The cozy, modish kitchen replacing all those chilly chrome expanses.
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You won't avoid a crash in modish stocks, should one occur.
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But that modish phrase does not quite capture what is going on.
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But the underlying argument is that Czechia is just a little more modish.
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" His black warm-up jacket was a modish update of Hamlet's "inky cloak.
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Start with the Oyster Escargot, the more modish and richer cousin of Oysters Rockefeller.
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He was a sucker for modish philosophies and supposed sciences, from positivism to phrenology.
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But they quickly became involved in a wide variety of modish design-oriented projects.
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But they quickly became involved in a wide variety of modish design-oriented projects.
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With these modish safety demonstrations becoming the norm, the question is what, exactly, do they accomplish?
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The two men met for burgers at Alex, a modish gastropub beneath the city's landmark television tower.
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A few personnel decisions that prioritized traditional size over modish versatility were what ultimately submarined Minnesota's season.
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America's high-yielding bonds and modish technology stocks have made it the go-to place for global savers.
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Malls and the self-conscious monuments of modish architectural stars are "one way to kill cities," he added.
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Peter Gelb became the Met's general manager in 2006, promising to entice new patrons with modish, Broadway-style productions.
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The periodic bursts of electronic music and flashing lights, not to mention the modish costumes, suggest a trendy nightclub.
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The divide is not on points of grammar but on attitudes towards a handful of modish companies, known as FAANG.
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It's a work both modish and antique, apparently postmodern in emphasis but fed by the exploratory energies of the Renaissance.
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Dildos glowed under black light in a V.I.P. room as D.J.s spun from a set list of modish 1990s tunes.
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She knew she disliked what was then modish: white skin, red lips and the practice of contouring to create cheekbones.
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That is the size of the Japanese conglomerate's Vision Fund, which holds stakes in modish technology companies including WeWork and Uber.
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No longer simply a modish place to find high design by local makers, the Future Perfect now has a hushed, theatrical gravitas.
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In 1969, The Times declared that exercise studios, particularly those run by a certain Russian émigré, had become as modish as restaurants.
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Modish, persona-heavy metafiction or fealty to a more austere and straight-backed standard: this was not a difference that could be split.
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It's part workshop, part gallery, part laboratory, with displays of featherwork set among modish furniture, all overseen by two stuffed crows, Jekyll and Hyde.
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One police officer at the scene said he mistook Mr. Margolis, with his long sideburns and "modish clothes," for a draft card-burning hippie.
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Although Citizen is marketed as a means to protect communities, Frame talks about it as an example of a more modish preoccupation—self-care.
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Ms. James sometimes employs modish jargon, saying that the artist Sky Hopinka's video at Bockley Gallery in Minneapolis "troubles" the ways information is circulated.
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In addition, Ms. Douglas exhibits solitary efforts: suitably modish, performative canvases in which hyper-realistic hands and feet are connected by improvised, abstract lines.
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At 23, he wears ripped jeans and white sneakers, has a modish haircut and carries a few extra pounds from too many months without work.
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Megacaptions, which first became popular a couple of years ago, have prompted more than one observer to anoint them as a modish alternative to blogging.
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NEW ORLEANS — Dressed as his alter ego, the modish matron Désirée Joséphine Duplantier, the artist Andrew LaMar Hopkins is a familiar presence on this city's arts scene.
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Hella, dark blond and modish, was first transported to her hometown Oswiecim — Auschwitz to the Germans — then to a forced labor camp at the killing center of Sobibor.
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He has permitted the word "Zio" — an anti-Semitic term used by the Ku Klux Klan — to become the modish slur in Labour circles on campuses and elsewhere.
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The modish opening sequence features paper cut-outs of the women as they intertwine and weave in out and of each other's lives as Mad Men-esque silhouettes.
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In Paris's modish Marais, on a narrow street off the Rue Vieille du Temple, sits a grand 203th-century building that last housed a quincaillerie, or hardware store.
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We were sitting in a modish Lebanese restaurant near the Jeddah corniche, sharing plates of tricornered spinach pastries and stuffed grape leaves across a black butcher-block table.
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Her work was wildly popular, connecting the more rarefied milieu of literary reviewing with the explicitly mercantile project of enticing female readers to buy elaborate editions of modish magazines.
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But from the ominous statement of the first movement's theme, Ms. Kopatchinskaja — performing in her bare feet and a loosefitting, modish outfit — conveyed the music's spectral strangeness and volatility.
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A calculated departure, it allowed him to venture beyond the deliberately overexposed snapshot-like images and word pieces for which he is known and into more abstract, and modish, terrain.
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Her name is Mafdet (meaning, "she who runs") and she was the first of the Egyptian cat goddesses, long before the more modish Bastet and Sekhmet appeared on the scene.
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She pushed her modish sunglasses up her nose and smiled at the emerald-headed fowl that were tantalized and scandalized by the one morsel of bread Rebecca had tossed their way.
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On the increasingly modish topic of "trade remedies" (anti-dumping measures, investment screening and so on), the absence of a sceptical British voice also tilts the scales against the free-traders.
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The book is the work of a Swedish writer named Carl-Johan Forssen Ehrlin, whose author bio lists a miscellany of modish occupations: behavioral scientist, communications teacher, life coach, leadership trainer.
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Petkanas delivers a meticulous dissection of our endless fascination with the modish, bewitching women who refuse to let us in, and upon whom we project our fantasies, desires, even our hatred.
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He quickly incorporated the modish look into his best London portraits, ethereal things full of motion and light, an ocean away from the sharply etched lines of his New England work.
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The car is a candy-apple-red Model 20193 sedan that appears to have had part of its rear half deleted, so that it looks like a modish Chevy El Camino.
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AGILITY is such a modish word in modern management theory that it can seem as if the ideal corporate executive would be a combination of Spider-Man and Simone Biles, a gymnast.
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I chose the six-course tasting menu, an economical way of discovering Mr. Myhre's style, which is more subtle and sensitive than the hypermasculine cooking that's so modish in Oslo right now.
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The mostly black, gray, and cream offering consisted of intricately detailed signature twinsets, button-up culottes, and modish minis all paired with black tights, glittering strings of pearl necklaces, and veiled sailor hats.
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The black-and-white décor is severe but modish, and the ceiling is a stark high swoop; black wood tables seem to drink in the dim yellow glow from Art Deco light fixtures.
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The middle-aged Jimmy Han, who inherited the restaurant (along with its tired menu and timeworn décor) from his late father, hopes to open his own pan-Asian fusion restaurant in modish Georgetown.
