After the Pulwama attack bellicose news anchors bayed for revenge.
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A pack of red cattle dogs bayed with excitement as Larry Callies drove his pickup truck down a Rosenberg, Tex.
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Labour MPs who had bayed for Mr Corbyn's sacking after the EU referendum, only 18 months ago, heaped praise on the announcement.
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We howled at the redness of light, bayed at the rising waters and approaching night— we lived on an island of sounds.
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S. Eliot, Four Quartets "East Coker" The watchdog's voice that bayed the whisp'ring wind, And the loud laugh that spoke the vacant mind.
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Of course Valiant won and of course the crowd bayed and howled once again for a match involving Jones, years after his peak.
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Pehlu Khan's death at the hands of cow vigilantes in Rajasthan occurred with the complicity of the crowd, who collectively bayed for his execution.
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Uno, who died last week at 13, was competing in the hound group against 25 other rivals when he bayed at the judge Ralph Lemcke several times.
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NIZHNY NOVGOROD, Russia (Reuters) - As an excited Diego Maradona twirled his shirt from the stands and thousands of Argentina fans bayed before kickoff against Croatia, Lionel Messi was seen rubbing his forehead in stress.
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The game itself, predictably, was also all about Nowitzki, with teammates, particularly the league's rookie of the year favorite, Luka Doncic, feeding him incessantly as fans bayed at him to shoot at every opportunity.
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On Soccer PARIS — Only in those fraught final few minutes Friday, as the Parc des Princes bayed and howled for blood, as France chased and charged and clawed for an opening, did the United States betray even the slightest flicker of nervousness.
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It was, we realized, an enchanted forest after all — a place where gods might be mortal, where civilization bayed at the borders, but where a thing might still live, even though its heart might have been broken, long before we knew what a heart even was.
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"I suppose that I ought/To have bayed at the moon/Singing the praises/of John C. Calhoun/But I cannot," the writer Leonard Bacon confessed in a long poem written for the dedication, which went on to note the oddity of honoring the architect of Southern secession in an "abolitionist town" like New Haven.
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The three-bayed, semi-circular apse houses a roofed exhibition hall with skylights. The building was renovated in 1995.
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The three storey, seven bayed entrance front has a pedimented three bayed projecting central block and two flanking and projecting pedimented single bay wings. In 1844 Isabella Baker heiress married the son of her aunt and first cousin, Henry Tower. On inheriting the property he changed his name to Henry Baker Baker. He was High Sheriff of Durham in 1854.
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The house has Neo-Palladian windows on the three-bayed south-west front. In 1958 it was divided into flats, and rented by members of the American armed forces.
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The guns on the fortress responded, but the small calibre made them sound as if they were yapping like bandogs while the bombers bayed and gave tongue like hounds in cry.
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The house was built in about 1688 on the site of the former Nether Hall. The Bainbrigge line expired in about 1797 and the estate passed to Rev Phillip Story who remodelled the house, adding a second storey, and a Tuscan colonnade to the seven bayed east front. In 1872 the property was sold by John Bainbrigge Story (High Sheriff of Leicestershire 1842) to Nathaniel Charles Curzon of Breedon Hall ( a descendant of the brother of Sir John Curzon, first of the Curzon Baronets of Kedleston Hall. Curzon greatly extended the house, adding two service wings and a porte-cochere to the five bayed north entrance front.
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Structures of the North East The building has been added to over the years and was restored in the 19th century, and in 1820 was extended when a three-bayed two-storied house was built adjoining the tower. In 2020 the castle was put up for sale.
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The old house was sold by the Foljambes in 1633 and the estate was thereafter held by a succession of owners including Ingram, Fletcher, Jenkinson, Hunloke and Turbutt. The present modest three-storey three-bayed house was built in the late 18th century and has latterly been a farmhouse.
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The manor was acquired by Percival Clennell in 1796, and in 1829, the house was replaced on the site with a two-storied five-bayed mansion designed by architect John Dobson for Fenwick Clennell. The house is protected with Grade II listed building status. The stable block was converted into a separate house in 1890.
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In Venice, such design is very rare. The palazzo was designed by the architect Andrea Cominelli (by Alessandro Tremignon according to others), the principal facade is on the Cannaregio Canal; a lesser three bayed facade faces the Grand Canal. A later facade probably designed by Giorgio Massari is approached from the Campo San Geremia.
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Between 1820–1826, Archdeacon Singleton built an entrance porch and a two-storey, two-bayed house extension. The tower was Grade I listed in 1953. It was in use as the Rectory until 1960. It was fully renovated and restored between 1995 and 1998, which included a significant amount of archaeological research during the works.
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Hughenden Manor, the entrance facade. Under Lamb's hand, classical Georgian features were swept away as he "dramatised" the house. Lamb worked in a hybrid baronial form of Gothic architecture, with exposed and angular juxtaposing brickwork surmounted by stepped battlements with diagonal pinnacles. The uppermost windows of the thirteen bayed garden facade were given unusual pediments – appearing almost as machicolations.
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He was High Sheriff of Northumberland in 1855 and became the 11th Errington Baronet in 1863. In 1850 he commissioned architect John Dobson to rebuild the old house. The south and east fronts are four-bayed with two storeys and alternately gabled attics. The northwest service wing incorporates some of the fabric of the original house.
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The crowd, unaware of the mediation in which the two were playing a part, bayed for blood. Just as it seemed the end was near, Botha stood up and declared his intention clearly and plainly, whilst containing his anger and warrior aspect. The bloodlust subsided, and they were allowed to proceed. All the while, Smuts kept quiet.
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The Raja’s public mosque is a handsome and ornate building adjacent to the entrance to the complex and is of significant antiquity and artistic value. It is similar in form and ornament to other mosques in the Shigar area: a single four-bayed room with a central column support and a veranda on the eastern side.
