They entered upon a scene of indescribable confusion and clangour.
|
|
The brisk trot of the officer's horse is lost in the clangour.
|
|
Its clangour startled him, and nearly made him fly from the place.
|
|
Through the halls resounded the cacophonous clangour of a cracked gong announcing dinner.
|
|
I had barely finished when the clangour of a great gong startled me.
|
|
Smoke and clangour, and odours not often met with in Wiltshire, are very insistent.
|
|
From Greenock to Glasgow resounded the clangour of hammers and the thunder of mechanism.
|
|
The noise and rush and clangour of the Loop had long been familiar to him.
|
|
The sound can be a raucous metallic clangour or it can be as soft as notes on velvet.
|
|
Steady loyalists are bound to miss the band's emotive clangour, but Clear Heart finds valid new arrangements for Finn's addictive storytelling.
|
|
And then, amid the clangour of the machinery, came a drifting suspicion of human voices, that I entertained at first only to dismiss.
|
|
The novel clangour of its colourful instruments led to their wide use throughout Europe, where they became an integral part of the thrilling military spectacle.
|
|
No two adjacent doors are ever opened at the same time and the whole building is a clangour of keys and doors, enough to rapidly induce headaches and rampant claustrophobia.
|
|
The water would lie still, the air would stop flowing through the bellows, the furnace that had heated the ore would turn cold and the clangour of the power hammer beating the iron would cease.
|
|
All members of Seabear have other musical and visual art projects. In 2008, Ingibjörg stopped playing live with the band in order to concentrate on her career as a visual artist. In 2008, Sindri released his solo album Clangour under the name Sin Fang Bous; in 2011 he released his second solo album, Summer Echoes, and shortened his stage name to Sin Fang. Sóley is signed as a soloist to Morr Music.
|
|
Tintamarre is an Acadian tradition of marching through one's community making noise with improvised instruments and other noisemakers, usually in celebration of National Acadian Day. The term originates from the Acadian French word meaning "clangour" or "din". The practice is intended to demonstrate the vitality and solidarity of Acadian society, and to remind others of the presence of Acadians. It originated in the mid-twentieth century, likely inspired by an ancient French folk custom.
|
|
Sindri founded the band Seabear in 2000, signing with the label Morr Music. Seabear was initially conceived as a solo project, but Sindri quickly added members; later in the 2000s, he began releasing solo albums under the name Sin Fang Bous.Biography at Allmusic Shortening this to Sin Fang after the release of the Clangour album,Review, Pop Matters Sindri has released four full-lengths as Sin Fang: Summer Echoes (2011),Review, Pitchfork Media Flowers (2013), Spaceland (2016) and Sad Party (2019). In 2017, take part in a collaborative project with fellow Icelandic artists, Sóley and Örvar Þóreyjarson Smárason (from the band Múm), which sees the trio release a new song each month, making twelve in total and released as Team Dreams in 2018.
|
|
The final challenge for the WBC welterweight title happened on 31 March 1980 against the holder Sugar Ray Leonard at the Capital Centre Landover, Maryland US. Green suffered a devastating knockout in the fourth round being out cold before he hit the canvas. Referee Arthur Mercante, ruled that it was too dangerous to continue the count and stopped at six. The Times reported "Leaning forward, dipping to left and right so that either hand could hit with equal venom, Leonard struck Green with a left and followed up quickly with a right-left-right, that started a clangour in Green's head, and the Briton crashed onto his back at the same place in the ring where Carlos Palomino had sent him toppling backwards".The Times, Tuesday, Apr 01, 1980; p.
|
|
" In a less enthusiastic review for The Guardian, Killian Fox said Between the Times and the Tides was "more interesting sonically in the tension between questing guitars and straightforward song structures than it is in terms of lyrics, which aim to be down to earth but end up middle of the road." NME writer John Doran wrote, "sure enough here are a wealth of rock gems that shine with a warm-hearted, Neil Young-like intensity. Those wanting clangour and dissonance will be disappointed, but everyone else will be pleasantly surprised." Writing for Pitchfork Media, Grayson Currin deemed it a "motley assortment of Sonic Youth nods, acoustic entreaties, and cloying pop-rockers" but that "Ranaldo's opportunity to step out of the Sonic Youth shadows and into his own proper spotlight is mostly a miss made of mediocrity.
|
|