Yet, this has not stopped the reverberation of sonic-weapon rumors.
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It's really a circumstance where he continues to provide the requisite 'Reverberation.
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We set up a variety of mics to measure reverberation in the room.
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She liked the reverberation of metal on wood on wood along her arms.
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Rustle the plant's palm leaves and a tinny reverberation coils in your ear.
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One set of instruments is the dark twin, the reverberation, of the other.
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Per Circa, the reverberation from the impact could be felt from 15 miles away.
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The reverberation from a helicopter both off-key and very low overhead caught his attention.
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The tech giant said it could fix this by exaggerating the reverberation and other settings.
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Certainly, the aesthetics of a space can be influenced by its sound distribution and reverberation properties.
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Through the sewer grates I hear screams, shouts, and the deafening reverberation of an enormous explosion.
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The sound rang on and on: the reverberation in the space lasts up to forty seconds.
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When you raise rates and force the dollar higher, you increase this reverberation to the global economy.
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Reverberation — the time for any sound to decay — is a critical factor in providing for speech intelligibility.
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Instead of feeling every reverberation on that same patch of bumpy road, I really did almost float.
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When I praise, I am usually quoting the opposed qualities of freshness, energy, and reverberation of voice.
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The reverberation of gunfire and clinking of skittering shell casings subsided only after more than 70 shots.
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Lightening blazed through the sky, and the only audible rumble was the reverberation of thunder in the distance.
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How to Dress Well's 2010 debut album, "Love Remains," was filled with elegiac songs, awash in loops and reverberation.
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"Without warning, earsplitting bangs ring throughout the room, off the glass walls, creating a terrible reverberation," Mr. Johnson wrote.
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The broader food distribution industry is already under pressure, a reverberation from the pressures (and bankruptcies) within the grocery sector.
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The glossy book is organized into sections—Formation, Shouts, Providers, and Reverberation—all beautifully illustrated with graphics, photos, and comics.
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Because of the lack of any audible reverberation or resonance, every word spoken inside an anechoic chamber sounds serious, almost profound.
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RICHARD FOREMAN A playwright of wisdom and mischief whose so-called "reverberation machines" are philosophical meditations delivered with low-tech dazzle.
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It's in this sense of reverberation where Mucha's strength lies — how his work lingers in your mind, revealing its layers incrementally.
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Others noted that a hole in the ceiling had been covered over, which could affect the reverberation of sound in the room.
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If the entry is four letters and is talking about returns or reverberation, it's a good bet that the answer is ECHO.
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Everything from the crunch of the boots on snow, to the reverberation of the wolf snarls off the canyon walls is unique.
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Or you can sit outside near the low ramps leading up to each pipe, and listen to the great reverberation of noise.
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"You have a sense of reverberation, a bit like a gigantic bathroom," lead researcher doctor Rupert Till told Reuters amidst the ancient ruins.
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Sure, my observation is not ideal and, in some ways the situation is yet a reverberation of the unique phenomenon of President Obama.
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Their varying size, design and building materials made for vastly different sonic environments, each with its own degree of reverberation, clarity and warmth.
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If the hall is round, and the reverberation is slightly longer, you have the feeling that you can actually overcome this little death.
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I like to collect examples of places and situations where there's not even an overlap but a reverberation between physical experience and digital representation.
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As such, they've got peculiar acoustics, simultaneously loud (echoing voices, the reverberation of slamming doors) and intensely quiet, with long, silent stretches of hallways.
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I've been looking at this room for so long now that a subtle suggestion of differentiated sound sends a faint reverberation around my being.
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Excessive reverberation acts to "smear" and distort verbal elements, requiring louder voices and, in crowded places, a buildup of background noise (the cocktail party effect).
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I Am Sitting in a Room is, in part, about the way sound exists through air and provides an understanding of what exactly reverberation is.
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The microphone in the paddles picks up on the reverberation of the ball making contact, which then is processed by the Arduino in the retro radio.
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MINNEAPOLIS — The line drive that stuck a young girl in the face at Yankee Stadium Wednesday afternoon created a painful reverberation across the world of baseball.
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In X-ray reverberation, the astronomers investigated small delays in the arrival time of X-rays emitted within the disk that reflected off iron atoms in the disk.
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The music that Glacken crafts as Tourist Kid is dense and wildly atmospheric, comprised of 128kbs samples filtered through reverberation and effects that form a thing of beauty.
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On the other hand, "Yanny" plays at a higher frequency, so you are more likely to hear it at a lower volume in the absence of bass reverberation.
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President Donald Trump's decision to replace Secretary of State Rex Tillerson with CIA Director Mike Pompeo is moving financial markets, with the biggest reverberation in the currency markets.
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This masterful half-hour reverberation ride recalls again the brilliance of Cage as it features Gérard Frémy on prepared piano mixed in with a stream of seductive electronic hums.
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Extended drones, chantlike repeating phrases, tolling chords, spacious reverberation: Those are meditative sounds, defying fracture or interruption, tuning out the momentary and the trivial, invoking concentration, absorption, ritual and rapture.
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Equally outstanding are Mahmud's muralistic drawings on paper from his series Drawing Reverberation(Ouponibrshik/Porouponibeshik) (2017-2019), where traditional Bengali motifs are blended with the colonial history of the region.
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Dr Cooper's model, whose results are published in Parliamentary History, suggests that in 1798 the chamber had an average reverberation time—a measure of how slowly sound dissipates—of 1.6 seconds.
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The raids were just one reverberation from the localized public health emergency, which unfolded in several square blocks around an intersection on the border of the Bedford-Stuyvesant and Bushwick neighborhoods.
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Guitar chords and reverberation more commonly associated with post-rock or shoegaze will drift into soaring, affirming choruses allowing one to feel the energy of the band and the song even more.
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Fennesz melts down the austere, Steve Reich-ish plinking of the original to place it in a netherworld of reverberation: flickers of polyrhythmic activity dissolving and reappearing, trading systematic structures for apparitions.
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And is it not this hum of the own, this distant reverberation of the self, that pervades all music, all art, all literature and moreover all that is alive and able to sense?
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His compositions radiated confidence; his solo-piano improvisations balanced conviction and meditation; his bass voice, in music by Meredith Monk, Peter Maxwell Davies and Frederic Rzewski, was a formidable mixture of reverberation and clarity.
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The reverberation time has been increased from 1.1 to 1.6 seconds and, according to the head acoustician Martijn Vercammen of Peutz Consult GmbH, the tone quality will be warmer and have more space to develop.
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The exhibition also includes a number of blue paintings with voluptuous female nudes enveloped in water or the deep indigos and cobalt of nightfall; the ebb, flow, and reverberation of waves conceal and reveal the figure.
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As an example, the background vocals of 'Gimme Shelter' and the lyrics of 'Monkey Man' by the Rolling Stones seem to have elements which are styled after The 260th Floor Elevators' 'Reverberation (Doubt)' and 'Monkey Island.
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"Blossom (Wasting All My Time)," a song about "wondering if you really love me" and finding someone better, starts and ends with a strummed guitar, but opens out depths of bass and reverberation along the way.
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They argue that automation, trade and globalization are part of the same, sometimes brutal cycle: Automation first allows companies to contain and cut employee counts, and goes on to trigger a "turbo-charged" reverberation around the world.
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That referendum, where the majority of voters in Britain said they wanted the UK to leave the European Union, caused a huge reverberation in the UK economy, and a drop in the value of the British pound.
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The reverberation of this record and three other buzzy 2016 releases — Lemonade, Coloring Book, and The Life of Pablo — have broken away from conventional music industry rules — and what it means to drop a new album in general.
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Over the course of five minutes, one piece of the earth's armor grinds underneath another, and the reverberation of this tectonic motion project outwards for hundreds of miles through the core of a human culture living above it.
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It was thrilling to see Dany in action like we did last night (that distinct reverberation after she says "Dracarys" will always give us goosebumps) and astonishing to see how utterly devastating even one dragon is in warfare.
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The dancers, to Gladys Knight & the Pips' soulful rendition of "The Way We Were," enact gestural choreography that becomes ritualistic as they spread out and echo one another in a canon structure to create a lulling sense of reverberation.
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Minimalist repetition turns into pop certitude, and the arrangements — sorting out the many tracks Mr. Curtis recorded — set aside the buzzy, abrasive keyboard tones of the group's 2012 album, "Ghostory," for a sonic vocabulary of reverberation and depth, of optimistic promise.
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"I'm already beginning to see some statements from South Korea that seem to intimate that it might try to salvage the summit with Moon up for re-election soon, and the immense domestic reverberation that the cancellation will bring," said Sitaraman.
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It lingers mainly as a fond reverberation on "The Getaway," their 11th studio album, a back-to-basics record with an asterisk: It doesn't sound exactly like classic-vintage Chili Peppers, but it might just sound like how you remember them.
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Keeping its options open, the group gathers its loosely knit crew of clamorous, flexible musicians behind songs that are ready for a big soundstage: an exultant surge of instruments, voices and wide-open reverberation that Broken Social Scene delights in applying.
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"Clearly there has been some reverberation from across the pond in terms of the prospect for a slightly more disorderly UK separation from the EU," said Bill Northey, chief investment officer for the private client group at U.S. Bank in Helena, Montana.
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The naked body and the multiple portraits, some of which feature disfigured faces, invite a universal reading and a reverberation of political insights dealing with the relation between people and their social and political surroundings, as well as between people and themselves.
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In a reductive way, the HomePod is sensing what kinds of surfaces make up your room and compensating for them to eliminate echo and unwanted reverberation and to determine what slices of audio are best served by playing off of their nature.
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When terrorists use women and rape as a weapon of war, there is a reverberation and impact on men in society—the men who weren't able to protect those women, and who have to resort to violence to feel like real men.
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At the New Museum, an exhibition of works by Anri Sala centers on "Ravel Ravel," a 2013 video piece that turns Ravel's D-major concerto for piano, left hand, into an affecting meditation on war, twinship and the nature of sonic reverberation.
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The headline — and the accompanying article, which is always the same save for some minor details to reflect the latest location and the number of victims — has, with each use, seemed to turn from cheeky political commentary on gun control into a reverberation of despair.
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The announcement, which came in a Twitter post by Mr. Trump that included a false jab at former President Barack Obama, is the latest reverberation from a hasty and ill-judged invitation made around a year ago, when Mr. Trump was offered, and accepted, a state visit to Britain.
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The Fire TV Cube will also ship with far-field voice recognition capabilities with 8 microphones and technology that helps suppress noise, reverberation, content currently playing and even competing speech so Alexa better hears your voice commands even when the TV is on in a room full of people.
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From the Stone Age to African drums to Roman amphitheaters that were built so you didn't need amplification to Gothic cathedrals where the Gregorian chants were long and sustained because of the amount of reverberation in the room to this day and age where people still connect with all of those same things.
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" And in Smith's poems, there is an emphasis that the love learned between Black men is not necessarily, or only, sexual or romantic, but rather a joy found in mutual recognition — a reverberation of Joseph Beam's famous line, made popular by Riggs and Hemphill, "Black men loving Black men is the revolutionary act of the 1980s!
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Broadly, U.S. stocks were also weighed by the uncertainty over Britain's divorce from the EU. "Clearly there has been some reverberation from across the pond in terms of the prospect for a slightly more disorderly UK separation from the EU," said Bill Northey, chief investment officer for the private client group at U.S. Bank in Helena, Montana.
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The hissing, static-veiled quality of his home recordings (many were done on a $59 boombox) would come to influence the sounds of early-aughts twee acts like The Microphones and Casiotone for the Painfully Alone, which then came to manifest genres like chillwave (think the played-from-outside-your-window reverberation of early Washed Out) and even bedroom rap (the DIY, "yep, i'm sad" sensibilities of Lil Peep and XXXTentacion).
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The history of Lebanon in the second half the 20th century, with its transitions, violent civil war, and sudden transformations, is one paradigmatic example of the difficulties in reading history through images: Under the "condition" of the lost archive, in which we have lost the temporal index to distinguish between events of the past and their reverberation in the present, we have lost the transformative power of the past.
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Especially memorable were the slippery runs and close harmonies of the "Freude" harpists (June Han and Bridget Kibbey); the soprano Amanda DeBoer in "Himmelfahrt," sounding truly like an angel, joyful and terrifying; the pianist Yukiko Takagi's command of nuances of reverberation in the third hour, "Natürliche Dauern" ("Natural Durations"); and the soprano saxophone (Ryan Muncy) in "Edentia," the 20th hour, its doleful line surrounded by rushes of electronic noise, a solitary walker inside a tornado.
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It begins with folky guitar picking, but soon enough it deploys an EDM arsenal of big-room reverberation, hovering chords, piled-on hooks and looming drums, glancing back at Avicii's "Wake Me Up." J.P. This loving cabaret-jazz reimagining of the sound Aaliyah and Timbaland perfected on "Are You That Somebody?" is one of the highlights of the impressive new album of splintered R&B from Marian Hill, the duo of Jeremy Lloyd and Samantha Gongol.
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Among Mahmud's solo exhibitions include at Ota Fine Arts in Singapore ‘Drawing Reverberation’, Abinta Gallery of Fine Arts Dhaka `Reverberation`.
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Adams, pp. 226–228 The Bunnymen released one further album, Reverberation (1990), which critics and fans alike received poorly.Mack, Bob (11 January 1991). "Reverberation (1991)".
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Reverberation is an Australian independent record label distributor. It helps distribute records from independent overseas records labels such as Alternative Tentacles and Eyeball Records, and also for small record labels such as Love Police Records and their own label Reverberation. Reverberation was started in 2003 by Russell Hopkinson (You Am I) and Ian Underwood (The Kryptonics).
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In this way very different reverberation effects could be achieved.
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These plugins provide a combination of delay, sound effect, and reverberation effects.
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After determining the best dimensions of the room, using the modal density criteria, the next step is to find the correct reverberation timeMeasuring Reverberation Time RT60. The most appropriate reverberation time depends on the use of the room. Times about 1.5 to 2 seconds are needed for opera theaters and concert halls. For broadcasting and recording studios and conference rooms, values under one second are frequently used.
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Plugins allow for further expansion of the mixer's on-board equalization, compression and reverberation effects.
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The extra/B-side tracks, "Fine Thing" and "Reverberation" were recorded live by BBC Manchester.
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However, its similarity to ray-tracing and its unique approach to handling reverberation are noteworthy aspects.
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Flanging, chorus and reverberation (reverb) are all delay-based sound effects. With flanging and chorus, the delay time is very short and usually modulated. With reverberation there are multiple delays and feedback so that individual echoes are blurred together, recreating the sound of an acoustic space.
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Meanwhile, "(Gorgeous Curves Lovely Fragments...)" is the album's most expressive piece, with multitracked and backmasked arrangements of another individual lament song that occasionally dip out into reverberation. The album closes with "1671 Milton Samson 1122", a reprise of the opening track which features more reverberation and droning.
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A look inside the (large) Reverberation Chamber at the Otto-von-Guericke- University Magdeburg, Germany. On the left side is the vertical Mode Stirrer (or Tuner), that changes the electromagnetic boundaries to ensure a (statistically) homogeneous field distribution. An electromagnetic reverberation chamber (also known as a reverb chamber (RVC) or mode-stirred chamber (MSC)) is an environment for electromagnetic compatibility (EMC) testing and other electromagnetic investigations. Electromagnetic reverberation chambers have been introduced first by H.A. Mendes in 1968.
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By contrast, the neighbouring McEwan Hall opened in 1897 is a grand, colossal space with high reverberation.
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Finally, the calculated convolutions will be applied to the sound sources in step two. The convolution calculations in step three are related to the effect of reverberation. The mathematical description of reverberation is a convolution with a continuous weighting function. This is due to the echos in the environment.
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Similar to the normalized level difference, this index corrects the measured difference to a standardized reverberation time. For dwellings, the standard reverberation time used is 0.5 seconds, for other larger spaces longer reverberation times will be used. 0.5 seconds is often cited as approximately average for a medium-sized, carpeted and furnished living room. Due to not requiring detailed and accurate knowledge of the dimensions of the test rooms, this index is easier to obtain, and arguably of slightly more relevance.
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The yogi, asserts the text, should think about the Om reverberation, for that is Brahman, the highest Atman.
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Macfarlane starred in the world premiere of stage drama Reverberation in February 2015 at Hartford Stage in Connecticut.
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It had virtually no permanent acoustic absorption, relying on room shape and deflective elements to achieve control of reverberation.
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It is also possible to sample the impulse response of a reverberation unit, instead of sampling a real space. Thus, it is possible to use a convolution reverb in place of a hardware machine. The techniques used to sample a reverberation unit are the same as the ones used to sample real spaces.
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With speakers on one side and microphones on the other, the chambers can provide reverberation lasting up to 5 seconds.
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With a natural audio reverberation time of approximately 1.3 seconds, it has been compared by many artists to Carnegie Hall.
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Springer, 2010. A global scientific study sponsored by the IEEE Technical Committee for Audio and Acoustic Signal Processing took place in 2014.The REVERB Challenge Three different approaches can be followedE. Habets, Fifty Years of Reverberation Reduction, Audio Engineering Society 60th Conference on Dereverberation and Reverberation of Audio Music and Speech to perform dereverberation.
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One of the persistent problems in speech recognition is recognizing speech when it is corrupted by echo and reverberation (as is the case in large rooms and distant microphones). Reverberation can be viewed as corrupting speech with delayed versions of itself. In general, it is difficult, however, to de-reverberate a signal as the impulse response function (and thus the convolutional noise experienced by the signal) is not known for any arbitrary space. The TDNN was shown to be effective to recognize speech robustly despite different levels of reverberation.
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The Space Designer plugin attempts to emulate the characteristic echo and reverberation of a physical environment, using a method called convolution.
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Musicians and recording engineers value the unique reverberation pattern of the Calvin Presbyterian sanctuary, with its similarity to the Sofiensaal in Vienna.
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The band's next album, Pure Mood, was released on November 20, 2015, with The Reverberation Appreciation Society taking over as North American distributor.
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Valhalla Shimmer provides a combination of reverberation and pitch shifting, inspired by the sound of some 1980s Brian Eno and Daniel Lanois collaborations.
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Unlike many reverberation or delay effects, the gated reverb effect does not try to emulate any kind of reverb that occurs in nature.
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Dereverberation is the process by which the effects of reverberation are removed from sound, after such reverberant sound has been picked up by microphones. Dereverberation is a subtopic of acoustic digital signal processing and is most commonly applied to speech but also has relevance in some aspects of music processing. Dereverberation of audio (speech or music) is a corresponding function to blind deconvolution of images, although the techniques used are usually very different. Reverberation itself is caused by sound reflections in a room (or other enclosed space) and is quantified by the room reverberation time and the direct-to-reverberant ratio.
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The Dronningesalen auditorium The Queen's Hall is an auditorium seating up to 600 people. It is used for a variety of purposes, including concerts, conferences, film, ballet and theatre. The hall is equipped with a variable acoustic system which adapts to the specific type of music. Thereby the sound is adjustable to greater sonorousness, with longer reverberation for classical music and shorter reverberation for rhythmic music.
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A tuner is a construction with large metallic reflectors that can be moved to different orientations in order to achieve different boundary conditions. The Lowest Usable Frequency (LUF) of a reverberation chamber depends on the size of the chamber and the design of the tuner. Small chambers have a higher LUF than large chambers. The concept of a reverberation chamber is comparable to a microwave oven.
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ValhallaDSP as a company was founded by Sean Costello, who handles coding. Kristin Costello handles graphics and marketing. Sean Costello has always been interested in the interaction between musicians and the academic and professional worlds. He has co-written academic papers about reverberation, including a 2009 paper about using algorithmic reverberation with the Ambisonics system and a paper about implementing a digital simulation of a spring reverb.
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In the first approach, reverberation is cancelled by exploiting a mathematical model of the acoustic system (or room) and, after estimation of the room acoustic model parameters, forming an estimate for the original signal. In the second approach, reverberation is suppressed by treating it as a type of (convolutional) noise and performing a de-noising process specifically adapted to reverberation. In the third approach, the original dereverberated signal is directly estimate from the microphone signals using, for example, a deep neural network machine learning approach or alternatively a multichannel linear filter. Examples of the most effective methods in the state-of-the art include approaches based on linear predictionA.
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To further reduce reverberation the transformer bays were enclosed by masonry construction and cooling fans installed. Further switchgear and transformer upgrade works were undertaken in 1985.
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To minimize reverberation architects may take advantage of the sound absorbing properties of the cladding insulation layer by replacing the standard liner sheet with a perforated liner.
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Stomp On Tripwires is the debut album from The Cops. It was released on 20 September 2004 on the Love Police Records label, and distributed through Reverberation.
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Complete with a trackball, touch-sensitive displays, moving faders, and a jog-shuttle wheel, the SoundDroid included programs for sound synthesis, digital reverberation, recording, editing and mixing.
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Lopez's next play Reverberation premiered at Hartford Stage, Hartford, Connecticut"Reverberation at Hartford Stage". Retrieved on 6 June 2019. running from February 19, 2015 to March 15, directed by Maxwell Williams and starring Luke Macfarlane. The story follows Jonathan, a young gay New Yorker, who spends increasingly more time holed up in his Astoria apartment following a violent attack that has left him afraid to go out into the world.
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The application of acoustic plaster significantly reduced the sound reverberation, especially in the 33-foot tall central forum, where or echoing would otherwise occur due to the high ceiling.
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Inside the theatre Originally, the Hexagon used an electronically assisted reverberation system; this has now been removed. In a review of the system, one author wrote that the system "seemed inaudible in the stalls but made a minor contribution in the balcony", concluding that it "still [left] an inadequate sense of reverberation." Acoustic panelling is used throughout the auditorium. The ceiling features rotatable acoustic screens to provide reflections to the balcony seats.
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Abdominal ultrasound has low accuracy in differentiating gall bladder adenomyomatosis from cancer and is operator dependent. However, it is used as the exam of the first-line due to its wide availability. Ultrasound findings may show thickened gall bladder wall, tiny anechoic spaces (Rokitansky–Aschoff sinuses or RAS), and twinkling artifact (or comet-tail reverberation). Comet tail reverberation, which is due to reflections from cholesterol crystals, is a highly specific sign for adenomyomatosis.
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How well a room absorbs sound is quantified by the effective absorption area of the walls, also named total absorption area. This is calculated using its dimensions and the absorption coefficients of the walls. The total absorption is expressed in Sabins and is useful in, for instance, determining the reverberation time of auditoria. Absorption coefficients can be measured using a reverberation room, which is the opposite of an anechoic chamber (see below).
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Effects types include pitch shifting, distortion, filtering, wah- wah, tremolo, flanging, delay, reverberation, auto-panning, gating, phasing, and ring modulation. The Kaoss Pad can also be used as a MIDI controller.
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An early example of reservoir computing was the context reverberation network. Kirby, Kevin. "Context dynamics in neural sequential learning." Proceedings of the Florida Artificial Intelligence Research Symposium FLAIRS (1991), 66-70.
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Their findings were that the speech clarity was best in the Odeon of Herodes Atticus and that there is a greater degree of reverberation at Epidaurus due to reflection from the opposing seats.
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When I dispraise, > I am usually quoting cliches. When I praise, I am usually quoting the > opposed qualities of freshness, energy and reverberation of voice.Martin > Amis, "Battling banality," The Guardian, 24 March 2001.
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The use of reverberation mapping requires the assumption that the continuum originates in a single central source. For 35 AGN, reverberation mapping has been used to calculate the mass of the central black holes and the size of the broad line regions. In the few radio-loud Seyfert galaxies that have been observed, the radio emission is believed to represent synchrotron emission from the jet. The infrared emission is due to radiation in other bands being reprocessed by dust near the nucleus.
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February 19–22, 1991. David Griesinger, Lexicon. Improving Room Acoustics Through Time-Variant Synthetic Reverberation A primary component of the electronic treatment was the addition of enough digital delay to make the enhanced loudspeaker output wave arrive at its target seating area at the same time or soon after the direct sound from the stage. Reverberation was digitally synthesized and added to the signal, and patented time variant signal processing was employed to overcome coloration from acoustic feedback between the microphones and loudspeakers.
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Detection in shallow waters is difficult due mainly to signal interferences from reverberation and clutter. New research programmes at the Centre investigated how to reduce the number of false alarms caused by reverberation, directional interference and target-like clutter when LFAS was used closer to the coasts. Fixed feature removal methods were investigated, while studies on detection optimisation and information extraction were also carried out to automate and improve LFAS performances in shallow waters. Research was also conducted on static deployable sonar systems.
