Pakistani newspapers, rights groups, journalists' clubs and social media chorused outrage at his persecution.
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The teetotal Mr Corbyn's fitness "is legendary", declared Jon Trickett, the shadow cabinet-office minister ("Legendary!" chorused Labour MPs assembled behind him).
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The boos and jeers that chorused through the SAP Center during the forgettable welterweight tilt with Gonzalez bore a stark contrast to elation that Page usually stirs.
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Both Mr Modi and the most prominent opposition leader, Rahul Gandhi, who is vice-president of the Congress Party, comically chorused charges that neither one was allowing the other to speak, even as their parties traded blame over the legislative logjam.
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But he and another engineer, Anthony Kennedy, 29, echoed all others — including three female managers in their 40s who chorused that "we're better off as an island" — in saying they did not feel well enough informed to make a considered choice.
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It is sometimes called a chorusing, choruser or chorused effect. On accordion, it is called a "musette" or "wet" sound.
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This structure of "quiet verses with wobbly, chorused guitar, followed by big, loud hardcore-inspired choruses" became an alternative rock template.di Perna, Alan. "Brave Noise—The History of Alternative Rock Guitar". Guitar World, December 1995.
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Early in 2010, Jinny Ng and Enzo Siu chorused the song "Love@Earth", which marked the start of her music career. On 8 November 2010, she released her debut EP Love Diary , which has received positive criticisms.
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In 2011, Jinny Ng released the single "Intimate" (《知己》), which was chorused with Alfred Hui. It became a hit single as it reached to the peak of TVB Chart of pop songs and was awarded several times.
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Some examples of the use of "obviously chorused guitar tracks" include Fripp & Eno's "Evensong" (0:37), Nirvana's "Come As You Are" (0:00, clearest at 0:48), Mike Stern's "Swunk" (0:00), and Satellite Party's "Mr. Sunshine" (0:19, right channel).Hodgson, Jay (2010). Understanding Records, p.143.
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It is played according to Vaithari or Thalam by the Gurukkal (Teacher). The typical Kolkali group will contain between sixteen and twenty members. One among them will sing the folksong and it will be chorused by rest. Harmonizing with generational changes, Kolkali like all other folk-art of North Malabar, has also changed its look and style over time.
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394 When Narcissus died, wasting away before his own reflection, consumed by a love that could not be, Echo mourned over his body. When Narcissus, looking one last time into the pool uttered, "Oh marvellous boy, I loved you in vain, farewell", Echo too chorused, "Farewell."Ovid, Metamorphoses, 3. 493-501 Eventually, Echo, too, began to waste away.
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" Grandiosity aside—what's Art, then, waving glow sticks?—"God Is a DJ" provides excellent philosophical underpinning for Pink's greatest hit, "Get the Party Started." After, the same critic added: "Pink revisits her recent career in "God Is a DJ," a big-chorused, fast-funk bass-lined spaz-out not written with Armstrong. Loving Mom, hating Dad, pulling her skirt up, sticking her tongue out—it's all here.
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The verses, which are difficult to sing because of their wide range, would be sung by a solo singer, with the entire Society joining in the refrain.Lichtenwanger (1977), pp. 23-24 Although it is often described as a "drinking song", Lichtenwanger states that To Anacreon in Heaven "was not a barroom ballad, a drinking ditty to be chorused with glasses swung in rhythm", but "convivial, ... in a special and stately way".
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Erykah Badu's vocals on the song are distorted and layered into loose, overlapping patterns, scat arrangements, and high-pitched vocal runs. "DMT Song" and "Nightcaller" serve as the album's centerpiece. The former song, titled after the natural psychedelic compound dimethyltryptamine, incorporates jazz-funk and light tenor to chorused falsetto vocals by Thundercat. It transitions into "The Nightcaller", which has analog percussion, piercing synthesizers, and interplay between Thundercat's bass and virtuosic cello.
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"Summer's Cauldron" is an extension of an original poem Partridge wrote called "Drowning in Summer's Cauldron". It is introduced with the sound of a bee that pans across the stereo channels. Rundgren provided the sample, along with other "summer sounds" such as crickets and barking dogs. The track emphasizes droning sounds and a "wobbly" chorused organ, the latter of which reminded Partridge of summer and the Beatles' "Blue Jay Way" (1967).
