"Money is my motivation," as the prophet Future once rapped sang warbled.
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Lines for scones and coffee formed, dishes clattered, the Lumineers warbled away.
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What fuels sales of those licensed products once Mr. Buffett, 21987, has warbled his last warble?
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When it launched in 2012, Apple Maps incorrectly directed users to cross oceans and warbled bridges.
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"YOU'VE got to pick a pocket or two, boys," warbled Fagin to his band of youthful miscreants.
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Then we all stood, and someone who reached the finals of American Idol warbled the national anthem.
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As the signature iPhone ringtone warbled around the movie theater, the audience drew in their breath: They're saved!
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Finally, "The Star-Spangled Banner" warbled out, tinny and thin, as Spanberger, hand now over heart, sang along.
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I'm listening right now to the voice of my grandpa, which sounds thin and warbled, liked a clogged whistle.
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"I dreamed a dream in times gone by," he warbled with committed agony, as bemused Parisian taxi drivers flew past.
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"FROM NINE till five, I have to spend my time at work," warbled Martha and the Muffins back in 1980.
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" In the second verse, Prince's warbled vocals utter, "Every time I comb my hair / thoughts of you get in my eye.
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He has cuddled a puppy, swum with dolphins and warbled "Blueberry Hill" at a charity event in St. Petersburg in 2010.
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"LONELINESS is a crowded room," as Bryan Ferry of the band Roxy Music once warbled, adding that everyone was "all together, all alone".
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However, instead of another distraught hymn warbled by frontman Thom Yorke, the band has released a literal birdsong, sung by an animated bird.
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Finally a security drone warbled up to him and barked a request for his ID. "I'm here to see someone," Feo told it.
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However, instead of another distraught hymn warbled by frontman Thom Yorke, the band has released literal birdsong,... Always put your money on the bastards.
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They warbled, kicked and smiled until their faces hurt, vying for scholarships, cash prizes, and maybe even the eye of a Broadway casting director.
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The host inanely prattled; a singer warbled; movie clips were screened; and the main jury, headed by the Mexican director Alejandro González Iñárritu, took a bow.
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" After dinner, Jake Shears of the Scissor Sisters performed "Sad Song Backwards"; Mr. Cumming sang "Tomorrow"' and Reeve Carney, the "Hadestown" actor, warbled "Somewhere Over the Rainbow.
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He doesn't need our collective chuckles for being on his phone while Timberlake warbled some falsetto notes into a microphone while wearing the Duck Dynasty dude's wedding garb.
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Spotify had led two young lovers astray, and here we were, colours, so many colours, coalescing, while R fucking Kelly warbled on and on about being a snowman.
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On the site where Maria and the von Trapp kids memorably warbled through their music lesson ("Doe, a deer"), you can bask in 20th-century and contemporary art.
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He didn't live long enough for us to find out whether or not he can carry a tune, but something tells me Benjamin warbled a Tom Waits hit or two in his day.
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In 2006, "Grey Gardens," the musical, opened on Broadway: "It's a big house, the house we live in," Christine Ebersole warbled, miming Little Edie's flag dance, a particular favorite of YouTube drag queens.
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On stage, the small cast warbled melodiously at a clipped pace, interacting playfully and conspiratorially with the audience, which camped in front of the truck, sitting on folding chairs and blankets brought from home.
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JOSHUA BARONE If "Happy Birthday to You" is not the song I've heard most often in life — blared over cupcakes in elementary school, warbled embarrassingly in restaurants, sung sotto voce at office parties — it is certainly up there.
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A Las Vegas outfit inspired by the edgy British synth-pop of the 1980s—they named themselves after a fictional group from a music video by New Order—their keyboards warbled, their bass lines throbbed and their guitars growled.
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Inside the lodge, a house band warbled its way through a Fleetwood Mac tune as the bruised and battered grazed on hamburgers and poutine, the gooey morass of potatoes and cheese curds that was born in Quebec and is popular across Canada.
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The year is 2016, and the day is today, like its literaly happening in real time as u read this, thats how modarn this is The camara zoom in on the gleaming and warbled exterior of a Frank gehry design edifice in midtown manhatan (New york).