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Microphones - Neumann, AKG, Sennheiser, Electro-Voice, Sony, Shure, and RCA. Outboard Equipment - Dolby, UREI (Textronix), Pultec, Lang, Spectra-Sonic, Eventide, Allison Research, Audio & Design, Ltd and Fairchild. Reverberation - An echo chamber was built in the basement of 1841 Broadway but it was rarely used in later years, primarily it was EMT analog and digital reverberation units. The studios closed in 1990 and Atlantic Records' in-house digital and analog production rooms and the tape library were re-located to West 54th Street.
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The Turya state is reached, states the Upanishad, when the Hamsa within is merged in the reverberation of the Om, not because of Manas (mind), but because of the will of the Hamsa (soul).
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The male part of the song is in 4/4 time signature whereas the female part is in 3/4. Lee's voice is recorded with more reverberation than Nancy's, making it sound bi-dimensional.
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Elektromesstechnik (EMT) is a manufacturer of phonograph turntables and professional audio equipment, including a well-regarded line of artificial reverberation devices beginning with the EMT 140 plate reverb. The company was founded by Wilhelm Franz.
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Mendes, H.A.: A new approach to electromagnetic field-strength measurements in shielded enclosures., Wescon Tech. Papers, Los Angeles, CA., August, 1968. A reverberation chamber is screened room with a minimum of absorption of electromagnetic energy.
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In 1918, Fabyan built the first reverberation chamber in the US for Harvard physicist Wallace Clement Sabine, the pioneer researcher in architectural acoustics. The acoustic laboratory is still in use today as a testing facility.
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MSE will undertake an extragalactic time domain program to measure directly the accretion rates and masses of a large sample of supermassive black holes through reverberation mapping. This information is essential for understanding accretion physics and tracing black hole growth over cosmic time. Reverberation mapping is the only distance-independent method of measuring black hole masses applicable at cosmological distances. MSE will greatly extend the few 10s of relatively low-luminosity AGN that currently have measurements of their black hole masses based on this technique.
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Wallace Clement Sabine was the first scientist to study the sound-absorbing characteristics of materials in a scientifically rigorous manner. Paul Sabine, a distant cousin of Wallace, studied the repeatability of sound absorption coefficient measurements in reverberation chambers. Paul Sabine's work in the 1920s-1930s laid the groundwork for the ASTM C423 test methodology still used today. Prior to the development of a standard procedure for material testing or reverberation chamber construction, data at low frequencies was highly unreliable and differed significantly from manufacturer to manufacturer.
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The auditory system has mechanisms that separate the processing of late reverberation from the processing of direct sound and early reflections referred to as precedence effect. While the late reverberation contributes to the perception of ' and reverberance, the direct sound and the early reflections mostly affect source localization, intimacy and the apparent source width. The balance of early and late arriving sound affects the perceived clarity, warmth and brilliance. The auditory system does not process all early sounds together to derive a source location.
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Echo removal is the process of removing echo and reverberation artifacts from audio signals. The reverberation is typically modeled as the convolution of a (sometimes time-varying) impulse response with a hypothetical clean input signal, where both the clean input signal (which is to be recovered) and the impulse response are unknown. This is an example of an inverse problem. In almost all cases, there is insufficient information in the input signal to uniquely determine a plausible original image, making it an ill-posed problem.
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Sound baffles on the wall of a recording studio A sound baffle is a construction or device which reduces the strength (level) of airborne sound. Sound baffles are a fundamental tool of noise mitigation, the practice of minimizing noise pollution or reverberation. An important type of sound baffle is the noise barrier constructed along highways to reduce sound levels at properties in the vicinity. Sound baffles are also applied to walls and ceilings in building interiors to absorb sound energy and thus lessen reverberation.
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The Jule Collins Smith Museum of Fine Art is located at the Auburn University and features a collection of 20,000 pieces of art. As a museum originally constructed in 2003, the acoustics of the building, which were experiencing problems due to long reverberation times that made conversations within the space even unintelligible, needed some significant upgrades. Acoustic plaster was introduced to solve the acoustic issues. It significantly reduced the reverberation time and added a tranquil quality and brought a more comforting experience to the space.
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Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, to assist in mixing different takes; other locations, such as concert venues and some "live rooms", have reverberation, which creates a "live" sound. Recordings, including live, may contain editing, sound effects, voice adjustments, etc. With modern recording technology, artists can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.
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Edentia is described in the Urantia Book as a planet, the centremost and largest of a cluster of 771 "architectural spheres" in the constellation of Norlatiadek, within the local universe of Nebadon (Urantia Foundation 1955, 485). "There is harmony of music and euphony of expression in the orations of Salvington and Edentia which are inspiring beyond description" (Urantia Foundation 1955, 503–04). The saxophonist, who must play from memory, is amplified using a transmitter and receiver, and in some sections uses a reverberation unit with both long and extremely long reverberation times.
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In audio signal processing, convolution reverb is a process used for digitally simulating the reverberation of a physical or virtual space through the use of software profiles; a piece of software (or algorithm) that creates a simulation of an audio environment. It is based on the mathematical convolution operation, and uses a pre-recorded audio sample of the impulse response of the space being modeled. To apply the reverberation effect, the impulse-response recording is first stored in a digital signal-processing system. This is then convolved with the incoming audio signal to be processed.
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The Reverberation Appreciation Society is the creator, curator, and producer of annual psychedelic music festivals Levitation Austin, Levitation France, Levitation Chicago, and Levitation Vancouver. The Reverberation Appreciation Society's record label started in 2010, with the release of Christian Bland and the Revelators – The Lost Album. Later releases include albums by Joel Gion of The Brian Jonestown Massacre, Ringo Deathstarr, Wall of Death, Indian Jewelry, Golden Animals, Night Beats, Holy Wave, and The UFO Club (a collaboration between The Black Angels' Christian Bland and Night Beats' Lee Blackwell), as well as joint releases with Burger Records.
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Many records of the golden age of Exotica, notably most of Arthur Lyman's albums, were recorded at the dome, renowned for its acoustics and natural reverberation. It was demolished in 1999 to make room for the Kalia Tower.
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Audio deconvolution (often referred to as dereverberation) is a reverberation reduction in audio mixtures. It is part of audio processing of recordings in ill-posed cases such as the cocktail party effect. One possibility is to use ICA.
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In 1870 already, people complained about the long reverberation in the building of seven seconds. In 1967, Albert Eisenberg, an international acoustics specialist, recommended new benches with textile cushioning. From 1999, the church has been used mostly for concerts.
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High-end boutique tape loop effects are still used by some studio producers who want a vintage sound. Digital loop effects recreate this effect using an electronic memory. Looper effects: Boss RC-30 Loop Station. Folded line spring reverberation.
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Entrance to the oil depot The Inchindown oil tanks is a disused underground oil depot in Invergordon, Ross-shire, Scotland. The tanks hold the record for the longest reverberation in any man-made structure, surpassing the Hamilton Mausoleum in 2014.
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"CBC Radio3 Announces Polaris Prize Longlist". CBC Radio 3, June 15, 2009. On July 4, 2009 The Seven Seas was released on Irish label Indiecater Records. On February 12, 2013, their self-titled second album was released on Reverberation Appreciation Society.
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For Lorde's vocal layering and texture, Harvey used two reverberation systems, a MultiRack: the Waves Abbey Road Reverb Plates and IR-Live Convolution Reverb, with the latter using the "Sydney Opera House impulse response" to create a deeper and augmented effect.
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Reverberation and delay effects are widely used in sound reinforcement systems to enhance the sound of the mix and create a desired artistic effect. Reverb and delay add a sense of spaciousness to the sound. Reverb can give the effect of singing voice or instrument being present in anything from a small room to a massive hall, or even in a space that does not exist in the physical world. The use of reverb often goes unnoticed by the audience, as it often sounds more natural than if the signal was left "dry" (without effects).Reverberation. Harmony-Central.
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Exterior of the Symphony Hall Symphony Hall, widely considered one of the finest in the world, was designed by Percy Thomas Partnership and Renton Howard Wood Levin, (who together formed the Convention Centre Partnership for the ICC) with specialist help from Russell Johnson, founder of acoustic consultants Artec. A particularly innovative feature is the hall's acoustic flexibility. It has a reverberation chamber behind the stage and extending high along the sides, adding 50% to the hall's volume, the doors to which can be remotely opened or closed. The U-shaped reverberation chamber area has a volume of .
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In noise-limited conditions at initial detection:ISO 18405:2017 Underwater acoustics - terminology. Sonar equation, entry 3.6.2.3 :SL − 2PL + TS − (NL − AG) = DT, where SL is the source level, PL is the propagation loss (sometimes referred to as transmission loss), TS is the target strength, NL is the noise level, AG is the array gain of the receiving array (sometimes approximated by its directivity index) and DT is the detection threshold. In reverberation-limited conditions at initial detection (neglecting array gain): :SL − 2PL + TS = RL + DT, where RL is the reverberation level, and the other factors are as before.
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Hunt's Physics dissertation, "The use of a frequency modulated source in reverberation measurements," published in the Journal of the Acoustical Society of America in 1934, described the use of a "warble tone" to improve the reliability of reverberation time measurements in concert halls. Hunt continued this work with his first doctoral student, Leo Beranek. In 1939, Hunt, Beranek and Maa published a theory of the separate decay times of the normal modes of a rectangular room, demonstrating that the initial and asymptotic reverberant decay are governed by the non-grazing and grazing modes of the room, respectively.
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A reverberation chamber or room is a room designed to create a diffuse or random incidence sound field (i.e. one with a uniform distribution of acoustic energy and random direction of sound incidence over a short time period). Reverberation chambers tend to be large rooms (the resulting sound field becomes more diffused with increased path length) and have very hard exposed surfaces. The change of impedance (compared to the air) these surfaces present to incident sound is so large that virtually all of the acoustic energy that hits a surface is reflected back into the room.
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The American songwriter Makeba Riddick provided additional vocal production. Strange used equalization, compression and reverberation but left the vocal balance. He assumed that Rihanna was satisfied with her recorded vocals and did not make major changes on her seven stereo vocal tracks.
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Sabins are used in calculating the reverberation time of concert halls, lecture theatres, and recording studios. The unit is named after Wallace Clement Sabine, founder of the field of architectural acoustics, who successfully applied his scientific findings to the Symphony Hall, Boston.
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In addition to theatre square, the Castle Square is used for political events during election campaigns. Since the stone buildings in close quarters cause much reverberation, concerts take place at the nearby Theaterplatz, which is more spacious and has such a better acoustics.
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Austin Psych Fest was founded in 2008 by members of the psychedelic music scene, The Reverberation Appreciation Society, to honor the legacy of Austin's musical history as the birthplace of psychedelic rock through the creation of a music and multimedia art festival.
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MLSs are spectrally flat, with the exception of a near-zero DC term. These sequences may be represented as coefficients of irreducible polynomials in a polynomial ring over Z/2Z. Practical applications for MLS include measuring impulse responses (e.g., of room reverberation).
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Straus walked into the church briskly and proceeded to its physical center. Then he stamped his foot on the floor just once, listened to the reverberation, and promptly walked out, saying. "This will do very nicely". According to those involved in the project, it did.
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AMD TrueAudio is a kind of audio co-processor. MAC unit. TrueAudio is the name given to AMD's ASIC intended to serve as dedicated co-processor for the calculations of computationally expensive advanced audio signal processing, like e.g. convolution reverberation effects and 3D audio effects.
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The Sunflower albums underwent several different assemblies prior to its final running order. Throughout its recording, the project was entitled (in chronological order) Reverberation or The Fading Rock Group Revival, Sun Flower, and then Add Some Music before finally reverting to the name Sunflower.
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Results from the APHAB questionnaire showed patients had significant improvement in Ease of Communication, Reverberation, Background Noise, and Global Benefit. Additionally, the patient survey showed strong satisfaction with the device: 100% would recommend SoundBite to a friend or family member with similar hearing loss.
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Some units either introduce a reverberation (echo) effect, or some kind of pitch transformation or "colouration" of the singers voice. Digital units have been designed that can compress or expand the duration of sound, these alter the speed of length of the original sound.
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The Onkyo music movement or (translation: "reverberation of sound"Cox, Christoph and Warner, Daniel, eds. (2004). Audio Culture: Readings in Modern Music, p.413. .) is a form of free improvisation, emerging from Japan in the late 1990s. Onkyō can be translated as "sound, noise, echo".
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An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. The recording process may occur within a few hours or may take several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound.
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Reverberation Mapping (or "echo mapping") - accretion disk surrounding a supermassive black hole (animation; 0:05) (October 1, 2020) Reverberation mapping (or Echo mapping) is an astrophysical technique for measuring the structure of the broad emission-line region (BLR) around a supermassive black hole at the center of an active galaxy, and thus estimating the hole's mass. It is considered a "primary" mass estimation technique, i.e., the mass is measured directly from the motion that its gravitational force induces in the nearby gas. Newton's law of gravity defines a direct relation between the mass of a central object and the speed of a smaller object in orbit around the central mass.
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Besides the MCS70 they also used: Sequential Circuits 3 row by 16 steps analog sequencer synced to a 16 track recorder for overdubs, EMT digital reverberation unit, Horban parametric equalizer (x2), 30 band graphic equalizer, natural echo chamber for reverberation, a 2 track recorder for delay effects. The condition imposed by Mario Maggi to participate on the project was that the MCS70 were the only synthesizer used in it. All the sounds had to be obtained from it, even the drum sounds. The MCS70 would be presented in the 1978 Frankfurt Musikmesse and, for Maggi, the album would be a demonstration of the capabilities of his new synth.
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The Variable Room Acoustics System is an acoustic enhancement system for controlling room acoustics electronically.[ M. A. Poletti, "The performance of a new assisted reverberation system," Acta Acustica, 2 December 1994, pp 511-524] Such systems are increasingly being used to provide variable acoustics for multipurpose venues.[B. Blesser and L-R Salter, “Spaces speak, are you listening? Experiencing aural architecture,” The MIT Press, Cambridge, Massachusetts, 2007][ M. Barron, Auditorium acoustics and architectural design, E and F.N. Spon, 1993] VRAS uses multiple microphones distributed around the room, fed via a multichannel digital reverberator to multiple loudspeakers to provide controllable enhancement of the reverberation time of the room.
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He frequently used this set-up to play his guitar in a street adjoining Astor Place in lower Manhattan, where the reverberation from the surrounding buildings amplified the sound. The Gittler guitar has six strings. Each string has its own pickup. Later versions have a plastic body.
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In professional motion picture and television production, dialogue, music, and sound effects recordings are treated as separate elements. Dialogue and music recordings are never referred to as sound effects, even though the processes applied to such as reverberation or flanging effects, often are called "sound effects".
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The synthesizer has effects like reverberation, echo, chorus, distortion, equalization and others, and supports microtonal tunings. The original author of ZynAddSubFX is Romanian programmer Nasca Octavian Paul. The project was started in March 2002 and the first public version (1.0.0) was released on September 25, 2002.
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In: "Underwater Acoustic Data Processing" by Y. T. Chan (editor). Springer, 1989) which lasts τ seconds. So the sonar cannot detect targets within the ellipse R = Rpr + Cτ, as shown at the picture. High level reverberation in the projector area does not affect the dead zone.
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A quadraphonic mix of the album was prepared at Command Studios on 21 and 26 September, but remains unreleased. New 2016 stereo and 5.1 mixes of the album were inadvertently released as hidden tracks on the Reverberation Blu-ray disc in The Early Years box set.
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"[ Reverberation > Review]". Allmusic. Retrieved on 12 January 2009. Although he added that the album would have been a "great debut" had the band decided to record under a different name. Bob Mack, reviewing the album for Entertainment Weekly was more forceful in putting the album down.
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He now runs Reverberation, a Sydney-based independent label and distributor with his former bandmate Russell Hopkinson. In November 2007 Underwood, Kostic, Corey and Rushan reformed to play a one-off performance in Perth, where they were joined by former guitarist Hitchcock for a number of songs.
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The Mirror Man Sessions, liner notes. which appeared in revised form the following year. Strictly Personal features re-recorded versions of songs from the 1967 sessions. Krasnow's heavy use of phasing and reverberation during mixing was done in accordance with the popular psychedelic rock trends of the day.
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Souls on Board is a four-piece indie rock band from Melbourne, Australia. Members include Anthony Petrucci, Mark Campbell, Richard Bowers and Clint Hyndman. In 2005 SOB released their debut self-titled EP through Low Transit Industries/Reverberation in Australia. The EP was co-produced by Tony Cohen.
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Plank used multi-track recording facilities. He favored sometimes harsh-sounding effects and contrasting audio for each element in the mix. Plank used combinations of echo, reverberation and other electronic, mixing, editing and tape-based effects to create mixes. Plank favored a very 'live' production sound, especially on drums.
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Absorption refers both to the sound that transmits through and the energy that is dissipated by a material.Barron, 2002, ch. 7.1. Reverberation is the persistence of sound that is caused by repeated boundary reflections after the source of the sound stops. This principle is particularly important in enclosed spaces.
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3D sound system with Reverberation Reconstruction flowchartThe reverberation reconstruction involves measuring the sound by a four-point microphone to measure its real delivery delays in different locations. Each microphone measures an impulse response from a time-stretched pulse signal for various time frames with various sound sources. The obtained data is applied to the 5-speaker three- dimensional sound system, as in the listening room technique. The system also convolves the head-related transfer function with the impulse response from the signal recorded by the microphones and the energy is adjusted per the original time frame of the sound signal, and an additional delay is added to the sound to match the time frame of the impulse response.
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On the advice of acoustics firm, Kirkegaard Associates, the lack of reverberation and the difficult performance conditions for musicians were corrected by changes in the fabric of the auditorium. Surfaces that had previously absorbed sound were transformed to support and sustain that sound. The tapestries on the back walls of the boxes were gathered up to increase reverberation, but can be redeployed, together with additional absorbent blinds above the stage and around the Hall whenever needed. The wooden wall panels of the Hall were relined to change their acoustic qualities and the undulating plaster ceiling panels were completely reconstructed using more robust materials to provide greater warmth of sound and support for bass frequencies.
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Smith Memorial Hall houses many different musical performance and practice rooms, the largest of which is the large performance hall, which seats 650 in the orchestra and 450 in the balcony.Smith Memorial Hall University of Illinois Music Association Retrieved October 21, 2009. The acoustics of the large performance hall are controlled by having a period of reverberation of 1.75 seconds when at full capacity, and having provisions in the design to decrease the period of reverberation when the hall was empty. The building also has a number of practice rooms, including seven studios and two classrooms on the first floor, and an additional 11 studios and 49 practice rooms on the second floor.
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The C4 Engine can play sounds stored in the WAV format using 16-bit mono or stereo sampling, and audio data can be played from memory or streamed from disk. The engine plays sounds using a custom mixer that provides capabilities such as frequency shifting, Doppler effect, reverberation, and atmospheric absorption.
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The name Efterklang comes from the Danish word for "remembrance" or "reverberation." Formed in Copenhagen, its three core members are Casper Clausen, Mads Brauer and Rasmus Stolberg. The original lineup also included Rune Mølgaard, but he has taken a more secluded role since 2007. Drummer Thomas Husmer left the band 2011.
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Several distinct musical techniques were implemented on the album. Most songs use polyphonic lead vocals, usually between Nico Audy-Rowland and Wendy Mittelstadt. Many of the electric instruments have a recognizable reverberation effect. The album contains genre elements influenced by the blues, disco, spirituals, western narrative and types of rock.
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In order to map multiple, and occasionally intermittent sound sources, an Acoustic SLAM system utilizes foundations in Random Finite Set theory to handle the varying presence of acoustic landmarks. However, the nature of acoustically derived features leaves Acoustic SLAM susceptible to problems of reverberation, inactivity, and noise within an environment.
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In order to increase the contrast between the note groups, a set of six envelope curves was added: steady amplitude, increasing amplitude to a sudden cut-off at the specified maximum, and a gradual decrease from the specified maximum; each of these occurs with and without reverberation to produce six forms in all .
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In this album you can see the influences of both the alternative rock of the 80s (in the style of Siouxsie and the Banshees and Theatre of Hate) and new trends like dance-punk. In June 2010, the band released the first two singles from the album: Bright Lights' and Reverberation Mambo.
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The dome is one of the basic constructions in the prayer room. The main function of it is to keep atmosphere of the hall constant, illuminate the hall, and create a reverberation in the hall. The exterior of the mosque and its architectural solution form unity. Prayer room is merged with service room.
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As of August 2005, the company name was changed to Sound Enhancement Products, Inc and is currently an independently owned company. Sound Enhancement Products, Inc. (SEPI) manufactures O.E.M. electro-mechanical spring reverberation devices, primarily sold to guitar amplifier manufacturers. Commonly called "reverb units", these devices are sold under the "Accutronics" trade name.
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Leo Beranek, an American acoustics engineer who had undertaken measurements of all of the world's leading concert halls, had identified that the interior treatment of the auditorium was absorbing too much sound. By 1962 the authorities, after prolonged experiment, had become convinced that no improvement in the hall's reverberation could be achieved by any further treatment of its surfaces. Longer reverberation would require modification to the main structure, reducing the seating capacity and the provision of a new ceiling. This was considered too costly, particularly as any hypothetical gain in ‘warmth’ or ‘resonance’ might well be by the sacrifice of other positive qualities for which the Hall was generally esteemed, for example, its clarity, its comparative uniformity of acoustic response and its freedom from echo.
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Palacios 2010, p. 182 Because of the quietness of Barrett's singing, he was placed in a vocal isolation booth to sing his parts. Automatic double tracking (ADT) was used to add layers of echo to the vocals and to some instruments.Palacios 2010, p. 183 The album featured an unusually heavy use of echo and reverberation to give it its own unique sound. Much of the reverberation effect came from a set of Elektro-Mess- Technik plate reverberators – customised EMT 140s containing thin metal plates under tension – and the studio's tiled echo chamber built in 1931. The album is made up of two different classes of songs: lengthy improvisations from the band's live performances and shorter songs that Barrett had written.
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Accordingly, early, incoherent, lateral reflections together with a high loudness of low frequencies in the early reflections of the room reverberation increase the apparent source width and thus the overall spaciousness and quality of a concert hall. This knowledge is used in architectural acoustics to design a concert hall that exhibits the desired acoustical properties.
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" Peter Murphy of Hot Press wrote of "Supervixen" in his biography for 2007's Absolute Garbage sleeve notes: "The song used silence in a way I'd never heard before. When the music stopped, it wasn't a pause for effect. There was no residual cymbal swish or reverberation or amp hum. That silence was total.
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Due to the low absorption very high field strength can be achieved with moderate input power. A reverberation chamber is a cavity resonator with a high Q factor. Thus, the spatial distribution of the electrical and magnetic field strengths is strongly inhomogeneous (standing waves). To reduce this inhomogeneity, one or more tuners (stirrers) are used.
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The full statement is repeated once. Reich re-recorded the fragment "come out to show them" on two channels, which initially play in unison. They quickly slip out of sync to produce a phase shifting effect, characteristic of Reich's early works. Gradually, the discrepancy widens and becomes a reverberation and, later, almost a canon.
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He developed a new method in 1995 using nonlinear regression for estimating reverberation times. With James Sabatier he successfully applied acoustic-to-seismic coupling in landmine detection. With Manfred R. Schroeder he developed a simultaneous dual channel measurement method using reciprocal maximum-length sequences (2003). He is a promoter of Bayesian analysis in acoustics.
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Audio engineers develop audio signal processing algorithms to allow the electronic manipulation of audio signals. These can be processed at the heart of much audio production such as reverberation, Auto-Tune or perceptual coding (e.g. MP3 or Opus). Alternatively, the algorithms might perform echo cancellation, or identify and categorize audio content through music information retrieval or acoustic fingerprint.
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Reverberation was obtained using an echo chamber, a basement room with bare painted walls empty except for loudspeakers and microphones. Due to the considerable technical challenges faced by the Workshop and BBC traditions, staff initially worked in pairs with one person assigned to the technical aspects of the work and the other to the artistic direction.