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There is a Qibla, a niche in the prayer chamber wall which is oriented towards Mecca. This central bay is visible even from the outside through its wide entrance opening. The mihrab here has an epigraph which includes the "Throne Verse from the Quran". The prayer chamber is flanked on either side by "three-bayed triple-aisled side wings".
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Keys to the Past The property was first recorded in the occupation of the Rector of Elsdon in 1415. The tower was reduced in the 17th century to three stories with a steeply sloping roof above a castellated parapetStructures of the North East In the early 19th century Archdeacon Singleton built an entrance porch and a two-storey, two bayed house extension.
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Woodstock House is now a ruin. In 1737, William Fownes's grandfather left him over 21,000 acres. William Fownes father, (also) Sir William Fownes, had been the Mayor of Dublin. When the younger William married Elizabeth Ponsonby he received £4,000 as a dowry. With this money William and Sarah built the six bayed three storey Woodstock House in County Kilkenny in 1745-7.
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The exterior of the house is quite austere – seven bays in total, on two floors, with a three-bayed central prominent elevation surmounted by a pediment. The fenestration is of sash windows. (The ground floor windows are crowned by small round windows suggesting a non-existent mezzanine.) The centre bay contains a large central venetian window on the ground floor..
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Some embellishments were likely added in later centuries until about the 11th or 12th century. Like the other caves, Cave 4 features detailed carvings and a diverse range of motifs. The cave has a five-bayed entrance with four square columnseach with brackets and capitals. To the back of this verandah is a hall with two standalone and two joined pillars.
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The church also contains Victorian stained glass windows. Richard Brett, a former rector of Quainton and one of the translators of the King James Version of the Bible, is buried in the chancel. Close by the church is the former rectory, a large house described by Pevsner as of vitreous red brick. The principal facade has a three–bayed centre and two canted bays.
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The present three-story, five-bayed entrance front in the Georgian style dates from this period. In the 18th and 19th centuries, the house was often rented out to tenants. The Alderwasley estate was sold in the 1930s and Castern became the family's principal residence once again. The house was substantially featured in Agatha Christie's Poirot in the episode "The Mystery of Hunter's Lodge".
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The house was substantially destroyed by fire and all that now remains of the 1845 rebuild is the detached library wing. The present two-storey seven-bayed house dates from the rebuild of about 1900. Branches of the Shafto family had seats at Bavington Hall, Beamish Hall and Windlestone Hall. Whitworth Hall Hotel & Deer Park is now privately owned and operated as a hotel and wedding venue.
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Miss Welch is reported to have been a great intellectual, using Ardenham house as a literary salon. The large square red bricked edifice is of a simple design - a three bayed front of three floors. The severity of the facade is only alleviated by a porch with tuscan columns, with a tripartite window above, and above that a tripartite lunette window. The roofline is hidden by a broken parapet.
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The current building was built between 1750 and 1753 in a classical style, by an anonymous architect. The brick and limestone church is quite homogeneous. It's composed of six bayed naves flanked by aisles, a three-sided transept and a choir with a polygonal ambulatory with a sacristy in its axis. The chamfered base is in dimension stone on the frontage, in rubble stones and sandstone for the rest.
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These, and the other pumping stations that discharge into the canal are owned and operated by the Lindsey Marsh Internal Drainage Board. The canal continues past Canal Farm and under Fen Bridge. On the east bank is a nineteenth century nine-bayed warehouse with three storeys and an attic. Biergate East and West pumping stations are situated near Covenham Reservoir, constructed in the 1960s to supply drinking water.
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Netherwitton Hall is a Grade I listed building. There has been a house on the site since the 14th century. The present house, which was built in about 1685, to a design by architect Robert Trollope has an impressive three-storey, seven-bayed frontage with balustrade and unusual irregular window pediments. The rear presents some earlier features including a stairway tower which may contain remnants of ancient fortifications.
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216x216px The Arch of Augustus () was the triumphal arch of Augustus, located in the Roman Forum. It spanned the Via Sacra, between the Temple of Castor and Pollux and the Temple of Caesar, near the Temple of Vesta, closing off the eastern end of the Forum. It can be regarded as the first permanent three- bayed arch ever built in Rome.Holland, The Triple Arch of Augustus, p. 53.
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The main house was built circa 1916 of rock-faced concrete block on the ground floor, with a shingled second story. The shingled section uses Shingle Style detailing with a projecting bay under the gable flanked by curving returns, with an attic window between two inward-curving shingled jambs. The gabled roof incorporates plain and bayed dormers. A frosted front door depicting Niagara Falls is a notable ornament.
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Meanwhile, new farmhouses had been built on the former open fields to the south and west, including Bishop's Charity (c.1833–5), Rectory (1827), Valley (by 1829), and New Shardelowes (1820 × 1835) Farms. In the village other farmhouses went up on the standard Cambridgeshire pattern of a symmetrical three-bayed grey brick front, sometimes with fieldstone sidewalls, besides rows of labourers' cottages off the main streets, some in brick.
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When her employer had married Elizabeth Ponsonby he had received £4,000 as a dowry. With this money they built the six bayed three storey Woodstock House in County Kilkenny in 1745-7. Her employers had a child guest named Sarah Ponsonby who was Elizabeth's cousin. When Sarah's adult friend, Lady Eleanor Butler, ran away from home she was hidden in Sarah's room and Mary smuggled in food for her stowaway.
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Locke's Meat Market is a two-story brick building with a five-bayed oriel window over the entrance. The ground floor functioned as a meat market and the second floor provided living space. Luther Locke, son of Dean Jewett Locke who was one of the founders of Lockeford, ran the meat market. His wife, Alice, opened a dressmaking shop in the downstairs space as well, while the family lived upstairs.
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Magna Brittannia, Volume 5 Derbyshire Lysons (1817) p129-42 from British History Online The main block is built to a square plan, with a three-storey, three-bayed entrance front to the east, which carries a Tuscan porch with iron balustrading. A service wing to the north west incorporates a datestone inscribed WB1774. A stable block continues the range to the north. The property had numerous occupants during the 19th century, including Meynell and Alleyne.
