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30 Sentences With "disjointedness"

How to use disjointedness in a sentence? Find typical usage patterns (collocations)/phrases/context for "disjointedness" and check conjugation/comparative form for "disjointedness". Mastering all the usages of "disjointedness" from sentence examples published by news publications.

That led to a disjointedness that undercut the seriousness of some of this stuff.
The movie is replete with such purposeful disjointedness, the better to articulate space-time dissociations.
Stavrinaki's idea of a constantly present Dada encapsulates this disjointedness and its beneficial and sometimes pernicious potencies.
IndieWire connects that disjointedness to how Arnold's version of the project was altered in editing without her involvement.
Lish's breathless, unfriendly prose mimics the disjointedness of city life and the precariousness of existence for his two protagonists.
And to have that effect of a unified vision in "Forza," notorious for its disjointedness, is an achievement, indeed.
Despite the deliberate disjointedness of the script, the production, another confidently expressive staging by Lila Neugebauer, makes it coolly legible.
Then a trio of singers — two women, one man — perform a long parade of death fragments, staged with shaggy disjointedness.
Then a trio of singers — two women, one man — perform a long parade of death fragments, staged with shaggy disjointedness.
For all of its complexity and sometimes disjointedness, the book is one of the most interesting I have seen this year.
The seeming disjointedness of the Facebook hearings reflects just how much of our society Facebook now impacts, according to noted critic Tristan Harris.
Crisp and clear, the choreography echoes the disjointedness of Cage's text, yet it's also rich in chain reactions, one move propelling another, like a game of pinball.
"One thing that we've learned is the disjointedness of the big corporations," said Nishimura, saying that US labels have yet to prioritize adapting music to specific markets across the world.
The art of DJing is a nebulous and malleable thing, but most of us step into clubs weekend after weekend hoping for some kind of stability amidst the world's disjointedness.
At the same time, he is assessing the impact of such disjointedness on the helpless members of her family, who without even being aware of it sometimes find themselves adopting Gladys's fragmented worldview.
Full of "um" and "uh" — seemingly not the most promising material — it was a crucial seed for a work that now revels in uncertainty, disjointedness and grappling with widening your sense of the world.
Almost all country albums are all disjointed, but sometimes, the disjointedness tells a story of its own: Songs about falling in love sit next to songs that make you never want to swipe right again.
But several of the chosen movies also grapple with seemingly implacable destructive forces, or with living in a world of all-encompassing disjointedness, where so few feel assured of what they're supposed to do anymore.
In their weirdest moments, these stories can feel unreal, disconnected from the texture of experience; at their best, their abandonment of logic can feel like liberation, as they lay bare the disjointedness and confusion that structure so much of reality.
Last year, in the Netflix documentary Gaga: Five Foot Two, which followed her as she made her fourth album Joanne, she admitted that her romantic life has suffered because of her stardom, and her two most recent albums, ARTPOP and Joanne, floundered critically, accused of bloating, disjointedness and unoriginality in certain corners of the press.
I have chosen to emphasize precisely the fragmentariness, the disjointedness, the inharmoniousness.
Though not regarded as an extremely cohesive story, in reading Mosquitoes, textual disjointedness is especially evident in a few sections. This is due to the four significant edits by Boni & Liveright in 1927 prior to the book's publishing.Minrose C. Gwin, "Did Earnest Like Gordon? Faulkner's Mosquitoes and the Bite of 'Gender Trouble'" Faulkner and Gender (1996), pp 120-144. 131.
The National Museum of the American Indian has been criticized occasionally for a perceived disjointedness of its exhibits. Two Washington Post reviews on the museum were hostile at the representation of the American Indian. Two writers, Fisher and Richard, expressed "irritation and frustration at the cognitive dissonance they experienced once inside the museum". Fisher expected the displays that depicted the clash between foreign colonists and the native people.
