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27 Sentences With "fishwives"

How to use fishwives in a sentence? Find typical usage patterns (collocations)/phrases/context for "fishwives" and check conjugation/comparative form for "fishwives". Mastering all the usages of "fishwives" from sentence examples published by news publications.

The latest environmental measure that has people grumbling is a two-year ban on fishing for omul, a smoked delicacy hawked by fishwives all around the lake.
Mitchell is a drummer in a band called The Fishwives that plays local shows in Toronto.
The Scottish fishwives of Newhaven had a reputation for their beauty and industry and so were celebrated by royalty -- George IV and Queen Victoria. They were hard-bargainers though, and all the fishermen of the Firth of Forth brought their catches to Newhaven for the fishwives to sell in Edinburgh. The fishwives wore distinctive costumes of blue duffle coats covering layers of colourful striped petticoats with a muslin cap or other similar headdress. Their fish, such as haddock and herring, were carried on their backs in creels.
Because they've heard from someone in Germany > who contacted a policeman in Bern. And the policeman in Bern contacted the > authorities in Lausanne. This is like gossip. This is like fishwives.
It is entitled "A New Year's Carol (A) (For the Fishwives of Newcastle)" - by Fordyce on page 138 of The Tyne Songster of 1840, and "The Fishwives Carol" – by France on page 180 of Songs of the Bards of the Tyne of 1850. The second work, a poem, entitled "Address to Robert Emery" – allegedly written as a tribute on the death of Emery in 1870 – and given on page 290 of Allan's Illustrated Edition of Tyneside Songs and Readings of 1891.
The Flying Pigs are a musical sketch comedy team based in Aberdeen in the North-East of Scotland that has received some UK-wide coverage due to their BBC Scotland radio show Desperate Fishwives.
There has been fishing at Fisherrow and Musselburgh since Roman times, and the present 17th-century harbour is very close to the Roman harbour at the mouth of the River Esk that served the Inveresk Roman Fort on the high ground east of the Esk upriver. The Fisherrow fishermen used to fish for herring, and later for white fish, prawns and sprats. The harbour was home to a large fishing fleet. Fishing villages were close-knit communities, and there was a Fishwives' Choir, and golf tournaments took place between the fishwives of Musselburgh and Fisherrow.
Detail of a Cullercoats fishlass, from Inside the Bar, by Winslow Homer 1883 A fishwife, fish-fag or fishlass is a woman who sells fish. Often the wives and daughters of fishermen, fishwives were notoriously loud and foul-mouthed, as noted in the expression, To swear like a fishwife. One reason for their outspokenness is that their wares were highly perishable and so lost value if not sold quickly. Fishwives in fishing villages such as Cullercoats and Newhaven were noted for their beauty, hardiness and industry and were celebrated by artists and royalty.
Holding their position by right of inheritance, these people are collectively known as the jamat. The bulk of Koli Christians fish for a living, with their catches being taken to market in Mumbai by fishwives or agents.Narrain (1989), p. 136.
So, I will stand > up to Nazi, skinhead hordes that are coming to destroy Lausanne.' > Of course, there were no Nazi, skinhead hordes and I didn't play and they > got elected. So, life goes on. The fishwives got their way.
In some very large paintings he showed fishermen bringing their catch ashore or pulling their boat onto the beach with oxen. He also portrayed boatbuilders or fishwives, not a glamorous life of leisure activities, but working people at sea. For this work he received very positive reviews and was awarded prizes. In addition, these works brought international success.
Ivor H. Evans. 1994. It was the traditional cry of Newhaven fishwives, who carried in creels freshly caught herring which they sold from door to door. Gow, a violinist and bandleader of Edinburgh, incorporated this cry, and also the bells of St Andrew's Church, into his composition, written about 1798. It became one of his best-known tunes.
Detail of a Cullercoats Fishlass, from Inside the Bar, by Winslow Homer 1883. William Finden noted that the fishwives (wives and daughters of the fishermen) searched for the bait, digging sand-worms, gathering mussels or seeking limpets and dog-crabs. They also assisted in baiting the hooks. In addition to this, they carried the fish to the market to sell them.
3 (1819). Roger Quilter's setting of the Burns version of the song was included in the Arnold Book of Old Songs, published in 1950. The song was also parodied on BBC Radio Scotland, by comedy group Flying Pig Productions in their show Desperate Fishwives. The title was switched to "Darling is a Charlie", referring to the trials and tribulations of the then current (2008–2010) Chancellor of the Exchequer, Alistair Darling.
This view by Arnold van Haecken depicts Billingsgate in 1736. It captures the everyday market bustle: featuring fishwives, sailors, porters, thieves, quack- medicine men and casual strollers. Billingsgate Fish Market was formally established by an Act of Parliament in 1699 to be "a free and open market for all sorts of fish whatsoever". Oranges, lemons, and Spanish onions were also landed there, alongside the other main commodities, coal and salt.
Fishermen and fishwives held a "Box Walk" each September which marked the end of the fishing season, and an opportunity to give presents of money to those in need. In 1939, the Firth of Forth became a strategic area for the Royal Navy and the Royal Air Force, and fishing activities were curtailed. Fishermen's Associations and politicians protested against this, and some of the restrictions were lifted. But despite this, many fishermen were called up, and the Navy commandeered some of the boats for war service.
The man carrying it bows under the weight appearing to offer it up to the friar on partially bended knee. Above the scene in front of the gate, the dove of peace is replaced by a carrion bird, the crow. In the foreground fishwives superstitiously worship the face of a ray, and the Jacobite also clasps his hand together in prayer. Hogarth's antipathy to the French had been apparent in his art since Noon in his Four Times of the Day series, painted in 1736.
