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"harpies" Antonyms

184 Sentences With "harpies"

How to use harpies in a sentence? Find typical usage patterns (collocations)/phrases/context for "harpies" and check conjugation/comparative form for "harpies". Mastering all the usages of "harpies" from sentence examples published by news publications.

Nothing like treating these two amazing trailblazers like nagging old harpies.
We should view this fresh crop of hackneyed harpies through her eyes.
"I want to you to get those two harpies' signature on the dotted line," Warner orders.
Along the way, the oddball trio will encounter ogres, sprites, harpies, imps, trolls, walruses, and lots of human fools.
Han recently completed the pre-sale for a Flock of Harpies, the proceeds of which will go to women's shelters nationwide.
"  As they go about their adventures, the trio will encounter "ogres, sprites, harpies, imps, trolls, walruses, and lots of human fools.
This mission seemed determined to halt my progress, throwing waves of archers, harpies, and felbats to strike down Mercia over and over.
The 1990 adaptation of Roald Dahl's The Witches cast them as harpies, but also gathered them together to plot for all children's doom.
The Victorian fascination with madness gave us an indelible squad of deranged harpies (Miss Havisham, Bertha Rochester, Lady Audley, to name a few).
John McBurney, Siegel framed the story as an overripe Southern gothic, with the headmistress of the school, Miss Martha (Geraldine Page), and her students as castrating harpies.
As they meander through a decrepit magical kingdom called "Dreamland," the trio runs into "ogres, sprites, harpies, imps, trolls, walruses, and lots of human fools," according to the Netflix press release.
One example here is a pair of celadon garden seats with gilt snakes coiling along their upper edges and bases that ingeniously incorporate the seats' lids, as well as three harpies.
Alas, the humans and harpies and trolls and elves and mermaids and vicious red-eyed, virginity-obsessed unicorns populating the otherlands turn out to be perpetually at war, and Elliot is a pacifist.
His angry white male base may see in him a hero standing up to the harpies and harridans whom they resent as nagging or emasculating or see as threatening to take their jobs.
In the fourth century B.C., several hundred years after the advent of harpies and some two millennia before the emergence of dementors, Aristotle sat down to do some thinking about supernatural occurrences in literature.
In fact, biological limitations cast doubt on dragons in another way as well, since four legs plus two wings is not a naturally occurring configuration—a bummer also for harpies, griffins, gargoyles, and Pegasus.
He gave ammunition to those who believe their accounts are part of a right-wing plot, and to the many who still think women who report harassment are vindictive harpies seeking to harm men.
In this tragically regressive framing, literally everyone wins: the desperate harpies of D.C., AND the company that laid waste to dating scenes in other regions of America by attracting men like rats to dry land.
We are all familiar with the stereotypes whereby femininity demands the suppression of anger while masculinity rewards its expression, and whereby angry women are hysterical harpies but angry men—white men, at any rate—are heroes.
Take the following list of supernatural beings: __ Angels __ Demons __ Dragons __ Pixies __ Ghosts __ Harpies __ Elves __ Mermaids __ Loch Ness monster __ Leviathan __ Giants __ Pegasus __ Centaurs __ Unicorns __ Tooth fairy __ Phoenix __ Werewolves __ Vampires __ Genies __ Zombies Never mind, for now, whether or not you actually believe in any of these creatures.
Netflix staff has emerged from their boardroom, wiping their drool-slathered chins with their shirt sleeves, having recently ordered 20 episodes of Disenchantment, a Groening creation that follows the adventures of a drunken princess, an elf, and a demon, as well as a supporting cast of ogres, harpies, and walruses.
When men turn some women into sexual objects, the women who are inside that box are one-dimensional, while those outside of it become disposable; the ones who refuse to be disposed of, who continue to insist on being seen and heard, are inconvenient and pitiable at best, deceitful shrews and crazy harpies at worst.
The PTA — which, in this film, is a painted as a sort of fascist regime run by a single mean girl mom, Gwendolyn (portrayed by the fabulously funny Christina Applegate), and her two harpies — is getting schooled on all the things that can't be a part of the upcoming bake sale (namely: sugar, gluten, GMOs, fun, etc.) when Amy finally decides that damn it, she's had enough.
Down there in the dank darkness, amongst the minotaurs and harpies was Ketflix & Pills, an account which bills itself as providing followers with "comedy for rave and festival lovers across the world," imploring them to "TURN ON POST NOTIFICATIONS" to ensure that they "NEVER MISS A MEME"—because the thought of not seeing an image of a shirt that says "JUST DO KET" in the Nike font, before you've been tagged in it by 12 of your mates, is beyond what even the great Italian himself was able to conjure up.
Ocypete (English translation: "swift wing") was one of the three Harpies in Greek mythology. She was also known as Ocypode ("swift foot") or Ocythoe ("swift runner"). The Harpies were the daughters of the sea god Thaumas and the Oceanid Electra. According to one story, the Harpies were chased by the Boreads.
At the end giant mushrooms drop Jack and friends into a pit with the machine that changes children into harpies. The wind starts to suck Jack into the machine, while the Harpies chant 'Into the Machine!'. Barnaby Bear remembers that a giant windmill powers the machine, so he runs off and stops it. With the windmill immobilized other harpies jump into the pit to take Jack prisoner, but Barnaby Bear finally lets go of the windmill and the harpies are sucked into the machine, which overloads and explodes, with Jack and friends escaping.
This fountain replaced an older Puerta del Sol fountain, the Fountain of the Harpies.
Phineus promised to instruct them respecting the course they had to take, if they would deliver him from the harpies. The Boreads, sons of Boreas, the North Wind, who also could fly, succeeded in driving off the harpies. According to an ancient oracle, the harpies were to perish by the hands of the Boreades, but the latter were to die if they could not overtake the harpies. The latter fled, but one fell into the river Tigris, which was hence called Harpys, and the other reached the Echinades, and as she never returned, the islands were called Strophades.
Like the Cestello altarpiece, this piece has also been linked to Sarto's Madonna of the Harpies.
Soon Jason reached the court of Phineus of Salmydessus in Thrace. Zeus had sent the harpies to steal the food put out for Phineas each day. Jason took pity on the emaciated king and killed the Harpies when they returned; in other versions, Calais and Zetes chase the harpies away. In return for this favor, Phineas revealed to Jason the location of Colchis and how to pass the Symplegades, or The Clashing Rocks, and then they parted.
Gracious Wings, previously called No-Name, is chief of the harpies in the Authority's employment in the Land of the Dead. Before Lyra and Will came, she, along with the other harpies, tormented the ghosts with all the mistakes made by those ghosts when they were alive. At first, she is ready to attack Lyra and Will but later confesses that the wickedness of the ghosts was the only nourishment given to her and the other harpies by the Authority. The Chevalier Tialys and the Lady Salmakia bargain with her that instead of wickedness, the ghosts will tell the harpies true stories from their lives and in exchange will be taken by the harpies to the window Will has opened into the world of the mulefa where the ghosts may peacefully dissolve into particles in the air.
Harpies remained vivid in the Middle Ages. In Canto XIII of his Inferno, Dante Alighieri envisages the tortured wood infested with harpies, where the suicides have their punishment in the seventh ring of Hell: > Here the repellent harpies make their nests, > Who drove the Trojans from the Strophades > With dire announcements of the coming woe. > They have broad wings, with razor sharp talons and a human neck and face, > Clawed feet and swollen, feathered bellies; they caw > Their lamentations in the eerie trees.Translation of Robert Pinsky, Boston > Review William Blake was inspired by Dante's description in his pencil, ink and watercolour "The Wood of the Self-Murderers: The Harpies and the Suicides" (Tate Gallery, London).
Harpies (or Stan Lee's Harpies) is a Sci Fi Pictures original film directed by Josh Becker. Stan Lee is the executive producer. The film began pre-production under the working title The Harpy on June 26, 2006 and first aired on June 23, 2007. The movie was shot in Bulgaria.
But being worn out with fatigue, she fell down simultaneously with her pursuer; and, as they promised no further to molest Phineus, the two harpies were not deprived of their lives.Apollodorus. Bibliotheca, Book 1.9.21 According to others, the Boreades were on the point of killing the harpies, when Iris or Hermes appeared and commanded the conquerors to set them free, promising that Phineus would not be bothered by the harpies again. "The dogs of great Zeus" then returned to their "cave in Minoan Crete".
Other accounts said that both the harpies as well as the Boreades died.Scholia. ad Apollon. Rhod. i. 286, 297; Tzetzes. Chiliades, i.
It is said that, in creating this piece, Puligo was influenced by Sarto's Madonna of the Harpies, as well as Fra Bartolomeo's Sacre Conversazioni.
Among the enemies that Hercules faces are Nessus the Centaur, the Minotaur, the Harpies, the Hydra, the Gorgon, Hades, several Titans, and a Cyclops.
However while Hyginus, Fabulae Preface has the Harpies, Celaeno, Ocypete, and Podarce, as daughters of Thaumas and Electra, at Fabuale 14.18, the Harpies are said to be named Aellopous, Celaeno, and Ocypete, and are the daughters of Thaumas and Ozomene.Hyginus, Fabulae 14.18. The late 4th-early 5th century poet Nonnus gives Thaumas and Electra two children, Iris, and the river Hydaspes.Nonnus, Dionysiaca 26.358-362.
Fountain of the Harpies (Puerta del Sol, Madrid). Drawing of 1707 by Juan Álvarez de Colmenar, entitled La Fontaine et la Place du Soleil à Madrit. Azulejo street-sign in Puerta del Sol with a historic depiction of the fountain and the square at the time. The Fountain of the Harpies (or Fountain of the Faith) was a fountain located in Puerta del Sol, in Madrid.