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In 2006, Steward released his first solo studio album under Reverberation entitled How Does It End. Other bands/projects he has been involved with include Psycho Skate Smurfs on Smack, Lethal Injections, The Madmen and The Whats. He also played a role in promoting other Brisbane indie artists in the 90s through his record label Stone Groove.
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Collapsed Module. No operational system resulted from the effort but it defined the limitations of technology and understanding of underwater acoustics of the time. In particular understanding of scattering and reverberation was shown to be lacking. The Artemis receiving array was expected to demonstrate problems with multipath reflections but experienced considerable failure with floats upon which its configuration relied.
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Mike Strange recorded and mixed Eminem's vocals at Effigy Studios in Ferndale, Michigan. The sessions took two days. Strange edited the vocals with D-Verb—a reverberation software—and an Extra Long Delay plug-in. He preferred to make few changes; for "Love the Way You Lie" he almost exclusively used board compression and console equalization.
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Several subjective sound impressions are closely related to apparent source width. Reverberance refers to the impression that spatially and temporally distributed sounds blend due to reverberation. Liveness is the impression that the room contributes more than just repetitions of direct sound. A live concert sounds better in a reverberant than in a dead or dry hall.
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There are over 30,000 audio books available to borrow, which are free to print disabled library members. RNIB subsidises the Talking Books service by around £4 million a year. Example of an audio studio for professional readings. The studio is surrounded in sound baffle panels to mitigate reverberation from the speaker, allowing the microphone to pick up clearer audio.
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Slight Delay is the second album from Australian singer/songwriter Loene Carmen. It was released in 2004 on Chiquita Records through Russell Hopkinson from You Am I's boutique label, Reverberation Records, in Australia. It was recorded in Carmen's home studio, Loose Connections, in Darlinghurst, NSW and features musicians from Australian bands Mess Hall and the Dirty Three.
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Hammond Novachord (1939) In 1929 Laurens Hammond established his company for the manufacture of electronic instruments. He went on to produce the Hammond organ, which was based on the principles of the Telharmonium, along with other developments including early reverberation units.Russcol 1972, 70. The Hammond organ is an electromechanical instrument, as it used both mechanical elements and electronic parts.
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"Enlighten Me", released in October 1990, was the only single to be released from Reverberation. The single fared badly on the UK Singles Chart only reaching number ninety-six,"Chart Log UK: E-40 – E-Z Rollers". Zobbel.de. Retrieved on 14 January 2009. although it reached number eight on the Hot Modern Rock Tracks chart in the United States.
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Released on her official website and reverberation, the song was released first on March 9, 2009, then the video on March 13, 2009. The song was written by Gibson and produced by Fred Coury. It was accompanied by a music video produced by Guy Birtwhistle and directed by John Knowles, which starred Birtwhistle, Gibson, and Steve Valentine.
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Russell Keith "Rusty" Hopkinson is an Australian rock musician and record label owner. He joined alternative rockers, You Am I, in 1993 on drums, percussion and backing vocals. He had previously been a member of the Bamboos (1986–87) and Kryptonics (1987–88). He established a record label, Reverberation, in 2003 with his former Kryptonics bandmate, Ian Underwood.
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Special attention is given to the individual sound of each instrument. Recording is done with the utmost fidelity and attention to sonic detail, and mixed so that all the instruments are heard and none are given undue priority. Their albums are also notable for the characteristically 'warm' and 'dry' production sound, and the sparing use of echo and reverberation.
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Acoustic quieting and noise control can be used to limit unwanted noise. Soundproofing can suppress unwanted indirect sound waves such as reflections that cause echoes and resonances that cause reverberation. Soundproofing can reduce the transmission of unwanted direct sound waves from the source to an involuntary listener through the use of distance and intervening objects in the sound path.
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Acoustic plasters can significantly reduce the sound reverberation within the space. Most acoustic plasters have a Noise Reduction Coefficient between 0.5 and 1.00. The Noise Reduction Coefficient (NRC) determines the ability of a material to reflect or absorb sound. It is a number between 0 and 1, which 0 being perfectly reflective and 1 being perfectly absorptive.
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And Then Nothing Turned Itself Inside-Out marks a creative shift in Yo La Tengo's songwriting with a greatly slower approach. The band continued to expand on their simplistic songwriting. Many songs on the album are soft ballads with very airy percussion and background noises. However, the guitars and bass provide a strong undertone of reverberation.
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"All of My Life" is a ballad written by Richard Carpenter. The Carpenters recorded it for their 1969 album, Offering. The next year, it was used as the B-side song of the "We've Only Just Begun" single. Richard Carpenter did a remix of the song in 1987 with crisper vocals, a different electric piano, and more reverberation.
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Heathen Songs is the debut album from The Kill Devil Hills, released in August 2004 and nationally on 7 February 2005 on the independent label Torn and Frayed and distributed by Reverberation Records. The album was reissued by Shock Records on 11 June 2007. The album was recorded, mixed and co-produced by Simon Struthers (Adam Said Galore).
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Reverberatory furnace for copper at UMMC factory in Russia A reverberatory furnace is a metallurgical or process furnace that isolates the material being processed from contact with the fuel, but not from contact with combustion gases. The term reverberation is used here in a generic sense of rebounding or reflecting, not in the acoustic sense of echoing.
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Pure Mood is the fourth studio album by American shoegaze band Ringo Deathstarr. It was released in December 11, 2015 by Vinyl Junkie Recordings in Japan, and on January 20, 2016 by The Reverberation Appreciation Society (RVRB-024) in North America. The album was recorded in two different locations: Sky Lab in Los Angeles, and Storage Town in Austin, Texas.
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Sound vibrations are reflected from walls, floor and ceiling, and are affected by the contents of the room. Room dimensions can create standing waves at particular (usually low) frequencies. There are devices and materials for room treatment that affect sound quality. Soft materials, such as draperies and carpets, can absorb higher frequencies, whereas hard walls and floors can cause excess reverberation.
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These can vary in complexity, from simple level controls, to sophisticated outboard reverberation units. Configuration controls deal with the signal routing from the input to the output of the console through the various processes. Digital audio workstations (DAW) can perform many mixing features in addition to other processing. An audio control surface gives a DAW the same user interface as a mixing console.
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Wenger V-Room. V-Room was a product that allowed the electronic enhancement of music rehearsal spaces, giving the option of having the room's reverberation characteristics model a variety of performance spaces. On September 16, 2005, Freiheit filed a patent on an "Active acoustics performance shell" which used a LARES central digital processor "as manufactured by Lares Associates, Inc., Columbia, Md".
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For performances with a proscenium arch, the capacity is 946. This increases to 1,200 for an all-seated concert and 1,686 for standing with balcony seating. The various seating arrangements affect the auditorium volume— and respectively for music and drama performances, as well as the reverberation times—1.1 seconds for concerts and 0.9 seconds for drama. The theatre's diameter is roughly .
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Another way that flutter manifests is as a truncation of reverb tails. This may be due to the persistence of memory with regard to spatial location based on early reflections and comparison of Doppler effects over time. The auditory system may become distracted by pitch shifts in the reverberation of a signal that should be of fixed and solid pitch.
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Death By Audio actually manufactured a signature reverb pedal inspired by him, the Death by Audio Sunshine Reverberation Pedal, in 2013. Only 100 were manufactured. In 2014, he began playing a sunburst Gibson Les Paul on his tour supporting his then-new album Manipulator. His main amplifier is a '70s Fender Quad Reverb; he sometimes uses Music Man HD amplifiers.
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Voorhees recites repeatedly in the final reel. The "ki" comes from "kill", and the "ma" from "mommy". To achieve the unique sound he wanted for the film, Manfredini spoke the two words "harshly, distinctly, and rhythmically into a microphone" and ran them into an echo reverberation machine. Manfredini finished the original score after a few weeks and recorded it in a friend's basement.
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Beneath the vault is an entablature whose cornice hides indirect lighting which illuminates and reflects off the ceiling. There is also a catwalk where the vault of the ceiling meets the top of the walls. The total enclosed volume is over , which gives a reverberation time of 4 seconds when the hall is empty. The interior is designed in an English baroque style.
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It draws particularly from Christopher Wren's design for the Church of Saint Stephen, Walbrook, in London. The lower of wall surface are finished with dark oak paneling. The walls above that are plaster with brocade panels which in addition to their decorative appearance are placed to absorb excess reverberation. The floors are marble in an alternating color scheme of reddish-brown and gray.
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The effect reverses in a reverberation room, which echoes real life more so than the typical quiet rooms used for experimentation. This allows for echoes of the spoken phonemes to act as the replacement noise for the missing phonemes. The additional produced white noise that replaces the phoneme adds its own echo and causes listeners to not perform as well.
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Midway through the recording of Sunflower, the band assembled an album for Capitol with some tracks that were later placed on Sunflower. It had the working title of Reverberation. Although a master tape (dated June 19, 1970) of songs was put together, this album was never released. Instead, they fulfilled their contract with the May 1970 album Live in London.
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Originally named The Concert Hall, the theatre was designed by George Val Myer as part of the BBC's new Broadcasting House building. The hall is long, and tapers from wide at the rear to wide behind the stage. The room's height is , taking up three storeys of Broadcasting House. Upon original specification, the hall had a reverberation time of 1.7 seconds.
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The site was selected to allow the hall to merge with nature and was positioned in the rock so it would not look too large. The interior hexagonal shape was partly for acoustic reasons, but the hall had to be acoustically adjusted several times subsequently. Gaps between the wood panels were adjusted to control the reverberation time.SR Berwaldhallen September-October 2009, p7.
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Engraving of the 1874 2,000 Guineas, from the Illustrated Sporting and Dramatic News, May 1874 Atlantic began his three-year-old season at the Newmarket Craven meeting in April, where he claimed two more prizes without racing when he was allowed to walk over in two Sweepstakes. On 6 May, Atlantic contested the 2000 Guineas, and started at odds of 10/1 in a field of twelve, with Ecossais being made favourite at 5/4. Ridden by the seventeen-year-old Fred Archer, Atlantic disputed the lead from the start and with two furlongs to travel only Reverberation and Ecossais remained as challengers. The favourite was the first of the three to weaken and after "a most exciting set-to" Atlantic prevailed by a neck from the fast-finishing Reverberation with Ecossais third and the rest of the field well beaten.
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At a few points in the album, different sounds have been "hidden" (i.e. recorded at extremely low volume, so that they are inaudible during normal listening). During the first minute or so of "a-deck", a recording has been hidden which sounds like an unaccompanied female (or high male) voice, singing in a major key, in a space with a long reverberation time (e.g. a cathedral).
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Psychedelic music uses distorted electric guitar, Indian music elements such as the sitar, tabla, electronic effects, sound effects and reverberation, and elaborate studio effects, such as playing tapes backwards or panning the music from one side to another. The term "psychedelic" is derived from the Ancient Greek words psychē (ψυχή, "soul") and dēloun (δηλοῦν, "to make visible, to reveal"),"psychedelic". Online Etymology Dictionary. translating to "mind- manifesting".
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Ampeg R-12-R Reverberocket In 1961, Ampeg became the first company to incorporate reverberation (reverb) in an amplifier with its Reverberocket, which preceded Fender's Vibroverb amp by nearly two years. Despite Hull's distaste for rock and roll and resistance to distortion, the Reverberocket employed 6V6 -type power tubes which sounded "Fendery" and did break up in a way that rock and roll players could use.
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Interior of the Duke Chapel Duke Chapel, like many Christian churches and cathedrals, is cruciform, with a nave that measures long, wide, and high. The walls and vaults of the nave and transepts are constructed from Guastavino tile and were sealed in 1976 to increase sound reverberation and enhance the sound of the organ. The Chapel also houses a Memorial Chapel and a crypt.
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Since CASA is modeling human auditory pathways, binaural CASA systems better the human model by providing sound localization, auditory grouping and robustness to reverberation by including 2 spatially separated microphones. With methods similar to cross-correlation, systems are able to extract the target signal from both input microphones.Bodden, M. (1993). "Modeling human sound-source locations and cocktail party effect" Acta Acustica 1 43-55.
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If a send mix is configured post-fader, then the level sent to the send mix follows changes to the main channel strip fader. This is useful for reverberation and other signal processor effects. An example of this is when an engineer would like to add some delay to the vocals – the fader can thus be used to adjust the amount of delay added.
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The work was performed in a Napoleonic-era water tower; the musicians performed in the basement of the tower and the audience listened on the ground floor. The empty top floors of the water tower acted as a giant reverberation chamber. Released on Les Disques du Crepuscule, catalogue number TWI 922-2. Subsequently released on POINT Music, catalogue number 446-061-2 in 1995.
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Acoustic waves are reflected by walls or other hard surfaces, such as mountains and privacy fences. The reason of reflection may be explained as a discontinuity in the propagation medium. This can be heard when the reflection returns with sufficient magnitude and delay to be perceived distinctly. When sound, or the echo itself, is reflected multiple times from multiple surfaces, the echo is characterized as a reverberation.
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When the interviewer, J. Kordosh, suggested that the bass part "sounds like McCartney was going nuts again", Harrison replied: "That was me going nuts. I’m doing [on the bass] exactly what I do on the guitar." Harrison recorded his lead vocal in a corner of the studio, to capture a natural reverberation from the room. The backing vocals were sung by Lennon and McCartney.
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The detectors must be very sensitive to pick up the echoes. Since the original signal is much more powerful, it can be detected many times further than twice the range of the sonar (as in the example). Active sonar have two performance limitations: due to noise and reverberation. In general, one or other of these will dominate, so that the two effects can be initially considered separately.
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The building was built without an acoustic study which resulted in the volume being too low for symphonic purposes, with a reflective concave back wall. The stage had no lateral walls, which resulted in the musicians struggling to hear one another. The wall was eventually treated to prevent strong echoes. Eventually a Phillips acoustic enhancement system was fitted to help with sound coverage and reverberation.
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Chief engineer Jim Jett was using several equalizing techniques to make the signal sound brighter, fuller and bigger than it was to the listener. Cramer came up with the concept that reverberation or reverb would give the AM signal a sound of more depth. Jett purchased a $10 reverb section from an old Hammond organ and integrated it into the transmitter's audio processing chain.
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And there exists another method to solve this problem, the early echo response. Some people proposed a refined algorithm which exaggerates the differences for the sounds from different directions and strengthen the pinnae effects to reduce the front-to- back reversal rates. Intracranially heard sound is that the sound is heard inside one's head but the sound is in fact outside. This can be solved by adding reverberation cues.
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Ultrasound Med Biol. 1992;18(6-7):651-4. (duplex ultrasonography). While pulsed Doppler only acquires the velocity at one point at a time, colour Doppler can acquire simultaneous pixel velocity values across the whole imaging field. Pulsed Doppler on the other hand, is more robust against noise, as peak values are measured on top of the spectrum, and are unaffected of the presence of clutter (stationary reverberation noise).
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Introduced in 1939, the Shure Unidyne is arguably the most recognized microphone in the world. The Unidyne's instant and lasting success has been attributed by its manufacturer as stemming from the fact that, "It was the first high-quality unidirectional microphone that was affordable and reduced audio issues such as background noise, feedback and excessive reverberation." On Jan 31, 2014, the Unidyne microphone was granted the IEEE award.
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The human perception of direction is complex: #The sound information arriving at the left and right ears causes inter-aural time differences and interaural level differences. These small variations allow the brain and auditory system to calculate the direction and distance of the sound sources from the listener.Carty, B (2010) - Movements in Binaural Space: Issues in HRTF Interpolation and Reverberation, with applications to Computer Music. Volume 2/2.
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Strange used the Bricasti and Eventide Reverb 2016 mixing tools for "brighter" reverberation. Detroit musician Luis Resto has contributed to the arrangement on many of Eminem's songs, but did not do so for "Love the Way You Lie". According to Strange, "Everything we needed was already in the track, apart from the vocals." Two to three weeks after the sessions, Alex da Kid arrived to help mix and master the track.
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These techniques have in common that they decorrelate the stereo channels by applying individual audio filters, reverberation and delay effects to each. This way the two channels' signals are similar enough to be heard as one integrated stream, i.e., one auditory sound object. At the same time the signals are so diverse that they do not seem to originate in a tiny point source but rather in a broad source.
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B. M. Peterson, K. Horne, Reverberation Mapping of Active Galactic Nuclei (2004). It utilizes the fact that the emission-line fluxes vary strongly in response to changes in the continuum, i.e., the light from the accretion disk near the black hole. Put simply, if the brightness of the accretion disk varies, the emission lines, which are excited in response to the accretion disk's light, will "reverberate", that is, vary in response.
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Until about 2004, f was estimated ab initio based on simple models for the structure of the BLR. More recently, the value of f has been determined so as to bring the M–sigma relation for active galaxies into the best possible agreement with the M–sigma relation for quiescent galaxies. When f is determined in this way, reverberation mapping becomes a "secondary", rather than "primary", mass estimation technique.
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To fit the sound aesthetic of the album, the vocal tracks were given echo chamber reverberation treatment during the mixing process. With the recordings finished, producer Jack Shirley continued work by mixing and mastering to finish the album. Sunbather was recorded on two-inch analog tape and converted to digital for final production to be done through Pro Tools before finally being mastered with an Ampex ATR-102 tape machine.
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The interior consists mostly of a spacious concert hall, which is noted for its highly decorated neoclassical coffered tunnel vaulted ceiling. Against the east wall of the concert hall is a reproduction classical organ, which was built by Jürgen Ahrend in 1978. The wooden casing was designed by James Haig Marshall of Ian G Lindsay and Partners. The concert hall was designed to offer "dry" acoustics with low reverberation.
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Kabanov then hurried downstairs and told the men to stop firing and kill the family and their dogs with their gun butts and bayonets.Rappaport, p. 193. Within minutes, Yurovsky was forced to stop the shooting because of the caustic smoke of burned gunpowder, dust from the plaster ceiling caused by the reverberation of bullets, and the deafening gunshots. When they stopped, the doors were then opened to scatter the smoke.
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In 1855 the first of two reverberation blast furnaces that he built in Mito was completed. This furnace was used to make four mortars over the next year. These mortars, however, failed due to the inferior quality of iron used. Ōshima returned to Nanbu-han where he built a new Western-style blast furnace at Kamaishi to produce a higher quality pig iron from the local magnetite mined there.
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Palladino left Radio Recorders for Capitol Records not long after it opened in 1949. He was promoted to album producer for Capitol Records in 1956. Palladino used a small-studio technique, close-miking musicians and using equalization and reverberation to get sounds. he did not always agree with the move in the 1960s towards multitracking and overdubbing instruments one at a time, preferring to record all the musicians playing live simultaneously.
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If the direct sound is coming from the same direction the listener is facing, the reflection's direction has no significant effect on the results. A reflection with attenuated higher frequencies expands the time span that echo suppression is active. Increased room reverberation time also expands the time span of echo suppression.Haas, H. "The Influence of a Single Echo on the Audibility of Speech", JAES Volume 20 Issue 2 pp.
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The album was originally released on LP record by RCA Victor in different stereo (LSP-3766) and mono (LPM-3766) editions. The stereo mixes include heavier use of reverberation effects than the mono. The mono version was deleted in the late 1960s and remained unavailable until 2001. The first United Kingdom release replaced some of the original songs with tracks from the group's first US LP, Jefferson Airplane Takes Off.
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A separate amplifier and band-pass filter for each head could modify the spectrum of the sound, and additional feedback loops could transmit the information to the recording head. The resulting repetitions of a sound occurred at different time intervals, and could be filtered or modified through feedback. This system was also easily capable of producing artificial reverberation or continuous sounds . Pierre Henry using induction coils to control sound spatially.
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Tommy Dowd early on installed variable acoustic sound traps that affected both the low frequency absorption and the reverberation time in the studio. Studio B - approximately 30' x 15' x 15', control room 15' x 15'. Consoles were MCI 528 and then NEVE and monitoring was Altecs and then UREIs. Mix Room - approximately 15' x 12', later a new repositioned mix room and vocal booth 20 x 18'.
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Reverberation is the sixth studio album by the English rock band Echo & the Bunnymen. The album was released amidst a line-up change for the group, due to the departure of vocalist Ian McCulloch and the death of drummer Pete de Freitas. The remaining members, guitarist Will Sergeant and bassist Les Pattinson, were joined by ex-St. Vitus Dance singer Noel Burke, keyboard player Jake Brockman and drummer Damon Reece.
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Its tone and pattern control helped reduce reverberation. Many RCA ribbon models are still in use and valued by audio engineers. The BBC-Marconi Type A was an iconic ribbon microphone produced by the BBC and Marconi between 1934 and 1959. Also of note is the ST&C; Coles 4038 (or PGS – pressure gradient single), designed by the BBC in 1954 and still used for some applications to this day.
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Like the rest of 1989, the track uses heavy synthesizers, vocal reverberation and features an upbeat dance groove, a dramatic change from Swift's trademark country styles. The refrain is accompanied by "undulating waves" of keyboards underneath. Alexis Petridis of The Guardian compared the song's electronic- oriented styles to those on the soundtrack of the 2011 film Drive and Daft Punk's 2013 album Random Access Memories. The song's lyrics are ambiguous.
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The quality of the acoustics of the room comes from its design, built in the Italian style, and 90% wood. With the support of the sound insulation of the stage house and the transfer and amplification of sound through the wood, the reverberation gives the room excellent acoustic qualities, with low power requirements for acoustic, electric and electro-acoustic instruments. Heads of renowned orchestra have recognized the qualities of the room.
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The sound was recessed, there was an irritating amount of reverberation and the singers seemed to be in a different acoustic from the orchestra. But these negatives should not deter people from investigating a commendable performance of what was, Blyth affirmed, "an attractive and sometimes first-rate score".Gramophone, October 1978, pp. 741–742 Librettist Michel Carré George Jellinek reviewed the album on LP in Stereo Review in February 1979.
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During the 1980s, "Jangle and drone plus reverberation create[d] a contemporary equivalent of Spector's 'Wall of Sound' – a massive, ringing, cavernous noise and a device used by many indie groups: Flying Nun, from Sneaky Feelings' Send You to Straitjacket Fits and the JPS Experience". He cites 1960s psychedelic and garage rock such as the Byrds' "Eight Miles High" (1966) as a primary musical influence on the movement.
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The album is characterised by playful experimentation. Solar Symbols - a duo for percussion - used reverberation techniques that have since been considered an early foray into pure ambient music. Solar Differentials even featured an experimental 'Space Voice'; > 'Solar Differentials introduced Art Jenkins, a new "Space Vocalist". Jenkins > had sought an audition with Sun Ra a few months before the recording, and > sang some rhythm-and-blues tunes for him.
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Such systems are termed in-line or non-regenerative. In-line systems aim to minimise the effects of regeneration by detecting stage sound at a high level, and may then be used to generate early reflections or late reverberation. VRAS is thus a hybrid system that uses both regenerative and non-regenerative approaches. VRAS was developed by Mark Poletti at Industrial Research Limited, New Zealand and commercialized by LCS Audio.
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Accessed May 29, 2010. He had originally hoped to become a landscape gardener, but chose instead to pursue electrical engineering at the Berlin Institute of Technology and earned a Ph.D. from the Heinrich Hertz Institute in 1940. Sennheiser developed a reverberation unit that was used at the 1936 Summer Olympics in Berlin. He was responsible for sending coded messages for the German Army during World War II.Fox, Margalit.
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Another, ten feet in length and weighing 3 cwt (150 kg) landed on the Ridley Arms in Pilgrim Street; and others on the roof of a house in Moseley Street. The reverberation of the explosion was heard at North Shields, distant, where residents thought the shock was an earthquake. Gas lights in a Jarrow paper mill were blown out. Light debris from the fire was scattered across of Gateshead and environs.
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However RF testing of a physical prototype is most often carried out indoors, in a specialised EMC test chamber. Types of chamber include anechoic, reverberation and the gigahertz transverse electromagnetic cell (GTEM cell). Sometimes computational electromagnetics simulations are used to test virtual models. Like all compliance testing, it is important that the test equipment, including the test chamber or site and any software used, be properly calibrated and maintained.