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Such strenuously flabbergasting and preposterous pop displays bolster the general undertone of the modish 'visionary' nature of Schöffer's work, associating his flashing and spinning techno-decorative oeuvre with magical management and paranormal paradises.
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With a demurely downcast head, she was innocent but not dumb or less mature than her years, as in some interpretations, and definitely not the febrile, psychologically fragile Giselle that has become modish.
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The novelty is that the protagonists are young, modish gay men: Alex (Billy Cullum), an ex-addict American financier, and his boyfriend Obi (Tyrone Huntley), a digital marketer from a family of Nigerian immigrants.
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Tehran, Iran (CNN)With their stylish clothes, effortless English and modish hair, the young people relaxing in this park in north Tehran would give New York or London hipsters a run for their money.
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Ms. Collins, who lives in Brooklyn Heights in a modish duplex apartment overlooking the East River, is emblematic of a certain demographic: mostly white — though Ms. Collins is half-black — expensively educated and housed liberals.
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It's a difficult concept, but the cast, dressed in modish, stylized costumes, embraced it and brought lots of youthful, ardent singing to the music, backed by the sensitive period-instrument Juilliard415 ensemble, with Avi Stein conducting.
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There's no time to grieve, though: Time keeps sprinting toward the present, past the brightly modish 1960s and the late '80s, when a publisher tells Orlando that "genre-bending" would be disastrous for her career as a writer.
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Nothing I'd seen of him in Sarajevo and Pale prepared me for the frightening world of disconnected, madcap reasoning that poured forth as we sipped Turkish coffee at a table overlooking a shopping mall's splashing fountains and modish boutiques.
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Leona's melismatic vocals floated over Tedder's meaty, modish production, transforming a relatively standard ballad into a song that hit a particular nerve like the zap of electricity when your hand hits the static charge on a car door handle.
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She was prepping last week in her gray-on-gray suite at the strenuously modish Langham Hotel in the southern part of Midtown Manhattan, riffling through her outsize closet in anticipation of the multicity tour promoting the movie's release.
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Instead Mr Costa, the son of a communist intellectual from Goa, Portugal's old colony in India, convinced two hard-left parties—the old-school Communists and the modish Left Bloc—to support a minority Socialist government in exchange for modest policy concessions.
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The modish heroine of MURDER IN SAINT-GERMAIN (Soho Crime, $27.95) and other delicious Parisian mysteries by Cara Black must juggle motherhood with finding a nasty blackmailer, overseeing computer security at the École des Beaux-Arts and hunting down a Serbian warlord.
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Expectations be damned, Styles is taking a huge risk by not adhering to the confines of a modish genre — something all of his former bandmates have done, be it Louis Tomlinson's Steve Aoki-assisted EDM or Niall Horan's bland "coffee shop open mic" debut single.
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The airy redesign, featuring exposed rafters, oiled white oak ceilings, turntables instead of TVs, and vintage furniture from France, was the concept of the modish, New York-based studio of Robert McKinley, whose other laurels include The Surf Lodge in Montauk and The Hall in Miami.
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The installation will sit alongside other responses to the space race, both artistic and astronomical: Also on display will be a glove worn by an astronaut, Eugene A. Cernan, during the Apollo 17 mission, still daubed with moon dust, and some modish designs for 1960s Soviet spacecraft.
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This excellent year-old wine bar with a small-plates menu in the up-and-coming Toyen district, attracts a young, sometimes tattooed clientele — and manages to be polite and friendly in a way that similarly modish places rarely are in, say, New York or London.
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Pete Wells, the restaurant critic of the Times , who writes a review every week—and who occasionally writes one that creates a national hubbub about class, money, and soup—was waiting for a table not long ago at Momofuku Nishi, a modish new restaurant in Chelsea.
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The screenplay of the new movie, by David Kajganich, is adapted from "La Piscine" (1969), a modish romantic thriller with Alain Delon and Romy Schneider, set in the South of France, as was "Bonjour Tristesse" (1958), another tale of a daughter perplexed by her father's passions.
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Of these "King Eddy," as it is affectionately known, is both the oldest (having opened in 1903 with the then-modish claim that it was "Absolutely Fire Proof") and, perhaps, the one with the greatest identity crisis (its current corporate parent, Omni, was preceded by Sheraton and Le Méredien).
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Yet as much as it offers a chance to ogle lots of what a critic for this newspaper termed modish "junk art," Frieze also provides a choice opportunity to observe an elite group of people from among the ranks of the Bloomberg Billionaires Index doing what comes most naturally to them.
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A purple father-figure in a hat, a green mother with a vaguely modish haircut, and scrawly orange child with a looping approximation of an afro blink in and out of silent conversation — forks rising and falling in a loop, the contents of their plates lighting up and blinking out.
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There are many brief vignettes, several of which Mr. Morris iterates during the work, that shrewdly conjure aspects of late-1960s life and art: a lift in which the dancer seems to be driving a car, the chic pop dances of the day, the Buddhist postures that become newly modish, and many more.
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The modish shapes still recall the work of Mr. Courrèges — as did the matching top-and-trouser "Françoise Hardy suits," like the Courrèges ones the great 1960s yé-yé queen used to wear — but the collection was slimmed and shortened to challenging proportions and beholden to space age flourishes less suited to our own.
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The "male" machines — black-and-white sub-mobiles (as the entire hanging installation is also technically a mobile) that would more or less be at home above the crib of an infant with extremely modish taste — are equipped with flashlights, and their loose intention is to capture the interest of a female form by flashing her mirror.
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"Her hair now is statement hair and that takes her look to a modern-edgy kind of place, and she's now sometimes dressing around it," Ms. Ginsberg said, pointing to the modish Noam Hanoch jumpsuit with sheer Swiss dot detailing Ms. McAdams wore to the Gotham Awards ("Girl, Whut?" objected the online commentators Tom and Lorenzo).
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It inaugurated a golden age for her business, but her tough-as-nails persona and moneyed background alienated some observers even as it attracted huge names to her client list, including entertainers like Jay Z, Gloria Estefan and Mr. Combs, and modish restaurants and nightclubs of fin de siècle New York, like Moomba, Spy Bar and Asia de Cuba.
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Trinidad-style carnival fetes, after all, are not mere parties but full-on productions, transforming the days surrounding the parade into an unofficial competition: Which modish fete will not only eclipse the more traditional elements of carnival — the parade, the calypso contests, the competition for carnival king and queen — but outdo others in terms of venue, food, D.J. lineup and musical guests?
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Now, thanks in large part to the restored reputation of Genghis and the many successor Khans — a restoration achieved in no small part thanks to the literary diligence of Jack Weatherford — Mongolia has come roaring back, being currently a highly modish place to visit (tourism has tripled in the last decade), a place to revere, be amazed by and in awe of.
