107 Sentences With "trilled" | Random Sentence Generator

The phone trilled sharply, startling him out of his musing.

His readings were delivered with dramatic flair, often with trilled "r's" for emphasis.

Meadowlarks trilled, then exploded out of a field of barley, landing on mesquite posts.

A bird trilled and Ms. Macel paused to listen, then pointed in its direction.

Each time I did, my camera trilled, indicating it was snapping photos in quick succession.

I was still not expecting SCOTS, despite some familiarity with the brogue, which is, of course, trilled.

As the song trilled its last few beats, Monáe and her dancers slowed, laughing and wiping their brows.

Women played the imzad, a one-stringed fiddle, and the goatskin tindé drum, while men trilled on the shepherd's flute.

Blunt played Ivanka as a deeply disappointed woman exuding righteous regret: "I'm supposed to be the brains here," she trilled.

As Parton finished her song, she trilled, "Go vote for us!" before she was whisked through a side door and disappeared.

"They all drive a little different, are each a little bit unique," he trilled, a man obviously very happy with his job.

But among the most memorable moments were the subtlest, as when Ms. Bullock trilled over the barest hint of high strings, bells and softly tolling drum.

You may know about Klingon's unusual object-verb-subject word order, but did you know that High Valyrian has the same tapped and trilled R sounds as Spanish?

"We are thrilled that the Supreme Court realized the rule's immediate impact and froze its implementation," trilled the attorney-general of West Virginia, one of the states leading the suit, after the court issued its stay.

As the players were shedding their uniforms and dipping their feet into buckets of ice, Kyrie Irving, James Jones and Jordan McRae trilled a dawdling rendition of "The Star-Spangled Banner," uncoiling the lines with waggish emotion as their teammates looked on and laughed.

To some fans, though, "Okurrr" is also the sound that many a Kardashian makes — in fact, some fans were first introduced to "Okurrr" on Keeping Up With The Kardashians, as Khloé, Kourtney, Kylie, and the rest of the Kardashian-Jenner clan trilled their way through episodes.

Although don't expect to find yourself singing along to any of the traditional hymns you trilled in school—a recent gathering featured a version of potty-mouthed '70s soul singer Millie Jackson's "Fuck You Symphony" accompanied by back-of-the-house dancing inspired by '80s boy band pioneers New Edition.

There was the guitar, of course, and her dulcimer, but she also hauled out a banjo, a harmonica, a harp, a flute, a saxophone; she drew a big, indulgent laugh from the crowd when she tootled her way through "Yakety Sax," trilled, "Y'all want to see me play this backwards?" then turned around and played the same song again.

The tawny-headed swallow makes use of a flight call described as a soft trilled treeeeb.

Increasing the stricture of a typical trill results in a trilled fricative. Trilled affricates are also known. Nasal airflow may be added as an independent parameter to any speech sound. It is most commonly found in nasal occlusives and nasal vowels, but nasalized fricatives, taps, and approximants are also found.

Features of the voiced bilabial trill: In most instances, it is only found as the trilled release of a prenasalized stop.

Its calls are variable, often low-pitched trilled or gurgling whistles. In courtship it makes a sound much like a far-off cow mooing.

Usually the bottom loop was filed off to indicate unilateral airflow. was combined with other letters to indicate they were trilled, that it was ingressive.

This trill technique only works well for semi-tonal trills or trills in high positions (where the distance between notes is lessened), as it requires the trilling finger and the finger below it to be touching, limiting the distance that can be trilled. In very high positions, where the trilled distance is less than the width of the finger, a vibrato trill may be the only option for trill effects.

The call of the protea canary is a trilled tree-lee-loo or a sweet. The song is a loud medley of warbles and trills, with much mimicry.

The sexes are similar, and the juvenile resembles the adult. The call is a variable series of trilled notes including trreee-rriiit trreee-rriiit and a harsh pttt.

Graduated, white-tipped tail may appear rounded. Voice: Song; high- pitched, spaced chit, chit, precedes trilled ', call; ,.... also a short song flight. Habitat: Forests near water and scrubwoods.

Variations of the retroflex trill in IPA symbols Several languages have been reported to have trilled retroflex affricates such as and , including Mapudungun, Malagasy and Fijian. However, the exact articulation is seldom clear from descriptions. In Fijian, for example, further investigation has revealed that the sound (written ) is seldom trilled but is usually realized as a postalveolar stop instead. In Mapudungun, the sound (written tr) is strongly retroflex, causing and following the subsequent vowel to become retroflex as well.

