Dutch bicycles are sturdy beasts, which take more effort to move than sylphlike road-bikes.
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"The Dick Van Dyke Show" made Ms. Moore, who looked sylphlike in capri pants, a sensation.
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Glenn sized up the sylphlike woman, who had pink hair and was gamely jabbing at the air.
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My wife, too, who's six inches shorter than I am, looked positively sylphlike in the exact same unisex raincoat.
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Then, of course, you have multiple generations of vivacious, supportive, sylphlike women who love hard and die dramatically in order for the men in their lives to grieve.
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Ms. Waters glided onto the New York avant-garde in 1965, at the age of 19, startling those around her with a sylphlike voice and a haunted air.
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Shortly thereafter, Mr. Givenchy came to the attention of the young Ms. Hepburn, a rising star who was so charmed by his youthful designs that she insisted that he make her clothes for nearly all of her movies, and help mold her sylphlike image in the process.
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You may know her as Viva, the sometime actress, model and artist who sprang to fame — or infamy — as a sylphlike muse to Andy Warhol in the late 1960s; the female lead in a roster of intentionally amateurish soft porn Warhol films that were showcased in TriBeCa recently in their 16-millimeter original.
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At The Mirror, Ms. Spooner's subjects included a sullen Sophia Loren, who was fending off Italian tax collectors at the time ("I did the job and got the hell out of there before she erupted and threw a plate of spaghetti," she once recalled), and the sylphlike model Lesley Lawson, better known as Twiggy.
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The band was formed in May 1995 by Christian Müller (vocals), Jens and Frank Basten (both guitarists), Tobias Bruchmann (bass and vocals) and Christian Bass (drums) in Voerde. After releasing the demo Sylphlike and the EP Razor, Müller left the band and was replaced by Björn Gooßes. The band was signed by Nuclear Blast, with whom the band released Nailwork, following which they switched over to Massacre Records. A split with Massacre Records followed in 2001, during a European tour with God Dethroned, after which most members went off to focus on other projects.
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The French designer Coco Chanel launched her first post-war collection at her rue Cambon showroom in Paris on 5 February 1954. For the show she approached Marie-Hélène de Rothschild to ask her friends whether they would appear on the catwalk; Chanel had decided to use "personalities", women "with bosoms and hips – with a real shape – they must have elegance", rather than the sylphlike and anonymous models she had use pre-war whose function was to bring attention to the clothes rather than themselves,Cosgrave, 2012, p. 129. following Chanel's precept that just as a watch told the time, a model should "tell the dress".Haedrich, 1972, p. 195.
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