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Is it any wonder that the addiction memoir (made modish in the 22015s and 22020s by Charles Jackson's thinly veiled roman à clef, "The Lost Weekend," and "Junky," by William S. Burroughs; revived in the 20133s and 22013s with "Permanent Midnight," by Jerry Stahl, "Drinking: A Love Story," by Caroline Knapp, "Lit," by Mary Karr, and "Night of the Gun," by David Carr) is surging yet again?
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Money can be spent to make sure that the right talent winds up in the right place, more money can be spent to fit locker rooms with marble or whatever other modish garishness, but there is no price that can take the chaos out of the games, or out of the chaotic unfinished hearts of the kids charged with bearing up under March basketball's hot lights and pressure.
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It moved locations, from the Mercury to the larger National Theatre, where it still commanded standing-room-only crowds, and it received such acclaim that Welles cast a touring company to play cities across the US. Columbia Records committed audio highlights of the performance to vinyl, and the original cast was photographed in color for Coronet magazine, wearing the great coats, Sam Browne belts, and jackboots that were then the modish staples of Fascism.
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From his iconic paintings in the mid-50s of the American flag, which seemed to embody the fallout of Red Scare nationalism, to the modish apathy of his bronze sculptures of banal objects like flashlights and light bulbs, to his almost compulsive return in his later paintings to a holistic system of ambiguous symbols like galaxy spirals and cartoonish stick figures holding exaggeratedly large paintbrushes, he has been in a constant state of reinvention.
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Yet more notable to this viewer's eye than Mr. Leto's inoffensively modish get-up was the matinee-idol chic of a Dunhill suit as worn by the British actor Henry Cavill; or a taut Prada version that rendered the perennially rumpled-looking Benicio Del Toro impeccable; or a structured Alexander McQueen tuxedo worn as casually as sweats by Eddie Redmayne, probably the most innately stylish man in Hollywood; or a crisp white Dolce & Gabbana version worn by Lonnie Rashid Lynn Jr. (Common to you).
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Pevsner, p. 145 He called it a "mannered and modish design". Tyack referred to the building's "brutalism".Tyack, p.
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For whatever reason, the Ledger Syndicate favored comic strips with alliterative titles, including Babe Bunting, Daffy Demonstrations, Deb Days, Dizzy Dramas, Hairbreadth Harry, Modish Mitzi, and Somebody's Stenog.
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On the third level, the gulling plot, certain stereotypical characters, such as the sanctimonious Puritan (Sir Samuel), the modish gallant (Estridge and Modish), or the lecherous old ogler, are satirized. Examples of this type of play are James Howard's The English Mounsieur (1663/1674), George Etherege's Comical Revenge: or, Love in a Tub (1664), John Dryden's An Evening's Love: or, The Mock Astrologer (1667), and William Wycherley's Love in a Wood (1671). Although tragicomedies generally do not feature heroic characters in epic-like situations, they uphold class distinctions, social hierarchies, and aristocratic values in the high plots.
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He started his career of writing for the stage in England, notably, tragic works like Sejanus and The Sultan of Love and Fame; and comedies like The Modish Wife and The Tobacconist. He died at the age of 56 on 21 December 1784.
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Also Will Fanlove in William Burnaby's Modish Husband, Lopez in Vanbrugh's False Friend, Trim in Steele's Funeral, Trappanti in Cibber's She Would and She Would Not, and Subtleman in Farquhar's Twin Rivals. He also recited what was known as "Pinkethman's Epilogue". He was known for his ad libs.
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Smith's scheme was judged too small and irregular by Bruce, who urged the Earl to agree to his own "modish and regullar designe".Sir William Bruce to Lord Annandale, 14 September 1694, quoted in Lowrey, p.3 However, the house as built by Bruce is partially based on Smith's early design.Lowrey, p.
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Story began to have scruples about the christening of infants and other rites. Story experienced on 1 April 1689 a call or ‘conversion’ to Quaker tenets. He at once ‘put off his usual airs, his jovial address, and the sword which he had worn as a modish and manly ornament.’ He also burned his musical instruments, and divested himself of the superfluous parts of his apparel.
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Lord Kennet married Elizabeth Ann Adams in 1948. They had six children, one son William Aldus (Thoby) Young, and five daughters; Easter Russell, educationalist; the sculptor Emily Young; Mopsa English, educationalist; and the writers Louisa Young, aka children's author Zizou Corder and Zoe Young. Emily Young, described as an enigmatic and modish teenager in the 1960s, was the inspiration for the Pink Floyd song "See Emily Play".
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After 1963, Lichtenstein's comics-based women "...look hard, crisp, brittle, and uniformly modish in appearance, as if they all came out of the same pot of makeup." This particular example is one of several that are cropped so closely that the hair flows beyond the edges of the canvas. The work is noted for its use of one of art's most classic subjects: the sleeping female muse.
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Edge called it "handsomely austere", "modish", and "elegant". Dan Ryckert of Game Informer complimented its simplicity, and The Guardian Stuart Dredge found the game's minimalism "stylish" and its gameplay "genuinely hypnotic". Eurogamer Dan Whitehead said the game was "basically interactive porn for graphic designers". Nissa Campbell from TouchArcade wrote that its red, gray, and black graphics were "striking" albeit not flashy, and that the game was interesting "visually, aurally, and mechanically".
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The Observer commented on "an engaging little ballet called A Tragedy of Fashion: or The Scarlet Scissors, which Mr. Eugene Goossens has set most suitably to music. Miss Marie Rambert, as an impudently vivacious mannequin, and Mr. Frederick Ashton as a distracted man modist, lead the dancing. It is as chic a trifle as Mr Playfair's modish establishment leads you to expect.""Riverside Nights", The Observer, 20 June 1926, p.
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"Not many plates", said Bewick, "have been superior to these", though "as designer", he adds, "he has in these attended too much to fashion and the change of mode". Portraits by Taylor include a pencil drawing of Cornelius Cayley (1773), Mrs. Abingdon as Lady Betty Modish (drawn and engraved), David Garrick in the character of a drunken sailor speaking the prologue to Britannia (1778), Garrick as Tancred (1776).
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Measuring 174 cm × 95.9 cm (68.5 in × 37.75 in), I Know...Brad is considered an ironic depiction of emotional expression. The work is a three-quarter- length, single image of a lovelorn girl. This is one of Lichtenstein's post-1963 comics-based women that "...look hard, crisp, brittle, and uniformly modish in appearance, as if they all came out of the same pot of makeup."Coplans, p. 23.