This Latin term referred to the Latin R was trilled to sound like a growling dog, a spoken style referred to as ('dog voice'). A good example of a trilled R is in the Spanish word for dog, perro. In William Shakespeare's Romeo and Juliet, such a reference is made by Juliet's nurse in Act 2, scene 4, when she calls the letter R "the dog's name". The reference is also found in Ben Jonson's English Grammar.

Although most affricates are homorganic, Navajo and Chiricahua Apache have a heterorganic alveolar-velar affricate (Hoijer & Opler 1938, Young & Morgan 1987, Ladefoged & Maddeison 1996, McDonough 2003, McDonough & Wood 2008, Iskarous, et.al. 2012). Wari’ and Pirahã have a voiceless dental bilabially trilled affricate [t̪ʙ̥] (see #Trilled affricates). Other heterorganic affricates are reported for Northern Sotho (Johnson 2003) and other Bantu languages such as Phuthi, which has alveolar–labiodental affricates and , and Sesotho, which has bilabial–palatoalveolar affricates and . Djeoromitxi (Pies 1992) has and .

The tropical gnatcatcher has a thin buzzy gezzz call and a trilled swee see see si si si su su song. However, exact structure and tone of the voice varies greatly over its range.

According to Påhlsson (1972),Påhlsson, C. (1972) The Northumbrian Burr. Lund: Gleerup. the Burr is typically pronounced as a voiced uvular fricative, often with accompanying lip-rounding (). Approximant, voiceless fricative, tapped and trilled uvular pronunciations occur occasionally.

The tail is black with white tips to all but the central feathers, and is frequently wagged. R. m. trinitatis, of eastern Colombia, Venezuela and Trinidad has paler underparts, and buff flanks and head sides. The call is a trilled drdrdrdrdrdrdrdrdrdr.

Young birds are duller with less distinct breast streaking. The call is a sneezy '. The song varies geographically, perhaps reflecting the different subspecies of this bird. In Costa Rica it is a trilled ', whilst in eastern Bolivia it is an ascending '.

The race endemic to Trinidad, M. m. trinitatis is larger than mainland birds, and the female has yellower underparts. Apart from the buzzing display song, the white-bearded manakin has a number of other calls, including a trilled musical peeerr.

Among these, the tap is most common, whereas the tapped/trilled fricative is the second most common realization. Elsewhere in the article, the consonant is transcribed for the sake of simplicity and for the sake of consistency with IPA transcriptions of other dialects of Limburgish.

1001 Songs: The Great Songs of All Time and the Artists, Stories and Secrets Behind Them. Thunder's Mouth Press. p. 333. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.Doerschuk, Robert L.; & Doerschuk, Bob (2001).

When conspecific, the English name vermiculated screech owl is used, but M. guatemalae is used for the scientific name since it is older. Some taxonomists usually also include the "guatemalae" larger conspecific group with the foothill screech owl, M. roraimae and the Choco screech owl, M. centralis. Many authorities, including the American Ornithological Society, continue to call these species and M. guatemalae conspecific, while others, including the International Ornithologists' Union split them. Based on voices all in Panama appear to be M. centralis (with its short-trilled song), while populations in Costa Rica appear to be divided between M. centralis and M. guatemalae (with its long-trilled song).

Retrieved on 2010-12-08.LINGUIST List 8.45: Bilabial trill. Linguistlist.org. Retrieved on 2010-12-08. There is also a very rare voiceless alveolar bilabially trilled affricate, (written in Everett & Kern) reported from Pirahã and from a few words in the Chapacuran languages Wari’ and Oro Win.

They mainly eat insects, crabs and other small aquatic animals. African rails are secretive in the breeding season, but are easier to see than many other rail species, especially in the morning. They are noisy birds, with a trilled whistled treee-tee-tee-tee-tee call.

The Southern Ostrobothnian dialects () are spoken in Southern Ostrobothnia. Their most notable feature is the pronunciation of "d" as a tapped or even fully trilled . The Middle and North Ostrobothnia dialects () are spoken in Central and Northern Ostrobothnia. The Far Northern dialects () are spoken in Lapland.

The massive black bill, which gives this species its English and generic names, is the best distinction from the similar great kiskadee, which also has more rufous tail and wings, and lacks the olive tone to the upperparts. The call is a strident trilled nya, nya, nya.

The lower part of the beak is dark horn-colored (light grey). Young birds are coloured essentially like the adult female, but duller and greyer. Young males begin to acquire full adult plumage in their first year. The yellow-faced grassquit has a weak buzzing trilled ttttt-tee call.

Golden-winged warblers feed on insects, spiders, and caterpillars. They have strong gaping (opening) musculature around their bill, allowing them to uncover hidden caterpillars. Their song is variable, but is most often perceived as a trilled bzzzzzzz buzz buzz buzz. The call is a buzzy chip or zip.

