hands, feet, tail and/or chest with urine.
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Matriarch of the Blues received mixed critical reception. AllMusic's Matthew Robinson wrote that James "coast[ed]" through the album and the backing band lacked "youthful vitality". Robinson thought the album's opening track "Gotta Serve Somebody" came across more as a "sleepy suggestion". However, he felt the "draggier pace and intermittent woofs" in "Miss You" added sex appeal and complimented the "funkification" of "Born on the Bayou" and "Hound Dog".
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Whenever Sidney Stratton’s apparatus is bubbling, or whenever he is thinking about his stainless fibre, the musical accompaniment to The Man in the White Suit plays a samba created from a series of recorded bubbles, gurgles, woofs, and squirts. These sounds were not made using traditional musical instruments but rather laboratory equipment. According to promotional material at the British Film Institute, London, the music was a collaboration of director Alexander Mackendrick and sound editor Mary Habberfield. The bubble sound was obtained by blowing through a glass tube into a viscous glycerin solution.
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The Land of Wallys would reappear in The Ultimate Fun Book (known as WallyLand) and The Great Picture Hunt (known as WallyWorld). It would later be shown that Woof and Odlaw also come from worlds of many others like them with the introduction of "The Odlaw Swamp" and "The Land of Woofs" in Where's Wally?: The Wonder Book. The book was re-released in 1993 and again in 1997, moving Wally and inserting new characters (Woof, Wenda, Odlaw, the Wally Watchers, and others), and again once more into a smaller size.
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