6; Hyginus, Fabulae Preface. The names of Electra's Harpy daughters vary. Hesiod and Apollodorus name them: Aello and Ocypete. Virgil, names Celaeno as one of the Harpies.
653; Ovid. Metamorphoses Book 7.4, Fasti, Book 6.132; Hyginus. Fabulae, 14 Pottery art depicting the harpies featured beautiful women with wings. Ovid described them as human-vultures.Ovid.
Zetes and Calaïs rescued Phineus from the Harpies. They succeeded in driving the monsters away but did not kill them, as a request from the goddess of the rainbow, Iris, who promised that Phineas would not be bothered by the Harpies again. They were turned back at the Strophades by Iris while continuing their pursuit of the creatures.It is, of course, a popular etymology based on word similarities.
Jason decides that it's time to help them fight the harpies. The warriors are in awe at Jason's shotgun and pistol (which fell into the portal with him) as he delivers fatal shots to the harpies. The warriors suspiciously accept him and offer Jason a ride to Celestia's house. Once there, Hamish (warrior), the Priest, and Celestia's father talk quietly amongst themselves to try and evaluate what they saw earlier.
The Madonna of the Harpies, 1517 The Madonna of the Harpies is a depiction of the Virgin and child on a pedestal, flanked by two saints (Bonaventure or Francis and John the Evangelist), and at her feet two cherubs. The pedestal is decorated with a relief depicting some feminine figures interpreted as harpies and thus gave rise, in English, to the name of the painting. Originally completed in 1517 for the convent of San Francesco dei Macci, the altarpiece now resides in the Uffizi. In an Italy swamped with a tsunami of Madonnas, it would be easy to overlook this work; however, this commonly copied scheme also lends itself to comparison of his style with that of his contemporaries.
The story for Harpies begins in the fictional world of Modalvia, where Vorian (Peter Jason) is fleeing from the castle guard. When cornered, Vorian releases his minions, the harpies, on the captain of the guard, who dies from the severing of his head. The story reopens to present day where Jason (Baldwin) is late for work at the local museum. His fellow guard Ted restricts him access, but after a blatant and logically flawed threat, he is allowed entrance.
This book begins with Valentine's childhood and his introduction to the Kurians and the Reapers, and continues through his experience in the Southern Command Ozark Free Territory labor battalion. This experience comes to a brutal climax as Harpies (flying creatures controlled by the Kurians) attack his posting and kill several people, including a close friend. Valentine tracks the Harpies to their lair in an old boat and destroys it. This earns him promotion to the Wolves.
The harpies seem originally to have been wind spirits (personifications of the destructive nature of wind). Their name means "snatchers" or "swift robbers"Adrian Room, Who's Who in Classical Mythology, p. 147 and they steal food from their victims while they are eating and carry evildoers (especially those who have killed their family) to the Erinyes. When a person suddenly disappeared from the Earth, it was said that he had been carried off by the harpies.
Harpies also found a role in Shakespeare's Tempest, where the spirit Ariel tortured the antagonists Antonio, Sebastian and Alonso for their crimes by staging a banquet scene similar to that in the Aeneid.
Harpies in His Dark Materials are portrayed as being similar in form to the harpies of myths and legends, having human heads on bird-like torsos including wings. In His Dark Materials, they are the guardians of the Land of the Dead, harassing the ghosts without mercy. They appear to hunger for information and knowledge in the form of stories, and appear to have the supernatural ability to know when they are being lied to and use their knowledge of this and other wrongful acts committed in life by their victims to torment them. When, in The Amber Spyglass, Lyra and Will open a portal from the Land of the Dead to allow the ghosts to escape, the Harpies are given the new task of guiding arriving ghosts to the portal.
Apollonius of Rhodes, Argonautica 2.263–72 The Boreads gave chase, pursuing the Harpies as far as the "Floating Islands" before Iris stopped them lest they kill the Harpies against the will of the gods.Apollonius of Rhodes, Argonautica 2.282–7 She swore an oath by the Styx that the Harpies would no longer harass Phineus, and the Boreads then turned back to return to the Argonauts. It is for this reason, according to Apollonius, that the "Floating Islands" are now called the Strophades, the "Turning Islands".Apollonius of Rhodes, Argonautica 2.288–97 Phineus then revealed to the Argonauts the path their journey would take and informed them how to pass the Symplegades safely, thus partially filling the same role for Jason that Circe did for Odysseus in the Odyssey.
Harpies Shanty is the most richest and most influential guild in the kingdom. She chooses to be a single woman, as she is picky choosing men; however, she's starts to show feelings for Nikolaus. ; :The leader of Golden Willow's Boat, who recently inherited the company after his father died. His company is the longest running guild in the kingdom, which was started by his grandfather; however, due to competition, the company begins to slide with many employees leaving to either Water Dragon's Scale or Harpies Shanty.
Madonna of the Harpies (Italian: Madonna delle Arpie) is an altarpiece in oils by Andrea del Sarto, a major painter of the High Renaissance. It was commissioned in 1515 and signed and dated by the artist in 1517 in the inscription on the pedestal; it is now in the Uffizi in Florence. It was praised by Vasari, and is arguably the artist's best-known work. The Virgin is standing on a pedestal which includes harpies sculpted in relief, from which the painting takes its name.
In season two, she is seen defending the archive from harpies, attending Scrooge's (ultimately fake) funeral, working part-time at Duckburg's public library, conducting tours at Fort Duckburg, and assisting Scrooge in repelling the Moonlander invasion.
They refer to the harpies of Ancient Greek mythology. These were wind spirits that took the dead to Hades or Tartarus, and were said to have a body like a vulture and the face of a woman.
They are forced to leave their dæmons behind, causing them enormous pain. After they find Roger, they strike a deal with the harpies: in exchange for allowing them to open a window so the dead can escape, the harpies will hear the stories of the dead, and may bar access to those who have not lived full lives or do not tell the truth. The dead step through and dissolve, reunited with the universe.Oxford Botanic Garden featured in The Amber Spyglass and shown in a photograph in the sequel, Lyra's Oxford.
The next morning, Jim finds that Sir Hugh has captured a dragon named Secoh. With the help of his companions, Jim manages to drive off Sir Hugh and his men, free Secoh, and overcome the sandmirks. The group arrives at Loathly Tower, where they face Bryagh along with a monstrous worm, an ogre, sandmirks, and harpies. With some coaching from Smrgol, Jim fights the ogre while Sir Brian takes on the worm, Aragh deals with the sandmirks, Dafydd fends off the harpies, Smrgol and Secoh attack Bryagh, and Carolinus pitches in using magic.
The four slaves all rest on the bottom ledge of the pedestal and are chained to the harpies behind them on the upper corners of the pedestal. In Ludovico's drawing the slaves are bound with bands around their arms and chained to the harpies' hips. Other details on the pedestal are scenes of battle on the left and presumably the right side of the statue, along with "seated youths bearing swags". According to Victoria Thompson, the king and horse's pose were heavily influenced by the Roman emperor Marcus Aurelius and his own equestrian statue.
Now it was fated that the Harpies should perish by the sons of Boreas, and that the sons of Boreas should die when they could not catch up a fugitive. So the Harpies were pursued and one of them fell into the river Tigres in Peloponnese, the river that is now called Harpys after her; some call her Nicothoe, but others Aellopus. But the other, named Ocypete or, according to others, Ocythoe (but Hesiod calls her Ocypode) fled by the Propontis till she came to the Echinadian Islands, which are now called Strophades after her; for when she came to them she turned (estraphe) and being at the shore fell for very weariness with her pursuer. But Apollonius in the Argonautica says that the Harpies were pursued to the Strophades Islands and suffered no harm, having sworn an oath that they would wrong Phineus no more.
150 n. 4; Hošek, p. 678. The Harpies, in Hesiod the daughters of Thaumas and the Oceanid Electra,Hesiod, Theogony, 265-269; so also Apollodorus, 1.2.6, and Hyginus, Fabulae Preface (though Fabulae 14, gives their parents as Thaumas and Oxomene).
Self-portrait with Harpies (1916) Zdjęcie z krzyża Józef Unierzyski (20 December 1863, Milewo - 29 December 1948, Kraków) was a Polish painter. From 1891, he served as a Professor of drawing at the Jan Matejko Academy of Fine Arts in Kraków.
Orlando Furioso XXIII: 14–16 Astolfo travels to Ethiopia where he met Senapo (Prester John), the emperor of that land. In a situation similar to the story of Phineus from Greek mythology, Senapo is blind and plagued by harpies who attack him whenever he tries to eat a meal, spilling the glasses and befouling the food. Astolfo blows his horn and chases the harpies through the entrance to Hell, and seals them inside. He flies the hippogriff to the summit of the mountain of Terrestrial Paradise, where he meets Saint John the Apostle, who explains how he could return Orlando to his senses.
Calaïs et Zétès délivrent Phinée des Harpies by Bernard Picart The Boreads () are the "wind brothers" in Greek mythology. They consist of Zetes (also Zethes) (Ζήτης) and Calaïs (Κάλαϊς). Their place of origin was Thrace, home of their father Boreas (North wind).
The harpies agree to this as, along with nourishment such stories would provide them, they would also keep their honour as they would be performing a useful and respected task. After she saves Lyra's life by stopping her from falling, Lyra names her Gracious Wings.
Harpies, however, can be found flying over forest borders in a variety of habitats, such as cerrados, caatingas, buriti palm stands, cultivated fields, and cities.Sigrist, Tomas (2013) Ornitologia Brasileira. Vinhedo: Avis Brasilis. . p. 192 They have been found in areas where high-grade forestry is practiced.
Valerius Flaccus. Argonautica Book 4.425 Later writers listed the harpies among the guardians of the underworld among other monstrosities including the Centaurs, Scylla, Briareus, Lernaean Hydra, Chimera, Gorgons and Geryon.Virgil. Aeneid 6.287 ff; Seneca. Hercules Furens 747 ff Their abode is either the islands called Strofades,Virgil.