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It was known that the ancient Greeks had developed the technique of using vases built into their auditoria which added resonance to strengthen tone or improve its quality, though the effect was very weak. The Building Research Station developed an electronic method of lengthening the reverberation time by a system called ‘assisted resonance’ in which some of the acoustical energy lost to the surfaces of the hall was replaced by acoustical energy supplied by a loudspeaker. Each microphone and its associated loudspeaker was limited to the one frequency by placing the microphone inside a Helmholtz resonator fitted into the ceiling in a range of sizes which resonated over a wide range of the low frequencies which critics and musicians thought did not adequately reverberate in the hall. 172 channels were used to cover a frequency range of 58 Hz to 700 Hz, increasing reverberation time from 1.4 to 2.5 s in the 125 Hz octave band.
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Strictly Personal is the second album by Captain Beefheart and his Magic Band. It was originally released in October 1968 as the first album on the Blue Thumb Records label. It was released nearly a year after the band had taken to the studio to record the follow-up to 1967's Safe as Milk. Producer Bob Krasnow added phasing and reverberation effects to the recordings, which were later disavowed by Beefheart.
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The Grande Halle is made of cast iron and glass. It covers an area of , and measures by . Three sides are open while the fourth, made of glass, is the entrance to the hall. Speakers are hung from hooks on the overhead canopy and not easily visible to the public in order to separate the listener from the building's technical elements; however, there is a slight reverberation because of the glass roof.
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The concert hall's architect was Joseph Ho of Hsin Yieh Architects and the acoustician was Prof. Ir. Dr. James Wing Ho Wong, the President of Allied Acoustics, Allied Environmental Consultants Limited, he brought the first adjustable acoustics reverberation chambers auditorium design to Hong Kong. The Jehovahjireh Concert Hall, with 798 seats and incorporated sacred geometry, boasts superb acoustics. The hall has an acoustic canopy which adapts the hall for different musical performances.
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Moveable automated draperies and sound-absorbing panels were included in the design of the 8,000-square foot hall to absorb and dampen sound and control reverberation. Tiers of seating collapse into the walls and into a pit in the floor for rapid conversion from recitals to symphony rehearsals. The building has cedar exterior and blends well with the rural landscape of the location. It was designed by Assembly Places International of Philadelphia.
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When uttered as a long reverberation, asserts the text, it rises upwards, resonating with Om-kara, the universal sound. Chapter 2 begins stating that Om is also called Pranava, because it makes all Pranas (vital breath, life force) to give Pranama (bow down). Om, states the text, should be meditated upon as the origin of the Vedas and origin of all the gods. A meditation on Om relieves (Samtarayati) the meditator from fears and sorrows.
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In 2005 they released their fourth album #4 on their own Antenna Records. By this time they were a much more experimental band specialising in electronic soundscapes. In July 2011, the band were invited by Portishead to perform at the ATP I'll Be Your Mirror at Alexandra Palace in London, where they performed songs from their debut album. An event repeated at Austin Psych Fest 2012 curated by The Reverberation Appreciation Society.
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Meanwhile, Askew played guitars and "paints a layered and complex backdrop," with reverberation and "washes of stringed ambient tones." Following the release of Remain, TAUT played at various musical festivals, including the Terminus Festival in Calgary, Canada. In this period, they also began to work on songs for a second album. In the summer of 2015, the band recorded with Michael Stock at the KXLU 88.9 FM studio for the Part Time Punks studio sessions.
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The Reverberation of Sound, or Dratenjur (), is considered to be the root tantra of the seventeen tantras of the Menngagde approach to Dzogchen. These tantras are found in the Nyingma Gyubum (), volumes 9 and 10, folio numbers 143-159 of the edition edited by Dilgo Khyentse (Thimpu, Bhutan, 1973) of the gting skyes dgon pa byang manuscript.Guarisco, Elio (trans.); McLeod, Ingrid (trans., editor); Jamgon Kongtrul Lodro Taye, Kon-Sprul Blo-Gros-Mtha-Yas (compiler) (2005).
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Research has shown that children require much quieter learning spaces with less reverberation to hear and understand spoken words than do adults. Even normal, healthy listeners younger than 13 have a much more difficult time distinguishing verbal signals from background noise. Students who have hearing loss (e.g. from ear infections), who are learning a new language, or have auditory or attention problems required even more favorable acoustics in order to understand speech.
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SMBHs with accurate masses are limited only to galaxies within the Laniakea Supercluster and to active galactic nuclei. Another problem for this list is the method used in determining the mass. Such methods, such as broad emission- line reverberation mapping (BLRM), Doppler measurements, velocity dispersion, and the aforementioned M-sigma relation have not yet been well established. Most of the time, the masses derived from the given methods contradict each other's values.
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Andrew R. Boone, "Mickey Mouse Goes Classical", Popular Science, January 1941, pp. 65–67 For the recording of The Sorcerer's Apprentice in January 1938,Culhane, pp. 15–16 engineers at Disney collaborated with RCA Corporation for using multiple audio channels which allowed any desired dynamic balance to be achieved upon playback. The stage was altered acoustically with double plywood semi-circular partitions that separated the orchestra into five sections to increase reverberation.
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"Big guitar" is a term referring to a style of guitar playing popular in rock and roll instrumentals in the early 1960s. An electric lead guitar played solo lines with a bass tendency, and reverberation was applied for a deep sound. The 1957 instrumental Raunchy was probably the first such big hit. Duane Eddy and his producer Lee Hazlewood probably perfected the sound in 1958 with "Movin and Groovin" and "Rebel Rouser".
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One of Capitol Studios most unusual and coveted assets are the eight subterranean echo chambers. Located 30 feet underground, the trapezoidal rooms can be accessed by the studios and mastering rooms to add rich reverberation to a vocal. Each of the chambers has thick concrete walls and ceilings. Sound from the studio is sent to speakers in the echo chambers, which is then picked up by microphones and returned to the recording media.
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Reverb units provide electronic reverberation in an amplifier to produce a sound that is more natural to the human ear. SEPI also, manufactures foot-controlled pedals, effect boxes and footswitches that alter, enhance and/or control sounds created from an electronic musical instrument, primarily an electric guitar. These devices are sold under the "Morley" trade name. As of December 10, 2001, SEPI also manufactures audio solution devices sold under the "Ebtech" trade name.
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Electrical Audio is a recording facility founded in Chicago, Illinois by musician and recording engineer Steve Albini in 1997. Hundreds of independent music projects have been recorded there. Founded during an era of increasing popularity for digital recording, Electrical Audio was unusual for using only analog recording technology, including mixing consoles, tape recorders and many outboard sound effects. The rooms are also designed to offer natural reverberation rather than adding the quality in post-production.
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Used on instruments like "clean" (undistorted) electric guitar and keyboards, it can yield very dreamy or ambient sounds. Commercial chorus effect devices often include controls that enable them to be used to also produce delay, reverberation, or other related effects that use similar hardware, rather than exclusively as chorus effects. In spite of the name, most electronic chorus effects do not accurately emulate the acoustic ensemble effect. Instead, they create a constantly moving electronic shimmer.
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Richard Anthony Monsour (May 4, 1937 – March 16, 2019), known professionally as Dick Dale, was an American rock guitarist. He was the pioneer of surf music, drawing on Middle Eastern music scales and experimenting with reverberation. Dale was known as "The King of the Surf Guitar", which was also the title of his second studio album. Dale was one of the most influential guitarists of all time and especially of the early 1960s.
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The album was given two separate mixes. The first was done by producer Robin Millar with the input of the band. This mix was rejected by the band's record label for being not commercial enough, and Walter Turbitt was brought in to remix the album. Turbitt's mix, which was eventually released, was disliked by the band, as it had more overtly poppy elements (such as added reverberation) in contrast to Millar's drier, crisper mix.
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The Fosgate used a faster, updated version of the IC, called the Tate II, and additional circuitry that provided for separation enhancement around the full 360 soundfield. Unlike the earlier Full Wave-matching Logic decoders for SQ, that varied the output levels to enhance directionality, the Tate DES cancelled SQ signal crosstalk as a function of the predominant directionality, keeping non-dominant sounds and reverberation in its proper spatial locations at their correct level.
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It is 118 m long and 49 m wide. It has a reverberation time of more than 9 seconds. Its dome, forming a semi-sphere, is situated in the middle, and it has 12 windows. It is 71.5 m high inside (which makes it one of the tallest domes in the world), with a diameter of 33.5 metres, and is 100 m high from outside, the stairs count 400 steps counted from the crypt.
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Automixers lower the hiss, rumble, reverberation and other extraneous noise that occur when several microphones operate simultaneously. Automixers are typically used to mix panel discussions on television talk shows and at conferences and seminars. They can also be used to mix actors' wireless microphones in theater productions and musicals. Automixers are frequently employed in settings where it is expected that a live sound operator won't be present, such as courtrooms and city council chambers.
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His first formal solo album, Themes for Grind, was released in 1982, while still active with Echo & the Bunnymen, and reached number 6 on the Indie album chart. Performing in 2007 at the Summer Sundae festival. Sergeant continued with the Bunnymen even after Ian McCulloch left in 1988, bringing in Noel Burke to sing on Reverberation in 1990, before breaking up the band in 1993. In 1994, Sergeant and McCulloch reunited to form Electrafixion.
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In 1989 he joined the band as a full-time member as keyboard player. He played on the 1990 album Reverberation. From 2004 onwards, Drake-Brockman worked as a sound recordist, mainly for the BBC's Natural History Unit on several projects, including Last Chance to See, Coast and British Isles: A Natural History. During filming of Everest: Beyond the Limit, Drake-Brockman lost 18% of his body weight, a record among the crew members.
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Practical applications of the methods of geometrical acoustics can be found in very different areas of acoustics. For example, in architectural acoustics the rectilinear trajectories of sound rays make it possible to determine reverberation time in a very simple way. The operation of fathometers and hydrolocators is based on measurements of the time required for sound rays to travel to a reflecting object and back. The ray concept is used in designing sound focusing systems.
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Bill Putnam, Sr. founded Universal Recording Corporation in 1946 in Evanston, Illinois for the purpose of investigating new recording techniques and the development of specialized recording equipment. The design and manufacturing side was accomplished by Putnam's parallel business, Universal Audio. In 1947, Putnam and company relocated to Chicago where they recorded the first popular song with artificial reverberation: Peg o' My Heart by The Harmonicats. The song sold 1.4M copies and gave Universal Recording Corp.
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In late 2014 The Reverberation Appreciation Society changed the festival's name from Austin Psych Fest to Levitation, titled after a track by Austin psychedelic legends The 13th Floor Elevators. The 2015 festival was held May 8–10 at Carson Creek Ranch. The lineup included The Flaming Lips, The Jesus and Mary Chain, Primal Scream, Spiritualized, Tame Impala as well as a reunion performance by The 13th Floor Elevators, the band's first performance in 45 years.
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The Fairlight was used to sample sounds of Clarke smashing all sorts of wood, china and glass that were found when demolishing the lower part of the church to build Splendid Studios. Blackwing used a range of quality reverberation including an AMS RMX, Lexicon 224 and 224X and a Quantec Room Simulator. Recordings at Blackwing also used natural reverb from a long corridor that still retained the stonework from the original war damaged church.
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RIHA Adagio is a Dutch electronic organ with built-in Leslie speaker and fine wood finish. Similar to other RIHA organs, the Adagio was made by Benelux Musical Instruments, The Hague, the Netherlands. A fine member of those line of all-transistor Dutch organs that featured eight models in three console finishes - walnut, teak, and rosewood. All of them have standard features, including, but not limited to, pedal volume control, brilliance control, and reverberation.
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The RIHA Adagio offers a wide variety of keyboard, pedalboard, and special effects. The effect of the Leslie speaker is not the only feature of the organ that is similar to the ones found in Hammond organs. The organist can use the harmonic percussion effect whose stop, time, repeat, and volume can be set separately. A reverberation effect is also available, as well as the V-speed, V-depth, V-cancel, and V-delay.
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Carmen's debut solo album Born Funky Born Free was released in 2001, and featured contributions from Simon Day and James Cruickshank. In 2004, her second album, Slight Delay was released on Reverberation Records. Carmen also recorded a mini-album Leave It at the Door in 2003 together with Kristyna Higgins under the moniker T: Lo, it would eventually be released digitally in 2010. In 2007 she released Rock'n'Roll Tears, co-written and recorded with Jed Kurzel and Sam Worrad.
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Hetfield and Ulrich went through the tapes and selected the strongest riffs to assemble into songs. Instruments were recorded separately, with only Hetfield playing rhythm guitar. Rasmussen, with the support of drum roadie Flemming Larsen, taught the basics of timing and beat duration to Ulrich, who had a tendency to increase speed and had little knowledge of rhythm theory. Drums were recorded in an empty warehouse at the back of the studio, which was not soundproof, and caused reverberation.
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This 119-seat facility with a acoustically-treated dome was built in 2005 to replace the smaller, outdated Sarah Barrett Summerhays Planetarium. In the summer of 2006, a new dome was installed on the ESC's observatory to better allow for astronomical study on campus. The building also has several acoustics labs including two anechoic chambers and two reverberation chambers for performing acoustics research. The 5th and 6th floors of the ESC constitute the Orson Pratt Observatory.
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The auto-compensation of phase distortion and auto-focusing properties of the conjugate wave are used in non-destructive testing techniques. In medical therapy, they can be combined with giant amplification for tumor destruction, like lithotripsy and hyperthermia therapy. Acoustic imaging can be improved by applying selective phase conjugation on some harmonics of the incident wave. This narrows the focal distribution of those harmonics and reduces the sidelobes and reverberation noise, thus increasing the image resolution.
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The hall's enveloping configuration is designed to immerse the spectator in the music. Its walls are composed of moving panels designed to redirect the sound in multiple directions. These panels alternate with sound absorbing surfaces, specially treated to increase reflection and reverberation, the sound resonates throughout the vast acoustic volume (30,500 cubic metres).The tiers and parterre seating are retractable, offering an increased capacity of 3,650 people for events such as amplified concerts that require special configurations.
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Deep-focus earthquakes give rise to minimal surface waves. Their focal depth causes the earthquakes to be less likely to produce seismic wave motion with energy concentrated at the surface. The path of deep-focus earthquake seismic waves from focus to recording station goes through the heterogeneous upper mantle and highly variable crust only once. Therefore, the body waves undergo less attenuation and reverberation than seismic waves from shallow earthquakes, resulting in sharp body wave peaks.
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A conch shell, commonly associated with resonance. Seashell resonance refers to a popular folk myth that the sound of the ocean may be heard through seashells, particularly conch shells. This effect is similarly observed in any resonant cavity, such as an empty cup or a hand clasped to the ear. The resonant sounds are created from ambient noise in the surrounding environment by the processes of reverberation and (acoustic) amplification within the cavity of the shell.
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Embellishments like reversed cymbals were added later at the behest of Wilder, who often suggested such experimentation. Further techniques used in recording included the reversed piano on the outro to the track "Mercy in You". The introduction of the track "Judas" has uilleann pipes recorded with reversed reverberation mixed into the sound, to achieve a haunting, atmospheric feel. "Walking in My Shoes" included a piano part which was processed through a guitar processor to add distortion.
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"Banquet" involves lead guitar and rhythm guitar playing in syncopation, while "Blue Light" has a slower tempo and a crescendo towards the end. During the studio sessions, the Bloc Party EP version of "She's Hearing Voices" was reworked to include reverberation and stereo separation of the instrumental parts. "This Modern Love" begins minimally with panned vocals before the rhythm section enters the mix and the song intensifies. The second half of Silent Alarm includes more studio effects.
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The flames and heated gases from the fuel were drawn across the charge by the draught from the chimney and beaten down by reverberation from the low roof. Slag on the surface of the molten lead was raked off and the lead itself poured into an iron pot at the side, before being ladled into moulds. Several factors contributed to the cupola's greater efficiency than the smelting mill. Unlike the smelting mill, the cupola could be operated continuously.
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Hence, piano designers choose high quality steel for their strings, as its strength and durability help them minimize string diameters. If string diameter, tension, mass, uniformity, and length compromises were the only factors—all pianos could be small, spinet- sized instruments. Piano builders, however, have found that longer strings increase instrument power, harmonicity, and reverberation, and help produce a properly tempered tuning scale. With longer strings, larger pianos achieve the longer wavelengths and tonal characteristics desired.
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It for example avoids artificial equalization, dynamics processing and digitally created ambience. Instead AIX opts for getting such qualities as tonal balance and room reverberation solely via its selection of the original recording space. Most of AIX Records's releases are accompanied by video of the sessions as well as additional bonus features, often in high-definition video. The extra content is in part meant to assure the customer that the record has in fact been captured "naturally".
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The architects realized that the sound associated with a Gothic look would not work for a more sermon- focused protestant service. Wallace Sabine, founder of the field of architectural acoustics, was hired to reduce reverberation in order to make the sermon more intelligible. Sabine avoided changing the church’s aesthetic by hanging panels and drapes to absorb sound. Instead he worked with Raphael Guastavino Jr. to create Rumford tile, a ceramic tile with porous surfaces that absorb sound.
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The band wanted to produce a "simple work, without too many musical adornments and lots of authenticity". Russo recorded his voice with two valve microphones; one in front of his mouth and the other above it, in order to capture reverberation. Bonfá's drums were recorded by microphones strategically positioned all over walls and windows of the studio. Rondeau worked to fulfill the band's will to create a sound that was neither too raw, nor too artificial.
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The Sound of Speed is a compilation of singles and rare tracks by Scottish alternative rock band The Jesus and Mary Chain. The track listing below is for the version released in most of the world - the Japanese version dropped "Snakedriver", "Something I Can't Have", "Write Record Release Blues", "Tower of Song", "Little Red Rooster", "Lowlife" and "Reverberation", but added "Subway", "In the Black", "Terminal Beach" and "I'm Glad I Never". It reached #15 on the UK albums chart.
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The lyrics of "Suitcase" include the mention of "pusher" that Harrison had asked Molland to change (in favour of the word "butcher"), to ensure that the song received radio play. "Perfection" features instrumentation such as synthesizer and harmonica, but not the percussion parts found on the Rundgren-produced version. The final bonus track on the 1993 reissue was the US single mix of "Baby Blue", the main difference being the addition of extra reverberation on Gibbins' snare drum.
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That was fun so I thought I'd put out some proper CDs and that is how it started." The Pictures issued a single, "You'll See" (2001), on Hopkinson's Illustrious Artists label with the Vines' "Hot Leather" and Persian Rugs' "Mr Tripper" (both 2002) following. He established a record label, Reverberation, in 2003 with his former Kryptonics bandmate, Ian Underwood. Underwood described how they formed the label, "I'd known Russell by that time for about 20 years.
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The Kronos Quartet and Takahashi recorded the piece in November 1991 at Skywalker Ranch in Nicasio, California, with production by Judith Sherman. By that time, the Kronos Quartet and Sherman had become frequent collaborators. She had produced some of the quartet's most acclaimed albums, including their 1990 studio recording of George Crumb's Black Angels. Sherman called the Skywalker facilities "the most perfect recording room", noting that the reverberation was distributed remarkably evenly across the frequency band.
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Evie and Donna would normally keep the cube around the house, out of sight (often in Evie's bedroom), sometimes telling people it was an ornament or a talking clock. When the cube was activated, the top half of it would open up on a hinge with a magenta light pulsing inside, with a "spacey" sound effect. The ambient lights in the room would usually dim as well. Troy's voice would be heard clearly through the cube with reverberation.
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While the design of the main auditorium is less conducive to reverberation, it aims to create a more intimate experience by drawing the audience in. The austere color palette and simple lines seen in the layout also serve to direct the audience to the music without distraction of ornate decoration. The Mary Seaton Room is the smaller of the two performance venues, seating up to 700 for a concert, and is well suited for chamber ensembles.
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Surround recording techniques can be differentiated into those that use single arrays of microphones placed in close proximity, and those treating front and rear channels with separate arrays. Close arrays present more accurate phantom images, whereas separate treatment of rear channels is usually used for ambience. For accurate depiction of an acoustic environment, such as a halls, side reflections are essential. Appropriate microphone techniques should therefore be used, if room impression is important. Although the reproduction of side images are very unstable in the 5.1 surround setup, room impressions can still be accurately presented. Some microphone techniques used for coverage of three front channels, include double-stereo techniques, INA-3 (Ideal Cardioid Arrangement), the Decca Tree setup and the OCT (Optimum Cardioid Triangle). Surround techniques are largely based on 3-channel techniques with additional microphones used for the surround channels. A distinguishing factor for the pickup of the front channels in surround is that less reverberation should be picked up, as the surround microphones will be responsible for the pickup of reverberation.
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To reproduce robust and natural-sounding audio from a three-dimensional audio recording, sound localization and reverberation reconstruction techniques are used. These techniques process sound to reproduce the spatial cues. # The location of a sound source is determined through three-dimensional sound localization using multiple microphone arrays, binaural hearing methods, and HRTF (head-related transfer function). # After identifying the direction, other signal processing techniques are used to measure the impulse response over lengths of time to determine the intensity components in different directions.
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An interior view of Hill Auditorium is shown. Carol Rose Kahn, the architect’s granddaughter recounted that her grandfather had set out to develop a hall with perfect acoustics. The brief was to design an auditorium that would seat five thousand people, where they could hear from every seat. The only known previous example was the Mormon Tabernacle where, it was said that one could hear a pin drop from the stage to the top balcony, although the chamber suffered from excess reverberation.
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This lasted for three series, but it is understood that the long acoustic reverberation characteristics of the studio were not ideal for TV sound. Programmes that originated from Studio 1 included Daily Live, Anything You Can Cook and Front Room. In its final years Studio 1 was used as a sound stage for Doctors, although the associated radio cubicle continued to be used to produce Radio 4's Farming Today until the closure of Pebble Mill as a whole in May 2004.
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TDNNs used to solve problems in speech recognition that were introduced in 1987 and initially focused on shift-invariant phoneme recognition. Speech lends itself nicely to TDNNs as spoken sounds are rarely of uniform length and precise segmentation is difficult or impossible. By scanning a sound over past and future, the TDNN is able to construct a model for the key elements of that sound in a time-shift invariant manner. This is particularly useful as sounds are smeared out through reverberation.
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The sound of a pit orchestra can also be modified by making architectural modifications. Some architectural modifications such as the addition of drapery or plush fabric bunting are used to reduce unwanted reverberation in the hall. Other modifications, such as the installation of acrylic glass screens, can be used to reduce the volume of loud instruments such as trumpets, cymbals, a drum set, or an electric guitar amplifier. In some cases, architectural modifications are used to strengthen the tone of the orchestra.
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The game used a heavily modified version of Valve's Source as its game engine. Many improvements were made to the engine's aspects such as physically based rendering, a texture streaming system developed in house, high dynamic range and depth of field. The team also made changes to the audio, such as introducing sound occlusion and reverberation. According to John Haggerty, senior software engineer, the team broke part of the engine's code for level progression and saves when they were making the first game.
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Capitol's recording studios were designed to minimize noise and vibration, then newly important goals in the high-fidelity sound era. An inner wall floating on layers of rubber and cork was erected inside the building's concrete exterior walls, leaving a one-inch air gap to provide complete sound isolation. The facility also features subterranean echo chambers that allow engineers to add reverberation during the recording process. Eight trapezoidal chambers are located underground, with 10-inch concrete walls and concrete ceilings.
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The dysphoric record production is drenched in reverberation and low-pass filters, giving the tracks a cinematic atmosphere. Lil Peep vocal style features his signature blend of singing and rapping. He sings evocative lines laced with visceral melodies in a plainspoken voice. His monotone delivery ranges from urgent to longing to lamentful, often lapsing into crooning for hooks. Lyrically, Come Over When You’re Sober, Pt. 2 centers around the topic of death, primarily the one Lil Peep envisions for himself.
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A reverberation chamber is used to test the sound absorption coefficients and NRC of a material. The Noise Reduction Coefficient (commonly abbreviated NRC) is a single number value ranging from 0.0-1.0 that describes the average sound absorption performance of a material. An NRC of 0.0 indicates the object does not attenuate mid-frequency sounds, but rather reflects sound energy. This is more conceptual than physically achievable: even very thick concrete walls will attenuate sound and may have an NRC of 0.05.
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These new control rooms also housed new multi-channel custom consoles designed and manufactured in a second story loft area of the building (the birthplace of UREI). United's facilities included three acoustically isolated studios of varying sizes, three lacquer mastering studios (one stereo) and a stereo re-mixing room. In addition, each studio had its own stereo acoustic reverberation room. All facilities were cross connected electronically at a central location so that all facilities were available to each other as needed.