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Crawford, P. (2002) Politics and History in William Golding: The World Turned Upside Down. University of Missouri Press: Columbia. This major, critical work was reviewed in The Times Literary Supplement (Medcalf, 2003)Medcalf, S. (2003) Modish parables. Times Literary Supplement 16 May: 23. and a key chapter on ‘Literature of Atrocity’ anthologized in Bloom’s Guides to Lord of the Flies (2004; 2008).Bloom, H. (ed.) (2004) Bloom's Guides: Williams Golding’s Lord of the Flies.
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The label was pleased with the new cover and it was used to promote the new LP in music trade papers, as well as on large billboards across the country. A promotional campaign to introduce Gibson as the newest Mama soon followed, with articles in such publications as Newsweek magazine, which featured an article on the group referring to Gibson as "skeletal, modish, blonde and beautiful".Newsweek, August 8, 1966, p. 78, Vol.
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After 1963, Lichtenstein's comics-based women "look hard, crisp, brittle, and uniformly modish in appearance, as if they all came out of the same pot of makeup." This particular example is one of several that is cropped so closely that the hair flows beyond the edges of the canvas. The image is made more poignant by the cropping and positioning of the fingers. The woman exudes a sense of relief over something that is outside the canvas.
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This frivolous satire, which was privately published and distributed, had a modish success in the 1930s. The original edition is rare; rumour has it that Beaton was responsible for gathering most of the already scarce copies of the book and destroying them. However, the book was reprinted in 2000 with the help of Dorothy Lygon. His other novels, including Romance of a Nose, Count Omega and The Camel are a mixture of whimsy and gentle satire.
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From 1788 he began to develop much wider themes, illustrating "Views in the Pacific", based on sketches from Captain Cook's Third Voyage. He also worked on illustrations of New York. Also in the same year (1788) his engravings of the racehorse "Highflyer", "Foxhound Modish" and "Pointer Dash" after Sawrey Gilpin were produced as part of his continuing work with rural themes. Published 28 Feb 1789 four prints of Malmesbury Abbey, aquatints by Jukes from drawings by John Hanks (active 1785-1790).
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Libby Purves of The Times wrote that "even this grumpy Olymposceptic was brought to actual tears, moved to empathy and understanding by the fabulous theatricality of it." She called Edward Hall's staging "thrilling" and the play "irresistible", adding that "above all, it's the sincerity: a full- blooded willingness to take the hearty morality, amateur spirit and patriotism at its own valuation without modish irony." Praising the main cast, Purves singled out Jack Lowden as "outstanding", and Nicholas Woodeson as "superb".Purves, Libby.
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After 1972, Lichtenstein's comics-based women "look hard, crisp, brittle, and uniformly modish in appearance, as if they all came out of the same pot of makeup." This particular example is one of several that is cropped so closely that the hair flows beyond the edges of the canvas. As with most of his early romance comics, this consisted of "a boy and a girl" subject. It is described as a tense, melodramatic graphic single-frame depiction of a romantic dialogue between a man and woman.
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In 1994 The Times described the chain as "a modish hang-out for the stripped pine brigade". The chain's interior layout has been described as "minimalist". The chain has been criticised by some, such as the writer Will Self, for spreading a bland uniformity throughout British high streets, and for removing individual elements from the pubs that it converts. In 1997, a Slug and Lettuce in a listed building in Islington Green illegally removed its old mahogany bar, which it was later forced to restore.
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The street is one of Cambridge's shopping streets. The shops include a high proportion of independent shops and boutiques as well as some well-known high street names. Trinity College owns most of the buildings in the street, for example the building that houses the J Sainsbury food store, the main central Cambridge supermarket, on Sidney Street and Green Street. Other notable shops and restaurants include Bills, Harriet's Café and Tea Room, Sundaes Shoes, Harriet Kelsall Bespoke Jewellery, Oska, Cateby's, Susie Watson Designs and Modish.
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Among other parts that she had sustained under Garrick were Lady Alworth in A New Way to Pay Old Debts, Emilia in Othello, Lady Brumpton in the Funeral, Cleopatra in All for Love, Lady Betty Modish, Millamant, Zara in the Mourning Bride, Lady Truman in the Drummer, Queen Elizabeth in Jones's Essex, Hermione, Countess of Rousillon, and Estifania. On 9 Oct. 1756 she played Lady Capulet to the Juliet of her daughter, Miss Pritchard, and the Romeo of Garrick. In Home's ‘Agis’ on 21 Feb. 1758 Mrs.
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Giving flight personnel a distinct uniform was also an important move. At the time, flight attendants' uniforms resembled the gray-blue ones of the Swiss Women's Army Corps, so Berchtold introduced ones in a modish marine blue, and Swissair initiated a veritable fashion competition among European airlines. Douglas DC-7C (1957) In 1952, the cabin layout on northern trans-Atlantic routes was changed to one with a first and a tourist class. First class had comfortable chairs in which one could sleep, given the name "Slumberettes".
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The first incarnation of the band that would become The Nova Saints formed in Hereford in 2003 as Spencer, a modish garage band, albeit with a heavy shoegaze influence. The band was initially formed purely to provide a support act to a friend's band. The primary members were John Banks, Steve Waterhouse, Dom Gallagher, Gareth Children and Tom Chillcott and the name was a throwback to a band the four members played in as teenagers. In 2004 Spencer expanded their line-up by adding keyboardist Matt Goddard to augment their increasingly shoegaze influenced sound.
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Colley Cibber acknowledged that she had as much as he to do with the success of his The Careless Husband (1704), in which she created the part of Lady Modish. Of her portrayal of Lady Townly in his The Provoked Husband (1728), Cibber was to say, "that here she outdid her usual Outdoing". She also played the title role in Ben Jonson's Epicoene, and Celia in his Volpone. In tragedy, too, she won laurels, and the list of her parts, many of them original, is a long and varied one.
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Richard Estcourt (1668–1712) was an English actor, who began by playing comedy parts in Dublin. His first London appearance was in 1704 as Dominick, in Dryden's Spanish Friar, and he continued to take important parts at Drury Lane, being the original Pounce in Steele's Tender Husband (1705), Sergeant Kite in Farquhar's Recruiting Officer, and Sir Francis Gripe in Mrs Centlivre's Busybody. He was an excellent mimic and a great favourite socially. Estcourt wrote a comedy, The Fair Example, or the Modish Citizen (1703), and Prunella (1704), an interlude.