Sexes are similar. Tropical pewees perch on a high watchpoint from which they sally forth to catch flying insects, returning to the same exposed perch. This is a conspicuous species, with a trilled threeee call, or a sharp weet. There are, however, some geographical variations in its voice.

Old and Middle English /r/ was historically pronounced as an alveolar trill, [r]. At some time between later Middle English and Early Modern English, it changed to an alveolar approximant, , in the standard accents. Some Scottish speakers, however, retain the original trilled ("rolled") /r/.Pfenninger, S.E. et al.

Most of the letters are pronounced with the same values as the International Phonetic Alphabet (IPA), the exceptions being (approximately English j but more palatalized), , (a flap). The letter is approximately like English ch but more palatalized. The palatal nasal is spelled in older works. Long consonants are written with double letters; is a trilled .

In most modern musical notation, a trill is generally indicated with the letters (or sometimes simply ) above the trilled note. This has sometimes been followed by a wavy line, and sometimes, in the baroque and early classical periods, the wavy line was used on its own. In those times the symbol was known as a chevron.Neumann, Frederick (1978).

The calls given by flocks near the breeding areas are typical swift screams, including a trilled tsiririri or harsher spee-eer. They resemble the cries of the common swift, but are softer and less wheezy. Pacific swifts are less vocal on the wintering grounds, but produce a variety of twitters and buzzes.Simpson & Day (2010) p. 163.

The alveolar trilled [r] is also regularly used by older generations and is understood by children. [r] will generally be used, otherwise [x] and [g] are uttered in complementary distribution (Hafford, 2015, pg. 38). If /l/ is adjacent to a [+high] vowel, /l/ will become a voiced alveolar stop balu -> [badu] ‘child’. Wuvulu has four plural pronouns.

4-10 eggs are laid, and are white speckled with yellow. The western rock nuthatch has a tsik call and a trilled tui tui tui song. It is common in suitable habitat in most of its range. Pliny the Elder believed that it was these birds that inspired man to build homes of earth in imitation of the western rock nuthatch's nests.

Thus, the narrower transcription is also appropriate. Wahgi has a similar trilled allophone of its lateral flap, , but it is voiceless. Wintu and Lardil are other languages with a reported (apico-)retroflex trill where the tongue apex "approaches" the hard palate, but it is not subapical, unlike in Toda. The trill has a retroflex flap allophone that occurs between vowels.

The male has glittering green underparts, white thighs and a blue vent. The female is duller green below and has grey-buff edges to the vent feathers. Young birds are dull dark bronze-green below. The steely-vented hummingbird has a trilled descending chit call in South America, but the Blue-vented from Central America has a high sharp tsip.

The epiglottal region produces the plosive as well as sounds that range from fricative to trill, and . Because the latter are most often trilled and rarely simply fricative, these consonants have been classified together as simply pharyngeal, and distinguished as plosive, fricative/approximant and trill.John Esling (2010) 'Phonetic Notation', in Hardcastle, Laver & Gibbon (eds) The Handbook of Phonetic Sciences, 2nd ed., p. 695.

This yellow bill darkens as the juveniles age, eventually turning black in adulthood. In winter, its size, buff plumage, with a darker back and cap, and “powder puff” rear end enable easy identification of this species. The little grebe's breeding call, given singly or in duet, is a trilled repeated weet-weet-weet or wee-wee-wee which sounds like a horse whinnying.

The female's upperparts are much like the male, but females of the southern populations are orange below and have an orange supercilium. These occur south and east from southeastern Colombia and southernmost Venezuela. Northern population's females have underparts which are buff with dark streaks. It has a tu whistle followed by a trilled churet, and a repeated and accelerating tu-ik call.

Standard Liangshan Yi has two similar "buzzed" vowels that are described as syllabic fricatives, . The former may even be trilled . Sinologists and linguists working in the Chinese analytical tradition frequently use the term apical vowel ( Shéjiān yuán yīn) to describe the sounds above and others like them in various Sino-Tibetan languages. However, this is a misnomer, as the tongue is actually laminal.

It stays near the ground, at the base of vegetation, and is hard to observe. It may frequently forage on the ground. It has a distinctive tabirr call and a fine, accelerating trilled song, which can be used sparingly to call it into sight. Most breeding territories are established in dense vegetation along streams, and nests are placed very close to the ground.

Young begin calling for begging purposes in a slightly trilled peeping noise, similar to that of a domestic chick. As they mature, their song changes to a more adult-like chittering. Their typical advertising call is loud and nasaly "aaarrh" descending in a pitch and ending in a trill. They use other calls during copulation, alarm and breeding ceremonies that are slightly variable from the advertising call.