Aeneas encountered harpies on the Strophades as they repeatedly made off with the feast the Trojans were setting. Celaeno utters a prophecy: the Trojans will be so hungry they will eat their tables before they reach the end of their journey. The Trojans fled in fear.
Though the swiftest of the trio, Ocypete became exhausted, landed on an island in the middle of the ocean and begged for mercy from the gods. In Greek and Roman mythology, the Harpies were creatures employed by the higher gods to carry out punishments for crimes.
It appears that she greatly cares for Tomoki. Her name originates from the Greek mythological character Daedalus, the father of Icarus. Her face is obscured in all of her appearances. It is later revealed she's the creator of the first generation of Angeloids: Ikaros, Nymph, the Harpies, and Astraea.
Vorian prepares to leave after the defeat. Castor threatens Vorian to stop the invasion and let loose his harpies. Vorian tells Castor that he no longer needs the king in his greater plan. Castor prepares to kill the wizard, but Vorian threatens to kill the king by letting the Queen Harpy on him.
In 1727 Pedro de Ribera was commissioned to replace the Fountain of the Harpies, located in the Puerta del Sol, which had been projected a century earlier by Italian sculptor Rutilio Gaci. While the Madrilenian architect took some elements of the early fountain, completely redid the work of his predecessor, due to its deterioration. He opted for a slimmer and lower composition, on the line which, years later, would propose to the Fuente de la Fama, though much more restrained than this. Regarding the decor, is quite true that eliminated much of the ornaments designed by Gaci like the harpies, which were replaced by dolphins, but it is also true that kept many others, such as the masks with dispenser or the sculpture topping the set.
157 () or, as reported in the Argonautica (thus the best-known version), for revealing the future to mankind.Apollonius of Rhodes, Argonautica 2.178–86 For this reason he was also tormented by the Harpies, who stole or defiled whatever food he had at hand or, according to the Catalogue of Women, drove Phineus himself to the corners of the world.Phineus' food: Apollonius of Rhodes, Argonautica 2.187–201; his wandering torment: Hesiod, Ehoiai fr. 157 () According to scholia on the Odyssey, when asked by Zeus if he preferred to die or lose sight as punishment for having his sons killed by their stepmother, Phineus chose the latter saying he would rather never see the sun, and consequently it was the scorned Helios who sent the Harpies against him.
The underworld in The Amber Spyglass. Lyra and Will are carried across a lake to reach its gate by a ferryman reminiscent of Charon of mythology. Within the books, anyone who has ever died from any world goes there eternally where their ghosts are guarded by Harpies. The Authority turned this world into a prison.
Logic; or, The Art of Thinking II.3. Thus truth and falsity are no more than the agreement or disagreement of ideas. This suggests obvious difficulties, leading Locke to distinguish between 'real' truth, when our ideas have 'real existence' and 'imaginary' or 'verbal' truth, where ideas like harpies or centaurs exist only in the mind.Locke, John. 1690.
The decorations are zoomorphic (birds, fishes) or anthropomorphic (human figures, hands, other body parts), also harpies, or vases. The text is written in old Slavic language. It is a mixture of Slavic Cyrillic and Greek where few letters are borrowed from Persian, Hebrew, and Latin. This type of language/letter was used by Serbians and Bulgarians.
Alcmene becomes pregnant. Alcmene gives birth to fraternal twin sons. She believes this will make her heir to the House of Perseus in Thebes, but is informed that her uncle already had a son, Eurystheus, who will be the heir. She visits the Harpies, to determine which child belongs to Amphitryon and which belongs to Zeus.
An Assyrian lamassu dated 721 BC. Images of unions of different elements into one symbol were originally used by the Ancient Egyptians, Assyrians, and Greeks. The image of the sphinx, found in Egypt and Babylon, depicted the body of a lion and the head of a human, while the harpies of Greek mythology showed bird-like human women.
Art in Renaissance Italy. Laurence King Publishing, The harpies, figures from pagan mythology (or locusts), here represent temptation and sin, which the Virgin has conquered and stands upon.Hickson, Sally Anne, Women, Art and Architectural Patronage in Renaissance Mantua, p. 34, google books The Christ Child is shown as unusually old, and has an athletic contrapposto pose.
The Cluny houses many examples of this experimentation, such as 'double' capitals and statues that function as columns. There is a double capital that depicts two harpies facing each other that comes from the church at Saint-Denis, made between 1140 and 1145. Another artifact from Saint-Denis is the head from a statue-column of Queen Saba.
In other tales there appear the Medusa to be defeated by Perseus, the (human/bull) Minotaur to be destroyed by Theseus, and the Hydra to be killed by Heracles, while Aeneas battles with the harpies. These monsters thus have the basic function of emphasizing the greatness of the heroes involved.Grimal, Pierre. The Dictionary of Classical Mythology.
According to the "Homeric Hymn to Apollo", when Leto was in labor prior to giving birth to Apollo and his twin sister Artemis, all the goddesses were in attendance except for two, Hera and Ilithyia, the goddess of childbirth. On the ninth day of her labor, Leto told Iris to bribe Ilithyia and ask for her help in giving birth to her children, without allowing Hera to find out. According to Apollonius Rhodius, Iris turned back the Argonauts Zetes and Calais, who had pursued the Harpies to the Strophades ("Islands of Turning"). The brothers had driven off the monsters from their torment of the prophet Phineus, but did not kill them upon the request of Iris, who promised that Phineus would not be bothered by the Harpies again.
A medieval depiction of a harpy as a bird-woman The most celebrated story in which the harpies play a part is that of King Phineus of Thrace, who was given the gift of prophecy by Zeus. Angry that Phineus gave away the god's secret plan, Zeus punished him by blinding him and putting him on an island with a buffet of food which he could never eat because the harpies always arrived to steal the food out of his hands before he could satisfy his hunger. Later writers add that they either devoured the food themselves, or that they dirtied it by dropping upon it some stinking substance, so as to render it unfit to be eaten. This continued until the arrival of Jason and the Argonauts.
Items, weapons and shields can be found in barrels, crates, and treasure chests. However, players must be cautious to avoid traps, of which there are various kinds. The enemies in the game are fairly standard for a fantasy-them game, including orcs, slimes, lizardmen, werewolves, carnivorous plants, harpies, and others. Bosses (known as Roomguarders) include demons, giant snakes, a spider-woman, and more.
One Harpy attempts to nurse one baby, who bites her breast. The Harpies declare him Son of Zeus, name him "Hercules --glory to Hera", and order Alcmene to kill him, departing afterward. Alcmene names the other son, Iphicles, and begs Amphitryon to kill Hercules. Her husband cannot bring himself to do it, so Alcmene sends two snakes into Hercules' crib.
Fragment in Leipzig, found in Cerveteri, with gorgons on the belly as on the Nessos vase. He was also responsible for the first representations of harpies and Sirens in Attic art. In contrast to the Corinthian painters he used double and even triple incised lines to better depict animal anatomy. A double-scored shoulder line became a characteristic of Attic vases.
Rastan is a fantasy-themed side-scrolling action game originally released for arcades in 1987 by Taito and later ported to various platforms. The player controls a barbarian warrior who has embarked on a quest to slay a dragon. While on his way to the dragon's lair, Rastan must fight hordes of enemy monsters based on mythical creatures such as chimeras and harpies.
She founded and directed a feminist magazine known as Harpies and Quines which launched in 1992. During its lifetime it was sued by the publication Harpers & Queen. The magazine ceased trading in 1994, having been declared bankrupt after cashflow problems. From 1993 to 1999 she was a contributing editor of the Sunday Herald and an assistant editor of The Scotsman.
His powers of prophesy are so great that Zeus has punished him for giving away divine secrets, afflicting him with extreme old age, blindness and daily visits from the harpies. Jason and the Argonauts are destined to rescue him from the harpies and thus he welcomes them as his deliverers, Zetes and Calais, sons of the north wind, duly chase the pests away, and the blind old man gratefully reveals the safest route to Colchis and how best to sail past the Clashing Rocks. Passing through the Clashing Rocks (thanks to the advice of Phineus, the pilot skills of Tiphys and the aid of Athena), they enter the Black Sea and arrive at a deserted island, Thynias, where they observe Apollo flying overhead on his way north to visit the Hyperboreans. The island shakes with his passing.
Milfa, however, earns the respect of the townspeople after saving two children from a rampaging hydra. Genji, meanwhile, finds the lair of the Harpies: female, angel-like creatures who are known to abduct and rape young men so as to have children. Genji is captured by the Harpy Princess, Pisda, who subsequently rapes him. Genji tries to resist, but is unable to stop himself impregnating her.
She would have to complete a task for each of the gods, culminating in the defeat of the monsters beyond "Doom's Doorway". This doorway was the Amazon's charge for millennia and if Diana was unsuccessful, the Amazons would be destroyed.Wonder Woman Vol. 2 #10 Diana succeeded in her trials, defeating numerous monsters including Echidna, the Chimera, the Cyclops, the Hydra, the Harpies, and the Minotaur.
Compared to his earlier Spedalingo Altarpiece and his later Dei Altarpiece, the work uses a simple symmetrical composition derived from 15th century Florentine traditions. The background, the Madonna's pose (with knee thrust out and the Christ Child clinging to her neck) and the male saint with an open book recall Andrea del Sarto's Madonna of the Harpies Elisabetta Marchetti Letta, Pontormo, Rosso Fiorentino, Scala, Firenze 1994. .
At one point, Dante echoes it: "I think he thought that I was thinking", according to John Ciardi's translation. In placing him among the suicides rather than the traitors, Dante is affirming that della Vigna was falsely or wrongly accused. In the 19th century, William Blake illustrated the Divine Comedy and depicted della Vigne in The Wood of the Self-Murderers: The Harpies and the Suicides.