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A stable block (Grade II listed) was built to the north in 1724. In 1769, George Craster erected an impressive five-bayed, three-storey Georgian mansion adjoining the south side of the Tower, which was reduced to three storeys and recastellated at this time. This may be by Newcastle architect William Newton. In 1838, Thomas Wood Craster (High Sheriff of Northumberland in 1852) employed the architect John Dobson to improve and modernise the property.
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Original cobble stones laid by the POW's can be seen in the gutters and some secluded alleys. A view along Picton Street, Montpelier Picton Street was built and named in honour of Sir Thomas Picton who, as Captain Picton, in 1783 endeared himself to Bristolians by bravely facing the rebellious 75th Regiment on College Green and averting a military mutiny. There is a double- bayed villa in the street named after him, Picton Lodge.
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Denarius with three-bayed arch, struck in Tarraco in 18 BCE. Cassius Dio mentions an ovatio and another triumphal arch granted to Augustus after he recovered the eagles lost in the battles of Carrhae and during Antony's campaign in AtropateneCassius Dio, Roman History 54, 8 without specifying its location. A Veronese scholiast commenting on Vergil's Aeneid situates the structure next to the Temple of Caesar.Briar Rose, The Parthian in Augustan Rome, p. 29.
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The house is a three-bayed bahay na bato. The walls of the entire house, including the second floor except front, are built of adobe blocks. A wooden volada on the second floor fronting the street is walled with carved molave panels and wall- to-wall sliding capiz windows topped by multi-lobed exterior transoms, also of capiz. Above the upper window sill are decorative slats, where Japanese lanterns were hung during processions.
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The Roddams lived at Houghton in Northumberland until the early 18th century, when Edward Roddam sold the Houghton estate and built a new three-storey five-bayed house at Roddam. From 1776 the house was owned by Admiral Robert Roddam. He was a brother-in-law of General Sir Henry Clinton (1730–1795). On his death the estate passed to a distant cousin, William Spencer Stanhope, who changed his name to Roddam.
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The family carried out extensions and additions to the house during the 19th century to create the present three storey, eight bayed mansion. Several members of the Hildyard family served as High Sheriff of Durham in 1850, 1863, 1900 and 1947. The Hildyards sold the estate after the death of Edward Hildyard and moved to Yorkshire. After some years of neglect the house was refurbished and converted for use as a hotel.
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Luther Henry Caldwell House is a historic home located at Lumberton, Robeson County, North Carolina. It was built between 1893 and 1903, and is a large two-story, eclectic Queen Anne style frame dwelling. It features a double tier wraparound porch with an octagonal pavilion and decorative woodwork on the porches, bayed gable end projections, and gable fronts. It was the home of Luther Henry Caldwell, an important business and social leader in Lumberton.
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The Pula Arena The Roman Theatre of Orange During the time of Augustus, Rome took on the appearance similar to that of the most important Hellenistic cities. Augustus oversaw the replacement of many terracotta constructions with marble. In this period, there was more experimentation with architecture, notably concerning triumphal arches, baths, amphitheaters, and mausoleums in Rome. The Arch of Augustus, for example, was the first permanent three-bayed arch ever built in Rome.
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Florence was for once the birthplace of a new architectural form, and the facades of the Villa del Poggio Imperiale are austere even by the standards of Italian neoclassicism. The facade is severe and plain, the only variation and ornament being the five-bayed projecting central block. This block has a rusticated ground floor pierced by five arches leading to the inner courtyard. On the first floor is a glazed loggia, also of five bays.
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The hotel is constructed in brick, with some sandstone and timber framing, and has grey slate roofs. It is in three storeys with cellars. On the Northgate Street side of the building is a three-arched arcade, above which are two storeys in Flemish bond brick. The rear face to the arcade is timber framed and includes an entrance containing a 17th-century door, with a slightly bayed window on each side.
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The church has a five-bayed nave 52' wide with an extraordinary single span roof with thick, deep arches that spring low from massive walls. The chancel is narrow, shallow and tapered towards the east end. The nave walls are 3'6" thick at floor level, which reduce to 2'6" at window sill height. The transverse nave arches basically follow the design at Holy Trinity but the span of the roof is 42' instead of 29'.
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There has been a house on the site since the 14th century. The present house, which was built in about 1685 to a design by architect Robert Trollope, has an impressive three-storey, seven-bayed frontage with balustrade and unusual irregular window pediments. The rear presents some earlier features including a stairway tower which may contain remnants of ancient fortification. Keys to the Past, Netherwitton Hall The interior includes a former and disused Roman Catholic chapel.
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From the 16th century until the end of the 18th century it was the burial place for the landgraves of Hesse. It was rebuilt to a slightly modified plan after the Second World War. It is a three-aisle six-bayed hall church with two towers at the west end. Its '5/8-Schluss' choir dates to the Gothic period - this style is named after the eight segments to the vaults in the five east-end arches.
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The archaeological evidence shows the existence of a three-bayed arch measuring 17,75 x 5.25 meters between the Temple of Caesar and the Temple of Castor and Pollux, although only the travertine foundations of the structure remain.Idem, p. 52. Ancient sources mention arches erected in honor of Augustus in the Forum on two occasions: the victory over Antony and Cleopatra in 31 BCE, and the recovery of the standards lost to the Parthians in 20 BCE.
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He also replaced the Gothic porch with a more "severe" Gothic doorway (three-bayed with cinquefoil arches) and an overhead balcony. To carry out these changes to the west front, he moved the stone-carved Hylton banner from above the west entrance to the front, left- flanking tower. The interior walls of the four-vaulted ground floor rooms were demolished, the whole floor was raised three-and-a-half feet and two reception rooms were formed.Hugill, p.
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There is a stucco porch with distinctive and prominent classically derived details. The form of the round headed side windows is unusual and the glazing pattern distinctive. The interior is believed to be intact and is notable for its exposition of the architect styles used for buildings of the smaller religious congregations during the nineteenth century. The synagogue is a four bayed structure with gables to either end, an advancing stuccoed porch and an apse to the other end.