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Kehati's Mishnah commentary was written in Modern Hebrew, the book cover design used a modish font and color, and it lacked decorative edge-marbling. The page layout of the Kehati commentary mimics the layout found in Dr. Symcha Petrushka's Yiddish Mishnah commentary (published in Montreal, 1946). Both Kehati and Petrushka were raised in Warsaw. Kehati's commentary was influenced by the clarity of the Meiri's Talmud commentary, as well as the modern approaches of Dr. Petrushka, Rabbi Zvi A. Yehuda, and Professor Hanoch Albeck whom he quotes in his commentary.
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Ohhh...Alright... source was Secret Hearts #88, June 1963 Measuring 91.4 cm × 96.5 cm (36 in × 38 in), Ohhh...Alright... is derived from the June 1963 edition of Secret Hearts #88 by Arleigh Publishing Corp. (now part of D. C. Comics). After 1963, Lichtenstein's comics-based women "...look hard, crisp, brittle, and uniformly modish in appearance, as if they all came out of the same pot of makeup." This particular example is one of several that are cropped so closely that the hair flows beyond the edges of the canvas.
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Its students were more modish and "trendy" than those of the Sorbonne in the city's Latin Quarter, being described at the time in terms that typify more generally the styles and attitudes of young people the late 1960s: > It is the girls that give the show away - culottes, glossy leather, mini- > skirts, boots - driving up in Mini-Coopers ... Rebellious sentiment is more > obvious among the boys: long hair, square spectacles, Che Guevara [Cuban > revolutionary, died 1967] beards. The picture in Nanterre in May was lots > and lots of painted dollies cohabiting with unkempt revolutionaries.Seale & > McConville, op.cit.
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Bo Wah Paper Craft () is established in 1963 and located in Sham Shui Po. The owner used to make traditional papier-mâché lion’s heads for Chinese New Year, but Au Yeung Bing Chi, the son of the owner, have changed the style of papier-mâché from traditional to modish in order to cater for the modern society and to create a new trend. Papier-mâché can be customized in Bo Wah; for instance, creative papier-mâché products such as a stormtrooper from Star Wars and specific bones of the human skeleton are available in the shop.
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" David Sackllah of Consequence of Sound said the album too often "finds the band retreading well-worn material". He said that the lyrical rewrites to reflect the political climate resulted in the album being "full of references that can feel shoehorned in". Calum Marsh of Pitchfork said that Songs of Experience is "the shameless effort of four men in their late 50s to muster a contemporary, youthful sound." The review criticized Bono's lyrics for their platitudes and attempts to tackle political subjects, saying, "Despite the blatant bid to sound modish and rejuvenated, U2 cannot help in certain respects but sound the same.
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According to Hilary Putnam, Ziff was extending the "empirical realist reply to skepticism." In his 21-page paper about Ziff's view, "Other Minds" (1972), Putnam discussed both Ziff's argument and his commentators’ criticisms, and said that he and Ziff were in "essential agreement" on how to solve the other minds problem, and in "common disagreement with the modish treatment in terms of" criteria, analogies, and language learning. "Understanding Understanding" came out in 1972, Ziff's second year at UNC. It has eight papers, all of them concerned with what had now become his main topic in the philosophy of language: viz.
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Another retired senior civil servant, Bruce Fraser, was asked to revise The Complete Plain Words. The new edition, 250 pages long, was published by HMSO at £1, in hardback with black cloth binding and dust-jacket, in the same format as the first edition.Gowers (1973), dust-jacket et passim Fraser preserved Gowers's structure, and added three new chapters, the most important of which was titled "Some recent trends"; it covered the increasing prevalence of informality, and the influences of America, science, technology, economics, business, and personnel management. The final sections of the chapter were on "vogue words" and "modish writing".Gowers (1973), p.
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The playwright William Congreve mentioned Shrewsbury cakes in his play The Way of the World in 1700 as a simile (Witwoud – "Why, brother Wilfull of Salop, you may be as short as a Shrewsbury cake, if you please. But I tell you 'tis not modish to know relations in town"). The recipe is also included in several early cookbooks including The Compleat Cook of 1658. A final reference to the cakes can be seen to this day as the subject of a plaque affixed to a building close to Shrewsbury's town library by the junction of Castle Street and School Gardens.
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The last original part she played was the heroine of Holcroft's Force of Ridicule, 6 December 1796, which was unfavourably received on its first night and remains unprinted. On her last appearance, 8 April 1797, she played Lady Teazle; a large audience was attracted, and Farren, after speaking the farewell lines of her part, burst into tears. The Shakespearean parts of Hermione, Portia, Olivia and Juliet were in her repertory, but comedy parts such as Lady Betty Modish, Lady Townly, Lady Fanciful and Lady Teazle were her favourites. Farren had a slight figure and was above average height.
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The magazine was named after Victor Margueritte's 1922 novel La Garçonne—whose title was translated for English readers as The Bachelor Girl—which was a critique of tomboys and flappers. The word garçonne is derived from the French word for "boy" (garçon) with the addition of a feminine suffix; its closest English translation is "tomboy". After the publication of Margueritte's novel, the term came into popular use as a descriptor for flappers, women who wore masculine clothing, and lesbians. According to Marsha Meskimmon, the relaunch of Frauenliebe as Garçonne, "the more modish title", provided the magazine with a more marketable title that functioned as "a common currency as a lesbian type".
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" At Rolling Stone, Rob Tannenbaum alluded to how Pickler "continues to [write] vibrant drama from her crazy family". Glenn Gamboa for Newday highlighted that "With 'The Woman I Am,' Pickler shows how the next phase of her career may be bigger than she ever dreamed." At Entertainment Weekly, they said Pickler "ditches modish pop-country for old school songs about cheating and her pistol-packin' great grandma", and felt that "she shines brightest on the autobiographical title track." At Music Is My Oxygen, Rob Burkhardt noted that her underrated status was "poised to change" because the album will put "her in a position to come into her own.
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He dressed well and had a taste for expensive suits and ties. His hairstyle and his clothing did not change in the first three seasons but in the fourth and final year, Vaughn (like McCallum) grew his hair somewhat longer and wore modish clothing, such as double-breasted suits, in order to reflect evolving 1960s fashions that the show itself had influenced. In "The Secret Sceptre Affair", it is stated that Solo served in the Korean War. Nothing much is known about his immediate family, although it appears one of his grandfathers was an admiral, the other was an ambassador ("The Green Opal Affair").
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Girl in Mirror uses Ben-Day dots like many of his other works, but it was inspired by the hard reflective finish of signs in the New York City Subway system and, in turn, they inspired his subsequent ceramic head works. Enamel facilitated a more mechanical appearance than even his paintings while remaining in two dimensions. After 1963, Lichtenstein's comics-based women "... look hard, crisp, brittle, and uniformly modish in appearance, as if they all came out of the same pot of makeup." This particular example is one of several that is cropped so closely that the hair flows beyond the edges of the canvas.