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To listen to a stambeli musician do his thing—to watch his body sway over the instrument, the calloused fingertips running up the strings, to hear the warbled chant (Sidi Mansour ya baba, Sidi Mansour ya baba)—is singularly unique, meant to be experienced in the flesh.
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In Living Color famously spoofed her with a "Rhythmless Nation" sketch: "There's music on my side, which really helps me hide / plus the fact that I cannot really sing helps me do my thing," warbled Kim Wayans as Houston, before launching into a lackluster running man.
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To expand, a David Lynch tribute album is on its way (titled The Music of David Lynch) and it will feature covers of songs featured in the director's films and across his own solo albums, like the creepy, warbled "In Heaven" from Eraserhead (1977) and "Blue Velvet" from the neo-noir horror of the same name.
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As I opened my mouth to brutally murder the first few bars of "All I Want for Christmas Is You," I realized it would be the first time in my life I'd sing the track with any degree of sincerity, having only ever warbled it at my drunk friends or at Christmas parties, and never before at an entire room of horny singletons I might one day lick.
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The male bird sings a series of warbled notes to defend his nesting territory.
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The song, influenced by nu metal, possesses "punch and warbled vocoder" and has been described as synth-rock and hard rock.
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Its call is tsit-it-it, and the song is warbled goldfinch-like trills and whistles given in display flight or from a high perch.
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The female is similar, but with a weaker head pattern and duller underparts. Juveniles are greyer than the female, especially on the head. Its song is a warbled zee- zeree-chereeo.
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In fresh fall plumage, the female's throat and breast are brownish near the flank contrasting with white tail underparts. Their call is a thin 'few'; while their song is warbled high 'chur chur'.
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His Edgardo in Lucia di Lammermoor, with Piccolomini, was a further sensation: As Manrico, opposite Maria Spezia- Aldighieri and with Marietta Alboni as Azucena, he still held the centre of attention.Lumley Reminiscences, 415-16. In the revival of Don Giovanni, with Piccolomini (Zerlina), Mlles Spezia (Donna Anna) and Ortolani (Elvira), Belletti (Leporello), 'the music of Don Ottavio was warbled by the beautiful voice of Giuglini as few had heard it warbled before. The noble air "Dalla sua Pace" was restored by Giuglini on this occasion, and he made a marked sensation by his tender, expressive delivery of it.
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Its habitat is karoo and coastal or mountain valley scrub. It builds a compact cup nest in a scrub. The yellow canary is a common and gregarious seedeater. Its call is chissick or cheree, and the song is a warbled zee-zeree-chereeo.
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The thick convex bill and legs are black. Young birds are duller, and have a white-mottled blackish throat and breast, and brown markings on the lower underparts. The common call is a high '. Males duet melodiously with a warbled cheery cheery answered by cheery to you.
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Mascarene martin has a warbled siri-liri siri-liri song given in flight or when perched; some calls given by perched birds end in a glissando. Other vocalisations may be used during mating or displays of aggression. There is a chip contact call, and the young birds produce a fast twittering sound when begging for food.Diamond (1987) p. 110.
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"Rear View" features electronic loops and warbled synths stacked atop of each other, as Malik's vocals echo throughout the chorus. "Wrong" incorporates elements from early 2000s R&B; music. "Fool for You" is a Beatles-influenced pop ballad, which Malik says was influenced by John Lennon in particular. It is a retro piano ballad, with some electronic elements.
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The head is brighter in color than the Cape canary, yellow in colour, and the face is cinnamon. The juvenile has greenish-yellow underparts with heavy brown streaking. The yellow-crowned canary is a common and gregarious seedeater. Its call is tsit-it-it, and the song is warbled goldfinch-like trills and whistles given in display flight or from a high perch.
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In fresh fall plumage, the female's throat and breast are tinged with red-orange, brownish near the flank contrasting with white tail underparts. Their call is a thin 'few'; while their song is warbled high 'chur chur'. It is the state bird of Idaho and Nevada. It is an omnivore and it can live 6 to 10 years in the wild.