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His descendant, also Robert Holden, was a successful lawyer who replaced the old house with a new red brick three storey five bayed mansion in 1735. The house was greatly extended by the addition of a substantial north wing and other improvements by Edward Anthony Holden who was High Sheriff of Derbyshire in 1838. Holden's daughter Mary Shuttleworth Boden was born here in 1840. She was a noted temperance campaigner and a she gave Derby its first children's playground.
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It has flagstone floors and a 16th-century stone fireplace. To the right of the building is an aisless chapel in the early Decorated Gothic style of the late 13th century, built of local stone with Doulting Stone dressings. The remains of the 13th century great hall are the north wall and some column bases of an internal arcade, indicating that it was a five bayed aisled hall with crenellations and tall windows in the Decorated Gothic style.
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The first Spa was established there in 1797. In 1829 John Lambton, 1st Earl of Durham built the Dinsdale Spa Hotel on his estate to a design by architect Ignatius Bonomi. The three storey seven bayed mansion provided accommodation for seventy visitors. The business was not greatly successful and the property was sold for residential use, together with the manor, in 1844 to Henry George Surtees (High Sheriff of Durham) a descendant of the ancient family.
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Levett replaced the existing house with a new mansion in the Georgian style. The main east fronting block had three storeys and four bays flanked by two double storey two bayed wings and with a five-bay orangery attached to the south. The central doorway carried pediment and Ionic pilasters. The house was much extended and altered in 1817 by his son, also Richard Levett, when the pilasters and pediment were removed and the main entrance was moved to the west front.
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The tour to the Americas was cut short and the team returned home. Zambia started their CAN 2000 campaign with a 2–0 capitulation to Egypt and two lacklustre draws against Burkina Faso and Senegal promptly ending their interest in the tournament. Fans bayed for Bamfuchile's blood citing among other reasons and rather unfairly, Bamfuchile's laid back approach against Egypt where he appeared to be seated throughout the game and not making any changes when Zambia were chasing the game.
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Compacted gravel/granite comprises the driveway and pedestrian path which flanks the house's eastern side, parallel to Willandra Street.Stuart Read, site visit, 19/3/09 ;House:Willandra, rear view Willandra is a colonial Georgian Revival style house, two storied, hipped roof, deep eaved, five bayed, with shuttered French doors below and 12 light double sash windows above, decorative fanlight over the front door and encircled by single storeyed, stone paved, stone columned verandahs. Exterior walls are rendered sandstock brickwork. Ceilings are generally plastered with decorative cornices.
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The manor of Butterley was owned by Darley Abbey until the Dissolution of the Monasteries in the 16th century. The two-storey, attic-gabled eight-bayed house was built in the late 18th century for the Home family but was sold in 1790 to Francis Beresford for occupation by Benjamin Outram, founder of the Butterley Company. The Hall was the 1803 birthplace of General Sir James Outram of the Indian Army. Following Benjamin Outram's death in 1805 his business partner William Jessop took residence.
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Interior of St. Giles' The entrance from the west tower has a round-arched doorway leading into a vestibule with two flights of stairs. A pointed-arched doorway separated the vestibule from the nave and lesser doors lead to the north and south aisles. The nave has a six- bayed south arcade with Doric columns decorated with lion masks. There is a pointed arch in front of the sanctuary with a stone rederos and the east window designed by C.E. Kempe installed in 1879.
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Since 1800, there has been a divide in habitation in the village. To the east, on a street called Green Street by 1460, lay the rectory and the church whilst to the west, as section called Hawk Street, most of the farmhouses and cottages existed. The Gate, originally the main village public house, recorded from 1783, closed after 1937. The Hole in the Wall, however, was still open until recently in a 3 bayed, mid 16th century building, enlarged westward in the 18th century.
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A broad wharf supported on timber piers and with a concrete platform. The superstructure is constructed of steel and timber. The facade and side walls form an important architectural design, similar to the Circular Quay ferry terminals. The original part of the wharf was built in a modernistic transport idiom, with typical stylistic features of era including play of circular and rectangular geometric terms, bayed facade to the water (marine connotations), wide arc plan at entrance, clock tower with "fins", flat roofing marked by wide fascia board.
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The headworks of the project is located in Chhote village of Lekhpharsa VDC on the right bank and Gothiyari village of Ramghat VDC on the left bank of Bheri River. A diversion barrage across the Bheri River will divert the flow to six intake orifices on the left bank of river. The flow is then conveyed to a three bayed settling basin followed by a 12 Km long headrace tunnel and 773 m long penstock pipe. A power station will be located the right bank of Babai River.
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Matthias designed the overall layout of the building as, basically, an import of French Gothic: a triple- naved basilica with flying buttresses, short transept, five-bayed choir and decagon apse with ambulatory and radiating chapels. However, he lived to build only the easternmost parts of the choir: the arcades and the ambulatory. The slender verticality of Late French Gothic and clear, almost rigid respect of proportions distinguish his work today. After Matthias' death in 1352, 23-year-old Peter Parler assumed control of the cathedral workshop as master builder.
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A History of the County of Durham Vol 3 (1928) pp248-365 Preston on Tees. From British History Online In 1673 the manor was purchased by George Witham and during the residency of the Witham family the manor house was known as Witham Hall. In 1722 William Witham sold the estate to Sir John Eden Bt of Windlestone Hall and in 1820 it was sold again to David Burton Fowler. In 1825 Fowler built the present Preston Hall as a modest two-storey three-bayed rectangular structure with a service wing.
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The earliest part of the house, built for the Appleby family, is the three- storey four-bayed central block and projecting three-storey porch, which dates from about 1635. The west wing and chapel dedicated to St Lawrence were added in about 1800, and an east wing in the early 19th century, to which was added a ballroom in 1836 possibly to a design by Ignatius Bonomi. A curved porte- cochère on the north side, and adjoining vestibule and corridor, were added in 1861-5 by Joseph Hansom.
