1000 Sentences With "panelling" | Random Sentence Generator

Then, the pajama-dressing trend continues with soft, loose-fit blouses with contrast panelling.

Today's episode has it all: smart lighting, Nintendo Switch accessories, and a universal remote with wood panelling.

To test this idea, they constructed a room with the walls, ceiling, and floor made from aluminum panelling.

Instead of giving in to this inclination, Moore decided to create full pages with borders but minimal panelling.

The stash was found in the panelling of an embassy vehicle as it crossed into Jerusalem from Jordan.

For some time it was covered with wood panelling, but now has been cleaned by the pub's new owner.

The village of Tourouvre-au-Perche in Normandy, France, is taking solar panelling from the roof to the street.

It's a basement—knotty-pine panelling and framed pictures of the ex-presidents of the Elks on the walls.

With sheer panelling and an above-thigh-high slit, the strapless dress proved good looks run in the Moss family.

Murray's eyes were immediately drawn to the Polaroid shot of Cole, in front of wood panelling, looking directly at the lens.

The cropped, pussybow-neck jacket features a slight ombré wash, with contrast panelling on the sleeves, and retails for a cool $49.90.

The video shows off some VCS-style wood panelling and Atari's iconic logo—coming soon to a cinema near you in Blade Runner 2049.

The pod has a modern design with nice wood panelling that complements greenery well, although I feel like it's hard to make plants look bad.

It's the moment you see Pret a Manger doing a fake exposed brick wall—you know the 3 millimetre-thick wall panelling, and exposed bulbs?

Here, Carrasco's panelling is key, going from twelve panels a spread to none in the mere flip of a page, creating a wormhole of sorts.

We're seated under the art deco wooden panelling and brought dish after dish of classic Italian East End food: chips, lasagna, salami sandwich, and spinach cannelloni.

So the friends built a chill bar with craft beer and wood panelling, a place that, these days, sounds a lot like a standard Brooklyn bar.

Five hundred years ago, wealthy homeowners would have announced their taste and economic resources with wood panelling or tapestries on their walls, rather than with paint.

To the beat of melancholic violins, models strutted down a starred and striped pink carpet in a former rail station dressed up in metallic pink panelling.

Davy wore a long black dress with a strip of mesh panelling above the knees and a sparkly bodice, which she accessorized with a short-sleeve black jacket.

He had designed the main house around a wall-panelling motif made from pyramidal strips of wood; the idea came to him at the Moderna Museet, in Stockholm.

Certainly, there have always been aspirational home trends, from wood panelling in the 1950s to 70s shag carpets in the west, as popularized on TV and in magazines.

The McHive comes complete with a patio and outdoor seating, sleek wood panelling, two drive-thru windows and all the McDonald's advertisements you'd expect to see plastered on the store's windows.

The two sports utility vehicles have a similar shape, with the roof and windows tapering from front to back, and near-identical tail lights and character lines on the side panelling.

In February the spacecraft, named RemoveDEBRIS, will attempt another first by shooting a harpoon to snag a piece of panelling brought along for the test and held at the end of a boom.

Adhering more strictly to the "do it yourself" model, Amadori's videos reach upwards of 500,000 subscribers, guiding them through an array of tasks—everything from basic painting to upholstering furniture and wood panelling.

The inside has the look of a retro IHOP crossed with your great-uncle's finished-basement rec room: tasteful sixties wall hangings, cheap wood panelling, a pool table, and many shades of taupe.

Andy Williamson of the Inter-Parliamentary Union, an organisation of parliaments, believes British politicians would create exactly the same chamber if they had to start again from scratch—"down to the colour of the panelling".

Specific optimizations included a reduction of the frontal area, minimization of panel gaps, and an almost complete panelling of the underbody, which includes the engine bay, main floorpan, parts of the rear axle and the diffuser.

While Simpson's standard late night looks typically involve a whole lot of sheer panelling and plunging necklines, last week, the billionaire business woman took things to all new heights, stepping out in a nude-colored, skintight, micro-mini dress.

And so, Longoria huddled in with Irina Shayk, Lara Stone, Cindy Bruna, Doutzen Kroes, Bianca Balti, Maria Borges, Neelam Gill, and Alexina Graham to show off the varying degrees of embellishment, mesh, and sheer panelling in their Balmain looks.

The establishment's fluorescent lights and imitation-wood panelling, which was hung with photographs of intricately arranged cold cuts, made for the kind of half-dowdy, half-gritty aesthetic seen nowadays less in real life and more on streaming-platform dramas set in the seventies.

SYDNEY, Feb 3 (Reuters) - Australia's James Hardie Industries Plc, the world's biggest maker of fibre cement home panelling, cut its guidance and said third-quarter net profit fell 6 percent, as the company missed manufacturing targets and forecast an uncertain future for the U.S. housing market.

For example, the panelling of the club scenes in "HARD BODY" is abstract and overlapped, mimicking the choppy and rhythmic movement of Black bodies throwing it down — a sharp contrast to the scenes from behind the stall door, which take up the whole spread, almost vibrating with the jagged, digitised linework.

I recall a story that my father told me: my mother for a time worked a night-shift job selling solar panelling—I have no idea why one sells solar panels at night—and so she took naps during the day in a closet, hoping to sleep undisturbed by me and my brother.

The rest of the truck pivoted and whacked very hard into the bank, causing more than ten thousand dollars' worth of damage along the body and frame—bending the anti-intrusion bars inside both front and back doors, pancaking the panelling, smashing the door handles, the gas cap, the left tail-light, and the rear fender.

According to the game's backstory, the Talos I started as a government space station in the '60s before being taken over by a private company in 2030, and the design melds the design language of 1960's science fiction — large, magnetic tape storage systems and retro hardware litter the place — with the kind of wood panelling and gold trim you'd expect from a gaudy hotel.

An east wing and Catholic devotional panelling were added in 1616. Further embellishments, including updated panelling, were added in the early 18th century.

It is used for joinery, furniture, flooring, and decorative panelling.

Wood panelling and parquetry floors were added at this time.

The interior includes panelling and fireplaces from the 17th century.

In 1929, it had rimu panelling and wallpaper in 'quiet shades'.

The Straits Club Billiard Room was kept, but without its wood panelling.

There is also wood panelling in the main hallway which is distinctive.

The main reception rooms feature wood panelling and panelled ceilings. The dining room ceiling is vaulted with quatrefoils, coronets and shields, including the von Schröder coat of arms; the cornice features winged cherubs. The walnut panelling of the dining room features reeded pilasters. The panelling in the sitting room originated in Calveley Hall, now demolished; it is Jacobean in date and features a fluted frieze.

The interior walls of the house at this time would have all been plastered with no wooden wall panelling. The earliest oak wall panelling was most probably added in the early to mid-18th century, with pine panelling added later. In the early years of the 18th century, post 1705, Margaret Vaughan inherited Llanelly House from one of her elder sisters on her death in 1706/7.

There are gabled stone slate roofs. The hall is open to the hammer beam roof. The lower room of the solar has sixteenth century panelling, the upper seventeenth century panelling. A wing to the east was added around 1700.

The wooden panelling behind the altar is from Ashby-de-la-Zouch castle.

At the time of construction, the library was ornamented with statues and elaborate wooden panelling.

The former side galleries have been removed and there is glass panelling at the rear.

Lockyer designed it in the Italian style. Inside, there was wainscot panelling with oak features.

Replacements of wall panelling, seating, the upper galleries, and central heating all took place in 1997.

Wood - panelling; leaves- mucilaginous extract used in preparation of local sweet called "aasmi" ; Bark,leaves- medicinal.

Particularly fine is the reeded panelling of the French windows. The grounds retain some mature trees.

The house also displays Queensland timbers to advantage, the joinery including panelling in pine and kauri.

The basement, which contained the kitchen and two cellars, is vaulted. Oak wall panelling removed from the castle, and displayed at the National Museum of Scotland in Edinburgh, has carved figures of members of the Cathcart family.Wall panelling of carved oak, from Killochan Castle. NMS H.KL 124.

The panelling and mantelpiece in the former Middleton room were designed by Henry Flitcroft in the 1720s.

Court House was built in 1553 and its front is long and of two storeys. One room contains Tudor panelling and a fireplace surround from Poltimore House dated to 1692.Cherry & Pevsner (2004). p. 603 Other oak panelling from Court House now lines the chancel of North Molton Church.

8 and the Chantry House in Bunbury.McKenna, 1994, pp. 6–7 In later use, however, braces were usually constructed on the interior and concealed by plaster panelling. Close studding was sometimes used in association with decorative panel work or close panelling, particularly from the end of the 16th century.

Justice originally carried scales, while Temperance held water or wine. Upper panelling in the Rotherwas Room. The arcade is repeated throughout most of the upper panelling, around the whole room. Arches become less wide as they near the corners of the room, which might have been an attempt to replicate perspective.

The wood panelling was sold in 1924 to decorate an office in the Empire State Building. However, as a gift to Elizabeth II during her coronation in 1953 the panelling was reinstalled in the inn. The pub closed for refurbishing in April 2018, and will reopen on 25 October 2019.

The decorative features include several brought in from other buildings. Panelling was brought from Judge Jeffreys' house at No 18, Fore Street, Taunton. An over-mantel was imported from Field Marshal Sir Lintorn Simmons' house Over Langford Manor. In addition sections of wooden panelling were brought from Over Langford Manor.

The kitchen retains it s original wood-fuelled stove. Wood panelling closes off the dairy room from the kitchen.

The bar and some panelling from the steamer's saloon are retained in the Lucinda Room in Parliament House, Brisbane.

The other sides of the mausoleum contain more or less the same arched panelling and similar decorative colour scheme.

The library above contains a major example of linenfold panelling, the Ellenhall Wainscot. Originally from a Staffordshire manor house, the panelling was sold to a dealer by the Earl of Lichfield in 1918 and subsequently acquired by Hearst. The Lady Anne Tower on the south-western corner is a Hearst/Allom reconstruction of the original 16th-century tower. The north range interior was remodelled in the late 1920s and contains Hearst's and Davies's bedroom suites, with an interconnecting door concealed in the panelling of Hearst's room.

This altarpiece dates to 1651 and panelling has a depiction of the crowning of the Virgin Mary in the centre.

Accessed 2010-05-03. Inside, the house is built primarily of walnut wood panelling that closely resembles its original state.

39-inch (1 m) wainscoting using 3-inch (76 mm) tongue and groove pine boards Panelling (or paneling in the U.S.) is a millwork wall covering constructed from rigid or semi-rigid components. These are traditionally interlocking wood, but could be plastic or other materials. Panelling was developed in antiquity to make rooms in stone buildings more comfortable both by insulating the room from the stone, and reflecting radiant heat from wood fires, making heat more even in the room. In more modern buildings, such panelling is often installed for decorative purposes.

There are oak- panelled interiors, including the Inlaid Chamber, where the panelling is inlaid with floral and geometric patterns in pale poplar and dark bog-oak. The contents of the Inlaid Chamber were sold to the Victoria and Albert Museum (V&A;) in the 1890s and it was displayed as a reconstructed period room. The return of the panelling to its original location at Sizergh was advocated by among others Mark Girouard, an authority on England's country houses. The panelling returned in 1999 under a long-term loan.

The walls of the study are lined with timber panelling surmounted by a plate rail supported on timber brackets aligned with the framing of the wall panelling. The ceiling of this room is lined with pressed metal, with a central panel, borders and cornices. Like this room the drawing room on the ground floor is lined with timber panelling with a plate rail and has elaborate pressed metal ceilings. A white marble fireplace and a large three part window opening with leadlight panels are features of this room.

Catesby House is a Jacobethan country house about west of Upper Catesby. It was built in 1863 and enlarged in 1894. It includes 16th- century linenfold panelling said to come from Catesby Priory, and 17th-century panelling, doorcases and a stair with barley-sugar balusters, all from the previous 17th-century Catesby House that was in Lower Catesby.

The foyer has silky oak panelling, decorated plaster ceilings, and leadlight windows. The main stair is silky oak. Many original furnishings remain.

The uses of the New Zealand species (A. australis) included shipbuilding, house construction, wood panelling, furniture making, mine braces, and railway sleepers.

Some of the original oak panelling of the room may have been used in the construction of the canopy of the bed.

A lift was installed as part of the refurbishment in 1932 at which time the Jacobean style decoration and panelling was also added.

The chancel is boarded to about with timber panelling, featuring carvings of pointed arches with foiled heads. This panelling steps higher on the rear, northern, wall. On this wall and above the stepped panelling is a tripartite group of stained and coloured glass featuring images from the Adoration of the Magi and housed in a pointed arched recess. A number of stone, marble or brass plaque memorials line the internal walls of the church and commemorate various figures in the history of the parish of St Thomas, including RL and A Drew and Sarah Frances Zitella Clark.

The other 20 cars were scrapped. English Electric Railcoach car No. 264 was rebuilt in 1964 with flat cab-ends and rounded corners, resembling the Coronation and Twin Set cars. No. 264 was also given exterior plastic panelling to reduce its weight, but was returned to aluminium panelling due to the plastic warping and becoming discoloured. No. 264 became No. 611 in 1968.

The Grade II listed house consists of roughly coursed granite with ashlar dressings and a slate roof. Some of the timbers from the 1861 wreck of the Award were used for the panelling and roof of the new dining room, as well as panelling of the rooms Annet, Rosevean and Rosevear. His successor, Thomas Algernon Smith-Dorrien-Smith added the tower in 1891.

The interior of the house has seventeenth century panelling and fireplaces in many rooms, as well as a number of seventeenth century stone doorways. The vaulted undercroft dates from the same period and has screens with Doric pilasters, and a gallery with arcaded panelling above. There are some remnants of the thirteenth century chapel at the east end of the house.

The rear has seven bays and two projecting wings, dating to the 18th century. Internally, one room has 17th century panelling of a Tudor design.

Adare Manor contains the Oak Room restaurant, which earned a Michelin star for 2020. It is named after the oak panelling commissioned by Augustus Pugin.

The interior is also simple with white walls and cedar panelling. The panelling behind the Magistrate's chair is embellished by a gilded coat of arms. The room is illuminated by light through high clerestory windows. Despite its simplicity in design, the most significant feature of this building is the adaptation by Greenway of his architectural skills and principles to suit the demands of an Australian climate.

Norsilk is a French manufacturer and dealer of wooden panelling and flooring. Norsilk designs a range of wooden products for gardens and building panelling. Norsilk has a diversified customer structure in the DIY outlet, wholesale and industrial segments. Norsilk has a total of approximately 110 employees working at its facility in Boulleville. Mutares acquired the Finnish Metsä Group’s wood business in France in October 2015.

The interior has excellent carved doors and a central room with carved timber frieze and ribbed ceiling with stone bosses. The internal joinery i.e. panelling and framings including doors and frames being part of the panelling were constructed of using "Swedish Oak". Other details of note are pull-up flyscreens hidden in window sills, bathroom with original tiling and rainwater heads decorated with fleur-de-lis.

This is the only surviving element of Barry's 1851-52 interior and it is believed that Lord Astor considered it too beautiful to remove. The French Dining Room The French Dining Room is so- called because the 18th-century Rococo panelling (or boiseries) came from the Château d'Asnières near Paris, a château which was leased to Louis XV and his mistress Madame de Pompadour as a hunting lodge. When the panelling came up for sale in Paris in 1897, the 1st Lord Astor recognised that it would exactly fit this room at Cliveden. The gilded panelling on a turquoise ground contains carvings of hares, pheasants, hunting dogs and rifles.

Circa 1989 it was converted by Bovis Homes Group into grand residential apartments, retaining the original stone mullioned windows, ornate ceilings, wood panelling and impressive fireplaces.

The interior and planted beds were removed and the walls were plastered and fitted with oak dado panelling and a new flat partly glazed ceiling inserted.

As repeated vibrations caused by departing trains broke part of the wall panelling, the mosaic was removed in 1958 and installed in the Nuremberg Transport Museum.

An Ilkley Town Council was re-established for the parish, which now uses the meeting room, retaining its original furniture, oak panelling and central lantern light.

The central staircase is of impressive proportions with cedar balustrade and panelling surrounds reflecting a taste for "Old English" detailing (National Trust of Australia (NSW), 1978).

Inside, hand-carven wood panelling is exceptionally extensive: the Swiss woodworkers whom Neff hired for the purpose required two full years of work to complete the carvings.

A chimney stack rises from the gable of the vestry. Internally there is stone panelling at the east end with an alabaster model of the Last Supper.

The interior is particularly significant because of elements such as a unique music alcove with decorative panelling, as well as ornate original wood finishing with decorative molding.

It is also used for furniture, shop and office fixtures, panelling, turnery, carving, as structural plywood, scaffold planks, wood wool, paper products, particleboard, and medium density fibreboard.

The building was constructed entirely in wood. English botanist William Dallimore (1871–1959) visited the station in 1929 and noted that the "best birch panelling" was used.

The panelling of the drawing room dates from the reign of William III and Mary II just before the end of the 17th century. In about 1780 the 16th-century great hall was renovated with a timber roof frame and linenfold panelling transferred from Notley Abbey in Buckinghamshire. The 16th century front was replaced in about 1820 and the Hon. Rev. F.A. Bertie had the house altered and renovated in 1851.

The timber is pink or pinkish-brown with white resinous streaks. It is typically used for panelling, joinery, light carpentry, furniture, plywood, crates, boxes, veneers and other purposes.

The interior features two ground floor rooms with fielded panelling with a Tudor arched stone doorway and a stone fireplace with moulded lintel. Gives architectural details of hall.

As at 24 October 2002, the archaeological potential of the building is good. Settlement has occurred on Sussex Street frontage, windows not original and some shopfront panelling replaced.

Also known as King Ferdinand's private study room, the library still sports the original elm wood panelling and, even today, houses part of King Ferdinand's collection of books.

The Ipswich system remains unique in having a 100%-trolleybus fleet following tram abandonment as well as the unusual combination of green paint and unpainted aluminium side panelling.

In or around 1844 the chancel, and the bellcote were added. The bellcote replaced and earlier pyramidal cap. Oak seating and panelling were installed in the church in 1935.

Palaces had multiple entrances that used post-and-lintel entrances rather than corbel vaulting. Many sites erected stelae, but Palenque instead developed finely sculpted panelling to decorate its buildings.

The plan involved a dramatic change in appearance from a Federation Queen Anne style to a Spanish Mission style. The alterations and additions included a study, library, dining room, kitchen and three new bedrooms with adjoining bathrooms. In the public rooms extensive use was made of French-polished jarrah panelling on the walls and ceilings and jarrah parquetry on the floors. Local architect Samuel Rosenthal is thought to have designed the jarrah panelling.

In 1953 the house became a Dominican Convent and boarding school. The school closed in 1999. Inside, the oldest part of the building has the former Dining Room (now Chapel) with good quality 19th century linenfold panelling and frieze, plastered ceiling with strapwork ribs and stained glass windows. The Drawing Room has early 18th century panelling and a fireplace with engaged columns; and the former Library (currently Meeting Room) has a 16th-century stone fireplace.

Panel edge staining Panel edge staining is a naturally occurring problem that occurs to anodized aluminium and stainless steel panelling and façades. It is semi-permanent staining that dulls the panel or façade's surface (in particular the edges of the panelling), reducing the natural lustre and shine produced by the anodizing processes used on the aluminium. Panel edge staining may also appear on powder coated aluminium, painted aluminium, stainless steel and titanium surfaces.

The damage to the sedilia and the archway leading to the present-day Lady Chapel has never been repaired. In 1741 the church was refitted with wooden panelling, box pews, choir gallery, and the present pulpit. From 1856–7 Sir George Gilbert Scott restored the church and removed the 18th-century panelling. Further restoration work was carried out in 1876 and 1891, but by 1880 the church was much as it is now.

Close attention to detail characterizes the decorative treatment throughout the interior. Trompe l'oeil wall paintings simulate panelling on the walls of the north main rooms, entrance hall, and stairwell. Similarly elaborate decoration is seen in the marble fireplaces, with Ionic columns supporting the mantelpieces, and in the recessed panelling of the doors and folding window shutters. A wide frieze and deep cornice of decorative plaster define the high ceilings of the interior.

West side of the barn Internally, the south range includes three 16th- or early-17th-century stone fireplaces that have probably been reused from the earlier house. The north room of the attic floor and principal room on the first floor include 16th- or early-17th- century timber panelling. The room over the entrance hall features late-17th- century panelling. Two period staircases feature; one from each of the 16th and 17th centuries.

The chapels next to the Angel Choir were built in the Perpendicular style, with an emphasis on strong vertical lines, which survive today in the window tracery and wall panelling.

He was given the order to welcome Hitler with the Nazi salute.Roncigli, p. 253.Prieberg, p. 177. Furtwängler was so furious that he ripped the wooden panelling off a radiator.

"Clean-cut beauty in the modern trend". "Entirely new frontal design including a longer bonnet and new-shaped radiator and rear panelling". Syncromesh on all but first gear.The New Austin.

Panelling, such as wainscoting and boiserie in particular, may be extremely ornate and is particularly associated with seventeenth and eighteenth century interior design, Victorian architecture in Britain, and its international contemporaries.

The eight bedroom suites are furnished in a Gothic style with oak panelling, tapestries and antique features. Notable people who have stayed there include Andrew Lloyd Webber and Catherine Zeta-Jones.

The wood - panelling of the church is rated one of the best in church craftsmanship. The church adorned with curiously treated volutes and shell - like motifs and the magnificent wood carving.

The entrance vestibule has timber dado panelling, which comprises a skirting, an alternating timber boarded body and a wide dado rail. This pattern of dado panelling continues to other rooms of the house, with changes in other rooms of the amount of moulding and height of the skirting and dado rail and also the alternating timber boards, which here are two different types of timber, and with the lighter coloured timber reeded. Above the dado panelling in the entrance vestibule is early floral wall paper, divided into panels with vertical and horizontal border strips. Dividing this room from the central hall is a timber screen of half glazed double timber swing doors, flanked by similarly detailed half glazed sidelights and surmounted by transom lights.

A vestibule with a floor and panelling made out of green marble is located behind the front door. The central hall on the ground floor connects to most rooms including the living room and a drawing room with teak panelling. The ground floor toilet and its passage are decorated with green glazed tiles. Another passage has a backdoor and the entrance to the kitchen, that is fitted with an intercom to deliver messages to the other rooms.

The crystal and ormolu electrolier from the lounge is installed in the Cutlers' Hall in Sheffield. Some of the timber panelling was used in the extension (completed in 1937) of St John the Baptist's Catholic Church in Padiham, Lancashire. In 2000, Celebrity Cruises purchased some of Olympics original wooden panels to create the RMS Olympic restaurant on board their new cruise ship, . According to the cruise line, this panelling had lined Olympics à la carte restaurant.

The cedar panelling inside the house is intact (the cedar believed to have come from the Johnston holdings on the south coast at Albion Park). The panelling consists of 6 panelled doors and 12 panel windows. The french doors to the main rooms have magnificent glazing and fixed highlights. The semi circular fan light at the rear door and the unusual gothic sashes of the attic windows are fine examples of the influence of Regency design.

This is sixteenth century as is the Renaissance style fireplace and the panelling and Gothic fireplace in the dining room. Other notable features of the house are the two tapestry rooms Cromwell's and Ireton's Room; the stained glass windows in the Great Hall; the Oak Room which has elaborate 1590 panelling. Additionally, there is an Edwardian wing, featuring a sprung-floored ballroom. Close to the house is the family chapel which is included in the Grade I listing.

These works were completed in February 2012. The ship is still not fully restored, most notably the forward mast and subsequent rigging is still missing, although it is to be installed at a later date. The final phase of restoration works includes conservation and restoration of the luxurious interior, featuring plaster panelling and ornate joinery. Original SS Nomadic timber panelling was purchased from a French museum by the Nomadic Preservation Society, using funds raised during the Save Nomadic appeal.

The 1890–91 extension on the east side of the original part of the hall mimics the same style but adds a series of tall chimney stacks and mullioned windows in the gables. The hall-cum-drawing room was redesigned by Lutyens in 1911 in an imitation early Georgian style, with enriched panelling and an overmantel with a pediment. Elsewhere in the house, some of the panelling is said to have come from Admiral Beatty's flagship.

The ceiling is lined with battened fibrous cement sheeting with a narrow decorative panel running along the underside of the ridge. Large curved timber brackets spring from oversized corbels to support the roof beams. The altar, with decorative timber panelling to the sides, stands on a raised platform within the chancel which is lined to dado height with decorative cedar panelling. The church accommodates fine furniture including cedar pews and pulpit from the 1876 church, chairs, kneelers and lecterns.

Her oak carved panelling from the smoking lounge was installed in the Ships Room in the Visitor Centre of the Glenfarclas Distillery at Ballindalloch on Speyside when it was built in 1973.

Bruce's panelling survives in part of the south apartment, which was later turned into a single room. The chimneypiece and wood carving in the "Blue Room" is also 17th century.Gifford, et al., p.

The chancel contains aumbries on the north and south sides. The octagonal font dates from the 14th century. The oak pulpit and panelling in the nave and chancel are from the 18th century.

Another upstairs room has a flat ribbed plaster ceiling and the staircase has linenfold wainscoting panelling. In "The Grange", there are more elaborately decorated plaster ceilings, linenfold panelling in the rear passageway and a plastered archway with the heads of satyrs. There are other important features including a wide fireplace with an arched lintel on the ground floor. The large complex of buildings is separated from the road by a high stone boundary wall, running for with gate piers and gates.

222 When Ocean House was demolished, the bedroom panelling and cabinets were purchased by the Edward- Dean Museum & Gardens in Cherry Valley, California where they now form the museum's Pine Room. The Gilded Age American architect Horace Trumbauer also acquired a Gibbons carving for his own house in Wynnefield, Philadelphia, Pennsylvania.Harris, p.209 The Cassiobury House in Bedford, New York, which was constructed from bricks salvaged from the demolished Watford mansion, may also have been fitted with interior panelling from Lord Essex's rooms.

Many examples also featured an enclosure of opaque panelling decorated in floral motifs (those at Gare de Lyon, now destroyed, and at Hôtel de Ville, now located at Abbesses, did not have panelling). The most imposing of these were built at Étoile and Bastille, on opposite sections of the inaugural line 1. Both of these were torn down in the 1960s. Today only two édicules survive, at Porte Dauphine and Abbesses (the latter having been moved from Hôtel de Ville in 1974).

The other statues are the work of Tower and depict St Edward the Confessor, St George (with dragon), St Michael and St Matthew. The High Altar and reredos were originally under the east window, surrounded by wooden panelling. This panelling was removed after the fire and beneath it was discovered the mosaic mural and painted arcading you see today. The recent addition of a modern carving of the Madonna and Child maintains the creative link between the church and the arts.

Original fabric in these spaces includes timber wall panelling, timber parquet floor and a fireplace with a low panelled timber ceiling above it in the board room. The ceiling above the rest of the Board Room may also be original. The ante room has only retained early timber wall panelling, although earlier ceilings may be concealed above the existing suspended ceiling, and original flooring may be concealed beneath present coverings. Wall mounted light fixtures and other luminaires are recent fabric.

In: Nailsea Court – The Story – Pt ll, 19th & 20th Centuries, Despair and Repair, Nailsea, pp. 17–23. After demolishing the west wing he transferred some salvaged fireplaces and panelling to adorn the new wing he was building at Nailsea Court. The panelling was installed in his new withdrawing room. Consequently this room was called the Langford Parlour but is now known as the Langford Room. The Latch porch was at Nailsea Court for nearly twenty years,Tipping, H. Avray (1912).

The interiors of this former booking office are simple with plasterboard wall and ceiling panelling decorated with plain timber rail at lintel height and timber skirting. Floors are tiled. The original ticket window survives.

Further improvements, involving restoration of the original wood panelling and fireplaces, was carried out in the assembly rooms in 2017; the assembly rooms hosted the first wedding in the building's history later that year.

The works were designed by Francis Mackison, burgh architect of Stirling, in the Gothic Revival style, and included a new roof, and a timber gallery and panelling. The exterior of the building remained unchanged.

The cellar walls are made with rubble stone, while the first floor rooms and front hallways are mud and straw filled with a flaster coat. The flooring, panelling, mouldings, and doors are all pine.

The vicarage is constructed in brown brick with some timber framing and tiled roofs; it is in the form of an E-plan. Internally there is an Elizabethan fireplace and some 17th-century panelling.

Kings Norton Church, Leicestershire A box pew is a type of church pew that is encased in panelling and was prevalent in England and other Protestant countries from the 16th to early 19th centuries.

Leura is a Federation Queen Anne style mansion (1891) adjoining "Rona" and probably by the same architect.WMC, 2015 Early Queen Anne style, leading to Federation style. Leadlight doors and window at rear. Timber panelling.

The interiors feature extensive polished timber panelling and plaster ceilings that draw inspiration from traditional English Perpendicular Gothic.Noel Bell Ridley Smith, 2003 As at 10 March 2004, the physical condition of the building is good.

A Fire Safety Code of Practice was drawn up for rolling stock and this led to internal refurbishment of the trains that included replacing the interior panelling and fitting or improving the public address systems.

It contains a piscina with a trefoil head, a hexagonal timber pulpit with Jacobean panelling, and an octagonal stone font dating from the 15th century. Some of the windows contain fragments of medieval stained glass.

Also in the church are a pulpit, a lectern, two pews, an altar, and some panelling. The bellcote contains a single bell that had been removed but was returned to the church by the Trust.

The fireplace is dark grey marble. The sitting room has full height cedar panelling and a white marble fireplace. The formal dining room opposite has rendered walls with deep cedar skirting. The fireplace is painted.

These arches are still standing today. The interior was purportedly of an old-world style that Gus Roehling was fond of. This included details such as knotty panelling, sturdy timbers, hardwood floors, and heavy doors.

The reception hall, which at one time doubled as a living room, contains a wooden stair rail with baroque scrollwork and walls that are covered with Louis XIII-style oak panelling. The drawing room resembles 18th- century interior design with lighter wood used for panelling and basic geometric lines. In the sitting room, a hidden, movable wooden wall reveals the two-story Edwardian ballroom, which features a multivaulted wooden ceiling and ornamental plasterwork. The wood that covers the ceiling was discovered during a repair operation.

484 It later passed to the City of London Corporation, which administers the property now. It is currently only viewable when special events are held there, and the City of London Corporation has recently completed a consultation with interested parties regarding the room's usage. The main feature is the fine and rare highly decorated Jacobean plaster ceiling, with the Prince of Wales's feathers and the initials "PH" in the centre. There is one wall of original Jacobean wood panelling left; the other panelling is Georgian.

Bedroom B was known as the "French cabin" because it was Louis XV-inspired, featuring varnished oak panelling and Cabriolet furniture.Beveridge 2008 p. 59-60 In the "special staterooms", there was a wide range of finely carved panelling, veneers, and marquetry made from exotic imported woods like Mahogany, Sycamore, Walnut, Oak and Satinwood. Such was the attention to historic detail that every piece of furniture, light fixture, upholstery, and woodwork was recreated with an obsessive care for accuracy by designers and master craftsmen at Harland and Wolff.

Original Tudor/Elizabethan panelling in the Great Oak Room The Great Oak Room retains its original oak panelling, moulded plaster ceiling and 'double-decker' fireplace, making it "one of the finest rooms in the West Country". Entrance is via an oak internal porch, similar to that of Montacute House. Carved above the entrance of the porch are the arms of Young (Yonge) impaling Wadham. The only features which have changed since the room was built are the enlarged Georgian windows, giving a view onto the knot garden.

The chancel has late 15th stalls, the panelling supporting Francesco Bassano the Younger's painting of 'The Adoration of the Shepherds' is late 17th century, the communion rail is from around 1675. The de Brome chapel has early 18th century panelling and Chancellor's throne. There are remnants of 15th century stained glass in the tracery lights of the east window, and 17th century shields in the de Brome Chapel. The east window and second from east in the south aisle were designed by Augustus Pugin.

The sanctuary features an oak reredos and panelling designed by Herbert Wardell, as well as two life- sized carved statues of the Virgin Mary and St. John the Evangelist, which were made by Koffmefer of Munich.

Harrison married Hinemoa Rakena (b. 1931), also a Māori artist, who is noted for her traditional weaving, especially tukutuku panelling. Between them, they worked on the construction and decoration of many wharenui and other marae buildings.

Harmondsworth, Middx. Penguin. and the adjoining 15th century hall house which was substantially rebuilt in about 1680 and which contains panelling and stained glass from the Tudor house. The glass depicts the Labours of the Months.

The gable over the entrance to the stable is also timber- framed. Although there have been alterations to the interior, Douglas' staircase and panelling to the hall remain "as an outstanding example of [his] domestic joinery".

The panelling in this room is also from the period of the Norcliffe occupation. The defacing of the panelling round the window is believed to have been the "work" of Cromwellian soldiers who were billeted at Nunnington during the Civil War. The eared overmantel surround of the fireplace is believed to be a later addition and may be the work of the York joiner John Etty (1634–1708). The room and its little adjacent Oratory are reputed to be haunted by a presence that passes over the bed and through the wall.

Viscount Preston remodelled this room during the late seventeenth century, and evidence of this phase of building is visible throughout the room in the form of panelling, carving on the staircase and pediments above fireplaces and doorcases.Barber, 9,10,11. Panelling in this room was once painted, but is now bare, having been stripped during the refurbishment by Walter Brierly and the Fife family in the 1920s, an example of an Edwardian trend. Pediments above doorcases are split, and very finely carved, along with the three arches on the north side of the room.

Quoted by Hardy, p. 60 Tyack said that "the carved wooden panelling of the main rooms [set] a new standard of luxury for the heads of colleges". Pevsner commented that the panelling, set in three tiers with ovals placed vertically rather than horizontally, "looks both dignified and splendid". In 1637, the lodgings were considerably changed with the installation of five "studyes". The shell-hood over the doorway (which Pevsner and Casson both called "beautiful") was added at some point between 1670 and 1740; Pevsner dates it to about 1700.

The panelling of Hearst's bedroom is original, but not to its current location. Allom salvaged it from the Stradling's Red Parlour, which Hearst demolished. Alan Hall notes the similarity of the panelling to that in the Senior Common Room at Jesus College, Oxford, a foundation attended and supported by members of the Welsh gentry, including the Stradlings. Above the banqueting hall, Hearst created an armoury filled with a notable collection of arms and armour, mainly sourced by the dealer, Raymond Bartel, whom Hearst enticed from the New York Metropolitan Museum of Art.

Around these windows is timber-framed panelling. The frames over the porch contain the inscriptions "The profit of the earth is for all; the King himself is served by the field", and "Every house is builded by some man, but he that built all things is God", the latter being a text taken from the Epistle to the Hebrews. The lateral bays each have a mullioned window in the ground floor. The return to the left of the main front has a gable containing a window and timber-framed panelling.

The new Catesby House is Jacobethan and incorporates items from previous buildings at Lower Catesby: 16th-century linenfold panelling said to come from the priory, and 17th-century panelling, doorcases and a stair with barley-sugar balusters, all from the old Catesby House. In 1894 Catesby House was enlarged and a vestry and west porch were added to the church. A long, rectangular formal pond survives from the gardens of the old Catesby House. There are earthworks, many of them rectilinear, indicating house or priory walls and further formal ponds.

The controversial hammerbeam roof by Pountney Smith is supported on the original stone corbels. One of the corbels is carved with a Green Man. The roof is decorated with carved shields acting as bosses, pendants, and traceried panelling.

Meakin, Painted Closet (2013), pp. 1, 21, 41. She created a painted bedroom closet for meditation and study and entertaining close friends at Hawstead Place, near Bury St Edmunds. The painted panelling was removed to Hardwick House, Suffolk.

Inside, the lobby is L-shaped. It is floored in terrazzo, with a veined Vermont marble dado running around the room to counter level. Above it is wood panelling with bulletin boards. The tables and counters are original.

It reproduces by resprouting from its woody lignotuber or epicormic buds after bushfire. E. botryoides hybridises with the Sydney blue gum (E. saligna) in the Sydney region. The hard, durable wood has been used for panelling and flooring.

The ground floor room in the north-eastern corner of the house has 18th century moulded panelling, a moulded plaster ceiling, overdoors with segmental open pediments, a fireplace with eared architraves, and an overmantel carved with wooden festoons.

The interior contained eighteen rooms including ten bedrooms, four bathrooms and a conservatory. There was extensive use of fine eastern hardwood. Oak was used for doors, panelling, cornices, floors and fireplace mantles. Rooms were finished in quarter-cut oak.

It was designated as a listed building with Historic England in 2009 as a "rare example of a late-Victorian or Edwardian grocery shop interior with matchboard panelling, mahogany shelving and counter and metal storage bins with mahogany lids".

By contrast the interior, with its contemporary wood panelling, is in the same, highly contemporary Elizabethan fashion of Leicester's building in the inner court.Johnson 2000, p.233. Leicester's gatehouse is one of the few parts of the castle to remain intact.

He became High Sheriff of Staffordshire in 1890. He also held the office of Deputy Lieutenant (DL). Seckham married Kinbarra Sweene Smith and had a daughter Kinbarra Swene Seckham. There is memorial panelling for Seckham in St Giles Church at Whittington.

Maple plywood panelling lines the walls to a height of approximately two metres. A series of painted wooden benches are placed around the walls. A ladies waiting room opens from the vestibule. This is a large room provided with wooden benches.

In 1970 a conference room added to kitchen wing. the benches in lunch room were remodelled. In February 1975 the library was extended above conference room. Also in the 1970s acousting panelling was hung on walls and ceilings of various rooms.

The interior, with its rendered walls, timber dado panelling and raised dais at the eastern end, is lit by rectangular multi-paned windows located in the bays along the sides. The hall remains largely intact in form, fabric and function.

Panelling was welded into continuous sheets and riveted to the frame. Luggage racks were light alloy. The floors had 2 layers of flameproof hardboard, covered with linoleum. To reduce noise and condensation, the inside structure and undersides were sprayed with asbestos.

The sixth floor courtroom has full-height walnut panelling at the walls and retains the original cork tile floor in the spectator area. Distinctive bronze chandeliers, of a design reminiscent of "scales of justice", become a focal point of the room.

The interior of the church was refurbished after the war damage. A ceiling was added, and the interior was subdivided. The octagonal font of 1853 is panelled. The choir stalls and panelling in the chancel are dated 1884 and 1923.

The Royalist cause was now close to military collapse, and the Marquess started to send some valuables, including the oak panelling from the parlour, some plaster ceiling and many pictures, to his brother at nearby Troy House for safe-keeping.

The tower has four storeys and on the first storey, Etruscan pilaster has been used. The top storey has a semi-circular dome and the complete exterior is plastered with lime and has fine panelling work with different designs and patterns.

The passenger compartment doubles as a life raft in the event of an emergency at sea, while buoyancy tanks hidden in the body panelling ensure that the compartment remains afloat after it has broken away from the rest of the vehicle.

The auditorium is lined with non-original timber panelling. The seats are tiered and are covered in non-original black upholstery. Fire exits are located along the western wall. Other doorways are located in the northern wall and the eastern wall.

Exposed timber trusses. Polished cedar church pews and matching wall panelling. Chapel oriented along north/south axis. Constructed 1941 from recycled sandstone originally in Campbell and Company's Stores building, Morpeth which was constructed in the 1830s and demolished in 1939.

This area is given a decorative treatment different from that for the upper part of the wall; for example panelling, wainscoting or lincrusta. The purpose of the dado treatment to a wall is both aesthetic and functional. Historically, the panelling below the dado rail was installed to cover the lower part of the wall which was subject to stains associated with rising damp; additionally it provided protection from furniture and passing traffic. The dado rail itself is sometimes referred to misleadingly as a chair rail, though its function is principally aesthetic and not to protect the wall from chair backs.

Rawson, 360 But in Europe cabinet-makers often cut the screens into a number of panels, which were inserted into pieces of furniture made locally in the usual European shapes of the day, or mounted within wood panelling on walls.Alayrack-Fielding, 83; Osborne, 205 This was often also done with Japanese lacquer in rather different techniques, but "Coromandel" should only be used to refer to Chinese lacquer. The peak of the fashion for panelling rooms was the late 17th century.Van Campen, 137 By the 18th century, Chinese wallpaper began to reach Europe, and generally replaced lacquer panels as a cover for walls.

Funk & Wagnall's New Encyclopedia A beautifully carved piece of oak panelling that once hung above the forward entrance to the lounge was recovered as wreckage and can be seen at the Maritime Museum of the Atlantic in Halifax, along with an oak leg from one of the lounge tables.Lynch, Don & Marschall, Ken. Titanic – An Illustrated History, Wellfleet Press: 1997; 178-179. The panelling and fittings of the lounge on Titanic's sister ship Olympic, which were identical to those of the Titanic, have been largely preserved in the dining room of the White Swan Hotel in Alnwick, England.

The Parlour Fireplace Though the Reception Room and Parlour are in the original Tudor core of the house, they underwent major renovations by the Henleys to present them as fashionable Georgian rooms. The Reception Room shows a beam where the original external south wall stood, but was knocked through to incorporate the loggia and extend the room as far as possible. The Parlour has a mixture of Georgian Deal panelling and original Tudor oak panelling, and an original moulded plaster ceiling. The Parlour also has niches and hybrid door/windows where the 19th Century extensions were made, blocking off bay windows.

