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17 Sentences With "mouldable"

How to use mouldable in a sentence? Find typical usage patterns (collocations)/phrases/context for "mouldable" and check conjugation/comparative form for "mouldable". Mastering all the usages of "mouldable" from sentence examples published by news publications.

Mouldable Glue They say the only thing you can count on is death and taxes but we'll add another to the list: random stuff breaks all the time.
Some of these impressions are mildly impressive, and the likes of Jay Pharoah and and Aries Spears have built careers off the mouldable material that sits between their vocal cords.
Jane Ní Dhulchaointigh is an Irish artist and inventor. She won the 2018 European Inventor Award for Small and Medium Enterprises for Sugru, a mouldable glue that was described by Time magazine as one of the world's best inventions.
Skull and brain 'surgery' are known from the prehistoric era. There is evidence of scalp reconstructions dating back to the Egyptians in 3000 B.C., and to the Roman Empire. The word plastic surgery likely comes from the Greek (' lit. "formable", "mouldable").
Here she came up with the idea of Sugru, a mouldable elastomer that can be used to repair broken items. She combined bathroom sealant with wood-dust powder, which resulted in bouncy ball that looked like wood. She graduated in 2004. She partnered with James Carrigan and Roger Ashby to found the company FormFormForm in 2005.
Gutta-percha sets harder than rubber when exposed to the air but when soaked in hot water it become plastic and mouldable. On cooling it hardens again.Kieve, p. 101 The material was brought to the attention of the Royal Society in 1843 when William Montgomerie, the head of the medical department in Singapore, sent samples of Gutta-percha to them.
Nd-Fe-B powder is bound in a matrix of a thermoplastic polymer to form the magnets. The magnetic alloy material is formed by splat quenching onto a water-cooled drum. This metal ribbon is crushed to a powder and then heat-treated to improve its coercivity. The powder is mixed with a polymer to form a mouldable putty, similar to a glass-filled polymer.
Flavoring ingredients such as garlic, ginger, and fresh herbs may be minced in this way to distribute flavor more evenly in a mixture. Additionally bruising of the tissue can release juices and oils to deliver flavors uniformly in a sauce. Mincemeat tarts/mince pies and pâtés employ mincing in the preparation of mouldable paste. Meat is also minced and this cooking technique is used in Greek cuisine.
Regular latex instead of the more mouldable foam latex was used because the latter was too expensive. The cast and crew regarded Davros' effects as a great technical achievement considering the budget and time period they worked in. Two children visiting Baker at the BBC studios were scared by Wisher in costume; they thought he was a statue at first. When sitting in Davros' Dalek-like base, Wisher wore knee pads and a kilt because trousers were too uncomfortable.
The availability of the first mass-produced plastic Bakelite allowed designers much more creativity in cabinet styling, and significantly reduced costs. However, Bakelite is a very brittle plastic, and dropping a radio could easily crack or break the case. Bakelite is a brown-black mouldable thermosetting plastic, and is still used in some products today. In the 1930s some radios were manufactured using Catalin, which is the phenolic resin component of bakelite, with no organic filler added, but nearly all historic bakelite radios are the standard black-brown bakelite color.
Ritchie described the book's thesis as "children are born with brains of soft clay, their mental makeup unaffected by genes and infinitely mouldable by their parents", and that "DNA has no effect on the mind or mental health, whereas parenting reigns supreme". Ritchie described a variety of evidence which contradicts this view. Ritchie also responded to a letter from James in The Psychologist magazine, following which James and Prof Richard Bentall of the University of Liverpool engaged him in argument. James responded to Ritchie's criticisms in an article in The Guardian in March 2016.
The Desert Hawk III was created by the Skunk Works team at Lockheed Martin as an update to the original Desert Hawk, which was developed in 2002 with its first actual flight coming in 2003. The original is slightly smaller and heavier than the DHIII, and the DHIII can stay in the air over thirty minutes longer. The Desert Hawk III is made out of a special polypropylene material. Polypropylene is mouldable when heated to a high enough temperature and returns to a solid state when the temperature is lowered back to normal.
An important industrial use of ganister was as the mouldable monolithic refractory lining or brick lining for the acid Bessemer converter, a steel-making process developed in 1856 in Sheffield, England. The process could not initially be used successfully by steelworks other than Bessemer's though, owing to its need for a low phosphorus iron ore. This led to the development of the basic Bessemer or Gilchrist-Thomas process, which used a calcined dolomite lining instead of the siliceous ganister. This alkaline lining with a lime flux reacted with the molten iron to form a slag that removed the phosphorus impurities.
Long-fiber-reinforced thermoplastic (LFRTs) is a type of easily mouldable thermoplastic used to create a variety of components used primarily in the automotive industry. LFRTs are one of the fastest growing categories in thermoplastic technologies. Leading this expansion is one of the oldest forms, glass mat thermoplastic (GMT) and two of the segment’s newest: precompounded (pelletized) LFRTs (long-fiber-reinforced thermoplastics), also known as LFTs, and inline compounded (ILC) or direct LFTs (D-LFTs).Compositesworld.com: Reinforced Thermoplastics: LFRT/GMT Roundup LFRTs differ from the composite structures used in the aerospace industry for components such as aircraft parts.
The idea for Sugru was developed by Jane Ní Dhulchaointigh from Kilkenny, Ireland. Ní Dhulchaointigh studied product design as a post-graduate research student at the Royal College of Art, where she conceived the idea for the substance in 2003 while using mixtures of standard silicone sealants and sawdust in her work. After receiving business grants, Ní Dhulchaointigh worked with retired scientists from Dow Corning and a silicone expert over a seven-year period at the materials department at Queen Mary, University of London to develop a silicone elastomer that was mouldable, self-adhesive and self-curing. Her goal was to enable people "to easily and affordably repair, improve or customise things they already own".
A CD-RW (CD). Amorphous chalcogenide materials form the basis of re-writable CD and DVD solid-state memory technology. Uses include infrared detectors, mouldable infrared optics such as lenses, and infrared optical fibers, with the main advantage being that these materials transmit across a wide range of the infrared electromagnetic spectrum. The physical properties of chalcogenide glasses (high refractive index, low phonon energy, high nonlinearity) also make them ideal for incorporation into lasers, planar optics, photonic integrated circuits, and other active devices especially if doped with rare-earth element ions. Some chalcogenide glasses exhibit several non-linear optical effects such as photon-induced refraction,Tanaka, K. and Shimakawa, K. (2009), Chalcogenide glasses in Japan: A review on photoinduced phenomena. Phys. Status Solidi B, 246: 1744–1757.
A life- size vegetable plot in James May's Paradise in Plasticine Plasticine and similar materials are often used in clay animation. One of its main proponents is Aardman Animations' Nick Park, who used characters modelled in Plasticine in his four Oscar-winning Wallace and Gromit short films A Grand Day Out (1989), The Wrong Trousers (1993), A Close Shave (1995) and A Matter of Loaf and Death (2008), as well as the feature film The Curse of the Were-Rabbit (2005). This technique is popularly known as claymation in the US, and is a form of stop motion animation. Plasticine-like materials are appealing to animators because the material can be used with ease: it is mouldable enough to create a character, flexible enough to allow that character to move in many ways, and dense enough to retain its shape easily when combined with a wire armature, and does not melt under hot studio lighting.

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