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The Gothick design includes a fifteen-bay frontage with a four-storey castellated tower at the centre, flanked by castellated and gabled bays and turrets and five-bayed two-storey wings. Lowther was created a Baronet in 1824 (see Lowther Baronets). The iron industry was founded in Middlesbrough by Bolckow and Vaughan followed by the chance discovery in 1850 of iron ore in the Eston hills on land that the Lowthers owned. One area of farmland was rented to Bolckow and Vaughan for £17,700 pa and this change of fortunes funded later redevelopment work.
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Penarth is a two storey hall house with two forward projecting gabled wings.see plans in “Smith and Vaughan-Owen” pg111 The two bayed construction of the hall with a central cruck truss is likely to be the earliest part of the house and could be 15th century. It was originally suggested that it was an aisled hall, but restoration work in 1964 showed this was not the case.“Smith and Vaughan-Owen” pg109-10 A chimney stack is positioned so that a Lobby entrance is formed, a typical feature of Severn Valley houses.
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Higher, one can still see the remains of the door giving access to the first floor of the keep from the top of the curtain wall. Inside, the overall picture is impressive. On the first floor are a chimney with the arms of Charles VII supported by two angels (about 1420) and a multi-bayed window (14th century). Especially noteworthy are the remains of the staircase, installed about 1400 in one of the keep's 12th century corner towers and the vaulted arches of the second floor (about 1400-1415).
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Today the market centers around a cast iron fountain, and is typically entered via either a tripartite facade on Princes Street, or a bayed entrance from the Grand Parade. The market is known for its interior; which consists of a gabled central bay, central archways, and stained glass lunette windows. It was damaged during a 1981 fire, but is now fully restored. Today's group of buildings were constructed in the mid-19th century with the ornamental entrance at Princes Street being constructed in 1862 by Sir John Benson.
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The present house represents a refronting and extension of the earlier manor house. The recessed centre with a castellated parapet is flanked by single- bayed gabled cross wings. The windows are mullioned and transomed and the off centre entrance porch has Ionic columns beneath a unique frieze of four plants copied from woodcut illustrations in The Great Herball. Within the walled garden stands a single two-storey pyramid-roofed garden pavilion originally taller with castellation and one of a pair which flanked the surviving arched and castellated entrance gate into the enclosed front garden.
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The aurochs' head remains until today the heraldic symbol of Moldovans. Beginning in the Middle Ages as a passion or test of manhood, bears, wild boars and sometime stags were killed from close quarters with boar spears after being chased and bayed with dogs. Between the 16th and 18th centuries, Moldova and Wallachia paid part of their tribute to the Ottoman Empire in hunting falcons and wild animal furs, such as ermine and marten. Transylvanian rulers, like George I Rákóczi (1591–1648), were ardent hunters, along with most members of the nobility.
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The day-to-day life of the Château de Bourran as well as its wine-producing activity can be reconstructed from this inventory.. The estate produced between 38 and 80 barrels of red wine classed in the Graves up until the phylloxera plague. The estate was acquired at the end of the 19th century by ship-owner Émile Ravesies and his son-in- law, banker Piganneau. In 1869, they rebuilt the manor according to plans made by the architects Jules et Paul Lafargue. Three triple-bayed corps de logis, capped by a slate roof, face the park.
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The building was heavily damaged during the Münster Rebellion, but was rebuilt after 1535. During the French period, the building was demolished in 1812 after the rejection of an alternative proposal to demolish the cathedral and expand St. Jacobi.LWL-Commentary on Hermann Pieter Schouten's painting Der Domplatz in Münster, 1783 The bells of St. Jacobi continue in use at in . According to a 1748 ground plan of the cathedral and cathedral district including St Jacobi by Schlauns, St. Jacobi was an aisleless church, had three-bayed structure enclosed by cross-vaults with a polygonal apse (: five segments of an octagon).
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The arch is not mentioned by Augustus in his autobiography; moreover, Suetonius and Cassiodorus report that he refused to celebrate a triumph in 19 BCE,Suetonius, Augustus 22, 2Cassiodorus, Chronica 19 B.C. leading some scholars to believe that the Parthian Arch might have been projected but never realized.Simpson, On the Unreality of the Parthian Arch, pp. 841-42.Prayon, Praestant Interna, p. 325. Coins minted in Pergamon, Tarraco, and Rome in the years 19–16 BCE show a three-bayed arch with a quadriga on the top and figures holding bows and standards on the lower bays.
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The two-storey house has a recessed two-bayed central block flanked by projecting end bays connected by a Doric order colonnade. In 1919 the house was acquired by Sir William Cresswell Gray, 1st Baronet, of the shipbuilding firm William Gray & Company. From 1972 to 1991 it was run as a finishing school by Rosemarie Gray, the widow of William Talbot Gray (High Sheriff of Durham in 1971), the son of Sir William Gray Bt., but has been returned to residential use. It is, in 2008, the family seat of Sir William Hume Gray, 3rd Baronet.
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9 of Cameron's 12 children to his wife Sophia Usher (b. 1830 in Mauritius, of a father said to have been secretary to Lord Minto, former Governor-General of India) were born at Ewenton. Mrs Cameron's origins and possible exotic tastes may explain the style of the upper floor bay window. In 1860 to accommodate his growing family Cameron engaged Balmain architect James McDonald to add an elaborate entrance portico and stone upper storey with slate roof to Blake Vale, with bayed and pedimented windows in Victorian Simplified Classical style, providing panoramic views of the city of Sydney.
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The temple appears slightly different in a later emission, in which it has a flat roof, but the presence of the identical cult statue allows the identification with the same temple. Another coin shows a tetrastyle temple on podium with flat top, and a similar structure with a pediment, interpreted as the temple of Serapis. The last denarius depicts a three-bayed arch that could be the propylon to the sanctuary. A similar arch with the inscription ARCVS AD ISIS is present in one of the reliefs from the 2nd-century AD Mausoleum of the Haterii.