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The trivial tuning is a regular tuning based on the unison musical interval, which has zero semitones. It assigns exactly one pitch class (for example D, A, F or B) to all guitar-strings, tuned to the same note over two or three octaves. This creates an intense, chorused drone music, and interesting fingering potential. Among alternative tunings for the guitar, the trivial tuning is a regular and repetitive tuning.
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January 1995 Walker's style inspired Kurt Cobain's work with Nirvana, according to Bill Janovitz of AllMusic, with the use of a metallic sound mixed with a shimmering chorused effect. Foo Fighters, Nirvana drummer Grohl's subsequent band, covered "Requiem" in 1997. Metal band Fear Factory covered "Millenium" in 2005. Jane's Addiction said that the group was one of their influences; singer Perry Farrell was inspired by the percussive and tribal aspect of their music.
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Chris Roberts of Sounds said that it "makes you wish more pop stars were hip enough to stay in bed all day". Record Mirror reviewer Andy Strickland wrote that The Head on the Door "may lack the swirls of chorused guitar that many adore, but there's a wider more mature musical approach". NME wrote: "it's quite pop" and "tunes abound". In December 1985, The Head on the Door was named the best album of the year by Melody Maker.
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She wrote: "Overall, the album is produced in a way that accurately states how the band has developed and [...] [they] offer an easy-listening experience that has your head bopping along to each track, and singing along contently." Comparing it to 2013's Louder, Tim Senda from Allmusic said that "Sometime Last Night doesn't get bogged down in soggy ballads, but instead deals in chipper, big-chorused midtempo pop." He also praised the band's songwriting and Ross and Riker's vocals. Finally, Senda rated Sometime Last Night 3 and a half out of five.
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The Offspring has been labeled under multiple genres, such as punk rock, melodic hardcore, pop punk, skate punk, and alternative rock. A signature style of the Offspring are their chorused "whoas", "heys", or "yeahs". The band's former labelmates NOFX poked fun at them for this in their song "Whoa on the Whoas". Several tracks also incorporate elements of Eastern music, which can be heard on the likes of "Tehran," "Me & My Old Lady," "Pay the Man," "Dividing By Zero," and the verse hook from "Come Out and Play".
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These dogs do not bark, and their chorused howling makes a haunting and extraordinary sound, which has led to their alternative name of "New Guinea Singing Dog". Flannery published in his book a photo of a black- and-tan dog in the Telefomin District. He wrote that these dogs live with native people in the mountains, and that there were feral populations living in the alpine and sub-alpine grasslands of the Star Mountains and the Wharton Range. Compared with other forms of dog, the New Guinea singing dog is described as relatively short-legged and broad-headed.
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The looped piano starts-off "Exile", which then grows into a climax of chorused vocals, "glorious" harmonies and synths, mimicking the rising heat in the estranged lovers' conversation. "Exile" drew comparisons to Swift's older songs: "The Last Time" (2013) from her fourth studio album, Red, and "Safe & Sound" (2011) from The Hunger Games: Songs from District 12 and Beyond. Like the majority of Folklore, "Exile" also infuses a cinematic quality to its lyrics evoking visuals that allude to films, such as in the lines "I think I've seen this film before / and I didn't like the ending".
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The soaring "Exile" is a sentimental, gospel-flavored, indie folk duet with Justin Vernon of Bon Iver, fusing Swift's soft "honeyed" vocals with Vernon's low "growling" baritone, serving as an unspoken, argumentative conversation between two former lovers. It begins with a plodding piano and advances into a climax of chorused vocals, dramatic strings, synths and posh harmonies. It has drawn comparisons to Swift's 2013 single "The Last Time". Sung from the perspective of a deceased lover's ghost, "My Tears Ricochet" is an icy arena-goth song that reflects on the tension and toxicity of a past relationship, employing funereal imagery.
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Dave McPherson's vocals lack the raspy angst that can be heard on the previous album and he now sings in a softer, cleaner tone. Several songs on White Butterfly also contain multiple chorused vocals that are evident in songs as "So You Know" and "Faster the Chase", and one song that is sung almost entirely by Joe Morgan, "Almost Lost". The album also has a lighter tone compared to the considerably darker mood of Overgrown Eden which almost had a metal-type sound to it. This would also be the last InMe studio album that would feature Joe Morgan.