The yellow canary, with overlapping range, is also a known confusion species. The call notes of the brimstone canary in the south of its range are a trilled, deeply pitched swirriwirrit or chirrup. The song is a jumble of chirps, whistles, warbles and trills, with the same deep pitch as the call. Northern birds have a faster, higher, less jumbled and more tuneful version of the song.

He continued to have an influence on fashion: most students, above all Curie and Costache Mihăileanu, imitated their teacher's every mannerism. Because of Aristia, a generation of actors "trilled and swagged", wore their hair long, and put on "garish" neckties. By 1833, Aristia had become a regular in liberal circles, meeting with his pupil Ghica and other young intellectuals. Together with Heliade, they established a Philharmonic Society.

The bill is black to grey-brown becoming pale grey on the base of the lower mandible, the iris is dark brown and the legs and feet are grey-brown or greyish. The female is similar to the male but has a grey crown and eyestripe. Young birds are duller versions of the adults. The Corsican nuthatch has a pu-pu-pu call and a trilled hididididididi song.

The pale-footed swallow has a flight call frequently described as a dzreet. Their call can be differentiated from the call of the similar blue-and-white swallow by the fact that it is drier than that of the blue-and-white swallow. These swallows also have been known to use a call described as a trilled tre-e-e-ed. The song is a series of trills and thin warbles.

In many of the languages in which the bilabial trill occurs, it occurs only as part of a prenasalized bilabial stop with trilled release, . That developed historically from a prenasalized stop before a relatively high back vowel like . In such instances, the sounds are usually still limited to the environment of a following . However, the trills in Mangbetu may precede any vowel and are sometimes preceded by only a nasal.

Baka (Tara Baka) is a Central Sudanic language of South Sudan, with the majority living in an area centered on Maridi, South Sudan, but also a couple thousand speakers in the DRC. It has consonants with trilled release such as and . A 2013 survey reported that the Baka were the largest ethnic group in Maridi County, South Sudan. They also live in Baka Boma, Tore Payam, Yei County, South Sudan.

His PhD dissertation, A Lingua Pirahã e Teoria da Sintaxe, completed in 1983, was written under the direction of Dr. Charlotte Chamberlland Galves. This dissertation provided a detailed Chomskyan analysis of Pirahã. On one of his research missions in 1993, Everett was the first to document the Oro Win language, one of the few languages in the world to use the rare voiceless dental bilabially trilled affricate (phonetically, ).

Recorded variations include a ' given by males at the nest and a trilled '. Sometimes the male strings calls together and sings them in a strident tone, to create a sort of short song, transcribed as ' or '. The song is interspersed with sibilant ' notes similar to those of the white wagtail. A thin ' vocalisation not unlike that of an Indian robin has been reported, but the context of this call is unrecorded.

In 1969, G. David Peters began researching the feasibility of using PLATO to teach trumpet students to play with increased pitch and rhythmic precision. He created an interface for the PLATO III terminal. The hardware consisted of (1) filters that could determine the true pitch of a tone, and (2) a counting device to measure tone duration. The device accepted and judged rapid notes, two notes trilled, and lip slurs.

Some locals are very trilled to serve those tourists not because of money because years ago, they do not have any chance to interact with tourists directly and there were not many tourists after all. On the other hand, some locals assert that what tourists bring is trash, and these tourists are exploiting their resources. There is one problem with CBT villages. Before these villages became CBT, they were just poor villages.

Other languages use fricative and often trilled segments as syllabic nuclei, as in Czech and several languages in Democratic Republic of the Congo, and China, including Mandarin Chinese. In Mandarin, they are historically allophones of , and spelled that way in Pinyin. Ladefoged and Maddieson call these "fricative vowels" and say that "they can usually be thought of as syllabic fricatives that are allophones of vowels". That is, phonetically they are consonants, but phonemically they behave as vowels.

A whitish band below the bib extends down the center of the belly. It is a permanent resident of wooded highlands in western, central and northeastern Mexico, the range extends north into extreme southeastern Arizona and southwestern New Mexico. Although primarily nonmigratory, Mexican chickadees sometimes fly to lower elevations during the cold of winter. The Mexican chickadee's song is distinct from other chickadees; it is a complex burry trilled whistle of chischu-wur and a rich cheelee.

There are also a few speakers who mix uvular and alveolar articulations. Among uvular articulations, he lists uvular trill , uvular fricative trill , uvular fricative and uvular approximant , which are used more or less equally often in all contexts. Almost all speakers with a uvular use all four of these realizations. Among alveolar articulations, he lists alveolar tap , voiced alveolar fricative , alveolar approximant , voiceless alveolar trill , alveolar tapped or trilled fricative , voiceless alveolar tap and voiceless alveolar fricative .