When reading "Maxims II", the organisation and themes of the poem are not readily visible. For example, Paul Cavill writes that the argument of the apparent disjointedness of the poem is important because the poet pits Christ and Fate against each other, thus illustrating the traditional nature and remains of pagan belief in the poetry. Cavill cites the gnomes in "Maxims II", "... the powers of Christ are great, fate is strongest".Cavill, p. 133.
Even number of intersections correspond to exterior points, and odd number of intersections correspond to interior points. The assumption of boundaries as manifold cell complexes forces any boundary representation to obey disjointedness of distinct primitives, i.e. there are no self-intersections that cause non- manifold points. In particular, the manifoldness condition implies all pairs of vertices are disjoint, pairs of edges are either disjoint or intersect at one vertex, and pairs of faces are disjoint or intersect at a common edge.
A Scopitone promotional clip for the song was filmed in color in 1966, several years after the song was a hit (and at a time when Sedaka's star power had faded). It consists of Neil Sedaka playing the piano and dancing alongside four models (including his wife Leba), on a mock stage made to resemble calendar themes. It was somewhat unusual among American Scopitones in that the film matched the content of the song; Scopitones of the mid-1960s were noted for their disjointedness.
Their open revolt culminated in the Battle on the Recknitz, where the Obotrites were completely defeated by King Otto's troops. Hermann was given a great deal of autonomy in his march and he is sometimes called the "Duke of Saxony", a title which was actually held by Otto, because of the great deal of authority the king delegated to him as his deputy. The disjointedness of the Germanisation of the eastern marches led to many centuries of warfare; the Roman Catholic Church, however, "more foresighted than the crown ... made use of the tithe in the colonial lands from the very beginning."Thompson, 487.
Piep (2004), p. 28. Though the majority of reviewers praised the novel, there were still an unsatisfied few who criticized Norris' hurried writing and his storyline’s lack of insight and originality. Over time critics have come to agree more with the latter reviewers' interpretation of The Pit, and many today regard it as one of Norris' weaker works. Often identified as The Pit’s main flaw is the love plot that centers on Laura and Curtis Jadwin’s marital troubles. Proponents of this view argue that the tumultuous Laura-Jadwin relationship does not synthesize well with the other business plot of the story and that it ultimately detracts from the novel’s structural and thematic cohesion. Donald Pizer highlights as the source of The Pit’s overall disjointedness the fact that the two plots have very different themes and symbols that do not seem to relate.
Reviewing A History of the World in 10½ Chapters for The Guardian, Jonathan Coe found that it, "while hardly a ground-breaking piece of experimentalism, succeeds to the extent that it is both intelligent and reasonably accessible. Where it falls down is in denying its reader any real focus of human attention or involvement". He added that, "To dismiss the book as being too clever (or merely clever, for that matter) would be ungenerous as well as facile. Barnes is clearly serious about his themes, and there's more than a nod towards emotional commitment. One of his central concerns is the nature of history, and naturally enough - as a good, free- thinking, commonsense, late-20th-century liberal - he rejects any theory of history as pattern or continuum: 'It's more like a multi-media collage,' he explains, and this, of course, is the rationale behind the novel's own structural disjointedness".
Mark Walker has written that as a Latin poem with a British subject, an epic which deals with personal problems and domestic situations rather than warlike deeds, it cannot be placed in any genre, Peter Goodrich saw it as a comedy remarkable for the number of medieval modes of literature it includes: "Celtic folklore, political prophecies, pseudo-scientific learning, catalogues of information, and set-pieces of medieval oratory"; altogether, "a crazy quilt of styles and subjects rather than a tightly plotted narrative". Carol Harding thought it a "secular saint's life", a blending of hagiographical and more secular traditions. J. S. P. Tatlock argued that, with its disjointedness, innovation, irresponsibility and stress on entertaining the reader, it constituted "a fumbling step toward medieval romance", but had to concede that unlike most romances it has "no characterization, no love, little feeling and instinctive human truth". He also, while acknowledging that the poem has no unity, praised Geoffrey's skill in organization, alternating description with exposition, picturesque detail with swift narrative.

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