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Brombaugh has degrees in Electrical Engineering from the University of Cincinnati (EE, 1960) and Cornell University (MS-EE, 1963) specializing in the field of acoustics, in particular musical acoustics. After college graduation, Brombaugh worked as a development engineer for the Baldwin Piano Company. His charge "was to develop a method to produce electronic chiff and to design an artificial reverberation system". For the former, he extensively studied the construction of organ pipes, while the latter included ideas pioneered in the Hammond organ.
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In January 1938, over 100 musicians assembled at Culver Studios in California for the recording of the nine-minute Dukas piece.Garity and Jones (1942), pp. 6-7 The plan was to create a multi-track recording that allowed the separation of sound channels which would allow the dynamic balance of the music to be adjusted on reproduction. To increase reverberation, the stage was altered acoustically with five double plywood partitions that separated the sections of the orchestra, creating the world's first baffles.
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David Sandler remembers that when the session players arrived to Wilson's home, "he went to his office and wrote horn charts while talking to me. It was an amazing horn line, with this overriding French horn riff, and he did the whole thing while having a conversation with me." The track was included on the provisional track listing for Add Some Music, but when that album and Reverberation were reconfigured by Warner Bros. Records into Sunflower, "Good Time" was not included.
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Although the way in which sound interacts with its surroundings is often extremely complex, there are a few ideal sound wave behaviours that are fundamental to understanding acoustical design. Complex sound wave behaviors include absorption, reverberation, diffraction, and refraction. Absorption is the loss of energy that occurs when a sound wave reflects off of a surface. Just as light waves reflect off of surfaces, sound waves also reflect off of surfaces, and every reflection results in a loss of energy.
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The Psychedelic Sounds of the 13th Floor Elevators is the debut studio album by the 13th Floor Elevators. The album's sound, featuring elements of psychedelia, garage rock, folk, and blues, is notable for its use of the electric jug, as featured on the band's only hit, "You're Gonna Miss Me", which reached number 55 on the Billboard Charts with "Tried to Hide" as a B-side. Another single from the album, "Reverberation (Doubt)", reached number 129 on the Billboard's Bubbling Under Chart.
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The metal cylinder has a screw and a nut that fastens the device to the string. Different placements of the cylinder along the string influence or eliminate the frequency at which the wolf tone occurs. It is essentially an attenuator that slightly shifts the natural frequency of the string (and/or instrument body) cutting down on the reverberation. The wolf tone occurs because the strings below the bridge sometimes resonate at pitches close to notes on the playing part of the string.
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The album was produced by former engineer for The Beatles Geoff Emerick at Ridge Farm Studio in Surrey, England, and had a more pronounced psychedelic sound than the group's previous releases. Following the album's December 1990 release, critical reviews were not favourable; critics noted Burke to be a poor replacement for McCulloch, who they believed was an indispensable aspect of the band. After Reverberation failed to chart, the band were dropped by WEA Records and, after two independently released singles, disbanded in 1993.
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He described the sound of the album as "hopelessly in thrall to the brand of pale pseudo-psychedelia [the band] helped popularise during the past decade". He went on to describe Burke and most of the songs as "nondescript". He finished his review by saying "this is a turkey best left to be gobbled up by the band's relatives, close friends, and diehard fans". Failing to make the UK Albums Chart, Reverberation was the poorest performing Echo & the Bunnymen album at that time.
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The album was produced by Pierluigi Ballarin and Stefano Moretti and mastered by Jon Astley. The release brought the band on tour in England and Italy supporting artists such as Jon Spencer Blues Explosion, Dead Skeletons and Crystal Stilts. The song "Meltdown Corp." was included in the double LP The Reverb Conspiracy Vol. 3, an annual compilation that brings together the best young European bands of the underground psych scene, co-released by Fuzz Club and The Reverberation Appreciation Society (Levitation Austin).
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A digital audio workstation (DAW) is a tool used by a majority of music producers which helps manipulate audio samples (or audio files), add effects, and accomplish other tasks in the composition process. EarSketch's DAW is located in the top center section, above the code editor. It contains tracks: each line is a track, and corresponds to an instrument. With code commands, the user will add sound samples in these tracks, as well as effects, such as volume changes, reverberation, delay, etc.
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An impulse response is a recording of the reverberation that is caused by an acoustic space when an ideal impulse is played. However, an ideal impulse is a mathematical construct, and cannot exist in reality, as it would have to be infinitesimally narrow in time. Therefore, approximations have to be used: the sound of an electric spark, starter pistol shot or the bursting of a balloon, for instance. A recording of this approximated ideal impulse may be used directly as an impulse response.
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The beginning and the end of the number contains backwards samples of a Mozart symphony, and in the bridge section there is a distantly heard piece of backmasking, with Lynne singing, "Hello, Mr. Radio," which is flipped backwards and augmented with reverberation. The single edit can be found on a 2005 compilation album, Harvest Showdown and on the Harvest Years 1970-1973 compilation. A remastered version would appear on the box set Flashback and later on remastered versions of their first album.
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The book takes its title from Vanity Card #1, which first aired following the first episode of Dharma & Greg. During The Big Bang Theory episode titled "The Hook-Up Reverberation" Vanity card #463 was displayed. Vanity card #463 discussed Lorre's lost or matured angst along with the news that he will stop writing the vanity cards. Vanity card #464 was displayed in the next episode stating it was his last and that he felt like they would not be missed.
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After ordering Fido to retrieve Daffy, which results only in Fido tying his own neck in a knot, the two leave. Daffy, however, knows that Casper will not give up, so he paints an image of himself on a rock. Indeed, Casper returns with a club, sees the image and bashes it; the reverberation courses through his body. Daffy gives the caveman a glass of water, which cures the issue and results in Casper thanking the duck and offering to shake hands.
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Therefore, the thousand changes and myriad transformations all > take place outside the [realm of] principle, for how could there be any > movement in the spirit [of the sage]? Precisely because it does not move, it > can endlessly respond to change. The endless change does not denote the > presence of the sage in things, nor is the change of things itself the sage. > The myriad sounds cause the bell to reverberate—a reverberation that, > although single, encompasses [all the myriad sounds].
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The American composer Charles Wuorinen set several of his poems to music, and Fenton served as librettist for Wuorinen's opera Haroun and the Sea of Stories (2001, premiered in 2004), based on Salman Rushdie's novel. He has said, "The writing of a poem is like a child throwing stones into a mineshaft. You compose first, then you listen for the reverberation." In response to criticisms of his comparatively slim Selected Poems (2006), Fenton warned against the notion of poets churning out poetry in a regular, automated fashion.
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The initial sound of the strike is immediately followed by the prolonged oshi, the reverberation that continues to sound after the bell is struck. This is higher in pitch and is a low rumble with a sorrowful air, rich in harmonics; it lasts for up to ten seconds. Finally comes the okuri or decay, the resonance that is heard as the vibration of the bell dies away, which can last up to a minute. There are also continuous harmonic overtones heard throughout the tolling of the bell.
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If echoes are notable, the front array can be delayed appropriately. Alternatively, backward facing cardioid microphones can be placed closer to the front array for a similar reverberation pickup. The INA-5 (Ideal Cardioid Arrangement) is a surround microphone array that uses five cardioid microphones resembling the angles of the standardised surround loudspeaker configuration defined by the ITU Rec. 775. Dimensions between the front three microphone as well as the polar patterns of the microphones can be changed for different pickup angles and ambient response.
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Also sometimes known as atmospheric breaks, progressive breaks (or "prog breaks") is a subgenre of breaks that is essentially a fusion of breakbeat and progressive house. Much like progressive house, this subgenre is characterized by its "trancey" sound. Its defining traits include extended synthesizer pads and washes, melodic synth leads, heavy reverberation, and electronic breakbeats. However, unlike progressive house, very few progressive breaks tracks have vocals, with most tracks being entirely instrumental or using only electronically altered snippets of vocal samples for sonic effect.
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As it crosses this threshold, it becomes evident that the sound consists of a succession of pulses, which continue to slow until they become a steady beat. With increasing reverberation, the individual pulses become transformed into tones once again . Stockhausen also made advances over his previous electronic composition, Gesang der Jünglinge, in the realm of spatial composition, adding the parameters of spatial location, group type, register, and speed . Kontakte is composed in four channels, with loudspeakers placed at the corners of a square surrounding the audience.
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These are similar to the timpani rolls in that they are done nearly the same way and are both single- stroked. Yarn mallets usually can be rolled much more easily on a marimba than plastic ones can be on a xylophone, because the extra reverberation of a marimba will mask the silent gaps between strokes. For this reason, the rolls can be much slower and still effective. But for xylophone and orchestra bells a much swifter roll is required, especially for rubber or plastic mallets.
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The authorized loudspeaker enclosure to use with a console organ was the Hammond Tone Cabinet, which housed an external amplifier and speaker in a cabinet. The cabinet carried a balanced mono signal along with the necessary mains power directly from the organ, using a six-pin cable. Spinet organs contained a built-in power amplifier and loudspeakers, so did not require a tone cabinet. The tone cabinet was originally the only method of adding reverberation to a Hammond organ; reverb was not fitted to older organs.
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The first permanent LARES outdoor speakers at Jay Pritzker Pavilion Dr. David Griesinger and Steve Barbar developed LARES in 1988 while working at Lexicon, originally located in Waltham, Massachusetts. Lexicon had become respected for its digital reverberation products used for professional sound recording and concert sound reinforcement. The name LARES is an acronym of Lexicon Acoustic Reinforcement and Enhancement System. In 1989, Griesinger and Barbar, at the request of acousticians Neil Muncy and Robert Tanner, installed the first production LARES system in the Elgin Theatre in Toronto.
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Growing up in Croydon, Reece moved to Liverpool at the age of eighteen and played in various local bands. Following the death of Pete de Freitas, Reece joined the re-formed Echo & the Bunnymen, appearing on the album Reverberation (1990). This incarnation of the band met with little success and disbanded shortly afterwards. Reece later joined Spiritualized, but an internal dispute with Jason Pierce following the release of Ladies and Gentlemen We Are Floating in Space (1997) resulted in Reece leaving to form Lupine Howl.
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Strange made adjustments to Boi-1da's tracks, using SSL equalization (EQ) and some compression. To keep the track in tune from pitch fluctuation, Strange used Trim and Auto-Tune on Resto's TR-808 kick. Strange arranged reverberation tools, including the Bricasti, Eventide 2016, the Lexicon 480, Lexicon PMC70, and the Yamaha SPX90. The two rap tracks in the session used the Massenburg EQ plug-in, "the '9' send goes to the eighth-note delay track immediately above the two rap tracks" and Digidesign Extra Long Delay.
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The majority of quotations cited by Longchenpa in the Desum Nyingpo are drawn from the tantras of 'The Collected Tantras of the Ancients' the 'Nyingma Gyubum' (). Out of the Nyingma Gyubum the most quoted tantra in the Desum Nyingpo is the 'Kunjed Gyalpo' () the principal tantra of the 'Mind Series' () of Dzogchen. Sixteen of the Seventeen Tantras of the Upadesha-varga are quoted at least once on the Desum Nyingpo and the most cited is the principal tantra of this class, the 'Drataljur' or 'Reverberation of Sound' ().
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Accessed 22 April 2011 Released by The Astronauts in early 1963, the track was described as "a typical surf instrumental with a reverberation-heavy twangy guitar and driving drumbeat", and reached # 94 on the Billboard Hot 100 for just one week, the pinnacle of their US chart career. However, they released a succession of further singles on RCA, in an attempt by the record company to emulate the success of the Beach Boys and other surf music-related groups in the charts at the time.
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One more studio album, Echo & the Bunnymen (1987), was released before McCulloch left the band to pursue a solo career in 1988. The following year, de Freitas was killed in a motorcycle accident, and the band re-emerged with a new line-up. Sergeant and Pattinson were joined by Noel Burke as lead singer, Damon Reece on drums and Jake Brockman on keyboards. They released Reverberation in 1990, but the disappointing critical and commercial reaction it received culminated with a complete disbanding in early 1993.
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The AGN is radio-quiet with no evidence for a relativistic jet. It is powered by one of the largest known supermassive black holes: 23 billion solar masses (based on the molecular disk velocities); or alternatively 10 billion solar masses (based on reverberation mapping). The black hole is surrounded by an accretion disk of material spiraling into it, a few parsecs in size. Further out is a dust torus, a doughnut shaped cloud of dust and gas with a radius of about 100 parsecs.
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The Deep Listening Band (DLB) was founded in 1988 by Pauline Oliveros (accordion, "expanded instrument system", composition), Stuart Dempster (trombone, didjeridu, composition) and Panaiotis (vocals, electronics, composer). David Gamper (keyboards, electronics) replaced Panaiotis in 1990. The band is named after Oliveros' term, concept, program and registered servicemark of the Deep Listening Institute, Ltd., Deep Listening, and specializes in performing and recording in resonant or reverberant spaces such as cathedrals and huge underground cisterns including the Fort Worden Cistern which has a 45-second reverberation time.
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'The Reverberation Club', as it was called, was held at The Blitz public house in Rugby on Thursdays. "50s, 60s and 70s punk" records were played and it soon provided a live venue for Spacemen 3 and various other local bands. alteredzones.com, 2011 – interview with Peter Kember At one of their gigs at The Black Lion in 1985, they came to the attention of Pat Fish, the leader of the recording band The Jazz Butcher; he felt Spacemen 3 were "extraordinary" and "like nothing else".
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To create anechoic conditions, the experiment was carried out on the rooftop of a freestanding building. Another test was carried out in a room with a reverberation time of 1.6 ms. The test signal (recorded speech) was emitted from two similar loudspeakers at locations 45° to the left and to the right in 3 m distance to the listener. Haas found that humans localize sound sources in the direction of the first arriving sound despite the presence of a single reflection from a different direction.
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They are typically melodic, mathematically structured meters, believed to be resonant with numinous qualities. At its simplest, the word ॐ (Aum, Om) serves as a mantra, it is believed to be the first sound which was originated on earth. Aum sound when produced creates a reverberation in the body which helps the body and mind to be calm. In more sophisticated forms, mantras are melodic phrases with spiritual interpretations such as a human longing for truth, reality, light, immortality, peace, love, knowledge, and action.
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S3 is thought to be caused by the oscillation of blood back and forth between the walls of the ventricles initiated by the inflow of blood from the atria. The reason the third heart sound does not occur until the middle third of diastole is probably that, during the early part of diastole, the ventricles are not filled sufficiently to create enough tension for reverberation. It may also be a result of tensing of the chordae tendineae during rapid filling and expansion of the ventricle.
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Dub Housing is the second album by American rock band Pere Ubu. Released in 1978 by Chrysalis Records, the album is now regarded as one of their best, described by Trouser Press as "simply one of the most important post-punk recordings." The title is an allusion to the visual echoes of rows of identical concrete public housing units in Baltimore, presumably reminiscent of the echo and reverberation that characterize dub. "Dub" is also a reference to Jehovah's Witnesses, who refer to themselves as "Dubs".
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The notation is mainly the same as in the IEC standard 61000-4-21.IEC 61000-4-21: Electromagnetic compatibility (EMC) - Part 4-21: Testing and measurement techniques - Reverberation chamber test methods, Ed. 2.0, January, 2011. () For statistic quantities like mean and maximal values, a more explicit notation is used in order to emphasize the used domain. Here, spatial domain (subscript s) means that quantities are taken for different chamber positions, and ensemble domain (subscript e) refers to different boundary or excitation conditions (e.g.
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With a natural audio reverberation time of approximately 1.3 seconds, it has been compared by many artists to Carnegie Hall. The theater department puts on five main-stage shows a year in the Buckner Theater, including two musicals. A musical theatre major was added in Fall 2013. The College's Festival of Fine Arts is the longest-running theater and musical performance in Polk County and has hosted world-renowned artists Kathleen Battle, André Watts, I Musici di Roma, Jennifer Larmore, Sylvia McNair, and The Munich Symphony Orchestra.
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The lyrics are difficult to decipher, he writes, as a result of the reverberation Bowie and Visconti added. Nicholas Pegg surmised that the line "Someone's back in town, the chips are down" may have referred to Bowie's wife, Angela Bowie, who had just arrived in Berlin around the same time. The cut-up lyrics of "Blackout" were one of the exhibits in the Victoria and Albert Museum exhibition "David Bowie is" in 2013."'David Bowie Is' ready to open at London's Victoria and Albert Museum".
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The occupants also perceive the air quality to be better. The formaldehyde concentrations are much lower than compared to common office buildings. The overall air quality is excellent due to the 100% fresh air intake and the use of low toxicity materials used in all furnishings and finishes as well as an extensive use of indoor plants. Noise Levels: Ambient noise levels and reverberation times were considered ideal but the occupant satisfaction ratings for now were average to poor and were generally worse than benchmarks.
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" On Thursday, May 8, 1952, Ussachevsky presented several demonstrations of tape music/effects that he created at his Composers Forum, in the McMillin Theatre at Columbia University. These included Transposition, Reverberation, Experiment, Composition, and Underwater Valse. In an interview, he stated: "I presented a few examples of my discovery in a public concert in New York together with other compositions I had written for conventional instruments." Otto Luening, who had attended this concert, remarked: "The equipment at his disposal consisted of an Ampex tape recorder . . .
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R.E. Sheriff (2002) p6-8 Air gun arrays may consist of up to 48 individual air guns with different size chambers, fired in concert, the aim being to create the optimum initial shock wave followed by the minimum reverberation of the air bubble(s). Air guns are made from the highest grades of corrosion resistant stainless steel. Large chambers (i.e., greater than 1 L or 70 cu in) tend to give low frequency signals, and the small chambers (less than 1 L) give higher frequency signals.
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However, this arrangement has also made it the most challenging to conduct in, even for the world's best conductors. Not only is the crowded pit enveloped in darkness, but the acoustic reverberation makes it difficult to synchronise the orchestra with the singers. Conductors must therefore retrain themselves to ignore cues from singers. The orchestra layout deployed at Bayreuth is unusual in three ways: # The first violins are positioned on the right-hand side of the conductor instead of their usual place on the left side.
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The living room was lead lined to be acoustically separate from the rest of the house and was designed in section to emulate the plan acoustics of Carnegie Hall. During construction, he fired off a starter's pistol every day in the living room to record the reverberation and adjust the baffles. A concert recording of the 1812 Overture at concert volume was a favorite to play for visitors. The living room also was a favorite recording studio for the Juilliard String QuartetA Sound Design Sun-Sentinel.
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Two microphones set up to record a piano simultaneously, which creates a stereo sound. Stereo sound systems can be divided into two forms: the first is "true" or "natural" stereo in which a live sound is captured, with any natural reverberation or ambience present, by an array of microphones. The signal is then reproduced over multiple loudspeakers to recreate, as closely as possible, the live sound. Secondly "artificial" or "pan-pot" stereo, in which a single-channel (mono) sound is reproduced over multiple loudspeakers.
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The Songwriters Hall of Fame also inducted Holly in 1986, and said his contributions "changed the face of Rock 'n' Roll". Holly developed in collaboration with Petty techniques of overdubbing and reverberation, while he used innovative instrumentation later implemented by other artists. Holly became "one of the most influential pioneers of rock and roll" who had a "lasting influence" on genre performers of the 1960s. The Buddy Holly Center, a museum in Lubbock, Texas In 1980, Grant Speed sculpted a statue of Holly playing his Fender guitar.
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"On measuring the frequency difference limen for short tones," W.M. Hartmann, B. Rakerd, and T.N. Packard, Perception and Psychophysics, {38}, 199–207 (1985). signal detection,"Release from speech on speech masking by adding a delayed masker at a different location," B. Rakerd, N.L. Aaronson, and W.M. Hartmann, J. Acoust. Soc. Am. {119}, 1597–1605 (2006)."The role of reverberation in release from masking due to spatial separation of sources for speech identification," G. Kidd, C.R. Mason, A. Brughera, and W.M. Hartmann, Acta Acustica {91}, 526–536 (2005).
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EMT modified the electronics, fitted their own RIAA-curve compensating circuitry and preamplifier, stiffened the suspension of the main chassis. The 928, that used the new 929 tonearm, was the last EMT turntable to appear under the management of Wilhelm Franz, who died in date April 10, 1971, at the age of 58 years. The Audio Engineering Society awarded Franz a posthumous Honorary Membership in 1983, recognizing his impact in the professional sound field not only for his turntables but also for other products like the reverberation units ‘140’, ‘240’ and ‘250’. The EMT 250 mobile reverberation unit in particular, designed in 1974 by freelance industrial designer Peter Bermes for EMT in close cooperation with EMT Technical Director Karl Otto Bäder and MIT Professor Barry Blesser, who had developed and patented the unit's digital algorithm, quickly gained a solid reputation primarily among west coast's recording studios in the US, due to its unrivalled sound quality and being nicknamed 'R2D2' because of its iconografic lever controlled interface, or 'Spaceheater' due to its vertical heat sink body made of black anodised aluminium panels and separate U-shaped 'Chimney', housing all heat-emitting ic's and therefore being painted red.
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By the late 1950s this clapboard annex was structurally unsound, and a new brick apse and sacristy designed by the firm Evans Woollen and Associates replaced the old chancel. The curved wall of the new apse contrasts greatly with the rectilinear rigidity of the Gothic nave. This dissonance is viewed by many as a stylistic strength of the building in its blending of hard and soft architectural forms. Acoustically, the curved apse wall promotes dissemination and reverberation of sound, creating a space much noted for its use in musical performance.
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It is also one of the most luminous quasars known, with an absolute magnitude of −26.7, meaning that if it were only as distant as Pollux (~10 parsecs) it would appear nearly as bright in the sky as the Sun. Since the sun's absolute magnitude is 4.83, it means that the quasar is over 4 trillion times more luminous than the Sun at visible wavelengths. The mass of its central black hole has been measured to be 886 ± 187 million solar masses through broad emission-line reverberation mapping.
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The Sound Reduction Index is expressed in decibels (dB). It is the weighted sound reduction index for a partition or single component only. This is a laboratory-only measurement, which uses knowledge of the relative sizes of the rooms in the test suite, and the reverberation time in the receiving room, and the known level of noise which can pass between the rooms in the suite by other routes (flanking) plus the size of the test sample to produce a very accurate and repeatable measurement of the performance of the sampled material or construction.
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While accurate for noise and reverberation applications, the STI works poorly for nonlinear processing such as dynamic-range compression. An extension to the STI estimates the change in modulation by cross-correlating the envelopes of the speech input and output signals. A related procedure, also using envelope cross-correlations, is the short-time objective intelligibility (STOI) measure, which works well for its intended application in evaluating noise suppression, but which is less accurate for nonlinear distortion. Envelope- based intelligibility metrics have also been derived using modulation filterbanks and using envelope time-frequency modulation patterns.
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Designed on the concept of a "shoebox", the Grand Auditorium has a volume of almost 20,000 m3 and seats up to 1,500 listeners. To overcome the constraints of a rectangular room and to optimize the acoustics, eight towers of boxes are located around the stalls in an irregular fashion and contribute to uniform sound distribution. Like in Shakespearian theatre, the public is involved in the show with a stage visible from all sides and a choir area that can be adapted into additional seating. The reverberation time is 1.5 to 2 seconds.
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When properly set up, it was capable producing a very convincing acoustical rendition of a theater, an opera house, or by changing the delay settings and retuning the reverb chamber, even a cathedral. Unfortunately, a sewer drain line had been installed from the southeast corner restroom facilities through the reverb chamber, and if a toilet flushed when the system was in operation, the resulting sound effect was extraordinary. After discovering that, locking the restroom was a management priority whenever the theater was prepared for surround sound use. More recently full digital reverberation replaced the chamber.
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While initially a success, the cost to manufacture Rumford tile led the company to focus on the development of the cheaper and more durable Akoustolith. As a non-ceramic tile, the sound absorption properties produced by Akoustolith's rough and porous surface, was an improvement on the Rumford tile . With the exception of the replacement of the first layer of tiles with the sound-absorbing Akoustolith, the Guastavino method of construction was unaltered. The effectiveness of Akoustolith in the reduction of reverberation led to its use in the construction of ecclesiastical spaces.
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While initial reaction to the improvements was favorable and some advocates remained steadfast, overall feelings about the new hall's sound soured and acoustics there continued to be problematic. One assessment by Robert C. Ehle stated: > The seating capacity is large (around 2,600 seats) and the sidewalls are too > far apart to provide early reflections to the center seats. The ceiling is > high to increase reverberation time but the clouds are too high to reinforce > early reflections adequately. The bass is weak because the very large stage > does not adequately reinforce the low string instruments.