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As such, a standard multi-level chorus can make the sound of the bass notes much thinner. This problem can be corrected by either mixing more of the un-affected ("dry") signal into the mix or by increasing the amount of bass frequency chorused in the sound. Pedals such as the "I90" chorus from bass amplifier manufacturer Eden Electronics allow the musician to control both of these elements. As some guitar chorus pedals pass the whole, unmodified signal and only apply chorus to higher frequencies, some bass players prefer the sound of some guitar- oriented pedals.
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Before the verse starts, a pitch- shifted, delayed, fuzz guitar kicks in, which many mistook for a synth, to play a melody in the F major scale, featuring stereo panning effects to give it a sense of movement. The verse starts, featuring Parker's vocals, which are reverbed and delayed. The lyrics are minimal and only featured in the verses, while a heavily chorused, distorted guitar plays a riff in the choruses. Another verse comes in repeating the same lyrics, which gives way to a psychedelic outro, featuring many guitar overdubs with effects added to them coming to a crescendo.
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In 1938, the song was a smash hit in Nazi Germany under its Germanized title "". According to contemporary journalist Michael Mok, the song was likewise immensely popular among the German diaspora in America where pro-Nazi sympathizers in Yorkville ale-houses often chorused the tune under the mistaken impression that it was "a Goebbels-approved" ballad. Initially assumed to be an uncontroversial song in a southern German dialect, an uproar occurred when its Jewish provenance was abruptly discovered and widely publicized by the press. Following this embarrassing discovery, as "any music by composers of Jewish ancestry was forbidden under the Nazi regime," the song was promptly banned by state authorities in Germany.
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He has invented a > frequency generator which causes these people to crystallize and then > explode. In one of the best scenes all season, Walter and Astrid are in the > lab and, using a watermelon for their experiments, are able to determine the > exact frequency that the villain’s generator operates on. It was something > like 68.7 megacycles (I don’t recall exactly), so I used the signal > generator plugin and created some tones that started out as 68.7 megacycles. > They were simply low-frequency tones on their own so I processed them so > that they warbled and chorused and were a bit more mysterious than the > straight tone. It ended up being pretty subtle for television, but when > Walter identifies the tone as a certain frequency, that’s what’s actually > playing.
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Permian Dusk received a positive review from Rock Hard, which gave it a score of 9.5/10 and led their reviewer, Wolfram Küper, to declare it as the best power metal album of the year. Allmusic's Stewart Mason felt it avoided the "more annoying aspects of modern metal", where Tim's vocals showed "oddly perfect diction and haughty delivery of an old-school metal singer" and the rest of the band "plays it fast and melodic, with clean-sounding chorused guitars riffing". The group provided a music video for "Chloroform Divinity", which was co-written by Hodges and Smith. In November 2006, it was announced that Swedish keyboardist Kaspar Dahlqvist, a former member of various bands including Dionysus, Stormwind, Treasureland and Circle II Circle, had joined the Ilium line-up, though personal issues have meant that he was unable to continue with the band.
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Because it is nearly impossible for a performer to sing or play the same part in exactly the same way twice, a recording and blending of two different performances of the same part will create a fuller, "chorused" effect with double tracking. But if one simply plays back two copies of the same performance in perfect sync, the two sound images become one and no double tracking effect is produced. Townsend realised that, if two identical performances were played back with one of them slightly out of sync, the sound image would alter and widen, similarly to double tracking. There was no reliable way that this effect could be achieved by simply copying a vocal track on to another deck and then playing it back with the master slightly out of sync; at the time, there was no technique for synchronizing two different tape machines.
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199 notably, the exact circumstances of Curwen's "first" death. It is evident he was betrayed and probably killed by the entity summoned in his defense during the siege to the hidden grounds of his farm, but the identity of this being, as well as its possible connection with Yog-Sothoth (whose name is mentioned in the incantations) is left open to speculation. It is significant, however, that the entity's irruption during the confrontation elicits a "An unmistakable human shout or deep chorused scream", as well as "a yell of utter, ultimate fright and stark madness [that] wrenched from scores of human throats—a yell which came strong and clear despite the depth from which it must have burst", and that the participants of the raid are left with psychological sequels far beyond those expected in any episode of unconventional warfare. Prior to his first death, Curwen finds a way to create a spell that would transcend time and inspire a descendant to become interested in him and his work and attempt to bring him back should he ever be slain.
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