The Harpies are also entitled to question the ghosts, requiring them to tell the stories of their lives and any knowledge they have gained. They are entitled to deny ghosts guidance to the portal (potentially trapping them in the Land of the Dead for eternity) if they have "nothing of value" to tell (and are old enough to be expected to) or if they lie.
Homer Odyssey, Book 1.241, 14.371 Thus, they carried off the daughters of king Pandareus and gave them as servants to the Erinyes.Homer. Odyssey, Book 20.78 In this form they were agents of punishment who abducted people and tortured them on their way to Tartarus. They were vicious, cruel and violent. The harpies were called "the hounds of mighty Zeus" thus "ministers of the Thunderer (Zeus)".
As they approach a canyon guarded by trolls and harpies, a pack of wolves and Loups appear and attempt to capture David. After solving the trolls' riddle, David can cross one of two bridges over the canyon. The Woodsman remains on the bridge to keep the wolves at bay, but is overcome and dragged into the forest. David cuts the bridge's ropes, which keeps the wolves from crossing.
Vântoase are creatures present in Romanian folklore, as a sort of female spirits (iele). Popular beliefs describe them as capable of causing dust storms and powerful winds, similar to harpies. They live in forests, in the air, in deep lakes, and use a special wagon for traveling. The Vântoase are also believed to be capable of attacking children, and the only protection against them is the mysterious "grass of the winds".
Throughout Dolph and Marrow's adventures through the land of Xanth they encounter many different creatures. There are the always rhyming ogres, bone hungry and smelly harpies, the cruel merwomen, and many others. One of the major creatures that come into play in the book are the nagas. The nagas are a snake-human people who have the power to transform into either a full snake, full human, or mixed form.
She sets a time bomb to explode after she leaves, but Harvey Harpy ties the bomb to her air-ship as it takes off. As the queen tries to remove the bomb she crashes into the castle and explodes. This destroys the castle and breaks the spell cast by the evil queen, and one by one all the harpies turn back into children, including Allegra and Harvey, who celebrate with Jack.
Pietro describes the fate awaiting souls guilty of suicide to Dante the Pilgrim and Virgil. According to Pietro, the soul of the suicide grows into a wild tree and is tormented by harpies that feast upon its leaves. Pietro likens the initial growth and transformation of the soul of the suicide to the germination of a grain of spelt (Inferno XIII, 94–102). Spelt is also mentioned in the Bible.
He looks down to the putti, and all three have a "mischiefness" that contrasts with the serious, abstracted, air of the adults.Franklin, David, Painting in Renaissance Florence, 1500-1550, pp. 136-137, David Franklin, google books The main character in the Kürk Mantolu Madonna ("Madonna With A Fur Coat"), a novel written by Turkish writer Sabahattin Ali, is a depiction of the Virgin Mary in Madonna of the Harpies.
Below, a series of dogs chasing harpies, and dragons biting. On the other slope of the sepulcher appear vegetal scrolls and, in the corner, between rosettes that separate the words, it appears sculpted the epitaph. Alleged sepulcher of Queen Eleanor in the Old Cathedral of Lleida. In the Old Cathedral of Lleida is a tomb in which on 23 October 1986 the remains of Alfonso IV of Aragon were deposited.
The new version of the statue, made by François-Frédéric Lemot, was finished by 1818. The statue that can be seen today varies from its previous version. The current statue still retains the iconic pose of Henry IV and his horse, but the main differences are visible on the pedestal. The slaves, harpies, and youths from the previous version were not integrated into the present-day version of the piece.
However the Harpies plagued him, deliverance from this curse motivated Phineus's involvement in the voyage of the Argo.. Those accounts in which Phineus is stated to have blinded his sons, add that they had their sight restored to them by the sons of Boreas,Orphic Argonautica', 674 or by Asclepius.Scholia ad Pindar, Pythian Odes 13.96 When the ship landed by his Thracian home, Phineus described his torment to the crew and told them that his brothers-in-law, the wing-footed Boreads, both Argonauts, were fated to deliver him from the Harpies.Apollonius of Rhodes, Argonautica 2.234–9 Zetes demurred, fearing the wrath of the gods should they deliver Phineus from divine punishment, but the old seer assured him that he and his brother Calais would face no retribution.Apollonius of Rhodes, Argonautica 2.244–61 A trap was set: Phineus sat down to a meal with the Boreads standing guard, and as soon as he touched his food the Harpies swept down, devoured the food and flew off.
Creatures featured in the product, all living in Serraine, are faenare (birdmen able to create spell-like effects through songs), gnomes, gremlins, harpies, nagpa (vulture-headed humanoids), pegataurs (winged centaurs), sphinxes, and tabi (catlike creatures). Each of these races is introduced by a character who describes their cultures, evolution, and lifestyles. Some creatures start with negative experience points totals when used as PCs. There are three adventures for characters of various experience point levels.
Upset and eager to return home, Jason leaves. After walking on a dirt path and thinking aloud a hilarious quip he should have said to Celestia, Jason sees warriors riding horses atop a distant hill. Suddenly, Jason and the warriors are attacked by the harpies. After swinging blindly at the air with their swords, one of the warriors, Celestia's father, is knocked off his horse by a harpy that may have momentarily turned invisible.
After doing this the Amazons reclaimed their city. Disgusted by her sister, Antiope left Hippolyta (taking half the Amazons with her) and went to find revenge against Herakles and his lackey Theseus. Antiope told Hippolyta before leaving that she could never trust her again. In the last tournament of the Contest, which consisted of a race, Diana was slowed down by magical copies of ancient creatures along the way: the whirlpool Charybdis, Medusa and Harpies.
' by Pierre-Narcisse Guérin (1811) According to Hesiod's Theogony, Iris is the daughter of Thaumas and the Oceanid Electra and the sister of the Harpies: Aello and Ocypete. During the Titanomachy, Iris was the messenger of the Olympian gods while her twin sister Arke betrayed the Olympians and became the messenger of the Titans. She is the goddess of the rainbow. She also serves nectar to the gods and goddesses to drink.
The best scenes in Rip-Off are done in that style. Parents > aren't depicted as shrill, neurotic harpies and young people aren't given a > self-congratulatory snow job. But Rip-Off is engaged in a thankless task. > Audiences at the recent Canadian Film Awards guffawed every time a screen > character said "groovy," "far out" or "out of sight" (nine of the 13 > features shown had such a character, usually the film's token pothead).
The crew become rebellious and Jason has Zetes, a young man with brilliant vision, see the stars and find their route to Tabletop Island, where they find Phineus. They are attacked by the Harpies - the winged monsters that torment Phineus - and kill them. In return, Phineus tells them the Golden Fleece is in Colchis. Meanwhile, on Colchis, the princess Medea has visions of the crew and her brother Aspyrtes goes out to find them.
Pietro della Vigna (also Pier delle Vigne, Petrus de Vineas or de Vineis; c. 1190–1249) was an Italian jurist and diplomat, who acted as chancellor and secretary (logothete) to Emperor Frederick II. Falsely accused of lèse- majesté, he was imprisoned, blinded and committed suicide soon after. He is mentioned in the Inferno of the Divine Comedy by Dante Alighieri. The Wood of the Self-Murderers: The Harpies and the Suicides, c. 1824–7.
The editor of The Daily Prophet is Barnabas Cuffe, a former pupil of the Potions master Horace Slughorn. It is unclear how long he has been editor of The Daily Prophet. According to J. K. Rowling, in the events after the book series, Ginny Weasley becomes Senior Quidditch correspondent at The Daily Prophet, after her retirement from the Holyhead Harpies. The Daily Prophet has a late edition named The Evening Prophet, and a weekend edition named The Sunday Prophet.
Love in the Golden Age The artist painted landscapes with religious scenes but is mainly known for his allegorical and mythological scenes. The latter were inspired by Giorgione but were treated by Franck with a Venetian softness and grace and set in dreamlike landscapes. These landscapes anticipate the Italianate Flemish school later associated with Paul Bril and Jan Brueghel the Elder. A good example is the Landscape with the Expulsion of the Harpies (National Gallery London, 1592–6).
In flight Lois and Clark get attacked by trolls and harpies, causing the plane to crash land in Germany. Lois soon discovers that the Reich is ruled by the god Adonis while Artemis and Athena oppose him. Wonder Woman has betrayed Paradise Island and is now part of the Reich. It is also revealed that the Greek pantheon is in league with the Nazis, allowing them to employ mythological monsters to fight superheroes for world domination.
They visit Tiresias, now a prophet, who declares that to atone for his sins, he must perform six labors for King Eurystheus and the now Queen Megara. For the first labor, he must kill the Stymphalian Birds. He and Linus find them, discovering they are the same Harpies from earlier, and kill them, taking back their heads as proof. Alcmene secretly pours blood on one head to revive it, and ask it for advice on how to kill Hercules.
Andrea del Sarto (1486–1530), a Florentine, drew upon both Michelangelo and Raphael in his work, but went far beyond them in the portrayal of facial expressions and gestures, as evidenced in Madonna of the Harpies, 1517.Raunch pg. 341 His figures show a greater individuality than earlier High Renaissance works while losing none of the nobility.Raunch pg. 341 In the 1520s, he remained faithful to the ideals of the High Renaissance, such as in paintings’ compositionsWundram pg.
Samodivas are believed to be very beautiful women with an affinity for fire. They have the power to bring about drought, burn a farmer's crops, or make cattle die of high fever. It is said that, when angered, a Samodiva can change her appearance and turn into a monstrous bird, capable of throwing fire at her enemies. This, with the power of their seductive voices, makes them somewhat similar to Harpies and Sirens in Greek mythology.