The torrent tyrannulet feeds on insects, caught in flight or picked off bankside vegetation or rocks. It has a direct dipper-like flight low over water, and frequently pumps its tail as it perches on a rock in the stream. Its call is a sharp penetrating chip, readily audible over the noise of the rushing water, and the song is a slower repetition of the call or a seek followed by a trilled ti,ti,ti,ti,ti,ti,.

However, the features are not necessarily imparted as secondary articulation. Superscripts are also used iconically to indicate the onset or release of a consonant, the on-glide or off-glide of a vowel, and fleeting or weak segments. Among other things, these phenomena include pre-nasalization (), pre-stopping (), affrication (), pre-affrication (), trilled, fricative, nasal, and lateral release (), rhoticization (), and diphthongs (). So, while indicates velarization of non-velar consonants, it is also used for fricative release of the velar stop ().

The plain xenops is often difficult to see as it forages for insects, including the larvae of wood-boring beetles, on bark, rotting stumps or bare twigs. It moves in all directions on the trunk like a treecreeper, but does not use its tail as a prop. It may be located by its sharp cheet call, or its song, a series of 5 or 6 trilled fit fit fit f’ f’f f’ notes. It regularly joins mixed-species feeding flocks.

Thus, in cases where a dialectal variation between voiceless uvular and velar fricatives is claimed the main difference between the two may be the trilling of the uvula as frication can be velar in both cases - compare Northern Dutch acht 'eight' (with a postvelar-uvular fricative trill) with Southern Dutch or , which features a non-trilled fricative articulated at the middle or front of the soft palate. For a voiceless pre-uvular fricative (also called post- velar), see voiceless velar fricative.

There is a high volume of loanwords from each, but some changes appear to have instead distanced Arbanasi from these languages—this is the case with the replacement of all trilled /r/ (the only rhotic in all three of Croatian, Italian and Venetian) with an alveolar tap, a sound totally absent in all three of these influencers. In other ways Arbanasi behaves like a typical Gheg Albanian dialect.Matasović, Ranka (2012). "A Grammatical Sketch of Albanian for students of Indo-European".

The Southwestern dialects () are spoken in Southwest Finland and Satakunta. Their typical feature is abbreviation of word-final vowels, and in many respects they resemble Estonian. The Tavastian dialects () are spoken in Tavastia. They are closest to the standard language, but feature some slight vowel changes, such as the opening of diphthong-final vowels ( → , → , → ), the change of d to l (mostly obsolete) or trilled r (widespread, nowadays disappearance of d is popular) and the personal pronouns ( (we: our), (you: your) and (they: their)).

Ratzinger recalled: "at the moment the elderly Archbishop laid his hands on me, a little bird – perhaps a lark – flew up from the altar in the high cathedral and trilled a little joyful song." Ratzinger's 1953 dissertation was on St. Augustine and was titled The People and the House of God in Augustine's Doctrine of the Church. His habilitation (which qualified him for a professorship) was on Bonaventure. It was completed in 1957 and he became a professor of Freising College in 1958.

Young birds are like the female but have two tawny wing bars and faintly streaked buff-yellow underparts. The slaty flowerpiercer has a thin tsip call. The male's song consists of a mixture of whistles, warbles and trilled notes, see-chew see-chew see-chew seer seer surrzeep, tsee tsew tsink tsink tsink. As its name implies, the slaty flowerpiercer pierces the base of the flowers of shrubs and epiphytes with its bill and extracts the nectar through the hole with a brush-like tongue.

This is a common and confiding bird of primary and second growth forest, usually found in small groups. The female lays two purple-marked white eggs, which are incubated by both sexes for 16 days to hatching, in a small plant fibre and dead leaf cup nest low in a tree or shrub. The white-flanked antwren feeds on small insects and other arthropods taken from twigs and foliage in the lower branches of trees. It has a queep whistle followed by a trilled trrrrrr.

The song of the cock yellowhammer is a series of short notes, gradually increasing in volume and followed by one or two more protracted notes. It is often represented as "A little bit of bread and no cheese", and the full version can be confused with the almost identical song of the pine bunting. If the final notes are omitted, confusion with the cirl bunting is possible. Other vocalisations include a zit contact call, a see alarm, and a trilled tirrr given in flight.

