"Poets lost their ability to talk to a nonliterary audience," he says.
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Poets, very broadly speaking, are sometimes disparaged as solo fliers, and few as idiosyncratic as Smith want to bend their gifts to the thriving of nonliterary communities.
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"Fans have publicly expressed confusion and consternation at seeing 'The Lord of the Rings' associated with the morally questionable (and decidedly nonliterary) world of online and casino gambling," the lawsuit said.
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As Sarah Menkedick reminds us, the continual potshots taken at the personal essay form — as the lazy, nonliterary exposure of trauma and identity — are reductive, and arguably just symptoms of condescending reading.
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Such colloquial words were, however, collected in small dictionaries of slang, jargon, and cant vocabulary over the years, giving us a window into the history of colorful nonliterary language, particularly that of London.
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So many nonliterary factors in the publishing process influence the ultimate fate of a book: the publisher's prestige; the author's charisma, friends and gender; the amount of time and money devoted to promotion.
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In this formulation, "genre" is a pejorative adjective for any kind of mediocre writing rather than a designation for nonliterary styles, and can easily refer to mediocre fiction that happens to carry "literary" markers.
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Michael Levey's "Early Renaissance" was the first nonliterary work to win the Hawthornden Prize when it was published in 21960, and several other books in the series, notably Linda Nochlin's "Realism" (21989) and Mr. Honour's own contribution, "Neo-Classicism" (21991), quickly became standard works.
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Science of geographical factors (systematic geography). Theoretical geography 911.2 Physical geography 911.3 Human geography (cultural geography). Geography of cultural factors 911.5/.9 Theoretical geography 912 Nonliterary, nontextual representations of a region 913 Regional geography 92 Biographical studies. Genealogy. Heraldry.
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Dan Kellum, "Lessing's Legacy of Political Literature: Skeptics Call It A Nonliterary Nobel Win, But Academy Saw Her Visionary Power", CBS News, rpt. from The Nation (column), 14 October 2007. Retrieved 17 October 2007. ;2004 The 2004 prize was awarded to Elfriede Jelinek.
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It can be performed as validly for bad works as good ones. In fact, it can be performed for any expression, nonliterary or literary. Thus an historical/biographical study of literature fails on two counts: it cannot tell good literature from bad, and cannot distinguish literature from other cultural productions.
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Ted Kooser is known for his conversational style of poetry that is accessible to a nonliterary public. Critic Dana Gioia, in his book Can Poetry Matter?, describes Kooser’s style as "drawn from common speech, with subject matter common to the Midwest." Kooser's early and contemporary work involves both troubles for Midwesterners, and observations from everyday life.
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As H.L. Heilman writes, > to declare the literary work self-contained or autonomous was less to deny > its connections with the nonliterary human world, past and present, than to > assert metaphorically the presence in the poem of suprahistorical uniqueness > along with the generic or the hereditary or the culturally > influenced.Heilman, Robert Bechtold. The Southern Connection. Baton Rouge: > Louisiana State Univ.
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The Elamkulam model of a highly centralised "empire" (unitary/Imperial state model) in medieval Kerala is now considered not acceptable by south Indian historians. Majority of Elamkulam's works are written in Malayalam, with a few in Tamil and English. He was well versed in Kannada, Tulu (largest nonliterary South Dravidian language) and Pali (language of the Theravada Buddhist canon) also. He was also considered as one of the top authorities in Vattezhuthu script and Old/Early Malayalam language.
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Like many other younger poets, Mayer found a home in the poetry community surrounding The Poetry Project at St. Marks Church. Mayer was well known for the workshops she taught there, ones that "have become renowned for the variety of textual approaches deployed, and for their emphasis on nonliterary (or not primarily literary) texts." She taught regularly from 1971 to 1974 and sporadically throughout the rest of the 70s. From 1972 to 1973, Mayer co-edited the publication Unnatural Acts, a "collaborative writing experiment" that arose from one of her workshops.
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Although Pinter was unable to give his Nobel Lecture in person because of ill health, he delivered it from a television studio on video projected on screens to an audience at the Swedish Academy, in Stockholm. His comments have been the source of much commentary and debate. The issue of their "political stance" was also raised in response to the awards of the Nobel Prize in Literature to Orhan Pamuk and Doris Lessing in 2006 and 2007, respectively.Dan Kellum, "Lessing's Legacy of Political Literature: The Nation: Skeptics Call It A Nonliterary Nobel Win, But Academy Saw Her Visionary Power", CBS News, rpt. from The Nation (column), 14 October 2007.
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Christianity and Literature, January 1, 2003 via Highbeam (subscription required) the contribution of Justifying Belief to rhetorical and literary scholarship. In College Literature, Thomas West praises Justifying Belief’s exclusive focus on Fish's nonliterary work and its clear explanation of how it articulates a postmodern, antifoundational philosophical position. A Canadian scholar, Greg Maillet, writing in Religion and Literature, judges Justifying Belief to be an informative explication of Fish's antifoundationalist rhetoric. Ulf Schulenberg, a scholar at the University of Bremen in Germany, writes in American Studies that Justifying Belief is a clear explication of Fish's theoretical work, although he criticizes Olson for focusing only on certain representative texts of Fish, and for not being critical of other aspects of Fish's work.
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His plays are intensely Serbian and knowledge of the times in which they are set is essential for a proper understanding of them. It was critic Jovan Skerlić's lack of understanding the man himself, rather than the plays and novels he wrote, which was responsible for omitting Dragutin Ilić's name from among the premier writers and poets in his Istorija nove srpske književnosti (History of Modern Serbian Literature). Unlike his younger brother Vojislav, Dragutin did not consider himself dedicated to poetry only; and most of his early work was written for some immediate, nonliterary purpose. That Dragutin was dedicated to literature, at least to literature in its broadest sense, is borne out of his opus and the fact that he was striving for the beauty of expression can be seen in his style.
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Critics have argued that by parodying a high-priced advertisement for an even higher-priced hotel and juxtaposing those images with the most economically disadvantaged and those who would never be able to take advantage of the amenities offered by the hotel that Hughes was writing with the ideals of worker rights in mind that would later form the basis for the political and social ideals collectively referred to as the Popular Front. In his essay "The Adventures of a Social Poet" James Smethurst argues that "one of the most noted features of Popular Front aesthetics is a conscious mixing of genres and media – of 'high' and 'low,' of 'popular' and 'literary,' of Whitman and Eliot, of folk culture and mass culture, of literary and nonliterary documents."Smethurst, James. "The Adventures of a Social Poet", in Steven C. Tracy (ed.), A Historical Guide to Langston Hughes, New York: Oxford University Press, 2004. Print.
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