The song was also parodied on BBC Radio Scotland, by comedy group Flying Pig Productions in their show Desperate Fishwives, who related the song to the stereotypically poor Scottish diet. A version by Scottish folk singer Watt Nicoll was commissioned by Allyballybees Ltd of Abington, South Lanarkshire, to promote their "Coulter's Candy" product and other confectionery. The song contained extra "New" and "Lost" verses. A version of the song was released by The Kerries in 1967 on Major Minor Records 45 MM541, the song was produced by Tommy Scott.
The tide has recently gone out, leaving wet patches that reflect the sky. The painting depicts several fishermen and fishwives in traditional dress - the men wearing sou'wester hats, rough jumpers, oilskin trousers, and heavy leather boots. The women wear heavy aprons known as a "towser" and woollen shawls. The work was probably painted on the beach near the old medieval harbour of Newlyn, shortly before the new south and north quays were constructed in 1885-6 and 1888–94, followed by a new covered fish market that opened in 1908.
He was a Dutch Golden Age painter who practiced an intimate realism with a radically free approach. His pictures illustrate the various strata of society: banquets or meetings of officers, guildsmen, local councilmen from mayors to clerks, itinerant players and singers, gentlemen, fishwives, and tavern heroes. In his group portraits, such as The Banquet of the Officers of the St Adrian Militia Company in 1627, Hals captures each character in a different manner. The faces are not idealized and are clearly distinguishable, with their personalities revealed in a variety of poses and facial expressions.
The sight, however, of an English battleship docking nearby disturbs him, and makes him suddenly aware of the sounds of life around him: china and flatware clinking at dinner in nearby fashionable hotels, people arguing inside streetcars, street performers struggling on stilts, children peering above from balconies, and bored shopkeepers counting the minutes till closing time. A group of raucous, manly fishwives who had been unloading coal on frigates make their way home to their impoverished, disease-stricken neighbourhood, rocking inside their baskets infant sons "who'll one day drown in storms".
The leader of the British suffragette movement, Emmeline Pankhurst and her daughter Christabel, were keynote speakers; participants included some of the first female graduates from Edinburgh University and a group of fishwives from Musselburgh. 'The Edinburgh Evening Dispatch wrote of "a solid phalanx of resolute and unflinching womanhood bent upon obtaining the vote"'. Many taking part wore the WSPU colours of white, violet, and green, others were dressed in their graduate robes or the attire of their profession or trade. It was a demonstration of women's recent and hard-won achievements, as well as their aspirations for future equality and rights.
The village is small and situated at the base of the South Downs. Features include the primary school, village hall, riding stables, and the local pub The Juggs, which is housed in a 14th-century cottage and now leased to the Kentish brewer Shepherd Neame. The pub and Juggs Lane (a road used as a public path which runs by it), are named after the fish-carrying baskets used by Brighton fishwives on their way through Kingston to the market at Lewes. The path may still be traversed by foot, but is unsuitable for vehicles (though legal for them), and continues almost to Brighton.
Student Show members Andrew Brebner, Scott Christie, Shirley Cummings, Greg Gordon, Oli Knox, John Hardie, Fiona Lussier and Craig Pike formed The Flying Pigs in 1997. Now with a line-up containing Moray Barber, Andrew Brebner, Elaine Clark, Greg Gordon, Susan Gordon, John Hardie, Craig Pike and Steve Rance, the group have performed twelve revues in Aberdeen, at the Aberdeen Arts Centre, Lemon Tree Studio Theatre, and His Majesty's Theatre; as well as recording a BBC Scotland Radio series (Desperate Fishwives). A BBC Scotland TV Pilot of the same name was broadcast on 14 December 2010. A production marking 20 years since their debut is to be staged at His Majesty's Theatre in June 2018.
As well as the great and the good, they photographed ordinary working folk, particularly the fishermen of Newhaven, and the fishwives who carried the fish in creels the 3 miles (5 km) uphill to the city of Edinburgh to sell them round the doors, with their cry of "Caller herrin" (fresh herring). They produced several groundbreaking "action" photographs of soldiers and – perhaps their most famous photograph – two priests walking side by side. Their partnership produced around 3,000 different photographs, but was cut short after only four years due to the ill health and untimely death of Adamson in 1848. Hill became less active and abandoned the studio after several months, but continued to sell prints of the photographs and use them as an aid for composing paintings.
William Brockie edited the three volumes of "'The Shields Garland'", a series of booklets containing "Shields" songs which show the towns of Cullercoats, Tynemouth, North Shields and South Shields, small coastal towns on both sides of the Tyne. All are variously famous for fishwives, Press Gangs, ships, boats and sailors, and beautiful scenery. Included in the three books are 2 works attributed to Brockie himself (The Modern Pandora and A Love Story – addressed to M N) A set of the original documents are bound together and held by South Shields library. Volume 1 and 2 are thought to be complete while Volume 3 starts at page 17 (but this would be the start if the pages of the previous volumes are included in the numbering?) They are published by the Shields Gazette editor, William Brockie and printed by T.
In popular belief, fado is a form of music characterized by mournful tunes and lyrics, often about the sea or the life of the poor, and infused with a sentiment of resignation, fate and melancholia. This is loosely captured by the Portuguese word saudade, or longing, symbolizing a feeling of loss (a permanent, irreparable loss and its consequent lifelong damage). This is similar to the character of several musical genres in Portuguese ex-colonies such as morna from Cape Verde, which may be historically linked to fado in its earlier form but has retained its rhythmic heritage. This connection to the music of a historic Portuguese urban and maritime proletariat (sailors, bohemians, dock workers, port traders, fishwives and other working-class people, in general) can also be found in Brazilian modinha and Indonesian kroncong, although all these music genres subsequently developed their own independent traditions.

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