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An audio system typically consists of one or more source components, one or more amplification components, and (for stereo) two or more loudspeakers. Signal cables (analog audio, speaker, digital audio etc.) are used to link these components. There are also a variety of accessories, including equipment racks, power conditioners, devices to reduce or control vibration, record cleaners, anti-static devices, phonograph needle cleaners, reverberation reducing devices such as speaker pads and stands, sound absorbent foam, and soundproofing. The interaction between the loudspeakers and the room (room acoustics) plays an important part in sound quality.
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In March 2005 the group released their debut EP, Turn Out Your Lights, produced by Ben Franz (The Waifs), which was released nationally in December 2005 on Reverberation. This was followed by the release of the single, "Small Mercies, Sweet Graves" in December and a second EP, Twice the Man in March 2006; which was also produced by Franz. In 2008 the band signed with local independent label, Good Cop Bad Cop and released their debut album, Sweet Talk Your Enemies, on 28 June 2008, distributed nationally through Inertia.
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Limited equalization and reverberation were used so as to preserve the acoustics of the original Town Hall recording.Cecil Taylor Unit > Spring of Two Blue-J’s The 1974 LP release was a limited pressing of 2000 albums, independently distributed. The album cover was a solarized photograph by renowned Japanese jazz photographer K. Abe, and the record labels designed by Frank Olinsky (the future designer of the MTV logo from Manhattan Design). The record was never repressed or re-released, except in bootlegs of vinyl/digital transfers on obscure European labels.
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The simulation showed the four signatures of consciousness described in Ch. 4 (p. 184). Consciousness seemed to behave like a "phase transition" between one unconscious stable state of low-level activity and another conscious state consisting of snowballing self-amplification and reverberation (p. 184). Subliminal stimuli fail to become conscious because by the time the higher layers try to amplify the signal, the original input stimulation has vanished (p. 193). Dehaene suggests that noise fluctuations in neural activity can be amplified and give rise to randomness in our streams of thought (p. 190).
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He serialized his writing on newspapers for a long time, and he has also collected the writing he had serialized into Holim tteolim ulim (홀림 떨림 울림 Possession Vibration Reverberation) (Nanam, 2013). He has won the 8th Nojak Literature Prize in 2008, the 11th Jihoon Prize (Literature Prize) in 2011, and the 11th Midang Literary Award in the same year. He has been a creative writing professor in media at Korea University since 2015.The Encyclopedia of Contemporary Korean Literature He participated in the 2016 Seoul International Writer’s Festival.
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Stereophonic sound provided a partial solution to the problem of creating the illusion of live orchestral performers by creating a phantom middle channel when the listener sits exactly in the middle of the two front loudspeakers. When the listener moves to the side, however, this phantom channel disappears or is greatly reduced. An attempt to provide for the reproduction of the reverberation was tried in the 1970s through quadraphonic sound. Consumers did not want to pay the additional costs and space required for the marginal improvements in realism.
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The music also becomes diegetic with the assistance of audio engineering techniques, having its reverberation undergo change to match the room's characteristics and indicate a spatial location from the surround speakers. Even though Ave Maria reappears extensively as diegetic music, its inclusion was treated as non-diegetic by the film-makers, the song being a bespoke recording by soprano Imogen Coward to match the film's tone, and the film being edited to her recording. The recording itself was timed to include a layer of narrative commentary for audiences familiar with the German lyrics.
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DeMarco's style employs the use of flat drums (little or no reverberation or dynamic range compression), chorus and vibrato effects on the guitar and a generally lazy atmosphere a la soft rock records, muted and low frequency bass guitars. He has mentioned Shuggie Otis, Black Sabbath, Christopher Cross, Siouxsie and the Banshees, Jonathan Richman, Genesis, Sting and Weezer as favourite artists. He has also cited Japanese musician Haruomi Hosono as his favourite artist. DeMarco's music has been generally termed as Indie rock, psychedelic rock, jangle pop, and lo-fi.
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The article also notes the rebuttal of those disagreements by analysts and government officials, with one analyst arguing that the sinking was "consistent with North Korea's behaviour in the past." In 2013, an academic paper was published analysing the available seismic data. It calculated that the seismic data recorded would be accounted for by a TNT-equivalent charge, similar to the explosive yield of land control mines which had been abandoned in the vicinity. In 2014, an academic paper was published analysing the spectra of the seismic signals and hydroacoustic reverberation waves generated.
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The finishes of walls, floors, ceilings, and furniture can have significant effects on the functionality, durability, and effectiveness of the learning space. Light levels, glare, mood, and color rendition are affected by reflectance of surfaces. Acoustics are affected by the absorptive properties of ceilings, walls, and floors; carpet reduces footfall impact noise and reverberation; painted drywall or plaster ceilings increase reverberance and clarity of speech. Durability, which affects aesthetics over time, can determine the longer term usefulness and effectiveness of the space, including possible long term health impacts on students.
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Together with The Sultans of Ping FC and Power of Dreams, The Franks (as they are sometimes known by fans) played a number of co-headlining shows as part of the "Reverberation Tour" in December 2010. They also toured several festivals in 2011, including Vantastival and Indiependence. The band returned to the studio in August 2011 to work on a new album – released in March 2012. The first single from this album, entitled "Indie Lovesong", was released on Valentine's Day 14 February 2012 and was supported by a UK tour.
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"Enlighten Me" is a single by Echo & the Bunnymen which was released in October 1990. It was the first single released by the band following Ian McCulloch's departure and subsequent replacement by Noel Burke as vocalist and it was the only single to be released from their 1990 album Reverberation. The single only reached number 96 on the UK Singles Chart, but reached number 8 in the US on the Modern Rock Tracks chart. The single was released as a 7-inch single, a 12-inch single, and a CD single by Korova.
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Designed by Rossetti Architects, the stadium has a Panther Club on the ground level, an upper concourse for additional fan seating and concessions, a jumbotron scoreboard, and 19 luxury suites. Seating includes chairback seats and bench seating, all with backrests. Panther fans shout "Rattle the Cage!" and fans will stomp and jump in unison on the bleachers creating a very loud reverberation throughout the steel and aluminum stadium. The Rattling of the Cage is done throughout the game, notably while the team is on defense and during cheers.
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Psarras et al, Measurements and Analysis of the Epidaurus Ancient Theatre Acoustics, Acta Acustica United With Acustica, Vol. 99 (2013) 30–39 used omnidirectional source-receivers to make measured maps of strength, reverberation and clarity. The most recent study, Hak et al 2016,C. Hak et al, Project Ancient Acoustics Part 2 of 4: large-scale acoustical measurements in the Odeon of Herodes Atticus and the theatres of Epidaurus and Argos, ICSV23, Athens (Greece), 10–14 July 2016 used a large number of S-R to take the most detailed mapping yet.
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In 1938, William Spencer Percival of Electrical & Musical Industries (later EMI) applied for a patent on an acoustical delay line using piezoelectric transducers and a liquid medium. He used water or kerosene, with a 10 MHz carrier frequency, with multiple baffles and reflectors in the delay tank to create a long acoustic path in a relatively small tank.William S. Percival, Delay Device for use in Transmission of Oscillations, , Nov. 25, 1941. In 1939, Laurens Hammond applied electromechanical delay lines to the problem of creating artificial reverberation for his Hammond organ.
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OK Computers abstract lyrics, densely layered sound and eclectic influences laid the groundwork for Radiohead's later, more experimental work. The album depicts a world fraught with rampant consumerism, social alienation, emotional isolation and political malaise; in this capacity, OK Computer has been said to have prescient insight into the mood of 21st-century life. Unconventional production techniques on the album include natural reverberation through recording on a staircase, and no audio separation, which allowed instruments to not overdub separately. Strings were recorded at Abbey Road Studios in London.
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The change of setting marked an important transition in the recording process. Greenwood, comparing the mansion to previous studio settings, said it "was less like a laboratory experiment, which is what being in a studio is usually like, and more about a group of people making their first record together." The band made extensive use of the different rooms and acoustics in the house. The vocals on "Exit Music (For a Film)" feature natural reverberation achieved by recording on a stone staircase, and "Let Down" was recorded in a ballroom at 3 a.m.
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String resonance occurs on string instruments. Strings or parts of strings may resonate at their fundamental or overtone frequencies when other strings are sounded. For example, an A string at 440 Hz will cause an E string at 330 Hz to resonate, because they share an overtone of 1320 Hz (3rd overtone of A and 4th overtone of E). Electric guitars can have string trees near the tuning pegs to mute this type of reverberation. The string length behind the bridge also must be as short as possible to prevent the resonance.
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Among the first of the major new rock genres of the 1960s was surf, pioneered by Californian Dick Dale. Surf was largely instrumental and guitar-based rock with a distorted and twanging sound, and was associated with the Southern California surfing-based youth culture. Dale had worked with Leo Fender, developing the "Showman amplifier and... the reverberation unit that would give surf music its distinctively fuzzy sound". Inspired by the lyrical focus of surf, if not the musical basis, The Beach Boys began their career in 1961 with a string of hits like "Surfin' U.S.A.".
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Then the mixture was recorded on four-track tape, then masterized to two channels and turned to stereophonic vinyl records. The sound engineer, in close collaboration with orchestra directors and arrangers, controlled the volume of certain musical instruments or orchestral groups to enhance their presence in the recording, or caused them to move between the left and right channels. It was also processed with electronic reverberation effects, microphone offset etc. The sound engineers Arthur Lilley and Arthur Bannister made most of the series' recordings, but was Bannister who used sound manipulation with more exaggeration.
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Some advanced sound level meters can also include reverberation time (RT60) (a measure of the time required for the sound to "fade away" in an enclosed area after the source of the sound has stopped) measurement capabilities. Measurements can be done using the Integrated Impulse Response or Interrupted Noise Methods. Such sound level meters should comply with latest ISO 3382-2 and ASTM E2235-04 measurement standards. Also required for measuring the acoustics in buildings is a signal generator that provides pink or white noise through an amplifier and omnidirectional speakers.
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With a stroke of his mace, Ethelred kills the dragon, who dies with a piercing shriek, and proceeds to take the shield, which falls to the floor with an unnerving clatter. As the narrator reads of the knight's forcible entry into the dwelling, cracking and ripping sounds are heard somewhere in the house. When the dragon is described as shrieking as it dies, a shriek is heard, again within the house. As he relates the shield falling from off the wall, a reverberation, metallic and hollow, can be heard.
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Later, in October, at the Irregular Rhythm Asylum gallery of Tokyo, Hollow Press presents an exhibition in which Shintaro Kago and Testunori Tawaraya participate, while at the end of the month the house participates at the Lucca Comics & Games, with Paolo Massagli and Gabriel Delmas as special guests. In November, the house published the first comics of the Lucca born Paolo Massagli Toxic Psycho Killer. In January 2016, the work of Arallū The Dim Reverberation of the Chaosholder gets published. In May Tetsunori Tawaraya Crystal Bone Drive and Gabriel Delmas Fobo is printed.
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Swift played the song on the piano for them; herself and Antonoff produced the final version of the song during a six-hour recording session, using a "space echo" reverberation effect, a Paul McCartney-inspired bassline, a "washy" piano, a "dream sequence wedding" mellotron, a 12 string, live drums and a "snare hit really hard with a brush". "Death by a Thousand Cuts", the tenth track on Lover, was inspired by the character dynamics between the lead characters of Someone Great, the 2019 Netflix romcom film written and directed by Jennifer Kaytin Robinson.
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Rob Reiner also went to see the English heavy metal band Judas Priest in concert as part of his preparation for the film. He later said, "It physically hurt my chest. The reverberation in the hall was so strong that I couldn’t stay there any longer." According to Harry Shearer in the Criterion edition DVD commentary, keyboard player John Sinclair had just returned from touring with Uriah Heep when principal photography was about to begin, and told them how they had been booked to play an air force base.
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Soros Realism is a term coined by Miško Šuvaković in "Ideologija izložbe: o ideologijama Manifeste" (2002) describing a type of post-socialist art financed by American Businessman of Hungarian origin George Soros, who has financed number of Soros centers for contemporary art the Eastern Europe. Although it was not originally used pejoratively by Šuvaković, because of its reverberation of the very name of Socialistic Realism, a style of socialist propaganda in painting and sculpture, it has staid an irony of a renewed political funding of art, that censors by financing not forbidding.
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Micky Dolenz sang lead vocals, and was the only member of The Monkees who did not play an instrument on the track. For an ending, Douglas and engineer Hank Cicalo decided to "keep pushing everything up", adding more and more reverberation and echo until the sound of the music became unrecognizable, before fading out the recording. Separate mono and stereo versions were mixed for single and album records. The single peaked at No. 3 on the Hot 100 and was featured in the second season of their television series.
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This was before tape existed, so the record producer needed to copy segments from the playback discs used on set, then copy and re-copy them from one disc to another, adding transitions and cross- fades until the final master was created. Needless to say, it was several generations removed from the original and the sound quality suffered. Also, the playback recordings were purposely recorded very "dry" (without reverberation) otherwise it would come across as too hollow sounding in large movie theaters. This made these albums sound flat and boxy.
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This mechanism becomes especially important in reverberant environments. After a sound onset there is a short time frame where the direct sound reaches the ears, but not yet the reflected sound. The auditory system uses this short time frame for evaluating the sound source direction, and keeps this detected direction as long as reflections and reverberation prevent an unambiguous direction estimation. The mechanisms described above cannot be used to differentiate between a sound source ahead of the hearer or behind the hearer; therefore additional cues have to be evaluated.
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She also had to cope with the acoustic challenges of playing in such an immense space, with an eight-second reverberation time, as she demonstrated to a Smithsonian magazine reporter in 1997. When she returned to Reno, Nevada, for a performance in 1995, a Reno Gazette-Journal critic called her a "sensational organist" and "among the toasts of Manhattan". Papadakos also accompanied the Paul Winter Consort at the Cathedral's Easter and Christmas services. She later performed with the ensemble on three of their recordings, including the Grammy Award- winning album Silver Solstice, released in 2005.
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SZA wrote the lyrics in a few hours the following day, and shared the results with ThankGod4Cody, who was surprised by the lyrics about sharing a man in a relationship. After experimenting with the track's instrumental, ThankGod4Cody clipped the vocals from the sample, moved them to the beginning of the song, added drums and reverberation, and finally placed the song's snares, hi-hats, and a cymbal. SZA's vocals were recorded at Platinum Sounds Studios in New York City. The song was mixed by Derek Ali, and later mastered by Mike Bozzi at Bernie Grundman Mastering.
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The Architects recorded and released three EPs including Shivers in The Dark (2004), which was released independently and distributed by Reverberation Records. In 2005, The Architects split up, after which Judson, Roberts and Lisyak formed a new band named Belles Will Ring. Judson had recorded a three track demo with Roberts, composed of new songs written for Belles Will Ring. The pair enlisted Kent Williams (bass) and Jacqueline Schlender (keys and percussion) and played their first show with The Lovetones at Spectrum nightclub in Sydney, in late 2005.
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As Kulić noted: 'At Clifton, the architects did not eschew aesthetic expression, but, as [an] example, manipulated light for its symbolic meanings.' Tetrahedral acoustic baffles, Nave, Clifton Cathedral The acoustics of the Nave were very important to the designers – in the days before loudspeakers a speaker's voice needed to carry throughout the Nave. The larger space over the Nave is ‘tuned’ to a reverberation time of about 1.5 seconds, while the Sanctuary space offers the musicians a more satisfactory 7.5 seconds. The plywood tetrahedra in the Nave ceiling are part of the acoustic scheme.
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Entrance to the Cremorne Theatre, 2016 The Concert Hall, an auditorium with a capacity of 1,6000 to 1,800 seats, is a long "shoe-box" space accommodating a stage, orchestra pit, upholstered stalls seating, a single rear balcony and long side galleries. The auditorium is designed for a long reverberation time, ideal for a big orchestral sound. The space is able to be varied acoustically to give appropriate acoustic definition to other modes of performance. Interior finishes include Johnstone River hardwood flooring and tiers, sand- blasted white concrete and veneered-plywood walls.
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A white plasterboard coffered ceiling incorporates theatrical lighting pods. The Concert Hall accommodates the Klais Grand Organ with its 6500 pipes arranged symmetrically as a central focus on the rear stage wall. The Lyric Theatre, an auditorium with a proscenium stage and seating capacity for 2,000, accommodates an orchestra pit, raking stalls and two upper balconies of seating. Designed for a mid-range reverberation time ideal for opera, the space is able to be varied acoustically for light opera, musicals and drama by manipulating absorptive panels in the ceiling.
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Del Rey uses an inexpressive, ventriloquizing tone in the song, with her voice being layered into the track's production by means of reverberation. In addition, her vocals use a more sensual and sinister tone than in her previous discography, and are often sung in an anxious and "breathy" style, and in an octave just above a whisper. She also sings the track's backing vocals which in part contribute to the song's ethereal feel, through distant, faraway moans. MuuMuse's Bradley Stern observed that Del Rey's voice skipped between "breathy franticness and slurred, drugged-out ecstasy".
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Kate Hutchinson of The Guardian called it "one of the finest pop songs of the last five years". While Kitty Empire of the same publication wrote, "The engaging West Coast improves on every hearing, a clever two-in-one track rich with detail, rhythm, atmospherics and class". Drowned in Sound's Robert Leedham said that with "West Coast", Del Rey developed a song to "trump" "Video Games" (2011), and a "new found guttural swagger". Leedham also commended Del Rey's key changes, "masterful" sway from tension, and reverberation in the song.
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They also modify individual sounds when desired by adjusting their loudness and spectral content and by adding artificial reverberation. They can insert sounds into a three-dimensional space of the listening environment for a variety of venues and release formats: movie theaters, home theater systems, etc. that have stereo and multi-channel (5.1, 7.1, etc.) surround sound systems. Today, films may be mixed in 'object-based' audio formats such as Dolby Atmos, which introduces a heightened atmosphere within the sound field with the introduction of ceiling speakers and the elimination of audio channels.
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Levitation (formerly Austin Psych Fest) is an annual 3-day music festival developed and produced by The Reverberation Appreciation Society. Since its sixth year in 2013 it has been held at Carson Creek Ranch in Austin, Texas. Inspired by the creative explosion of the 1960s, as well as by festivals such as ATP and Primavera Sound, they set out to create their vision of a music festival. Over the years, this independent festival has grown to an internationally acclaimed, full weekend event that attracts attendees from all over the world.
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He is the first Latinx writer to win any of these awards for Best Play. In New York, Lopez's work has been seen off- Broadway with The Whipping Man (Manhattan Theatre Club), and The Legend of Georgia McBride (MCC Theatre), productions that received Obie, Lucille Lortel, Drama Desk, and Outer Critics Circle Awards. Other works include Somewhere and Reverberation (Hartford Stage), The Sentinels (Headlong Theatre, London), and Zoey’s Perfect Wedding (Denver Center). As of August 2020, Lopez is writing the musical adaptation of Some Like it Hot (1959).
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He is befriended by his new upstairs neighbor, Claire, a Holly Golightly-like character who, despite her active social life, is just as afraid and lonely as Jonathan. The play examines how violence – against women, against the LGBTQ community – impacts the lives of those both directly and indirectly affected by it. Charles Isherwood of The New York Times writes that “the play is marked by a perceptiveness about the echoing loneliness that many urban dwellers live with.”Isherwood, Charles. "Review: In ‘Reverberation,’ Singles Adrift in the Big City".
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This hall is used for recital performances by the students and faculty members of the Lamont School of Music, but is also available for public rental. Hamilton Hall includes a 9-foot Hamburg Steinway concert grand piano and the William K. Coors organ, a 2,850-pipe tracker action organ designed and built by Karl Schuke Berliner Orgelbauwerkstatt in Berlin, Germany. It seats 222 people. As with Gates Concert Hall, acoustical banners can be raised and lowered via a winch system in the attic, thus increasing or decreasing natural reverberation, as appropriate depending on the nature of the event taking place.
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Having an independent fortune, she neither writes for bread, nor for the additional comforts or luxuries of existence: fame, the trumpet-sound, the far reverberation, the adulation of strangers, the establishment of a name in the records of futurity: these form the great object of her life. Julia is no genuine enthusiast devoting heart and soul, genius and its fruits, to the promotion of any extraneous or special purpose. She is not ennobled by her faculties, but debased; and having sown the Wind, no reader pities her when she reaps the whirlwind. The tale evinces ability in delineation of character.
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Intelligibility predicted from the coherence is accurate for some forms of additive noise and nonlinear distortion, but works poorly for ideal binary mask (IBM) noise suppression. Speech and music quality for signals subjected to noise and clipping distortion have also been modeled using the coherence or using the coherence averaged across short signal segments. Changes in the signal envelope can be measured using several different procedures. The presence of noise or reverberation will reduce the modulation depth of a signal, and multiband measurement of the envelope modulation depth of the system output is used in the speech transmission index (STI) to estimate intelligibility.
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In the case of plumbing systems, there are specific protocols developed, especially for water supply lines, to create isolation clamping of pipes within building walls. In the case of central air systems, it is important to baffle any ducts that could transmit sound between different building areas. Designing special- purpose rooms has more exotic challenges, since these rooms may have requirements for unusual features such as concert performance, sound studio recording, lecture halls. In these cases reverberation and reflection must be analyzed in order to not only quiet the rooms, but to prevent echo effects from occurring.
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In 2009, guided tours of the tanks were offered by Forestry Commission Scotland. After the tours were mentioned on BBC television programme The One Show, professor of acoustic engineering at the University of Salford Trevor Cox was motivated to perform reverberation tests in the underground tanks. In 2014 Allan Kilpatrick from the Royal Commission on the Ancient and Historical Monuments of Scotland fired a pistol blank inside one of the tanks. The sound was recorded by Cox, and is reported to have reverberated for 112 seconds at 125 hertz, 30 seconds at mid frequency, and 75 seconds broadband.
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Improvised organ accompaniments for choral works were common by the late 16th century, and separate organ parts showing only a bass line date back to at least 1587. In the mid-16th century, some Italian church composers began to write polychoral works. These pieces, for two or more choirs, were created in recognition of particularly festive occasions, or else to take advantage of certain architectural properties of the buildings in which they were performed which created natural reverberation. With eight or more polyphonic voice parts to keep track of in performance, works in polychoral style required some sort of instrumental accompaniment.
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Swift wrote "Lover" late one night at her home in Nashville, Tennessee on the piano, and sent a voice memo of the song to Antonoff. She flew to New York City the next day to work on the song with Antonoff and recording engineer Laura Sisk at Electric Lady Studios. Swift played the song on the piano for them; Swift and Antonoff produced the final version of the song during a six-hour recording session, using reverberation, a piano and a Mellotron. Sisk and John Rooney recorded the song while Serban Ghenea mixed it with additional engineering from John Hanes.
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Bruno Weil, conductor of the Carmel Bach Festival, had requested Barbar to emulate within the Sunset Center the acoustics of a large church. Formerly characterized as having "sponge-like acoustics", the Sunset Center's LARES-enhanced acoustics made coughs and rustlings from the audience be heard too loudly on stage, and reverberation in the audience area was likened to "the Grand Canyon" by one observer. The City of Carmel paid US$10,000 for Barbar's extra ten days of tuning the system. With the assistance of Carmel Bach Festival management, the system was re-tuned with favorable results.
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To maximize gain before feedback, the amount of sound energy that is fed back to the microphones must be reduced as much as is practical. As sound pressure falls off with 1/r with respect to the distance r in free space, or up to a distance known as reverberation distance in closed spaces (and the energy density with 1/r²), it is important to keep the microphones at a large enough distance from the speaker systems. As well, microphones should not be positioned in front of speakers and individuals using mics should be asked to avoid pointing the microphone at speaker enclosures.
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Joyce usually played a "bed" of unobtrusive background music, and adds reverberation or other special effects to sound sources. He also employs the "Booper", a circuit-bending oscillator created by David Willis ("The Weatherman"), to create electronic and synthesized tones that he incorporates into the show. OTEs theme music is the track "12 O'Clock (in two parts)" from Heaven and Hell (1975), by Vangelis. Most of the time, this song begins each show, though in some cases other sounds may play over it, and the song may be slowed down or sped up, depending on the show's theme.