There is a brick screen wall to the north end of building to screen the entry to men's toilets. Internally, the waiting area has modern floor tiling, and modern ticket windows, timber panelled double doors both sides with frosted glass 8 paned fanlights, a later ceiling with timber battens, and later timber veneer panelling to around 2m height internally to the waiting room. Offices also have later ceilings and later timber veneer panelling to around 2m height (indicating possible presence of rising damp). ;Platform (1893) The island platform generally has a concrete face but its face is open at the northern end.

The chambers of the Senate and House of Representatives are large internal spaces, with ceilings considerably higher than that of King's Hall. Both chambers are the same size, despite the requirement of section 24 of the Australian Constitution that the House of Representatives should have, as nearly as practicable, twice the number of members as the Senate. Both are lined with timber panelling, again representative of Murdoch's simplified classical style, with furnishings in a similar style. The timber used in the wall panelling, the desks, seats and tables is all Australian black bean wood and Tasmanian blackwood.

After many years of neglect, in November 1919 the estate was bought by a group of local businessmen who asset-stripped the house; this went as far as removing the roof in 1920. Some parts of the building were shipped to the United States, where one room's oak panelling was bought by newspaper baron William Randolph Hearst, who planned to use it at Hearst Castle. After many years in storage in New York City, Pall Mall films bought the panelling for use as a set in their various 1950s productions. Another set of panels are now resident in the Philadelphia Museum of Art.

Faith and Hope panelling in the Compton Room On the second floor the panelling is more elaborate, of the type called "panel within panel", and there is liberal use of strapwork on the ten pilasters. The chimneypiece again is elaborate, with ﬁgures of Faith (one knee exposed, one arm missing) and Hope in a border of ﬂowers and abstract pattern. The Latin inscribed beneath FaithFides Via Deus Metameans "Faith is my way, God is my aim", and under HopeSpes Certa Suprameans "My sure hope is above". The frieze over the ﬁreplace consists of pomegranates and exotic fruits.

The western fireplace walls in each of the four rooms are enveloped by raised wooden panelling. West Virginia Antiquities Commission research assistant Phillip R. Pitts and historian James E. Harding stated that the raised-panel fireplace walls "give the building a far more residential quality than the log structure behind it." The raised panelling of the western walls is modest in design and includes a pent closet flanking the left side of the segmental-arched fireplace opening in each of the four rooms. A bolection molding frames the segmental-arched fireplace opening, however, there is no mantel shelf.

The "handsome and boldly-carved design" includes pilasters with lions on the bases flanking paired double doors with arched heads and satyrs in the spandrels, and also incorporates carved cherubs and grotesques, and painted panels to the external (landing) face; it is surmounted by a central emblem. The carved wooden panelling above the stone fireplace incorporates four painted portraits, including Henry VIII and Sir George Cotton, and dates from the 16th and 17th centuries. The remaining panelling in the library is not original. The hammerbeam roof is concealed by a decorated plasterwork ceiling, probably dating from the 17th century.

On each wall of the tower are two tall Belfry louvres. St John's has a nave with low aisles, tall transepts and an apsidal chancel. The nave has cylindrical columns with circular caps. The chancel has a Gothic style screen and wooden panelling.

It is thought that this may be an air raid shelter. An alfresco dining area has been created by enclosing the Logan Road footpath with lattice panelling. A drive in bottle shop has been inserted in the west elevation of the building.

Other papers will be made as funding and time allows. Original paint colours have been matched on all woodwork. Faux-wood panelling paper was hand-made to match the original in the entry hall. Floor coverings have been meticulously replicated by hand.

Both chapels contain memorials to local families, and both chapels have screens dated 1636. In the chancel is an 18th-century chandelier. The octagonal font stands on a plain column and has an ornate Jacobean wooden cover. The chancel panelling has linenfold carving.

The whole of the first floor was used for the Hall, which was clearly a fine room; some panelling and a carved fireplace remain. There were bedrooms above. There are numerous windows and shot-holes. It is a category B listed building.

Apart from the toilets and the waiting room the rest of the rooms are kept locked. The interiors have been refurbished with only plasterboard ceiling panelling, simple moulded cornices and high wall vents appear to remain from the original phase. The floors are tiled.

The castle consists of a two-storey central block, with a three-storey tower to the left and a large buttress to the right. A dining room and a small tower are later additions. Battlements crenellate the whole. The interior contains imported wood panelling.

Interiors included fine decorative timber joinery and panelling. Fireplace surrounds and built-in cupboards were also a feature. The composition of facades and circulation routes are a more nuanced element of Dods' houses and highlights his originality and artistic skill. Facades often only implied symmetry.

Inside the church is a west gallery carried on Doric columns. The gallery is panelled, as are the nave and chancel to dado height. In the chancel the panelling is divided by fluted pilasters. The font is an 18th-century baluster with an octagonal bowl.

Plender died in January 1946, aged 84. The baronetcy and barony died with him. In 1931 Lord Plender donated oak bookcases, furniture and panelling to furnish a library in Royal Grammar School, Newcastle. The room, now used as a classroom, is named after him.

The work was announced by Portsmouth as 'complete' on 3 September 2020, the roof of the North Stand and its 1997 Lower North extension, now have a uniform dark blue appearance and additional translucent roof panelling to allow natural sunlight into previously shadowed darker areas.

The ceiling is the original pressed metal. A women's gallery and some classrooms are located on the third level. The basement is a large community room used for ceremonies and gatherings; it has a sukkah of knotty pine panelling with a retractable bamboo ceiling.

The tower today is considered an eyesore by locals and is in poor condition. Deterioration is visible under the outer panelling to the steel trusses, as they have turned from white to brown from rust. There are no plans to reopen the tower to public.

Coat of arms of the Abbey on a Baroque panelling, now in the St Nicholas Church of Haguenau. Neubourg Abbey ( or du Neubourg; ; ) is a former Cistercian monastery in Alsace, France, in Dauendorf, about 9 km west of Haguenau in the Bas-Rhin department.

The panelling has since been loaned to the NCS for sympathetic restoration and reinstatement back on board the vessel. This phase of works also includes restoration works to the historic Hamilton Graving Dock and pumphouse, converting the dock area and ship into a tourist attraction.

It helps to play up the sleek lines in the space and the Art Moderne style. Marble panelling was also used at both ends of the foyer. The colour palette for the Carlu was taken from the marble and spread throughout most of the floor.

The three windows of the apse date from 1960 and depict themes of service and sacrifice, while the insignia around the edges represent the American states and the US armed forces. The limewood panelling incorporates a rocket—a tribute to America's achievements in space.

Inside the church, all the roofs are medieval. In the southwest corner of the chancel is a window with a piscina in its sill. The reredos was constructed in about 1820, re-using 17th- century panelling. The font is octagonal and Perpendicular in style.

House decoration comprised a wide range of activities, including the provision of paintings as overdoors and overmantels, and on panelling, house murals on canvas as well as decorative sign-boards for trade establishments. William Clark died before January, 1704, when his will was proved.

The lower level is reached via stairs from the front vestibule. A central hallway in the basement separates lecture rooms. Interior doors are made of oak and glass. Other interior features include solid, wide, oak tables, wood panelling, and tiled fireplaces with oak mantels.

The new church was inaugurated by bishop Gert Borgenstierna in 1972. The church combined with the parish house is an L-shaped wooden building. The façade is covered with panelling painted with Falu red. The building has a dual-pitched roof covered with eternit.

The lounge bar was the library with mahogany panelling: above the first-class Grand Saloon with French-style gilding overlooks Frog Lane. The neon sign on the south wall still advertises the "Mauretania": installed in 1938 this was the first moving neon sign in Bristol.

The paintings were acquired in 1873 by the 3rd Earl Brownlow. They had been already cut to fit their previous setting. There was insufficient space at Belton for a fourth canvas of the set. This is now in the US. The final large reception room on the first floor is the Hondecoeter Room (16), so named because of the three huge oil paintings by Melchior d'Hondecoeter (1636–1695), depicting scenes of birds in courtyards, which are fitted into the neo-Carolean panelling. The panelling was introduced to the room by the 3rd Earl Brownlow in 1876, when it was furnished as the principal dining room of the mansion.

As a result of a devastating air raid on 16 March 1945, the residence was almost completely burnt out and only the central building with the Vestibule, Garden Hall, Staircase, White Hall and Imperial Hall survived the inferno, their roofs destroyed. From the attic the fire ate down through wooden ceilings and floors, and all the furnishings and wall panelling which had not been stored elsewhere were devoured by the flames. Much of the furnishing and large sections of the wall panelling of the period rooms had been removed in time and thus escaped destruction. Neumann's stone vaults withstood the collapse of the burning attic.

A decorated wall in the parlour A doorway behind where the family would have sat at the far end of the hall leads to the Parlour, known as the Little Parlour in surviving 17th-century documents. Together with the adjoining Withdrawing Room and the Great Hall, the Parlour is structurally part of the original building. The wooden panelling is a Georgian addition, behind which the original painted panelling was discovered in 1976. The decoration consists of painted imitations of marble and inlay, and Biblical scenes, some of which were painted directly onto the plaster and others on paper that was then pasted to the wall.

In the early- and mid-twentieth century, orange shellac was used as a one-product finish (combination stain and varnish-like topcoat) on decorative wood panelling used on walls and ceilings in homes, particularly in the US. In the American South, use of knotty pine plank panelling covered with orange shellac was once as common in new construction as drywall is today. It was also often used on kitchen cabinets and hardwood floors, prior to the advent of polyurethane. Until the advent of vinyl, most gramophone records were pressed from shellac compounds. From 1921 to 1928, tons of shellac were used to create 260 million records for Europe.

The present house is dated 1851, and was designed by David Bryce. It incorporates interior panelling from the earlier house. For most of the 19th century it was home to the Bonars of Kimmerghame. Kimmerghame was partially destroyed by fire in 1938, and subsequently only partly rebuilt.

In the west, the 2 story building on the north west side of the outer wall receives window seats and gothic wood panelling. In the east, the keep has an additional storey added, and the walkways and stairwells in the inner courtyard are capped with gothic arches.

There was a large Library which is now the Drawing Room. The present hotel's restaurant was a conservatory. Upstairs the boudoir was a very heavily furnished room, with Jacobean panelling, and stained glass windows. Soon after John's death in 1870 the estate (now 1,100 acres) was sold.

The present appearance of the house dates from its restoration in 1936. However, one of the original drawing rooms, noted for its excellent carved wood panelling and other decorations in the style of Thomas Chippendale, still survives in the Museum of Fine Arts at Boston, Massachusetts.

Buyers of his paintings often incorporated them into schemes of interior decoration, setting them into panelling above doors or fireplaces. His Peacock and Other Birds in a Landscape is in the collection of the Tate Gallery. It is only one of three known signed works by him.

Muir retired to Yorkshire, where her interest in science and medicine continued. She added solar panelling to her house and worked to preserve the habitats of local wildlife. After battling breast cancer for several years, she died on 28 November 2005 in her home near Bedale, Yorkshire.

The left wing has a central entrance that leads to a corridor to an original oak baluster staircase at the rear, with two rooms on each side. In these rooms are three Jacobean fireplaces, 17th-century oak panelling, a left-handed spiral staircase, and a priest's hole.

It was filled with cracker dust approximately ten years ago as it had become unusable due to water penetration. A timber internal staircase rises from the Flinders Street foyer. It has a well-crafted turned timber baluster on one side and handrail height panelling against the wall.

24Harris, p. 70McKenna, p. 35 The ornamental panelling is not carried to the rear of the west face, presumably for cost reasons. Close studding with a middle rail is used on the back half of the west face, as well as parts of the Hospital Street façade.

In 1820, King William I sold the castle to Wenzel Coster, an alderman, for 3,200 florins. Coster started to demolish the building, selling off the tiles from the roof, the wooden panelling, the doors and the windows piece by piece. Soon the castle was a ruin.

Some payments for building at Kinneil were recorded in the royal treasurer's accounts; timber for roofing, floors and panelling was sent by boat from Leith in 1549 and 1550 to complete one section.Accounts of the Treasurer, vol. 9 (Edinburgh, 1911), pp. 325, 336-7, 443-4.

The panelling was installed in his new withdrawing room. Consequently, this room was called the Langford Parlour but is now known as the Langford Room. The Latch porch from Langford was at Nailsea Court for nearly twenty years,Tipping, H. Avray (1912). Country Homes – Gardens Old & New.

Umeå had an economic boom around the mid-19th century and the public buildings received much needed renovation. The town hall was fitted with white painted panelling and the facade had six Dorian colossal pilasters. In 1880 a telegraph station was moved to the town hall.

The courthouse is timber framed on a projecting stone plinth and has a slate roof. The studded framing has square panelling in its gables. The building centres around the large hall with tall gables surrounded by lower single-storey rooms. The gables have decorative bargeboards and finials.

The author Thomas Hardy trained as an architect and joined Arthur Blomfield's practice as assistant architect in April 1862. Between 1862 and 1864 he worked with Blomfield on All Saints'. A reredos, possibly designed by Hardy, was discovered behind panelling at All Saints' in August 2016.

To the east of this is a priest's door, recently replaced. There are traces of a piscina behind the panelling on the north wall. Before the altar are 18th-century tombs of the Vassal family, former owners of Cockethurst Farm, and a brass effigy of Thomas Burroughs dated 1600.

It has a waiting room with a fireplace and chimney, ticket office, two bathrooms and a cross hallway. The walls of the passenger area are decorated in beaded panelling and horizontal trim. Some of the railway's communications equipment remains in the attic, and freight scales remain in that area.

The current main entrance on the south front was added in the 19th century. The drawing room has panelling remaining from the 16th century. Within the grounds is a 17th-century dovecote. The former mill powered by water from the River Coln was built in the late 18th century.

The chancel has dado panelling, a piscina and choir stalls, all dating from the 17th century. The base of a rood screen with four panels is still present. Also dating from the 17th century are an octagonal pulpit and box pews. In the chancel is a brass dated 1472.

Bruce's residence at Culross Palace. Between 1597 and 1611, Bruce built a mansion house in Culross, using materials from his foreign trading. This building has subsequently become known as Culross Palace. He lavishly decorated the palace and the stunning painted ceilings, ornate features and panelling can still be seen.

The hall, like the chapel, was largely built by Griffith Powell between 1613 and 1620, and was finally completed soon after his death in 1620. The panelling, three tables and two benches date from Powell's time.Baker (1971), p. 4 It measures and is a Grade I listed building.

The first seven stations of the line were designed by Jean- Pierre Vaysse, Bernard Kohn, Antoine Grumbach and Pierre Schall. The decoration of Mairie de Montrouge station, opened in 2013 on line 4, includes elements of the Météor style alongside entirely new features such as corrugated metal panelling.

A life-size sketch of a classical fireplace was also revealed on the plasterwork behind panelling over an existing fireplace.RCHME Newsletter 9. Spring 1993. ISSN 0957-0241 In 2019, after 62 years of ownership by the family, Patrick Cooke retired and the house and estate were listed for sale.

The Greenway necessarily retained the basic shape of the Leyland National. The new side windows were of distinctive shape, with square top corners and rounded bottom corners. Plainer panelling was used than on the original National. Most examples were fitted with new doors, with two instead of four leaves.

There was originally a garden at the front. Its surrounding walls and gate piers are included in the English Heritage listing. They are of brick with inlaid flints and stone dressings and coping. The piers are also of stone from Pulborough, and have string-courses and decorative panelling.

On the wall is a dole cupboard. The pulpit has canted ends and it contains a canopied niche. The organ case and pipes are painted, as is the panelled chancel ceiling. On the east wall of the chancel is panelling, and to the south is a double sedilia.

The Iglesia de San Sebastian was constructed outside the walls of the ducal palace as an hermitage. In the 18th century, the building was demolished due to its poor repair and then rebuilt. The nave has three sections, separated by pillars. The main section is decorated in wood panelling.

The buttressed walls are flint with ashlar dressings. The roof is lead, as is the spire which is itself supported by eight flying butresses. The porch has knapped flint and stone flushwork panelling. The western tower features arched two-light belfry windows on each of its four sides.

The Voyager OS's pitch bender is set to +/- 7 semitones, and can be modified by an internal jumper. The OS is sold with one wood panelling option, "traditional ash". However, a few limited edition models were housed in white wash cabinets. The Voyager Old School was discontinued in 2009.

The church is constructed in rock-faced gritstone and has a red tile roof. The three-stage tower is tall but slim. The Sunday school is attached to the north end of the church. The church has a 5-bay nave with open timber roof and wooden panelling.

It was two storeys high. There was oak panelling and a minstel's gallery. The hall ceiling was arched over "with curved timber of curious workmanship" and may the have resembled the slightly later decorative hammerbeams of the Great Hall at Wollaton. The chimneypiece was carved from blue marble.

Apart from the rendered brick and granite buildings housing the ropewalk machinery at either end of the two-storey structure, the facility is constructed of heavy timber with wooden panelling along the outer walls. The elaborately designed premises were also used for storing hemp and other raw materials.

The joinery is elaborate in the main rooms with breast panelling to the windows.National Trust, 1981 The main staircase and present entrance hall date from the twentieth century. An upper balcony has been formed above the present colonnade with 1880 balustrading. The house has 80 squares with ten bedrooms.

The brick arcaded passage was blocked off, and the 'Giles' hall became the main kitchen, with ovens and a massive stack being added to the W side. It is also possible that the room immediately N of the hall was used for cooking, or that the stack between the two rooms originally had a fireplace on each side (Figs. 11, 13). During the ownership of the Petersen Family - in the late 1980s’ - significant works were undertaken in the hall including the opening up of the large fireplace to the W and the removal of the low painted panelling (probably softwood) which was replaced with door-height, stained oak panelling in an early Tudor style (Fig.

Panelling and ceiling in the Gallerie François Ier at Fontainebleau by Scibec da Carpi Francesco Scibec, called Scibec da Carpi, was a 16th-century Italian furniture maker from Carpi near Modena. He worked for the French royal court amongst a group of artists now called the first school of Fontainebleau. Francesco arrived at the building of Fontainebleau for Francis I of France at the same time as his compatriot, Rosso Fiorentino in 1530. There he completed the panelling of the Gallerie François Ier. One of his contracts for the renewed furnishing in oak and walnut of the great gallery and pavilion near the lake at Fontainebleau was made according to the king's personal instructions in February 1541.

The wooden panelling was designed by Ninian Comper and was erected in 1911 in place of some previous 19th-century Gothic type, though even earlier panelling, dating from 1710, is evident in the Buttery. Behind the High Table is a portrait of Edward II; underneath is a longsword brought to the college in 1902 after being preserved for many years on one of the college's estates at Swainswick, near Bath. On either side are portraits of Sir Walter Raleigh and Joseph Butler. The other portraits around the hall include other prominent members of Oriel such as Matthew Arnold, Thomas Arnold, James Anthony Froude, John Keble, Saint John Henry Newman, Richard Whately and John Robinson.

Wattle hurdle or panel. Square panels are large, wide panels used as hurdles or forming panelling in some later timber frame houses. They are generally square although sometimes they are triangular to accommodate arched or decorative bracing. This style does require wattles to be woven for better support of the daub.

Marsden, 8–9. In the early 19th century, this room, and some others, were re-modelled by Jeffry Wyatville, who in addition to graining and painting the panelling to imitate oak installed new doors.Tinniswood (1999), 45. The second of the principal reception rooms, the Saloon (9), opens from the Marble Hall.

He added an imposing coach house and stable block to the south. On the walls of knapped flint he erected two wyverns, the heraldic dragons of the Trevors. In addition, he created a new front hall, embellished the gallery panelling, installed a marble fireplace, and added a set of bronzes.

The façade is covered with marble, strips of porphyry and verd antique. The marble panelling of the portico is executed in Cairene Mamluk style. The interior is an example of an ideal Ottoman room. The recessed shelves and cupboards are decorated with early 16th-century green, yellow and blue tiles.

This quality of construction explains the fact that no settlement is discernable in the building. Downstairs floors are of walnut with walnut pegs, with the exception of the living room which has white oak flooring. Upstairs floors are of white oak. The house also features large rafters and panelling of walnut.

Some windows, such as this quatrefoil, have stained glass. A new south door was added in 1626: wrought iron nails in the woodwork spell out the date . Earlier, during the Jacobean era, a pulpit with scrollwork-decorated panelling was installed. A wooden gallery was built at the west end in 1723.

Can Serra, built in 1565, is Renaissance-style building with a ground floor and two upper floors. The facade is particularly noteworthy for its voussoir doorway and its windows framed by mouldings and corbels. The original interior structure has been preserved, including the original wood panelling, which is of particular interest.

52-3 In 2000 Celebrity Cruises purchased the panelling, with mirrors and sconces, from the owners of a private home in Sheffield and installed them in a new RMS Olympic-themed restaurant aboard the Celebrity Millennium. Another home was found to contain about 24 panels from the restaurant in 2012.

All other floors are wooden parquet, with the exception of tile in the kitchen. Some of the doors retain their original Gorham knobs. Many of the original artwork and finishes also remain. The drawing room has walnut panelling and bolection molding with carved birds, flowers and swags around the fireplace.

The Punch Bowl, at 41 Farm Street, Mayfair, is a London public house, dating from circa 1750. It is listed as Grade II by English Heritage. It is a Georgian building and, although altered over the years, retains many period features including a dog-leg staircase, internal cornicing and dado panelling.

The decorations were made in England in panels, and shipped to Trinidad in crates. An Italian craftsman was sent to install the ceiling. The entablature and dais at the eastern end were also designed by D. M. Hahn. The columns and entablature are made of purpleheart, while the panelling is fustic.

Granite steps lead to the recessed entry doors which are bronze sheeted with adjoining bronze and copper panelling. The entry screens are wrought iron. The ground floor lobby is lined with imported marble while the floor is formed of black and white mosaic tiles. The upper level lobbies use terrazzo instead.

Remaining internal features include timber flooring, single skin timber walls, and cedar and glass panelling and suspended partitions on the lower floor. The building forms an important part of the streetscape of Irvinebank because of its unusual roof design, wrap-around verandah, brick construction and visual accessibility from the main street.

During the Shaver ownership, the original hewn logs were covered with poplar siding. The hewn and pegged rafters remain visible, however. The interior walls were also modified during the Shaver era. The walls of the east upstairs room received poplar plank panelling while the lower floor walls utilized laths and plaster.

The service hall on the first floor was given red pine panelling and a central pillar styled to resemble a tree trunk. However, it has a steel core;Ashby, p. 141.Edward R. Ford, The Details of Modern Architecture, 2 vols., Volume 2 1928–1988, Cambridge, Massachusetts: MIT, 2003, , p. 27.

It is a three-storey building of Doulting ashlar stone. The roof is behind a battlemented parapet. It is connected to the adjacent buildings and the rooms above the archway are used by the company occupying No 16 Market Place. The first floor room has panelling from the 17th century.

Bradbrook 1969, p.161 At the time, thirteen students were admitted.Jones 1913, p.5 The Great Hall is a grand Victorian hall featuring wood panelling and large dominating arched windows In 1876, Old Wing was completed, and Taylor's Knob, the college laboratory and half of the Hospital Wing was built.

It now consists of a main 3 storey block with two wings. The interior includes fine wooden panelling and plaster ceilings. Some of the original fireplaces survive and many of the rooms include decorative stained glass. It is surrounded by landscaped grounds including a sunken garden and a knot garden.

The main front rooms have french windows at the sides surmounted by cedar ogee pattern panels above. All reveals of doorways are panelled to correspond with the panelling of the doors. The front door, D1, is 5 panelled, the upper panels now glazed. It appears to be an Edwardian period replacement.

It is suitable for furniture, and in house construction as panelling, siding, roof shingles, and framing. It is used for fuel and paper pulp. The wood can be vulnerable to termites, powderpost beetles, and other pests. The yellowish or reddish fat from the aromatic seed is called "kombo butter" or "Angola tallow".

In the chancel is a moulded cornice, and its east bay is decorated with Ionic pilasters. Also in the chancel is panelling that was made for Cannons, the home of the Dukes of Chandos. Also from Cannons are the communion rails, the pulpit and the reading desk. The marble font dates from 1884.

The windows along the sides of the nave have two lights, the east window has three, and the west window four lights. Inside the porch are three niches. There are stone cross finials at the east ends of the nave and the chancel. Inside the church is a wooden screen with linenfold panelling.

The internal walls are limewashed and the floor is stone. The nave is without aisles and has timber panelling on the walls. It has panelled box pews and bracket lights with brass ornaments from the Victorian era. The Jacobean pulpit is hexagonal, constructed of carved wood, and there is an octagonal stone font.

Some of the wood panelling in the living room had also been brought in from other houses. Several rooms have Jacobean plasterwork ceilings. The earliest part of the house is linked to the 17th century additions by a stone archway. There is a 17th-century barn to the northwest of the house.

The hipped roof is clad with asbestos cement shingles. Copper is apparently the material used for the guttering and ridge capping. On one corner of the house is another tower with a candle snuffer roof. Iandra's interior reflects a number of Federation era or Edwardian characteristics, including large areas of timber wall panelling.

There is also a restaurant which is called The WinePress @ Wensum. The hotel has two bar areas. The Maids Head Bar features Jacobean Oak panelling and has been reputedly frequented by guests such as Horatio Nelson and Edith Cavell.Maids Head Hotel There is also a second bar which is called the Yard Bar.

As an expert, he also authored numerous publications on design, such as Domestic Architecture and Old Furniture and The Genesis and Development of Linenfold Panelling (1945). He also produced work about ecclesiastical architecture in France. Adams-Acton was also a keen gardener, noted in particular for his rhododendron cultivation in the 1940s.

Silkwood paned lower walls in the auditorium and the reader's platform of silkwood also. The floor is spotted gum and the colour scheme of the plaster walls is pale green. The panelling is a rich brown and the ceilings are ivory. Natural lighting is used and the auditorium has a concealed skylight.

His work included the removal of the belfry floor and the opening up of the lantern tower to expose the beautiful internal tracery panelling. Scott described the lantern as the finest in the country after that of Lincoln Cathedral. The tower pinnacles were added in 1871.Wilson, Dr. M. and Crawford, Rev.

The architectural features include two-storey canted bay windows with a castellated parapet and dormers, differently shaped gables, and a projecting porch with a finial in the form of a griffin. Most of the windows have mullions and transoms. Inside the house is much wood panelling and some stained glass in the windows.

The chancel roof is panelled and has moulded rib vaults and intricately decorated ceiling bosses. The nave roof of four bays also has trefoil-headed panelling. A gallery at the west end houses an organ built in 1839. A plastered stone reredos, also with trefoil-headed panels, dates from the mid-19th century.

The room is ascribed to Archbishop Arundel (Archbishop 1396-1414), and has an arch-braced roof with carved stone supports and an oriel window. Other rooms have later panelling and fireplaces. The chapel has fine 17th-century stalls and an elaborate corner gallery. The fine altar rails are now in the Guard Room.

One of the rooms on the first floor contains a beautiful carved wooden mantelpiece together with wall panelling. The top floor continues to be used as a residence. Various sets of barristers' chambers have existed at 2 King's Bench Walk, including a set formerly headed by Lord Campbell of Alloway QC ERD.

Shangri-La Hotel, Bangkok, comprises 802 guestrooms in the two adjacent towers, the Shangri-La Wing and Krungthep Wing. The rooms are decorated with classic Thai style designed by Wilson & Associates, include elm burlwood panelling and carved Thai motifs The Krungthep Wing is designed for greater privacy, with a private butler service.

The underside of the eastern stair is painted boarding. That adjacent to the vestibule, of cedar panelling. The upper level contains ten bedrooms, some of original dimensions, some divided by hardboard partitions, reusing in places, original panelled doors. Original walls are rendered, several with cornices and light surrounds matching the ground level rooms.

He worked closely with Mrs Elliott to meet her requirements. Work began in 1936 and was completed in 1938. The house is brick-built and Harled, with wooden panelling and decorative plaster ceilings in the interior. The sculptor Hew Lorimer contributed a pair of relief panels and a pair of lion gateposts.

Solid parquet boards with grooves on the near ends. Tongues on the right sides of the boards and grooves on the left sides. The far ends are tongued. Tongue and groove is a method of fitting similar objects together, edge to edge, used mainly with wood, in flooring, parquetry, panelling, and similar constructions.

It comprises four floors, including a tall basement and an attic floor. Inside, much of the early eighteenth-century panelling survives, as do original stone fireplaces. A fine staircase runs from basement to attic. There is a possibility that Nether Lypiatt Manor was the influence for the Governor's Palace in Williamsburg, Virginia.

The entrance hall contains a fireplace with bolection moulding. Above this is a re-used 16th-century overmantel in Jacobean style with pilasters and arched panels. The main staircase is in the west wing, and has twisted balusters and flat-topped newels. Two of the smaller rooms contain panelling with bolection moulding.

A fireplace has been infilled in the centre of the southern wall. The upper floor has a timber floor and timber tongue-and-groove panelling on the walls. The ceiling (originally tongue-and- groove but since covered over) is of plasterboard. ;Platforms ( 1984) Platforms have modern precast concrete faces and asphalt surfaces.

To the left are two small mullioned windows that have possibly been reused from an earlier version of the house. The interior has several original features including rooms with the original oak and pine panelling, various mouldings, a fine marble chimney-piece in mid-eighteenth century style and ceiling cornices of various periods.

The tower has twin bell openings, and a battlemented parapet. Inside the church is an open timber roof. The altar was designed by George Gilbert Scott, and was moved here from Crosthwaite Parish Church in 1848. Panelling in the church, formerly from box pews in Crosthwaite Church, was moved here in 1893.

Internally the cottages typically have timber floors and internal gyprock lining. Building 8 has caneite ceilings, wood grained panelling and exposed trusses. Previously, most of these buildings had internal lining containing asbestos which has been replaced. Internally Building 4 seems to retain the most intact room layout, although the doors have been extended.

The inserted floor and panelling had been removed, and the structure was falling into ruin. Peter Smith and Ffrangcon Lloyd drew attention to the building in 1964, and it was eventually taken on and restored by the Landmark Trust. The building is now maintained using income from its use as holiday accommodation.

The main entrance opens into the foyer which has an intact interior featuring a decorative plaster ceiling and cornice, polished timber floors and timber joinery including wall and counter panelling with inlaid timber detailing, a main stair, reception area and early furniture. The public bar, adjacent private bar and the main lounge open off the foyer. The public bar with two entrance doors from Main Street and a window between, features early cream tiled walls with black tile detailing to complement the inlaid timber panelling in the foyer and an early terrazzo floor and bar with later laminate counter. North of the public bar, a passageway from the street provides additional access to the public bar as well as the central courtyard and an adjacent tenancy.

The side walls have timber panelling to window sill height, and the rear of the court room has a timber panelled wall which extends to form a balustrade to a mezzanine gallery which overlooks the court. The non-original ceiling is constructed of suspended acoustic tiles with a lower bulkhead over the raised judge's bench, which is flanked by an arched vestibule to either side. The court room has cedar joinery, including judge's bench, witness box, jury stand, and press gallery, as well as public barriers, panelled doors with fanlights, architraves and wall panelling. The remaining rooms have similar finishes to the ground floor, and the rear rooms which open onto the verandah have timber fireplace surrounds and French doors.

Internally, the entry features a black and white marble floor and timber wall panelling. Elsewhere, the walls are lined in plaster with substantial joinery in silky oak. Some ceilings are lath and plaster while others, in particular the dining room are timber. Four fireplaces are located at the front and rear of the building.

Inside the church a continuous gallery curves round the north, west and south sides, which is supported by columns of cast iron which are encased in wood. This is a very early use of cast iron in a church. The organ is in the west gallery. The ceiling is coved with plain plaster panelling.

Part of the buildings interior was sold by auction before the demolition of the building. The panelling and ceiling of one of the rooms, which was known as the Nelson room, were bought and removed and shipped to the Metropolitan Museum of Art in New York where they may be seen to this day.

The Tudor style of architecture tended to contain mullioned windows, half-timbered work, and warm interior panelling and more comfortable furnishings. Naturally any Tudor style incorporated into this Church would again be of a revivalist nature. Therefore, it would be more accurate to describe the Church as being a ‘Tudor-Gothic Revival’ style of architecture.

Williams, p.163 Similar to the above houses in style and decoration, it also exhibited fine gabled porch entrances. The interior had panelling and ribbed ceilings, with delightful bay windows in the reception rooms. Rowden Mill was a late Elizabethan/early Jacobean converted stone and timber house along the banks of the River Frome.

The New Oak Room was extensively altered in the nineteenth century, and in 1965 the museum re- used older fixtures and fittings from other sites to decorate the room. The panelling is pre-18th century, bought from the Refectory of St Michael-on-the- Mount, and the mantelpiece and fire surround from Ashley Down House.

The Māori used the toetoe leaves to make baskets, kites, mats, wall linings and roof thatching. It was also used to make containers to cook food in hot springs. The flower stalks were also useful - as frames for kites, and in tukutuku panelling. The seed heads themselves were used on fresh wounds to stop bleeding.

Worcester Cathedral was extensively restored from 1857 to 1874 by W. A. Perkins and Sir George Gilbert Scott. Most of the fittings and the stained glass date from this time. Some early 17th century screens and panelling, removed from the choir and organ casing in 1864, are now at Holy Trinity Church, Sutton Coldfield.

Indiana's main saloon, finished in English walnut panelling, was 115 by 43 feet, and spanned the entire width of the ship. It featured a Waters piano at one end and a "finely covered bookcase" at the other. The ship featured the latest in accommodations, including bathrooms, a smoking room and a barbershop.Flayhart, p. 53.

Ground floor dining rooms and sitting room have plaster ceilings with elaborate circular surrounds to central lights. Doors are cedar panelled with rectangular fan lights over. Deep cornices and pelmets are of moulded cedar. The front dining room has walls of full height cedar, with beaded vertical boarding above the panelling to dado height.

The tiled roofs have overhanging eaves. The interior retains many original features, with original panelling, plasterwork, door surrounds and fireplaces. The original staircase has been retained, along with dados, and a built-in window seat with chests of draws. Field later designed several houses in nearby Lyndhurst Road, this time in a Neo-Georgian style.

The contract for the oak interior woodwork was given to the company of Nathaniel Grieve of Washington Lane, Dalry. Grieve’s workmen executed the wood panelling and foliate borders. The most detailed woodwork was carved by the New Town-based brothers, William and Alexander Clow, mostly from designs by Louis Deuchars.Boreham in Blair et al.

Gordon 1959, p. 28. The dado of the apsidal east end is panelled and surmounted by a continuous canopy of ogee arches below a pierced parapet. The panelling of the central section above the holy table is the most detailed and contains a sculpture of an allegorical winged figure defeating a dragon which represents evil.

The wood is light, soft and aromatic. It can be easily split and resists decay. It is used to make furniture, indoor and outdoor panelling, and fence posts. That of W. whytei was particularly valuable as it was available in large sizes, but this species is now endangered and no longer cut to any extent.

It bears the joint monogram of Patrick Hepburn and Helen Cockburn (see above). After 1880 Walter Wingate Gray installed much oak panelling, and also made the painted room into a chapel. Mr. Wingate Gray was still in possession of the estate in 1890, and is buried with his wife Mary Stephenson J.P. in the grounds.

It is made from glass and galvanised steel with cedar panelling and is used for a range of exhibitions by contemporary artists, craftspeople, and photographers during school terms. Private individuals, artists or art societies can book the gallery space for their own exhibitions during school holidays. Talks by the exhibiting artists are also available.

The main entrance is covered by a polygonal metal canopy supported by twin Doric columns, and the interior, mostly unaltered from the original, is decorated with period tiling and hardwood panelling. The station building is grade II listed. According to data compiled in 2010, it is the 25th-least used station on the London Underground.

The tower is supported on four 14th century arches. The font in the south porch is 15th century. The spectacular carved pew ends and panelling in south transept, gallery frontal and oak cornice all came from the dining room at Sapperton Park which was demolished c.1730. There is a very, fine collection of monuments.

The 1938 building underwent a restoration process in 1978 at a cost of $600,000. The wood panelling and the ceiling in the main chamber were restored, the granite plinth was partially sandblasted and the exterior of the building painted. The building was purchased in the mid 1990s by Connolly & Suthers, a prominent Townsville law firm.

At the same time the height of the opening was lowered. This was constructed in lightweight materials. Some form of applied panelling would alleviate the "plain-ness" and better fit in with the general theme of the interior. The walls are rough-cast plaster with classical "egg and dart" on an ovolo cornice moulding.

The electric plant and wiring of the Georges Philippar relied on high voltage (220 volts) Direct current. It proved troublesome from the shipyard stage onwards with cables overheating, circuit breakers malfunctioning … and so on. It was lavishly decorated with wood panelling and sported a high gloss varnished wooden grand staircase which proved highly flammable.

This includes "some good Douglas woodwork", it is "largely unaltered and retains high-quality original fittings in polished oak". These fittings include an inner entrance screen, panelling, doors and architraves, fireplaces, a fitted sideboard, and a balustraded gallery. The plaster ceilings are decorated with moulding and compartments, and in the stairhall is a limestone fireplace.

A beautifully crafted wood-and-metal door can be notice at the main entry. The name Villa Flora is related to murals adorning the gone loggia. The interior of the building is adorned with painted friezes - birds and flowers. Also survived until today a magnificent woodwork and panelling, the ceiling with gold decorations, all made in papier-mâché technique.

The roof is also adorned with a decorative frieze at the eaves. Until today, facades have kept tonda with putti reliefs. Inside, rich neo-rococo furnishings can be found: stoves, fireplaces, stuccoes, stained glasses, oak panelling and a wooden coffered ceiling in the office. The building has been put on the Kuyavian-Pomeranian Voivodeship Heritage List, N°601416 Reg.

In Hove, the Conway Redevelopment Scheme lasted from April 1966 until July 1967. Hundreds of slum houses were replaced by five towers with between 54 and 72 flats each; the ten-storey Conway Court is the tallest. Dark red and buff brickwork, small areas of blue plastic panelling and recessed balconies characterise the buildings. About £2 million was spent.

As part of the building restoration works, panelling at the west end of the building was removed, revealing five paintings of various sizes. These paintings have been described as "decorative panels of real historical interest". There is also a painting of Madonna. Advice has been taken from members of Episcopal Diocese, Aberdeen City Council, and The Conservation Studio, Edinburgh.

It was used extensively for furniture, wood panelling and construction, including shipbuilding, and was referred to as "red gold" by Australian settlers. Heavily and unsustainably exploited in the 19th and early 20th centuries, almost all the large trees have been cut out and the species is essentially commercially extinct.Vader, John. (1987). Red Cedar. The Tree of Australia’s History.

19th century pub interiors often featured very high ceilings – typically four metres (12 feet) or more. Ceilings and upper walls were often embellished with elaborate plaster panels and cornices. Mass- produced embossed tin panelling was widely used when it became available in the late 19th century. Windows were often glazed with decorative leadlight or etched/sandblasted glass panes.

Care was taken to meet acoustic specifications in work entailing raising the roof, installing new sound and light systems and in cladding the walls with wooden panelling and brass inlays. Today the theatre presents productions of musicals, opera and drama. In 2007, it received the magazine Opernwelt's award Opernhaus des Jahres (Opera house of the year).

The parish church is situated on raised ground north of the village. On its west elevation is a tall perpendicular tower with flushwork panelling at its base and battlements.Norfolk 1: Norwich and North-East, By Nikolaus Pevsner and Bill Wilson, Honing entry, page 169/170. The tower has a three light window with transom and tracery.

Enclosing walls date from different periods, with those at the eastern end, constructed from profiled metal sheeting and glass louvres, being the earliest. A number of classrooms and store rooms have been formed by internal partitions, with the open-web steel trusses remaining visible. Early doors include internal single, part-glazed timber doors with VJ panelling.

The high-ceilinged room comprises and has wood panelling and flooring as well as arched windows. The main floor consists of a commons room (measuring 32 by 54 feet), a storage room, and a small kitchen. The commons room has couches, easy chairs, 20 trestle table, and 75 dining chairs. Open to faculty and guests weekdays from 9 a.m.

The pulpit is Jacobean, possibly by the same craftsman who made much of the panelling in Chastleton House. It is marked with the date 1623. Originally sited on the other side of the chancel arch, it was built as a triple-decker, with integral reading desk and clerk's desk. The pews in the nave and chancel are Victorian.

During the art nouveau or jugend period of the 1920s, the colour of the houses changed to darker – often reddish brown – nuances. The façades were more elaborately detailed with balconies and portals. The functionalist period of the 1930s also influenced the style of the landshövdingehus. The façades were cleansed of decoration and the wooden panelling was nailed vertically.

The station was designed by architect Benjamin Simpson. Its engine and boiler house are large ornate steel framed, brick clad buildings, decorated with stained glass and panelling. In the station's boiler house were eight Lancashire boilers, each long and in diameter. They were fitted with economisers and natural draught, working at a pressure of 160 psi.

There are also portraits by court artists of two other monarchs who were college benefactors: Charles I (by Anthony van Dyck) and Charles II (by Sir Peter Lely).Baker (1954), p. 278 It has been said to be "among the most impressive of all the Oxford college halls", with its "fine panelling, austere ceiling, and its notable paintings".

There are two fonts, one Norman, the other Victorian. The choir stalls and pews date from the 19th century, and contain reused 17th-century panelling carved with flowers and dragons. On the west wall are the Royal arms of George III dated 1776. One of the windows in the south wall of the nave contains 14th-century stained glass.