In phonology, affricates tend to behave similarly to stops, taking part in phonological patterns that fricatives do not. Kehrein analyzes phonetic affricates as phonological stops.Kehrein (2002) Phonological Representation and Phonetic Phasing A sibilant or lateral (and presumably trilled) stop can be realized phonetically only as an affricate and so might be analyzed phonemically as a sibilant or lateral stop. In that analysis, affricates other than sibilants and laterals are a phonetic mechanism for distinguishing stops at similar places of articulation (like more than one labial, coronal, or dorsal place).

The album also continued his creative partnership with bassist Thundercat, who had appeared on Flying Lotus' 2010 record Cosmogramma. An electronic jazz album, Until the Quiet Comes features free jazz elements, varying musical tones, contrasting scales, and shifts in rhythmic feel. Its songs are sequenced together and characterized by what music journalists noted to be ghostly vocal production, irregular drum beats, pulsating percussive textures, trembling basslines, trilled synthesizers, and fluctuating samples. The album has a journey-like concept and dreamy musical narrative, which Flying Lotus conceived while imagining himself in the process of astral projection.

Ah Di, remorseful of the situation he has caused everyone, makes a vow to convince his older brother to take in Xiao Mei and Yu Cheng when they reunite. On the verge of total despair, fate brings Ah Di to Wei Zhong and is also forced to take in Xiao Mei and Yu Cheng. Wei Zhong is not trilled as he feels that he is forced to stay with three total strangers. Unable to comprehend Wei Zhong's disdain towards him, Ah Di feels deeply hurt and disappointed that his older brother is different.

In the novel Peggy tells how the English cellist Beatrice Harrison was recorded and broadcast during the 1920s and 1930s playing in her garden to the accompaniment of nightingales singing (pp. 171–2). Her account appears to be in homage to the poem "The Nightingale Broadcasts" by Robert Saxton, which won the Keats-Shelley Prize in 2001. Later, where Saxton has "a nightingale cadenza, which gargled and trilled from the oak leaves", Peggy's voice tells of their "long gurgling trills" (p. 196). This theme appears to draw on Harrison's autobiography, first published in 1985.

Its calls have been described as short and explosive. Females produce calls that are thin and “chaffy” in quality and are high pitched and almost trilled. Yellow-throated euphonia males are distinctive across most of their geographic range due to their yellow throat, however they overlap with the similar thick-billed euphonia in southwestern Costa Rica and western Panama. Thick-billed euphonia also have a yellow throat, but have a more extensive yellow crown than yellow-throated euphonia and are much more common in geographic areas where their ranges overlap.

Aggressive males give a trilled version of their call, transcribed as "chur-chur-r-r-it-it-it-it". This call is also used by females in the breeding season, to establish dominance over males while displacing them to feed young or incubate eggs. House sparrows give a nasal alarm call, the basic sound of which is transcribed as quer, and a shrill chree call in great distress. Another vocalisation is the "appeasement call", a soft quee given to inhibit aggression, usually given between birds of a mated pair.

Its song is a high pitched series of up to 15 c'r'eek notes, at first hesitant, then accelerating and descending slightly. There is also a cr'e'e'e', k'e'e'e'e song that is repeated over and over. Chirp-like squeaks similar to that of a well-rosined bird squeaker and a soft, purring series of trilled notes, lower in pitch than other calls, are heard. In general, the vocalizations of the short-tailed pygmy tyrant are all unlikely to be recognized as bird vocalizations, but are rather more like the sounds made by crickets or small frogs.

The voiced alveolar trill is a type of consonantal sound used in some spoken languages. The symbol in the International Phonetic Alphabet that represents dental, alveolar, and postalveolar trills is , and the equivalent X-SAMPA symbol is `r`. It is commonly called the rolled R, rolling R, or trilled R. Quite often, is used in phonemic transcriptions (especially those found in dictionaries) of languages like English and German that have rhotic consonants that are not an alveolar trill. That is partly for ease of typesetting and partly because is the letter used in the orthographies of such languages.

The courtship display of the male consists of rising with fluttering wing-strokes and then diving down with closed wings to a perch. The slow flappy start to the song flight recall a hoopoe for which this species is named. The striking wing pattern of black wing feathers with a white base and trailing edge; and a white tail with black outer feathers are displayed in flight. The male also sings with rising and falling notes consisting of trilled whistles and clicks that have been transcribed as a tee-tee-tee followed by a prolonged tee-hoo while nosediving.

The term "Besh Qardash" means "Five Brothers" in the Khorasani Turkic language which is a local language in the region. It refers to the mythic history of the place. According to the myth, there had been five brothers fighting against the then- brutal government and when they harbored to a hillside, they disappeared and five water springs trilled. Besh Qardash's page on Wikipedia Farsi In the Qajar era, Naser al-Din Shah passed the place in his state visit and ordered Yar Mohammad Khan Shadlou (also known as Sardar Mufakham or Siham al-Dowleh Bojnordi) to construct a monument right next to the springs.