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Lowther demolished the remains of the medieval castle and built, in about 1810, an imposing mansion house on the site, to a design by architect Sir Robert Smirke. The Gothick design includes a fifteen bay frontage with a four-storey castellated tower at the centre, flanked by castellated and gabled bays and turrets and five bayed two-storey wings. Lowther was created a Baronet in 1824 (see Lowther Baronets). On the death of the third Baronet in 1894 the Baronetcy passed to his grandson but the Wilton Castle estate passed to his younger son James Lowther.
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Much of the older part of the village dates back to the 17th century and is mostly built from sandstone, quarried locally. One of the oldest buildings in the village is the Barley Mow pub, which was one of the last premises in the country to accept decimalization, as the 87-year-old landlady, Mrs Lillian Ford did not hold with the new money. The parish previously housed at least four other public houses; The Wheatsheaf, Old Bull's Head, The Windmill and The Gate. Holy Trinity Church is Norman, with the earliest parts being the 3 bayed south and north arcades.
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The village had numerous alewives by the late 14th century, sometimes presented for not putting up their 'alethorp' and for late-night opening. Three public houses were recorded from c.1770: the Plough and Crown, renamed from 1776 the Six Bells, occupies a four-bayed timber-framed house of 16th-century origin with a jettied first floor rising over a coach entrance, later blocked. The adjoining Coach and Horses, first kept by the squire's coachman, and the Harrow, in a 17th-century house, which closed respectively in 1902 and 1911, stood nearby along the main street.
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Weatherboarding was used to re- face the north front. The house is a "House with an Open Hall" and consists of two bays and is in contracted form, incorporating a single bayed hall at one end with an overshot cross-passage and a standard servants area at the other. It shows a good example of close-studding, which was decorative framing used on the street-facing side of the building while the less decorative large panel framing was used on rear elevations. It was introduced into this part of Sussex from 1430 and became common from 1450.
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Andrew Watson was the first black football player to represent Scotland. Watson never turned professional, however, so Arthur Wharton is sometimes reported as being the first black British footballer. The book Race, Sport and British Society says there was racist abuse of Celtic player Paul Wilson by Rangers fans in the 1970s: "Rangers fans repeatedly bayed 'Wilson's a Paki' when Celtic played Rangers."Ben Carrington and Ian McDonald (p.40) There have been reports that some Rangers fans used to sing "I'd rather be a darkie than a Tim",Race, Sport and British Society by Ben Carrington and Ian McDonald, p. 40 with "Tim" referring to a Celtic fan.
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The prayer hall is arranged around a central courtyard, characterised by six large domes resting on clustered columns. A portico, which is two bays in depth, borders the courtyard on the east and west, while a one-bayed portico borders it on the north, and separates it from the women's prayer area. The women's prayer area, which is surrounded by a screen, is divided into two parts as a passageway connects the northern entrance with the courtyard. People praying inside the Quba Mosque When Quba Mosque was rebuilt in 1986, the Medina architecture was retained – ribbed white domes, and basalt facing and modest exterior – qualities that recalls Madina's simplicity.
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When Richard Dyott, Member of Parliament for Lichfield 1690-1715 died in 1719, his son, also Richard decided to move from the city to live at Freeford. In about 1730 he built a new small three bayed red brick house which was extended and improved throughout the 18th century. His son, another Richard was Recorder of Lichfield and in 1798 High Sheriff of Staffordshire. His nephew yet another Richard Dyott of Freeford, MP for Lichfield 1865-74, carried out substantial improvements to the house under the direction of Joseph Potter, the elder, architect of Lichfield in the mid 19th century and alterations later continued to create the existing mansion.
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40 houses surviving in Fulbourn in the 1980s from before 1800, mostly timber-framed, some under later brick casing, and half still thatched, most stood towards that eastern end of the village, where housing had largely been concentrated in 1800. A few others then stood along the south side of Pierce lane or at Frog End to the west. Those older houses include around ten dating from before 1600, among them some manorial farmhouses. The former Highfield Farm had a 14th-century hall with arched heads to its screen openings, and a two-bayed cross wing; it had another cross wing added after 1600.
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It was first built in 1253, just after the foundation of the city, and was one of the earliest examples of a gallery in the architecture of the Margraviate of Brandenburg. An ambulatory hall was built to replace the original choir and a polygonal entrance hall with a sandstone entrance arch built onto the north transept, both between 1360 and 1370. The nave was expanded as a five-bayed construction in the 15th century with painted ceilings in the side bays and a 14-storey new tower façade built around 1450. An eight-pointed cupola was added to the north tower and a crenellated edge to the south tower.
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A fire at the wharf in 1939 precipitated further action. The Maritime Services Board engaged gifted young modernist architect Arthur Baldwinson (1908–68), not long after his return from several years working in England, to design major reconstructions of the ferry wharves at Manly and Circular Quay. The wharf was built in a modernistic transport idiom with typical stylistic features of era such as play of circular and rectangular geometric terms, bayed facade to the water (marine connotations), wide arc plan at entrance, clock tower with "fins," flat roofing marked by wide fascia board. The current entrance was originally designed as a tram terminus and turning area.
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These statues were created between 1941 and 1960 by Hans Andre, who also created the statue of the Virgin in the façade gable and the equestrian statue of Saint James above it. The ground plan of the structure is traditional and cruciform with two west towers, a twin-bayed nave, a semicircle transept, and a straight-ended choir, framed by the sacristy and two concluding passages. The nave and transept are covered by saucer domes completely decorated with frescos—the first time in the Tyrol where this decorative technique was used. Another unique element of the building is the placement of the dome above the choir, and not above the crossing which is customary.