The windows were glazed with British polished plate glass. The window over the doorway had a heron and border painted on cathedral glass.The heron symbolises Herene Bay The lobby had moulded corner posts and panelling, and a moulded cornice. Beyond the lobby was a central hall by by high, with a dado of tinted, glazed bricks.

The internal timber work includes crown posts, arch-braces and some decorative panelling. There is also a chimney-stack and fireplace at the east end. The main frontage, facing the High Street, is about long from north to south. An open hall, formed of two bays of about each, forms the main part of the interior.

A rear porch and stairs are attached to the southwest. On the southern side, at the rear of the office, is a concrete strongroom with a steel door. The office has been partitioned with a kitchen and storeroom. The walls have a dado with vertically jointed boards below and pine plywood panelling above to the picture rail.

Other than the wall paintings, the interior is plain. The ceiling has panelling and simple timberwork, and walls with no murals are plastered. There are some 18th-century Eucharistic objects and a brass memorial to Richard Idon, a parson, who died in 1523. He is shown holding a Communion wafer and chalice and clad in vestments.

The Auxiliary wanted to use the residence as a club and canteen for the DVA patients. In May 1956 the mansion was demolished by Bill Wearmouth to " allow access to the new entrance of the Colonel Belcher Hospital." A sign on the lawn indicated "Salvage for Sale." Calgarians hauled away oak mantles, staircases, panelling, sandstone and tiles.

The new church was designed by the architect Odd Østby and it seats about 500 people. The ground plan is roughly rectangular and all the rooms on the ground level are consolidated under one roof. A low "pitched tent" roof unites with a large ridge turret that has a skylight. The building is clad with vertical panelling.

It was built with Flemish bond brickwork and a high stone foundation. Its asymmetrical windows divide the house into two sections, but they appear to have been built at the same time. The windows are unusually large for a house of its period. The interior has retained much of its original appearance and includes fine Georgian panelling.

This includes a panelled reading desk, pews dated 1619, and linenfold panelling on the east wall. The pews are arranged along three walls in the style of a college chapel. The communion table dates from the 17th century. The doorway leading to the vestry has an ogee head, and the vestry contains more early carved woodwork.

The church porch is on the west side of the nave and the church tower is placed on top of the west part of the nave's roof. The sacristy is in the southwest part of the church. The exterior walls are covered with wood panelling painted red. The nave, church porch and sacristy have pitched roofs covered with slate.

Harvington Hall in Worcestershire has seven priest holes throughout the house, including access through the main staircase, panelling, and a false fireplace. After the Gunpowder Plot, Owen himself was captured at Hindlip Hall, Worcestershire, taken to the Tower of London and tortured to death on the rack. He was canonised as a martyr by Pope Paul VI in 1970.

The restored Lord's Hall There is no direct communication between the ground floor and the Lord's Hall above, which occupies the whole first floor. This is accessed via an enclosed and gated stair from the courtyard. The hall is vaulted, and has an unusual double fireplace. The floor tiles, timber panelling, and minstrels' gallery are additions of the 1880s.

The house was commissioned in 1900 by William Davidson, a provisions merchant, who was Mackintosh's friend and patron. Mackintosh not only designed the Art Nouveau-style house, but also, with Macdonald, its decor, furniture and fittings, including fireplaces, panelling, stained glass and lights. They also designed the garden. The house was completed and occupied in 1901.

Naval Historical Center, "HMS Calliope (1884–1951)". When finally scrapped in 1953, the steering wheel was presented to the government of Western Samoa. The mahogany panelling from the officers' wardroom was reclaimed in 1953 and now forms the wings to the 18th century organ in the west gallery of Christ Church, North Shields, Tyne and Wear.Scott, Michael (1996).

They were painted by Maximilian Salomon. The meeting hall was equipped with a set of furniture including seats, benches and tables. On the front wall an oil portrait of the emperor Franz Joseph was framed to the wood panelling. Between the windows seven portraits of parliamentarians painted by an Austrian painter Jan Daniel Donat were hung.

For smaller performances there are two rehearsal stages available: Rehearsal stage 1 also serves as a concert or lecture hall. It is decorated throughout with black wood panelling. The glazed south façade can be completely darkened by means of wooden slats. The seating is flexible and can be adapted to various types of events (up to 100 seats).

Inside, the library features about 6,000 literary and musical works of the 18th and 19th centuries. The interior's woodwork, including the doors, panelling, and ceilings, is made out of oak. The walls are adorned in cloth, with designs made by Dutch, Flemish, French, and Italian painters. The palace's Gothic fireplaces are made out of polished diabase.

Four Ionic columns support the domed roof with other columns supporting the tripartite chancel arch.Norfolk 2: Norfolk: North-west and South, By Nikolaus Pevsner and Bill Wilson, North Runcton entry. 0-300-09657-7 The reredos panelling is the work of Bell. The tower has been re-built from Norman materials with carved fragments that might be older.

If the outside was extravagant, the interior was no anti-climax. The central hall (not unlike the galleried two-storey hall at Mentmore Towers) was furnished as the "grand salon". Two further drawing rooms (the east and west) continued the luxurious theme. The dining and billiards rooms too were furnished with 18th- century panelling and boiseries.

The castle now serves as the commune's administrative building and as the town hall of Bettembourg. One of the important transformations has been the creation of a large cultural room or art gallery. The castle's ornamental wooden panelling and its many fireplaces are of particular interest. The large park surrounding the castle is also open to the public.

It is buttressed at the corners and has a pointed-arched entrance. Original fittings inside include stained glass windows, reredos, wooden panelling and encaustic tiling to the floor. The chapel is protected as a Grade II listed building. The other chapel, now demolished, was for Nonconformists; it stood to the southwest and had a narrow spire.

Alan Horde of the Middle Temple bought Cote manor in 1553. The hall range and west wing of Cote House were probably built after 1583 for either Thomas Horde (died circa 1607) or Sir Thomas Horde (died 1662). The west wing and hall still have an early 17th-century staircase and fireplaces and some 17th-century panelling.

The construction techniques used for the addition are cruder, using random rubble stone, rendered and struck to imitate ashlar. The hipped roof is sheeted with corrugated iron. The rooms have concrete floors and rendered walls, most of which open out on to the verandahs but are not interconnecting. The main rooms are lined and ceiled with pressed metal panelling.

The main chamber displays on the wooden panelling many heraldic escutcheons displaying the arms of various persons who held high office within the City Corporation, covering much of the heraldry of Devonshire. The heraldry was identified in the View of Devonshire by Thomas Westcote (d. circa 1637) View of Devonshire, Chap. XV and later expanded upon by Colby, Rev.

Pugin, p.26. A large oriel window lit the end of the hall occupied at dinner by the earls of Worcester, which by the time Raglan was built would have been used only for larger formal occasions.Kenyon (2003), pp.37–38. Originally, the hall would have been fitted with carved wooden panelling and a minstrel's gallery.

It was the nephew of Marguerite de Fumel, Joseph-Louis de Fumel, who inherited in 1788. He fled in October 1789, and the castle was declared bien national (national property). The furniture was dispersed, the roofs, floors and wood panelling taken down. Following the Thermidor, the Fumels recovered the castle, but did not live there, and sold it.

Nave, looking south-west, showing the gallery and the south chapel. In 1929 the panelling round the chancel arch, of about 1788, was removed; this revealed a rood staircase doorway, and two hagioscopes between nave and chancel. The plaster ceiling of the chancel was removed, revealing the rafters. In 1959 there was renovation by Anthony Swaine, a Canterbury architect.

Today, it comprises 13 & 18th-century buildings, together with 10th century ruins. It houses a cinema open to the public while some of the cloisters, infirmary refectory with original wooden panelling and the interesting ornamental staircase are open for tours, together with the old monks' cells which now house a museum of arts and local traditions.

The earliest parts of the church date from the late 13th early 14th century, but it was largely rebuilt in the 15th century. The north aisle was added in the 16th century. The church is noted by Pevsner for the Easter Sepulchre. The pulpit is built of wooden panelling formerly part of the rood screen of 1544.

Ventilation devices included wide window and door openings, ventilated gables and ridges, and ventilation fleches. Piazzas were generous, allowing comfortably furnished, semi-outdoor living. Operable shading and enclosure of the piazza was sometimes achieved by adding timber vertical louvres above the verandah handrail, creating a room habitable in most weather. Interiors included fine decorative timber joinery and panelling.

The upper part containing the nonextant reservoir boasts high windows, an adorned attic, a pseudo-battlement and running motifs friezes. The gable roof is crowned with a conical roof topped by a ridge turret, enclosed by the round observation deck. Part of the interior decoration is still visible: walls with wood panelling and colorful stained glass windows.

A similar moulded cornice crowned with a gablet with obelisks on apex and kneelers above the windows of the two other remaining bays.British Listed Buildings , Inside a billiards room with 17th. century oak fielded panelling with chamfered beam and small panelled cupboard doors flanking fireplace. The original hall has been split with the insertion of an early 18th.

She was made from colonial hardwood and tastefully fitted throughout her saloon in mahogany and pine panelling painted with country scenes by the ladies of the Manning. It was named after the township of Cooloon on the Tweed River.Great Lakes Manning River Shipping, NSW: 'Cooloon' (1904 -1917) loading sleepers. The steamer Duroby belonged also to the Langley Brothers.

Across the room door, there is a tiled, big fireplace flanked by two arched stained glass windows. The walls are covered by wainscot panelling in the lower parts with borders of molding made up from turquoise-colored tiles. The upper part of the walls are painted plain in maroon color. The ceiling is decorated with geometric ornaments.

This is elaborately treated, with arched and straight-headed windows, a frieze and a "richly decorated pediment". To the right, the body of the chapel has five bays separated by full-height pilasters. The ground-floor windows are flat-headed; those above are arched. There is a gallery inside, and timber panelling is used around the reader's dais.

The Bayne House, at 37 Main St. in Shelbyville, Kentucky, was built in 1915 in Classical Revival style. It was listed on the National Register of Historic Places in 1984. It is a central passage plan house with a curved two-story portico. Its hallway has dado panelling and an open, square stairwell with elaborate balusters.

The Oxford English Dictionary states that it derives from the Middle Low German wagenschot as well as wageschot or 'wall-board'. Johnson's Dictionary defined it thus: A 'wainscot' was therefore a board of riven (and later quarter-sawn) oak, and wainscoting was the panelling made from it. During the 18th century, oak wainscot was almost entirely superseded for panelling in Europe by softwoods (mainly Scots pine and Norway spruce), but the name stuck: "The term wainscoting, as applied to the lining of walls, originated in a species of foreign oak of the same name, used for that purpose; and although that has long been superseded by the introduction of fir timber, the term has been continued notwithstanding the change of material".Peter Nicholson, An Architectural Dictionary, 2 Vols.

The attractions of Epsom Spa to the west prompted the first settlements other than isolated farmhouses on this part of the widest section of the North Downs stretching from Banstead village to Walton-on-the- Hill to the south. Tadworth Court on the south of the site is a listed building for architecture in the highest category as a country house of circa 1700, with "rustic quoins, stone dressings (renderings)..steep (and richly decorated) pediment....high panelling and rococo plasterwork...Boxed room with early C10 panelling,". Nikolaus Pevsner described it as a ’splendid house’ and ’one of the most elegant in the whole country’. He was amazed that such a house so close to London was virtually unknown -- no pictures of the house are known before the 20th century.

View of Hall and Maitland (right) from the quad Hall There was no hall large enough to seat the entire college until 1911, when Maitland Hall and Maitland, designed by Edmund Fisher in Queen Anne style and Edwardian Baroque, were opened by H. A. L. Fisher, the Vice-Chancellor of the University and Gilbert Murray. Murray, whose translations of Greek drama were performed at Somerville in 1912 and 1946, supported Somerville in many ways, including endowing its first research fellowship. A fund was raised as a memorial to Miss Maitland, the principal of Somerville Hall (College from 1894) from 1889 to 1906, and this money was used to pay for the oak panelling in Hall. The panelling of the south wall was specially designed to frame the portrait of Mary Somerville by John Jackson.

Within the hall four doorways, with four panelled doors and operable transoms above lead to rooms on either side, and a round arched doorway in the far, south western wall, leads to the rear rooms of the house. Some early door furniture surviving in this section is of black enamel with handpainted scenes of foliage and birds in gold lacquer. To the north west of the entrance hall are two large, public rooms, connected to one another by a squared arched opening in their shared partition. Both rooms are lined with a similar dado panelling to that mentioned previously, although in the room closer to the front of the building, the lighter timber in the body of the panelling is fluted, rather than reeded, and in the rear room, the lighter timber is smooth-faced.

The chancel has piscina, sedilia and aumbry, above which the continuous east window sill string forms a hood. Some of the wall panelling in the north aisle, and the boxing in the ringing chamber probably re-used woodwork from the 17th century pews. The organ case Other fittings include a Last Supper reredos in alabaster, and cast iron altar rails and parcloses. The Vernon Chapel has a 17th-century oak altar table from St Helen's, Worcester. In the north transept is an elaborately painted organ case housing a Nicholson two-manual instrument, built in about 1860, with a broader specification than is common for nearby Nicholson parish church instruments of similar age. The nave has a 19th-century font, an elegant late 18th-century west gallery and some 17th-century panelling.

The suite is lavishly decorated in French art, bas-reliefs and 18th-century panelling which is protected under the suite's historic monument status. The bathroom is a former boudoir overlooking the Vendôme garden, with 18th-century panelling and a Jacuzzi bath and steam-bath shower and has its own plasma television and cosmetics fridge, juxtaposing old French tradition with the modernity of the 21st century. As well as facilities such as a DVD player, high-speed internet, and fax, the suite features a Porsche Design kitchenette with CHROMA knives near the salon and has its own small personal wine cellar filled with a variety of French wines. Over the years the suite has hosted some of the world's most prestigious guests from the Shah of Iran to George H. W. Bush.

In the library, the red flock paper was removed and the current panelling was installed by the great decorators of that era, Lenygon. Cars were parked in the courtyard. Around the fountain was a ring of cherry trees. The groom and his wife lived in one of the courtyard buildings and the gardeners in the cottages leading to the Hotel's leisure spa.

The wood of G. tessmannii is dense, hard and durable, the heartwood being reddish-brown with purplish streaking. The timber is harvested from the wild and sold under the trade name "bubinga". It is used for house construction as beams, joists, flooring, panelling and for other purposes. It is also used for making high-quality furniture, plywood, turning, containers, musical instruments and handicrafts.

Room 6. The West Highland Museum The museum covers military history, with a focus on the Commando Basic Training Centre, set up during the Second World War at Achnacarry Castle near Spean Bridge. In 1936, during the demolition of the fort, the museum was gifted the pine panelling of the governor's room, which it used to create its own Governor's Room.

The drawing room is in the centre of the building and contains early 18th-century panelling, 17th and 18th-century furniture, and another set of bookcases from Oteley. On the top floor are 6 further bedrooms and the long gallery which contains antique furniture and toys. The kitchen in the basement has two large fireplaces and it also contains arms and armour.

At the beginning of that period, the interior oak panelling was stripped of its paint by Elizabeth, wife of Garnet Hughes, and the original large fireplace in the drawing room was uncovered. The Homestead was officially purchased by the company in 1920, when the managing director W.A.M. Soller was installed. In 1954, the house became a corporate guest facility for the plant.

The windows in the nave have two lights (sections of window separated by mullions), save for one to the west of the porch, which has one light. The east end of the chancel has three adjoining lancet windows, the tallest in the middle. Internally, the walls have panelling at the bottom and painted plasterwork above. The roof has exposed timbers.

Planning permission was granted in November 2018 to turn the building into a Starbucks drive-thru and coffeehouse. In 2019 Starbucks opened a Drive Through Coffee House which maintains all the original features including the plaster mouldings and wood panelling. It is reputed to be haunted with the sounds of children and babies crying and a number of doors opening on their own.

Beverley Ussher designed the house 'Milliara' (John Whiting house) in Wallace Avenue. Toorak, in about 1895. It seemed very anglophile in that it had a drawing room ceiling which exactly reproduced the dining hall ceiling at Bolsover Castle, which Ussher had himself measured and drawn. However the architraves of the arches were decorated with local flora, and the panelling used Australian timbers.

The South window shows scenes from the childhood of Jesus. The panelling on the east wall is 17th century, as are the pews. The ceiling is Victorian and bears the coats of arms of five successive families of the Manor of Chastleton: Trillowe, Catesby, Jones, Whitmore and Whitmore-Jones. In a vault below the chapel lie the remains of some of these families.

The interior is complete, except for library or Great Parlour panelling now at Leeds Castle. There may have been two designers, Mills and John Stone, a French- trained son of Nicholas Stone.Tim Mowl & Brian Earnshaw, Architecture Without Kings: The Rise of Puritan Classicism Under Cromwell (Manchester, 2015), pp. 111-6. Principal rooms have richly decorated fireplaces and plaster ceilings by Peter Mills.

He completed the tower and steeple and the timber ceiling, and redesigned the windows. Interior design features by Blacket include the font, pulpit, carved pew-ends, and panelling at the west end (originally part of a choir gallery). In 1873 a memorial to John Coleridge Patteson (1827-1871), the martyred Bishop of Melanesia, designed by Blacket, was installed in the church.

The lavish drawing room The hotel's 58 bedrooms and suites are designed by co-owner and creative director Kit Kemp. At the reception, there are large curtains and aged wood furnishings. Stone stairs lead up to the first-floor drawing room which has maple-wood panelling. The Tiffany’s Library is also located on the first floor and has a fireplace and bar.

Inside the church, the aisle arcades are carried on alternate round and octagonal piers. The richly carved altar dating from the 1860s is by E. W. Pugin. The Towneley Chapel contains dark panelling and painting on a gold surround, and has ironwork gates. In the nave is a scheme of stained glass windows from the late 19th century by Mayer of Munich.

The reception room was decorated in richly carved mahogany Jacobean-style panelling painted a glossy white. Furnished with comfortable wicker chairs and Chesterfields upholstered in green damask silk, the room would have been conspicuously light and airy because of the beautifully illuminated leaded-glass windows which ran along either side of the room.Tibballs, Geoff. The Titanic Carlton Press: 1997; pg. 54.

Called the Royal York Revelation, the program was overseen by the architects Webb Zerafa Menkes Housden (who also designed the Royal Bank plaza next to the hotel). The renovation cut a hole in the main-floor lobby for a spiral staircase, covered the marble pillars in the lobby with wood panelling, hung modern wall lamps and a chandelier and replaced rugs with carpet.

In 1944, Herbert L. Pratt bequeathed the room to the college. It had been previously installed in his Neo-Jacobean House "The Braes," in Glen Cove, Long Island. Although the wall panelling and the mantelpiece of the original room remain, no specific records of the furniture or the ceiling design of this room in the original Rotherwas Court house have been found.

The granite was quarried on site while Buiskop sandstone was used for the courtyards. Stinkwood and Rhodesian teak were used for timber and wood panelling. The roof tiles and quarry tiles for the floors were made in Vereeniging. The Union Buildings were completed in 1913, after which Herbert Baker left for New Delhi from where he returned home to England.

Scottellia klaineana is a species of tree native to West and Central Africa. It usually grows to a height of about but can grow taller. It has a straight, cylindrical trunk up to in diameter, and may have flutings or buttresses at the base. The timber is used for construction, panelling, joinery, furniture- making, cabinet work, carpentry, flooring, stairs, turnery and veneers.

277-279 The parish church of St Leonard & St Dilpe is in Landulph hamlet at . Features of interest in the church include the panelling of the Lower family pew (ca. 1600), some unusual bench ends, a memorial inscription on brass for Theodore Paleologus (d. 1636), a descendant of the Byzantine Emperors, and a fine tomb of Nicholas Lower, d. 1655.

In 1996, the school was awarded specialist school status, as a Technology College. In 2007, the school was expanded and renovated again, adding a two-storey building which provided eight new classrooms.[2] The renovation included cladding the buildings in a blue panelling, similar to the neighbouring Grange Primary School. It was part of the Building Schools for the Future programme.

Stage four saw the creation of the relocated Kmart store, construction of the food court in the existing building located east end of the centre and the installation of glass panelling above, the re-creation of 4 entrances to suit new centre facade and re-tiling of entire existing building. Stage 4's developments were worth about A$25 million.

Now in the "Dodderidge Room", in the Barnstaple Guildhall with other oak panelling from Dodderidge House.Lamplugh, Lois, Barnstaple: Town on the Taw, South Molton, 2002, p.134 The Dodderidge family took its name from a manor in the parish of Sandford, near Crediton. Richard Dodderidge was the son of a wool merchant and was born in South Molton, in which town he married.

The hall has a fine ceiling divided into nine square bays with chamfered and label stopped beams and exposed joists. There are dragon beams to the corners supporting the jettied upper floor. There is a large inglenook fireplace with carved arcaded panelling with coat-of arms above. To the left is a carved 17th-century screen which opens to the entrance lobby.

250px Church of St Peter is a Grade I listed church in Pavenham, Bedfordshire, England. It became a listed building on 13 July 1964. The church has some good examples of 14th-century canopied work. The carved panelling and rich woodwork is mainly of Jacobean date; it was installed in the 19th century by Thomas Abbot Green of Pavenham Bury.

The three storey limestone building is laid out in an "H" plan. At the centre of the front of the building is a porch with a door and tympanum with Ionic columns to the upper floors and a coat of arms. The garden front also has an armorial panel above the parapet. The interior includes oak panelling and stone fireplaces.

The building has exposed timber rafter ends. Windows are timber framed double hung with 9-paned top sashes with coloured glass panes. Internally, this building was originally planned with gents and ladies toilets, a general waiting room, booking office and Out-of-room, and water tanks at each end. The waiting area has been modernised, with a modern ceiling and timber veneer panelling.

Known as Conron Hall, (formerly known as Convocation Hall) the main auditorium showcases the architectural design of the collegiate gothic style. The hall is a large space, with 650 seats. Seats span the main floorspace as well as a balcony. The stained glass windows are seen all throughout the hall, as well as the oak panelling and oak beam construction.

These interiors are enriched by the use of simplified classically derived ornament and richly patterned materials. The foyers and hallways on the lower levels feature marble panelling on the walls, and black and white mosaic tiles on the floors with black marble skirtings. Staircases, columns and pilasters are also of marble. On the upper levels terrazzo is used instead of marble.

This foyer contains a dusty chandelier and two mirrors, and is lined with dark wood panelling. The voice of the Phantom sounds from the ceiling and around the room, politely welcoming guests, telling them the Legend of this place and inviting them to explore the Manor further. Melanie's face fades in and out of the smallest mirror during the narration.

The Free Blades mascot is a white horse with light blue hair. The horse has an aggressive look and features blue eyes as well as two upward pointed ears. The hair is light blue and stringy pointed in several directions. The mascot wears the away jersey, which features additional blue panelling under the arms, and has two white wings attached on the back.

The prince initially renovated the house with the assistance of his then mistress Freda Dudley Ward. By 1959 only one room, the drawing room, had survived from Edward's renovations. The drawing room's painted walls were designed to resemble the pinewood panelling of a Scottish shooting lodge. The total cost of the redecoration including plumbing and repairs came to £21,000 (£ as of ).

The LC is a leisure centre located in the city centre of Swansea, Wales, UK. Originally Swansea Leisure Centre, it was re-branded as 'The LC' when the facility re-opened to the public on 1 March 2008 after a £32-million makeover. The LC's exterior has been revitalised by replacing the old concrete panels with clear glass, translucent glazing, and timber panelling.

In the stories Dahl discusses taking delivery of a 1938 Lagonda with custom coachwork and a set of horns that play Mozart's "son gia mille e tre" in perfect pitch and seats "upholstered in fine-grain alligator and the panelling to be veneered in yew... because I prefer the colour and grain of English yew to that of any other wood".

The chancel has oak panelling with carvings of sunflowers. The reredos contains representations of the Agnus Dei and Alpha and Omega signs. The right hand chancel window is to a design of Burne-Jones and was made by Morris and Company. In the church is a parish chest dated 1684 and a number of wall memorials dating from the 19th century.

It is located on Swanborough Drove in Iford, East Sussex.British Listed Buildings It was built in about 1200.University of Sussex: Swanborough Manor Papers However, it was extended in the 15th century, with an additional ceiling. Indeed, the gateway, the great chimney breast, a quatrefoil peephole, and parts of a screen with arched blank panelling all date back to the 15th century.

Today's windows were installed in the 1870s, and at the same time both a weaponhouse and a sacristy were added. During restoration work in 1933 a new foundation was added, and the exterior walls were panelled. A 1972 proposal to relocate the church did not materialize. In 2007, the roof and spire were restored and some of the panelling replaced.

The interior of the church is lined with brick and the dressings are in sandstone. It is the first church designed by Paley with a bare brick interior. The three-bay north arcade is carried on quatrefoil piers whose capitals are decorated with foliage carving. The pulpit is in the style of the 16th century and is decorated with linenfold panelling.

The lower part of the curved chancel walls are lined in marble panelling. Located in the centre of the space under the dome is the high altar, an elaborate gothic structure in various coloured marbles. Small rooms located on either side of the chancel are the vestry and sacristy. The room on the southern corner retains built in timber wardrobes and cupboards.

The stone arcading inside the nave has striking Perpendicular Gothic panelling which is also seen on the tower arch and in the clerestory. The nave roof of timber is also 15th century. The local architect Frederick Webster Ordish (1821-1885) extensively restored the church in 1871-72 and in 1881 he extended the nave by one bay and rebuilt the chancel.

The wood is easy to work and the grain is straight with long, clear sections without knots. The wood works reasonably well for steam-bending. Primary uses for sawn wood are furniture, flooring (where its very pale blonde colour is highly prized), panelling, veneer, plywood, window frames, and general construction. The wood has sometimes been used for wood wool and cooperage.

"Although the exterior looks substantial enough, and the splendid carved wood panelling is intact, all the rooms are deserted and many are decaying". In 1907 an American advocate of the Baconian theory of Shakespeare authorship travelled to England. She believed she had decoded a message which revealed that Francis Bacon's secret manuscripts were hidden behind panels in the tower. None were found.

The sidelights and transom feature leadlight panels. This door leads onto the hall, in the vicinity of the timber dog-leg stair. The stair features turned newel and balusters and is clad with stained timber boarding on the underside. The hall of the ground floor, like most of the rooms on this floor is lined with timber panelling to a height of about .

Inside, the three naves are supported by pointed arches, which in turn are supported by pillars with square bases. The central nave has cedar panelling betraying Moorish influences. An extraordinary wooden coffered ceiling is supported by a golden frieze and beautiful paintings hang among the arches. The right nave opens into several chapels along the wall, each surmounted by domes with skylights.

Inside the church is an inscribed octagonal font carried on a squat round shaft. The chancel contains panelling, and there is a reredos behind the altar. The stained glass in the east window dates from 1916, and is by Powells. On the south wall are three windows dating from about 1910, designed by Revd E. Geldart and made by Taylor and Clifton.

Collins chose the Arts and Crafts architectural style for the building, with the walls made of exposed brick inside and out, and timberwork on the inside. The timber includes oregon panelling, and blackwood and oak parquet floor. There are carvings in the sanctuary by Frederick Gurnsey and Jack Vivian. In the early 1990s, a porch was added to the chapel.

The slope of the irregular triangle the building sits on allows for a basement entrance on this side. A small addition on the west side is sympathetic to the original building. The walls are done in unpainted panelling and the ceilings in unpainted tongue-in-groove. What was the main banking area has a cathedral ceiling and six-branch brass chandelier.

The gable is topped with a finial. Detail showing upper storeys There is ornamental panelling to all storeys except the ground floor, which has a modern shop front. Motifs include ogee lozenges, similar to the decoration of Churche's Mansion, as well as quatrefoils and herringbone patterns. The first storey is flanked by a pair of fluted pilasters, which are in early Renaissance style.

The porch leads into the great hall which has a Minton tile floor and a large stone chimney piece. In the east wing is the long gallery which has oak panelling, a chimney-piece and a panelled ceiling. Behind the long gallery is an irregularly-shaped billiard room and the drawing room. To the south of these is the library.

In 1945, Herbert L. Pratt bequeathed the room to the college. It had been previously installed in his Neo-Jacobean House "The Braes," in Glen Cove, Long Island. Although the wall panelling and the mantelpiece of the original room remain, no specific records of the furniture or the ceiling design of this room in the original Rotherwas Court house have been found.

Popular legend describes the panelling in the hall to a Spanish galleon wrecked in the Armada of 1588. Bretforton Manor has four reception rooms, six bedrooms, five bathrooms and a flat for staff. Its estate covers of grounds next to the church with outbuildings including; stabling, a dovecote from the 12th century, a cider house and an indoor swimming pool.

Jarrah blossom fencing in Western Australia. Jarrah wine rack sanding in New Zealand Jarrah produces a dark, thick, tasty honey, but its wood is its main use. It is a heavy wood, with a specific gravity of 1.1 when green. Its long, straight trunks of richly coloured and beautifully grained termite-resistant timber make it valuable for cabinet making, flooring, panelling and outdoor furniture.

The original decorative lamps have been missing, while the stained glass was looted in 1999. The interior was decorated with dark wood panelling. The large staircase is located to the side of the building, connecting the lower floor with the upper floor. The lower floor originally consisted of a large room surrounded by smaller rooms which were used as the administration office for the Nederlandsch Indische Kunstkring.

The size of the room is intended to impress visitors. The Great Parlour was the most important room in the early 17th century. According to the inventory of 1611 it had the best furniture, and contained the Batt family's collection of maps. In the 1630s the Batts added a magnificent plaster ceiling and painted the oak panelling including a landscape scene above the fireplace.

The screen at right angles to the doorway prevented draughts through the bed curtains. An adjoining dressing room or closet is used to display reproduction costumes. The warm colours of the panelling and bed curtains are echoed in the carpet on the table, a feature of wealthier 17th- century houses. Tables or beds were ideal places to display a fine carpet too valuable to walk upon.

The floorboards have been relaid in a 17th-century manner. In 1609, a floor was laid at a cost of five shillings and tenpence for seven days' work, as recorded in the account book. The painted panelling creates a three- dimensional effect imitating the grainy effect of wood. The wild 'squiggles' were intended to imitate walnut, a wood becoming more fashionable in the late-17th century.

The church also contains wood panelling from the Houses of Parliament, which was installed in the church after the Second World War following bomb damage. In the 1990s, the church fell into disrepair, and eventually in the 2000s services were suspended. In 2005 the church was officially closed and renovated with the village school being extended into the church to cope with rising pupil numbers.

The house then descended in the Chester family to the time of the English Civil War, when it was shelled by Parliamentary forces and eventually demolished. The present Chicheley Hall was built in the early 1700s on the same site. All that remains of the old manor house is one Jacobean over-mantel with termini caryatids, and some panelling in the new Chicheley Hall.

The interior includes a room dated to the early 17th century, with panelling and Tudor Revival motifs. Rhodes House, No. 33, dates to the mid-18th century. A three-storey brick building with five bays and a classical stone door-case, with Doric columns and an entablature. To the north is a two-storey mid-19th century extension, also in brick, and an adjoining former garden wall.

Concrete stairs in the southern, front elevation lead to the ground floor verandah which, like the first floor balcony, extends from the southern elevation around and along the eastern elevation. The front, main entrance is a panelled timber door with moulded architrave. The words "GREEN HOUSE" appear on the architrave. Internally, the Green House is lined in tongue-in-groove timber panelling, with a picture rail.

Rooms open off the corridors and have views to the surrounding streets or the inner courtyard. There are stairwells off the corridors to each corner of the building. The stairwells contain terrazzo stairs, terrazzo panelling to dado level, plain and twisted steel balustrading and moulded timber handrails and are top-lit by roof lanterns. The stair to the east corner is now enclosed at ground floor level.

Inside the building, before the fire and conversion into separate residential units, Pevsner reported that there was a 17th-century staircase and two Jacobean fireplaces. The two main rooms in the centre of the house contained plaster ceilings and chimneypieces in Rococo style. The study to the left of the entrance hall had 17th-century oak panelling, as did three rooms in the attic.

The kitchen and scullery have floors with a chessboard pattern and panelling of white glazed tiles with images. Similar tiling can be found around one of the fireplaces as well. The central hall also contains the three-part staircase, that is made out of Scots pine wood and leads to the first floor. This floor and the one above it contain the bedrooms and the bathrooms.

The house had a central entrance porch, with an archway flanked by Ionic columns decorated with lions sejant. The doorway from the porch leads into the former screens passage. The back of the hall was left untouched at this time. Alterations to the interior included re-panelling the great hall, adding an impressive staircase, and creating a study for Sir Peter's collection of over 1,300 books.

The west wing was rebuilt after the Second World War. Internally, the entrance hall is early 18th century with a black-and-white stone floor. Four rooms have moulded plaster ceilings and cornices dated to the second quarter of the 18th century. The central staircase was installed when the courtyard was enclosed and features carved panelling from circa 1540, believed to be from Royton Chapel.

Bilinga panelling De Hoop - Beams are made of bilinga Bilinga (also called Aloma in Germany and Opepe in England) is an African wood, from Nauclea diderrichii trees in the family Rubiaceae. The wood, which grows across tropical Africa from Sierra Leone to Uganda, has about the same density as true hickory, but is not quite as strong. The wood is extremely heavy. Log diameter is from .

The plain exterior conceals the spectacular interior which has "gorgeously enriched" panelling, bolection moulded stone fireplaces and "outstanding" plaster ceilings. The quality and style of the plasterwork in the house bears similarities to that at Holyrood Palace which led Geoffrey Beard, a historian of English decorative arts, to suggest that the same craftsmen may have been involved. Eye Manor is a Grade I listed building.

The stained glass window in the lady chapel is a memorial to Peter Flint, churchwarden at the Barn Church for 20 years. It was designed in 1999 by his daughter, Christine Flint Sato. The panelling in the sanctuary came from "Black Charles" near Sevenoaks. Most of the new oak used in the fittings and building was cut at Stansted, Godstone, and was given by Mrs Philip Hoare.

Matthew Lowber House is a historic home located at Magnolia, Kent County, Delaware. It was built in 1774, and is a two-story, three bay, brick dwelling, with a two bay frame addition added about 1855. The interior has excellent panelling, the original wide floor boards, and a winding enclosed stairway. and It was listed on the National Register of Historic Places in 1973.

The Poas magnolia has applications in construction and carving. The wood is colored greenish-grey with an oven-dry specific weight of 0.38. It has fine texture and an attractive finish, is easy to work and turn, yet durable. It is used in general construction and as a component in plywood; to decorate interiors as panelling, veneers and finishing; in cabinetry and the manufacture of furniture.

The house was originally built during the Tudor period, and retains some of the original features in the kitchen. The north front is constructed from red brick with orange dressings. It was extended and altered between 1713–1715 by Sir Thomas Twysden; much of the panelling in the house dates from this era. Additional improvements were made in 1748, including a new attic wing.

The walls of the nave were lined to the height of six feed with oak panelling. It re-opened for worship on 12 April 1855 The spire was damaged in a lightning strike in May 1894. The weather cock was re- instated on 22 August 1894 witnessed by a large crowd of spectators. The nave roof, south porch and spire were restored in 1913.

The Board's fleet of AEC Qs was delivered in two stages. The first batch were assembled in the Board's workshops from four chassis of the initial order with AEC and finished with wooden framing and aluminium panelling. They commenced their duties as nos. 225–228 on 2 November 1936, followed two years later by the second batch of two Qs, numbered 235–236, on 1 May 1938.

The first landshövdingehus in Annedal, built 1875, and others built in the period between 1875–1880 had a strictly classical style with limited decoration. The landshövdingehus built around 1880–1890 attempted to imitate the more high-status stone houses. They used horizontal board panelling and rich profiling. Often they were decorated with bay or dormer windows, corner towers and/or rustication of the brick wall.

Mark 2 carriages were used on the Manchester Pullman service from 1966 until withdrawal in 1985. These luxuriously-appointed first class carriages had several unusual features, such as inward opening doors and some interior walnut panelling. Only 29 carriages were built. The livery was pearl grey with blue window surrounds, a reversal of the standard British Rail blue and grey livery of the late 1960s and 1970s.

It added fixed pews in 1860. It used to have two long side balconies, necessary to accommodate the large numbers attending the services. These were removed, and now only the balcony on the east wall at the back of the chapel remains. In 1952 there was a major refurbishment, which saw the addition of a vestry by removing two rows of pews and adding panelling.

When the Broadmead area was redeveloped the church sold the ground lease for shops and built a new church above. The new church was designed by the architect Ronald Hubert Sims and opened in 1969. It features many brutalist elements, with the widespread use of raw concrete alongside timber panelling. When first opened, it featured a laminated timber spire that was removed due to being unsafe.

The roof, with its original slate, is > hipped, with a gable on the east end, over a modest rose window. The nave is > rectangular, while the apse is semi-octagonal. Heavy timbers spring from > hand-painted brackets to support the roof. The interior walls are panelled > in stained and varnished wainscotting, with matching pews and furnishings; > the walls above the panelling are natural brick.

The central bay has an elaborate timber entrance door with side and fanlights of leaded and coloured glass and moulded timber panelling. The door itself has moulded panels and a large, textured glass pane, which is not original. A small sliding glass hatch from the entrance hallway into the library and record clerk's room survives. There are original and early fixtures including ceramic sinks within the building.

Wollaston Hall was a 17th-century mansion which stood in the village until 1924. It was later disassembled and shipped to North America, although nobody has been able to determine what happened to it after that. Panelling and a fireplace from the Hall are now in the Edsel and Eleanor Ford House in Grosse Pointe Shores, Michigan, which bears a striking resemblance to the original Hall.

The black servant's dress is richer, a white cap and pink neckerchief, and a green buttoned velvet coat with a yellow waistcoat. Trump wears Graham's wig. The colours of the painting are mostly of cool greys, blues and reds, with the brown of some of the clothes and the wooden pilaster panelling, and the lighter blue through the window on the left of the painting.

A residential centre for graduate studies was opened in 1977, designed by Geoffrey Beard. Further student accommodation for the College has been added between Bear Lane and the High Street to the north, completed in 1995. This building complex incorporates many historic features, including the Painted Room, which has 16th-century frescoes and panelling. This was originally part of the Crown Tavern, a former historic Oxford inn.

Lucas was born in Malvern in Worcestershire, to middle- class, Conservative parents Peter and Valerie (née Griffin) Lucas. She is one of three children; her father ran a small central heating company, and sold solar panelling. Her mother stayed at home to bring up their children. Lucas was educated at Malvern Girls' College (which became Malvern St James in 2006), a boarding independent school in Great Malvern.

The house, which consists of several bays, has white painted walls and slate roofs. Outside are several agricultural buildings which have been adapted to provide accommodation. The interior includes a fireplace with a chamfered lintel which dates from 1654, panelling and a 17th-century overmantel with a painted coat of arms which was brought from Weare Giffard Hall, near Bideford, a secondary seat of the Earls Fortescue.

After structural failures with the brick facade in 1998, the mosque was later encased in azure blue panelling, which resulted in its nickname of "Menara Biru" (Blue Minaret in Malay) by the residents. The mosque closed for renovation on 17 September 2016 and reopened on 22 March 2019. The renovation and expansion works increased the capacity of the mosque to meet the growing demands.

The Upper Circle is accessed via a door to a stairwell to the left of the main Bath Street entrance. The Gallery is accessed via a staircase at the back of the building with its own entrance on Elmbank Street. The auditorium seats 1,785. The ceiling panelling fans out from a single centre ceiling rose - each panel originally contained painted scenes, although they are currently plain.

The chapel has recently been repaired and renovated. The listed building includes panelling, pews and an Edward Woore stained glass. The school has been given conditional planning permission for demolition of old huts to be replaced with new accommodation blocks, which are close by Bembridge School Chapel. The school purchased 11 and 15 Queens Road and then sought planning permission to demolish them in 2008 and 2009.

Once the closet was opened, the fire exploded into the hallway; it spread quickly, fuelled by the lemon-oil-polished wood panelling on the walls. Church, O'Neil, another bellboy, and another passenger attempted to fight the blaze with fire extinguishers, but were forced to retreat almost immediately by the spreading flames. To his dismay, O'Neil found the ship's fire hoses to be out of order.

Shirley smashes the wood panelling in his office to reveal the crypt, and inside it a safe. Just as they unlock the safe, the lights go out and Lola and the contents of the safe are snatched. Shirley and Krantz head for Blackpool Tower, where a ball organised by Mercy is in full swing. They are refused entry because all the guests have to wear gorilla costumes.

To the end in 1978, the TGR still used AAL class first class saloons with leather seats and maple panelling, as well as SP class brake and 2nd class passenger carriages, converted from Sentinel steam railcars. When TGR was abolished in 1978, most rollingstock was transferred onto the register of Australian National Railways (with the exception of all passenger stock other than that kept for departmental use).

Wood panelling was widely used in the interior decorations, that were made to be light, airy, and modern to be comfortable in oppressive tropical climates. Externally the ship was of a completely new design. In addition to the funnel being placed quite far aft, the bridge was placed nearer amidships, rather than the usual forward position. This meant the superstructure extended considerably further forward than the bridge.

Eight-light French doors open onto this space from the main and second bedrooms. The bathroom retains many original finishes including: green faux- marble panelling to the walls with black faux-marble jointing and skirting strips, and rubber tile flooring. Above the height of painted timber boards line the walls and ceiling. The bathtub and washbasin are early fixtures, as are the towel rails.

The tree yields a strong, dense and durable dark brown hardwood timber. It is resistant to termites and is used for construction, furniture, joinery, panelling, floors and boats. The tree can be used in the control of erosion, and for providing shade as a roadside tree in urban areas. It grows rapidly, can be coppiced and is ready for cutting after about fifty years.