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Calls include steady, persistent chipping and a shrill, nasal peek. The wedge-tailed sabrewing usually sings from dense vegetation, and its songs are complex and variable, usually including insect-like chips, squeaks, and squeals, followed by a series of excited warbled or gurgling notes. Males sing year-round, sometimes in small groups. Some tail or wing movements are associated with perched singing displays.
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The Mascarene martin is a relatively quiet bird, but it has a warbled siri-liri siri-liri song given in flight or when perched; some calls given by perched birds end in a glissando. Other vocalisations may be used during mating or displays of aggression. There is a chip contact call, and the young birds produce a fast twittering sound when begging for food.Diamond (1987) p. 110.
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Yellow-tufted honeyeaters are a noisy, active species in colonies from a few up to a hundred. It aggressively defends territories around flowering trees. It has a great variety of calls from a warbled "tui-t-tui-t-tui", a whistled "wheit-wheit", a sharp "querk" to a harsh contact-call "yip" or "chop-chop".Slater, Peter (1974) A Field Guide to Australian Birds: Passerines.
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Fayard, Paris, 1999. Catalogue des oeuvres, pp. 685–715. In a 1891 letter to Madame Colonne, wife of the famous conductor, Chabrier wrote "I'm not a natural writer of romances, which is unfortunate, because the song, agreeably warbled in salons is, at the present time, the only way for a French composer to more or less pay the rent." None of his songs were a commercial success.
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Sounds of a P. curvipennis lek Calls include steady, persistent chipping and a shrill, nasal peek. The wedge-tailed sabrewing usually sings from dense vegetation, and its songs are complex and variable, usually including insect-like chips, squeaks, and squeals, followed by a series of excited warbled or gurgling notes. Males sing year-round, sometimes in small groups. Some tail or wing movements are associated with perched singing displays.
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"'Oh feminil ingegno' warbled the Nolan, following Messer Florio's rendering of 'Dove, senza me, dolce mia vita' which he sang as though thinking of his loves". Bruno, G., La cena de le ceneri, (London, 1584). Bruno would later portray him as "Eliotropo" in De la causa, principio et uno, (London, 1584). In De l'infinito, universo e mondi, (London, 1584), fifth dialogue, Bruno adds Florio as "Elpino" and Alberico Gentili as "Albertino".
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This 11 cm long bird has a dark-streaked chestnut crown, white supercilium brown upperparts and pale underparts. The wings show a striking contrast between the bright rufous primaries and the black coverts. This is a noisy species with a rich warbled ti-du-di-du-di-du-di-du song and wheezy tsi- tsi-tsi-tsi call. It is common in evergreen montane forests above 1200 m ASL, often feeding on vertical trunks.
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Unlike many of its fellow mimids, the black catbird is not known to imitate any other species. Its song consists of repeated phrases of notes ranging from harsh and scratchy to warbled and flute-like, often interspersed with metallic clicking buzzes. It often sings from exposed perches. It has a variety of calls, including some which are quite similar to those of the gray catbird; these are variously described as a harsh rriah, a nasal chrrh and a grating tcheeu.
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The brown-capped vireo has a sharp call and the song is a rich warbled here you see me hear me sing so sweet, reminiscent of that of the warbling vireo. This vireo occurs in the canopy and middle levels of light woodland, the edges of forest, and other semi-open habitats at altitudes from 500 to 2500 m.Hilty (2003), Strewe & Navarro (2004) Brown-capped vireos feed on caterpillars and other insects gleaned from tree foliage. They also eat small fruits.
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In 1966, the Atlanta Braves Major League Baseball team hired Munson as part of their first broadcast team, after moving from Milwaukee to Atlanta. The first year the Braves were in Atlanta, the television broadcasts were on WSB-TV. An occasional guest color commentator was former major leaguer Dizzy Dean. One memorable Friday night during a rain delay, Dean warbled several verses of the Wabash Cannonball and purchased peanuts from a vendor in the stands, much to Munson's on-air amusement.