Touga Eita is a highschool student and video-game otaku. He is the heir to the Touga style Ninjitsu, and he has never kissed a girl. All this changes when a voluptuous girl with wings and taloned feet named Aero appears and calls on Eita to help save her people- the harpies of Re-Verse-from the merciless onslaught of giant robot monsters known as Gigas. Aero reveals that she was sent to find him, by his missing brother.
In 1870 and 1880, Judy stated that charity bazaars "covered a multitude of swindling". The women who forcefully persuaded customers to buy their products were called "bazaar harpies". In George Augustus Sala's 1894 novel Up to Date, buyers could pay a shilling for a "woman of fashion" to lick and affix a penny stamp to an envelope. According to Catherine Hindson, this kind of activity upended the distinct separation between the public and private spheres defining Victorian social order.
Metamorphosis In the 1970s, Feldman completed several installations portraying different stages of animal metamorphosis. These featured hybrid, mutant creatures, reminiscent of Hieronymus Bosch's triptych The Garden of Earthly Delights—rats transformed into fish, and turtles with human features. The small-scale sculptures were displayed in large clusters, their multitude invoking aggression and infestation. Birds (1970), a cast metal flock of dead birds, preceded Kiki Smith's Jersey Crows (1995) while Metamorphic Turtles (1973–75) anticipated Smith's Sirens and Harpies (2002).
Like Miia's mother, she is very young, but she is visually identical to Papi, except for her having long, bleached hair and tanned skin. She sent a letter to Papi, but accidentally enclosed a picture of herself with her husband to Papi with the letter, resulting in a mix-up in which Kimihito and the others assumed that Papi was the harpy in the picture and in which Papi assumed that her mother had come to take her home, as Harpies, as a rule, do not stay in one place for too long due to their free nature as a species. She eventually cleared up the entire situation by revealing the truth of the photo: it had been taken before Papi was born, and she had only changed her appearance later to match her husband's taste. With Papi and Kimihito confused by the fact that Papi's mother was still staying with her husband, she revealed that harpies don't follow any rules and so there isn't any problem for Papi to stay with Kimihito.
As the Strophades, they were identified as the dwelling-place of the Harpies. Virgil states that the Harpy drove the Trojans from the Strophades (Aeneid iii, 209 passim.). The islands are mentioned in The Divine Comedy (see List of cultural references in The Divine Comedy) and in passing in Chapter 10 of Rabelais' Fifth Book of Pantagruel. According to legend, the islands' name, meaning "Islands of Turning," refers to Zetes and Calaïs, sons of Boreas, who voyaged with the Argonauts.
Later that day, Todd found out the thing Denise keeps in her box is a giant bat-like monster. Todd goes after it with a baseball bat, breaks a bunch of things in the process, and ends up reprimanded by his dad. Todd tries to tell George that the bat-like thing is called a harpy, and that harpies help tropopkins, but a disbelieving George grounds Todd and throws away his comics. George goes off to leave Todd alone with Denise.
After Uranus's castration, Gaia mated with her son Pontus (Sea) producing a descendent line consisting primarily of sea deities, sea nymphs, and hybrid monsters. Their first child Nereus (Old Man of the Sea) married Doris, one of the Oceanid daughters of the Titans Oceanus and Tethys, and they produced the Nereids, fifty sea nymphs, which included Amphitrite, Thetis, and Psamathe. Their second child Thaumas, married Electra, another Oceanid, and their offspring were Iris (Rainbow) and the two Harpies: Aello and Ocypete.Theogony 233-269.
The club was staffed by New Zealand volunteers as stipulated by the New Zealand War Contingent Association. In his opening speech, Sir Thomas Mackenzie stated that committee members would meet each train from France to "prevent the harpies and sharpers who are always hanging about the Metropolis from decoying the men". The building was demolished after World War II and replaced by buildings designed by architect Sir Denys Lasdun for the University of London. In 1975, No. 17 became the Institute of Advanced Legal Studies (IALS).
Among his acquaforte colored engravings are: Gli Iconoclasti of Morelli, the paintings of animals by Palizzi, and a series of portraits including of Count Cavour. Among his engravings with burin are those of a Madonna by Murillo and of the Madonna of the Harpies by Andrea del Sarto. He won various silver and gold prizes at exhibitions. He was awarded an honor in the Order of San Maurizio, and became an associated at many Academies in Italy, as well as of the Academy in St Petersburg, Russia.
Wooden trencher In Virgil's Aeneid, trenchers are the object of a prophecy. In bk.3, Aeneas recounts to Dido how after a battle between the Trojans and the Harpies, Calaeno, chief of the Furies, prophesied to him (claiming to have the knowledge from Apollo) that he would finally arrive in Italy, but > Never shall you build your promised city Until the injury you did us by this > slaughter Has brought you to a hunger so cruel That you gnaw your very > tables.Virgil, "The Aeneid", trans.
In front of the entrance to the underworld live Grief (Penthos), Anxiety (Curae), Diseases (Nosoi), Old Age (Geras), Fear (Phobos), Hunger (Limos), Need (Aporia), Death (Thanatos), Agony (Algea), and Sleep (Hypnos), together with Guilty Joys (Gaudia). On the opposite threshold is War (Polemos), the Erinyes, and Discord (Eris). Close to the doors are many beasts, including Centaurs, Scylla, Briareus, Gorgons, the Lernaean Hydra, Geryon, the Chimera, and Harpies. In the midst of all this, an Elm can be seen where false Dreams (Oneiroi) cling under every leaf.
Ronia gives herself to the Borkas so she must be exchanged, but as a result, her father disowns her and refuses to acknowledge her as his daughter. Birk and Ronia run away to the woods, where they live in a cave and experience several harrowing adventures with the wood's indigenous wildlife, including trolls, forest gnomes, and harpies. Ultimately their families repent of their feuding, and everyone is reunited, but the story concludes with both Ronia and Birk deciding that the robber's life is not for them.
217 Thankful for their help, Phineus told the Argonauts how to pass the Symplegades.Argonautica, book II; Ovid XIII, 710; Virgil III, 211, 245 Tzetzes explained the origin of the myth pertaining to Phineus, the harpies, and the Boreades in his account. In this late version of the myth it was said that Phineus, due to his old age, became blind, and he has two daughters named Eraseia and Harpyreia. These maidens lived a very libertine and lazy life, abandoning themselves to poverty and fatal famine.
Its iconography includes (under the 16 burners) alternating figures of Silenus playing panpipes or double flutes, and of sirens or harpies. Within zones representing waves, dolphins and fiercer sea- creatures is a gorgon-like face with protruding tongue. Between each burner is a modelled horned head of Achelous. It is supposed that the lampadario derived from some important north Etruscan religious shrine of around the second half of the 4th century BC. A later (2nd century BC) inscription shows it was rededicated for votive purposes (tinscvil) by the Musni family at that time.
Top Ballista is a Creature Crucible supplement and campaign setting that describes Serraine, city of the magical biplane-flying skygnomes. The supplement includes rules for player characters (PCs) for races such as skygnomes, gremlins, pegataurs, and harpies, as well as new air-combat rules. The aerial city of Serraine flies over the Known World carrying its skygnome inhabitants, creators of bizarre yet workable inventions. The book describes the flying aces of the Top Ballista squadrons, gnomes who pilot flying machines, World War I style fighter planes, equipped with lightning guns and synchronized crossbows.
Jason is thrown into a cave where he meets up with a captured Castor. The two sneak down the secret entrance the king mentioned earlier, but in their descent they find thousands of harpy eggs, eventually coming to the conclusion that Vorian is planning a full-scale attack. Celestia, Garek, Aldebert, and the Priest return to the cottage, where Garek is sent to retrieve some items. Alone, Garek faces off with three harpies, managing to kill them all after committing suicide by burning them all alive with himself.
For years, the Japanese government had kept a secret: mythical creatures such as centaurs, mermaids, harpies, and lamias are real.Monster Musume chapter 1 Three years before the start of the story, the government revealed the existence of these creatures and passed the "Interspecies Cultural Exchange Act". Since then, these creatures, known as "liminals", have become a part of human society, living with ordinary families like foreign exchange students and au-pair visitors, but with other duties and restrictions (the primary restrictions being that liminals and humans are forbidden from harming each other or procreating).
Idaea's husband was the blind seer Phineus, plagued by the Harpies, who was encountered by Jason and the Argonauts, when they landed in Thrace. By some accounts, it was Phineus' second wife Idaea who was the responsible for her husbands' blindness. According to one tradition, Phineus' first wife was Cleopatra the daughter of Boreas, god of the North wind. Phineus had two sons by Cleopatra (variously named), who were falsely accused by Phineus' second wife Idaea, causing Phineus to (or allow Idaea to) blind, or imprison and torture, or kill his sons.
199 and the ancient Greeks supplemented their bread with oils, herbs, and cheese. An early reference to a pizza-like food occurs in the Aeneid, when Celaeno, queen of the Harpies, foretells that the Trojans would not find peace until they are forced by hunger to eat their tables (Book III). In Book VII, Aeneas and his men are served a meal that includes round cakes (like pita bread) topped with cooked vegetables. When they eat the bread, they realize that these are the "tables" prophesied by Celaeno.
The group hatch a plan to take Raymond back, but everything falls apart when Ben is knocked out and nearly killed by one of the bodyguards. Given the choice of taking Raymond or rescuing Ben, the group chooses to save Ben. Raymond is abducted later by a swarm of harpies that the king and queen send and is successfully brought to the Island. Meanwhile, Nanny Brown has died and left behind a letter, in which she reveals Ben's true identity as the stolen baby, with Raymond actually having been born to Mrs.