Stage 2 consisted mainly of the construction of a totally separate building on the west side of the site that would later be connected to the existing centre. With this, Pacific Werribee saw the addition of a Woolworths supermarket, Big W, Best & Less and Harris Scarfe, and the installation of glass panelling to create an open space feel. This stage costed roughly A$40.8 million.

The church consists of chancel, cloistered nave, aisles, south porch and a western tower, of Perpendicular Gothic era. Crocketed pinnacles and buttresses are enriched with panelling and niches. The nave is divided from the aisles by four arches on each side, supported by round and octagonal columns. Some of the piers, as well as the chancel, exhibit portions of Early English Period and Decorated Gothic work.

Credit Valley sandstone, as well as Indiana limestone, was used for the exterior facade of the entire building. The original interior consisted of hollow tile on the floor, with Terazzo finish on top. All floors were laid with the Terazzo flooring except for the main Auditorium, where a white oak wood floor was laid. Oak panelling lined the main Auditorium, with matching beamed ceilings.

Mansfield is a former railway station in Mansfield, Victoria, Australia. The former station building now serves tourists to the community as a visitor centre. The station is of a traditional timber design, and features many original fixtures including pressed metal interior walls, original doors and timber panelling and a full length signal bay window. Original light fittings are also in place inside the station building.

Inside, Goodnestone House has a prominent main staircase located in the large hallway, with open string, enriched brackets, and paired balusters. They are square newels and column-type balusters on half-landings, with a swept and ramped handrail and dado panelling. The 3 eastern rooms of the property are believed to have been designed by Robert Mylne around 1770 with a central oval entrance hall with niches.

A small painted heraldic escutcheon survives on wood panelling at Dowrich displaying the arms of Dowrich (Argent, a bend cotised sable a bordure engrailed of the lastPole, Sir William (d.1635), Collections Towards a Description of the County of Devon, Sir John-William de la Pole (ed.), London, 1791, p. 480) impaling Edgcumbe (Gules, on a bend ermine cottised or three boar's heads couped argent).

The interior of the Garnison Church was clearly defined. Massive columns connected with solid basket arches supported a flat roof and a two-storeyed emporium. The interior, at first largely without ornamentation, had simple wood panelling, and, while the civilian congregation sat on benches in the nave, the soldiers sat above in the gallery. A wooden pulpit stood on the south side of the nave.

As well as a dwelling, the mansion has been used as a school, restaurant, shop, and granary and hay store. The building has four gables to the front; the upper storey and the attics all overhang with jetties. The upper storeys feature decorative panels, and the exterior has many gilded carvings. The principal rooms have oak panelling, some of which is Elizabethan in date.

The pipelines running across the decks were bent and the gangways were tossed over the deck and wrecked. Steam pipes and electric cables were torn and ruptured, whilst the wave smashed a number of windows and port holes. Flooding entered the ship, smashing the furniture and tearing off bulkhead panelling. Despite the severe damage, there were no serious injuries, and only one sailor was subsequently hospitalised.

The landing above is supported by two cast iron columns and the sloping gallery by four timber posts. The underside of the gallery has pressed metal sheeting. A kitchen/bar has been installed in this area which is separated from the auditorium by an open stud wall. The auditorium has face brick walls with rendered pilasters and cornice, and timber architraves, dado and panelling below.

The main foyer space in the building is on the northern side of the vehicular access and features a grand staircase leading to the first floor level. Most of the remainder of the Adelaide and Edward Street facades at ground level is occupied by shops. Original shop fronts have plate glass windows with copper clad glazing bars and timber panelling. There are two entrances from Anzac Square.

Disney had been trying to buy the hotel for 30 years. When they finally succeeded, they also acquired Queen Mary. This was never marketed as a Disney property. First Class accommodation on Queen Mary, converted into a present-day hotel room with modern curtains, bedding, fixtures and amenities surrounded by original wood panelling and portholes Through the late 1980s and early 1990s, Queen Mary struggled financially.

A small porch has also been built at the east end of the house, screened from sight by surrounding vegetation. Much original interior detail, including hardware, moldings and panelling. A unique 17th-century removable wall, complete with hinges, still exists, as does the old taproom and winding box stairs. The 2.3-acre (920 m²) lot on which the inn was built includes one contributing property.

They had a partial wooden interior, with linoleum floors. Various renovations changed the panelling, usually variations of brown and yellow. The trams originally had incandescent light bulbs, but these were replaced with fluorescent lamps after 1955. From 1970 to 1974, the trams were rebuilt to remove the conductor, and the driver was given space for a purse and ticket machine, as well as an announcement system.

The Stationmaster's House on Stirling Terrace, Toodyay, Western Australia was built in 1895. This single storey painted brick dwelling with brick chimneys and corrugated iron roof has been restored. The front and side verandah has timber posts and panelling, and timber framed sash windows. There is also a half glazed door with fanlights and margin panes in keeping with the age of the property.

Thomas Hall has not been used as a hall of residence since 2002/2003. The hall was built as Great Duryard House in about 1690 by Sir Thomas Jefford, mayor of Exeter. The Manor of Duryard was originally owned by the city of Exeter, but was sold off in the 17th century. Inside the hall is linenfold panelling said to have come from Exeter Guildhall.

The interiors are a mixture of panelling and some 18th-century styles. Near to the house is the former much older chapel, this today has been converted to a billiards room. The house is not open to the public, but the gardens are sometimes used for fairs and fetes. The stable block has been converted to a leisure and health complex, with a polo cross field.

The St. Michael and All Angels’ Chapel was consecrated on 1 November 1953 at Mataruahou in Napier Terrace. It was described as being "decorated by the finest carving, panelling and scroll- work, the building has little in New Zealand church architecture to equal it." Sir Āpirana Ngata guided the design of the chapel. The chapel was a gift to the school from the Hukarere Old Girls' Association.

The neo-gothic Castle de Haar. The decorative interior elements of the include lavish use of extravagant heavy textile fabrics (like damask, brocade, and velvet) and much gilding, elaborate stucco ceilings, and precious (and often antique) wooden panelling and parquet flooring. This heavy abundance is combined with eighteenth-century, mostly French, furniture. For the Rothschilds, furniture and works of art often were of royal provenance.

Other notable features include the stained glass windows installed in 1864, the unusual heavily embossed wallpaper added in 1897 to resemble wooden panelling around the gallery and the organ, built by Thomas Lewis of London, and installed in 1882. The pulpit, based on the Athenian Choragic Monument of Lysicrates, is one of the few surviving pulpits of the 1820s and reputedly the highest in Scotland.

This tower is unique among all of the Prague towers because its diversion from the vertical is 63 centimetres towards the street Na Slupi. Both of the shields of the nave have the panelling from restoration in the 19th century. There is nothing left from the gothic monastery and current appearance of the buildings of the former monastery is determined by the modification in the 19th century.

The verandah features decorative timber brackets and posts and the walls are single-skin with exposed timber framing. The front door has timber panelling with glass sidelights and fanlight. French doors with fanlights open onto the verandah. The double hung sash windows have sunhoods with curved timber brackets and a carport has been added to the south, the roof of which cuts across a side window.

The Library has a panelled ceiling with diamond motifs. It contains imitation Jacobean panelling and a Jacobean fireplace from the now-demolished Marton Hall. The Study also has a panelled ceiling, and in this case includes a circular central motif. The Private Dining Room contains a 19th-century marble fireplace, and the Ground Floor Bedroom has a coffered ceiling and a Victorian-baroque fireplace.

In the south aisle is an early 16th- century relief and the parish chest. In the tower is a late 18th-century bread dole cupboard and more 17th-century panelling. The musicians' gallery at the west end bears the Royal Coat of Arms of Elizabeth II, carved in 1953 by Celestino Pancheri of the Bromsgrove Guild. The elegant baroque chandelier was gifted by Thomas Parkes in 1795.

The flooring is paved with encaustic and plain tiles, and the lower region of the interior walls of the nave and aisles lined with Staffordshire tiles. The chancel's walls and reredos were built using Devonshire and other marbles and Bath stone. The centre of the reredos has a marble cross, surrounded by four Evangelistic emblems. It was obscured by wood panelling until the 1990s.

A second staircase, with original timber panelling and balustrades, links the first and second floors at the south-western end of the Anne Street elevation. Despite the demolition of part of the Ann street wing, the Empire Hotel is a large and impressive building. The street facades are intact above awning level and internally much of the original fabric remains along with evidence of major refurbishments.

During a renovation of the church during 1915–16, the interior walls and ceiling were covered in panelling. The layout of the altar was changed by replacing the altarpiece with the original one from 1725. A stained glass choir window was installed as well as the old medieval baptismal font. During the 1960s and 70s plans for demolishing the barely century-old nave were being discussed.

The nave was shortened by building a new wall behind the altar. The room behind the altar became the new sacristy, while the old one in the extension was converted into facilities for the church staff. The area under the organ loft was sealed off with folding screens made of wood. The panelling on the west wall was removed to uncover the older timber walls with paintings.

Contents of the room include a high longcase clock made about 1745 by William Stumbels of Totnes; a large 17th-century Brussels tapestry with rustic farm-yard scenery after Teniers above the fireplace; and a 1553 carved wooden over-mantel decorated with the Courtenay arms. Two portraits of the present Earl of Devon and his wife hang on the north wall above the wooden panelling.

The geometry consulting company Evolute GmbH developed panelling that rationalised the double-curved freeform glass surface into 855 planar and cylindrical panels, all in hot bent toughened glass. This solution allowed for minimising the number of shapes necessary by 93%, reducing costs considerably. The photo- voltaic glass powers the air conditioning. The complete glass structure is counting the sides; the façade width is by tall.

The present building was constructed in 1851 and modelled very much on Jesus College, its financial and academic patron. In the 1930s Ysgol Tytandomen was in a Welsh-speaking area of Wales. The Hall was replaced in 1964, when a wooden panelling commemoration was erected to the dead of the Great War. It was built in the mock Tudor Gothic style of slate quoins dressed with sandstone.

King James died at Theobalds on 27 March 1625. He had made few changes to the main suites, installing panelling in the Great Gallery to which his son King Charles I added a number of carved and painted stag's heads.Cole, 'Theobalds' (2017), p. 106. Later, after the execution of Charles I, Theobalds was listed, amongst other royal properties, for demolition and disposal by the Commonwealth.

The basement level at the rear has a colonnade of lancet-shaped masonry arches. The front entrance, set to one side, has surrounding leadlights and cedar panelling. It opens into a wide vestibule, separated from the hallway by a rounded arch infilled with a glass and timber screen and door. A door to the right opens from the vestibule into a small front parlour.

There are 14 piers set at intervals; each has ashlar panelling and vermiculated rustication, and upper sections with pediments which have palmette motifs in their tympana. In July 2013, local society The Friends of Palmeira & Adelaide noted that the wall is in "poor condition and deteriorating with every year that passes", and that neither the council nor English Heritage would be able to fund repairs.

Internally the timber hammerbeam roof is carried on terracotta corbels. There is much decoration, with friezes, ball-flowers, foliage, inscriptions, panels, and blind arcades, all in terracotta. Behind the altar, forming a reredos, are niches, and panelling incorporating the words of the Ten Commandments, the Creed, and the Lord's Prayer. Terracotta also forms the pew ends, which are decorated with poppy heads, and the organ case.

The offices are divided by timber and glass partitions and the Council Chambers are lined with timber panelling. The ceilings are lined throughout with fibrous cement sheeting and timber cover battens and the furniture in the Council Chambers dates from the original fit out. The detached public toilets are a cement rendered building with corrugated iron roof and concrete slab floor. These are used as general storage.

Internally there is a much- restored hammerbeam roof. Rev. Joseph Hooker Toogood, who was the incumbent from 1907 to 1946, was responsible for much of the woodwork in the church. Richards quotes a letter from him dated 1946 in which Rev Toogood stated that he made improvements to the chancel screen. He then made a new altar, the reredos and panelling for the sanctuary.

A church in Bronnen was first mentioned in the 12th century. In 1520 it was dedicated to St Margaret and in 1584 also to St Blaise. The core of the current building is Late Gothic but was converted to Baroque style in the 17th and 18th century. In 1658 a tower was added, followed by new panelling in 1667, and Apostle figures in 1672.

Accessed 2015-12-25. The windows are sheltered by hoodmolds, and the upper and lower sections of the facade are separated by a stone belt course. Decorative elements in the upper part of the house include a pair of gargoyles atop the roof and the ornamental chimney pots atop the chimneys. Extensive wooden panelling beautifies the interiors, which feature ornamental ceilings and marble fireplaces.

Simple rectangular stone building with sandstone walls, hipped gable roof and curved vents, and asbestos cement shingled roof in diagonal pattern. Internally, it has sandstone walls with cedar panelling behind pews, carpet on concrete floor, ceiling lined in masonite with timber battens and exposed timber purlins over timber trusses. Raised organ and gallery above entry at southern end. Leadlight windows in timber frames throughout.

"The Jessons put in the tennis court." The Budds had the house re-roofed when the tiles started to deteriorate "about 20 years ago" and had installed fireplaces in two of the upstairs bedrooms. A china cabinet downstairs hid another fireplace. A long living room downstairs, originally two rooms separated by sliding doors, was altered and dark wooden panelling, typical of pre-war interior design, was removed.

The manor house in the village, Marston Trussell Hall, dates from circa 1606 and is an Elizabethan-style mansion with fine wood panelling interiors in the drawing room; in later years the existing house was dwarfed by a Victorian extension which no longer exists. A priesthole was discovered in the mid-1950s. The grounds of the hall have gardens and a newly added sunken Italian garden.

The painting was initially displayed in the college's antechapel, but the decision was taken to modify the east end of the main chapel so it could be installed as an altarpiece. The floor at the east end was lowered by removing the three steps leading up to the altar so the painting would not obscure the chapel's stained glass windows, and wooden fittings – oak panelling, and a communion rail and reredos installed in 1906 to designs by Detmar Blow and tudor panelling dating from 1678 – were also removed."Why Rubens should go", The Spectator, 19 January 2013 The changes remain controversial Gavin Stamp, Sell the Rubens, in Anti-Ugly, London 2013, -3, pp.141-145 with criticism of the destruction of "irreplaceable features" causing "incalculable" damage to the building's spirituality, just so the painting would look good in television broadcasts of the chapel's annual Festival of Nine Lessons and Carols.

Thomas Horatio Nelson, 4th Earl Nelson (21 December 1857 - 30 September 1947), styled Viscount Merton until 1913, was a British peer, inheriting the earldom on 25 February 1913 from his father, Horatio Nelson, 3rd Earl Nelson.Thomas Horatio Nelson, 4th Earl Nelson on Cracroft Peerage Born at Trafalgar Park in Wiltshire,1861 England Census for Thomas Horatio Nelson - Ancestry.com he was the son of Horatio Nelson, 3rd Earl Nelson of Trafalgar and of Merton and Lady Mary Jane Diana (née Agar, 1823–1904). A Roman Catholic through his mother, Lady Mary Nelson, in 1914 he had Standlynch Church rededicated to Mary Queen of Angels and St. Michael and All the Angels, served by a resident priest. In 1930, Lord Nelson purchased the panelling of the Captain's Cabin of , built in 1821, which was being broken up, installing the panelling in the main top floor room at Trafalgar Park.

1921 photograph of panelling in the drawing room of The Grange, now in the Speed Art Museum in Louisville, Kentucky, USA. The relief sculpted panels on the doors depict scenes from Ovid's Metamorphoses In 1903 Grange was soldDevon Record Office, DRO 547B/188, sale particulars 1903 and passed from the ownership of the Drewe family. At some time before 1927Listed in Charles of London catalogue, 1927, per the 17th-century carved and highly decorative oak panelling of the room in the south crosswing was purchased by the art dealer "Charles of London" (Charles Duveen, younger brother of Joseph Duveen) and was shipped to its New York showroom where it was purchased by the tycoon William Randolph Hearst (1863-1951) who placed it in warehouse storage together with many other such purchases.The William Randolph Hearst Archive: An Emerging Opportunity for Digital Art Research and Scholarship, Catherine Larkin, Long Island University, pp.

The units carried three liveries during their life. They entered service in the LNWR "plum and spilt milk" livery. During the LMS period they operated in crimson livery fully lined-out to represent timber panelling. On nationalisation, over a period of about three years, they received Southern Green livery with the BR "cycling lion" emblem half-way along the lower side of the motor coaches and retained this until withdrawal.

Autech, a Nissan-owned company, unveiled alternative models called the Bolero and the Rafeet. The Bolero, like Autech's versions of the K11, has the usual retro front end (which with the standard Micra headlights makes the car resemble the Lancia Ypsilon); the Rafeet has a more modern approach, resembling a BMW MINI, with either a black or white leather interior, whereas the Bolero has partial wood panelling and exclusive seating.

The entrance hall is divided into nine roughly square yokes with Gothic ribbed vaults. In the so-called "beautiful room" the walls were lined with lavishly carved panelling, while the ceiling was decorated with ceiling paintings. The subject of the painting was Phaethon on the sun chariot surrounded by ancient figures of gods and allegorical figures. Another state hall also had a magnificent wall covering and a coffered ceiling.

Another pair of Corinthian columns screen the cantilevered staircase from the gallery corridor. Several trompe-l'œil panels and borders are present and the plastered walls mimic timber panelling. Bedrooms were accommodated on the first and second floor. The bedrooms housed within the north-west elevation on the third floor are simple and were used by the servants of visitors if there was insufficient room for them on the ground floor.

The hall was originally hung with 28 portraits of Kings, Queens, and Emperors, from William the Conqueror to William III, intended to give the house an air of dynastic importance. The less numerous and far newer Brownlow family portraits were originally hung in the Great Dining Room immediately above.Jackson-Stops, 60. The room is fully panelled, and parts of the panelling contain lime wood embellishments attributed to Grinling Gibbons.

Although the exterior of the addition was French- inspired, the interior lobby resembled an English or Scottish baronial hall with dark-oak panelling, a railed gallery overlooking the double-height space and trophies of the hunt. The lobby led to a convention hall, music room and gentlemen's lounge. The ballroom featured vaulted ceiling, columns and rich drapes. The ultra-modern kitchen was designed to cater to up to 5,000 people.

Staunton was inhabited until 1089 AD. The parish church dates from around 1190–1200, when King Richard I was on crusades, and several of Herefordshire's other churches are thought to have been founded. The nave has round-headed doorways with a small lancet. Some of the windows date from 14th century. The west tower has a pyramidal roof constructed in about 1300 to which oak panelling was added in 17th century.

Simple moulded panelling on the walls of a staircase. The term wainscot ( or ) originally applied to high quality riven oak boards. Wainscot oak came from large, slow-grown forest trees, and produced boards that were knot-free, low in tannin, light in weight, and easy to work with. It was preferred to home- grown oak, especially in Holland and Great Britain, because it was a far superior product and dimensionally stable.

Salmon, p. 55 The Trinity chapel, like Sainte-Chapelle in Paris other royal chapels, had an upper section or tribune, where the King and his family sat, with a separate entrance; and a lower part, where the rest of the Court was placed. Beginning in 1628, the side chapels were decorated with iron gates and carved wood panelling, and the Florentine sculptor Francesco Bordoni began work on the marble altar.

He put the house up for auction on 30 March 1950. It was described as in excellent order, with panelling, Georgian mantels and find mahogany doors. There were three reception rooms and a large music room (38 ft × 18 ft), and the large entrance hall had a stone staircase leading up to nine bed and dressing rooms, with three modern bath rooms. Central heating and mains electricity were installed.

The Gallery, the largest room in the house, is panelled with sixteenth-century oak linenfold relief carved wood panelling. Its hooded chimneypiece is from Wollaston Hall in Worcestershire, England; the timber-framed house had been demolished in 1925 and its dismantled elements and fittings were in the process of being dispersed. A staircase came from Lyveden Manor House, also known as Lyveden Old Bield, second home of Sir Thomas Tresham.

The interior includes a Gothic chapel with a baroque altar, and a barrel-vaulted Knight's Hall with a large fireplace in the North East corner. The interior includes wooden panelling and hunting trophies. Several medieval wall paintings have been discovered during 20 century restoration of the upper chambers. There are several chamfered Late Gothic door frames in Haguaer marble that were salvaged by Fanny von Carolsfeld from the earlier building.

The interior of the vehicle was unfinished (no seats, incomplete floor/ceiling and plywood panelling covering wiring). Only Test Vehicle 2 remained at the facility and in 2011 it was donated to the Canada Science and Technology Museum in Ottawa. A mock-up of an Innovia ART 100 car was stored at the Toronto Transit Commission Wychwood Carhouse by Disney Displays. This car was unpainted and non-operational.

Interior panelling was of oak (Quercus sp.) and the dining room of Queensland black walnut (Castanospermum australe). A fence was built around the grounds by Greene's son, Captain William C. Greene. At the same time, the manager's residence and stables were also constructed, reportedly to the design of the same architect. A church was also constructed on the property to the south, uphill, during Greene's ownership (in 1886).

By May 1930 the fleet totalled 130 buses and coaches, the most recent arrivals being 14 AEC Reliance 95 hp 32 seater single decker buses of the "most modern" design. Dual-doored, the front was Simplex pneumatically controlled. The interior featured oak panelling throughout, Induroleum floor covering, chrome fittings, a Holt patent heater, and the bucket type leather upholstered seats. There was still a rear smoker's compartment, now just seating 10.

Cedar casement windows are set on sandstone sills with external shutters. French doors open onto a front verandah with diagonal stone flagging, unusual vaulted ceiling and slender timber Doric columns on sandstone plinths. The French doors have internal cedar screen shutters which fit into the reveals as panelling when not in use. The north east corner of the verandah has been modified by infilling in the 1820s to create a room.

The gallery leads into the ballroom, which contains walls of gilt panelling and mirrors. Above the fireplace, there is an oil painting of Louis de Bourbon dating from 1717. Oldway Mansion is set in of gardens, which were laid out on an Italian theme by the French landscape gardener Achille Duchesne. Beneath the eastern elevation of the building is the maze, which consists of dwarf box hedging and flower beds.

Their large vans differed distinctively from other makers in numerous details: side doors rather than rear, horizontal panelling and also common use of a clerestory window above. Later vans, from around 1900, carried solid rubber tyres. Modern examples have sometimes been refitted with pneumatic tyres. Living vans for steam roller gangs on road construction began using pneumatic tyres in the 1930s, to avoid damage to newly-laid asphalt.

In 2019, Paul Davies and Jean Wahl of Paul Davies Pty Ltd undertook the first full interior restoration since 1906. The work included cleaning and repointing the stonework, restoring the cedar pews and repainting the timber ceiling, pillars and sanctuary panelling. The repainting restored colours and decorative elements covered over by Herman. The lighting system was entirely replaced, the sound system upgraded and environmentally responsible heating and cooling installed.

The two private promenade decks were unique to the Titanic, decorated in half-timber Tudor panelling, wicker deck chairs, sofas, tables and potted plants. The deck chairs were cane, made by Dryad of Leicester. The chairman of the White Star Line, J. Bruce Ismay, occupied the port-side "Deluxe" Suite on the Titanic, while the starboard suite was occupied by the American millionaire Mrs. Charlotte Drake Cardeza, her son, and entourage.

2001; 58. Most of the exquisite leaded-glass windows remain in situ, along with much of the mahogany panelling, built-in plant holders, light fixtures, and carved framework surrounding the steel support pillars of the room. Small amounts of the original white lead paint survive in the carved creases of the woodwork, and several of the swinging doors with their bronze grilles still hang in the entrance vestibule doorways.

The church pews are of traditional design and appear to be original. The northern transept now contains the organ and choir stalls, while the southern transept is extended to accommodate two vestries. Side aisles extend along both sides of the nave, terminating in small chapels at the western end. The church interior contains some fine timber joinery including sanctuary screens, communion rail and panelling of cedar and pine.

The ground floor incorporated and insurance chamber on the Martin Place/Castlereagh Street corner and three lettable spaces. The executive offices of the company were located on the 9th floor, and were entered through a lift lobby and anteroom finished in traverine. The offices, boardroom and anteroom were finished in walnut and maple panelling and blue carpet. The 10th floor accommodated a caretaker's flat, and dining facilities for the staff.

Norwich Castle Museum. The unique Anglo-Saxon ceramic figurine now known as Spong Man was found in 1979 in Spong Hill. The figure is shown sat on a chair decorated with incised panelling and is leaning forwards with head in hands wearing a round flat hat. It is likely to have once sat on the lid of a pagan funerary urn and is a unique object in North Western Europe.

It is a version of CLA 180 with reduced fuel consumption. Drag coefficient value was reduced to 0.22 via low A-pillar shoulder with adapted A-pillar geometry, aerodynamically optimised exterior mirror housings and rear shape, optimised diffuser, optimised underbody and rear axle panelling, radiator shutter, aero wheel trims and serrated wheel spoilers on the front and rear wheel arches. The vehicle was set to go on sale in September 2013.

A note in the museum says that it was built for Katherine Infield, widow of Richard Infield of Gravetye Manor. The building materials, the composition and the ornaments of the main facade are identical to the ones of Gavetye Manor. It is approximately H-shaped, built of ashlar, and has prominent mullioned windows and a gabled roof laid with Horsham stone slabs. Old panelling remains in some rooms.

Inside, many original features remain, including walnut panelling and two cherry fireplaces. The most prominent original feature is the spiral staircase, which climbs from the first floor to a skylight above the second floor. Lawrence's original dining room and kitchen were damaged by a fire; soon after new owners purchased the house in 1947, the rooms were completely reworked and converted into a storage room for the rear wing.

Pierced panelling executed by Derek Riley of Lyndale Woodcarving in Saxmundham, Suffolk, was provided to allow sound egress from the bottom of the case. The old console has been retained but thoroughly rebuilt with modern accessories and all-new manuals. Twenty-two of the organ's 83 ranks contain some pipework from the 1868 instrument. Four ranks are made up entirely of 1868 pipework, and 21 contain 1895 pipework.

Aside from changes required by Alberta's building codes, the requirements set out by Alberta Historical Resources were followed during the restoration of the original courtroom, which now serves as Council Chambers. The wood panelling was retained, and the cast iron radiators were connected to the new geothermal heating and cooling system. New paint and carpet completed the renovations, and in 2007 the building became Wetaskiwin's new City Hall.

The floors are of extremely narrow timber boards, possibly japanned originally. The public rooms have early timber panelling, and plate and picture rails with decorative timber brackets, all of which has been painted. The ceilings retain their original fibrous-cement sheeting and timber battening arranged in decorative patterns. In at least one flat, the timber battening on the ceiling retains its dark staining, but most ceilings have been repainted.

A cantilevered awning projects over the footpath to Boundary Street sheltering the showroom shopfronts. Two roller door entrances provide vehicle access from Boundary Street to the showrooms. The pedestrian entrance off Boundary Street is boarded up. The ground floor accommodates two spacious showrooms with high ceilings clad in fibrous cement panelling with timber cover strips, which are stained dark to provide a decorative contrast in the western section.

The pub has three jettied storeys plus an attic with the gable facing the street. The latter has a three-light casement window. The first and second storeys have broad oriel windows flanked by square panelling with a close studded band below. The facade of the ground floor is an early twentieth-century public house front on the left with a six- light window on the right side.

A gallery with silky oak panelling extending for one bay of the nave, is situated at the eastern end of the church and supported on cast iron columns. Confessional rooms are accessed from half glazed timber doors under recessed pointed archways in both aisles. Many early features of the church remain intact, including the timber pews, timber-framed Stations of the Cross, and a marble memorial plaque to Rev. Jacobi Horan.

Hampton Villa is an early Victorian house, two storied, surrounded on three sides by a wide sandstone verandah. The main entrance door is a double six panelled door flanked by two pairs of shuttered French doors with panelling and margin bars. There are a further two pairs of French doors on each side verandah. The verandah ceiling is lined with painted timber boards and supported by regularly placed concrete columns.

The seats are in poor condition, being torn with stuffing hanging out. Parts of the floor have been removed, possibly for repair, but no evidence of any repair is to be seen. Interior panelling is coming adrift and the light fittings have been removed or taken off the vehicle. The front windscreens have been removed and covered with a hessian type material which allows water to leak into the car.

In 1898–99, the architect Peter McGregor Chalmers re-arranged the interior of St Munn's, forming an open choir in the place of the closed vestry on the southern wall. He introduced new arcades supporting the eastern and western galleries. Much of the intricately carved chancel furniture and panelling was also designed by McGregor Chalmers. The church's flat ceiling is supported by decorative Tudor-arched trusses supported on stone corbels.

This comprised alterations to the roof, ornate portico (door frame), addition of the pediment, new window frames, glazing and interiors. The sides of the building have later than 17th century balustraded flat areas (parapets) above the standard decorative ledge (cornice) which also dates to after the 17th century. The building has original staircases with twisted balusters. Main rooms have original panelling, corner cupboards and decoratively carved marble fireplaces.

It was worked and carved with decorative relief. Forming a "T" off of the right-hand center of the grand hall was the stone grand staircase, with a huge elaborately carved fireplace on the opposite facing wall. The first of the principal rooms upon entering the grand hall from the east was the library, with 16th century French Renaissance panelling covering the walls. On the opposite side was the parlor.

She founded the Dame Mary Yate almshouses on Harvington Hall Lane. In 1647 it was pillaged by Roundhead troops. The Hall later passed by marriage to the Throckmorton family from nearby Coughton Court. During the 19th century it was stripped of furniture and panelling and the shell was left almost derelict. From 1722 till his death in 1743, Hugh Tootell served as one of the chaplains to Robert Throckmorton.

1537), wife of King Henry VIII. Edmund Parker's wife was thus the first cousin of King Edward VI (1547–1553). Dorothy Seymour's eldest brother was Edward Seymour, 1st Duke of Somerset (d.1552), Lord Protector of England from 1547 until 1549 during the minority of his nephew, King Edward VI. The Duke's arms, a special grant from King Henry VIII, appear on the Parker panelling in North Molton Church.

A central pedestal is inscribed "virtute et veritate". Above it is an eagle statue, carved by John Harvey of Bath, representing the family crest of the Blathwayt family. "View of a Corridor" painted in 1662 by Samuel Dirksz van Hoogstraten The interior is sumptuously decorated with wood panelling and tiles of Delftware. The collection of artworks and artifacts includes furniture, china and pictures with a strong Dutch influence.

The vestry is formed by dark stained timber panelling with cross bracing. Aligned with the transepts in the nave is a choir area, separated from the body of the church by stepped platforms. The sanctuary in the chancel is demarcated by two adjacent round chancel arches. (These arches are defined externally by the two parapeted gable ends.) Between the two chancel arches is a recessed bay housing round arched openings.

The walls and ceilings throughout the interior are plastered and the floors are generally timber. The public bar area, now one large room on the principal corner of the building, features a timber bar in the corner opposite the entrance. The walls are lined with timber panelling to two metres, braced and edged with timber mouldings. High quality timber joinery surrounds the windows and doors in the bar.

The enclosure is built on a concrete slab on the ground, measuring . It is an approximately high timber-framed structure with super-6-formed concrete lower walls. The structure has fine metal mesh to the west wall and full height super-6 corrugated asbestos cement sheeting to the south-east corner. The structure has a super-6 corrugated asbestos cement skillion roof with mesh panelling to the west end.

The west tower has elaborate buttressing, panelling and battlements. The tower rises to a height of 134½ feet (about 41 metres), and is the second tallest parish church tower in Somerset. During the 15th century the present tower at the western end of the church replaced an earlier central tower. The tower is said to have inspired numerous others, including the tower of Northington Parish Church in Hampshire.

It and all the other windows in the north wall are Perpendicular Gothic. In 1867–68 the church building was restored, the chancel and south porch were rebuilt and the height of the chancel was increased. In 1744 the wooden pulpit was built, and during the restoration of 1867–68 it was reduced in height. The pews were rebuilt in the 19th century but include some 17th and 18th century panelling.

The tower is on the west end and is in two stages; it has diagonal buttresses, pinnacles and a parapet surrounded by battlements. The interior is plastered and whitewashed and has a possibly medieval ribbed wagon roof. The font, hexagonal pulpit and the panelling in the tomb chamber are eighteenth century. The screen between the chancel and tomb chamber may use parts of the fifteenth century rood screen.

She shared her father's interest in indigenous species and planted rainforest trees in the grounds. The house itself reflects Swain's obsession with exploring the potential of Australian timbers. It was constructed of rosewood with the intention of proving that this timber, then not well regarded for the purpose, was suitable for building. The house also displays Queensland timbers to advantage, the joinery including panelling in pine and kauri.

Andhra Pradesh and Telangana put together possess 32% of the country's total reserves of limestone. world renowned Narzi limestone is available in kadapa district. Commercial grade limestone deposits are being exploiting from Bethamcherla, Macherla, Neereducherla, Tandur, ((shahabad)), Mudimanikyam of Kurnool, Guntur, Anantapur, Rangareddy, and Nalgonda districts are widely used in our country for panelling, and flooring purposes. Sullavai limestone of Karminagar and Warangal districts, massive limestones of Mudimanikyam, Nalgonda districts.

Consequently, it is now assumed that the church was built around 1140–1150. Several restoration projects have taken place both inside the church and on the exterior. A major reconstruction was carried out in 1862, which has been called a "brutal modernization". New rows of windows were cut into the sides of the church, white exterior panelling was installed and dark roof tiles covered the old shingle roof.

Retrieved 2 June 2008. Ingrams also used the barn at Garsington Manor for an annual series of chamber music concerts. He installed into the barn the panelling from the old auditorium at Glyndebourne which was then being thrown out when the new auditorium at Glyndebourne was built. The barn was also used as the restaurant during the opera season, and opera guests could dine in it during the interval.

Retrieved 4 July 2019. Walls were painted pastel colours, often a shade of green, and where the patrons could afford it, at least one "feature panel" was installed in a room. These were large paintings or murals, often let into the newly repainted panelling, often in the form of trompe l'oeil. In the dining room at Sandringham, the panels were valuable tapestries given by King Alfonso XII of Spain.

In 1842, John Remington, vicar of Cartmel, built a fine dining room to entertain the Duke of Devonshire. Distinguishing features of the dining room include the panelling, bay windows and ornate moulded ceiling. It has 12 bedrooms, two of which are situated in a cottage, which was converted from a 16th-century stone stable. The hotel was awarded the Cesar Award by The Good Hotel Guide in 1998.

At the time of the listing by English Heritage, when the building was in use as offices, the interior had elaborate fittings. The main staircase is in a hall with a vaulted ceiling, in which mahogany doors with Greek Revival-style panelling lead to various rooms. Some have original fireplaces in styles including Neoclassical and Jacobean. The staircase itself has mahogany rails and Gothic Revival-style balusters of cast iron.

Two figures of large, winged, copper dragons guarded the gateway, their roaring mouths inlaid with gold. The doors were studded with copper and gold with heavy bolts resembling either dragons or water buffalo. The interior likely featured an exquisite, carved wooden decorations, panelling and furniture. Inner shrines had doors, which were also built with golden faced lahmu-figures either side along with a number of votive statues plated with gold.

A young specimen growing on the slopes of Table Mountain It is a slow- growing tree but exceptionally long-lived, and is increasingly grown as an ornamental feature in South African gardens. The unusual texture of the foliage is a reason for its growing popularity. The bright edible berries attract birds, which spread the seed. The wood is hard, similar to yew wood, used for furniture, panelling, etc.

The drawing room contains fine wooden panelling, installed around 1750. The house passed out of the Henderson family in 1799, and was inherited by Elizabeth Nicolson and her husband Thomas Mouat of Garth, the builder of Belmont House on Unst. Their nephew, William Mouat, added the porch and constructed the steading and Gothic cottage in the grounds. Sir Walter Scott dined at Gardie House during his 1814 visit to Shetland.

Following the purchase, the Russian government made extensive changes to the house. Several salons on the ground floor were made into the apartment of the Ambassador, while the central salon became his office. A large part of the original wall panelling of the original salons, dating to the 18th century, was preserved. More extensive renovations were carried out on the first floor, where the salons were made into reception rooms.

The first floor bedroom in the South East wing has panelling dating from the early to mid-18th century. There is a panelled sitting room in the North wing. The castle is a category A listed building and is constructed on the site of Robert the Bruce's successful battle against John Comyn, Earl of Buchan in 1308. The Hunterian Museum in Glasgow has a hammerstone from Barra Castle.

Norwich City Hall was completed in 1938 when the Guildhall and existing municipal offices could no longer accommodate the growth in local government duties. The city council consulted the Royal Institute of British Architects (RIBA) and organised an architectural competition to design a new municipal building. City Hall has an art deco interior, a top-floor cupola, rich mahogany panelling and one of the longest balconies in England.

It was made by Thomas Pyke of Bridgwater and installed in 1789. Apart from this and the roof, all the internal fittings are Victorian, including the stained glass, the gallery, the furniture and the stone floor (all 1863) and the heavily restored Tudor panelling (1887). Above the fireplace is a bust of Queen Victoria by Henry Hugh Armstead. Under the council chamber there is an early 14th-century cellar.

Goldney Hall Facilities Page The house also contains an ornate mahogany parlour complete with original wooden panelling dating back to 1725, which is reserved for meetings and special events. When the hall was gifted to the University of Bristol in 1953, the house was converted (completed in 1956) to accommodate 19 female students and was a catered hall. This was reverted with the development of the new blocks.

There have been three successive manor houses, the oldest of which is Stondon Hall, near the church. The north wing of the Hall is probably of the 15th century, and there is some 16th- and 17th- century panelling inside. Stondon Place, originally a farmhouse, was rebuilt about 1707, and again after a fire, about 1880. From 1593 to 1623, it was the home of William Byrd, the musician.

The interior has stone floors and oak panelling. It is a Grade II listed building and it is now a free house. The Cheshire Cheese at Buxton The Cheshire Cheese is a two-storey stone building from at least 1787 and is also set back from the High Street. It is a Grade II listed building, including its ornate iron railings with fleur-de-lys, urns and acorns design.

City Council Chamber (geograph 4329204) City Council Chamber The interior of the guildhall has the council chamber on the first floor, which has a strutted king post roof with arch braces to the purlins in the outer bays. The tie beams have bosses. There is mid-18th. century panelling with the arms of George II, which set behind the Mayor’s chair, below a segmental pediment on Corinthian columns.

Around the entrance bay, at string course level, are a series of curved sandstone blocks with shields, gargoyles, mashs, acanteurs etc. This work is very fine and appears to be in perfect condition. Inside are fine timber panelling, moulded plaster, faience panels, colourful tiles and stained glass. Above the entrance hall was a three-storey central light well with coloured clerestroey lighting, now covered over at each floor level.

Auberge de Castille at night Auberge de Castille is built in the Baroque style, and it is a two-storey building with a rectangular plan and a central courtyard. Its façade is divided into eleven bays defined by pilasters in the central bays or plain panelling in the outer bays. Ornate windows are set within recessed panels. The building has a continuous cornice, and its corners are rusticated.

The area had been earmarked for redevelopment as a major industrial estate. By 1956, 2,700 people were employed at Strathleven Industrial Estate, but the house remained empty. Strathleven House deteriorated over subsequent decades, and in 1979 the interiors, including panelling and balustrades, were removed to storage to protect them from dry rot. In 1985 the Scottish Historic Buildings Trust was established, partly in response to the need to save Strathleven House.

The central staircase is of stained and polished timber, with a curved rail, spiral bottom post and squared balusters. There is vinyl sheet to the treads and there are carved brackets and timber panelling below the stair. Skirting to the stair appears original. The first-floor former residence currently disused, comprises three bedrooms, a sitting room, a kitchen in the south- western corner, and a bathroom on the western side.

Box pews provided privacy and allowed the family to sit together. In the 17th century they could include windows, curtains, tables and even fireplaces, and were treated as personal property that could be willed to legatees. Sometimes the panelling was so high it was difficult to see out, and the privacy was used as a cover for non-devotional activity. William Hogarth satirized the trend in his paintings and sketches.

The two-storey flint building has hamstone dressings, a tiled roof and brick chimney stacks. The front of the building has a three-room range and a projecting three-storey porch. Many of the rooms have fireplaces, panelling and decorations from the 16th to 19th centuries. In the 18th century a staircase was added giving access to the adjacent Monmouth House which was built between 1770 and 1790.

The Abbey retained the manor until it was forced to surrender all its properties to the Crown in the Dissolution of the Monasteries in 1538. Charwelton Manor House contains much early 16th century panelling, an early 17th-century fireplace and a late 17th-century staircase. It is an ironstone building of two storeys with a hipped roof. Its present façade of five bays was added probably early in the 18th century.

Red cedar used in the panelling in the dining and drawing rooms reputedly came from Wivenhoe in the Brisbane River Valley and was milled at Woodlands. Cabinet maker and joiner Joseph Klee is understood to have worked on the timber panelling for over a year. In the 1890s, economic depression, falling sugar prices, unreliable rainfall, and government encouragement to dairy farmers, led to a decline in sugar cultivation in the Marburg district. TL Smith took out a substantial mortgage on his property in 1897, and in January 1906 the Woodlands Estate was subdivided and put up for sale by order of his mortgagees. At this time the estate comprised 29 improved scrub farms, a large sugar mill (to be sold with farm no.22), 1¾ miles of sugar tramway, 38 iron cane trucks, distillery, saw mill, milking herd, numerous small sheds, 12 small cottages and Woodlands Homestead, offered on about 7 acres with an orchard of fruit trees and olives.