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Lichtenstein had a desire that his paintings look as mechanical as possible although he was a painter. Rather than selecting subject matter from photographs by an individual, he selected teen and action comics, such as the obvious source for this work, as subjects since they were illustrated by teams that produced source material that was devoid of "personal elements of style". After 1963, Lichtenstein's comics-based women "look hard, crisp, brittle, and uniformly modish in appearance, as if they all came out of the same pot of makeup." This particular example is one of several that is cropped so closely that the girl's hair flows beyond the edges of the canvas.
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Much like the band's previous work Astraea is considered primarily as mathcore. This is displayed in the theoretical complexity of their music, such as odd time signatures like 9/13, polyrhythmic drumming and use of dynamics, akin to bands such as Converge, Radiohead and Sigur Rós. Their sound is seen as a "stylistic schism" between "Dillinger Escape Plan-esque tech-metalcore, grandstanding prog rock and modish synthesised pop" and fusing aesthetics from shoegaze, space rock, ambient, black metal, hardcore punk, jazz, pop, progressive rock and techno. The band is noted for their two vocalists who utilise both screaming and singing vocals, and the album is described as featuring more 'clean vocals' than previous albums.
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Explaining the change, designer Martin Lambie-Nairn said that "by choosing a typeface that has stood the test of time, we avoid the trap of going down a modish route that might look outdated in several years' time". The BBC had an earlier association with Gill, who created some sculptures on Broadcasting House. Other more recent British organisations using Gill Sans have included Railtrack (and initially its successor Network Rail), John Lewis and the Church of England, which adopted Gill Sans as the typeface for the definitive Common Worship family of service books published from 2000. The British Armed Forces has also used Gills Sans on some stores labels on equipment and ammunition crates.
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There was another actor named John Palmer (1728–1768). He was known as "Gentleman Palmer", but does not seem to have been related to the other John Palmer.John Bull, 'Palmer, John (1728–1768)’, Oxford Dictionary of National Biography, Oxford University Press, 2004 accessed 9 Feb 2015 He was celebrated as Captain Plume, as Osric, and as the Duke's servant in High Life Below Stairs; he was also a favourite in Orlando and Claudio, but especially in such jaunty parts as Mercutio. His wife, a Miss Pritchard, played from 1756 to 1768, and was accepted as Juliet and Lady Betty Modish, but was better in lighter parts, such as Fanny in the Clandestine Marriage.
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His modish title sequences for the films of Alfred Hitchcock were key in setting the style and mood of the movie even before the action began, and contributed to Hitchcock's "house style" that was a key element in his approach to marketing. Another well known designer is Maurice Binder, who designed the often erotic titles for many of the James Bond films from the 1960s to the 1980s. After his death, Daniel Kleinman has done several of the titles. However, the leader in the industry in the 1990s - 2000 was Cinema Research Corporation, with over 400 movie titles to its credit in that time period alone, and almost 700 titles in total from the 1950s to 2000.
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While based on the fêtes galantes of Watteau and Nicolas Lancret and on 17th-century Dutch genre painting, de Troy's compositions distinguish themselves through their detailed rendering of clothing and furnishings. The dress of the protagonists discloses their high social status.Jean François de Troy, The Alarm, or the Gouvernante Fidèle at the Victoria and Albert Museum, London These tableaux de mode are also characterized by the meticulous handling of the paint and their luxurious and modish qualities. The alarm, or the Gouvernante Fidèle While Watteau's 'fête galantes' were filled with a sense of mystery and timelessness, de Troy's tableaux de mode were intended to provide a more realistic depiction of contemporary fashions, pastimes and manners.
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The song was written by Preston "Red" Foster, an African-American musician unrelated to the actor of the same name. Music publisher and executive Sol Rabinowitz described Foster as "one of the shyest human beings I've ever met", and a judge in the early 1970s described him as "a Black man, about forty years of age... with bleached blonde hair and highly modish clothing [who] sat quietly in the courtroom." According to Rabinowitz, Foster approached him in the mid-1950s with several songs. Rabinowitz recalled: In his biography of Muddy Waters, Robert Gordon gave a similar account: Waters and his band learned the song while backing Cole on a Southern tour and promptly recorded it after returning to Chicago.
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Fantel, p. 52 By adapting his mentor's belief in free will, Penn felt unburdened of Puritanical guilt and rigid beliefs and was inspired to search out his own religious path.Fantel, p. 53 Upon returning to England after two years abroad, he presented to his parents a mature, sophisticated, well-mannered, "modish" gentleman, though Samuel Pepys noted young Penn's "vanity of the French".Fantel, p. 54 Penn had developed a taste for fine clothes, and for the rest of his life would pay somewhat more attention to his dress than most Quakers. The Admiral had great hopes that his son then had the practical sense and the ambition necessary to succeed as an aristocrat. He had young Penn enroll in law school but soon his studies were interrupted.
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She had an exquisitely pretty face, and had been taught by Garrick. She played her mother's parts of Lady Betty Modish in The Careless Husband, Beatrice, Marcia, Isabella, Miranda, Horatia, Perdita, &c.;, but lacked her mother's higher gifts, and never fulfilled expectations. Her chief successes were obtained as Harriot in The 'Jealous Wife of Colman, and Fanny in The Clandestine Marriage of Garrick and Colman, both original parts. She married, near 1762, the actor John "Gentleman" Palmer, retired the same year as her mother, 1767-8, and, after her husband's accidental death in 1768,John Bull, ‘Palmer, John (1728–1768)’, Oxford Dictionary of National Biography, Oxford University Press, 2004 accessed 9 Feb 2015 married a Mr. Lloyd, a political writer.
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Tatiana too ponders whether Onegin's guises make him "a Muscovite in Harold's dress, a modish second-hand edition" (7.24).Charles Johnston’s translation But however much that pose may have been appreciated in the first half of the 19th century, by World War 2 the reaction to the hero's attitudes had veered to scepticism. C. S. Lewis, in The Screwtape Letters (1941), bracketed Childe Harold and Young Werther as Romantic types "submerged in self-pity for imaginary distresses" for whom "five minutes' genuine toothache would reveal [their] romantic sorrows for the nonsense they were".C. S. Lewis, The Screwtape Letters (1941), Letter XIII Equally, the bluff hero of C. S. Forester's The Commodore (1945) dismissed Byron's poem as "bombast and fustian" while flipping through its pages for inspiration.