In the Otomi of Cruz del Palmar, Guanjuato, the nasal vowels are , the former having changed to .In the late 20th century, Mezquital Otomi was reported to be on the verge of losing the distinction between nasal and oral vowels. Bernard noted that had become , that and were in free variation, and that the only nasal vowel that continued to be distinct from its oral counterpart was . Modern Otomi has borrowed many words from Spanish, in addition to new phonemes that occur only in loan words, such as that appears in some Otomi dialects instead of the Spanish trilled , and , which is not present in native Otomi vocabulary either.

In linguistics, pre-stopping, also known as pre-occlusion or pre-plosion, is a phonological process involving the historical or allophonic insertion of a very short stop consonant before a sonorant, such as a short before a nasal or a lateral . The resulting sounds () are called pre-stopped consonants, or sometimes pre-ploded or (in Celtic linguistics) pre-occluded consonants, although technically may be considered an occlusive/stop without the pre- occlusion. A pre-stopped consonant behaves phonologically as a single consonant. That is, like affricates and trilled affricates, the reasons for considering these sequences to be single consonants lies primarily in their behavior.

Rho is classed as a liquid consonant (together with lambda and sometimes the nasals mu and nu), which has important implications for morphology. In both Ancient and Modern Greek, it represents a trilled or tapped r. In polytonic orthography, a rho at the beginning of a word is written with a rough breathing, equivalent to h ( rh), and a double rho within a word is written with a smooth breathing over the first rho and a rough breathing over the second ( rrh). That apparently reflected an aspirated or voiceless pronunciation in Ancient Greek, which led to the various Greek- derived English words starting with rh or contain rrh.

In 2004, Everett discovered that the language uses a voiceless bilabially post-trilled dental stop, . He conjectures that the Pirahã had not used that phoneme in his presence before because they were ridiculed whenever non-Pirahã heard the sound. The occurrence of in Pirahã is all the more remarkable considering that the only other languages known to use it are the unrelated Chapacuran languages, Oro Win, and Wari’, spoken some west of the Pirahã area. Oro Win is a nearly extinct language (surviving only as the second language of a dozen or so members of the Wari’ tribe), which was discovered by Everett in 1994.

The distribution of the two rhotics and closely parallels that of Spanish. Between vowels, the two contrast but they are otherwise in complementary distribution: in the onset, an alveolar trill, , appears unless preceded by a consonant; different dialects vary in regards to rhotics in the coda with Western Catalan generally featuring an alveolar tap, , and Central Catalan dialects like those of Barcelona or Girona featuring a weakly trilled unless it precedes a vowel-initial word in the same prosodic unit, in which case appears. In Eastern Catalan and North Western Catalan, most instances of word-final are silent, but there are plenty of unpredictable exceptions (e.g. in Central Eastern Catalan por 'fear' but mar 'sea').

" Although he finds it less "imposing" than its predecessor, Thomas May of musicOMH comments that "Until the Quiet Comes is like a chamber concerto to Cosmogrammas symphony", noting "an increased sense of space and separation" on the former. Songs on the album incorporate ghostly vocal production, winding basslines, uptempo drum-and-bass fills, broad orchestral elements, pulsating percussive textures, bright keyboards, trilled synthesizers, and fluctuating samples. They are sequenced together and exhibit a diminishing pace from the end of one track to the start of another. Joe Tacopino of Rolling Stone views that the album's guest vocalists "float into [Flying Lotus's] realm like visitors, just as fragile and malleable as the other elements he employs.

The velar/uvular fricatives are never fronted in such a way. The flap has a trilled allophone [] at the beginning of a word; otherwise, they contrast between vowels wherein a trill occurs as a result of gemination (doubling) of [], especially in loanwords of Arabic origin. Only [] occurs before and after consonants; in word-final position, it is usually a free variation between a flap or a trill when followed by a consonant or a pause, but flap is more common, only flap before vowel-initial words. An approximant also occurs as an allophone of before ; is sometimes in free variation with in these and other positions, such that ('Persian') is pronounced or and ('scarlet') or .

Extreme differences in pronunciation can be heard within Argentina. One notable pronunciation difference found in Argentina is the “sh” sounding y and ll. In most Spanish speaking countries the letters y and ll are pronounced somewhat like the “y” in yo-yo, however in most parts of Argentina they are pronounced like “sh” in English (such as "shoe") or like "zh" (such as the sound the ~~makes in "measure"). In many of the central and north-eastern areas of the country, the trilled /r/ takes on the same sound as the and ('zh' - a voiced palatal fricative sound, similar to the "s" in the English pronunciation of the word "vision".) For Example, “Río Segundo” sounds like “Zhio Segundo” and “Corrientes” sounds like “Cozhientes”.