Over the large granite open fireplace in the great hall is engraved the date "1656", when the house underwent repair after damage, caused, it is said, in the Civil War. In making alterations to the kitchen chimney in about 1888, a little hiding- place, or priest's room, was found opening out of it, and in it was an oak table and the remains of a chair; and since then large and small unsuspected rooms have been discovered, and it has been said that in the largest a troop of cavalry could lie hidden. A secret passage leading from the house towards the river was found, bearing out the legend "that the Lady Wise of the day escaped with a large party by a secret passage near the river, and got into the woods undetected by the soldiers who were round the house." There is oak panelling in most of the rooms, and in the dining-room, the panelling is inlaid with an ivory-like substance.

The Doyleys built the manor house in the latter part of the 16th century. It is thought to have been L-shaped, but after Sir Edward Page-Turner bought the manor in 1749 he had the south wing demolished and the surviving wing turned into a farmhouse. In 1838 the house's oak panelling was sold. In 1860 the house was modernised and its Elizabethan porch, gables, stone roof and mullioned windows were all removed.

The Painted Chamber is furnished with reproduction oak furniture to show what it looked like when new (not dark with age and polish). The painted panelling has a larger design than that the Great Parlour and is less decorative. It was discovered under layers of emulsion paint and thought to date from the 17th century. The room is displayed as the mistress's chamber; a small table by the window obtains the maximum light for sewing.

The brass eagle lectern was donated in 1904 by Mrs Harker, and was a replica of the one given by Queen Victoria to Sandringham Church. The people of Shirebrook donated to a shilling fund which paid for the panelling of the high altar. There is a brass memorial tablet to Joseph Paget, died 1896, by Benham & Froud of London and one to Revd. John Cargill who died in 1876, designed by Cox & Sons of London.

The house is built entirely of dark-red brick, from the brickworks at Danehill, Hampshire. The central block is of two storeys, with three-story matching wings. The style is Jacobethan and Lutyens originally intended that the E-plan house would have stepped gables, styled after Montacute House in Somerset, but these were not constructed. The interior contains substantial fittings from Mrs Franklyn's Bristol mansion, including fireplaces, over mantels, doorcases and panelling.

Whether they were originally installed in this church or imported from elsewhere is unknown. The windows date from the 12th century, the tower from the 15th century and the pews and panelling from the 18th century. The organ was donated by Vera, Charlotte and Jeanne Beauchamp in memory of their sister, modernist writer Katherine Mansfield. A plaque to this effect is located on the side of the organ within St Michael's Church.

In the 19th century, the Russells (by now the Greenhill-Russell family) employed Henry Rhodes to make alterations to the house in the Gothic style. The Tudor panelling and windows were ripped out and battlements with pinnacles installed. Towards the end of the 19th century, the house passed through marriage to the Astley family. In 1892–1901, Bertram Astley restored the house to its Elizabethan origins, with advice from Sir Reginald Blomfield.

The plasterwork features vines and leaves, and the white marble chimneypiece is decorated with wreaths and torches. The main staircase is cantilevered and follows all four walls of the stair hall; it has limestone steps, a balustrade with cast-iron scrollwork and a mahogany handrail. The sitting room and study contain oak panelling. A window contains stained glass panels dating from the mid-16th and 17th centuries, which possibly originated in the earlier house.

A royal licence to crenellate a manor house standing on the site (belonging to Hugh de Morvile) was granted by King John in 1201. In 1314 it was destroyed by the Scots and rebuilt 3 years later in 1317. In 1485 it was greatly expanded and a moat was added. After the death of Thomas Dacre, 2nd Baron Dacre in 1525 the stained glass, panelling and beamed ceilings were moved to Naworth Castle.

Bar at the Golden Cross, Cardiff More impressive is the Golden Cross public House in Custom House Street. This has a two-storey red faience facade with yellow pilasters. The ground floor has an elaborate tiled pub front with Venetian windows; green and gold tiling with raised lettering to fascias, tiled panelling to pilasters. The saloon bar on the ground floor has walls lined with polychrome tiles and a tiled floral frieze.

The earliest reference to the house can be found in the 14th century, when it was owned by the knight, Sir Richard of Martlesham. In the 16th century the house was owned by a string of local merchants, including George Copping, a draper and fishmonger, who acquired the property in 1567. It was Copping who commissioned the panelling of the ground-floor room at the front of the house. He also built the 'long gallery'.

St Giles Church The village has long had a church dedicated to St Giles. However, the 13th century building was destroyed by fire in 1760, and was rebuilt in Georgian style using sandstone quarried from Hopwas Hayes wood. The church contains memorial panelling for Samuel Lipscomb Seckham (1827–1900), architect and High Sheriff of Staffordshire, who lived at Whittington Old Hall, a 16th-century mansion.Church Memorials Wheaton Aston- Winshill, The Staffordshire Encyclopedia.

The fan-vaulted south range of the cloister at alt=View along a stone cloister passage showing the conically shaped sections of the vault, and the carved stone panelling of the walls. Secondly, there was a group of monastic cathedrals in which the bishop was titular abbot. These cathedrals are Canterbury, Carlisle, Durham, Ely, Norwich, Rochester, Winchester and Worcester. These monasteries were Benedictine except in the case of Carlisle, which was Augustinian.

The Barry family built the manor house in the 16th century. It has an E-shaped plan with gabled wings and a battlemented central porch. Its Elizabethan form remained unaltered until the 19th century, including original Elizabethan panelling in its principal rooms, but in 1809 it was reported to be in a neglected state. In the 1880s the house was divided into two tenements but in 1887 it was gutted by fire.

The first floor landing has a two bay timber screen with arches on each side. There is a bedroom with full height panelling and this level also has 16th-century exposed timber framing in several walls. In the 18th century, a stone chimney with an architrave surround was added this is also present in the rooms on the upper floors. There is a second circular staircase on the north side of the building.

The ground floor accommodated two fire appliances behind folding timber doors with a recreation room and open timber stairway at the rear. On the interior of this level there was silky oak interior wall panelling to a height of . The upper level had a kitchen, living room, lounge room, three bedrooms, a bathroom and balcony to the street. Fibro sheeting and plaster variously lined the walls of the upper level, with ornamental cornices.

The stone pulpit, which contains marble panels with niches depicting scenes from the life of Christ in semi-relief, is a memorial to the Rt Revd James Fraser, Bishop of Manchester, who died in 1885. The octagonal font is in alabaster and is decorated with panels. Box pews, one of which is dated 1728, have been re-used as dado panelling in the vestry. In the nave are lamps designed by Peter Skinner.

Reportedly there was a rood tympanum but this had been removed before 1846. In the 18th century the wooden pulpit, tester and reading desk were added, along with the wooden panelling and west gallery. Some timbers from the chancel screen tympanum seem to have been re-used in the 18th-century reading desk and pew floors. There is also one box pew at the front of the nave, presumably for the manorial family.

Moses Newell shuttled the building materials including mantels, inside shutters, windows, panelling, doors, and lintels from Boston after he sent loads of butchered meat from the farm to the Charlestown Navy Yard. Bricks were made in a local brickyard in West Newbury, close to where Pentucket Regional High School now stands. The brick walls are three layers thick with no insulation. The main body of the three story house is square with a peaked roof.

Dining room The building reflects the owner's interest in French architecture in the triple-arched entrance, enclosed upper balcony, and "sweeping front staircase". The house combines Barbadian coral stone craftsmanship, Demerara windows, and Brazilian wood panelling. It has a collection of antique mahogany furniture and West Indian maps dating back to the early 16th century. It is set in terraced English-style gardens, with bougainvillea, hibiscus, and frangipani plants and a large mammee apple tree.

Decoration includes timber panelling, mirrors, and painted scenes including: Venetian gondolas, Aboriginal Australians hunting kangaroos, Native Americans pursuing a western covered wagon, sea shells, various animals, nursery rhyme scenes, a lighthouse, tall ships and a Manly ferry steamship. The band organ is manufactured by Gebruder Bruder. It is a 52 key stop pipe organ with two drums, one of which has a cymbal. The organ is wholly contained within a varnished timber casing - elaborately decorated.

The walls were generally rendered and painted except throughout the ground and mezzanine floors where panelling of Thailand teak was installed. The Directors Suite and Board Room were panelled in English Beech with insert moulded beads of Tasmanina Oak. Prominent in the design of the Shipping Chamber are the mural screen and spiral staircase. The mural screen was designed by sculptor Douglas Annand and manufactured and executed by Z. Vesley's Metal Products of Marrickville.

Compton Wynyates, p6. There is a legend that the widow of the 2nd Earl remained hidden in the attics of the vast house tending to Royalist wounded, undetected by the Cromwellians, until their escape was possible. As the house is a warren of small staircases, passages, and almost concealed rooms – one tower room, the Priest's Room, has three staircases hidden behind its panelling – this story is possible.Nicolson, p43, describes the three starircases to one room.

Leading from the hallway to the right is another smaller hall which leads to the public bar and two minor rooms. The interior walls are plastered with timber cornices and architraves and the ceilings are vj boards. The public bar has a pressed metal ceiling and retains the original timber panelled entry doors and timber double- hung windows. The bar fitout is not original and the walls have been lined with timber veneer panelling.

The later was provided by running the engine exhaust pipes horizontally along the aircraft sides above all the cabin windows, where vents allowed the warm air heated by the outside of the exhaust to flow inboard. Seating for eight passengers was provided. The first flight took place on 7 December 1922 from Schiphol. One characteristic emerged immediately: the plywood panelling of the fuselage made the aircraft vibrate and the cabin extremely noisy.

A plaque in the entry foyer refers to Lawson's occupation of the building in 1982, as opened by the NSW Governor, Air Marshal Sir James Rowland, for JR Lawson Pty Ltd. Internally, the southern end retains a significant degree of original fabric, and layout, including timber panelling, timber joinery (doors, architraves, skirting boards, glazed partitions, staircase). The northern end, is largely divided by modern partition walls. The ceiling is modern - suspended acoustic.

The bar fit-out is non-original, and toilets are located behind the bar area fronting Ann Street. An entrance foyer with reception/office is located at the southern end fronting Queen Street, with a stair accessing the upper floors. The foyer has pressed metal ceilings, and decorative leadlight doors and fanlight separate a second smaller bar at the rear. This bar has pressed metal ceilings, and timber wall panelling to door head height.

Inside the theatre Originally, the Hexagon used an electronically assisted reverberation system; this has now been removed. In a review of the system, one author wrote that the system "seemed inaudible in the stalls but made a minor contribution in the balcony", concluding that it "still [left] an inadequate sense of reverberation." Acoustic panelling is used throughout the auditorium. The ceiling features rotatable acoustic screens to provide reflections to the balcony seats.

The building has many interesting features including the Tudor Well House, which is deep and has a horse-drawn pump and oaken winding gear. The State Bedroom contains the State Bed carved at Samlesbury in about 1560-65. The beautifully proportioned Ballroom has fine, decorative late Victorian doors and panelling by Gillows of Lancaster. The Banqueting Hall has windows with 4,000 panes of Flemish stained glass, original decorative ceiling and a Minstrels' gallery.

BAC's changes to the fabric of the building have been minimal, and more recent changes have emphasised the preservation and representation of original features. The Grand Hall was extensively damaged by fire on 13 March 2015, but has been rebuilt. The hall's elaborate ceiling was entirely destroyed, and has been replaced by suspended wooden tracery patterned on the lost decorated plasterwork. The charred remains of the hall's wall panelling have been left in place.

The Rotherwas Room is an English Jacobean room currently in the Mead Art Museum, in Amherst College. It was originally installed in the estate of the Bodenham family called Rotherwas Court, in Herefordshire, England, as part of the country house where the family lived. It was commissioned by Sir Roger Bodenham sometime after 1600, and completed in 1611. Some of the room's most prominent aspects include a carved oak mantelpiece and walnut wall panelling.

Some timber framing survives around these extensions, including part of one gable, small framing to a projecting wing with a diagonal brace, and close studding with a middle rail on the first floor between the two wings. The interior has oak panelling in places, some of which has a linenfold design, as well as exposed beams to the ceiling, which are ovolo moulded. There is an inglenook fireplace. The oak staircase has large ball finials.

Later, Falkirk Council initiated an HLF Townscape Heritage Initiative for Bo'ness. A sustainable use for the Hippodrome was considered critical, indeed pivotal to the release of grant funding, the IDEAS proposal was revived and considered worthy. Following grants from various organisations amounting to £1.8million, the cinema underwent renovation from the middle of 2006. The restoration work saved original features, including: cast iron radiators, oak panelling in the foyer area and art deco signs for toilets.

Long dormitory, on the top floor, contains 300-year-old panelling, featuring some historic graffiti. Two adjoining eighteenth-century houses have been added, while the addition in 1966 of the east wing of the Bishop's Palace, which is next door to the main school buildings, provides considerable extra space. Further renovations have provided an assembly hall, new classrooms and an art room. There is a modern science laboratory and an ICT room.

English Heritage note that in the original building (the unexpanded pub), the lower bars, named the "Snug" and "Committee Room" respectively contain 1930s fireplaces and matchboard panelling, and that between these two areas lies a central bar, which is enclosed by sliding sashes with glazing bars, and are "perhaps a mixture of late C18 and 1930s work". Behind this lies a circa 1700 dog-leg stairway "with turned balusters on a closed string".

There appears to be a hidden cupboard between the bathroom and hallway. The kitchen also retains many original features including: a sink with legs, sideboard, the serving hatch and stove recess, and the linoleum floor covering with its cardboard backing. Metal bracing for a hot water service is mounted high on a wall. Similar panelling to that used in the bathroom lines the stove recess and the splashback between the sink-top and window sill.

In 1754 Maria Theresia and her husband Francis I of Lorrain visited the Chinese porcelain cabinet of Prince Joseph Wenzel Lichtenstein. This inspired them to redecorate the Schönrunn's Chinese Cabinets. In the second phase of reconstruction (1755-60) both cabinets received their current appearance with the white painted wooden panelling, the so-called boiseries, and the thin wooden gilded Rococo ornaments. On consoles on the walls, porcelain figures, vases and vessels were placed.

The conservation concept has been prepared for porcelains, lacquerware panels, white-painted woodwork and gilded frames, with an aim to provide a sustainable and flexible mounting system. Surveys have been done on wooden panelling, lacquerware panels and the presentation of the objects on the consoles. Studies on recording the climate conditions (relative humidity, temperature, UV & light) and vibrations caused by visitor and vehicular traffic are going on. The benefitting or damaging previous conservations are differentiated.

Another major aspect of 1970s furniture is the use of teak wood. The use of teak in fashionable furniture and panelling regained popularity in the 1960s and items became chunkier as it progressed into the 1970s. Because of the popularity of wood in homes, dark color palettes also became more widely used as the 1970s progressed. In the mid-to-late 1970s, pine wood began to replace teak wood, and color palettes became even darker.

Internally the plan of the building is a central hallway, with rooms on either side, that opens onto the large space that was formerly the hall. The entrance vestibule has silky oak panelling to door head height, silky oak doors and fanlights all with the radiating glazing bars. Opening off the hallway to the north is the room that was the Council chamber. This room contains a very fine timber First World War honour board.

The portico pediment has 1892 inscribed within. The front elevation is defined by fluted corner pilasters and composed of three arched openings notable for their severe rendered rusticated surrounds. The central arched entrance accommodates a narrow draft lobby which projects into the banking chamber. The lobby is lined with timber panelling and houses two sets of doors, the outer a set of solid timber panelled doors and the inner a set glazed timber doors.

The Combermere Arms is a traditional public house on the junction with Dodd's Green Lane, with oak beams and "beautiful panelling" on the interior. It is recommended by The Good Pub Guide. It is supposed to be haunted by a poltergeist-like spirit, which two clergymen tricked into entering a bottle which they then buried beneath the steps of the main entrance. In one version of this story, the ghost is a murdered monk.

When constructed in 1937, the building had three storeys, with an exterior made up of reinforced concrete with brick panelling. The main entrance doors were panelled with hammered pewter – a white alloy that resembles tin. The company's name was executed in hammered pewter, another example of the architect using tin as a motif for the company. Dadoes for the staircase and entrance vestibule were made of a new material, Marbrunite, in multiple colours.

The projecting clock, erected at that time, was presented to the council by a London clockmaker, John Aylward, in return for being allowed to trade in the borough. The interior design involved a courtroom on the ground floor and a council chamber on the first floor. The panelling in the council chamber was taken from Stoughton Manor House shortly before it was demolished in the late 17th century. The ornamental cupola was replaced in 1882.

The Hallam Tower was a hotel located in Broomhill area of Sheffield, South Yorkshire, England. The disused Hallam Tower Hotel from Fulwood Road, 3 February 2007. Fifth floor lift lobby of the Hallam Tower Hotel. c. 2000s. Shows the original 1960s teak veneer panelling and sconces which ran along all the corridors and lift lobbies of the tower; during refurbishments late in the hotel's life many of the floors had the teak painted over.

The nave is in three bays with oak panelling and a single-bay gallery. At the east end between the windows is a pedimented reredos inscribed with the Ten Commandments in gold. Below this is a panelled oak pulpit carved with fruit and leaf motifs and a moulded cornice. The floor of the chancel is paved with tessellated squares of black and white marble while the rest of the floor is tiled.

Broadway Hotel is a heritage-listed hotel at 93 Logan Road, Woolloongabba, City of Brisbane, Queensland, Australia. It was designed by John Hall & Son and built from 1889 to by Wooley & Whyte. It was added to the Queensland Heritage Register on 21 October 1992. The building has been in a state of significant disrepair and neglect for several years, covered in graffiti and broken panelling, and in September 2018 was destroyed by a fire.

For this reason, some considered it a "desecration" of the local scenery. The three-story, building was opened on May 27, 1897, containing offices for the several tenant trolley companies and waiting rooms that were decorated with red oak wainscot panelling, ornate iron stair railings, and stuccoed ceilings. The exterior was designed in the Romanesque Revival style. Its tower, which reached a height of , contained an elevator that shuttled passengers between the terminals.

St. Mark's Chapel was built in the Perpendicular Gothic style, and was consecrated in 1857 by George Jehoshaphat Mountain. It was almost completely destroyed by fire in 1891, and rebuilt on the same site, and fitted with ash furniture, panelling and wood sculptures by the Sherbrooke cabinet-making firm of George Long and his assistant, Georges Bélanger. St. Mark's Chapel was declared Cultural Property by the Quebec Ministere des Affaires culturelles in 1989.

Tasmanian oak refers to the hardwood produced by three trees: Eucalyptus regnans, Eucalyptus obliqua or Eucalyptus delegatensis, when it is sourced from the Australian state of Tasmania. Despite the common name 'oak', none of the species are in the genus Quercus. The hardwood timber is light-coloured, ranging from straw to light reddish brown. It is used in construction, including panelling and flooring, for furniture, and also for reconstituted board and high quality paper.

Adjacent to the hall is the kitchen which opens onto a former dining area. A long room, originally divided by a timber screen into living area and study, extends across the back of the house with a fireplace on the eastern end. Timber framed double doors open from the hallway into the long room. The internal timber panelling has been removed and the fireplace, originally exposed brickwork, has been bagged and painted.

In 1974, this church building was reopened as Elverhøy Church, about west of the city centre of Tromsø on the island of Tromsøya. A full basement was built for its present location, making room for a parish hall, kitchen, cloakroom, and bathroom facilities. It is now somewhat different than its original design. Now, the red, wooden church is a cruciform design constructed with cog jointed timber and the siding is vertical panelling.

The bronze lectern was given to the college in 1654. The black and white marble paving dates from 1677–1678. Except for the pews on the west, dating from 1884, the panelling, stalls and screens are all 17th-century, as are the altar and carved communion rails. Behind the altar is Bernard van Orley's The Carrying of the Cross — a companion-piece to this painting is in the National Gallery of Scotland.

Hall The hall is the dining room of the college and its dimensions are eighty feet by forty feet (24 m × 12 m). In his charter, Wykeham forbade wrestling, dancing and all noisy games in the hall due to the close proximity of the college chapel, and prescribed the use of Latin in conversation. The panelling was added when Archbishop Warham was bursar of the college. The marble flooring replaced the original flooring in 1722.

The Dining Room in the royal guest suite The small dining room (Ebédlő) was situated in the northern part of the Krisztinaváros wing, among the other rooms of the Royal Guest Suite. Four windows opened towards Krisztinaváros. The ceiling was stuccoed, while the walls were covered with carved wooden panelling and wallpaper. A stone mantelpiece and large painting above it (depicting a hunting scene with a deer) gave a homey feeling to the room.

They also installed a central oriel window and extra bay windows and had a hand in much of the interior work although there is panelling and plasterwork which date back to the 17th century. The landscaped grounds are also the work of the Reptons. They created the park, lake and woodlands and set out the terrace on the south of the house. An avenue of oak trees leads to the west front of the hall.

There is a split door with a counter shelf under the mural which may relate to the children's services use as well. The two front rooms are the most intact rooms on the ground floor and have original ornate ceilings, windows and fireplaces. Likewise the first floor main rooms are relatively intact, together with the front verandah. The staircase is original retaining its decorative stringers and banisters and panelling beneath the stairs.

The adjacent ante-room housed a bathroom, and surviving evidence include vertically jointed timber panelling and a cedar surround for a shower rose. The bathroom originally housed a slate bath and flushing toilet. The northern bedroom has a vertically jointed timber partition wall which divides the room in two but which does not reach the ceiling height. This room had a cedar fireplace surround which has been removed, but the register grate is in place.

The building is in late Victorian Neo-Classical style with an attractive copper dome on the corner. A glass dome spans over the banking hall, creating a bright and airy interior below. The rest of the roof scape is formed from a flat concrete slab. In the same vein as the building design, the interiors are also carefully proportioned and include fittings executed with a high level of craftsmanship, such as panelling and parquet flooring.

The chapel foundation stone was laid in March 1879. It has been described as light and airy, with a high vaulted ceiling, with oak flooring and panelling. The Stations of the Cross are rather fine and were carved by a pupil of Eric Gill a Brighton born sculptor and typeface designer. They were donated in memory of ten-year old Cristina Buoncore, a boarder at the convent, who died in July 1958.

During the 1890s school fees were 4 guineas per term for pupils under 12, 5 guineas for pupils from 12 to 15, and 6 guineas for pupils over 15. In 1904 an additional six acres were purchased to extend the school grounds, which were then landscaped on the side facing Laverstock. In 1914 oak panelling, which gives the Hall its unique atmosphere, was installed; and in 1925 an open-air swimming pool was opened.

Also in the chancel are a restored sedilia, piscina (both 13th-century, and on the south wall), pulpit of stone, a modern altar, and a reredos and panelling dating from 1921. Most windows are lancets; some date from the 13th century, and most contain plain glass. Two stained glass windows depict St Francis of Assisi and St Nicolas. The east end windows consist of two tall, narrow lancets below a sexfoil (six- lobed window).

Features of the hall include a recess for the display of tapestry or panelling. This supports interpretations of the castle as primarily a wealthy residence rather than a military outpost. During excavations at the Chapel Block, fragments of a piscina were discovered. The eastern range is more fragmentary that other parts, and much of it may never have been developed beyond the foundation stage during the ownership of the de la Beres.

Bulk briquette handling facilities were abolished at the station in 1973. By the mid 1980s, the station was in a dilapidated state, and had not been maintained for many years. In 1984, the State Government, with the Metropolitan Transit Authority (The Met), approved a $300,000 face- lift of the station. The face-lift included a repaint of the station, the re- panelling of the waiting room, re-cladding of the canopies and landscaping.

After vain attempts to refloat her, her guns were removed and she was sold for £200. She finally broke up in the December gales. Craftsmen used flotsam from the wreck to make furniture,One such piece was featured on the BBC Antiques Roadshow, 2005, in the Portsmouth, UK episode focusing on Lord Nelson. AC200607 Lot:120-149 and, between 1929 and 2003, the wall panelling of the boardroom of Blackpool F.C.'s Bloomfield Road ground.

The solar room itself is on the first floor, and is reached by external steps. The wood panelling and carved wooden fireplace are of 17th- century origin, probably from around 1640. This woodwork would have originally been brightly painted, and included spy-holes so that the hall could be observed from the solar. The three-storey north tower is reached by a 13th- century staircase in the hall, which leads onto the first floor.

It is used as a traditional method of treating wood panelling on houses, either alone, dissolved in water, or as a component of water-based paint. Green vitriol is also a useful reagent in the identification of mushrooms. It is used as the iron catalyst component of Fenton's reagent. In the early 19th century, chemist Friedrich Accum discovered that in England the dark beer porter often contained Iron(II) sulfate as a frothing agent.

The bottom edge of the lattice is finished with shallow arches trimmed with a double stripe painted in black. At the top of the side walls is a broad band of decoration achieved by picking out a pattern within the lattice with black paint. The screen is covered with long curtains and is surrounded with fibro- cement panelling that frames the screen, now covering the proscenium. The orchestra pit has also been boarded over.

In 1665 Cote House was assessed at 11 hearths for Hearth Tax.Crossley & Currie, 1996, pages 69-74 A new main entrance was added to the north front of Cote House in about 1700, presumably for Thomas Horde (died 1715). The principal rooms were refurbished at the same time, including the present panelling of the drawing room. One set of iron gates is dated 1704Sherwood & Pevsner, 1974, page 557 and bears the initials of Thomas Horde.

Dumas House is an example of the post-war International Style of architecture, with a modular grid building plan, glazed panelling and an open piazza. The International style was adapted for Australian conditions by adding horizontal slabs that project from the sides of the building and provide shade. The building's construction, including fittings, cost $4,900,000. The building is owned by the Department of Housing and Works of the Government of Western Australia.

Redcar Beacon Construction of the Redcar Beacon started in 2011. In 2013 it was nominated for the Building Design Carbuncle Cup for worst new building. It came third in the whole of the UK. In December 2015, the Beacon was damaged by winds from Storm Desmond, with several large pieces of panelling falling onto the beach below. It was also damaged in winter 2016, where a panel from the top fell off in a storm.

The class 22 is a dual cab general purpose locomotive with a full width body. The body is a single stress-carrying truss structure designed for a buffing load of . It consists of a basic underframe of rolled channel longitudinal side members connected by cross members at bogie, power unit and equipment mounting points, as well as at buffer beams and drag boxes. Sides consist of fabricated frames with steel panelling welded to the underframe.

Internally the style is Jacobean with wood panelling, carving and inscriptions. It is a grade A locally listed building and has been considered for national listing; however English Heritage declined to list it. The Manor House Hall of Residence was used as a filming location for an episode of the TV crime drama 'Dalziel and Pascoe', appearing as 'Holm Coltram University' in Season 1 Episode 2, 'An Advancement of Learning', first broadcast 23 March 1996.

The Chancel has a roof of four bays, four armed octagonal crown posts with moulded capitals and bases. There is a piscina which dates to the 1400s. Most of the stained glass dates to mainly the 1800 and 1900s and was designed by Nicholson's brother, Archibald, however there is some medieval glass to east and north west windows. The panelling to the choir walls were designed by Charles Nicholson with decoration by his mother.

The Roxy Theatre and Peter's Greek Cafe complex is of state heritage significance as a distinctive, landmark Inter-War building designed in the Art Deco style in country NSW. Its exterior facade is finely detailed with a stepped silhouette, pilasters and entablature and simple panelling to break up its cement-rendered wall surface. The pilasters feature stylised low relief decorative patterns. Other external details include the chrome framed shopfront windows and entranceways.

Curved glazed doors slide into curved recesses. Original Art Deco bathrooms and ball room, stone fireplaces, timber panelling in some rooms.Friends of Mahratta, 2014 The house featured in an advertisement promoting gambling in 2018. Extensive shots of the formal interior areas, including a motorcycle being ridden down the main hall, and golf balls being hit from the grand staircase (improbably landing in the music room) give an idea of the internal architecture and fittings.

The elaborate moulding and keystone over the arched window protrude into the tympanum above. Windows are generally pairs of timber casements with pivoting highlights over. The ground floor is raised above the street and a half flight of stairs at the street corner leads to glazed timber doors opening onto the entry vestibule. The entry vestibule is octagonal in plan with timber panelling up to door head height and a tiled floor.

Located between the Engineers and Signals areas, on the eastern border of the site, is the PMG School for Linesmen in Training building. It is a two-storey timber-framed building sheeted in fibrous cement panelling. s "wash point" is cited south of the School for Linesmen building, across a roadway and open area. It is a concrete parking area with storage sheds at one end used for the washing down of vehicles.

Panelling in the hallways Englefield is a two-storey five-bay Georgian house with slender Doric columns to both levels of the verandah and sandstone flagging at ground level. It has six pane double hung sashes without horns and an iron roof with jerkin head gables. It is built of sandstock bricks held together with primitive lime mortar showing shell remnants, reinforced with animal hair. Its original shingle roof survives under the present iron.

It is possible to gain access to the Hurleston family tomb under the altar steps. The baluster altar rails date from the 18th century and the lower panelling of the chancel from the 15th century. To the right of the altar is a carved list of the rectors from 1291. The font dates possibly from the 16th century and its cover has a carving of the Madonna and Child made by Rev Toogood.

The present building is only a small part of the château originally built by Louis XI in the 15th century. The original château had three wings in the shape of a U. The room where Louis XI died can be visited. It has late 15th-century wooden linenfold panelling. The first floor has paintings and sculpture devoted to St. Francis of Paola, whom Louis XI summoned to live near him until his death.

The Rotherwas Room is an English Jacobean-style room currently in the Mead Art Museum, in Amherst College. It was originally installed in the estate of the Bodenham family called Rotherwas Court, in Herefordshire, England, as part of the country house where the family lived. It was commissioned by Sir Roger Bodenham sometime after 1600 and completed in 1611. Some of the room's most prominent aspects include a carved oak mantelpiece and walnut wall panelling.

From 1989, the wooden panelling on escalators was gradually replaced, and by January 1990, all wooden escalators in underground stations had been replaced. Treads were originally maple wood, then aluminium from 1963, and this had been replaced with plastic or rubber following an increase in serious injuries following falls. However, following the King's Cross fire, aluminium treads have been used on all escalators. There are 451 escalators on the London Underground system and the longest, at , is at Angel.

The Fort St George In England is the oldest pub on the River Cam in Cambridge, England. The Grade II listed timber framed building on Midsummer Common dates in part from the 16th century, and although "much altered and enlarged over the years, still has considerable charm. Especially notable is the snug to the right of the main entrance which has some wonderful ancient panelling and a good tiled floor." The pub is owned by the Greene King brewery.

Oakwell Hall passed into municipal hands in 1928 and is owned and managed by Kirklees Council. The hall is supported by volunteers from the Friends of Oakwell Hall. The hall's interiors were restored to a late-17th-century condition, the time the Batt family lived here, with the aid of research into local inventories . During restoration the original painted panelling of the great parlour and the painted chamber was revealed from under layers of varnish and paint.

Interior Former Tudor hall, later the kitchen, retains a moulded plaster ceiling decorated with rib work and part of figured frieze; open fireplaces, one with early C18 mantle. C18 front room with earlier C17 panelling (brought from elsewhere in the old house) and similarly a fine carved chimneypiece with elaborate coat of arms and crowned supporters inscribed below Holophernies and Judith with date 1585. Elaborate C18 plasterwork to entrance hall including doorcase, niches, chimney- piece etc. Naturalistic classical ceiling.

The main buildings originally stood to the south of this with two projecting wings. One room of the 16th-century remains in the east range; this has linenfold panelling. Opposite the hall range is the Jacobean range; the north side is castellated and has a loggia of seven bays on the ground floor. Stylistic features here appear to be of the mid 17th-century and suggest that the accepted date for the house of after 1712 is very unlikely.

The opera house again became a favorite site for cultural and entertainment attractions. Through to the 1920s it brought vaudeville, minstrel shows, illustrated songs, dramatic performances and even community pageants and plays to the Southern Maine community. The introduction of talkies in 1928 began the transition from opera house to movie theater. In 1955, “improvements” to its interior were made, including panelling of the lobby and its staircase and addition poster displays and a cinemascope screen.

The Brisbane Dental Hospital and College was the first public building in Queensland to install air-conditioning. Rubber floors were provided in the surgeries and corridors on each floor, terrazzo was applied to the ground floor entrance and waiting room and other floors were linoleum. The waiting rooms featured Queensland maple panelling and purpose built silky oak furniture. Additional roof-top accommodation for laboratories and staff, and staff and student common rooms was constructed in 1949.

The palace was handed back to the Crown after the Restoration in 1660 and remained royal property until 1670, when Charles II gave it to his mistress, Barbara, Countess of Castlemaine. She had it pulled down around 1682–3 and sold off the building materials to pay gambling debts.King Henry's Lost Palace , britishlocalhistory.co.uk Some elements were incorporated into other buildings; for example the wood panelling can still be seen today in the Great Hall at Loseley Park.

Internal fit-out was done in Inchicore, and was quite different from the original BR design, using bench seating rather than individual seats and made extensive use of wood veneer panelling. Their electrical system also differed from the BR and NIR versions. The Generator Van contained two engine / generator sets, each supplying 220 / 380 Volts 50 Hz AC to two separate "busses" in the train. The air conditioning loads were divided in half, each half fed from each "bus".

Resin from the tree contains cryptopimaric and phenolic acid. The wood is pleasantly scented, reddish-pink in colour, lightweight but strong, waterproof and resistant to decay. It is favoured in Japan for all types of construction work as well as interior panelling, etc. In Darjeeling district and Sikkim in India, where it is one of the most widely growing trees, C. japonica is called Dhuppi and is favoured for its light wood, extensively used in house building.

The smoking room was Queen Anne style, with Italian walnut panelling and Italian red furnishings. The grand stairway linked all six decks of the passenger accommodation with wide hallways on each level and two lifts. First-class cabins ranged from one shared room through various ensuite arrangements in a choice of decorative styles culminating in the two regal suites which each had two bedrooms, dining room, parlour and bathroom. The port suite decoration was modelled on the Petit Trianon.

The unexceptional fireplace has a wood surround and panelling above, with an inscription above recording the connection with the diarist and great naval administrator, Samuel Pepys. There are also fine leaded lights with coats of arms and badges, best seen from within the room. From 1975, the room was a museum which hosted a Samuel Pepys exhibition — Pepys was born in Fleet Street in 1633. The Samuel Pepys Club financed much of the original 1975 exhibition.

During the Second Empire, the wood panelling of side chapels was replaced. The restoration was not completed until the second half of the 20th century, when the twelve paintings, which had been scattered to different museums, were brought together again and restored in their stucco frames.Carlier, HIstoire du château de Fontainebleau, p. 106 Between 1772 and 1774, a small organ made by François-Henri Cilquot was installed on the left side of the chapel, near the altar.

The sashed windows have moulded architraves, and the central window on the ground floor is pedimented. The main door is in the single storey porch to the left, and the similar bay on the right has a window and balustrade. The interior has some fine decorative plaster ceilings, a late eighteenth century barley-sugar twist staircase and plain panelling in several rooms. The house was designated as a Grade II listed building on 25 January 1956.

The youthful and voluptuous couple recline in a forest setting, surrounded by playful baby satyrs. The painting was probably intended to commemorate a wedding, set into panelling or a piece of furniture to adorn the bedroom of the bride and groom,Lightbown, 164 possibly as part of a set of works. This is suggested by the wide format and the close view of the figures. It is widely seen as representation of an ideal view of sensuous love.

In 1987 the nave and west end were re-ordered so as to provide the setting and amenities needed for the increasing number of visitors and the many varied occasions when large numbers of people come to the Cathedral. New entrances were made through the tower walls to the offices and Song Room. The roof panelling was cleaned and restored and new lighting was installed. To enable flexibility of use the Victorian pews were replaced by chairs.

It has traditionally been asserted that carved panelling at his house of Speke Hall came from the Palace of Holyroodhouse though this has been challenged on stylistic grounds.Whatton, William Robert, 'An Inquiry into the probability of a Tradition connected with the Library and Furniture of James IV of Scotland, and of their having been carried off after the Battle of Flodden, and set up at Speke Hall, in the county of Lancaster', Archaeologia Scotia, vol.4, (1857), pp.

There was once a rood screen across the chancel, as shown by markings on the north wall and on the westernmost of the arches. It was still in position in 1867, when one visitor mentioned it in his notes on the church. Panelling has been fixed to the east and south walls of the sanctuary in the chapel as a reredos. The chapel measures 32 feet 6 inches by 14 feet 6 inches (9.9 by 4.4 m).

Castle Lodge Castle Lodge is a medieval Tudor and Elizabethan architectural transition period house in Ludlow, Shropshire, situated close to Ludlow Castle. Scenes from the 1965 film version of Moll Flanders were shot here. Castle Lodge has one of the largest collections of oak panelling in England and dates from the early 13th century, rebuilt in 1580. In Tudor times it was the home of Elizabeth I's Master of Requests and was once used as a prison.

The main house consists of seven bedrooms, with three living rooms, a dining room, two kitchens and staff quarters. Streitz had previously restored another local villa for Chanel's friend, Count Jean de Segonzac. La Pausa contains three wings that face onto a shaded courtyard, with the rooms containing large fireplaces. The rooms were filled by Chanel with 16th-century English oak furniture, given to her by the Duke of Westminster; English oak was also used for floors and panelling.

To the rear of this space are a communications and operations office and a stairway leading from the north- eastern corner to the upper level. The stair has its original timber balustrade and has been enclosed underneath for storage. The office walls are lined with laminated board panelling, revealing only the outline of the original fireplace and chimney. Ceilings are high and feature original timber cover strips over fibro sheeting, with decorative cornices and suspended fluorescent lighting.

On both levels of these wings the planning is essentially that of the former Emmanuel College with rows of equal-sized, small rooms located either side of the hallway. Most of these have decorative plaster ceilings and cornices. The far western end of the building departs from this pattern. On the ground floor, a board room is located in the north-western corner, the room has been recently decorated and has padded wall panelling up to picture rail height.

The east window The church is built of flint with stone dressings and stands at the centre of a rectangular churchyard. The tower at the western end has battlements with an early example of flushwork panelling. The bell openings have reticulated tracery, with two minor reticulation units within the major one. The nave, without pillars or aisles, is nearly wide, the widest among Norfolk’s parish churches, giving a large preaching space as pioneered by the mendicants.

In the historic main town of Leun stands the Evangelical Church, whose exact building date is unknown. The mighty "defensive" tower and the main nave are Romanesque, whereas the sanctuary's and transept's origins are early and late Gothic respectively. Within the church is an old and, in terms of art history, meaningful, wooden pulpit with panelling showing Southwest Asian motifs. In the transept stands the organ built in 1808 by the brothers Philipp Heinrich and Johann Georg Bürgy.

The hotel became a Grade II listed building on 5 July 1952. In 1980-1, the hotel underwent a major renovation, with restructuring. Many of the furnishings date to that period, but several archways and dado panelling remain from earlier as does the main staircase, believed to be from the early 19th century. Today The Angel is owned by the Griffiths family, who also run the Michelin-starred Walnut Tree restaurant in nearby Llanddewi Skirrid with Shaun Hill.

In one room she installed panelling which had been removed from St. Mary's Church, Broadwater during repairs, and in her chapel-room she fitted a stained-glass window from the same church.Smail, Henfrey. "Ann Thwaytes", in Friends of Broadwater and Worthing Cemetery: Broadsheet, Issue 4, Spring 2011, pp. 9–12, excerpt from "Notable Houses of Worthing" She added an iron-framed conservatory, and two pairs of wrought iron entrance-gates made as replicas of the former Buckingham Palace gates.

Some of the original French doors and fanlights, which opened onto verandahs from these rooms, survive intact. Suspended ceilings have been installed throughout most of the building, however a mezzanine level has been created above the strong room area and the original coffered plaster ceiling is visible. The Council Chamber has cedar wall panelling to plate rail height, with painted wall surface above. The room also has paired cedar panelled doors and architraves, and leadlight windows.

Old Moray House is an aristocratic mansion built after 1618. The building boasts massive obelisks flanking the gate and two very fine rooms up a turnpike stair, with elaborate original plaster ceilings and 18th Century panelling. Mary Sutton, dowager Countess of Home was the builder. Although it has been much altered by its occupants down the centuries, it remains one of the few original aristocratic houses built in the Canongate in the 16th and 17th centuries.

Most of the Armstrong wreck is under 50 to 80 cm of mud. Some tongue and grove panelling, believed to have come from either the decking or the superstructure, was located downstream. The expedition used a metal detector at the site, and the findings indicated that the machinery and boiler had been removed from the hull. Downstream near the Riverside Golf Course, the expedition found a larger wreck, of which 8 meters of hull framing was exposed.

The ceiling of the interior is formed by the line of collar ties in the centre and lower portions of principals at the sides - furring pieces being introduced to form a continuous clear line from end to end, relieved by moulded ribs and panelling. Delicate tie rods span the whole. The average height of the ceiling of the church is . That of the school hall is 18 ft; being treated somewhat in the manner as described of the church.

The building was originally built in the Beaux Arts style. There were no major alterations to the building until the 1950s, when modern conveniences were added. Air conditioning was added to the building, necessitating drop ceilings to make room for the ducts, which obscured the original plaster moulding in the interior. Wood panelling was added to create more offices out of the large chambers present in the original design, and mahogany windows were replaced with aluminum ones.

