The band record material, including Lissom Slo, at Jacob's Studio in Farnham.
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Head of Highgate red watch, Neil Rooker, and his lankily lissom mate, shake their heads.
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The lissom birch thrives ungarnered in the thicket, where grace and gentleness supply the whilom vigor of its sway.
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Ed Tullett (born 20 October 1993) is an English producer and songwriter. His work includes collaboration with Novo Amor, Lissom and Hailaker.
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Rosie M. Banks is a fictional romance novelist. A tall, lissom girl with soft, soulful brown eyes and a nice figure,Cawthorne (2013), p. 195. she is devoted to her pekingese dogs and owns as many as six at a time.Garrison (1991), p. 7.
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Heiress, Tullett and Novo Amor's full collaborative album, was released 10 November 2017 on All Points. In August 2018, Tullet formed a collaborative album "Lissom" with French pianist Julien Marchal. Since 2019, Tullett has been working with Jemima Coulter, on a collaborative open-ended project known as Hailaker. Their first collaborative self-titled record was released in April 2019.
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The New York Daily News also observed the physical change in Withers, writing: "From a chubby lass of last year, she is stretching into a svelt and lissom sub-deb". While Withers performs with "her usual exuberance", this review acknowledged Brown's "freckle-faced, open-mouthed, slow-thinking" character for providing "a good foil for the sharpness and vivacity of the young star".
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Pia Zebadiah played in mixed doubles with Frans Kurniawan Teng. She always appeared confident, and very lissom. In 2009, Zebadiah took the first title from New Zealand Open and defeated World Badminton Player No. 10 Yohan Hadikusumo Wiratama and Chau Hoi Wah from Hong Kong. In 2010, they reached the semi-finals in the Indonesia Open Grand Prix Gold, but were defeated by Lilyana Natsir and Tantowi Ahmad.
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Ballroom dancing was an activity that attracted Brack by means of its "absurdity ... a natural activity, such as dance, [converted] into a demanding and challenging ritual." As part of his research Brack attended the 1967 World Ballroom Dancing Championships held at Festival Hall in Melbourne. He also collected photographs of ballroom dancing and subscribed to Australasian Dancing Times - a ballroom dancing magazine. The painting shows the "lissom dancers in their richly decorated dresses and high-heeled shoes".
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N. Krishnaswamy of The Indian Express wrote, "Rajinikanth and Prabhu enjoy to the hilt playing their light-hearted roles, lissom newface Gautami and short and square [Seetha] prance around with abandon. [Ilaiyaraaja's] numbers are pleasant and add sparkle to the song-and-dance sequences." Despite being released at a time of political turmoil in Tamil Nadu after M. G. Ramachandran's death, the film became a commercial success, running in theatres for over 175 days, thereby becoming a silver jubilee film.
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As his dignified wife, Anna Tomowa-Sintow sang with a voice that was "rich, glowing [and] spacious", but perhaps not as lissom or accurate as the bel canto ideal. José van Dam's Figaro was every bit as impressive as his master. Van Dam was meticulous in his attention to every nuance both of Figaro's music and of its dramatic context, attending to even the smallest minutiae with the utmost conscientiousness. Like Tomowa-Sintow, Ileana Cotrubas was somewhat outshone by her partner.
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Article forked from Lisson Grove. Lisson Green is described as a hamlet in the Domesday book in 1086, the edges of the settlement defined by the two current Edgware Road stations facing onto Edgware Road or Watling Street as it was previously known, one of the main Roman thoroughfares in and out of London. Occasionally referred to as Lissom Grove, originally Lisson Grove was part of the medieval manor of Lilestone which stretched as far as Hampstead. Lisson Green as a manor broke away c.
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Scene 1: Seid's quarters Seid is enjoying his victory, but he is not entirely satisfied: Cento leggiadre vergini / "A hundred lissom virgins asked love of me" he says, but "my heart beats only for Gulnara". He is afraid she has fallen for the dashing Corrado. Sending for her, he proclaims his basic credo of revenge: S'avvicina il tuo momento / "Your moment approaches, dread thirst for vengeance". When she enters, he challenges her and she tells him that he is right; he threatens Gulnara, but she defies him and the Pasha storms out of the room.
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Still in the dawnlit waters cool His ghostly Lordship swims his pool, And tries the strokes, essays the tricks, Long learnt on Hellespont, or Styx. Dan Chaucer hears his river still Chatter beneath a phantom mill. Tennyson notes, with studious eye, How Cambridge waters hurry by . . . And in that garden, black and white, Creep whispers through the grass all night; And spectral dance, before the dawn, A hundred Vicars down the lawn; Curates, long dust, will come and go On lissom, clerical, printless toe; And oft between the boughs is seen The sly shade of a Rural Dean . . .
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Journalists employed many superlatives to describe the Kippax style. Ray Robinson thought that Kippax's batting "had a silky quality not seen in any other player of his time or since"; he captivated the crowds with his late cut when he, "made a lissom bow over the ball and stroked it away with the bat's face downward, as if to squeeze the ball into the ground". His favourite hook shot propelled the ball "with such unhurried ease that the punishing power of the stroke was revealed only in the way the ball smacked against the fence." Donald Bradman believed him to be the best exponent of the hook shot in the game.
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