Here he is reduced to inarticulacy by what he sees and senses.
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Men are helpless in the face of Ayoola's deliberate charm, useless to the point of inarticulacy.
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But too often, interviewees appear trapped by their own inarticulacy, lacking interviewers who will push them toward insight.
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We might have spoken, but the unreality of that strange beauty, the inarticulacy of this or any miracle, silenced us.
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Loving and forgetting: moments of inarticulacy in Tribal India. Journal of the Royal Anthropological Institute, v. 14, p. 243-261.
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Elisabeth Furtwängler, Pour Wilhelm, 2004, p. 55. Furtwängler was famous for his exceptional inarticulacy when speaking about music. His pupil Sergiu Celibidache remembered that the best he could say was, "Well, just listen" (to the music). Carl Brinitzer from the German BBC service tried to interview him, and thought he had an imbecile before him.
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In this, she may have inherited ideas and norms from the troubadour love songs that were common at the Angevin courts of England, Aquitaine, Anjou and Brittany; songs in which the heroine "is a contradictory symbol of power and inarticulacy; she is at once acutely vulnerable and emotionally overwhelming, irrelevant and central."Butterfield, Ardis, 2009, p 200. Marie's heroines are often the instigators of events, but events that often end in suffering. The heroines in Marie's Lais are often imprisoned.
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The work traces the death of Claudius, his ascent to heaven and judgment by the gods, and his eventual descent to Hades. At each turn, of course, Seneca mocks the late emperor's personal failings, most notably his arrogant cruelty and his inarticulacy. After Mercury persuades Clotho to kill the emperor, Claudius walks to Mount Olympus, where he convinces Hercules to let the gods hear his suit for deification in a session of the divine senate. Proceedings are in Claudius' favor until Augustus delivers a long and sincere speech listing some of Claudius' most notorious crimes.
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Of Sidney's performance Greene noted that "she has never more deeply conveyed the pain and inarticulacy of tenderness", and of Lang he noted that "no other director has got so completely the measure of his medium, is so consistently awake to the counterpoint of sound and image." (reprinted in: ) In 1995, this film was selected for preservation in the United States National Film Registry by the Library of Congress as being deemed "culturally, historically, or aesthetically significant." The movie was very popular, earning domestic rentals of $685,000 and $617,000 overseas. According to MGM records, the final profit was $248,000.
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In The New York Times, Ben Brantley lauded Heart's Desire (the first play) as "achingly, aggressively funny" and the ending of Blue Kettle (the second play) as "heartbreaking". Matt Wolf of Variety wrote that "both plays speak volubly and wisely about language and emotions in disarray". Wolf stated that the finale of Blue Kettle is "comparable in affect to the closing lines of the playwright’s “Top Girls.” Moira Buffini of The Guardian listed Blue Heart as one of her favorite Churchill works, saying of Blue Kettle that "[the characters'] anguish is felt more fully in this desperate inarticulacy.
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French, finally forced to "resign" early in December 1915, recommended Robertson as his successor and Kitchener told Esher (4 December) that the government intended to appoint Robertson Commander-in-Chief, although to Esher's disappointment "dear old R" was not appointed. Robertson was willing to relinquish his claim if the job went to Haig, his senior and a front line commander since the start of the war. Conversely, Haig's inarticulacy may also have made him an unappealing choice as CIGS.Woodward, 1998, p23-4 Kitchener and Asquith were agreed that Robertson should become CIGS, but Robertson refused to do this if Kitchener "continued to be his own CIGS", although given Kitchener's great prestige he wanted him not to resign but to be sidelined to an advisory role like the Prussian War Minister.
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