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In order to fit the songs onto the record sides the musical material needed editing and manipulation. This was before tape existed, so the record producer needed to copy segments from the playback discs used on set, then copy and re-copy them from one disc to another adding transitions and cross-fades until the final master was created. Needless to say, it was several generations removed from the original and the sound quality suffered for it. The playback recordings were purposely recorded very "dry" (without reverberation); otherwise it would come across as too hollow sounding in large movie theatres.
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Acoustic characteristics of the recording can further be influenced by the performance location, e.g. with our without the high reverberation typical for large church buildings. For movement D (Virga Jesse), with the end missing in the extant autograph, earlier performances may stop the last Christmas interpolation where the score ends, since, however, in the late 20th century a similarity had been remarked between this piece and another movement in one of Bach's cantatas, a reconstructed ending, based on that composition is more often performed. Bach composed the work for five soloists: two sopranos, alto, tenor and bass.
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The single is composed of two original songs written by Sheena, plus a cover of American singer Ned Doheny's song "Get It Up for Love" from his 1976 album Hard Candy. The single was mostly arranged by Izawa, created from scratch after listening to Sheena's demos of the songs. Working with Izawa and Ukigumo was the first time in Sheena's career where she clashed on opinions for what was best musically for the songs. Izawa felt that "Shuraba" needed a classical guitar, however Sheena did not want instruments with a lot of reverberation, preferred Ukigumo's original guitar accompaniment from the demo.
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A long transmission line can also provide a delay element. The delay time of an analog delay line may be only a few nanoseconds or several milliseconds, limited by the practical size of the physical medium used to delay the signal and the propagation speed of impulses in the medium. Analog delay lines are applied in many types of signal processing circuits; for example the PAL television standard uses an analog delay line to store an entire video scanline. Acoustic and electromechanical delay lines are used to provide a "reverberation" effect in musical instrument amplifiers, or to simulate an echo.
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The sound consequently has long sustain and reverberation. The Legend of Perm Bear or The Walking Bear is a sculpture depicting a walking bear, which is also shown on the city's coat of arms. It is situated in the central part of the city on Lenin Street, in front of the Organ Concert Hall and close to the building of Legislative Assembly of Perm Krai. The author of the sculpture is Vladimir Pavlenko, a monumentalist sculptor from Nizhny Tagil, member of the Artists' Union of Russia and UNESCO International Association of Arts. В центре Перми появился бурый медведь — РИА «Новый Регион».
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Ivanova in 2012 Ivanova started her career singing popular Italian, French and Russian hits. The singer's music style is distinctive, having strong meaningful lyrics and memorable tunes. Her music from the 1960s and 1970s was marked by complex and rich orchestrations, dramatic transitions between quiet and loud moments, often played with a brass band, string orchestra and electric guitars, with accents of piano or Hammond organ, backing vocals (sometimes choral) and a reverberation to the voice of the performer. Subsequently, with the style going out of fashion, the singer began performing music composed with electronic musical instruments.
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The song has been described as possibly being "a dream", "a hymn to an imagined presence" and also a "mermaid fantasy", because of its lyrics: "She was an angel / I saw her swimming there". It has also been compared to the Big Star song "Thirteen" and called its "Stalkers Handbook" version. The start of the song features acoustic guitar, whose strings are "brushed gently" and the cymbals played for "reverberation and resonance", instead of being "struck for impact", according to Stylus' writer Nick Southall. He has noted that the drumming is "slow and deliberate", and repeated, because "dreams repeat".
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Every location has distinct and subtle sounds created by its environment. These sound sources can include wildlife, wind, music, rain, running water, thunder, rustling leaves, distant traffic, aircraft and machinery noise, the sound of distant human movement and speech, creaks from thermal contraction, air conditioning and plumbing noises, fan and motor noises, and harmonics of mains power. Reverberation will further distort these already faint sounds, often beyond recognition, by introducing complex patterns of peaks and nulls in their frequency spectrum, and blurring their temporal characteristics. Finally, sound absorption can cause high frequencies to be rolled off, dulling the sound further.
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Submarine detection and classification remained on the research agenda, although the focus shifted gradually toward shallow waters. Low frequency active sonar (LFAS) research started in the early 1980s with a project to verify the feasibility of towed sonar systems, analysing typical performance-linked parameters such as propagation loss, signal coherence, noise, reverberation and target strength. SACLANTCEN links to military organisations were vital in obtaining support of naval submarine services, and numerous experiments were carried out in the Mediterranean. The shift in focus from deep to shallow waters came with the advent of small diesel-electric submarines that can operate close to home base.
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After hearing Sabine's complaints of the poor conditions of his acoustical test lab at Harvard, Colonel Fabyan agreed to build a state of the art reverberation chamber and test facility for Sabine to use on the property. Sabine died in 1919, shortly after the lab was constructed. The task of managing the Laboratory Operations was granted to his cousin, Paul Sabine, who refined the test methods and developed the lab into a successful business. After Paul retired, the lab operations were handed to Hale Sabine and the Armour Research Foundation of the Illinois Institute of Technology.
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Sex Machine is a 1970 double album by James Brown. It showcases the playing of the original J.B.'s lineup featuring Bootsy and Catfish Collins, and includes an 11-minute rendition of the album's title song, different from the original recording of the title song which was released as a two-part single in 1970. Sex Machine purports to be a live recording. However, the first LP's worth of material consists of tracks recorded in studio settings with added reverberation and overdubbed applause (some of which subsequently were released in unadulterated mixes, most notably on the 1996 Funk Power compilation CD.).
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Speech perception is the process by which spoken language is heard, interpreted and understood. Research in this field seeks to understand how human listeners recognize the sound of speech (or phonetics) and use such information to understand spoken language. Listeners manage to perceive words across a wide range of conditions, as the sound of a word can vary widely according to words that surround it and the tempo of the speech, as well as the physical characteristics, accent, tone, and mood of the speaker. Reverberation, signifying the persistence of sound after the sound is produced, can also have a considerable impact on perception.
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If the sonar is close to the surface, bottom or both, (which may happen in shallow water), the dead zone may be greater than Cτ/2 due to a high level of reverberation. In bistatic sonar, the travel distance from projector to target and from target to receiver is R = Rpt \+ Rtr . As the projector is separated from receiver by Rpr distance, first Rpr /C seconds after the ping starts, the receiver is just waiting. After that time, it receives direct signal from the projector (often referred to as “direct blast”,Cox H. Fundamentals of Bistatic Active Sonar.
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It is this far field HRTF, H(f, θ, φ), that has most often been measured. At closer range, the difference in level observed between the ears can grow quite large, even in the low- frequency region within which negligible level differences are observed in the far field. HRTFs are typically measured in an anechoic chamber to minimize the influence of early reflections and reverberation on the measured response. HRTFs are measured at small increments of θ such as 15° or 30° in the horizontal plane, with interpolation used to synthesize HRTFs for arbitrary positions of θ.
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This is available for digital download. In 2019/20 Craig reunited with Jim Butterworth on bass (The Healers, Outstation, Zuvuya, Wild Palms and Tangled Star) and they enlisted Michael Newman on drums to form magnets have souls. Hitchcock has been associated with The Neptunes, The Kryptonics, New Christs, The Verys, Challenger 7, You Am I, The Dearhunters, and The Monarchs. Hopkinson joined Nursery Crimes and then You Am I. Hopkinson has also worked with Australian punk act, Radio Birdman, and managed a record label and distribution company, Reverberation Records from 2003 to August 2007, when it was taken over by Fuse Music Group.
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It is the pressure created from ventricular contraction that closes the valve, not the papillary muscles themselves. The contraction of the ventricle begins just prior to AV valves closing and prior to the semilunar valves opening. The sudden tensing of the chordae tendineae and the squeezing of the ventricles against closed semilunar valves, sends blood rushing back toward the atria, and the parachute-like valves catch the rush of blood in their leaflets causing the valve to snap shut. The S1 sound results from reverberation within the blood associated with the sudden block of flow reversal by the valves.
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Aortic blood flow quickly reverses back toward the left ventricle, catching the pocket-like cusps of the aortic valve, and is stopped by aortic valve closure. Similarly, as the pressure in the right ventricle falls below the pressure in the pulmonary artery, the pulmonary valve closes. The S2 sound results from reverberation within the blood associated with the sudden block of flow reversal. Splitting of S2, also known as physiological split, normally occurs during inhalation because the decrease in intrathoracic pressure increases the time needed for pulmonary pressure to exceed that of the right ventricular pressure.
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S3 is thought to be caused by the oscillation of blood back and forth between the walls of the ventricles initiated by blood rushing in from the atria. The reason the third heart sound does not occur until the middle third of diastole is probably that during the early part of diastole, the ventricles are not filled sufficiently to create enough tension for reverberation. It may also be a result of tensing of the chordae tendineae during rapid filling and expansion of the ventricle. In other words, an S3 heart sound indicates increased volume of blood within the ventricle.
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Pete "Mad Daddy" Myers, another early iconic rock DJ, was lured away from rival WJW for a successful stint in WHK's early rock-and-roll years, before he left for New York. WHK Centaur interview at the Space Power Chamber (December 1963) By the early 1960s WHK was Top 40 powerhouse, adopting the slogan "Color Radio" and "Color Channel 14." The station soared with fast- talking deejays like Johnny Holliday, who broadcast from "the glass cage" at 5000 Euclid, and dubbed the station's echo-chamber reverberation its "stratophonic sound." The "Action Central" newsroom included young reporters Tim Taylor and Dave Buckel.
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Beyond stereo sound-stage requirements, a linear phase response helps impulse response remain true to source without encountering "smearing". An unqualified reference to a monitor often refers to a near-field (compact or close-field) design. This is a speaker small enough to sit on a stand or desk in proximity to the listener, so that most of the sound that the listener hears is coming directly from the speaker, rather than reflecting off of walls and ceilings (and thus picking up coloration and reverberation from the room). Monitor speakers may include more than one type of driver (e.g.
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For her experimental turntablism, Chavez uses new and broken needles (the latter of which she refers to as 'perfect to ruin' needles), on a collection of vinyl she uses to build a sound palette. Chavez's compositions are created for specific locations, and their acoustic characteristics allow for the ambiguity of reverberation, reflection, and refraction to enter into each composition. Maria was an artist in residence with the Merce Cunningham Dance Company, the Clocktower and the Dia:Beacon Museum. Chavez has also been an artist in residence at Issue Project Room, and played in Christian Marclay's Screenplay at the Whitney Museum in 2010.
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Working titles for the album included Reverberation, Add Some Music, and The Fading Rock Group Revival. The recording sessions began in January 1969, and after a year-long search for a new record contract, completed in July 1970, by which time the group had signed with Reprise. In contrast to 20/20, the record featured a strong group presence with significant writing contributions from all band members. About four dozen songs were written for the album, and the label rejected numerous revisions of its track listing before the band presented enough formidable material deemed satisfactory for release.
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Throughout the year, they recorded about four dozen studio tracks, with working titles for the new album including Reverberation, Sun Flower, and Add Some Music. On April 12, the Beach Boys filed suit against Capitol for unpaid royalties and production duties in the amount of $2 million (equivalent to $ in ). In a press statement for this news, they also announced that they would be reviving their Brother Records imprint. On April 16, Capitol A&R; director Karl Engemaan drafted a letter to band manager Nick Grillo indicating that the group and label were still interested in renewing their contract.
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Engemaan asked the group to be ready to deliver the new album (then known under the working titles The Fading Rock Group Revival or Reverberation) by May 1. Only seven of the ten tracks were completed by the deadline, and so the album was not delivered. In 1969, Brian began using cocaine and was increasingly known for his reclusiveness and eccentric behavior, which affected his reputation within the music industry. Grillo struggled to find another major label interested in signing the group, as he remembered, "Brian was notorious at that point" and label executives found the band too risky to sign.
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Consequently, if they are asked to score a reference signal which is not absolutely perfect (e.g. it has the wrong volume or contains too much timbre, noise or reverberation), it will be scored worse than perfect. In its idealization step POLQA therefore corrects small imperfections of the reference signals in order to derive the same ideal reference for the comparison to the degraded signal as human subjects would use in their minds. Similar to the idealization of the reference signal, some distortions present in the degraded signal which are hardly perceptible in an ACR test will be partially compensated (e.g.
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The Reverberation Appreciation Society has released a number of concert films. I've Got Levitation documents the 50th anniversary reunion of The 13th Floor Elevators at the Levitation 2015 music festival, the band's first performance in 45 years. The documentary, directed by James Oswald and Jack Henry Robbins, offers an immersive glimpse into the festival with interviews and performances by The 13th Floor Elevators, The Flaming Lips, The Black Angels, Jesus And Mary Chain, The GOASTT (Sean Lennon), Thee Oh Sees, Fuzz (Ty Segall), Mac Demarco, Lightning Bolt, Night Beats, and others. The film premiered at Alamo Drafthouse on April 25, 2018.
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3D Audio displays are devices that present information (in this case sound) through the human auditory system, which is especially useful when supplying location and spatial information to the users. Its objective is to generate and display a spatialized 3D sound so the user can use its psychoacoustic skills and be able to determine the location and direction of the sound. There are different localizations cues: binaural cues, spectral and dynamic cues, head-related transfer functions, reverberation, sound intensity and vision and environment familiarity. Adding background audio component to a display also adds to the sense of realism.
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In the summer of 1969, Simon, his wife Peggy and Garfunkel rented a house on Blue Jay Way in Los Angeles, as Garfunkel did not want to withdraw from Catch-22, which was being filmed on the West Coast. In this session, the duo experimented on a new song with numerous objects to create unusual sounds, such as a falling bundle of drum sticks. Garfunkel had a cassette recorder with a reverberation effect, so that each sound received an echo. When finished, Simon gave the tape to Halee, who then worked on the song, condensing sounds and copying them.
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He also authored Reinforcement, Resonance, and Reverberation: Fundamentals in Sound Control. Bill Dudleston has designed and provided Legacy speaker monitors for Arista, Sony, Universal Music Group and archival organizations such as the Stradivari Violin Society. Multi-Grammy award winning producers Rick Rubin, Antonio L.A. Reid, and renowned mastering engineer, Herb Powers, have utilized and publicly touted the Legacy designs as assisting in producing artists Sheryl Crowe, Johnny Cash, Tom Petty, Red Hot Chili Peppers, Mariah Carey, and Usher. Re-mastering engineer Steve Hoffman has utilized the Legacy speakers on re-issues of Elvis Presley, Frank Sinatra and Nat King Cole.
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After a series of home recordings, Golden Animals recorded their first studio EP, Do The Roar! (2007), with Chris Coady at StayGold (part of Headgear Studio in Brooklyn, NY, which was later released by HappyParts Recordings. In 2008, the group released their first LP Free Your Mind And Win A Pony (2008), produced and engineered by Chris Coady at Tiny Telephone Studio, mixed by Thom Monahan and released by HappyParts Recordings. The band's second LP Hear Eye Go (2013) was recorded and co-mixed with Matt Boynton at Vacation Island Recordings and released by The Reverberation Appreciation Society.
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A scholar stated that the Bit Pazar event was over economic considerations due to Albanian mafia operations and that the confrontation was devoid of political reverberation from ethnic Albanians or Albanian political leaders. The incident at Bit Pazar, nonetheless, placed the majority of people in Tetovo and Skopje in a warlike atmosphere. People kept away from city streets in the evening and both ethnic groups were preparing for the possibility of a larger conflict. Ethnic Albanians and Macedonians credit Mitat Emini, then part of the Party for Democratic Prosperity (PDP) leadership and who had the trust of Macedonian leaders as stopping the situation from escalating out of control.
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Although the production of Akoustolith tile was short-lived, its effectiveness in reducing reverberation in ecclesiastical spaces led to its installation in a variety of building types, including commercial, industrial, and institutional structures. The acoustical and fireproof nature of Akoustolith was advertised, and to a lesser degree, its ability to resist the condensation of moisture. In addition, Akoustolith's aesthetic qualities were touted: the tiles were available in several shades of gray and buff intended to blend with the warm colors of adjacent stone. Resembling a stone-like masonry material, Akoustolith tile was incorporated into several of the Guastavino Company's major building projects, including the 1929 construction of the Buffalo Central Terminal.
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Prior to moving to Carnegie Mellon, where she runs the Laboratory in Multisensory Neuroscience, Shinn-Cunningham was a Professor of Biomedical Engineering at Boston University (BU). She attended Brown University as an undergraduate, where she earned an Sc.B. in Electrical Engineering. She earned both her master's degree and Ph.D. from the Massachusetts Institute of Technology in Electrical and Computer Engineering. She worked at Bell Communications Research, MIT Lincoln Laboratory, and Sensimetrics before joining the faculty at BU. She is an auditory neuroscientist best known for her work on attention and the cocktail party problem, sound localization, and the effects of room acoustics and reverberation on hearing.
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Slapback, slapback echo, flutter echo, tape delay echo, echo, and reverb are some of the terms used to describe one particular aspect of rockabilly recordings. The distinctive reverberation on the early hit records such as "Rock Around The Clock" (April 12, 1954, released May 15) by Bill Haley & His Comets was created by recording the band under the domed ceiling of Decca's studio in New York, located in a former ballroom called The Pythian Temple. It was a big, barn-like building with great echo. This same facility would also be used to record other rockabilly musicians such as Buddy Holly and The Rock and Roll Trio.
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In 1988, Lexicon developed LARES, an electronic processing system intended to give performance spaces a tailored acoustic experience. LARES uses microphones to pick up the sound, central processing units to apply time-variant anti-feedback, delay and reverberation algorithms, and banks of loudspeakers to bring the enhanced audio signal back into the performance space. LARES Associates split away from Lexicon in 1995. Lexicon continues to benefit from its initial LARES research and development with the company offering a scaled-down and simplified microprocessor controller, the MC-12,Lexicon MC-12 Music and Cinema Processor intended for auditory enhancement within home and professional listening spaces.
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Rolo Tomassi's decision of making the shows of the tour only cost five pound was questioned by interviewer Samantha Booth when writing for The National Student, James replied saying it was for the sake of encouraging people to come see them and because of the high prices of concert tickets. The band has hinted that their touring schedule would go "further afield" than Europe. In September Rolo Tomassi performed on three out of the four dates of the Japanese touring festival Reverberation Festival. In September and October, starting just three days after their Japanese performances Rolo Tomassi completed 13 date tour of Australia with Australian bands Totally Unicorn and Stockades.
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Sam Walker-Smart analyzed the sounds "constantly weave in and out of the mix, drifting by as if in a dream." Phantom Brickworks has a very spacious structure that uses lots of reverberation, delay, and elements of long sustain in the composition: XLR8R analyzed it has a "widescreen vibe," where the tracks have "patient, sometimes nearly imperceptible cycles of accretion and subsidence" and, as a result, "feel as much like landscapes as they do music." On each track, hazy filtering, field recordings, and tape hiss are present to either drown out or undermine the importance of the main loop.Cook, Fred (7 November 2017). "Bibio ‘Phantom Brickworks’". Gigsoup.
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Despite this, the record became a small chart success in the US, following the Top 10 placing of 15 Big Ones, reaching #75 in the Fall of 1976 during a US chart stay of 10 weeks. The UK edition failed to chart. It is believed that The Beach Boys owed Capitol one more album (this may have been it, instead of the Fading Rock Group Revival/Reverberation project), and so, this release ended their relationship with the record label, and with EMI in the UK. When their albums were remastered for CD in 1990 (and again in 2001), Live in London was paired with their 1964 live release Beach Boys Concert.
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In acoustic tests performed by Sound Research Laboratories, the venue was found to have a short reverberation time—roughly one second in theatre configuration—which results in a high objective clarity. The assisted resonance system was found to increase this to 1.5 seconds at 200 Hz. The balcony seats have been described as having an inadequate level of early reflections and speech performance was judged to be poor. It has been concluded that rectifying the room's acoustics for the benefit of theatre and speech would be detrimental to other uses of the venue such as boxing. Events include classical music, comedy, dance, drama, pop and rock concerts.
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The Fosgate used a faster, updated version of the IC, called the Tate II, and additional circuitry that provided for separation enhancement around the full 360° soundfield, using the Haas effect. In order to maintain the highest quality levels, Fosgate used hand-sorted ICs and 1% -tolerance components, and each decoder was hand- optimized. Unlike the earlier Full Wave-matching Logic decoders for SQ, that varied the output levels to enhance directionality, the Tate DES cancelled SQ signal crosstalk as a function of the predominant directionality, keeping non- dominant sounds and reverberation in their proper spatial locations at their correct level. The 101A was later replaced with the 3601.
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Putnam was the first person in the US to use artificial reverberation using echo chambers for commercial recording. He also developed the first US multi-band audio equalizer, and with his companies Universal Audio and later Universal Recording Electronics Industries (UREI), he was responsible for the development of classic recording studio equipment. This included the vacuum tube based LA-2A and 176 compressors, and their transistor based successors, the LA-3A and 1176. He also developed the Time Align Monitor Series, and custom order Studio Electronics recordings consoles, outfitted with his 610 modular channel strips, all of which soon became standard equipment in studios all over America.
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Shimizu has always paid meticulous attention to recording and studio techniques. In 1997 his mini-album Bach Box won the Best Production prize at the 39th annual Japan Record Awards. This recording, while expressing the highest respect for the baroque master, revisited Bach’s music with an audacious approach to form and flashes of wit, interweaving the original musical structures with treated voices and intermittent sine wave signals. On his Cello Suites projects Shimizu utilized unconventional acoustic environments, which he selected for their high degree of reverberation—an underground quarry, a mine in Japan, a palazzo in Italy—in order to “play the space” as a resonating instrument.
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Due to the heat, insufficient water supplies, and lack of shaded areas, Brigadier-General J. A. Tytler had to call for a halt at Pani Pal. While the men rested Tytler decided to check whether their left flank and rear were in danger. As Jenkins led a party out to scout the hills, a reverberation filled the air which Jenkins claimed was the firing of heavy guns. Tytler decided the best course of action would be if he stayed behind in Pani Pal with some men and Jenkins led the rest onward; that way Tytler was able to defend rear flank of Jenkins' troops should the need arise.
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A lot of time and care was spent on system performance optimisation, animation details, and audiovisual appeal. To increase the number of simultaneous light sources to four, one programmer spent four months deciphering and rewriting the Nintendo-supplied Japanese- commented microcode for the Nintendo 64's Reality Coprocessor, while another microcoded the support for MP3, reverberation, and Dolby Pro Logic surround sound. A developer also spent weeks optimising the system's ability to display distant backdrops as texture tiles to enhance gameplay navigation and visual appeal. Due in part to its extensive vocal track, Conker's Bad Fur Day is one of the few Nintendo 64 games that features a 64MB cartridge.
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While sound waves for acoustic communication or light waves (electromagnetic waves) for visual communications all propagate, electric signals do not (it is different from electromagnetic waves). As an electric field, the signal magnitude decreases in accordance with the inverse square law, which makes the signal sending and formation an energy-costly process. Electric fish match the impedance of their electric organ to the conductivity of water in order to achieve minimum energy lost, and the final result is electric signals traveling for at most a few meters. Although electric fish are limited to a short communication range, the signals remain uncorrupted by echo and reverberation, which affects sound and light.
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Bill Quinn in Houston, Texas, 1960s Gold Star Recording Company originated as a recording studio in Houston, Texas, and was founded in October 1941 by Bill Quinn under the name Quinn Recording Company. In 1950, Quinn changed the name of the studio to Gold Star Studios and, as such, remains the oldest registered recording studio in the Southeastern United States. The studio was important in launching the careers of such artists as Lightnin' Hopkins, Harry Choates, George Jones, Eddie Noack, The Sir Douglas Quintet, Roy Head, and Freddy Fender. At that time, the operation was renowned for inventive recording equipment and its reverberation chamber room.
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Perhaps earlier than Schaeffer conducting his preliminary experiments into sound manipulation (assuming these were later than 1944, and not as early as the foundation of the Studio d'Essai in 1942) was the activity of Egyptian composer Halim El-Dabh. As a student in Cairo in the early to mid-1940s he began experimenting with "tape music" using a cumbersome wire recorder. He recorded the sounds of an ancient zaar ceremony and at the Middle East Radio studios processed the material using reverberation, echo, voltage controls, and re-recording. The resulting tape-based composition, entitled The Expression of Zaar, was presented in 1944 at an art gallery event in Cairo.