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" Of the self-portrait a society writer said a viewer at the exhibition would be astonished because the "smiling, young, modish society woman, seemingly coming out of the frame with outstretched hand to greet you, looked too much the woman of fashion to be the hard working artist." In the fall of the following year Cotton showed a self- portrait and portraits of two wealthy New Yorkers at Knoedler's. The sitters were William Seward Webb and James L. Breese. Writing in The Sun, a critic said the paintings were made "in a vigorous style unusual in a woman" and another, in the New York Times, saw the portraits as having minor defects but nonetheless showing "much promise and unusual cleverness.
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The Public Ledger Syndicate was founded in 1915 by Public Ledger publisher Cyrus H. K. Curtis,Frederic Hudson, Alfred McClung Lee, Frank L. Mott, editors. "The Daily Newspaper in America," American Journalism 1690-1940 (Psychology Press, 2000), p. 594. The first big comic strip success was A. E. Hayward's Somebody's Stenog, launched in late 1918. The Syndicate was particularly active in the 1920s, when it launched a number of comic strips, including such long-running titles as Connie, Dizzy Dramas, Dumb-Bells, Hairbreadth Harry, and Modish Mitzi. In 1933, just as the concept of "comic books" was getting off the ground, Eastern Color Printing began producing small comic broadsides for the Ledger Syndicate, printing Sunday color comics from 7" x 9" plates.
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" The subject of Drowning Girl is an example of Lichtenstein's post-1963 comics-based women who "look hard, crisp, brittle, and uniformly modish in appearance, as if they all came out of the same pot of makeup." In the early 1960s, Lichtenstein produced several "fantasy drama" paintings of women in love affairs with domineering men causing women to be miserable, such as Drowning Girl, Hopeless and In the Car. These works served as prelude to 1964 paintings of innocent "girls next door" in a variety of tenuous emotional states. "In Hopeless and Drowning Girl, for example, the heroines appear as victims of unhappy love affairs, with one displaying helplessness ... and the other defiance (she would rather drown than ask for her lover's help).
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She had over 100 characters in her repertoire, including Berinthia in Sheridan's Trip to Scarborough, Belinda in Murphy's All in the Wrong, Angelica in Love for Love, Elvira in Spanish Friar, Hermione in the Winter's Tale, Olivia in Twelfth Night, Portia, Lydia Languish, Millamant in The Way of the World, Statira, Juliet, and Lady Betty Modish. She "created" few original parts: Lady Sash in the The Camp, assigned to Sheridan, Drury Lane, 15 October 1778; Mrs Sullen in Colman's Separate Maintenance, Drury Lane, 31 August 1779; Cecilia in Miss Lee's Chapter of Accidents, Haymarket, 5 August 1780; Almeida in Pratt's The Fair Circassian, 27 November 1781; and the heroines of various comedies and dramas of Mrs. Cowley, Mrs. Inchbald, General Burgoyne, Miles Peter Andrews, and of other writers.
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Repeating motifs are incorporated as a bold wall paper in Interior with Sugar Talk, but the focus for this group is mainly upon the picture as a single, central motif, often with a border or frame, as in Linhares' Turkey (1977), Garabedian's Adam and Eve (1977). Works are generally executed in broad, open or loose brushstrokes, bright colours, a staple of textile design. Brown's work from this time often features patterned borders along the bottom of the picture; however, examples selected for "Bad" Painting concentrate instead on the centralised motif, flat colours and an oblique projection to the surrounding space. In Woman Wearing a Mask (1972) – one of the standouts to the show – it is presumably the attention given to modish black lace lingerie and high heels, content that recalls advertising, included within a more relaxed composition, that appealed to Tucker.
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'God sent me an angel from above, that's going to love me for life,' she sings soulfully, with recent events making the lyrics particularly resonant. Combining modish beats with a cool, breezy chorus, 'If This Isn't Love' may not be in the same league as recent power ballads from Beyoncé and Leona, but it has an understated charm that's hard to quibble with." Commenting on its remix, produced by Fraser T. Smith, he added: "The single comes with no fewer than six different remixes, but the straightforwardly-titled Fraser T Smith Remix wins 'B-side Of The Week' as it adds a bit of extra zest to the song without removing any of its understated charm. Smith has carefully tinkered with the track's foundations, injecting some R&B; adrenaline and a bit more of a beat.
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This piece combines images from newspapers of the time mixed and re-created to make a new statement about life and art in the Dada movement. From an Ethnographic Museum (1929), one of Höch's most ambitious and highly political projects, is composed of twenty photomontages that depict images of European female bodies with images of African male bodies and masks from museum catalogues, creating collages that offer "the visual culture of two vastly separate civilizations as interchangeable—the modish European flapper loses none of her stylishness in immediate proximity to African tribal objects; likewise, the non-Western artifact is able to signify in some fundamental sense as ritual object despite its conflation with patently European features." Hoch created Dada Puppens (Dada Dolls) 1916. These dolls were influenced by Hugo Ball, the Zurich-based founder of Dada.
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Fred was best known for his catchphrase "Time to make the donuts!", and the commercial that introduced the phrase (which showed Fred rising well before dawn to begin making the donuts) was named one of the five best commercials of the 1980s by the Television Bureau of Advertising. Fred later appeared in commercials for other products promoted by the chain, such as Dunkin Donuts Cereal, as well as new introductions such as muffins or products such as coffee, which followed the same idea: Fred getting up early to have the product freshly made every business day, then cheerfully greeting customers with fresh products. Sometimes commercials would not be about Fred's work, but rather showing the inferiority of supermarket bakeries or showing Fred waiting on modish 1980s customers while going into a black and white kitchen full of 1940s employees working to swing music, denoting quality has not changed throughout the years.
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In the climactic scene, Maurice uses the crucifix to stun Underhill and runs outside, where he confronts the entity Underhill had used the figurine to conjure: the green man, a collocation of branches, twigs and leaves in the form of a large and powerful man. The thing is bent, evidently, on killing Maurice's daughter Amy. By hurling the figurine back into the graveyard Maurice saps Underhill's power and destroys the green man. Underhill's purpose had been, apparently, to have Amy killed as a sort of experiment in lieu of the sexual depredations which are now forbidden him by his lack of corporeality. A final scene wraps up the novel's loose ends: Maurice destroys the figurine, and he employs the modish, cynical and repellent parish priest (who makes God out to be, in the young man's words, a “suburban Mao Tse-tung”) to exorcise Underhill and his green man.