28–29, but ' (classical Latin ') means "progeny, offspring," modified by ', "dear, beloved." In the Little Book on Images of the Gods, Pluto is described as > an intimidating personage sitting on a throne of sulphur, holding the > scepter of his realm in his right hand, and with his left strangling a soul. > Under his feet three-headed Cerberus held a position, and beside him he had > three Harpies. From his golden throne of sulphur flowed four rivers, which > were called, as is known, Lethe, Cocytus, Phlegethon and Acheron, > tributaries of the Stygian swamp.
They first encounter the children when, along with Lord Asriel's forces, they arrive at Mrs Coulter's cave, under orders to take the children to Lord Asriel. The Gallivespians are forced to go with Lyra and Will when it becomes apparent that they will not go directly to Lord Asriel willingly. They travel together to the land of the dead, helping bargain with the harpies. Tialys dies when attacking a cliff-ghast, having dug his spurs deep into her neck; Lady Salmakia dies shortly thereafter, her short lifespan having reached its natural end.
The Scarlet Fig: or, Slowly through a Land of Stone, is a fantasy novel written by American writer Avram Davidson, edited by Grania Davis and Henry Wessells, published in hardcover by Rose Press in 2005. An ebook edition was published by Prologue Press in August 2012. It is the third and final novel of the author's Vergil Magus sequence, following The Phoenix and the Mirror (1969) and Vergil in Averno (1987). It follows Vergil's adventures in an alternate ancient Mediterranean world where harpies, basilisks, and satyrs co- exist with Rome, Carthage, and the Punic Wars.
Harryhausen worked on a series of fantasy films in the 1960s, most importantly Jason and the Argonauts (1963). Many critics have identified this film as Harryhausen's masterwork for its stop-motion animated statues, skeletons, harpies, hydra, and other mythological creatures. Other Harryhausen fantasy and science fantasy collaborations from the decade include the 1961 adaptation of Jules Verne's Mysterious Island, the critically panned One Million Years B.C. starring Raquel Welch, and The Valley of Gwangi (1969). Capitalising on the success of the sword and sandal genre several Italian B-movies based on classical myth were made, including the Maciste series.
Traveling to hide the young Zeus with the Mighty Avengers, Hercules and Zeus are separated from Athena by attacking Harpies, and then recruited by Balder the Brave to pose as Thor in order to avert a war between Asgard and the Dark Elves of Svartalfheim. Hercules is delighted by the opportunity, and upon arriving in the kingdom quickly seduces Queen Alflyse, only to accidentally marry her. Alflyse then prepares to invade Asgard in order to install her "husband" on his throne again. Zeus is disgusted with Hercules' behaviour, and becomes a fan of Thor through reading of his heroic exploits.
Werner, p. 323. In February 1892, crusading reformist Rev. Charles Parkhurst of the Madison Square Presbyterian Church denounced his administration: "every step that we take looking to the moral betterment of this city has to be taken directly into the teeth of the damnable pack of administrative blood-hounds that are fattening themselves on the ethical flesh and blood of our citizenship." He called Grant and his political colleagues "a lying, perjured, rum-soaked, and libidinous lot" of "polluted harpies."Peter Hartshorn, I Have Seen the Future: A Life of Lincoln Steffens (Counterpoint, 2011), p. 42.
The first-century BC Latin poet Virgil, in his Aeneid, may have drawn on the same version of the story as that given in the lost Titanomachy. Virgil locates Briareus, as in Hesiod, in the underworld, where the Hundred-Hander dwells among "strange prodigies of bestial kind", which include the Centaurs, Scylla, the Lernaean Hydra, the Chimaera, the Gorgons, the Harpies, and Geryon.Virgil, Aeneid 6.282-294. Later Virgil describes the "hundred-handed" Aegaeon (the Iliad's Briareus): Here Virgil has the Hundred-Hander as having fought on the side of the Titans rather than the Olympians, as in the Titanomachy,O'Hara, p.
They are given the name striges, singular strix, the word for an owl as a bird of evil omen and supposedly derived from the verb strideo, stridere, "shriek." At the same time, Ovid says that they are the winged creatures who tormented the marooned Phineus by stealing the food off his table — that is, the Harpies. They are a "disconcerting composite" that recalls images on certain curse tablets, one of which shows a "heart-feasting Hecate" that matches Ovid's description.For the drawing, see John G. Gager, Curse Tablets and Binding Spells from the Ancient World (Oxford University Press, 1992), p.
Goody and Hannah travel to Robot World, one of the moons of Princess Ida, and bring back some robots to live in Xanth. Unfortunately, the robots decide to take over Xanth, which means all of Xanth must join together to fight the menace. Goblins, ogres, dragons, and other creatures come to combat the robots, which have been expanding, and the harpies feed the armies with lunch boxes from their lunch box plantation. Eventually the robots are defeated, In the process, Goody finally gets over his late wife's death and falls in love with Gwenny Goblin, the first female goblin chief.
It was designed by Italian Rutilio Gaci in 1618 and made in 1625 by the Catalan sculptor Antonio de Riera, in collaboration with Francisco del Río, Guillem de Bona and Martín de Azpillaga. Plumbers masters were Sebastián de la Oliva and Juan del Río the Elder. According to the documentation of the time, the fountain consisted of four pipes (placed on figures of harpies throwing water over their breasts, all in gilded bronze), twelve masks, four feet and four pyramids for seat and finnish of other so many balls."Buscando los restos de las primeras fuentes barrocas (4): la Mariblanca", pasionpormadrid.blogspot.
In a number of cases, it was a grey, lifeless Purgatory inhabited by rotting corpses; in others, a place of perpetual torment akin to Hell (although it was never specifically defined as such). The Beyond seemed to be the abode of all of humanity's worst fears; vampires, ghosts and demons existed alongside dragons, witches and harpies. All seemed generally hostile towards mankind; some periodically crossed over to prey on selected victims or to seek vengeance on former tormentors. The traffic appeared to flow in both directions; mortals could inadvertently find themselves trapped in the Beyond before the end of their natural lives.
At various times in its history, Dungeons & Dragons has received negative publicity, in particular from some Christian groups, for alleged promotion of such practices as devil worship, witchcraft, suicide, and murder, and for the presence of naked breasts in drawings of female humanoids in the original AD&D; manuals (mainly monsters such as harpies, succubi, etc.). These controversies led TSR to remove many potentially controversial references and artwork when releasing the 2nd Edition of AD&D.; Many of these references, including the use of the names "devils" and "demons", were reintroduced in the 3rd edition.Williams, Tweet, Cook; Monster Manual, pp.
Any attempts to cure the disease only making things worse as the experimental vaccine called V9 results in the creation of the special zombie type called Harpies. Abandoning any attempt to find the cure, scientists turned to create bio-engineered soldiers called Mutants armed with ultra-sharped claws to fight off the zombie hordes. The campaign ends in Mega York with the player conquering the collapsed Statue of Liberty - now named the Goddess of Destiny - earning Quintus' respect and securing the Empire's dominance across North America. Quintus then reminds the Player that there will be more conquests in the future.
The river was regarded as a god by the ancient Greeks, as were most mountains and streams; the poet Nonnus in the Dionysiaca (section 26, line 350) makes the Hydaspes a titan-descended god, the son of the sea-god Thaumas and the cloud-goddess Elektra. He was the brother of Iris, the goddess of the rainbow, and half-brother to the Harpies, the snatching winds. Since the river is in a country foreign to the ancient Greeks, it is not clear whether they named the river after the god, or whether the god Hydaspes was named after the river.
God of War II is an action-adventure game with hack and slash elements. It's a third-person single-player video game viewed from a fixed camera perspective. The player controls the character Kratos in combo-based combat, platforming, and puzzle game elements, and battles foes who primarily stem from Greek mythology, including harpies, minotaurs, Gorgons, griffins, cyclopes, cerberuses, Sirens, satyrs, and nymphs. Other monsters were created specifically for the game, including undead legionnaires, ravens, undead barbarians, beast lords, rabid hounds, wild boars, and the army of the Fates, including sentries, guardians, juggernauts, and high priests.
They are named and modeled after the harpies of Greek mythology. After Master orders them to attack Ikaros for his amusement, but they are interrupted by Tomoki, who tells them to dress up; the younger is embarrassed, but the older plays along until they get to a bikini where she becomes extremely conscious about showing her belly button that she flees. Later at the beach, the older harpy discovers she cannot survive being underwater, but was rescued by Tomoki and friends. After she and Tomoki were stranded in a desert, the older harpy develops feelings for him and questions her mission.
Aeneas buries Misenus and he and the Sibyl prepare a sacrifice to enter the Underworld. Aeneas first encounters several beings and monsters as he enters: Sorrows, Heartaches, Diseases, Senility, Terror, Hunger, Evil, Crime, Poverty, Death, Hard Labor, Sleep, Evil Pleasures of Mind, War, Family Vengeance, Mad Civil Strife, Scylla, Briareus, the Hydra, the Chimaera, the Gorgons, the Harpies, and Cerberus. Next, Aeneas encounters Charon, the ferryman who leads souls into the Underworld, and the mass of people who are unburied. His first conversation is with Palinurus, a man of his crew who fell overboard and died on their journey.
Rowling elaborated on Ginny's future after the release of the book, saying that after leaving Hogwarts, she joined the Holyhead Harpies and, after spending a few years as a celebrated player, retired to become the senior Quidditch correspondent at the Daily Prophet, and to start a family with Harry. In the play Harry Potter and the Cursed Child, Ginny must help Harry reconcile with their wayward son Albus Severus Potter, and references to events in previous books are mentioned. Her job at The Daily Prophet is briefly mentioned when Draco accuses her of promoting suspicion against former Death Eaters, but she states that her articles are purely sport-related.