In connection with the première, writing in La Nouvelle Revue (1 June 1894) the author and librettist Louis Gallet refers to "la charmante Mlle Laisné, qui joue et chante à ravir le rôle d'Aurore" (the charming Miss Laisné who plays and sings the role of Aurore so ravishingly). Le Matin discussed her charming voice and effective execution,; also quotes Le Figaro. and Le Figaro discussed how she agreeably chirped and trilled her way through Aurore. In 1898, Le Matin praised her performance in Fidelio, stating "Mlle Lai[s]nè a une voix d'une pureté délicieuse, qu'elle sait conduire avec un art consommé" (Miss Lai[s]né has a voice of delicious purity, which she knows to use with consummate art.), page 3.

Kiyoko's website similarly wrote that the song "shuffles from a wild beat towards a shimmering refrain hinging on her charismatic delivery". Simon Miraudo of Student Edge observed that the track exploits the singer's "favourite kind of chorus": "a speedy, trilled lyrical run-up to the song title, delivered deliberately on an isolated and sparse musical bed", followed by "sudden sonic emptiness" reminiscent of an ellipsis in a text conversation. The New York Times music journalist Jon Pareles wrote that the track "rotates through three chords and a hollow beat with a lot of echo in its empty spaces". Despite featuring similar production to previous singles “Feelings” and “Sleepover”, the song's demeanor and Kiyoko's performance are more confident and empowered overall.

Mumps Hall was an inn at the confluence of the Poltross Burn and the River Irthing, a site now at the centre of the village of Gilsland in Cumbria. It appears in Celia Fiennes' account of her journey through northern England in 1689; she called it "a sorry place of entertainment" and it was described, but not named, by Walter Scott in his novel Guy Mannering: > “The alehouse, for it was no better, was situated at the bottom of a little > dell, through which trilled a small rivulet. It was shaded by a large ash > tree, against which the clay-built shed that served the purpose of a stable > was erected, and upon which it seemed partly to recline. In this shed stood > a saddled horse, employed in eating his corn.

Characteristic and popular parlour songs include "Home, Sweet Home," composed by Henry R. Bishop with lyrics by John Howard Payne, "The Old Arm Chair" by Henry Russell, "When the Swallows Homeward Fly" by Franz Abt, "Kathleen Mavourneen" composed by Frederick Nicholls Crouch with lyrics by Marion Crawford, "The Lost Chord" composed by Arthur Sullivan with lyrics by Adelaide A. Proctor, "Take Back the Heart" by Claribel (Mrs. Charlotte Barnard), "Oh Promise Me" by Reginald de Koven, "I Love You Truly" and "A Perfect Day" by Carrie Jacobs-Bond, and "The Rosary" by Ethelbert Nevin. "Just Awearyin' for You" (see insets) exemplifies the parlor song. Note the sentimental lyrics by Frank Lebby Stanton, the plaintive but well matched tune by Carrie Jacobs- Bond, and the conscious artistry (including the operatic trilled "r"s) by singer Elizabeth Spencer.

" Owen Gleiberman of Entertainment Weekly gave the film a C, saying "In the Shrek films, the joke of Puss in Boots, with his trilled consonants and penchant for chest-puffing sword duels, is that no one this cuddly should try to be this dashing. But in Puss in Boots, that joke wears out its welcome in 15 minutes." Ty Burr of The Boston Globe gave the film three out of four stars, saying "Puss in Boots doesn't break any new ground in the storytelling department, and its reliance on go-go-go state-of-the-art action sequences grows wearying by the end, but the movie has a devilish wit that works for parent and child alike." Elizabeth Weitzman of the New York Daily News gave the film four out of five stars, saying "It's always a pleasure to find a family film that respects its audience all the way up the line.

The first phrase of this concerto begins ambiguously. A unison E followed by a C, then a G, is followed by the dominant chord's leading tone (A) trilled up to the dominant, B. It's interesting that this progression seems to suggest a dominant cadence in the dominant key of B. In other words, Cmin to F to B (ii – V – I in B). There is an immediate modulation, through a fiery C-minor passage, into B major. Here a possible second theme is heard, played by strings, winds not coming in until its later strain (near the modulation back into E). Also interesting about this concerto is that the first movement ventures off from the normal conception of the concerto. Usually, when it comes time for the cadenza at the end of the recapitulation, the soloists will have a cadential trill on the tonic after which the orchestra will play part of the ritornello leading to the I 6/4 at which point the soloists performs the cadenza.