1556 and a 1720 class haul the northbound Sunlander through Yabulu in 1991 Lounge car of The Sunlander in 1978 From December 1924, when the North Coast line was completed, a steam hauled non air-conditioned train provided the service. In 1935, a new train named the Sunshine Express was introduced. This train of wooden carriages featured varnished timber internal panelling made from natural Queensland timbers. Comforts for that period included electric fans, electric lighting, and leather upholstered seating.

JSTOR Venus and Mars, c. 1485, tempera on panel, , National Gallery, London Botticelli painted only a small number of mythological subjects, but these are now probably his best known works. A much smaller panel than those discussed before is his Venus and Mars in the National Gallery, London. This was of a size and shape to suggest that it was a spalliera, a painting made to fitted into either furniture, or more likely in this case, wood panelling.

The west gable now incorporates a porch internally which appears to be a 17th-century addition. The ground floor rooms retain good 17th-century hearths especially the pleasant kitchen with its wide segmental ashlar arch. The dining room retains chamfered and quoined surrounds to the hearths and has 17th-century square oak panelling. The staircase with masonry centre wall and oak stairs has a massive oak door at the half landing which is secured from the flight above.

Records show that in 1575 the organ was in a state of decay although the wooden framework and the organ loft panelling date to 1579. Between 1650 and 1654 repairs were undertaken by the organ manufacturer Henri Vaignon from Normandy. The cathedral's current organ was inaugurated in 1979 and over the years the instrument was subjected to many repairs and restorations. In 1877, a new organ had been manufactured and installed by Maison Debierre of Nantes.

The tavern was formerly known as The Pelican and later as the Devil’s Tavern, on account of its dubious reputation. All that remains from the building's earliest period is the 400-year-old stone floor, and the pub features eighteenth century panelling and a nineteenth century facade. The pub has a pewter-top bar, and is decorated with many nautical objects. In former times it was a meeting place for sailors, smugglers, cut- throats and footpads.

The ballroom comprises an eclectic mix of neo-classical, Deco and oriental motifs set within an exotic and luxuriant decorative scheme mainly dating from the 1950s. The main auditorium ceiling survives from the earlier cinema. From the off-street entrance steps a small foyer is reached featuring a raked floor and Deco-style marquetry panelling. The main motif is a geometric composition of intersecting curves in a shape with broad segmental top, tapering centre and curved base.

Originally designated the Halberstadt C.II, it was redesignated the Halberstadt CL.II when the CL designation was applied. The CL.II was a single-engined biplane, with an all- wooden structure. The fuselage was covered with thin plywood panelling and housed the crew of two in a single cockpit, with the observer's 7.92 mm (.312 in) machine gun being mounted on an elevated gun ring, giving a good field of fire, allowing downwards fire at targets on the ground.

Internally, the building was originally planned with a booking office, general waiting room, ladies room and ladies toilets, with a water tank at the southern end of the building. The building generally has timber weatherboard internal wall linings. The waiting area has a timber tongue & grooved board ceiling, modern steel double security doors, modern timber veneer wall panelling, modern floor tiling, a timber 4-panel internal door. ;Platform 2 Building (1915) This is the larger east platform building.

The Castle was totally emptied. Disobeying German orders, and always in danger of being shot, Polish museum staff and experts in art restoration managed to save many of the works of art from the castle, as well as fragments of the stucco-work, the parquet floors, the wood panelling, and more. These were used in the reconstruction. The great service done to Poland by Professor Stanisław Lorentz, in leading this campaign to save the castle's treasures, is well known.

The George Location of The George (centre) The George is a grade II listed public house on the corner of Mortimer Street and Great Portland Street in the City of Westminster, London. According to Historic England, it has an Italianate façade from the 1860s and a more ornate frontage than typical of a pub of its age. The interior is also notable for its surviving ornate original features which include glasswork, panelling, and painted tiles depicting riders and dogs.

He was Chairman of the Museum and School of Arts Committee and was visited by William Morris in 1880. William Morris Internet Archive - Chronology In 1895 he became a director of the Birmingham Guild of Handicraft when it became a limited company.The Arts and Crafts Home - Chronolology Kenrick died at his home, The Grove, Park Lane, Harborne, Edgbaston, Warwickshire. The panelling of a room of his house is in the Victoria and Albert Museum in London.

Over the next two months, Elser stayed all night inside the Bürgerbräukeller 30 to 35 times. Working on the gallery level and using a flashlight dimmed with a blue handkerchief, he started by installing a secret door in the timber panelling to a pillar behind the speaker's rostrum. After removing the plaster behind the door, he hollowed out a chamber in the brickwork for his bomb. Normally completing his work around 2:00–3:00 a.m.

Upstairs a wide central passageway leads to 6 bedrooms, an additional bathroom, living room, store room and out onto the suspended verandahs. The of living area has rooms with high ceilings. Some have marble, tiled and engraved brass fireplaces, original plaster and stencilled wall and ceiling finishes, rendered walls, cedar joinery and panelling. The interior decoration has been attributed to Lyon, Cottier & Co. Ewan was exposed to the company's work on a number of other occasions.

Several rooms have large open fireplaces, with a brick inglenook fireplace in the kitchen. An Elizabethan well was discovered during renovation work. The principal rooms on both ground and first floors feature oak panelling; that in one of the upper rear rooms is Elizabethan. This room also features a fine carved overmantel with a woven love knot and central heart; the ground floor room to the right of the hall contains a further good example of a carved overmantel.

The principal architectural spaces include rooms formerly used for the Executive Council Chamber, the Land Court, and offices of the Premier and the Minister of Lands, which have a private stairway to George Street. These rooms have ornamental coffered plaster ceilings and timber panelling to dado height. The former Executive Council Chamber has three stained glass windows positioned above the dado which can also be seen from the hallway. The building is very intact, internally and externally.

The Good Shepherd by William Bloye Latin Cross by William Bloye The church was built between 1933 and 1935 to designs by the architect Holland W. Hobbiss by the firm of William Deacon and Son of Lichfield. The church contains two sculptures by William Bloye. The side chapel was fitted out in 1951 with panelling and an altar from St Stephen the Martyr's Church, Newtown Row. It became a parish in its own right on 28 May 1965.

In the early 2000s the flood defences at Paull Holme Strays were re-aligned backwards to create a tidal lagoon. Construction of the new defences was completed in 2002, and in 2003 the old flood banks were cut, creating a nature reserve. The North Sea tidal surge 2013 caused damage to the defences near Paull; 12 properties were flooded. In 2016, the sea wall through the village was topped with high glass panelling at a cost of £835,000.

Evidence of the lift mechanism and living areas for elephants and lions can still be found under the theatre. The roof space still holds pulley, and wheel mechanisms used by trapeze artists (including the famous Henderson family). The ornate interior still reflects the building's past with elephants, lions set into Indian wall Panelling. The auditorium is one of the largest in Liverpool; in its heyday it could accommodate 3,750 people in the stalls and on 3 balconies.

Mosaics on the floors of the peristyles evoke the flora and fauna of the Nile. The wall frescoes above these pavements is the largest surviving example of the false marble panelling characteristic of the First Pompeian Style. Like many ancient Roman houses, the House of the Faun had tabernae, or storefront shops, and a highly sophisticated building plan, which details the many rooms. The entrance is decorated by the Latin message “HAVE”, a greeting both for meeting and parting.

Phocea at anchor In July 1997, Phocea was purchased by Mouna Ayoub and modernized at Lürssen. Whilst retaining her unmistakable identity, she has received major interior and exterior enhancements by British naval architect Butch Dalrymple-Smith. The interiors feature wood panelling and furniture designed by David Linley. The Owner's Suite is situated on the main deck whilst the VIP guest cabin and four other double cabins, all with full ensuite facilities, are located on the lower deck.

All five floors are connected by a central scale-and-platt staircase, added in the early 17th century to replace a turnpike stair in the south-west. The rooms of the upper floors have impressive panelling and decorated ceilings. The main hall, in the south part of the block, has been divided, but retains a large fireplace with the carved initials WS and JE, for William Sinclair and his wife Jean Edmonstone, and the date 1597.

On the panelling hang a brass warming-pan and a red skirt. Beside the woman is a dog, lazily stretching himself. On the extreme right, under a high window, the lower half of which is closed with shutters, stands a table with a candle-stick and a jug. An open door on the right leads into an ante-room where a young girl is standing before the half-open house-door, through which the sunshine streams in.

Some of the furnishings from the RMS Mauretania were installed in a bar and restaurant complex at the bottom of Park Street, initially called "Mauretania", now "Java". The lounge bar was the library with mahogany panelling: above the first-class Grand Saloon with French-style gilding overlooks Frog Lane. The neon sign on the south wall still advertises the "Mauretania": installed in 1938 this was the first moving neon sign in Bristol. It is a grade II listed building.

In 1792 it passed into the Beaumont family, (latterly Barons and Viscounts Allendale), and the library and dining room were remodelled by John Carr in 1793. Monumental stables designed by George Basevi were built between 1842 and 1852. The hall was sold to the West Riding County Council in 1947. Before the sale, the panelling of the "Henry VIII parlour" (preserved from the earlier hall) was given to Leeds City Council and moved to Temple Newsam house.

The place is important because of its aesthetic significance. Sited prominently in an open grassed setting on a corner in the heart of Dalby, the elegant, well-composed St John's Church, with its steeply pitched roof, fine brickwork and decorative embellishments, is a striking presence in the streetscape of Dalby. With fine stained glass windows, well-crafted furniture, decorative timber panelling and handsome timber roof brackets, the interior of the church provides a contemplative setting for religious observances.

Cheshunt Great House had a large hallway and basement; the hallway received some light from built-up windows in the west wall. The main entrance door opened directly into the south end of the old hall. The hall measured 37 feet 6 inches long by 24 feet 6 inches wide and was paved with square slabs of black and white marble with a stone fireplace and 18th-century panelling. A portrait and heraldry hung above the fireplace.

The different construction periods of the east and west wings is evident in the finishes and fittings. In the earlier east wing more is made of timber finishes, in particular the use of panelling (in the director's office) where Queensland Silky Oak veneer panels are framed with Queensland maple. Queensland maple is used throughout the building for skirtings, architraves, jamb linings, hand rails and fittings. The office partition walls are of painted framed hardboard to both wings.

This cathedral contains a series of paintings built into the church's wooden panelling depicting the Martyrologium Romanum. The third painting shows the scene which, it is claimed:Fr Edward Górecki Ph.D, A Guide to Sandomierz Cathedral. "...depicts ritual murders committed in Sandomierz by Jews on Christian children". The inscription next to the painting reads filius apothecarii ab infidelibus judeis sandomiriensibus occisus (son of an apothecary, killed by infidel Sandomierz Jews) Joanna Toarska-Bakir Ph.D., Sandomierz Blood-Libel Myths.

Zierer established a model farm on the estate with the first modern irrigation system in Transdanubia and he was successful in the selective breeding of potatoes. The mansion remained in the ownership of the Zierer family until 1945. It was furnished with antiquities, old paintings, wall panelling, stained glass windows, Venetian mirrors and Meissen porcelain. The most important rooms were the lobby, billiard room, smoking room, ball room, great dining room, small dining room, study and the library.

The two-storey tower to the left of the Gatehouse contains garderobes, which empty directly into the moat. Architectural historian Lydia Greeves has described the interior of Little Moreton Hall as a "corridor-less warren, with one room leading into another, and four staircases linking different levels". Some of the grander rooms have fine chimneypieces and wood panelling, but others are "little more than cupboards". The original purpose of some of the rooms in the house is unknown.

Jordans Friends Meeting House was built in 1688 shortly after the Declaration of Indulgence. The meeting room retains most of its original brick, including the bare brick floor, glass, panelling and benches. It suffered a serious fire on 10 March 2005, when the modern extension was virtually destroyed and the roof of the original 17th-century meeting room severely damaged. The interior of the original meeting room escaped relatively unscathed, but suffered some water and smoke damage.

The upper story has Mock Tudor detailing, including dentils on the two outward-facing gables. Most of the interior is also original, although the dividing walls between bars and off- license sales have been taken out to create one large bar area. The present day eating area retains its original wooden wall panelling. On the east of the building itself is a very sheltered beer garden, so food and drink can be enjoyed inside or out.

The decoration consists for the upper part of the walls, as a rule, of Arabic inscriptions—mostly poems by Ibn Zamrak and others praising the palace—that are manipulated into geometrical patterns with vegetal background set onto an arabesque setting ("Ataurique"). Much of this ornament is carved stucco (plaster) rather than stone. Tile mosaics ("alicatado"), with complicated mathematical patterns ("tracería", most precisely "lacería"), are largely used as panelling for the lower part. Metal was also not present very mainly.

The timber framed verandahs have similarly detailed balustrade and frieze panelling to that found on the Demaine Block. Likewise a similar centrally projecting section, houses the entrance and is reflected on the roof with a large gabled projection. The ground floor of this projection is lined with heavy rendered masonry, half and three quarter height, piers and this face has now been infilled with glazed louvres. The building is substantially intact with original openings, joinery, floorplan and entrances.

It is sometimes used for cabinet panelling and in ornamental turnery, and natural bends were once sought after for making boat knees. It is a useful firewood. B. integrifolia produces a dark amber-coloured honey of middling quality and therefore low commercial value. Despite this, the species is highly valued by beekeepers because it produces large amounts of pollen and nectar during autumn and winter, thus helping support hives at a time when little else is flowering.

It was built with pre-cast concrete blocks, fitted with central heating, an internal telephone system, and a serving hatch from the kitchen to the dining room with electric hotplates amongst many other modern conveniences. The interior had oak panelling and chrome light switches, in keeping with the modernist style. A swimming pool and tennis courts were later added the grounds. After its completion the magazine Irish Builder described the house as "Dublin's Wonder House" in 1932.

4d, and then bought it for £2,000. Spencer was popularly known as "Rich Spencer" and he amassed one of the greatest private fortunes of his day. He rose to become Sir John Spencer, Knight, Lord Mayor of London in 1594. Spencer took up regular occupation of Canonbury House in 1599, and modernised the tower to make it inhabitable and added the main embellishments such as plaster ceilings, panelling and ornamental mantelpieces, which all date from that period.

After the war, the youth centre was rehoused elsewhere on the estate. The panelling and chimney pieces were brought back, cleaned and restored under the supervision of the Keeper of Woodwork at the Victoria and Albert Museum, and reinstated. The Marquess provided suitable furniture for the Compton and Spencer Rooms and the great brass chandeliers which now light those rooms. In 1952, the Tavistock Repertory Company took a lease of the tower and King Edward's Hall.

Rich brown glazed tiles are used for the ground floor exterior walls with coloured stained glass in the fan lights. The upper storey has Mock Tudor detailing, including dentils on the two outward-facing gables. Most of the interior is also original, although the dividing former off-licence sales door has been closed off and its wall removed to create one large 'L' shaped bar area. The present day eating area retains its original wooden wall panelling.

Entrance Hall in 1840 The State Dining Room is very much as Blore designed it, and has a panelled ceiling with pendants, and wooden panelling up to the line of the dado. The room contains a large fireplace in early Renaissance style, made from white and variegated marble, and containing the family arms. Also in the room are sculptures by Joseph Wilton. The Staircase Hall is by Salvin, and is divided from the Sculpture Gallery by three semicircular archways.

Following the civil war, the manor was demolished, and the present Chicheley Hall built on the site. All that remains of the old manor today is one Jacobean over-mantel with termini caryatids, and some panelling in the 'new' Chicheley Hall. The parish church is dedicated to St Lawrence and has a perpendicular style central tower with large windows. The chancel, which contains a fine plaster depicting floral wreaths in relief, and a stone reredos, was rebuilt c.

Unfortunately, the main culprit cannot be held liable for > compensation, since he owns nothing.” The rest of the story can be told quickly: Whether Johanna Holländer ever saw the Castle Mill again is questionable. She had whatever still seemed usable fetched from the property. It was rather little, for the wood panelling had been used in the years of need after the war as firewood, and the velvet coverings on the walls had been made into children's clothing.

The porch is surmounted by a wide band of rough cast stuccoed panelling, with a central pediment, acting as a parapet. This facade has bands of stucco, and is divided into bays by buttressing terminating in pinnacles above the roof line. The side elevations of the building, are lined with semi-open verandahs, above which on the face of the body of the hall are large arched clerestory window openings. Penetrating the roof are small hipped roof ventilators.

After the Manor was completed in 1883, Ferdinand quickly decided it was too small, as his architect has prophesied. The Bachelors' Wing to the east was extended after 1885 and the Morning Room, built in late-Gothic style, was added to the west after 1888.Bruno Pons, Waddesdon Manor Architecture and Panelling: The James A. de Rothschild Bequest at Waddesdon Manor (London, 1996), pp. 77–95 The stables to the west of the Manor were built in 1884.

The College was in favour of the services of the architect of the British Museum, Sir Robert Smirke, since Smirke was already the architect of Somerset House. In the 21st century, the Great Hall was refurbished and restored. Many original features and styles of the Hall have been restored, including the oak panelling, joinery and the King's College crest. The Grade I listed windows were repaired, and the Grade I listed ceiling and the original column capital were repainted.

Samantha Cameron's family also own a large Yorkshire estate called Sutton Park. In March 2015, unpublished photographs from the City of Leeds archives revealed the panelling and mantelpiece in the study of Sutton Park had been imported from the Morning Room of Potternewton Hall, near Leeds, which was the ancestral estate of Olive Middleton. Olive was the great- grandmother of Catherine, Duchess of Cambridge. The room's "priceless interior" had been designed by royal architect Henry Flitcroft in the 1720s.

In this way a varied but harmonious townscape, with attractive detail of porches and interior panelling,Example. The panelled room from No. 26 Hatton Garden, long preserved in the Victoria and Albert Museum (The Panelled Rooms Vol. V: The Hatton Garden Room (Victoria and Albert Museum)) is now considered not fully authentic, see N. Humphrey, 'The New British Galleries at the V&A;', Conservation Journal April 1998, Issue 27. grew up on a rectangular grid of new streets.

The house is designed in an eclectic, revival style with a solid character relieved by decorative patterns with Scottish references in architectural and decorative details. The building form is dynamic with multiple projecting rooms sheltered by steep, intersecting gables. The gable ends are decorated with timber panelling or terracotta shingles and the barge boards are moulded terracotta tiles. The exterior walls are roughcast stucco painted white with bands of red facebrick outlining features of the building.

At each end of the long central corridor in the old wing are spiral staircases, which are contained in semicircular projections. On one side of the corridor are rooms including a drawing room and a small dining room. On the other side are service rooms, and behind these is a courtyard. The contents of the wing include panelling removed from Canon Winder Hall, Flookburgh, a chimneypiece from Conishead Priory, and a pair of Baroque barley-sugar columns.

Above is the Great Chamber, an impressive room with a barrel ceiling with geometrical plaster decoration featuring John Lyte's arms and those of his wife, Edith Horsey. This ceiling is a rare survival. The wall above the bed displays the royal coat of arms and Tudor roses, signifying Lyte's loyalty to King Henry VIII (whose government Lyte represented in Somerset). The panelling is 17th century, as are the great four poster bed and the tapestries on the walls.

The ground floor Australia Post retail area to the western end fronting Fitzroy Street has the standard Australia Post fitout of display wall panelling, laminated counters and carpet in the grey colour scheme. Ceilings to the ground floor are predominantly false without a cornice and set back from the outer wall fabric, or plasterboard with a coved cornice. Air conditioning vents and ducting are located throughout. Lighting consists of fluorescent tubes and large pendant lights to the verandahs.

Corley services is a motorway service station between junctions 3 and 3A of the M6 motorway in the county of Warwickshire, England. It is close to the village of Corley, with the nearest city being Coventry. A footbridge, made of concrete but now clad in green fibreglass panelling, spans the motorway to link services on both sides. Corley was opened in 1972 (a year after the section of motorway it serves) and was originally operated by Forte.

It was designed by Walter Cave, architect, stylistically the house is Cotswold manor house, Jacobean Revival. The exterior is constructed of coursed rubble oolithic limestone with ashlar and a stone slate roof. The interior is decorated, in the arts and craft style, with simple panelling and boldly projecting, simplified mouldings. The fireplaces, though classically derived, have attenuated column mantelshelf supports rather similar to Charles Voysey's designs; the central hall fireplace has a carved datestone: 'GSB 1900'.

The main structural walls are fourteen inches thick with internal panelled reveals. It has six-panelled cedar doors and cedar chimneypieces. There are seven bedrooms, including two attic rooms (in very original condition), and maid's room over the old kitchen. On the first floor, at the street front, a single room runs the full width of the house, divided into two rooms and a hall by removable cedar floor-to-ceiling panelling incorporating a hinged door leaf.

A shop is situated on the ground floor that runs the depth of the two storey section and has a set of French doors at the entrance with large timber-framed windows each side. The original wide horizontal timber panelling is in evidence on the walls. An entrance to the stair from the street is situated on the south side that leads up to the verandah along Charlotte Street. Early 20th century extensions enclose the north side.

Exterior signage in 2018 The Kenton Club is located in north Portland's Kenton neighborhood. The music venue hosts disc jockeys, karaoke, and other live events in a variety of genres. Kenton Club's clientele has been described as "gray-haired", but has catered to late-night and younger audiences in recent years with the addition of live music and inexpensive beer options. The interior has wood panelling, and in front of the stage is a large hardwood floor.

The exterior of the building is substantially intact and much original interior fabric survives including window and door joinery; fibrous cement ceilings with timber cover strips; decorative plaster ceilings; plaster and timber skirtings and architraves; timber picture rails; decorative elliptical arch between the lobby and hall; terrazzo floors to the main entrance lobby and main hall; the main and subsidiary staircases with terrazzo treads and landings, silky oak handrails and newels, decorative wrought iron balustrading and decorative consoles to the flat arched approaches to the stairwells. Formerly stained and varnished, the timber panelling to the walls throughout the public areas, cover strips to the fibrous cement ceilings, timber architraves, cornices and picture rails are now painted. The integrity and spatial relations of the internal planning remain. The main entrance stair was an important component of the building and the French polishing section of the building specification referring to the stair handrails, newels and panelling states that "great care to be taken to show off the timber and panels to best advantage".

It contains "panels of elaborate pierced flamboyant tracery". Also in the church are two pairs of oak stalls which were moved here from the parish church of Blackburn, which was demolished in 1820. One pair has a stall with a good poppyhead finial, and the other has two misericords, one of which has foliated carving, and the other depicts a mermaid with a mirror and has fish supporters. Some of the panelling in the church is in linenfold style with a vine-trail.

This room is managed by the Former Pupil Association and houses the school Remembrance Book, various whole school photographs and oak panelling from the Rector's office of the Spittal Street Building. Also moved was the War Memorial Window, stained glass windows from the 1850s building and the House Captain Board listing the recipients of the School Dux Award and the names of the Head Boys and Girls. All of these items are displayed in the main foyer of the school.

Inside the eastern curtain wall in the chapel courtyard, a single story service building is built and a new doorway is created in the north east corner of the curtain wall, dramatically shortening the access route to the chapel courtyard. An additional floor is added to the chapel complex. : :Inner Courtyard : :The hall has a third floor added, but retains the inwardly inclined roofs. A newly created saloon room on the upper floor is furnished with valuable renaissance panelling and an expensive cocklestove.

These rooms have french doors opening onto arcades and connecting doors and private corridors so that circulation between ministerial spaces is possible without encountering the public. A contemporary 1920s interior was achieved in the third phase of the building by infilling between loadbearing columns with semi-demountable partitions. These partitions consist of a timber stud frame with asbestos cement panelling below head height and patterned glass above. The exterior of the building is highly intact while the interior has had only minor modifications.

Beginning of 1989, all of the 43 8-car trains were taken to Acton Works, where they were fitted with passenger alarms, a public address system and other safety related features. The original hydraulic parking brakes were replaced by a new spring-operated brake. Following these changes, two units were selected for prototype refurbishment, which was undertaken by Tickford Rail of Rosyth Royal Dockyard and Vic Berry of Leicester. The work included replacement of the seats, lighting, panelling and grab rails.

In the 1970s it was bought by the Nederduitsch Hervormde Kerk, which used it for Sunday School. The church changed hands again and the Pinkster Protestantse Kerk bought the building and altered it significantly. The nave was enclosed, a large font was built and wooden panelling and false organ pipes changed the look of the interior. In 1997 the Anglicans bought the church back and it was reconsecrated; the changes were reversed and the building was largely restored to its former self.

Situated on the cliffs at Highcliffe is Highcliffe Castle, a Grade I listed mansion. The building was designed by William Donthorne for Charles Stuart, 1st Baron Stuart de Rothesay, and built between 1831 and 1835. It stands on the site of "High Cliff", a demolished Georgian mansion which belonged to Charles Stuart's grandfather John Stuart, 3rd Earl of Bute. An important remaining example of the Gothic Revival architecture, Donothorne's design incorporated French mediaeval stonework, stained glass and 18th-century French panelling.

The upscale New York City department store, B. Altman and Company, was selected as the chief interior design consultant and supplier for decor and furnishings. Charles T. Haight, director of Altman's design department, chose new fabrics for the carpet and chairs in the room. The "Buffalo mantel" was given to President Truman (who had it installed it in his presidential library). The oak panelling, heavily damaged during its removal, was reinstalled and given a coat of bright celadon green to hide the flaws.

The library is known as the Silver Room or "Trophy Room" and was designed by Louis Comfort Tiffany who worked with architect Stanford White as a consultant on the project. The masterpiece of the armory building is the Veterans Room, also known as the Tiffany Room, with hand carved wood panelling and coffered ceiling in the Viking Revival style. Other significant craftsmen with work in the building include Kimbel and Cabus, Alexander Roux, Francis Davis Millet, and the Herter Brothers.

The present house, of Georgian style, is three-storied with grey stucco. Its entrance, originally on the south side, was moved to the west front and features two 5-panel doors, framed by stucco pilasters dating to 1899. Interior features include a stone staircase, a wrought iron balustrade, and Adam style stucco. The home contains at least three different panelling elements: some of the wall panels are painted, there is a panelled dado, and some of the panelled mahogany doors include inlay.

The interior is light and airy, with no chancel arch and a high canted ceiling with stucco panelling, spanning both nave and chancel. At the west end is a wooden-panelled gallery and underneath it a slim font. Restorations took place in 1673, 1784 and 1853. The 1784 restoration, undertaken by the rector and people, appears to have included the building of the west tower, the re-building of the north wall, and perhaps the upper parts of other walls.

The house contains fine oak furniture, Flemish tapestries and wooden panelling. It is rumoured that Oliver Cromwell stayed at the Hall during the Battle of Preston in the 17th century and reportedly left his boots behind. However, recent research shows that these may not be his own boots, although this does not rule out him visiting the Hall. A wide range of temporary exhibitions are displayed in the art gallery throughout the season and events are organised throughout the year.

Today, the building serves as a hotel known as the Churston Court Inn. It is located immediately to the westPevsner, Nikolaus & Cherry, Bridget, The Buildings of England: Devon, London, 2004, p.834 of the parish church of Churston Ferrers, also next to the former home farm, and about 1/2 mile south of the coastline at Elberry Cove, which intervening ground now forms part of Churston Golf Course. It retains its original staircases, stone windows, oak panelling and flagstone floors.

156 This large timber-framed house, known as the "Dodderidge House" was demolished in about 1900 to make way for a post office. A room of ornate carved oak panelling dated 1617 from this house survives in Barnstaple Guildhall, known as the "Dodderidge Room" and an ornate overmantel displays the date 1617 between the initials "PD" and "ED", signifying Pentecost and his wife Elizabeth.Lamplugh, p.134 The room is now used to display the Corporation's silver and the mayor's regalia.

The painted, stuccoed ceilings with their gold-plated ornaments, the wall panelling, the bas-relief, overdoors and the parquetry were all completely restored. The tower heating furnace, previously removed and stored in the basement, was reinstalled in the parlour. The entrance hall, the three axe cast iron hallway and the entire first floor were left unaltered, but ceilings, walls and floors were redecorated. In the attic area the walls were demolished, the hipped roof had windows built in, and it was insulated.

On 15 July, the school PA system was fully establishment using the funds of Pesta Ria (translated as "Fun Fair"). A row of tembusu trees was planted as a tribute to the old school on 4 September. Through the generosity of St. Mary's Association, the school hall was already equipped with motorised stage curtains and a wood panelling façade by March 2000. Another new school building was officially opened by Tun Dr. Siti Hasmah and Datin Paduka Seri Endon Mahmood.

To position the clouds, metal cables suspend them from the ceiling of the room, giving them the necessary inclination and height. The real ceiling of the room is above a false plaster ceiling which supports the panelling and facilitates adjustment of lighting systems and the support mechanisms of the "clouds". There are also ladders to allow people to climb through the clouds. A fiberglass sheet was installed above the panels, to reduce echo and sound transfer time, and optimize the acoustics for speech.

Modern panelling and other additions were stripped away, and the weak points of the structure were reinforced with iron. The painter Jean- Baptiste Corot visited the Cathedral in 1874 and painted it at this stage of the restoration. Viollet-le-Duc added a gilded bronze armchair, modelled on 12th century designs, placed in the center of the cathedral, to be the formal seat of the archbishop. Lance died his 1874, and his work was completed in 1898 by Charles Laisne.

Below the westernmost bay is the cellar door, with a small barred window looking into it below the eastern bay. The east and west profiles both have only two windows, both on the attic level Inside, the main entrance leads into the eastern of the two rooms on the first story. It has an enclosed staircase in the southeast corner, and a fireplace surrounded by raised wooden panelling. The eastern room has exposed beaded ceiling beams and a partially jambed fireplace.

Ismay's Private Promenade was also discovered, with the remnants of the distinctive half-timber panelling seen for the first time since the sinking. The more common remains that delineate staterooms include desks and other hardwood furniture, collapsed bunks, silver-plated lamps, doors, brass bed frames, and even upright cabinets with their contents still in place on the shelves. In the debris field are strewn hundreds of items from first-class staterooms that poured out of the ship during the break-up.

The ship's designers had originally planned to build an extravagant two-storey dining saloon topped by a dome for the Titanic and her sisters, like those on the rival Cunard liners Lusitania and Mauretania. This was vetoed early in the design stages in favour of a lavish single deck saloon which nonetheless greatly exceeded its Cunard rivals in terms of space. The dining saloon was decorated in wooden panelling carved in the Jacobean style and painted in glossy white enamel.

The Titanic and Olympic both featured duplicate entrance vestibules on their port and starboard sides within the D-Deck reception rooms. There were sets of double gangway doors within the hull, screened by wrought-iron grilles. The vestibules were partially enclosed areas in the same white Jacobean-style panelling, and each contained a large sideboard for storing china. One set of French doors led into the reception room, but there was also a broad, arched entryway leading to the elevators.

Alterations in 2014 were largely carried out to the ground floor with two main rooms being knocked through to create an approx. 220m2 function space and alteration to a washing room, cupboard and existing toilet in order to create suitable guest toilet facilities. A second wall was also knocked through and a floating floor added to create level access to a new bar area. The use of a floating ensured no damage was done to the existing wood panelling, doorframe and windows.

Closely spaced strips are needed for thin panelling or plaster. The use of strips with plaster, however, is called either lath and plaster or wattle and daub. The origin of the furring strip may be from the root "furr", which is the term given to the space behind the field of lath.Ten Tips for Great Stucco by Bruce Bell Metal furring strips are used for commercial projects, or in towns where fire-proof supporting elements are required by the local building code.

At this stage the majority of the balustrade was fully boarded leaving only seven central sections with horizontal timber rails. The northern end of the boardwalk past the women's change room led to an open sitting area which became a popular picnic spot with views over Coogee Beach. Selby used tram parts to construct the building and installed hot showers. Both change rooms had cement roofing and wooden panelling and were externally painted in a checkerboard design in cream and brown.

Further alterations were commissioned by Sir George Stucley in the mid-1800s. He engaged George Gilbert Scott and the building was remodelled to give a formal entrance through a new porch on the north end. Two bay windows were installed on the east frontage. Internally the drawing room and dining rooms were presented in a style similar to that found in the Palace of Westminster, each having fine wall panelling (Elizabethan in the dining room & entrance, linenfold in the drawing room).

Brookmans Park Hotel The Brookmans Park Hotel was a privately owned hotel situated in the centre of the village, with a pub and restaurant popular with local residents. The hotel was built in the 1930s in a Mason's style with high pitched ceilings, skylights, wood panelling, carved Mason symbols and a large stone fireplace. The hotel was often used for wedding banquets and other local functions. It had six hotel rooms available to guests, making it the only hotel in the area.

Mr. and Mrs. Ladd and their growing family had moved in by Christmas 1860 after it had been fitted out with panelling and detailing shipped from the east. The house was later enlarged with an extended wing and another floor added with mansard roofs in the Second Empire style with these later additions made by architect William P. Lewis.Classic Houses of Portland, Oregon, 1850 - 1950, William J. Hawkins III & William F. Willingham, 1999, reprinted by Timber Press, 2005, pp. 101–102.

Interior with stucco decoration The residence is built in a mixture of Baroque and Neoclassical. It consists of, notably, a church, princely suites, and an adjacent park. The church is Baroque, as are several of the interior details, such as the stucco work by , frescos, wall panelling and original floors. The building also contains some of the finest Neoclassical interiors in Bavaria, owing both to the work of d’Ixnard and the re-furnishing carried out during the ownership of Karl Philipp von Wrede.

Smith and Anderson describe it: > There was accommodation for 400, including spacious bachelor suites let by > the year for "gentlemen residing in the city". Ground floor public rooms > included the Palm Lounge, Ballroom, Coffee Lounge, Supper Room and Reading > Room. All were elaborately decorated with mahogany panelling, silk wall > hangings, plaster friezes and Renaissance ceilings. As a landmark it was > superb and on a clear day the tower could be seen from the Forth Bridge > approaches with Arthur's Seat as a backdrop.

It was the Thorolds who did much to embellish the house with carved panelling of the period. During the reign of Charles I, again through marriage it passed into the hands of Sir William Widdrington who was created Baron Widdrington of Blankney in 1643. Lord Widdrington's great grandson, William Widdrington, 4th Baron Widdrington had the indiscretion to take part in the Jacobite rising of 1715. He was captured at Preston, convicted of high treason and his lands were confiscated in the following year.

That which remains is generally associated with the assumed 1875 section at the rear and is of conventional construction - timber panelling, timber-panelled doors and the like. Changes associated with the enlargement of the Australia Post retail shop including the installation of shelving which conceals the front window wall and suspended acoustic tile ceilings which disrupt the general sense of enclosure. Externally, the multi-colour paint scheme appears to be non- original and a number of original openings have been infilled.

It appears that every room had a fireplace, yet the 1672 hearth tax lists the Court as only having two fireplaces, probably to avoid paying tax of two shillings. Similarly, many of the early windows were blocked up to avoid paying the half-yearly window tax of 3 shillings. One room retained its Jacobean panelling until Court Farm was abandoned in around 1948. Court Farm has an interesting large barn, with a defensive military appearance, due its embattled parapet on the south elevation.

Owlpen Manor is the Gloucestershire home of Sir Nicholas and Lady (Karin) Mander, and their family. Since 1974 they have repaired the manor house and outbuildings, with the cottages and estate. They have re-created the formal Stuart gardens and introduced family and associated Cotswold Arts and Crafts collections. The manor contains a series of rare painted cloth wall-hangings dated about 1700, illustrating the life of Joseph, as well as several notable features, including Tudor wall paintings, panelling and plasterwork.

It featured panelling in walnut, carved in the style of Grinling Gibbons. Next to the parlor was the Louis Quinze-style salon, designed and built in Paris by Jules Allard. This room helped launch the taste in New York for French 18th century-style interiors. Its most important piece of furniture was an ebony secretary, now in the Metropolitan Museum of Art, that was built by Jean Henri Riesener for the use of Marie Antoinette at the Château de Saint-Cloud.

The reconstruction according to Karcher's plans began from 1713–1715. In 1717 the Parliament Hall was completely rebuilt. It was used to serve the Saxon rulers as a coronation hall. During the following years, between 1722–1723, the other castle halls were converted-under the direction of architect Joachim Daniel von Jauch, the new Senate Chamber was built, and all the furnishings moved from the old to the new location, including among others: 60 Polish provincial emblems, panelling, mouldings and lesene.

Wood panelling from a room in the Crown & Treaty public house was sold in 1924 to an American businessman, who installed it in his office in the Empire State Building in New York. It was returned in 1953 as a gift to the newly crowned Queen Elizabeth II and returned to the house, although the monarch retained ownership.Cotton 1994, p. 24. On 31 August 1935 Uxbridge Lido, an outdoor swimming pool built in the "Moderne" or Art Deco style, was officially opened.

Taranakis first crew arrived in Cowes on 27 March 1961 after a full military march from Plymouth; the ship commissioned into the RNZN a day later. The new frigate had been fitted out with an impressive amount of fine worked wood panelling in the ward room and other joint facilities. She was formally handed over on 29 March after completing her final sea trials. She was however a dated design, compared to the , , being built alongside it with its fast starting gas turbines.

Many such hiding places are attributed to a Jesuit lay brother, Nicholas Owen (died 1606), who devoted the greater part of his life to constructing these places to protect the lives of persecuted priests. Priest hole on second floor of Boscobel House, Shropshire They were sometimes built as an offshoot from a chimney. Another favorite entrance was behind panelling; an example is Ripley Castle in North Yorkshire. Others were incorporated into water closets, for example at Chesterton Hall, near Cambridge.

The new-style front end can be easily identified by the new red panelling installed on most units instead of the original grey. The refresh came after nearly twenty years of continuous service on the Central line. TfL are planning a major refurbishment on the Central line units as part of a new 40-day programme. This includes a complete overhaul of the interior and adding new features such as new wheelchair spaces, PIS (Passenger Information Screens) and CCTV installed throughout the train.

The Worshipful Company of Joiners and Ceilers is one of the Livery Companies in the City of London. The Guild of St James Garlickhythe, the company's predecessor, named after the church where it was founded, was formed in 1375. The organization of wood craftsmen, who were known at various times as fusters, carvers, and joiners, received a Royal Charter of incorporation in 1571. The craft of 'ceiling' refers to the application and installation of both wall and ceiling wood panelling.

The upper level comprises the petit salon, also known as the "room of the nobles", an anteroom in the form of a "Chinese cabinet" and the large living room with wood panelling hung with tapestries of Swiss style in embroidered wool. From the room's six windows, the Queen could easily control the work fields and activity of the hamlet. Access is via the staircase of the round tower. At the center of the room is a harpsichord which Marie Antoinette loved to play.

During the 18th century the room was shut up and used a store and permitted to decay; this explains why in the 19th century it was completely restored in "Elizabethan style." The strapwork ceiling, panelling and bookcases all date from this period. The only original features remaining are the heraldic stained glass in the windows and the Portland stone chimney-piece. The room contains an ornate carved wooden porch; installed in the library in the 1830s, it was originally in the parlour below.

The timber of red mahogany is well regarded for its high quality, being very hard and heavy, and having dark-red heartwood. It has multiple uses including flooring, panelling, cladding, boat building, railroad ties and general construction. It is also a good choice for making poles and charcoal. E. resinifera has been exported for use as a crop plant on plantations in varying locales in Africa (Madagascar, South Africa and Zimbabwe), Western Europe (Italy and Portugal), and the U.S. (Hawaiian Islands).

During 1893 and 1894 the church was refurbished and redecorated. JA Pippet of Hardman & Co. of Birmingham painted a series of murals throughout the church depicting the various stages of the life of St Ann. In the 1930s, the church was modernised with new oak fittings including a pulpit, altar rails, font, and panelling on the sanctuary. Work was interrupted by the outbreak of the Second World War, during which St Ann's was damaged by incendiary bombs in the blitz.

In the 14th century the Bretton estate was owned by the Dronsfields and passed by marriage to the Wentworths in 1407. King Henry VIII spent three nights in the old hall and furnishings, draperies and panelling from his bedroom were moved to the new hall. A hall is marked on Christopher Saxton's 1577 map of Yorkshire. The present building was designed and built around 1720 by its owner, Sir William Wentworth assisted by James Moyser to replace the earlier hall.

The external appearance is early Elizabethan, with both ornamental panelling and close studding. It was recorded in 1577, and is known to have survived the fire of 1583, which destroyed the adjacent building. It has been substantially altered from its original form, in particular with the addition of a pentagonal bay in the late 16th or early 17th centuries. The timber frame was covered with render in the 18th century, and by the mid-20th century the hall had become very dilapidated.

The office block had a service core at the centre of each floor, consisting of a large service duct, lavatories, four lift shafts and staircase. The lifts had stainless steel doors and the lift lobby had Travertine panelling on the walls. There was a kitchen on the twentieth floor which retained its original green panels and equipment, such as the dumbwaiter. The NatWest logo was originally attached to the west side of the building, although it was later removed leaving only the bracketing.

Walnut and beech were the characteristics woods employed; finishes were painted in clear light tones en suite with wall panelling, gilded (sometimes rechampi en blanc) or left in the natural color (á la capuchine), in which case walnut was the timber used. Fruitwoods were popular for chairmaking in the provinces, where the menuisier might also be called upon to provide carved and moulded boiseries for rooms. Lyon, Bordeaux and Liège all produced characteristic variations on Paris models between ca. 1725 and 1780.