132–133) has Lamia as the mother of Scylla, possibly the Lamia who was the daughter of Poseidon. For discussions of the parentage of Scylla, see Fowler 2013, p. 32, Ogden 2013a, p. 134; Gantz, pp. 731–732; and Frazer's note to Apollodorus, E7.20. The Harpies, in Hesiod the daughters of Thaumas and the Oceanid Electra,Hesiod, Theogony, 265–269; so also Apollodorus, 1.2.6, and Hyginus, Fabulae Preface (though Fabulae 14, gives their parents as Thaumas and Oxomene). In the Epimenides Theogony (3B7) they are the daughters of Oceanus and Gaia, while in Pherecydes of Syros (7B5) they are the daughters of Boreas (Gantz, p. 18).
Growing jealous of the new star's rising popularity however, he decides to wear the Gizmosuit himself, but ends up causing mayhem before he's stopped by Fenton. In season two, he makes a (non-speaking) appearance as he's attacked by harpies before making a major appearance in "The Dangerous Chemistry of Gandra Dee!", using Gandra Dee as a spy to get close to Gizmoduck and turn himself into a Hulk- like monster. Dubbing himself "Mega-Beaks", he severely damages Gyro's lab and the Gizmo-suit, kidnaps Huey and Webby, and attacks his own company before being confronted by Fenton and Gandra, who manage to defeat him and turn him back to normal.
Being rid of the Harpies, Phineus revealed to the Argonauts the course of their voyage, and advised them about the Clashing Rocks in the sea. These were huge cliffs, which, dashed together by the force of the winds, closed the sea passage. Thick was the mist that swept over them, and loud the crash, and it was impossible for even the birds to pass between them. So he told them to let fly a dove between the rocks, and, if they saw it pass safe through, to thread the narrows with an easy mind, but if they saw it perish, then not to force a passage.
With regard to the Mariblanca statue, it was bought in Italy by the Florentine merchant Ludovico Turchi, from a custom 1619 of the Junta de las Fuentes, an agency under the Madrilenian City Hall, which paid the amount of 15,000 reales for this and other mythological sculptures, acquired for the ornate of the capital. The statue remained stored several years until, in 1625, when it was finished the fountain, could be placed on top. Although this is an image of Venus, the figure was misidentified with a representation of the Faith. Hence the fountain was known both this name as that of the Harpies, referring to the aforementioned sculptures.
We are told about chaotic beings put into the pentemychos, and we are told that the Darkness has an offspring that is cast into the recesses of Tartaros. No surviving fragment makes the connection, but it is possible that the prison- house in Tartaros and the pentemychos are ways of referring to the essentially same thing. According to Celsus, Pherecydes said that: "Below that portion is the portion of Tartaros; the daughters of Boreas [the north wind], the Harpies and Thuella [Storm], guard it; there Zeus banished any of the gods whenever one behaves with insolence." Thus the identity between Zeus' prison-house and the pentemychos seems likely.
He further praises the backing vocals, writing "[they wailed like harpies", and compliments Bowie's vocal performance, noting the presence of Ziggy himself in the chorus. Ned Raggett of AllMusic gave the song a positive review, complimenting Bowie's vocal performance, calling it "defiantly arch", his sax solo, and praises Ronson's guitar work, writing, "his concluding solo is as perfect an example of glam-god glory as anything." He identifies the "suddenly storming" choruses as the standout and notes the track as reminiscent of Bowie's previous album Hunky Dory. He ultimately called the song an "enjoyable listen", even if it's not quite connected to the overall theme of the album.
While harpies take the Box to Ares, Kratos falls into the Underworld. He battles his way through the fiery realm, and with help from the mysterious gravedigger, who tells him Athena is not the only god watching over him, he escapes and returns to Athens. Kratos recovers Pandora's Box from Ares, opens it, and uses its power to become godlike. Despite Ares' best efforts to destroy Kratos physically and mentally, including stripping him of the Blades of Chaos and all magic, he survives and kills Ares with the Blade of the Gods, a giant sword that was being used as an ornamental bridge to Athens.
The manticore, who guarded the entrance of the fairy king and queen, joins them along with the sphinx, who Cassandra thinks they both love each other. The crew next include among them the harpies, who take over the galley, the minotaur and a dryad, complete with a tree. Disaster strikes when Aisling becomes distracted by the potential of bringing back measurable proof for Bilgewallow and his ilk, which is a dragon skull he steals from Skotos, who lives on the island of the trolls. He also insists on bringing the lovely but deadly Medusa on board, with predictable results for one of the crew.
The film opens with a retelling of Beowulf, narrated over pans of paintings imitative of stained glass, then cuts to Jack, a boy who lives with his animal friends Barnaby Bear, Dinah Dog, Squeeker Mouse and Phineas Fox and drives a car resembling a Ford Model T, even inside the house. One day while out driving Jack sees a girl named Allegra in a flying machine and challenges her to race. After he loses Allegra offers him a ride and he accepts, along with Squeeker Mouse who sneaks aboard. Allegra is actually a witch, and takes Jack to the castle of the evil queen Auriana, who changes children into harpies to be her slaves.
These were winged female creatures, and when a table was laid for Phineus, they flew down from the sky and snatched up most of the victuals from his lips, and what little they left stank so that nobody could touch it. When the Argonauts would have consulted him about the voyage, he said that he would advise them about it if they would free him from the punishment. So the Argonauts laid a table of viands beside him, and the Harpies with a shriek suddenly pounced down and snatched away the food. When Zetes and Calais, the sons of Boreas, saw that, they drew their swords and, having wings on head and feet, pursued them through the air.
Willem de Kooning and Jackson Pollock, who first saw Bloom's work at the MoMA exhibition, considered Bloom "the first Abstract Expressionist artist in America." In 1950 he was chosen, along with the likes of de Kooning, Pollock, and Arshile Gorky, to represent the United States at the Venice Biennale. That same year Elaine de Kooning wrote about Bloom in ARTnews, noting that in paintings such as The Harpies, his work approached total abstraction: "the whole impact is carried in the boiling action of the pigment". In 1951 Thomas B. Hess reproduced Bloom's Archaeological Treasure in his first book, Abstract Painting: Background and American Phase, along with works by Picasso, Pollock, and others.
Inferred African Crowned Eagle (Stephanoaetus coronatus) Predation on a Tana River Mangabey (Cercocebus galeritus). African Primates, 7(2), Pp 218. Having killed on the ground, it has the ability to fly almost vertically upwards to a branch while carrying its prey before feeding, though it will tear up prey into manageable pieces on the ground when it is exceedingly heavy. While they both attack somewhat similar prey in often similar habitat, the considerable difference in body weight and wing-loading between crowned and harpy eagles has been attributed to load-carrying while hunting, as harpies tend to capture and carry off most prey in active flight rather than attack on the ground and dismember if necessary.
The first play in the trilogy, called Phineus, presumably dealt with Jason and the Argonauts' rescue of King Phineus from the torture that the monstrous harpies inflicted at the behest of Zeus. The subject of the third play, Glaucus, was either a mythical Corinthian king who was devoured by his horses because he angered the goddess Aphrodite (see Glaucus (son of Sisyphus)) or else a Boeotian farmer who ate a magical herb that transformed him into a sea deity with the gift of prophecy (see Glaucus).A catalogue of Aeschylus' plays contains the two titles Glaucus Potnieus and Glaucus Pontius – hence the uncertainty. To add to the confusion, one title could easily be a garbled duplicate of the other.
An English- translated version of arcade original was created and released internationally which replaces the original voice work, changes many of the characters' names, and removes the wings of the Harpies (which are called Dark Elves in the English version). Sega had re-released Puyo Puyo for the Mega Drive on December 18, 1992 and the Game Gear on March 19, 1993 in Japan. The Game Gear port of Puyo Puyo contains an English version named Puzlow Kids; this version appears whenever the game cartridge is used in a North American or European system. A PC-9801 port was released by Compile for the PC-9801 on March 19, 1993, the same day the Game Gear port was released.
The date painted on the step is a later addition, but Vasari's Lives of the Artists records it was produced after the Madonna of the Harpies (1517) - this dating is generally accepted by comparison with other works from that time. Bocchi's account of the painting states it was damaged in the 1557 flood, but no trace of such damage was found in a 1985 restoration. The work is included in a 17th century inventory of the Galleria Palatina, spending some time at the Uffizi (1697-1716) before returning decisively to the Galleria Palatina in 1829, where it was hung in the Sala di Saturno Marco Chiarini, Galleria palatina e Appartamenti Reali, Sillabe, Livorno 1998. .
The duo finds Corey's car, however its owner gets angry and, along with Amy, kills the now mutated thief. After some more walking they notice a disfigured man, fight some new monsters (Harpies) and walk through the forest to eventually end up in the "Fallcreek University Hospital", where they find Shannon and her brother Kenny, the latter of whom is badly ill due to sniffing the drug made by the black spore flower. He can't find his medicine and eventually succumbs, turning into a monster. Then the whole group reunites in the hospital's east ground floor, where they make a chemical dynamite to destroy a wall and get to the parking lot.
Thence, they put to sea and came to land at Salmydessus in Thrace, where Phineus dwelt. The latter was said to be the son of Agenor or of Poseidon, and a seer who was bestowed by Apollo with the gift of prophecy. Phineus had lost the sight of both eyes because of the following reasons, (1) blinded by Zeus because he revealed the deliberations of the gods and foretold the future to men, (2) by Boreas and the Argonauts because he blinded his own two sons by Cleopatra at the instigation of their stepmother; or by Poseidon, because he revealed to the children of Phrixus how they could sail from Colchis to Greece. Zeus then set over him the Harpies, who are called the hounds of Zeus.