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Critics noted similarities between Lewis's vocals and those of Mariah Carey "Bleeding Love" received critical acclaim from music critics. Showbiz Spy described the song as "emotionally fuelled", and opined, "this track perfectly showcases Leona's impressive vocal prowess and from the moment she opens her mouth we are instantly reminded about her amazing voice, capable of heart stopping intensity and a playful light touch". Digital Spy's review of the song gave it four stars out of five, saying it is "easily the best single to be released by an X Factor star", and describing it as "a brilliantly smart pop record, managing to offer the lovelorn balladry that Lewis's X Factor fans are no doubt craving, while also suggesting a hint of street cred in the form of some beefy, vaguely modish beats". It came second in Digital Spy's Top 20 Singles of 2007 announced on 31 December.
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In the early 1960s, Lichtenstein produced several "fantasy drama" paintings of women in love affairs with domineering men causing women to be miserable, such as Drowning Girl, Hopeless and In the Car. These works served as prelude to 1964 paintings of innocent "girls next door" in a variety of tenuous emotional states such as in Oh, Jeff...I Love You, Too...But.... Using only a single frame from its source, Oh, Jeff...I Love You, Too...But...s graphics are quite indicative of frustration, but the text in the speech balloon augment the romantic context and the emotional discord. After 1963, Lichtenstein's comics-based women "...look hard, crisp, brittle, and uniformly modish in appearance, as if they all came out of the same pot of makeup." This particular example is one of several that is cropped so closely that the hair flows beyond the edges of the canvas.
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In 2011, the LUMA Foundation launched an acquisition program of books and films for its future library and hosted a symposium in Arles entitled The Human Snapshot, which brought together a number of leading thinkers to discuss the photographic image and its impact on human rights. The LUMA Foundation's focus is to create an experimental cultural complex, the Parc des Ateliers in Arles, France, The LUMA Foundation in Arles 2013 dedicated to the production of exhibitions and ideas and developed with architect Frank Gehry. Face à la Fondation Luma, les Rencontres se cherchent un espace pérenne Frank Gehry in Arles: Watershed Moment Arrives for Ultra Modish Tower; Final Presentation Made by Maja Hoffmann of LUMA Foundation This project envisions an interdisciplinary center for the production of art exhibitions, research, education and archives. Solaris Chronicles POOL is an innovative program that combines the collaboration of an international group of private collectors with a mentor-based training programme for art curators.
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The dynamic between the two figures suggests role-reversal; Esther holds the power of the monarchy, and Ahasuerus is the novice. The role-reversal seen in Artemisia's “Esther before Ahasuerus” is reminiscent of Caravaggio's own use of gender ambiguity and gender-reversal in his work. It can be seen in “Boy with a Basket of Fruit,” in which Caravaggio depicted an effeminate young boy in a sensual manner. The gender of figure of the Gorgon in Caravaggio's “Medusa” also seems vague. It is suggested Caravaggio drew from his own face to create the image of “Medusa,” placing himself as the figure of the female mythological creature. Ahasuerus is characterized as a ““modish dandy of a type,” a depiction Caravaggio would use to represent “superficiality.” In juxtaposition to the King, Esther is majestic in her swooning Esther's muscular neck is also comparable to Michelangelo's depiction of Haman in the Sistine Chapel ceiling fresco.
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Directly afterward, he received a letter from Max Perkins of Scribner's, who had read Bird's Paris edition and thought it lacked commercial appeal, and queried whether the young writer had stories to offer to bolster the collection. In his reply, Hemingway explained that he had already entered a contract with Boni & Liveright.Mellow (1992), 282–283 When he received the contract for the book, Boni & Liveright requested that "Up in Michigan" be dropped for fear it might be censored; in response Hemingway wrote "The Battler" to replace the earlier story.Reynolds (1995), 43 The 1925 New York edition contained the fourteen short stories with the vignettes interwoven as "interchapters".Smith (1996), 40–42 Boni & Liveright published the book on October 5, 1925,Mellow (1992), 314 with a print-run of 1335 copies, costing $2 each, which saw four reprints.Hagemann (1983), 39 The firm designed a "modish" dust jacket, similar to the Paris edition, and elicited endorsements from Ford Madox Ford, Gilbert Seldes, John Dos Passos, and Donald Ogden Stewart.
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Melody Maker redesigned as MM In 1980, after a strike which had taken the paper (along with NME) out of publication for a period, Williams left MM. Coleman promoted Michael Oldfield from the design staff to day-to-day editor, and, for a while, took it back where it had been, with news of a line-up change in Jethro Tull replacing features about Andy Warhol, Gang of Four and Factory Records on the cover. Several journalists, such as Chris Bohn and Vivien Goldman, moved to NME, while Jon Savage joined the new magazine The Face. Coleman left in 1981, the paper's design was updated, but sales and prestige were at a low ebb through the early 1980s, with NME dominant. By 1983, the magazine had become more populist and pop-orientated, exemplified by its modish "MM" masthead, regular covers for the likes of Duran Duran and its choice of Eurythmics' Touch as the best album of the year.
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The press took note, with the New York Sun headline reading, "It looks like a Green Winter." The Post predicted a "Green Autumn," and one of the wire services wrote about "fall fashions stalking the forests for their color note, picking green as the modish fall wear." Advertising photo for Lucky Strike by Nickolas Muray, 1936 The company's advertising campaigns generally featured a theme that stressed the quality of the tobacco purchased at auction for use in making Lucky Strike cigarettes and claimed that the higher quality tobacco resulted in a cigarette with better flavor. American engaged in a series of advertisements using Hollywood actors as endorsers of Lucky Strike, including testimonials from Douglas Fairbanks, concerning the cigarette's flavor, often described as delicious due to the tobacco being toasted. In 1937-38, American Tobacco paid the equivalent of $3.8 million in 2019 USD to 16 Hollywood actors and actresses for their endorsement of Lucky Strike, the highest paid being Joan Crawford and Gary Cooper, who were each paid $10,000 (roughly $178,000 in 2019 USD).
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From another review of the same exhibition: > Schmitt is a young American who has exhibited for many years at the Carnegie > Institute and who commands admiration from his colleagues but is yet > undiscovered by art patrons at large. His originality of invention combined > with his disciplined technic promises a future in which he will be regarded > as the logical heir of the great Americans such as Homer and Eakins, even > though the language he speaks be quite different from the idiom in which > they expressed their pictorial ideas ...Carl Schmitt seems to be one of the > few modern painters ... that promises to survive the flood of the > competently commonplace and the falsely modish. It is a verification of the > integrity upon which the international exhibition is organized to realize > that Carl Schmitt has succeeded year after year in gaining admittance to the > internationals without personal acquaintance with a single member of the > various types of juries who have selected these so differing shows. He is > the logical modern heir of the few great American painters and it adds > considerably to the honor of the international to have constantly recognized > his talent.
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