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The Blounts then lived at nearby Mawley, Shropshire where Sir Edward Blount, a wealthy coal owner and iron master, built a substantial mansion, Mawley Hall, in about 1730. The Sodington manor house was demolished in about 1807 and was replaced on the same site by the present brick built plain Georgian style, three storeyed, three bayed house. The house has undergone various changes over the years with two wings to the rear, one having been removed in the early 20th century and subsequently rebuilt. The Hall is undergoing a slow and detailed restoration after having been empty for many years using a firm reputed nationally for their expertise in the renovation, repair and conservation of old and historic buildings.
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The house typical three-bayed bahay na bato, its ground-floor walls of adobe blocks support an upper story of carved acanthus consoles of molaveseemingy support the windows sills. The Ventanilla or "little windows" beneath the window sill are a typical of the 1850s. The ogee arches carved on the doors were inspired on the facade of Bauan Church, where it first appeared in Batangas. The doors of the central bay lead to a short flight of stairs to the meseta or landing with its doors opening to the entresuelo or mezzanine chamber that had capiz windows opening to the zaguan and a window on the street side with a wrought iron rejas na buntis.
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The 19th-century neo-Gothic New Court, probably one of the best known buildings in Cambridge, was the first major building built by any of the colleges on the west side of the river. Designed by Thomas Rickman and Henry Hutchinson, New Court was built between 1826 and 1831 to accommodate the college's rapidly increasing numbers of students. Despite the college's original intention to get the architects to build another copy of Second Court, plans were eventually accepted for a fashionably romantic building in the 'Gothic' style. It is a three-sided court of tall Gothic Revival buildings, closed on the fourth side by an open, seven- bayed cross-vaulted cloister and gateway.
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Another common Adam feature which is highly defined but in an unusual setting at Balbardie are the recessed apses behind screening columns in the low wings connecting the three bayed pavilions to the corps de logis. This was a feature Adam often used internally but seldom externally. That Adam was not present during the final stages of drawing and completion of the house is evident by the prominence of the chimneys at Kedleston and elsewhere so carefully disguised; the pitch of the roofs suggests a northern Baroque such as the Nymphenburg (where the chimneys are equally visible). However, these features are part of the character of the house and should not be seen as detracting from its architectural importance.
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It was a closed economic truck system in which cash was replaced by tokens such as leather buttons with his portrait. Just outside the village is a remarkable pigeonnier, a cylindrical tower 22.50 metres high and more than 12 metres in diameter, erected about 1750 by Roux de Corse to provide fresh food for the inhabitants. There is also a 12th-century chapel outside the village, once a priory, and still the communal cemetery. In the village are a large five-bayed château in the style of an overgrown villa and the remains of a chapel, both erected by Roux de Corse, and a church of 1914, replacing an earlier one of the mid 19th century.
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Goodman's Buildings is a two-storey rendered brick commercial and residential building with Victorian Filigree details, high parapet and façade which curves around the Parramatta Road and Johnston Street corner. The building houses thirteen separate shops and residences above with renovated shopfronts on the ground floor with suspended awnings and narrow balconies over on the Parramatta Road frontage and wide posted balconies along the Johnston Street frontage. The first floor balconies all feature cast iron lace balustrade and posts which support the corrugated iron roof (ogee profile). Large double hung timber framed windows are regularly spaced along the first floor facades topped by rendered cornice and mouldings and bayed parapet with moulded cement balustrade and decorative urns at the end of each bay.
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The house was built in 1671 for Lady Elizabeth Wilbraham. Although it is often claimed that she was her own architect, there is no conclusive documentary evidence for this and it is most likely that the executant architect was William Taylor, who is known to have been at Weston Park in 1674. Lady Wilbraham was evidently an enthusiastic patron, however, and her heavily-annotated copy of Palladio’s book (I Quattro Libri dell'Architettura) remains in the collection at Weston Park. The three-storey, twelve-bayed south front of the house was originally the entrance front but alterations and improvements carried out in the latter 19th century for Orlando Bridgeman, 3rd Earl of Bradford of the second creation involved the movement of the main entrance to the east front.
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The neighborhood's "brownstone belt" includes homes with brownstone, sandstone, limestone, iron, and ornamental stone-brick facades, though the majority of homes in Sunset Park are faced with brick. Developed mostly between 1892 and 1910 following earlier frame house development, it is dominated by two-story-above-basement, bayed row houses that were envisaged as "inexpensive imitations of the stately four- and five-story townhouses [...] of Brooklyn Heights, Carroll Gardens, Fort Greene and Park Slope." Though their facades were analogous to the less expensive tier of one-family row houses elsewhere in Brooklyn, most of these structures were in fact built as two-family residences. In addition, several low-rise apartment buildings were erected in the late 19th and early 20th centuries.
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Externally, this included the removal of a wood shingled roof that was evidently in the 1879 design and its replacement with an asymmetrical timber roof clad in corrugated galvanised iron, and the addition of a balcony and an arcaded loggia to Wynyard Street. The Wynyard Street frontage is marked at ground level by a five-bayed arcade, enclosing a loggia behind four of its arches and having the fifth, on the frontage's right, filled in by a double stilted arched window and face brick tympanum. The arches are in dressed stucco, and the piers and spandrels are all in face brick. The loggia is terminated compositionally by a moulded string course, with a face brick parapet under the first floor balcony.
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The central five bays topped by a belfry, are flanked by projecting two bayed wings Photograph of Tyttenhanger House by GeoGraph The adjacent stable block, also of 17th-century origin, now converted to residential use, is a Grade II listed building. English Heritage:Images of England, photograph and architectural description of Tyttenhanger House stable block Sir Henry's son Thomas Pope Blount (1649–1697) was created the first of the Blount baronets in 1680. On the death of the third Baronet in 1757 the estate passed to his niece and heiress Catherine Freeman, whose daughter married Charles Yorke, second son of the first Earl of Hardwicke and whose grandson Philip become the third Earl. The family retained ownership until 1973 when the house was converted for use as commercial offices.