A Blu-ray box set was released on June 24, 2011. The anime is licensed in North America by Funimation as Heaven's Lost Property: Sora no Otoshimono, and released the first season on December 20, 2011. Heaven's Lost Property covers events up to the Nymph/Harpies storyline of the manga, with most of the stories resequenced to fit the themes of the episodes, for instance, the visit to Mikako Satsukitane's place is coupled with the island vacation trip. Both Mikako and Nymph are introduced earlier in the series so they participate in more of the events. An OVA episode entitled "Project Pink" was bundled with the Limited Edition release of volume 9 of the manga on DVD on September 9, 2010.
At least Vasari, and presumably his Florentine contemporaries, thought they were harpies; some modern art historians think that locusts are represented, in a reference to the Book of Revelation; either way they represent forces of evil being trampled on by the Virgin.Google Art Project, text from Uffizi It is a sacra conversazione showing the Virgin and Child flanked by putti angels and two saints (Saint Bonaventure or Francis and John the Evangelist). Compared to the stillness of earlier paintings of similar groups, here the "dynamism of the High Renaissance was inimical to the static quality of 15th-century art", so that "a composition of fundamentally classical purity is animated by a nervous energy in the figures to produce an unsettling impression of variety."Nigel Gauk-Roger.
Mossa's decade long Symbolist period (1900-1911) was his most prolific and began as a reaction to the recent boom of socialite leisure activity on the French Rivera, his works comically satirising or condemning what was viewed as an increasingly materialistic society and the perceived danger of the emerging New Woman at the turn of the century, whom Mossa appears to consider perverse by nature. His most common subjects were femme fatale figures, some from Biblical sources, such as modernised versions of Judith, Delilah and Salome,Rosina Neginsky, Salome: The Image of a Woman Who Never Was, 2013, p.78 mythological creatures such as Harpies or more contemporary and urban figures, such as his towering and dominant bourgeoise woman in Woman of Fashion and Jockey. (1906)Michael Gibson, Symbolism, 1999, p.
Deimos is beaten and kills himself to prevent being interrogated, but Diana and Steve find a clue on his body that leads them to a concealed gateway to the underworld guarded by members of a still-extant ancient cult of Ares. Once they have arrived, Diana attempts to subdue Ares, but he summons harpies that attack her, prompting Trevor to save her instead of stopping Ares. Meanwhile, Ares performs a sacrifice to open a gate to the Underworld, where he persuades his uncle Hades (who has made Thrax his slave) to remove the bracers, though Hades does not tell Ares that the ultimate cost of removing the bracers would be Ares' own death in combat. Later, Diana regains consciousness in a hospital and is furious that Trevor saved her rather than stop Ares.
Saint-Julien-le-Pauvre was designed in the conservative tradition prevalent during the rule of King Louis the Younger. The only one of the city's twelfth-century parish churches to have endured, it was never completed in its original design: the choir area was intended to be three stories high, and the clerestory is an incomplete triforium; the nave was supposed to be covered by sexpartite vaults, which were replaced by a wooden roof and, after the 17th century, by a new system of vaults; and, of a tower meant to stand on the church's southern side, only the staircase was begun. The eastern apses use material from an older building. The building has piers replicating those found in Notre Dame, and the chapiters are carved with images of leaves and harpies.
Luckily, Ivy comes across Humfrey's 8-year-old son Hugo, and – due to her unknown talent of enhancement – Hugo temporarily becomes smarter, braver, and stronger when she tells him he is. Ivy also manages to enhance the positive qualities of the Gap Dragon, and names him Stanley Steamer. In Castle Roogna, Dor accidentally put a forget spell on the Gap Chasm (the huge rift that splits Xanth in two), while trying to escape a horde of harpies and goblins, with the result being that everyone forgot the Gap Chasm existed, with the exception of the people who live near it. In this book, the forget spell is beginning to disintegrate into "forget whorls" spinning off into the nearby forest (due to the Time Of No Magic caused when Bink released the Demon X(A/N)th), causing confusion and memory loss.
Jim Bambra reviewed Top Ballista for Dragon magazine #164 (December 1990). He felt that the text describing the races of Serraine is "presented in a cheerful and illuminating manner that captures the flavor of the city and its inhabitants nicely". Bambra examined the product's game mechanics and found numerous flaws which "ruin what is in many ways a fine product", with the mechanics "showing signs of not having been designed or edited very thoroughly", and while he felt that some areas are "markedly better than others", Bambra concluded that "I found enough mistakes and poorly considered areas to give me cause for concern". He pointed out the poorly balanced character level advancement (with nagpa and sphinx PCs in particular progressing very slowly compared to other characters), inconsistencies between tables and references in the text, redundant charm abilities for harpies, and other problems.
He then also summons fire and makes the ghosts and the other creatures in his control dance and fly around, before he throws them into a volcanic pit and resurrects them as demons. Harpies fly around as the cavorting gets more chaotic, throwing unfortunate, deformed creatures into the multi-hued flames. Chernabog is at the height of his power, showing off in a display that sends a column of fire into the air, which returns to the chasm in a sheet of flame. An instant before continuing the demonic celebration, with the coming of the dawn Chernabog hears the tolling of the Angelus Bell; he is then forced to cover himself with his wings as the demons leap back down the pit, the ghosts return to their graves, and the dark ceremony ceases as morning arrives.
They see the Devil eating human beings whole, harpies eating the corpses of suicides, an evil man forced to carry his own severed head for eternity, people half buried in flaming lava, etc. There follows a series of encounters in which the two meet up with a number of formerly famous historical figures whose souls were denied by both Heaven and Hell, and they listen to some of their tales told in flashback. These characters include Homer, Horace, Ovid, Lucanus, Cleopatra, Dido, the Queen of Carthage, the traitor Caiphus, Count Ugalino, Peter of Vigna, Francesca Da Rimini and her lover Paulo, Brutus and Cassius, Mohammed and Helen of Troy. The main attraction of the film are the fantastic set designs depicting the horrors of Hell, with excessive violence and gore, designed to frighten the audience into becoming pious or God-fearing.
God of War is a third-person single player action-adventure video game with hack and slash elements, viewed from a fixed camera perspective. The player controls the character Kratos in combo-based combat, platforming, and puzzle game elements, and battles Greek mythological foes that include undead soldiers, harpies, minotaurs, Medusa and the Gorgons, cyclopes, wraiths, Sirens, satyrs, centaurs, cerberuses, and boss opponents—the Hydra and a giant minotaur known as Pandora's Guardian. Platforming elements require the player to climb walls and ladders, jump across chasms, swing on ropes, and balance across beams to proceed through sections of the game. Some puzzles are simple, such as moving a box so that the player can use it as a jumping-off point to access a pathway unreachable with normal jumping, but others are more complex, such as finding several items across different areas of the game to unlock one door.
On the other side were rope and household goods, wood, spices, grains and berries, fruit, bread, smoked meat, a sheep-fold and a goat-fold for feeding the carnivorous animals, butter, cheese, wheat, barley and oats, water, tree-leaves and hay for winter feed, as well as cattle, horses and asses for use after the Flood. The top deck housed the cabins for Noah and his family, and apart from this was given over to birds. One one side were river swallows, kingbirds, tits, corncrakes, creepers, shrikes, gryphon-falcons, harpies, doves, pigeons, chickens and fowl, with an aviary for small songbirds, crows, jackdaws and woodpeckers, sparrows, hoopoes, peacocks, cuckoos, robins, swallows quail and birds of paradise. On the other side were pelicans, spoonbills, pheasants, grouse, partridge, kingfishers, magpies, parrots, peacocks, turkeys, hawks, vultures, eagles, falcons, ostriches, cranes, storks, herons, geese, ducks, kites, coots, fig-peckers, oyster-catchers, starlings, wagtails, owls and bustards.
Since a person's most important capability – magical aptitude – does not depend on sex, sexual equality is highly advanced in the Wizarding World, and the "battle of the sexes" never became much of an issue (for example, Quidditch teams have both male and female players – except for a known example, the Holyhead Harpies, which are an all-female team). The most obvious example of wizard prejudice is a longstanding disdain, even a genocidal hatred, toward Muggles and wizards and witches of Muggle parentage (Muggle-borns, half-bloods) among certain wizards. This has led to a eugenic philosophy among some of the older wizarding families, leading to a practice of "pure-blood" intermarriage that has exposed many of them (such as the Gaunt family) to the risks of mental instability. Other internal tensions include the slavery of house elves and the suspicion or disregard for some species of near-human intelligence ("beings" in Wizard parlance).
Structures and units, many of different variations and following a tech-tree, will require different materials to be made. Though zombies will attack at erratic, but slow times, at certain intervals throughout the game, large hordes of zombies will attack, focusing on one side of the base until a final wave coming from all directions (and in massive numbers). The player must keep zombies from breaching base defenses and infecting non-defensive structures, especially in tight or overdeveloped areas where a domino effect outbreak can occur. Much like the player has access to different unit types, zombie types are also varied, ranging between slow, decrepit ones, extremely fast zombies called "Harpies", highly-resistant ones known as "Butchers" and others, including a massive "infected giant" that has high health, speed, and damage that is also highlighted on a minimap, requiring the player to not only have a strong defensive perimeter (with walls, turrets, towers and traps), but also adapt tactics accordingly.
Gold, which is used to buy items that increase power, defense, and passive effects, potions, wards and abilities, is accumulated through standard periodic income, by slaying enemies (player and NPC alike), or by selling owned items. The large areas between the lanes make up what is called the "jungle", where computer- controlled monsters such as packs of cyclopes or Furies (the latter alternately referred to as harpies) periodically spawn at specific locations distributed symmetrically across the map. Killing certain monsters in said jungle causes a "buff" to drop on the ground where it can be picked up by a player, which depending on the type of monster killed will grant the player bonuses to stats such as damage dealt, movement speed, attack speed. There are three special neutral monsters who appear less frequently that when killed will grant the entire team who killed it a powerful damage buff for a medium length of time, set amount of Gold, and a speed boost when coming out of the base respectively.

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