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Instrumented with "warbled" synthesizers and a pounding bass drum, the song ends with a "hypnotising" sample of the track "Moody's Mood", sung and recorded by Brian McKnight. "Moody's Mood" is a cover of what the EP and its title track is named after, "Moody's Mood for Love". A song by Eddie Jefferson, its melody is derived from an improvised solo by jazz saxophonist James Moody. An a cappella group had written lyrics for the melody, and in the recording being sampled by the track, McKnight sings the melody and lyrics.
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This species has a clear, whistling voice, with a song resembling that of Spot-breasted orioles (Icterus pectoralis). The song generally consists of a series of clear notes, but it acquires a muddy, warbled quality among populations native to southern Central America. Both sexes are known to sing, which appears to be common to orioles that breed in tropical climates. Vocalizations are generally delivered from perches high in trees. The most commonly used call has been described as a “nasal ‘chert’”, but other calls include a “whistling chatter” and a “nasal alarm”.
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The orchestra was conducted on English nights by Charles Hallé. The duet with Reeves, "When lovers are parted" and Marian's song "True love, true love in my heart" (the theme of which ran through the whole score) were "exquisitely warbled" and received enthusiastic applause. It was so successful that Reeves and Sherrington got a better box office even than Thérèse Tietjens and Antonio Giuglini on the alternate nights in Il trovatore and Don Giovanni.J. Sims Reeves, The Life of Sims Reeves, Written by Himself (Simpkin, Marshall, London 1888), 220–228.
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"...[That] role was a complete departure from my usual parts and I grabbed it... I even warbled a Mae West type ditty. As a man-chasing saloon singer after Jon Hall it was for me a totally extroverted style and I relished the opportunity... I have a framed still from that film on a wall in my home." Lindsay with Boris Karloff in British Intelligence (1940). Her 1940s film series work in Hollywood included Columbia's first entry in its Crime Doctor series, as well as her continuing role as Nikki Porter in Columbia's Ellery Queen series (1940–1942).
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The song is a large, prolonged outpouring of warbled phrases that can be repeated two or several times and can be heard from considerable distances, which is typical of the genus Toxostoma. The song starts softly, then increases in volume, and has a more measured delivery than that of the crissal thrasher. The song bouts have been compared to curve-billed thrashers, but are higher pitched and marked by clear intervals. The song is generally uttered from an exposed perch, and is generally heard either in the morning or in the evening, though it has been heard at night.
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Its lyrics also appear in the works of John Audelay (perhaps a priest, he definitely spent the last years of his life at Haughmond Abbey, where he wrote for the monks), in a group of four Marian poems. It appears in Geoffrey Chaucer's Miller's Tale, where the scholar Nicholas sings it in Latin to the accompaniment of his psaltery: :And over all there lay a psaltery :Whereon he made an evening's melody, :Playing so sweetly that the chamber rang; :And Angelus ad virginem he sang; :And after that he warbled the King's Note: :Often in good voice was his merry throat.
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The song "Tall Ships" opens the record by sampling a pack of feral dogs howling. "Her Life of Artistic Freedom" is a home recording of solo guitar and voice set to the beat of a skipping record. On vinyl releases, the song played out into a locked groove that ended the side of the record. The lo-fi track "Cousteau" is framed by bits of dialogue and magnetic tape noises, ending in a warbled demo recording of the band's song "Jeremy Parker," a studio version of which would appear on the next Swirlies release, Blonder Tongue Audio Baton.
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After discovering he is as afraid of the girl as she is of him, she compassionately converses with the Autobot, naming him "Bumblebee" after hearing the warbled buzzes and beeping noises he makes. The following day, Bumblebee is taught by Charlie to maintain his cover in a secluded beach, who tells him he should always assume vehicle mode unless they're alone. Bumblebee is also later discovered by Memo, a boy who has a crush on Charlie and is sworn to secrecy by her. After going on a few humorous adventures with the humans, Bumblebee is eventually discovered and captured by Sector Seven, along with Shatter and Dropkick.