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Although many row houses have shed internal architectural elements of the era, they continue to encompass a substantial swath of the residential stock between Fourth and Sixth Avenues south of 40th Street. However, brownstone rows exist as far north as 420-424 36th Street and as far east as 662 56th Street, while several bayed brick rows (notably exemplified by 240-260 45th Street) are situated south of Fourth Avenue, where wood frame and frame-brick houses dating from the earliest development in the area remain prevalent. While these houses retained their polychrome facades and other Victorian-era design flourishes (akin to the "painted ladies" of San Francisco) as late as 1940, most have been clad in vinyl siding and Formstone for decades. In addition, there are numerous multi-family residences in Sunset Park.
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Often referred to locally as "Pooley's Folly" (after the architect) the building took just two years to build and was completed in 1966 at a cost of £956,000. Analytically, if not architecturally, the new County Hall is in keeping with the town's architecture, its design history is as provincial as its more classical predecessors. While its design is a bold conception freely using works by such architects as Frank Lloyd Wright, Le Corbusier and De Stijil and it has similarities to Paul Rudolph's School of Art and Architecture at Yale completed in 1963. However, as early as 1904 Auguste Perret designed a block of flats in the Rue Franklin, Paris which has similar angles, bayed windows and canted recesses to County Hall in Aylesbury, Image of Perret's flats in Paris and these flats too were constructed of concrete.
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Over 20 smaller houses of two to three bays and single-storeyed cottages with dormers dated from 1700 or earlier, some from the 1660s. During the 18th century a line of eight two- or three-bayed cottages, one dated 1735, were built on small crofts south-west of the village along the south side of Broad Green, so named by 1460, where dwellings had been recorded by 1506. In the 1660s and 1670s barely 20 of the recorded dwellings had had more than one or two hearths. About 1808 the village contained at least 78 houses, including 15 farmhouses and 42 cottages. There was rapid growth after the 1820s, the number of inhabited dwellings rising from 164 in 1831 to 270–310 between the 1840s and 1900; in the late 19th century another 15–25 were sometimes empty.
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The Times 1 April 1998 p21 Often referred to locally as "Pooley's Folly" or "Fred's Fort" (after the architect Fred Pooley) the building took just two years to build and was completed at a cost of £956,000 in 1966. Analytically, if not architecturally, the new County Hall is in keeping with the town's architecture, its design history is as provincial as its more classical predecessors. While its design is a bold conception freely using works by such architects as Frank Lloyd Wright, Le Corbusier and De Stijl and it has similarities to Paul Rudolph's School of Art and Architecture at Yale completed in 1963. However, as early as 1904 Auguste Perret designed a block of flats in the Rue Franklin, Paris which has similar angles, bayed windows and canted recesses to County Hall in Aylesbury, and these flats too were constructed of concrete.
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By 1239 Cote and Aston shared a single open field system. Cote Common was often called Cote Moor. In 1497 Mary, Lady Hastings and Botreux, demolished a tenant's house at Cote and enclosed its landholding as pasture. In the 1660s the Lord of the Manor Thomas Horde enclosed about close to Cote House and promoted a general enclosure of the manor, but most tenants enclosed no more than or each. The open meadows tended to flood and in 1668 new channels were dug to drain them. Cote Farmhouse and Cote Cottage were built in the 17th or early in the 18th century. Milton Lodge was rebuilt in about 1720 with a symmetrical five-bayed front. East of Cote is a Windmill Field but no windmill has survived. In 1834 tenants of Aston and Cote sought enclosure and initially Caroline Horde supported them.
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The arch with The Cumberland Hotel, Great Cumberland Place and the trees of Bryanston Square beyond, parts of the British Regency-architecture Portman Estate; the hotel has an access to its Tube station Marble Arch is a 19th- century white marble-faced triumphal arch in London, England. The structure was designed by John Nash in 1827 to be the state entrance to the cour d'honneur of Buckingham Palace; it stood near the site of what is today the three-bayed, central projection of the palace containing the well-known balcony. In 1851, on the initiative of architect and urban planner Decimus Burton, a one-time pupil of John Nash, it was relocated to its current site. Following the widening of Park Lane in the early 1960s, the site became a large traffic island at the junction of Oxford Street, Park Lane and Edgware Road, isolating the arch.
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Denarius with one-bayed Augustan arch, probably struck in Rome in ca. 30-29 BCE.Cassius Dio reports that after the Battle of Actium the Senate granted Augustus a triumph and an arch in an unspecified spot in the Forum.Cassius Dio, Roman History 51, 19 No contemporary description of the structure remains, although it is possible that the Actian Arch is represented on a coin minted in ca. 30–29 BCE.Holland, The Triple Arch of Augustus, pp. 53-54. However, the arch depicted on the coin could also refer to another instance in which Augustus was granted a triumphal archCassius Dio, Roman History 49, 15 after the victory over Sextus Pompey in 36 BCE.Richter, Die Augustusbauten auf dem Forum Romanum, p. 154. The 13th century travel guide to Rome De mirabilibus urbis Romae describes it in detail, though there is no other evidence that the arch still existed by the time this was composed.
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Kyp's depiction of The Lower House as built by Sir Matthew Hale in 1656-62, a nine-bayed property with gables at either end and dormer windows in between. St Kenelm's church can be seen in the background, immediately adjacent to the property. The Hales of Alderley were the leading gentry family in the Wotton-under-Edge area of Gloucestershire from the beginning of the 17th century up until the early 20th century. The story of the Hale family houses in that small village of Alderley is unusually complex. Alderley is situated 2 miles to the south of Wotton-under-Edge, sandwiched between two brooks, the Ozleworth and Kilcott, underneath Winner Hill, and in the 16th and 17th century it was home to a number of woollen mills. The first of the Hale family's houses in the village was West End House, built in 1608 by Robert Hale (c. 1572 – 1614), a barrister at Lincoln's Inn. He was the second son of another Robert Hale who had made his money as a successful cloth merchant in Wotton-under-Edge. The younger Robert Hale had acquired land in the village in 1599 through his marriage to Joan Poyntz (1577–1612), the daughter of Matthew Poyntz, a gentleman living in the village at that time.
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