Newbottle manor house is 16th century, built probably in the reign of Henry VIII possibly by Peter Dormer, a member of the famous Buckinghamshire family, who held "Nubottel" at about that time when his daughter Elizabeth married the owner of Salford Hall, Salford Abbots.Phillimore, W.P.W., M.A., editor, The Visitation of Worcestershire 1569,London, 1888, p.8. The west wing was added in the 17th century and the library has panelling dating from about 1730. The house has also an octagonal dovecote.

Also at the rear, opening off both the kitchen house and the core, is a large timber pavilion dating probably to the 1910s or 1920s, and since enclosed. The core, kitchen house and pavilion roof each has a separate, hipped roof of corrugated iron. The whole, including the timber extension, rests on brick piers. The interior has plastered masonry walls; high ceilings with decorative pressed metal panelling; well-detailed joinery (all now painted); and timber flooring (coated with a polyurethane finish).

Ground floor public rooms, originally drawing and dining rooms, have marble fireplaces and timber panelling with folding timber doors between. Both floors have been altered with the first floor being used for accommodation and the ground floor for servicing. The building has double hung sash windows, fanlights above internal doors and an elevator has been installed in the entrance hall. The original stables/coach-house is located to the southwest of the main building and now serves as a garage.

Accessed 2012-12-21. The present form of the house makes it an example of the Queen Anne style, although it has been substantially remodeled since its original construction in 1823. More ornate than the exterior is the interior of the house: the main stairway and some of the rooms feature decorative panelling and numerous other handcrafted wooden elements, and various types of wood can be found throughout the house. Due to their location on a small country road,Owen, Lorrie K., ed.

Skeleton of Mirabeau coming out of the armoire de fer L'armoire de fer (French: 'iron chest') in general refers to an iron chest used to house important papers. A notable and frequent use of the term refers to a hiding place at the apartments of Louis XVI of France at the Tuileries Palace where some secret documents were kept. The existence of this iron cabinet, hidden behind wooden panelling, was publicly revealed in November 1792 to Roland, Girondin Minister of the Interior.

A modern linoleum knife with a wooden handle. A linoleum knife (also called a banana knife or hook axe) is a small knife that has a short, stiff blade with a curved point and a handle and is used to cut linoleum or other sheet materials such as wood panelling and veneer and sheet mica. The knife is similar in design to the sickle and billhook. Like most cutting tools with hooked blades, the purpose of this design is to cut by pulling.

Central to the property is a large Gothic house designed by architect W.G. Barlett, who had also remodelled St Laurence's Church nearby, during the 1870s. The house was Grade II listed. The house had an impressive entrance hall, with marble flooring, oak panelling and above the main staircaseuse a stained glass window designed by Edward Burne-Jones and made by William Morris.DVD of Undiscovered Upminster by Mike Jones The original Hill Place was built in 1790 and was part of James Esdaile's estate.

The northeast and southwest verandahs have been enclosed with multi-paned windows and hardboard panelling. Hatherton is frontally symmetrical, with a slightly projecting gabled porch accessed by a short flight of steps with an arched valance above. The gable has a fretwork panel, decorative bargeboard and finial, and the main entry consists of an arched fanlight and sidelight assembly of etched glass with carved timber mouldings and panelled timber door. Step out sashes, with incised architraves, open to the verandahs on both levels.

The ship's former identifier ZK 14 was inherited on its gaff sail while the identification on both sides of its bow was overwritten by its new name Krake. The vessel was partly painted white but its flat floor plate was painted in black. Any metal panelling was silvery.Dieter Luserke: Mit meinem Vater Martin Luserke an Bord des guten Schiffes KRAKE-ZK 14 (1988) On Sunday, 15 July 1934, the ship was ready for the maiden voyage with its all-new engine.

The modern version of plywood was invented in the US in 1905 in Portland, Oregon. In 1913, the Fraser Mills in New Westminster, British Columbia, produced the first Canadian plywood, primarily from Douglas fir. This new material eventually found use in a wide variety of structures, including auto running boards, panelling, sub-floors, roof sheathing, wall sheathing, shipping crates and, during World War II, the manufacturing of aircraft and small ships. The pulp and paper industry also developed during these years.

Internal doors are timber with moulded panelling and operable timber panelled fanlights that retain original brass opening mechanisms. Timber French doors with fanlights have fine, moulded glazing bars and clear glass lights and open onto the verandah from most rooms. One set of French doors has been modified into one large sliding door and another set has been relocated to enclose the verandah nearby. Other windows are double-hung timber sashes or timber casements with fine, moulded glazing bars and clear glass.

The house at Hordley Farm, about southeast of Wootton, was built for the Gregory family in about 1500. It is arranged around three and a half sides of a quadrangle, possibly following the plan of an earlier medieval house on the same site. The kitchen fireplace and two of the doorways have four-centred arches that date from about 1500, and the north wing has two square-headed windows from the later 16th century. The ground-floor rooms have some 17th-century panelling.

The reception rooms include a drawing, dining, and morning rooms; den; and another room, designated as a bedroom by the 1930s. The adjacent service area includes a scullery, kitchen, and maid's room. The bedroom wing includes a master bedroom with adjoining dressing room, three other bedrooms, bathroom, and toilet. The house interior has a distinctly heavy character brought about through an extensive use of dark-stained timber wall panelling, small windows, deep-relief plasterwork on principal ceilings, and other weighty decorative treatments.

The cafe floor is terrazzo laid in a geometric pattern and the ceiling is a plaster with timer lattice and a patterned cornice. The cafe's timber dining booths are original as is the timber wall panelling except for that alongside the disability ramp which is a fairly recent addition. While the front bar is original, some of the cafe furniture has been sourced from Fardouli's cafe in Inverell. Detail The area above the cafe was originally accommodation for those who ran it.

The 1921 interior is in a unique simple "modern classical" style of pilastered walls and panelling. The latter is "recilinear" with the exception of small circular panels on the dress circle balcony above frieze of Greek key pattern. The place has strong or special association with a particular community or cultural group in New South Wales for social, cultural or spiritual reasons. The Victoria has been an important cultural, entertainment and social facility for the residents of Newcastle for around 80 years.

The ground floor of the front of the house consists of two large four light windows with the entrance door at the west end. The first floor also has two windows of similar size and design to the ground floor while the second storey has four smaller windows. The sides and rear of the house have only occasional small windows. The interior has much of the original panelling to the walls and doors intact, the ground floor has a bressummer beam.

The palaeontology collections have been installed, since 1885, in the former Great Hall of the Municipal Council (1529–1823, then the Great Chamber of the Court of Appeal between 1823 and 1885), which includes beautiful wood panelling and a door carved by the woodcarver Pierre-Louis David, father of the famous Angevin sculptor of the same name, known as David d'Angers. Today, the office of the director, other working offices, the library and part of the reserves are housed in this building.

During the run of the Wayfarer and the Contender, Harrington's coachbuilders developed expertise in handling increasingly large and complex glass-reinforced plastic (GRP) mouldings. The management were keeping abreast of European trends in design and had formed an especial friendship with their opposite numbers at the Italian firm of Orlandi. These changes set the seed for future progress. This combination of alloy frame, mainly aluminium panelling and GRP for coachwork features requiring complex compound curvature enabled stronger, lighter and more durable coach bodies.

The interior of the ship was intended to be as similar as possible to the original. Tillberg Design of Sweden was contracted to produce drawings replicating Titanic original interiors. However, the original wooden panelling does not conform to modern fire regulations, so as in Queen Mary 2, veneers would have had to be used. Plans showed a layout broadly similar to the original, but with the third-class cabins modernised, and consideration being given to en-suite bathrooms throughout the ship.

The western bay has a large arch with iron gates which accesses a driveway to the rear of the building. The side and rear elevations have been altered, with some windows enclosed, window openings added at the southern corner, metal louvre sunshading attached and a rear steel fire stair. Internally, the building has been refitted several times. The split level foyer has a hydraulic lift with a staircase either side, a sloping ceiling, timber veneer wall panelling and vinyl tiles.

The dining room features a rich cornice with vine trail and egg and dart enrichment that was added in 1857, when the fireplace was removed. The ballroom also features the same style as the dining room, with rich plaster panelling. A garden was initially laid out with the house, covering an area of 16 hectares. The River Tern passes to the north of Buntingsdale Hall, with the main garden retaining wall west of the house, and an apsidal bow overlooking the pond.

For some time prior to 2020, Glencruitten House was owned by a religious community who listed it for sale that year. The listing for sale provided additional specifics: the House contained "woodwork and panelling believed to be by Clow Bros and Louis Davis stained glass windows. Also within the library is an original grade A listed Ingram organ with Welte Philharmonic roleplay mechanism (not fully operational)". The listing also stated that "remedial work [was] recently undertaken by the current owner".

In 1960, Michelin and their tenant began a modernisation programme for the interior of the building. The programme went along with the general taste of the time, dividing the open plan office and making much use of wood panelling. Although the work concentrated on the interior of the building, updating the exterior of the building with a cement rendered facade was considered. On 15 April 1969 the original front section of the Michelin Building was given a Grade II listing.

" Each of the structure's floors is divided between a large room and a narrow stair hall (in a side-hall plan), which connects the two stories by an open dog-leg stairway. The large room on each floor has a paneled fireplace wall on its northern end. On the first floor of the clerk's office, the segmental-arched fireplace opening is bordered by a single crossette architrave. Pitts and Harding describe the wooden panelling on the fireplace wall as being "exceptional.

Called an "ailing home" in 1965, the home was "just the skeleton of the home Jacob Kamm built". It contained furnishings from other Portland landmarks. Notably, the "carved oak lobby pilasters", paneling, leaded glass, bottle window, "turkey red and black carpets", bold red drapes, and "ornamental ironwork from the courtyard" came from the Portland Hotel. It also contained "burled ash panelling from the great hall of the Knapp house", a large Stick-Eastlake style home in Portland's Nob Hill, erected in 1882 and demolished in the 1950s.

On the first floor the saloon and drawing rooms were fitted out with Memel pine panelling, greatly used in Scottish country houses at the time. 'Lord Jeffrey's study' in the tower, was a nine-sided decorative room, with much gilt. The centre of the ceiling was a painting of a man flying away with a lightly clothed female - a classical motif. Haltoun House was approached by an original avenue, half a mile long, abutted by tall elms and beeches, lime trees, hollies, Yews, and rhododendrons.

Original fabric survives, particularly on the first floor where the waiting room and the Professor's room contain fine examples of discreet panelling, joinery and shelving in Queensland maple. The waiting room has four sets of fine Queensland maple doors with discreet plain leadlight glass panels and carved Queensland maple architraves beneath a decorative plaster ceiling coffered by ceiling beams. Purpose-built silky oak furniture remains in use in this area. The galleried lecture theatre has been gutted and is now subdivided into two seminar rooms.

Dark English oak panelling carved in a Renaissance Revival style, with Corinthian pilasters, was also crafted and installed by Herter Brothers. A baseboard of white marble ran around the room, and a new oak floor was installed. The furnishing of the White House (including the State Dining Room) was overseen by First Lady Edith Roosevelt, and carried out by Charles Follen McKim. The creation of "baronial" hall look included the hanging of tapestries and 11 stuffed animal heads on the wall and cooking racks over the fireplace.

This mantel was of white marble (rather than unpolished grey stone) to match the room's new color scheme. At Boudin's suggestion, McKim's mahogany side and console tables were painted to mimick white marble with gold veining, and the eagle supports and bowknots were gilded. The new color scheme for those pieces were intended to make them blend into the panelling. A new carpet, a copy of one Boudin designed for Leeds Castle, was woven by Stark Carpet Co. of New York City and installed.

Francesco also made furniture and panelling for private and ecclesiastical clients. In July 1552 he accepted as apprentice Bartholomew, the son of another Italian painter colleague at Fontainebleau, Francesco Pellegrini. In the two years from 1557 to 1559 he made furniture for the Louvre, for the Château and the Chapel in the woods of Vincennes, and for the Château of Saint Germain-en-Laye. For Fontainebleau, he made a special picture frame for a map of Italy and other carved frames for the portraits of two ladies.

Dining Room, Nunnington Hall The room used by the Fife family for dining is not part of the visitor's tour of this property and so the second room in their route has been dressed as an Edwardian dining room. The paint colour, a dark turquoise, survives from the 1920s, when Colonel Fife had this as his smoking room. More than two hundred years before the first Lord Preston had this as his chief bedroom, and added a new fireplace, panelling and some very early window sashes.Barber, 6,7.

A double-decker horsecar tram was built by William Moor & Son in November 1880 for the Canterbury Tramway Company, possibly the first built in New Zealand. The car was a facsimile of imported carriages; with ash framing, panelling of American whitewood, and roofs and window frames of oak and hickory. Brass fittings were supplied by Scott Brothers of Christchurch, and the only imported parts were the chilled cast iron wheels. A contemporary report described the car as a most creditable specimen of local industry.

To complement the garden, a bath house and summer house were constructed at the corners of the garden furthest from the castle. The bath house is ruined, but the two-storey summer house survives intact. It comprises a groin-vaulted lower room, with an upper chamber, containing the only surviving example of the castle's carved-oak wall panelling. Charles McKean attributes the design and construction of the garden buildings to Thomas Leiper, an Aberdeenshire stonemason, based on the elaborately decorated gun holes in the summer house.

The third- floor auditorium could host lectures, concerts, the viewing of manufacturers' own promotional motion pictures, or even "fashion parades" for "displaying gowns." These lowest floors featured extensive oak panelling, oriental carpets and antique furniture; according to the company's published promotional literature, this "Old English" style gave one "the feeling of having entered a hundred-year-old tavern". The upper 27 stories held displays of manufacturers' goods, a concept explained as "the museum idea applied to commerce" by a writer for the Metropolitan Museum of Art's Bulletin.

"There had been a manor house at Glynde Bourne (as it was often spelt) since the fifteenth century", but the exact age of the house is unknown. Some surviving timber framing and pre-Elizabethan panelling makes an early sixteenth-century date the most likely.Kennedy, p. 6, notes in a caption of a 1756 watercolour: "The original fifteenth century house is almost hidden behind the imposing addition" In 1618, it came into the possession of the Hay family, passing to James Hay Langham in 1824.

The buildings were only of a modest splendour: the hall was not completed until the end of the seventeenth century; the rooms economically decorated without wood panelling; the main quadrangle only of one storey and garrets.Crook (2008) p. 18–19. Although an earlier chapel is suspected, the area above Staircase I – now the Senior Common Room – was in use by 1521. It appears that the ecclesiastical furnishings promised by Smyth never arrived, and have been presumed taken by the college's first Visitor, Cardinal Wolsey.

Olympics fittings were auctioned off before the scrapping commenced. The fittings of the first-class lounge and part of the aft grand staircase can be found in the White Swan Hotel, in Alnwick, Northumberland, England. A variety of panelling, light fixtures, flooring, doors, and windows from Olympic were installed in a paint factory in Haltwhistle, Northumberland, until they were auctioned in 2004. One suite at Sparth House Hotel, Clayton-le-Moors, Lancashire has the furniture from one of the staterooms, including light fitting, sink, wardrobes and fireplace.

Originally known as Bourne Place, the present house was commissioned by Elizabeth Aucher, the widow of Sir Anthony Aucher. Built in place of an existing building belonging to the Bourne family, it is large red brick rectangular mansion of two storeys with attic and basement and a hipped tile roof. There is a 13 bay frontage, of which the central 5 bays project surmounted by a pediment containing a Venetian window. The interior, altered in 1848, contains a good 18th-century staircase, panelling and ceilings.

The elevator car is constructed of dark-stained English oak. On the second floor and in the elevator house there is a lift shaft enclosure with panelling, doors and decorative frieze of dark-stained English oak. The elevator house is accessed by a wooden staircase that runs up the side of the second floor lift well enclosure. The intact motor and control unit are intact and sit within the roof space of the elevator house, which is accessed by an iron ladder leading to a hatchway.

The house was furnished by Morris, Marshall, Faulkner & Company, in a style with painted ceilings and panelling which was similar to that of the Green Dining Room furnished by the company at the South Kensington Museum.Parry (1996), p. 142. William Morris worked on decorating the ceiling and walls of the house's dining room until 1881. This room also featured Cupid and Psyche, a frieze of 12 canvases started by Burne-Jones in 1870, based on the story in Morris's epic poem The Earthly Paradise.

The station was designed by SAS International, who designed the original walls and panelling. In conjunction with construction of the new station, the area around the old Holborn Viaduct and Ludgate Hill stations was redeveloped and an old bridge across Ludgate Hill was removed. In 1992, following the demolition, an additional service tunnel was constructed connecting City Thameslink to Farringdon. When the Thameslink franchise was awarded to First Capital Connect (FCC) in 2006, the Thameslink service was re- branded but City Thameslink was not renamed.

Complete cars were available from selected dealers across the country and a now-rare sales leaflet was accordingly produced. One Dellow owner even towed a caravan for family holidays and a firm of agricultural engineers bought several Dellows for their reps to drive. A new company, Dellow Engineering, based in Oldbury near Birmingham produced a Mk VI. It is often incorrectly quoted as having a glass fibre body, but it too was in fact built with alloy panelling. Very few Mk VI's were made.

Noticeable features are the rose window, embattled parapets and elaborate finials. The hall remained in the Dearden family for several generations until it was divided into three dwellings in the early twentieth century, with the main hall boarded over to provide extra accommodation upstairs. In 1949 the house was purchased by the Sugden family, owners of a brass foundry in Halifax, who restored the building to its previous condition, opening up the main hall and replacing the panelling, the balustrade, the minstrel gallery and other original features.

With the prize money received for Poor Fellow My Country, the Herberts carried out a number of alterations to the Redlynch cottage. A septic system was installed and a new bathroom and toilet were built at the rear of the house. The interior was modernised with plasterboard ceilings and imitation timber-grain wall panelling. The exterior was re-clad with aluminium, enclosing the front verandah in the process, and a garage and guest room for the use of visiting friends and academics was built in the backyard.

The estates were bought by a syndicate of his tenants, and in the 1960s the house was sold again. The new owner stripped the house of its assets, removing the lead roofing, internal panelling and fireplaces, and leaving it a roofless shell. The north wing is the only surviving part of the house, and is a Grade II listed building. To the north of the village on the A350 is the folly known as Long's Park Castle, originally a lodge for Rood Ashton House.

Originally based at 53 Grafton Street the business moved to 56 Lower Sackville Street (now O'Connell Street) on the corner with Bachelors Walk shortly after the Easter Rising. The name Kapp & Peterson Ltd can still be seen on the parapet of this building and the letters KP are formed in timber panelling on the shopfront. Today, Peterson, run by Thomas Palmer, makes about 100,000 pipes annually, distributed all over the world. After Europe, the United States is the largest market with 12-15% of Peterson's production.

Many city dwellers commissioned houses in the English Jacobean or Georgian style homes like country houses of the English style to give them more credibility and status. Brite added a Jacobean style ceiling that replaced the oak beams installed in 1731 and probably looked more like the original room ceiling. The Illustrated London News wrote a story with a headline lamenting the loss of the room, "Lost to England: Superb Rotherwas Panelling for America". However, the papers in the US fawned over the room.

These challenged and extended his style as, rather than purely painting on plaster, he had to transform sheet metal and wood panelling into inlaid timber and silk damask. His style was characterised by the colours he used and the delicacy of his line work. Wells ten-year stay in Australia improved his health to the extent that he was able to return to the United Kingdom and join the company of Guthrie Brothers, who became well known and respected in Europe (John Carr Architects).

Three chimney breasts have been retained in the ground floor and a surround has been retained in the office, however the rest are currently concealed behind wall panelling. The first floor is currently vacant, previously in use as the postal residence. It comprises three carpeted bedrooms, a sheet vinyl floored s fitout bathroom and timber- floored storage room. Square set plaster ceilings, with some cracking evident, are located on the first floor with pendant light fittings excepting the fluorescent light to the store room.

A promising species is the fast-growing Trema orientalis which is appropriate for paper and pulp production; producing paper with good tensile strength and folding endurance. Another species for closer study is Celtis africana, which is fast-growing and can be used for furniture and panelling. Both of these species could be used as cover for slower-growing forest hardwoods which could be interplanted for more long-term production of more valuable timber. Forests have been a source of medicinal plants for hundreds of years.

The church has a highly decorative carved timber altar, set against the rear wall on a raised platform, comprising a tiered arrangement of pointed arch niches housing statues and surmounted by a crucifix. The rear wall has timber panelling to the height of the column capital, and the northeastern side aisle has a carved timber altar and timber altar rail. A memorial plaque to Monsignor Bourke is located on the wall of the northeastern side aisle. Church furniture includes timber pews and decorative Stations of the Cross.

The nave has concrete floors and a ceiling of stained timber panelling with six pendant light fittings and two fans hanging from it. The windows in the round-arch openings on the southern side of the nave contain stained glass depicting the Madonna and Child flanked by St Margaret and St Hilda. On the northern side Christ is depicted as a shepherd, flanked by St Andrew and St David. Between these windows and the arches leading into the chapel and vestry the stonework has been rendered.

St Helen's Chapel of Ease St Helen's church is located on the bend in the Knaresborough to Wetherby road directly opposite the turning to Spofforth. The building now known as St Helen's Church was provided by the generosity of Mr Joseph Dent of Ribston Hall. It had been a carpenter's shop. Mr Dent added a western porch in the Tudor style, inserted pleasant lattice windows and panelled the lower walls of the main room in pinewood panelling, said to have been brought from Ribston Hall.

The 16th-century dining hall has a hammerbeam roof The college's hall has a fine hammerbeam roof, painted in black and gold and decorated with the armorial devices of its benefactors. The hall is lined to cill level with linenfold panelling which dates from 1528–9, and has a five-bay screen, surmounted by the Royal Arms. Above is a hexagonal louvre, dating to 1703. The room was extended from five to eight bays according to designs by Sir George Gilbert Scott in 1863.

Another noteworthy piece is Roubiliac's bust of Handel. The hospital also owned several paintings illustrating life in the institution by Emma Brownlow, daughter of the hospital's administrator. In the chapel, the altarpiece was originally Adoration of the Magi by Casali, but this was deemed to look too Catholic by the Hospital's Anglican governors, and it was replaced by Benjamin West's picture of Christ presenting a little child. William Hallett, cabinet maker to nobility, produced all the wood panelling with ornate carving, for the court room.

She was not very impressed with the inconvenient layout of the house, which was arranged around a three storey high circular salon lit by windows beneath the dome. The great central salon was impossible to heat and many of the other rooms rather small. Uninhabited for some time the building was shabby and some of the wood panelling actually rotten. Arriving as she did in the depths of winter the garden was not shown to advantage as the bare trees exposed vast areas of water.

The name originated from Charles Cadby, piano manufacturer, who purchased of land along the High Road (today named Hammersmith Road) in 1874. The location had formerly been known as the Croften Estate. Cadby allocated on the site for his new piano factory and showrooms while the remaining were set aside for smaller building plots. Cadby Hall itself was designed by Lewis Henry Isaacs and constructed using Portland stone and red Fareham bricks, with terracotta panelling above the first floor windows, and carved portraits of famous composers.

The museum was originally a manor house built at the turn of the 16th century. The Great Hall, now called the Oak Room because of its oak panelling, dates back to 1500. It was once home to William Shakespeare's granddaughter, Elizabeth Bernard née Elizabeth Hall, who was buried in 1670 in the adjacent late 12th- century church of St Peter and St Paul. Her second marriage was to Sir John Bernard or Barnard, the MP for Huntingdon from 1660, who successively enlarged the house in the 1660s.

A 1970s-built home with cedar panelling and a front yard with a large section of lawn and a tall-tree border in Richmond, British Columbia. The development and history of Canadian front yards generally followed early American trends but diverged in the early 1900s. In the 1920s and 30s, zoning laws were introduced for growing cities like Ottawa and Vancouver. The regulations stipulated minimum front yard "depth" for new houses and ensured home builders shunned the "tenement house evil" of New York City and London.

Doune Castle – northeast corner The castle deteriorated through the 18th century, and by 1800 Doune was a roofless ruin. It remained so until the 1880s, when George Stuart, 14th Earl of Moray (1816–1895) began repair works. The timber roofs were replaced, and the interiors, including the panelling in the Lord's Hall, were installed. The castle is now maintained by Historic Environment Scotland, having been donated to a predecessor organisation by Douglas Stuart, 20th Earl of Moray, in 1984, and is open to the public.

Like the chapel, it was largely built by Griffith Powell between 1613 and 1620, and was finally completed soon after his death in 1620. Pevsner noted the "elaborately decorated columns" of the screen (installed in 1634) and the dragons along the frieze, and said that it was one of the earliest examples in Oxford of panelling using four "L" shapes around a centre.Pevsner, p. 39 In 1741 and 1742, the oak-beamed roof was covered with plaster to make rooms in the roof space.

The design envisaged a building finished in white Portland stone, and included a art deco clock-tower, making it a landmark. The clock-tower featured the prow of a Viking longboat, jutting out on each side as a reminder of Sweyn Forkbeard, thought to be the founder of Swansea. The council chamber used panelling made of Australian walnut and columns high. Bronze busts depicting the local members of parliament, David Matthews, David Williams, Percy Morris and David Grenfell were subsequently installed outside the council chamber.

Panelling from Calliopes wardroom in organ casing at Christ Church, North Shields On 29 October 1907 Calliope became a drill ship at Newcastle upon Tyne for the Royal Naval Volunteer Reserve, Tyne Division, and served there for over four decades. The cruiser surrendered the name "Calliope" to a between 1915 and 1931, and became Helicon.Colledge, Ships of the Royal Navy (2006), p. 57. After the newer was paid off in the 1930s, Helicon reverted to Calliope and retained that name until sold in 1951.

One of the windows contains Flemish 17th-century stained glass, and another window dated 1895 was designed by Edward Burne- Jones and made by Morris & Co. In the ante-chapel is a war memorial to the tenants who died in the First World War which is made from panelling from the Old Hall. The organ was made in 1876 by Bryceson Brothers and Morten of London. The registers date from 1678 and contain records of the baptisms and weddings of the Leicester family and their tenants.

Colvin 1995, s.v. "Wakefield, William". Minor alterations were made in the 1750s by John Carr, who was engaged in remodelling the interior of the prominent Fairfax seat in York, Fairfax House, in Castlegate.Colvin 1995, s.v. "Carr, John". On the death of Mrs Barnes (Lavinia Fairfax) in 1885, this branch of the family became extinct and the castle, after passing through several hands, was bought by Ampleforth Abbey in 1929. The vendor, however, retained the panelling and glass of the Great Chamber and sold it separately.

The Château de la Bastie d'Urfé. The Château de la Bastie d'Urfé (also known as Bastie d'Urfé or Bâtie d’Urfé) is a French château in the town of Saint- Étienne-le-Molard, historically within the province of Forez. In the 16th century it was rebuilt in the Renaissance style by Claude d'Urfé and bought in 1836 by Caroline de Lagrange (1806-1870), daughter of count Joseph Lagrange (1763-1836). The intarsia panelling of the 16th-century chapel is at the Metropolitan Museum of Art.

After Cound Hall became the family seat in 1792, Upton Cressett Hall was used as a farmhouse until it was bought c.1937 by carpet manufacturer Sir Herbert Smith, Bt as a shooting lodge. After his death in 1943, the house was left unoccupied and gradually fell into a state of disrepair, losing some of the room panelling. It was purchased in 1969 by Sir William Cash, MP for Stone and father of the current owner, William Cash, and has since been much restored.

Joinery throughout is of cedar, with the early twentieth century renovations reflecting the influence of the Art Nouveau movement. The extent of RS Dods changes are not known but the fireplaces and much of the internal joinery and panelling, especially in the stairwell and doorways, are attributed to him. Dods probably added the diagonally glazed window panes in the upper windows. A number of other structures have been erected in the grounds, the most significant of which is the large ward block constructed in 1919.

Back doors are located on the southern elevation, accessed by landings off a central dogleg stair housed within a timber, fibro and lattice stairwell. The interiors of the flats are characterised by dark, stained timber panelling, plate rails and joinery with white decorative plaster ceilings, ornate cornices and dark, polished hardwood floors. Features include a number of built-in storage units and a kitchen- dining room servery with leadlight windows. The kitchens have basic timber joinery and dining nooks of two bench seats and a table.

In the Second World War, the Trinity Green almshouses were damaged, with those almshouses north of the chapel being destroyed. In 1950, Trinity Green became a Grade I listed building; the listing included the almshouses, chapel, gates, railings and walls. In 1954, London County Council bought and restored the non-destroyed houses, including the restoration of the chapel with 18th- century panelling from Bradmore House in Hammersmith. When Mile End Road was built, Trinity Green's location was altered from rural peace and quiet into traffic.

The old council chamber flanking the session chamber on the other side is considered one of the most beautiful rooms in the Town Hall. Though renovated many times it has preserved its original late-Gothic character dating from about 1470. The wooden coffered ceiling, polychromed in the second half of the 16th century, rests on moulded beams strengthened in 1638 by the addition of strong gilded chains. The walls are adorned by Gothic wooden panelling, a number of emblems, and the armorial bearings of the Old Town.

Compton House Compton House (or Compton Park House) was the seat of the Penruddocke (or Penruddock) family from the mid-16th century until 1930. The present house may occupy the site of a medieval manor house; Pevsner saw fragments of medieval work. It was refitted internally by Sir Edward Penruddocke in the late 17th century and rebuilt externally in 1780 by Charles Penruddocke. The drawing room from about 1700 has panelling and rich decoration in Grinling Gibbons style, with a plaster ceiling from the same period.

The east elevation has a timber stair with a sliding timber door of diagonal panelling to the first floor and a steel roller door and sash windows with bars to the ground floor. The rear of the building has a steel roller door to the ground floor and the west elevation has only one window in the upper northeast. Internally, the ground floor has cast iron columns and an exposed timber floor above. The building contains cedar joinery including panelled doors, staircase and architraves.

In 1878 it was rented from the Earl of Mar and Kellie by James Lorimer, Regius Professor of Public Law at Edinburgh University, and father to Sir Robert Lorimer, the renowned Scottish architect. The Lorimer family set about restoring the castle for use as a holiday retreat, but it soon became the family home. Robert Lorimer was instrumental in much of the restoration work, restoring magnificent plaster ceilings, painted panelling and furniture. There are examples of Robert Lorimer’s work as an architect across the world.

The rear of the building has a two-storeyed kitchen wing with a sub-floor room and covered walkways accessing adjacent structures. May 2016 Internally, Hatherton has a central corridor with a tiled foyer leading through an archway with plaster mouldings to a timber staircase. This has a cast iron balustrade, carved timber newel post, timber panelling and an arched leadlight sash window at the landing level. This space is decorated with a stencil dado, and has timber architraves, skirtings and panelled doors with glass fanlights.

The building is an outstanding example of late nineteenth century architecture in its picturesque massing, unusual detailing and garden setting. The interiors of the house are of particular significance, with intact fittings and fixtures dating from the 1920s. In particular the timber wall panelling, pressed metal ceilings, carpeting, fixed furnishing and other fittings on the ground floor of the residence are of particular interest. The place has a strong or special association with a particular community or cultural group for social, cultural or spiritual reasons.

Some of the timber panelling was also used in the extension (completed in 1937) of St John the Baptist's Catholic Church in Padiham, Lancashire. An original model of Mauretania is displayed at the Smithsonian Institution in Washington, D.C. after a long stay on the retired Queen Mary in Long Beach, California. A gift from Franklin Delano Roosevelt, it was repainted white and green sometime in the 1930s. The ship's bell is currently located in the reception of the Lloyds Registry of Shipping, Fenchurch Street, London.

The design for the five-storey building involved continuous bands of glazing with concrete panelling above and below: a concrete mural depicting the River Soar by Tony Hollaway was unveiled at that time. An extension to accommodate a computer suite opened in 1970 and the Rutland Building extension was completed in 1974. The principal room was the council chamber which was panelled with Japanese teak and Bombay rosewood. Queen Elizabeth II made an official visit to County Hall during a tour of Leicestershire on 17 November 1989.

The wooden pulpit is built in an hexagonal shape with calamander panelling mixed with local satinwood. High pews were erected along the walls for the Commandeur, the Deacons and the Dutch East India Company (VOC) officials. The pews along the southern end were dismantled to accommodate the altar and communion rails of the Anglican community who were allowed to use the church from the time of the early British rule down to 1867. Presently, in place of the altar, an organ is located on this location.

The delay in installing the clock had been caused by the postmaster general recommending that if the residents wished for a clock in the tower, then they should contribute a third of the cost. Little information is held in relation to work on the building between the early 1900s to the 1970s. During 1974–1975 the post office underwent a major renovation costing $233,870. During this process the entire interior was renovated with wood panelling and the counter extended to allow for more serving positions.

According to Col. H.C.B Rogers (who in turn cites a number of the LNER Engineers, Harrison, Smedley, Spencer et al), Thompson possessed an ill temper towards his colleagues and was notoriously difficult to deal with. The Drawing Office at Doncaster had full height panelling on the walls of the corridors, to which Thompson had full-length windows fitted, so that he could see all that was going on and what people were doing. Those who did not agree with him did not work with him for long.

Lord Monboddo's original inkwell circa 1760 preserved intact to present day Monboddo House fell into a state of disrepair as of the 1960s; nevertheless, a number of notable features remain. With repairs made during the latter part of the 20th century and the good maintenance of the owner as of 2006, the structure is in excellent condition. A well proportioned Hall is on the first floor (second floor in American vernacular), which has relics of early panelling. The Hall is provided with two garderobes.

Trench fever was a major cause of illness amongst soldiers during the war and the method of transmission was uncertain. Byam contributed a chapter on the condition to Lloyd's Lice and their Menace to Man (London, Hodder & Stoughton, 1919). Byam developed a deep interest in Egypt during his service there, later even decorating a room in his Harley Street house in an Arab style. He donated the contents of that room, complete with hand-painted ceiling and wood panelling, to the Egyptian Embassy in London.

Fifty state-rooms were provided enabling one hundred passengers to enjoy private cabins. The total number of passengers for which the ship was certified was 1,366. A spacious ladies’ deck lounge was provided on the bridge deck, upholstered in peacock blue frieze velvet, with panelling in white enamel, and a stained-glass dome as the main decorative feature. The gentlemen were provided with a smoking room on the bridge deck, panelled in Austrian oak, upholstered in green Morocco leather, with a high dome skylight with stained glass.

However, nearly anything that makes a room useful (such as furniture, electrical appliances, or computer equipment), or attractive (such as wood panelling, acoustic tile, carpeting, curtains, or wall decorations), will increase the fire loading. Some usages inherently carry high fire loading as a side effect (an art gallery and studio, for example, is likely to contain large amounts of canvas, paints, solvents, and wooden framing). Buildings under construction or renovation tend to carry high fire loads in the form of construction materials, solvents, and fuel for generators.

218 The main street of Near Sawrey photographed by Rupert Potter in May 1913 The illustrations of the garden depict what Potter hoped to see following her labours there, and detail some of the flowers, trees, shrubs, and butterflies Potter described in her letters to Millie Warne. The farmhouse interior and its furnishings are precisely rendered. The entrance porch with its Barthay slate walls, the stone flagged floors, the oak panelling and deep-set windows were all original to the house and faithfully depicted.

The marble screen at the east end was to be re- polished and re-gilded. The altar dais and steps and also the rest of the chapel floor was to be paved with Minton's tiles, using for the latter as much of the black and white marble as remained, and the panelling to be darkened and varnished.Allfrey (1909). pp. 32-33. The Portland stone paving of the ante-chapel was to be renewed, leaving the gravestones, and the platform on which the eagle stood altered.

In 1922, the stained glass east window was installed at a cost of just £500 as a memorial to the 201 people of the area who lost their lives in the First World War. It was designed and installed by Mr R Anning Bell. To complete the memorial, oak panelling was erected underneath the window and was unveiled by Lieutenant CL Knox. A brass tablet, listing the names of the fallen soldiers, was revealed by Corporal W Beesley, and dedicated by Canon J Deed, vicar of Nuneaton.

The north wing is dated to 1857, with identical east and west fronts, when the staircase was moved and the full-height entrance hall was created. The entrance hallway has black and white stone flooring and bolection-moulded panelling up to first floor level with cornice. The first-floor gallery above with turned balusters is raised to centre, and the central first-floor doorway is made up of fluted pilasters and an open triangular pediment. It features a stone fireplace with cable-fluted Ionic columns.

Chief among these is the ornamentation on the porch roofs: they include gabled rooflines and beveled corners supported by multiple spindles. Connecting these porch roofs are low normal roofs, which primarily protect the recessed entrances to the houses. Elsewhere, the houses feature double-hung windows, imbricated shingles on the gables, and arcades of Gothic Revival panelling, and numerous ornamental circles inscribed within squares. Taken as a single building, the rowhouse measures two bays wide and eighteen bays long; it is of frame construction and two stories tall.

Framed walls most often have three or more separate components: the structural elements (such as 2×4 studs in a house wall), insulation, and finish elements or surfaces (such as drywall or panelling). Mass-walls are of a solid material including masonry, concrete including slipform stonemasonry, log building, cordwood construction, adobe, rammed earth, cob, earthbag construction, bottles, tin cans, straw-bale construction, and ice. Walls may or may not be leadbearing. Walls are required to conform to the local local building and/or fire codes.

Glenfarclas was one of the first distilleries to open a visitor centre in 1973. Today the visitor centre is open on weekdays throughout the year and Saturdays from July to September. The visitor centre includes the "Ship's Room", a tasting room, with panelling from the RMS Empress of Australia - this ship was of historical importance for ferrying the last British troops home from Bombay, after they had symbolically passed through the Gateway of India, bringing an end to over two centuries of British imperial rule in India.

A further change introduced in the late 1950s was the use of aluminium window frames instead of direct glazing into the steel panelling. The underframes consisted of a heavy assembly of steel sections, with angle used to form bracing trusses. These were placed close to the centre line of the vehicle rather than beneath the solebars, as was characteristic of previous vehicles. The original bogies were a double bolster type, which like the carriages mounted upon them, were designated "BR Mark 1" (BR1 for short).

The furnace system was replaced with radiators in the 1950s. During the 1980s, the third floor was closed due to fire safety concerns; it was reopened after a rehabilitation project that took place from 1998 to 2000. Bathrooms and kitchens have been installed on each floor, and fire doors and glass panelling have been added to the stairwells, but the wooden stairs and banisters have been preserved. The original hardware, and ornamental detailing such as wooden wainscoting, survives, and some of the original light fixtures are still in place.

The final blow for many country houses came following World War II; having been requisitioned during the war, they were returned to the owners in poor repair. Many estate owners, having lost their heirs, if not in the immediately preceding war then in World War I, were now paying far higher rates of tax, and agricultural incomes had dropped. Thus, the solution for many was to hold contents auctions and then demolish the house and sell its stone, fireplaces, and panelling. This is what happened to many of Britain's finest houses.

The verandah has arched openings on the ground floor and square openings with a glazed brick balustrade on the first floor, however, both levels of verandah have been enclosed with later louvres and sheet material, which is not of cultural heritage significance. At either end of the verandah on the ground floor are secondary entrances reached via stairs from the front garden. These are highlighted by a porch with a semi-circular smooth rendered concrete hood. The front entrance and porches have an arched fanlight above timber French doors with panelling and bolection moulding.

The lower foyer was extensive, with interior finishes of dark brown brick and horizontal timber panelling stained dark brown; the ceiling was also lined with the same dark timber. This theme is continued through to rubbish bins, ashtrays and display units which are made of the same timber with strong horizontal design elements and aluminium details. Boxed, timber pelmet lighting ran along the walls throughout both the upper and lower foyers and the stairs. The foyer space was arranged symmetrically with staircases of identical detailing on either side of the centrally located ticket office.

The interior in particular has strong aesthetic value. The highly decorative moulded ceilings of the cinema auditoria, the timber panelling, brick facing, carpeting and fittings in the foyers and the original and surviving internal colour schemes all contribute to the aesthetic and architectural significance of the building. The design exemplifies the sense of escapism and fantasy which is central to the tradition of cinema and theatre design. The place has a strong or special association with a particular community or cultural group for social, cultural or spiritual reasons.

The stairwell, illuminated by a large roof lantern and arched windows, has been converted to a fire isolated exit separated from the office space. A smaller staircase, with similar but less ornate details, is located in the eastern corner of the building and opens onto the banking chamber. The George Street entry vestibule, once identical to the Elizabeth Street vestibule, is fitted with varnished maple panelling, a suspended vermiculite ceiling and two lifts. Original glass and timber doors between the vestibule and the banking chamber are all that remain of the original fittings.

It is a traditional pub with a Victorian atmosphere, featuring dark wood ceilings and panelling, snug booths with buttoned leather benches, tiled floors, old brass oil lamps, and a real coal fire in each room. The traditional top floor room features a quirky display of barometers and beautiful Venetian mirrors. In 2006, the bar was sold for £1.7 million to Bangor entrepreneur Bill Wolsley’s Beannchor leisure group. It was then closed for six weeks for refurbishment, taking out all the gambling machines, TV's, and jukeboxes to create a classic pub with music rooms.

The recent refurbishment has removed earlier partitions, equipment, finishes, floor coverings and joinery but the integrity of the spaces has survived. The large timber casement windows with semi-circular fanlights and terrazzo sills remain in the surgeries at the Hospital level and the rectangular timber casement windows survive on the College level. The decorative timber and metal flat arch to the former waiting room and some timber doors remain to the ground floor. The building was finished throughout with decorative plaster ceilings, Queensland maple joinery and panelling, and purpose-built timber furniture.