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The third studio album also sees the return of composer and multi-instrumentalist Jon Brion – who had played an integral role as the co- executive producer on West's previous studio album Late Registration – for the track "Drunk and Hot Girls". West claimed that one day, while listening to "Sing Swan Song" by the German experimental-rock band Can, he heard the words "drunk and hot girls" rather than the actual "drunky hot bowls" lyrics. Rather than rap, West instead slowly sings along to the sinister song's dreary original melody with warbled vocals. West features vocal harmony during the chorus with guest artist Mos Def, who just after his voice experiences a four- second audio delay, also delivers the song's reverb-filled bridge.
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"Levitate" is a rap rock song which also contains elements of hip hop, and trap with psychedelic synths and electronic beats and fast-paced lyrics. It opens with the outro of the previous track on the album, "Jumpsuit". The song contains a reference to the lyrics of their song "Car Radio", where Tyler Joseph raps "I got back what I once bought, back in that slot I won't need to replace" in response to the chorus lyric from the 2014 song, "I ought to replace that slot with what I once bought, cause somebody stole my car radio and now I just sit in silence." The song was described by Rolling Stone as a "minimalist" track where "Joseph raps over warbled synths and Dun's primal pummel".
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He has invented a > frequency generator which causes these people to crystallize and then > explode. In one of the best scenes all season, Walter and Astrid are in the > lab and, using a watermelon for their experiments, are able to determine the > exact frequency that the villain’s generator operates on. It was something > like 68.7 megacycles (I don’t recall exactly), so I used the signal > generator plugin and created some tones that started out as 68.7 megacycles. > They were simply low-frequency tones on their own so I processed them so > that they warbled and chorused and were a bit more mysterious than the > straight tone. It ended up being pretty subtle for television, but when > Walter identifies the tone as a certain frequency, that’s what’s actually > playing.
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The Mascarene martin has a warbled siri-liri siri-liri song given in flight, but Brazza's martin has quite different vocalisations, its song consisting of a series of short notes followed by a complex buzz and sometimes some final clicks. Both species typically breed in small groups: the Mascarene martin builds a shallow cup nest of twigs and coarse plant material with a soft inner lining, whereas Brazza's martin makes a small heap of soft material such as feathers or dry grass at the end of a typically 50-cm (20-in) tunnel in a riverbank. The normal clutch is three eggs for Brazza's martin, two for Mascarene martins on Madagascar and Mauritius, and two or three for those on Réunion. As with other swallows, both martins feed on flying insects, hunting in single-species groups or with other swallows and swifts.
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Fred Thomas of AllMusic wrote that "instead of the overreaching, overly long confusion of previous efforts, Mala streamlines Banhart's multifaceted muse, and the songs all fit together, if in a somewhat roundabout manner." Thomas also noted that "apart from the increased cohesion, the quality of the songwriting is far higher, reminding us of the astonishing promise and tossed- off ease of Banhart's early material, and suggesting that his detours into less exciting sounds were just part of a journey that might be much longer and more rewarding than expected." Consequence of Sound's Dan Pfleegor noted that "although softer and a touch more dour than some of his previous offerings, proves that Banhart is still a strange fella leaving his mark on the world of popular music." At Mojo David Sheppard noticed how "Mala meanders liquidly between warbled, DIY electronic pop [...] with diversions into hazy instrumental miniatures [...] intimate, wraithlike ballads".
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The verses have a spacey effect and bare bass line, familiar from early aughts single 'Feeling This,' but the verses shout out 'lies' and 'demons,' and the guitar parts keep on slipping into a stomping hardcore riff." Clark Collis of Entertainment Weekly called the song a "thunderous, midtempo rocker." Matthew Perpetua of Rolling Stone commented that the track "delivers the band's distinctive pop-punk hooks on a monumental, stadium-size scale," and, in a full review of the song, Rolling Stones Monica Herrera summarized the song while giving it three and a half stars out of five: "Jagged riffs smash into warbled sci-fi synths, as DeLonge and bassist Mark Hoppus trade glum proverbs — 'Everyone lives to tell the tale of how we die alone someday,' Hoppus wails — before wrapping it all up in one neat wallop." The Boston Globe Scott McLennan asserted the song boasts a "richer groove" than the songs from the band's Enema of the State or Dude Ranch records, stating "The song may be more mature in its thinking, but musically keeps to the model Blink-182 originally built.
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