Doors were cut through the west wall in 1877. The State Dining Room underwent a major expansion and renovation in 1902, transforming it from a Victorian dining room into a "baronial" dining hall of the early 19th century—complete with stuffed animal heads on the walls and dark oak panelling. The room stayed in this form until the White House's complete reconstruction in 1952. The 1952 rebuilding of the White House retained much of the 1902 renovation, although much of the "baronial" furnishings were removed and the walls were painted celadon green.

First Lady Jacqueline Kennedy worked with American antiques expert Henry Francis du Pont and French interior designer Stéphane Boudin on the restoration of the State Dining Room. Du Pont and Boudin both recommended that changes should emphasize the earlier work of McKim. Most of Boudin's suggestions for the room mirrored changes he had made to the dining room at Leeds Castle in Kent, England. On Boudin's recommendation, the panelling was repainted bone white and the silver plated chandelier and wall sconces were regilded to match the Monroe-era surtout du table.

The panelling in the chancel, and the pulpit date from the early 20th century. At the east end of the south aisle is a memorial screen added in 1922. The stained glass in the west window dates from 1851 and is by Clutterbuck, the east window of 1887 is by Burlison and Grylls, the east window in the south aisle dated 1922 is by J. C. N. Bewsey, and three windows in the south aisle of 1931–32 are by A. K. Nicholson. The three-manual organ was made in 1858.

In 1875, he acquired the lease over the North Ipswich timber mill and in October 1880 Thomas Hancock & Sons opened a new mill in Lowry Street, North Ipswich. By 1885 Thomas Hancock & Sons was a successful expanding company employing 138 hands in Ipswich as well as many in their Brisbane offices totalling 274 people. The Ipswich complex included a mill, joinery and moulding plant and a lathe department which produced doors, window sashes and panelling. Thomas Hancock Senior died in 1891 and the company passed into the hands of his sons Josias and Thomas Junior.

Most of the rooms in the priory are dated to the 16th century and late 19th century during the Coleman renovation. The entrance hall has a great hooded stone fireplace which bears the date 1900. The right wing features intricate moulded plaster ceilings, seen in the dining room and first floor rooms. The interior of the left parlour contains panelling and a fireplace dated to the 16th century on the ground floor A Gothic style staircase with crockets and lion finials leads up the first floor, which contains bedrooms with moulded ceiling beams.

The smoking room was with mahogany panelling, white plaster work ceiling and dome. One wall had a mosaic of a river scene in Brittany, while the sliding windows were blue tinted. Second- class passengers were allotted shared, yet comfortable two and four berth cabins arranged on the shelter, upper and main decks. Noted as being the prime breadwinner for trans-Atlantic shipping lines, third class aboard Lusitania was praised for the improvement in travel conditions it provided to emigrant passengers, and Lusitania proved to be a quite popular ship for immigrants.

In 1899 Edward Holt, of the Holt family of brewers, began the process of enriching St Margaret's with beautiful carved oak work by the Kendal craftsman, Arthur Simpson, with a gift of new choir stalls designed by Dan Gibson. Over the following 21 years, the church was enhanced with a new high altar, reredos, panelling, bishop's throne, rood screen, war memorial and other items, largely designed by Gibson and made by Simpson. This outstanding Arts and Crafts work, believed to be the best example of Simpson's ecclesiastical work, creates a superb liturgical setting.

No stained glass had been introduced into the church since 1541, but in 1889 the central light of the east window was filled with Munich glass and in 1894 more stained glass was inserted. In 1552 the church possessed a pair of organs. A barrel organ had been introduced in 1813, although the innovation was not welcomed by all the parishioners, and a new organ was built in the chantry in 1889. The square baptismal font dates from the 13th century and has 14th century panelling on the pier.

Emile de Cartier de Marchienne, Marguerite Yourcenar's uncle, who served as the Belgian ambassador in China at the start of the 20th century (1910-1917), ordered the construction of a Cartier castle replica, to serve as the Belgian legation building in Beijing. Plans were drawn in Marchienne-au-Pont, and bricks, slates, tiles, panelling and other materials were transported from Belgium to China for the construction. The building, which is now the Zijin Guest House,"Former Legation Quarters" , Beijing tours still exists in the Beijing Legation Quarter, although the original entrance has disappeared (Photo).

St Edern's has several pieces of 17th- century panelwork, possibly of Dutch origin. There is a softwood panel screen between the nave and chancel, decorated with carved flowers and fruit, with a frieze of acanthus leaf. The reredos (the screen behind the altar) has further carved panelling, as does the upper section of the rectangular pulpit, a reading desk, the communion rail and a table. The panels of the communion rail, set between wooden columns decorated with fruit, flowers and ribbons, are topped by a long balustrade, also decorated with acanthus leaf.

Cragside is slightly more true to its theme, although the rooms are very large, some contain Tudor style panelling, and the dining room contains are monumental inglenook, but this is more in the style of Italian renaissance meets Camelot than Tudor. While in the cottages at Mentmore the interiors are no different from those of any lower middle-class Victorian small household. An example of a Tudor Revival house where the exterior and interior were treated with equal care is Old Place, Lindfield, West Sussex. The property, comprising an original house of c.

In 1864, it was heightened, columns were added and a trompe l'oeil oak panelling was painted by Monsieur Gaston Coudray. The storehouse containing the wine barrels is a typical example of Bordeaux's eighteenth-century architectural style with its four-sided sloping slate roof and double triangular gables, which caved in during the 1970s due to lack of maintenance. The adjacent storehouses which housed the wine press and the oak casks met with the same fate in 1981. The wine press can however still be seen standing in the open air in the rose garden.

The second scene portrays the Nativity of Mary, set in a luxurious room with inlaid wooden panelling surmounted by a frieze in bas-relief of music-making putti and a cornice of winged cherubs. The room is divided by piers decorated in relief. To the left, near the door at the top of the stairs is shown symbolically an early incident of the story, the embrace of Anne and Joachim at the Golden Gate of Jerusalem. To the right, St. Anne reclines in bed, while three young women prepare to bath the new-born Mary.

Inside, the same care was taken to include Gothic styles with newer, particularly the chapel and the castle's masterpiece, the Salle des Etats. Among the additions worthy of note are the staircase and entrance hall, the dining room, the great gallery and the music room. The interior has much original furniture. Visitors may see the genealogy room (d'Estaing family portraits), the Salle des Etats with its terracotta tiled floor depicting coats-of-arms, the music room (panelling decorated with musical instruments) and the gold room (beamed ceiling, four-poster bed and Aubusson tapestries.

The interior of this space was also designed by Mies and included his signature broad planes of rich, unadorned wood panelling, freestanding cabinets as partitions, wood slab desks, and some of his furniture pieces, such as the Barcelona chair, Barcelona ottoman, and Brno chair. Adjacent to the main boardroom at the northeast corner of the floor plate and the Thompson Room at the northwest corner, service areas are concealed within the wood panelled walls behind secret panels. The south side of the 54th floor houses Canoe, an Oliver & Bonacini restaurant.

The concrete pavement is scored to resemble square pavers and steps up toward the eastern end, in line with the brick-enclosed section. The pavement continues around the northwest corner of the building to terminate in a landing with tubular metal handrails. From here, a short flight of concrete steps leads down to a modern concrete pathway. Windows in the northern wall are large double-hung timber sashes (with fanlights above the first floor windows), and original doors are single or double, part-glazed timber doors with v-jointed (VJ) panelling.

Its corporate logo is an abstract arrow which some corporate representatives refer to as the Kleemann carrot. Any vehicle on the Mercedes lineup can be tuned in a number of ways from SLK roadsters to G-Class Wagons. Customers can specify custom seats, floormats, and interior fabrics as well as carbon fiber body kits, carbon front and rear splitters, and carbon interior panelling. Customers can order simple ECU upgrades that change transmission shift times and valve timing, or they can more aggressively have the engine bored and supercharged, install camshafts and high-flow headers.

Designed by Henry Hornbostel, who also designed Emory University, Callanwolde's plan is one of openness. Most rooms adjoin the great halls located on each floor, and the entire 27,000 square foot mansion is centered on a large, courtyard that has recently been enclosed. The attention to fine detail is evident in the excellent craftsmanship of the walnut panelling, stained glass, bronze balustrades, the artistry of the delicate ceiling and fireplace reliefs, and the pierced tracery concealing the Aeolian organ chambers. Callanwolde remained the Candlers’ home for 39 years.

Externally the roof is formed of copper sheeting and internally of timber panelling. The entrance verandah is both physically and visually an extension of the main roof form, the lowest point of which comes to rest on a white angled column. Here the roof ends with an elegant copper storm water feature like a cubist gargoyle delivering roof water to a circular drain edged by brick pavers and filled with large smooth river stones. External Inspection reveals: painted timber framed windows to clerestory, painted timber framed entrance doors and windows.

The rooms were decorated with intricate boiseries, panelling and tapestries. This new accommodation for ladies was vital: entertaining at Sanssouci was minimal during the reign of Frederick the Great, and it is known that women were never entertained there, so there were no facilities for them. Frederick had married Elisabeth Christine of Brunswick-Bevern in 1733, but separated from his wife after his accession to the throne in 1740. The Queen resided alone at Schönhausen Palace in Berlin after the separation, and Frederick preferred Sanssouci to be "sans femmes" (without women).

The chancel has one window in the east wall, which has three lights (sections of window separated by stone mullions). The pulpit has some 19th- century oak panelling and reuses some ornate 17th-century panel work that is decorated with pictures of cherubs, dragons, dogs and lions' heads. The pews are made of pine; the choir stalls also have some carved oak panels that may date from the 17th century. A reading desk from the 19th century reuses material from the 14th and 17th centuries, depicting a lion, a griffin and angels.

The place demonstrates rare, uncommon or endangered aspects of Queensland's cultural heritage. The former Dalby Town Council Chambers, a brick and concrete rendered building, is significant as one of only about six buildings extant in Dalby dating from the early 1930s. Other buildings include the former Wambo Shire Council Chambers and the Dalby Fire Station, both of which have Georgian elements in their designs and the former Union Bank. Internally, contributing to its significance, the former meeting room of the Dalby Town Council remains highly intact with timber panelling and screening.

The problem-solving function of the panelling was also an influence in the development of interior space acoustics. The panels serve a variety of purposes, with some absorbing sound, some projecting it, and some magnifying it. Each panel, or cloud, comprises a steel frame containing two pieces of thick laminated wood secured together; the largest cloud has an area of and a weight of approximately . The clouds are between thick, and in total there are 31 panels: 22 on the ceiling, 5 on the right side wall and 4 on the left side wall.

The strong room, a painted brick rectangular space with a barrel vaulted ceiling, has a heavy metal door with the maker's plate "Milners' 212 Patent Thief- Resisting". The strong room houses a small safe with the maker's plate "John Tann's Reliance Safe". The accountant/clerks office, a large rectangular room to the southwest of the banking chamber is notable for its decorative plaster ceiling in an art deco style. The interior walls of the former banking floor spaces, except the strong room, are plaster finished and are distinguished by timber veneer wall panelling.

An additional floor was also constructed across the whole of the main sanctuary area apart from a space in front of the original synagogue Ark, which was left as an atrium to keep the original Ark location and surrounding features visible. The Ark itself was removed. This additional floor, which linked the women's galleries down each side, was divided to form two further classrooms, a school hall, and smaller teaching and storage areas. Many of the original building features were maintained, including the main entrance doors, windows and internal oak panelling.

The platform is covered for its entire length (and with Flinders St, Melbourne is the longest platform in Australia) . Internally the building is arranged along the platform with a central booking hall and ticket office which contains most of its original cedar detailing and panelling. Opening off this space are a number of offices. Along the platform there is access to the ladies waiting room (divided into first and second class sections), the parcels office (also accessed from the street), stores, porters room, lamp room and male toilets.

The upper levels have not been refurbished, but the partitioning of the lower levels is not original. The original lift with its sliding doors, timber panelling and surrounding stairwell remains beside the entry foyer. Its very distinctive appearance derives from the extensive use of decorative cast iron work for the balustrades of its verandahs and from the contrast of the cream-coloured render against the red brick on the upper part of the tower. Being situated on a hill on a busy intersection, it is one of Brisbane's most recognisable buildings.

Not until filming for James Cameron's Ghosts of the Abyss in 2001 was the Dining Saloon explored. Located mid-ship, most of the room has collapsed – the aft end was severed during the break-up of the ship, allowing its contents to spill out. The very forward part survives and is accessible from the reception room, the partition wall having deteriorated. Several of the rectangular leaded-glass windows remain in situ along with much of the wooden panelling, the gilded brass light fixtures, and the cast iron supports for the tables.

"coach" door The exterior resembles that of the 100EX. The 2-door 4-seat convertible has rearward opening coach doors and a two-tone colour scheme that distinguishes between the upper and lower bodywork and frames the teak wood panelling of the convertible's tonneau cover. However, it eschews the EX's aluminium bonnet in favour of more easily maintained stainless steel. The front fascia resembles that of the 100EX but its middle bodywork/raised bonnet/grille assemblage stops midway down rather than continuing downwards and bisecting the front bumper.

Garter stall plate of Henry Bourchier, 2nd Earl of Essex (d.1540), nominated 1499, showing his name, titles and heraldic achievement Stalls of Knights of the Garter in St George's Chapel. The Garter stall plates are visible affixed to the rear panelling of each stall Garter stall plates are small enamelled brass plates located in St George's Chapel displaying the names and arms of the Knights of the Garter. Each knight is allotted a stall in St George's Chapel and the stall plate is affixed to his personal stall.

The south wall of the chancel has at its east end a window from about 1350 that is said to have been brought from elsewhere, and towards the west end a 15th-century window with a depressed head. Some of the stained glass windows are 20th-century work by Ninian Comper. The bell tower is substantially Norman but the upper stages were remodelled in the 14th century. The tower has a saddleback roof. In the nave some of the seats are 16th-century and there is a west gallery fronted with 17th-century panelling.

The main > entrance, on Bush street, is formed by a Roman arch of massive proportions > and striking design. The vestibule is rectangular in shape, is finished in > antique oak panelling, with pilasters and arabesques, and is lighted by > thirty-two 16 candle-power lamps and an electrolier of eight 82's. In the > beautiful foyer is another large electrolier. > > In the auditorium, behind the eight proscenium boxes, with dome-shaped > canopies supported by columns, rise arches of Indian fretwork carrying > pillars surmounted by 88 candle-power lamps enclosed in opalescent globes > shaped like pineapples.

Opposite the internal doors, in the south wall, there is a plain pointed priest's door with cut stone voussoirs, by Seddon, with wrought iron hinges. Priests’ door in chancel, south side The 1880s Seddon high altar has a fine reredos across the east wall in red sandstone and white marble. There is red stone outer wall-panelling in squares of rose and vine, in a moulded frame. A white marble shelf or Retable on brackets over pink marble framing is behind the altar, with outer panels of white marble with a cross on vine background.

After Sir John Williams bought the manor of Beckley he had the present Tudor house built, just outside the moats and adjoining the outermost one.Emery 1974, plate 9, facing page 89 Jacobean panelling was added to the parlour in the 17th century but otherwise the house remains very largely as it was built. It is a Grade I listed building. Beckley Park is the home of Amanda Feilding and the main headquarters of her Beckley Foundation, which is doing research on the benefits of certain types of drugs, including cannabis and LSD.

It is an excellent species for rehabilitation areas and for areas requiring soil stabilization as it is drought tolerant, frost resistant, fast growing and able to grow in poor soils. The heartwood of the tree is fine-textured, dense with a reddish to dark red-brown colour and has considerable potential for use in high value furniture, flooring, panelling, craftwood and in musical instruments such as flute headpoints. Craftsmen rate the wood as good for turning, machinability, boring, screwholding, stability, sanding, gluing and finishing. Honey flow for apiculture is reported from December to March.

The New Jersey was predominantly red, with white panelling on the side in a 'ladder' effect. This was dubbed the 'Spiderman' or 'Arsenal' kit by supporters. The new kit also abandoned the traditional navy blue shorts and socks, with the new design becoming all red. On the release of the 2005–06 shirt there was a degree of disappointment in Gloucester Rugby's decision to move away from the hooped jersey again (a design generally associated with traditional rugby shirts), as this was a dramatic move away from the classic Gloucester Rugby design.

The December 1897 issue of the Licensed Victuallers Gazette describes the pub as a "mahogany and plate- glass" monstrosity. The proprietor of the pub at this time was Robert J. Brinkley. The pub retains its snob screens, although they have been re-sited over the partition between the main bar and former coffee room. The ground floor of the pub is subdivided into roughly 4 different rooms, which are described as exhibiting, "a spatial quality in the proportions, windows, and detailing that includes panelling, beams, etched glazing and curved bar which is continuous throughout".

Harris's original proof designs for the Emulation boards, and several other designs, are all today in the possession of the Sussex Masonic Museum in Brighton. In 1957 the original Harris tracing boards, in regular use for well over a century, were found to be falling into a state of decay. They were meticulously restored following an appeal for funds. The boards were found to be painted on mahogany sheets, which were fixed to mahogany panelling by means of 900 countersunk screws (300 per board), with the art painted on the top level and then varnished.

The pavilion boasts of dark wood wall panelling and decorative marble floors. The walls of the pavilion are adorned with portraits of past and present cricketers and photographs of famous cricket matches. The Brabourne Stadium has drawn praise from various quarters. Australian cricketer Keith Miller called the ground "the most complete ground in the world", West Indian legend Frank Worrell stated that the Brabourne was the only ground in the world where he could be in his dressing gown until he had to pad up, hence he loved playing at the venue.

Walls were removed, new doorways made, fireplaces blocked, internal partitions installed, concrete floors for toilets added and all stairs except one at the rear of no. 28-30 were removed or altered. Original details including dado panelling in the halls and dining rooms, and leadlight sidelights on the front doors were removed. Evidence of the original asymmetrical arrangement of bay windows at ground floor level was lost except in no. 24-26 and new load-bearing partitions were installed on the first and second floor levels above the dining rooms.

The Rotterdam architect Jan Verheul designed the building in a neo-Gothic style and on 2 June 1913, Herbert Bury, Bishop of Northern and Central Europe, laid the foundation stone. When the Rotterdam church was demolished, English author and academic A. C. Benson bought the interior woodwork. He presented the pulpit from St Mary's to Lincoln Cathedral in memory of his father, Edward White Benson, Archbishop of Canterbury 1882–1896. The altar rails are in St Giles' Church, Cambridge and panelling was given to Magdalene College, Cambridge and Selwyn College, Cambridge.

During the 18th century, when the Neo Classical architectural style was fashionable in Britain, a series of alterations were made to the church's interior. Those that survive today are the characteristically Georgian austere, dark-wood panelling, complete with a relief pillar design highlighted in gold, which replaced the 17th-century Creed and Commandment boards behind the altar. The area around the south door received a markedly 18th-century wooden vestibule, and above the 14th-century north door, a white marble epitaph was added. The church also received three 12-armed golden chandeliers in 1773.

The house contains 16th-century linenfold panelling. The plaque on the porch of the Almshouses reads: :Anno Domini 1687 —- These Alms houses were - then erected endowed - by Richard Winwood Esq. - son, heir of the Rt. Honourable - Sir Ralph Winwood Knight - Principal Secretary of State - to King James I The Winwood Almshouses, still inhabited, were built to house the poor, their gothic style of architecture belying the construction date of 1687. They are a terrace of eight small cottages, one storey high with a row of dormers in the attics.

It is flanked by north and south aisles with windows of an earlier 14th century style and arcades of three bays. Although the architecture is Gothic the furnishings are Jacobean, including extensive panelling, box pews, the pulpit and a west gallery with an organ that predates the chapel. In the chancel is a monument with the white marble semi-reclining figure of Robert Shirley, Viscount Tamworth, who died in 1714. The west tower is of three stages divided by string courses and has a ring of eight bells.

The building at the rear (6-8 Atherden Street) was used as parking "for themselves and others". In 1985, the City of Sydney Council approved a Building Application for the "restoration of sandstone warehouse and infill additions to sandstone warehouse". In 1988, works began to refurbish the subject property for use as a branch of the Westpac Bank and a museum upstairs and at the rear. The ground floor of the warehouse building was converted for use as a banking chamber including reproduction Victorian timber counters and wall panelling.

Located at 620 W. Spring Street, the Neely–Sieber House is a fine example of early twentieth-century Lima residential architecture. As the home of an oil baron, it was one of many grand buildings in the city erected in the wake of the discovery of petroleum near Lima in 1885. The house's three floors are divided into twenty-six rooms, many of which are decorated with chandeliers, carven mahogany panelling, and hand-painted ceilings. Among these rooms are a grand ballroom and quarters for the household servants.

The Library, on the south side, dates from later in the 18th century. First floor rooms in this quad have traditionally been particularly sought after by undergraduate members of the college due to their size, oak panelling and high ceilings. The largest examples of these rooms can be found in the corners of the building. On 12 May 1894 and again on 20 February 1927, after dinner, Bullingdon Club members smashed almost all the glass of the lights and 468 windows in the quadrangle, along with the blinds and doors of the building.

In 1963 the Methodist Chapel, having opened in 1838, was suffering from dwindling numbers and had to close with its remaining few members transferring to the Baptist Chapel. The two stained glass windows which now grace the front of the building were also moved from the Methodist Chapel along with a number of pews and some panelling which was used to create a vestibule. In 1984 the chapel suffered serious dry rot problems that were simultaneously affecting the Parish Church. This led to a number of united events, mainly involved in money-raising activities.

The refurbishment of the interior, including panelling, shutters, window seats and cornices, was based primarily on period details from the adjacent house at 27/29 Brook Street. Three marble Georgian fireplaces, formerly in Russell Street, Covent Garden, were installed in the first floor rooms and bedroom. The floorboards were replaced with old wood, treated with lime and wax, and the ceilings refinished with lime plaster. Careful research revealed samples of the original 1720s paint on woodwork on the staircase and surviving second floor door, which in its history had been painted 28 times.

The manorial pew is on a raised platform at the west end; it is reached by a private door from the park grounds. During the restoration the box pews were removed, the pulpit was moved, the wall panelling was raised in height and a panelled ceiling was added. A mosaic reredos was added in the apse, which was manufactured by Salviati and is loosely based on Giotto's Dormition. The font dates from 1772, is made of coloured marble and consists of a bowl resting on three legs, each with a clawed foot.

The peacock arms of Smith (Argent, a cross gules between four peacocks close proper) are also shown on the Parker panelling and were confirmed by the Deputies of the heralds Camden and Clarenceux, as listed in the Heralds' Visitation of Warwickshire and Leicestershire, to Francis Smyth, of Wooton, grandson of Sir John Smyth, and 5th in descent from John Carrington "or Smith" (d.1446), who was 5th in descent from Sir Michael Carrington, Standard Bearer to King Richard I, and who died in the Holy Land. In May 1635 Edmund Parker (d.

In the first floor lobby, paint was stripped from the quarter-sawn oak molding and panelling and a false wall removed to reveal a wrought iron screen. The walls of the grand ballroom on the second floor were cleaned of more than a century of grime, and two ornate hand-carved columns were rescued and placed in the third-floor museum. An elevator was also added to the structure, to make the fourth floor gymnasium more accessible. In 1998, Sokol began construction on a $1.5 million ($ in dollars), addition to the Bohemian National Hall.

The cars were to run into the sidings at the Rail Motor Depot, but when the driver got up to adjust the offside rear-vision mirror he was locked out of the cab by the self-closing door. Unable to regain control of the vehicle, the train proceeded to collide with stabled Sprinters 7019+7016. Despite being the aggressor, 7010’s damage was mostly superficial, consisting of broken windows and bent side panelling. 7019 came off much worse; with a buckled frame, the No. 2 cab bent downwards nearly 30 degrees at the saloon doors.

The design was subsequently submitted to the WFA Advisory Committee, which gave its approval. After receiving tenders from several companies concerning the construction of the body, the Stores Supply Committee decided to consider carrying out the work in the Brigade workshops. Workshops Officer J. Morris therefore submitted an estimate on the basis of carrying out the body framing at the workshops, but placing the work of panelling and interior fitting with specialist firms. The Board approved this submission and after taking delivery of the chassis in October 1943, construction of the Canteen commenced.

He also provided models for goldsmith's work. Maillet was born in Paris, the son of a menuisier, or carver of furniture and panelling, of the working-class district, the Faubourg Saint- Antoine.Biographical details in this article are extracted from "Jacques- Léonard Maillet, sculpteur à Paris au XIXième siècle, sa vie et son oeuvre racontées par ses descendants.", 14 September 2004, referred to as "Maillet, sculpteur". His earliest training had been in a drawing school in the Faubourg Saint-Antoine, before he entered the école des Beaux-Arts at the age of seventeen, 1 October 1840.

Textured fibreglass panelling was fitted to the side walls, partially concealing gold glass cloth backing, and variable lighting was installed in the outer rim of the ceiling to play different coloured schemes over the walls during intermissions. A single set of tabs (curtains) revealed the immense screen. Foyer areas were reached via escalator from a ground-floor box office; the upper foyer featured a fishpond. A somewhat flatter screen was installed following the revival of Lawrence of Arabia to allow for a less distorted view of the desert skylines.

In 1999, CaseIH and New Holland AG merged to form CNH Global. As part of the post merger product simplification process, both harvester lines of CaseIH and New Holland were based on a common basic platform, with each model then customised to the features usually found on each harvester (e.g. cabin, external panelling, colouring, decals etc.). These combine harvesters are manufactured in Grand Island, Nebraska This series consisted of the 7120, 8120 and 9120 models and were based on a 5.4m2 (7120) and 6.5m2 (8120/9120) cleaning area.

Baddesley Clinton The Ferrers appear to have remained Roman Catholic recusants after the Reformation, along with many other members of the Warwickshire gentry. They sheltered Catholic priests, who were under threat of a death sentence if discovered, and made special arrangements to hide and protect them. Several priest holes were built, secret passages to hide people in the event of a search by the authorities. One such priest hole is off the Moat Room, and is simply a small room with a door hidden in the wood panelling.

The main auditorium can hold 300 plus 180 in a gallery and in recent years has been used as a corporate events space for conferences and product launches. Wooden panelling nailed directly to the brickwork and acoustic plaster was used to give the hall excellent acoustic qualities, considered the best hall in London for chamber music. This made it very suitable for the performance of music and there have been regular recordings and concerts there. The ceiling of the auditorium was glazed and this made it very light and airy for the time.

On December 11, 2018, immediately with the issuance of a demolition permit to the Diocese, the parish building was razed; although its stained glass was removed and sold at that time, the ornate painted panelling adorning its halls was not salvaged. Despite previous statements by a diocesan spokesman that it was against "universal church law" to sell sacred objects to non-church entities when negotiating with the city, on December 21, 2018 the Mater Dolorosa Preservation group reported finding the church's former stained glass for sale in a salvage shop in Minnesota.

Many of the original fittings remained in place and were said to be in fine condition. The house was sold piecemeal for £250 with the Stateroom, panelling and an oak doorway going to the Victoria and Albert Museum.The Old Palace of Bromley, Survey of London: volume 1: Bromley-by-Bow (1900), pp. 33-40. Date accessed: 14 February 2009 Bromley was also known as Bromley-St Leonards, after St Leonard's Priory a Benedictine nunnery founded in the time of William the conqueror and mentioned in the General Prologue to Geoffrey Chaucer's Canterbury Tales.

However, it does not resist impact damage as well as meranti. It is often sheathed in epoxy resin to increase strength and give more impact and abrasion resistance, and to increase water resistance over conventional marine enamel paints. It is often used in sandwich construction using the West (and other similar) epoxy system. Its attractive appearance means that it is often used decoratively as the top surface veneer in panelling and furniture, or in solid form, in luxury items such as boxes for cigars or other high-value items (e.g.

She had been escorted part of the way by various RAF squadrons based on the West Coast of Africa, including No.204 Squadron on 13 June 1942.AIR27/109 RAF records National Arvices.gov.uk During one of her visits to the city she was subjected to one of the less happy events to befall this magnificent ship. Furniture, chandeliers, carpets, fittings, all the evidences of her former luxury, including hundreds of square feet of rare and beautiful panelling, were ruthlessly torn out and flung on the quayside as "she was gutted as thoroughly as a herring".

The isolated parish church is situated in a rectilinear churchyard alongside the Iscoyd Brook. It is a whitewashed brick building constructed in 1830, with a spire and clock added in 1898. It replaced an earlier thatched, timber-framed building that collapsed in 1829 during an attempt to restore it. The church contains some panelling reused from the earlier building, as well as a 1696 monument to the clergyman and diarist Philip Henry, who lived nearby, and a memorial dated 1782 to local landowner Richard Congreve, who was the first burial in the church grounds.

Steps with terracotta-dressed cement walls and piers lead to three identical round-arched entrance doors with wood panelling, flanked by terracotta columns and set below a balustrade. This is supported on brackets with foliage decoration, and has four decorative terracotta urns corresponding with the top of each column. This forms the centre bay of a three-bay façade; the outer bays have paired round-arched windows. The balustrade spans the width of the façade between ground- and first-floor level, forming a kind of porch or portico.

Thomson, described the house as standing back from Full Street within a small rectangular court. The wide staircase ascended from a small hall to the drawing room; on either side of the drawing room were small panelled rooms which had served as the bedrooms for the prince and his officers. A spacious drawing room on the ground floor (altered by Mousely) gave access to a long garden, enclosed between high walls, which led down to the riverside. Mousely had intended to sell off the panelling from the house in separate lots.

The granite was quarried on site while Buiskop sandstone was used for the courtyards. Stinkwood and Rhodesian teak were used for timber and wood panelling. The roof tiles and quarry tiles for the floors were made in Vereeniging. The cornerstone was laid in November 1910, shortly after the Union of South Africa – for which the buildings are named – was formed. Taking 1,265 workers over three years to build, the structure was completed in 1913 at a total cost of £1,310,640 for the building and £350,000 for the site.

Only Scots Church and the former Grace Building can match it for such detailing and overall architectural composition. This language is also comparatively rare on the national and international scene. The Alt Deco panelling on Market Street is rare as a shopfront in Sydney, there being only the Zink and Sons shopfront in Oxford Street and the former Sydney Electricity shopfronts from the Queen Victoria Building (now in the Powerhouse Museum) for comparison. The place is important in demonstrating the principal characteristics of a class of cultural or natural places/environments in New South Wales.

Another special feature in the Library is the Lachlan and Elizabeth Macquarie Room, which provides a unique historical link between Macquarie University and its namesake, Lachlan Macquarie, the fifth British governor of New South Wales. The Lachlan and Elizabeth Macquarie Room is showcased inside the entrance to the Library. The Room is of the original ground floor parlour room from Lachlan and Elizabeth Macquarie's home on the Isle of Mull, Scotland. It includes all the original timber panelling, doors, windows, alcoves, shutters, and fireplace dating from the 1820s.

A three-storeyed annex extends to the north-east, sitting a half a storey below the rest of the building; it has a hipped roof, rectangular windows, tiled awnings to the south and a timber porch to the north. Notable features of the interior include timber panelling and two stained glass windows, one depicting the arts, the other, the sciences, in the main entrance foyer. The chapel has a stained glass window to the south. The headmaster's residence is an asymmetrical gabled composition in matching materials to the main building.

John Norton designed an irregular roof to emphasise the asymmetrical design. This picture was taken in September 2005, before the restoration of the roof and its distinct diaper-pattern. The Builder magazine (the central clock tower shown was demolished in 1935 at the decision of Lady Wraxall, owing to dry rot) In 1854 William Gibbs commissioned John Gregory Crace, an architect he was already using elsewhere, to redesign and decorate the principal rooms at Tyntesfield. These new designs included gilded panelling, woodwork, moulding and chimneypieces all in the Gothic style.

It had a shingle-sided second story with bedrooms having tongue-and-groove panelling. The first floor of the renovated house had wall-papered rooms, and consisted of kitchen, dining room, and front and back parlors. In 1980, doublehung sash windows survived in the original house and in the rear extension, while some second-story windows had been replaced by vertical casement windows. A second contributing building is a shiplap-sided gabled two-story carriage house/barn (photo #4), opening onto Webber Avenue, which was built in 1905.

A private staircase between the Parlour and the Withdrawing Room leads to the first floor. The Withdrawing Room has 16th- century carved wooden panelling, and a wooden ceiling with moulded coffering, which probably dates from 1559 when the Great Hall ceiling was added. The bay window in this room was also added in 1559, at the same time as the one in the Great Hall. The pair of windows bear the following inscription underneath their gables: The wolf head crest also appears in the late 16th-century stained glass of the Withdrawing Room.

The estate included of parkland, of orchards, of arable land, stabling, and two adjacent, semidetached houses in Langford village, known as Mendip Villa and Richmond House. Hill retired from commercial life after dissolving the Savage & Hill partnership on 1 November 1881. At that point, he had accumulated considerable wealth, and consequently, was able to spend a substantial amount of money making improvements to Langford House. He remodelled the house, added a belvedere tower in Italianate style, and decorated the interior in typical Victorian style with dark paint and panelling.

Temple Israel was built in 1936 on the corner of Claim and Paul Nel Streets when the Jewish population of Hillbrow amounted to around 800. The interior maintains much of the original features such as wood panelling and parquet floors. The bimah has twin gold columns and menorah shapes going up the wall. There is also an egalitarian three-sided gallery that runs around the main seating area.Temple Israel, Hillbrow, 1936 Joburg. Accessed on 6 December 2019 The idea to build the synagogue was sparked by a visit in 1929 of Prof.

All of these rooms are lined with timber vee-jay boarding and are stained up to the picture rail to simulate the richness of panelling. Bedrooms, hall and public rooms are all carpeted. The north-western corner of the house has now been enclosed with fibro-cement sheeting to form two large rooms, which are semi self- contained with basic bathroom facilities. A secondary axis is formed on the western side of these rooms by a series of doors that link the kitchen to the dining room, drawing room and on to the front verandah.

Between February and June 1951, at least 48 cars were manufactured. The wooden framework for the bodies was now supplied by Alexander Schleicher GmbH & Co, but for a time, the material used for the external panelling varied from car to car. The majority used plywood sheets covered with a synthetic leather fabric. Fabric car bodies were common in the 1920s, and in post-war Germany the scarcity of sheet steel, coupled with low manufacturing cost and light weight, briefly countered more negative factors such as an old-fashioned appearance and relatively poor durability.

Stable block The long gallery, along the west front of the upper floor, was completed by the end of the 16th century. When Dame Margaret Constable was given leave to 'walke at her pleasure' in 1610, the Long Gallery would have been sparsely furnished, and probably remained as such throughout the 17th century. However, its panelling dates from the late 17th century, as does the marble fireplace. Its elm and mahogany bookcases were installed in the 1740s by Cuthbert Constable, and the neo- Jacobean plasterwork on the ceiling and frieze dates from the 1830s.

Kai Nielsen's sculpture of Ursus and the Bull was positioned on the roof from the beginning but was not gilded until 1949. In 1955, the cinema was comprehensively renovated under the supervision of Holger Pind with new ventilation, carpeting, seating, rosewood wall panelling and the installation of a CinemaScope screen wide. In the mid-1970s, the cinema suffered from diminishing audiences threatening its viability. Drawing on the experience of the Marignan Concorde cinema in Paris which had been divided up into six auditoriums, the Palads was restructured into 12 auditoriums in 1978.

Apartments burnt included the Crimson Drawing Room (completely gutted), the Green Drawing Room (badly damaged, though only partially destroyed by smoke and water) and the Queen's Private Chapel (including the double-sided 19th century Henry Willis organ in the gallery between St George's Hall and Private Chapel, oak panelling, glass and the altar). St George's Hall survived with the walls largely intact, but the ceiling had collapsed. The State Dining Room in the Prince of Wales Tower and the Grand Reception Room were also devastated. In total, 100 rooms were affected by the fire.

As part of the restoration, new fittings were installed, including communion rails, an octagonal stone font, a carved oak lectern, an oak prayer desk, and a carved and traceried oak pulpit. The font was gifted by the family of Rev. John M. Hale Whish as a memorial to the late rector. The church was reseated with new pews of pitch pine, and some of the wood from the old pews were reused to create dado panelling. The church reopened on 3 October 1895, with sermons preached by the vicar of Cheddar, Rev. Preb.

An apartment on the principal storey contained a pointed arched fireplace, enriched panelling of oak, and a bay window, together with its size, being larger than the other apartments, would prove this to have been the grand room of the house. Heavy beams of chestnut crossed the ceiling, supported by a slender pillar at the intersection. Some apartments, south of this principal room, had been disused for many years, the windows being partly blocked up. The low pointed arched doorway was about two feet six inches in width.

The building is characteristic of a large timber residence of the late nineteenth century, and is characteristic of the fine design skill of architect GHM Addison. The building has considerable architectural merit as a well composed and innovative residence. The place is important because of its aesthetic significance. Many of the features of the building are of considerable aesthetic value including the joinery, particularly the entrance door, unpainted internally dado panelling which varies throughout; early wallpaper complete with friezes and borders; other internal joinery and glazing; door furniture and fireplaces.

The installation is the largest of its kind in the UK. The fit-out process for the office space for the Highways Agency by JD Interiors incorporating J T Hawkes (electrical contractors) and Robert Prettie took 35 weeks to complete. Facilities provided include toilet blocks, shower rooms, kitchen areas, first aid areas and prayer rooms. The reception area was fitted out with oak panelling to the ceilings and walls, and glass feature walls and reception desk. The Highways Agency moved their Broadway offices at Five Ways to The Cube in May 2010.

Professional suites occupy the ground and sub-floors, with the remaining levels providing residential accommodation. Apart from the sixth level, which has always accommodated two apartments, each of the residential levels originally contained one spacious flat with central arrival hall, servants' rooms in the back western corner and family living in the L-shape. Most of the flats have been subdivided since, with apartments currently numbering twelve. The block is serviced by a central elevator, dumb waiter and common L-shaped hallways, which are lined with dark-stained silky oak dado panelling.

Ornate plasterwork features throughout the house. Designed by Giuseppe Cortese, this use of plasterwork is especially prominent in the entrance hall, where the Rococo style predominates, and in the library, where the plasterwork illustrates fruit themes. In March 2015, unpublished photographs from the City of Leeds archives revealed that the panelling and mantelpiece in the study of Sutton Park had been imported from the Morning Room of Potternewton Hall, in Leeds, which was the ancestral estate of Olive Middleton. Olive was the great grandmother of Catherine, Duchess of Cambridge.

Elsewhere it is a shell pattern, with at various intervals the arms of Spencer (argent two bars gemelle between three eagles displayed sable) and semi-grotesque heads. On the east side the panelling has been moved forward to provide another room, which contains bricked up a mullion window of the original typereplaced by windows of seasoned Oregon pine elsewhere in these rooms. The room is now all that remains of the occupancy of the Francis Bacon Society. Over the main door there is a carving known as a "cresting" incorporating a spread eagle.

Due to the relatively low re-entry speed anticipated, it was believed that complex heat- resistant tiling could be dispensed with in favour of simpler and cheaper nickel-alloy panelling across the vehicle's underside. Mustard was to be crewed by between three and six astronauts. Operationally, there were two primary vehicle configurations, the orbiter and booster stages, respectively. The orbiter vehicle, which carried the desired payload, featured ducting to receive fuel from the boosters, while the booster units incorporated systems for transferring fuel across to the orbiter vehicle or between one another.

The dining room on the ground floor, which is in the north eastern corner of the building, is the only room on the ground floor which survives with a nineteenth century interior. The room has plaster walls, a plaster moulded cornice, a white marble fireplace with cast iron grate and surrounds and a tiled hearth. The rooms on the upper floor have been more recently renovated, with s wall veneer panelling on all walls and plaster walls and ceilings. The windows are framed in original moulded timber framing.

The most significant aspect of the architecture is the house's two-story interior: aside from plumbing updates in the bathroom and kitchen, it has not been modified in more than a century. Among the leading pieces of the interior are the gold-colored oak wood panelling, which has never been painted, the artistic tiling, and the five original mantelpieces. In 1982, West View was listed on the National Register of Historic Places, qualifying because of its historically significant architecture. It is one of two National Register- listed properties in the neighborhood, along with the Capt.

As the original house had burned down, the Seven Network iteration of the series is set to use a location for a new Big Brother House. Pictures of the new house were leaked on 12 February 2020, showing the house is located in a refurbished World War II Warehouse inside Sydney Harbour's North Head near Manly. The house was officially revealed on 3 June 2020. This season's house has a modern eco-style interior design, featuring living walls and wood panelling as well as LED lighting and screens.

Most of the ground floor seating consists of canvas, deckchair-type seating with one row of tip-up seating located against the back wall. The balcony upstairs has a raked, stepped timber floor, with each row of seats occupying a different level. The seating in the front three rows is timber and upholstered fixed seating, there are then two rows of canvas seats and a final row of "dress circle" seating at the back. The projection box if located at the rear of the balcony in a space enclosed with fibro- cement panelling.

Christina Foyle died in 1999; control then passed to her nephew Christopher, who modernised Foyles' shop and practices. Christopher Foyle was also, from 1978 until 2008, the chairman and CEO of aviation companies Air Foyle and Air Foyle HeavyLift, chairman and later Deputy President of the Air League, and a Trustee of the Foyle Foundation. He is also a Fellow of the Royal Aeronautical Society, a Liveryman of the Guild of Air Pilots and a Deputy Lord Lieutenant for Essex. Foyles' heavily weathered panelling was replaced by a red plastic, grey metal and beech interior.