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The organ remains essentially as he designed it in 1911. Kevin Bowyer recorded Kaikhosru Sorabji's First Organ Symphony on it in 1988, for which the organ was an "ideal choice"; the notes to the recording describe the church as "acoustically ideal, with a reverberation period of 3½ seconds", and notes that the organ has "a luxuriousness of tone" and "a range of volume from practically inaudible to fiendishly loud". William McVicker, organist at the Royal Festival Hall, has called the organ "the finest high-Romantic organ ever constructed". November 2010 saw the first performances on the organ after an 18-month renovation by its original builders Harrison & Harrison, costing around £800,000.
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The single version is distinguished by a cold start (rather than the fade-in intro on the LP version), louder guitar strums in the choruses and less ensemble vocal work overall. In addition, whereas the single version fades during its three-bar instrumental outro, the album version tape-loops it to six bars upon fade-out. Finally, while the album version has a relatively wide stereo spectrum, the single version is mixed very narrowly (essentially mono) with stereo reverberation effects on some bongo passages and select guitar flourishes. It is this remixed/edited version that is included on the compilation album The Very Best of Fleetwood Mac.
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Shortly after their arrival, the team realised that the ballroom had too much natural reverberation, necessitating sound absorption materials such as drapes to be added to the walls. Lanois said the room was only suitable for songs with "openness but not good for tracks that were quick and required punch", while crew member Stephen Rainford said, "Okay for chamber music, but no good for rock and roll". Consequently, most of the recording took place in the library, which was smaller, rectangular, filled with books, and provided improved sound quality. Lanois said the room helped them "achieve a denser more powerful sound" on their recordings.
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Modern remixing had its roots in the dance hall culture of late-1960s/early-1970s Jamaica. The fluid evolution of music that encompassed ska, rocksteady, reggae and dub was embraced by local music mixers who deconstructed and rebuilt tracks to suit the tastes of their audience. Producers and engineers like Ruddy Redwood, King Tubby and Lee "Scratch" Perry popularized stripped-down instrumental mixes (which they called "versions") of reggae tunes. At first, they simply dropped the vocal tracks, but soon more sophisticated effects were created, dropping separate instrumental tracks in and out of the mix, isolating and repeating hooks, and adding various effects like echo, reverberation and delay.
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Microphones in the recording studio captured the musicians' performance, which was then transmitted to an echo chamber—a basement room fitted with speakers and microphones. The signal from the studio was played through the speakers and reverberated throughout the room before being picked up by the microphones. The echo-laden sound was then channeled back to the control room, where it was recorded on tape. The natural reverberation and echo from the hard walls of the echo chamber gave Spector's productions their distinctive quality and resulted in a rich, complex sound that, when played on AM radio, had a texture rarely heard in musical recordings.
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Due to the intense reverberation, Czukay took advantage of the sonic bleed and limited the band to three microphones, shared between vocalist Damo Suzuki and drummer Jaki Liebezeit. Keyboardist Irmin Schmidt experimented with sine-wave generators and oscillators in place of typical synthesizers on "Aumgn". This was the first of Can's albums to be made from not only regularly recorded music, but combined "in-between-recordings", where Czukay secretly recorded the musicians jamming during pre-production sessions. Additionally, Czukay captured in-between-recordings of the shouts of a child who mistakenly burst into the room during recording, as well as the howling from a dog belonging to Vohwinkel.
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All species of catfishes can generate sound through stridulation, and many produce sounds through drumming. Stridulation consists of the clicking or grinding of bony parts on the fish's pectoral fins and pectoral girdle, and drumming consists of the contraction of specialized sonic muscles with subsequent reverberation through the swim bladder. Variability in the sound signals created by the channel catfish depends on the mechanism by which the sound is produced, the function of the resultant sound, and physical factors such as sex, age, and temperature. This variation may result in increased complexity of the outgoing signal and may allow for increased usefulness of the signal in interspecies communication.
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The visual centerpiece of Spivey's design is the Albert Schweitzer Memorial Organ, a 79-rank, 3-manual, 4,413-pipe organ, built and installed by Fratelli Ruffatti of Padua, Italy. The creation of this organ was the subject of a PBS special. The majority of Spivey's finishes were designed to be acoustically reflective, in an effort to preserve the sound within and prolong its reverberation. Owing to frequent appearances on National Public Radio's "Performance Today," the hall has earned a national reputation while also reaching an international audience through artist word-of-mouth and exposure in such publications as BBC Music Magazine and International Arts Manager.
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This same plane-wave assumption makes it possible to vary the distance of speakers within reasonable limits without upsetting the correct function of the decoder, provided that the difference is compensated with delay, the power is adjusted for uniform loudness at the center, and that per-speaker near-field compensation is used. Distance does not affect the decoder matrix. Variable speaker distance is therefore the most important degree of freedom when deploying idealized layouts in actual rooms. It is constrained by the reverberation of the room which leads to uneven direct-to-reverb ratios between speakers at different distances, and the power handling capability of the most distant speaker.
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The "Absorption" aspect in soundproofing should not be confused with Sound Absorbing Panels used in acoustic treatments. "Absorption" in this sense only refers to reducing a resonating frequency in a cavity by installing insulation between walls, ceilings or floors. Acoustic Panels can play a role in a treatment only after walls or ceilings have been soundproofed, reducing the amplified reflection in the source room. Two distinct soundproofing problems may need to be considered when designing acoustic treatments—to improve the sound within a room (see reverberation), and reduce sound leakage to/from adjacent rooms or outdoors (see sound transmission class and sound reduction index).
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The first delay effects were achieved using tape loops improvised on reel-to- reel audio tape recording systems. By shortening or lengthening the loop of tape and adjusting the read and write heads, the nature of the delayed echo could be controlled. This technique was most common among early composers of Musique concrète (Pierre Schaeffer), and composers such as Karlheinz Stockhausen, who had sometimes devised elaborate systems involving long tapes and multiple recorders and playback systems, collectively processing the input of a live performer or ensemble. Audio engineers working in popular music quickly adapted similar techniques, to augment their use of reverberation and other studio technologies designed to simulate natural echo.
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During World War II the U.S. Navy was taking sonar readings of the ocean when they discovered the deep scattering layer (DSL). While performing sound propagation experiments, the University of California's Division of War Research (UCDWR) consistently had results of the echo-sounder that showed a distinct reverberation that they attributed to mid-water layer scattering agents. At the time, there was speculation that these readings may be attributed to enemy submarines. By collaborating with biologists from Scripps Institution and the UCDWR, they were able to confirm that the observed reverberations from the echo-sounder were in fact related to the diel vertical migration of marine animals.
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"Everything I Wanted" has a moderately fast tempo of 120 beats per minute (BPM) and is played in the key of A major while Eilish's vocal range spans from the low note of E3 to the high note of B4. According to Jem Aswad from Variety, the song features a significant use of reverberation, a "gentle beatbox, and soft, hazy keyboard riffs". The track has been described as a house and electronica-influenced pop and alternative pop track in press reviews; it features minimalist production consisting of piano and downtempo bass guitar instrumentation. According to Lake Schatz of Consequence of Sound, the song has a "spare beat and quiet keys".
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One notable feature of the park is the 2,000,000 gallon underground cistern, originally built to hold water for fire-fighting in the event that the fort was attacked and put to the torch. The cistern was drained in the 1950s when the fort was decommissioned, leaving an underground space more than 200 feet in diameter and 14 feet deep. This huge subterranean chamber has an acoustical reverberation time of around 45 seconds, and once attracted the interest of various musicians and recording artists, among them Wayne Horvitz, Pauline Oliveros, and Stuart Dempster. As of 2014, the cistern is sealed shut and closed to all public access indefinitely.
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Above the stage, a mechanized canopy of 43 individually controlled acrylic panels can be adjusted to fine-tune sound for clarity and reverberation. Tunable sound-absorbing curtains behind the bronze grilling and banners in the ceiling can be deployed out of sight to dampen or enliven the sound. The Education Center, located at the opposite end of the building, features four expansive rehearsal spaces, including a dance studio with a sprung floor and two rehearsal rooms with high ceilings. This wing of the building also features a children’s music classroom, a small two-story rehearsal room and nine solo and small group practice spaces.
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The three remaining members decided to continue working under the name 'Echo & the Bunnymen' and brought in ex–St. Vitus Dance vocalist Noel Burke to replace McCulloch. After de Freitas' death in a motorcycle accident in 1989, Pattinson and Sergeant added percussionist Damon Reece (who later joined former Spacemen 3 principal Jason Pierce's new band, Spiritualized, as drummer); and Jake Brockman, keyboardist and long-time friend of the band, to continue with the recording of their album Reverberation, which was released in December 1990. The band later formed their own label called Euphoric Records and released another two singles, and also did several international tours, before disbanding in 1993.
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Air conditioned and heated air is supplied through hundreds of vents in the floors of the Hall so that large volumes of air can be moved very slowly, thus reducing the "white noise" created by blown air. The walls of the Hall are hand-applied plaster, and the shaping of the walls along with this material helps create the outstanding acoustics. Acoustical banners can be raised and lowered via a winch system in the attic, thus increasing or decreasing natural reverberation, as appropriate depending on the nature of the event taking place. Gates Concert Hall is used for operatic, musical and dance shows as well as jazz, classical music, corporate presentations, memorial services, and other events.
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Signal distortion, additive noise, reverberation, and audio processing strategies such as noise suppression and dynamic-range compression can all impact speech intelligibility and speech and music quality. These changes in the perception of the signal can often be predicted by measuring the associated changes in the signal envelope and/or temporal fine structure (TFS). Objective measures of the signal changes, when combined with procedures that associate the signal changes with differences in auditory perception, give rise to auditory performance metrics for predicting speech intelligibility and speech quality. Changes in the TFS can be estimated by passing the signals through a filterbank and computing the coherence between the system input and output in each band.
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"At My Most Beautiful" is performed in the key of F major. There are several main chord progressions in the song: the introduction is Fmaj7–D–G minor, while the verse follows a I–III–IV–II chord sequence and the chorus ascends using a II–III–IV–V progression. In the mix, tubular and sleigh bells are heard in the right channel (with their reverberation reaching into the left), piano and bass guitar (both played in quarter note patterns) as well as bass harmonica are heard in the left, and guitar and Mike Mills' backing vocals are centered. Additional instrumentation includes organ in the chorus and cellos in the song's coda.
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The narrow lines are believed to originate from the outer part of the active galactic nucleus, where velocities are lower, while the broad lines originate closer to the black hole. This is confirmed by the fact that the narrow lines do not vary detectably, which implies that the emitting region is large, contrary to the broad lines which can vary on relatively short timescales. Reverberation mapping is a technique which uses this variability to try to determine the location and morphology of the emitting region. This technique measures the structure and kinematics of the broad line emitting region by observing the changes in the emitted lines as a response to changes in the continuum.
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The Sega Saturn also has a "mute vocals" feature that is based on the same principle and is also able to adjust the pitch of the song to match the singer's vocal range. Angeles City, Philippines This crude approach results in the often-poor performance of voice removal. Common effects are hearing the reverberation effects on the voice track (due to stereo reverb on the vocals not being in the center); also, other instruments (snare/bass drum, bass guitar and solo instruments) that happen to be mixed into the center get removed, degrading this approach to hardly more than a gimmick in those devices. Recent years have seen the development of new techniques based on the fast Fourier transform.
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Rumbling Bridge, the double bridge which gives its name to the village Rumbling Bridge, the deep narrow gorge beneath the bridge which causes the rumble Cauldron Linn Rumbling Bridge is a tiny village located inside the historic county of Kinross-shire which is part of the Perth and Kinross council area, Scotland, nestling under the Ochil Hills, where the A823 leaves the A977, perched on the edge of the River Devon gorge. It lies between Muckhart and Crook of Devon with Powmill to its south. It is named after an unusual double bridge, which gives off a distinctive rumbling reverberation at lower levels. Most property in the village dates from the last 20 years.
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This unit can be programmed to cut off any signal fed through it, either after a specified time interval (in this case, some tens of milliseconds), or when the incoming signal falls below a preset gain threshold. The result is the arresting 'gated reverb' effect, in which the reverberation cuts off abruptly, rather than fading away. In a 2006 interview, Padgham revealed how the effect was first engineered: > The whole thing came through the famous "listen mic" on the SSL console. The > SSL had put this massive compressor on it because the whole idea was to hang > one mic in the middle of the studio and hear somebody talking on the other > side.
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With Doctors of Madness, Blitz further developed his unique counterpoint electric violin style, incorporating a garage rock edge to complement the Doctor's nihilistic, manic, approach to rock music; using fuzz box, wah-wah pedal, phasing, echoplex and reverberation to appropriate effect. He cited avant garde violinists Jean-Luc Ponty, Don "Sugarcane" Harris and John Cale of the Velvet Underground as his main influences; having largely rejected his early classical training. Blitz was also an adventurous violin designer and maker, and in the early 1970s produced the first ‘skeleton’ electric violin design that is widely copied and adapted in mass-produced electric violins today. Blitz's multifaceted lead guitar work also made a significant impact throughout the Doctors' music.
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The mimicry of male superb lyrebirds is a well- known example of a sexually selected trait. Females prefer males that produce more accurate mimicry and that have a greater diversity of mimetic songs in their repertoire. Although to the human ear the differences between songs are indistinguishable, there are differences in the mimetic song quality between individual lyrebirds due to signal degradation, reverberation and attenuation, as well as the frequency and volume attained. There is evidence that there are costs associated with the development of mimetic song, and while these costs are currently unknown, they indicate that that quality of a lyrebird's mimetic song is an honest signal that can be used by females in mate selection.
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The Laurels developed a live sound that differs notably to the sound that appears on their recordings. The band uses shoegazing guitar techniques and understated vocals to emulate the loud and heavily distorted sound of 90's artists such as Ride and My Bloody Valentine when playing live. The band says that their live wall of sound style arose from their reliance on layered guitar recordings for their recorded works, and that the best way to emulate this live with only two guitars was to play at a greatly increased volume. Shoegaze influences also feature strongly on the group's recordings, with many of their songs using multiple guitar layers and reverberation to achieve complex musical textures.
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Canyon is an album released in 1985 by Paul Winter, featuring his Paul Winter Consort. It was recorded in a small side canyon located in the Grand Canyon, which the members of the Consort nicknamed Bach's canyon, due to its 7-second reverberation, which made a perfect place to record music. The original idea of playing music in the canyon began when Winter played his saxophone while standing on the edge of the canyon, and felt that the long echoes coming back from the canyon almost seemed like the Earth was responding back to him. Paul Winter and the members of his band rafted down the river searching for an ideal location to record, settling on Bach's canyon.
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"Not Afraid" was written and produced by Eminem, Boi-1da, Jordan Evans and Matthew Burnett; keyboardist Luis Resto was also attributed with songwriting credit. According to Eminem's manager Paul Rosenberg and music critics, "Not Afraid" carries a positive message and depicts Eminem's change in direction from drugs and violence. The hip hop song features a choir that assists Eminem in a heavily layered chorus and vocals are sung over a guitar, synthesizer and piano; no Auto-Tune was used on the sung vocals, but many reverberation tools were. "Not Afraid" received mixed to positive reviews from music critics, who praised the song for being anthemic in nature and carrying a positive message.
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After more than a decade mostly dedicated to deep waters, shallow waters became a new priority as submarine activity in those areas was increasing and submarines were becoming quieter and available to more nations. To address shallow water problems, new factors had to be taken into consideration such as the type of ocean floor, sound reflection, reverberation, and clutter. This led to further research on oceanography and acoustics with experiments carried out mostly along the Ligurian coast, while in the meantime new instruments were studied and developed for collecting data in shallower waters, although the improvement of data collection in deep waters continued. In the late 1970s, towed arrays made their presence in La Spezia.
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The stadium is designed like a concert hall with good acoustics in mind so as to optimise the atmosphere on match day. The corners of the stadium are enclosed and the stands are placed close to the pitch, with fans generating a "wall of sound" that can reverberate around the ground. The design extends to the shape and material of the roof and the seating, such as aluminium soffit lining to the roof, and aims to produce cleaner and quicker reverberation times that allow fans to sing in sync thereby producing chants that are louder and last longer. The stadium is also designed to maintain the character but noisier than White Hart Lane and facilitate a sense of "home".
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AES Pro Audio Reference. Pan Because of the phantom center phenomenon, sound panned to the center position is perceived as coming from between the left and right speakers, but not in the center unless listened to with headphones, because of head-related transfer function HRTF. Panning in audio borrows its name from panning action in moving image technology. An audio pan pot can be used in a mix to create the impression that a source is moving from one side of the soundstage to the other, although ideally there would be timing (including phase and Doppler effects), filtering and reverberation differences present for a more complete picture of apparent movement within a defined space.
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The sound and tone of the plucked upright bass is distinct from that of the fretted bass guitar. The upright bass produces a different sound than the bass guitar, because its strings are not stopped by metal frets, instead having a continuous tonal range on the uninterrupted fingerboard. As well, bass guitars usually have a solid wood body, which means that their sound is produced by electronic amplification of the vibration of the strings, instead of the upright bass's acoustic reverberation. Demonstrative examples of the sound of a solo double bass and its technical use in jazz can be heard on the solo recordings Emerald Tears (1978) by Dave Holland or Emergence (1986) by Miroslav Vitous.
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Auditorium Designed by Skidmore, Owings & Merrill and Pietro Belluschi along with acoustical consultants Bolt, Beranek and Newman, its modern design is visually elegant both inside and out. A “cloud” of movable convex acrylic reflecting panels over the stage enables the acoustic space to be adjusted to suit the size of the orchestra and audience, while adjustable fabric banners around the auditorium can alter the reverberation time from approximately one to two-and-one-half seconds. Architects created acoustic isolation of the performance space by constructing a building within a building. The outer building uses one inch thick structural glass as a curtain wall, with the next structural wall forming the back wall of the lobby spaces.
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Mullen eschewed wearing headphones while playing and instead used monitor speakers, which caused audio spill issues with other microphones in the recording space. The Edge said that the band's plan for recording at Slane was rather than working in the "dead, acoustic atmosphere" of a studio and "trying to revitalise the recorded work using effects and reverberation and all the standard music trappings, we would go into a very live room and try to do the opposite—try and tame what would be a wild sound". Lanois originally intended for the band to record entirely in the ballroom, which he described as a "beautiful very tall room with big mirrors, chandeliers and windows overlooking the river".
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At Soundcraft, Blyth lead the design of the original Series 4 mixing console, the S8000, the MH4 and MH2, the Series Two, and the GB series (named for Blyth's initials, not "Great Britain") which carries his signature on the optional meter bridge. He designed the Soundcraft Notepad, "a bit of a cult product" which is a small and "elegant" mixer. The Soundcraft GB30 microphone preamplifier circuit is a successful Blyth design used on many of Soundcraft's mixers, including the FX model lines which include digital reverberation effects by Lexicon, a sister company within Harman. As early as 1982 when the Compact Disc was being introduced, Blyth researched the possibilities of creating a digital mixing console.
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The first product was released in December 2002, including modules for strings, brass, woodwinds and classical percussion. In 2005 the company released their own sample player, the “Vienna Instruments” player, which during the music production on a PC (Digital Audio Workstation) runs in the plug-in formats AU, VST, AAX Native and RTAS under Mac OS X and Windows. The reverberation application was released under the brand name “Vienna MIR”. In March 2016, the Vienna Symphonic Library business offices moved into the new recording facility at Synchron Stage Vienna. VSL ushers in a new era in April 2017 with the release of “Synchron Percussion I” that was recorded at the newly revitalized scoring stage.
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Acoustic enhancement is a subtle type of sound reinforcement system used to augment direct, reflected, or reverberant sound. While sound reinforcement systems are usually used to increase the sound level of the sound source (like a person speaking into a microphone, or musical instruments in a pop ensemble), acoustic enhancement systems are typically used to increase the acoustic energy in the venue in a manner that is not noticed by the audience. The correctly installed systems replicate the desired acoustics of early reflections and reverberation from a room that is properly designed for Acoustic Music. An additional benefit of these systems is that the room acoustics can be changed or adjusted to be matched to the type of performance.
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In motion picture and television production, a sound effect is a sound recorded and presented to make a specific storytelling or creative point, without the use of dialogue or music. The term often refers to a process, applied to a recording, without necessarily referring to the recording itself. In professional motion picture and television production, the segregations between recordings of dialogue, music, and sound effects can be quite distinct, and it is important to understand that in such contexts, dialogue, and music recordings are never referred to as sound effects, though the processes applied to them, such as reverberation or flanging, often are. Necessary incidental units of sound, footsteps, keys, a polishing sound, are created in the foley studio.
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Steered Response Power (SRP) methods are a class of indirect acoustic source localization methods. Instead of estimating a set of time-differences of arrival (TDOAs) between pairs of microphones and combining the acquired estimates to find the source location, indirect methods search for a candidate source location over a grid of spatial points. In this context, methods such as the Steered-Response Power Phase Transform (SRP-PHAT) are usually interpreted as finding the candidate location that maximizes the output of a delay-and-sum beamformer. The method has been shown to be very robust to noise and reverberation, motivating the development of modified approaches aimed at increasing its performance in real-time acoustic processing applications.
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After graduating at the Tokyo National University of Fine Arts and Music, she completed her postgraduate studies at the same institution. Support from the Asian Cultural Council resulted in a residency in New York for several months in 1992-93, where she returned in 1998 to premiere In Their Shoes, a music and dance collaboration. From 1998-1999 she served as composer-in-residence for Orchestra Ensemble Kanazawa. Her commissions include Academic Festival Overture for the hundredth anniversary of Kyoto University, the double concerto Kyoto: Reverberation for the Kyoto Protocol Treaty in 1997, and Piano Concerto No.1 "Memories of January" composed for the seventieth anniversary of the Japan Music Competition in 2001.
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The studio business became known as "The Plant Studios" or simply "The Plant". In 1982, Necochea funded two new Trident TSM mixing consoles for Studios A and B. In order to accommodate the hard rock band 707, studio manager and chief technician Terry Delsing redesigned and ordered extensive acoustic modifications to Studio A. This included adding louvered ceiling panels to control the reverberation characteristics. Studio B's control room was enlarged from and a new studio monitoring system was installed, the Meyer Sound Laboratories ACD, John Meyer's first loudspeaker product. Rick James was the first artist to use the refurbished Studio B. Huey Lewis and the News made their hugely successful album Sports primarily at the Plant.
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Likewise, speaker proximity much less than 1/4 wavelength to one or more boundaries such as floor/walls/ceiling can increase the effective sensitivity by changing free space into half space, quarter space, or eighth space. When the distance to boundaries is > 1/4 wavelength, delayed reflections can increase the perceived loudness but can also induce ambient effects such as comb filtering and reverberation that can make the frequency response uneven across a venue or make the sound diffuse and harsh, especially with smaller venues and hard reflective surfaces. Sound absorbing structures, sound diffusing structures, and digital signal processing may be employed to compensate for boundary effects within the designated listening area.
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A myriad things > stimulate 感 the sage, and the sage also responds 應 out of stillness. > Therefore, the [myriad] sounds are not the same as the [single] > reverberation, and the words [of the teachings] are not the same as the > wisdom of the sage. (tr. Sharf 2002: 112-113) Scholars in the Chengshi zong 成實宗 or Tattvasiddhi School were engaged in a controversy over the nature of stimulus-response. For example, the Dasheng Xuanlun 大乘玄論 "Treatise on the Mystery of the Mahāyāna" by Zhizang 智藏 (458-522) explains ganying, > Stimulus-response is the great tenet of the buddha-dharma, the essential > teaching of the many sutras.
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Arranging the room surfaces (including the ceiling) to be non-parallel helps inhibit the formation of standing waves - additional acoustic diffusers are often used to create more reflecting surfaces and further encourage even distribution of any particular sound field. Reverberation chambers are used in acoustics as well as in electrodynamics, such as for measurement microphone calibration, measurement of the sound power of a source, and measurement of the absorption coefficient of a material. All these techniques assume the sound field in the chamber to be diffuse, and will normally use a broadband sound source (e.g. white noise or pink noise) so that the resulting sound field contains acoustic energy across the whole audible range.
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Such an arrangement could have proven disastrous if the Ansar had broken through the thin khaki line.Urban. page 189 At about 5 a.m. on 2 September 1898, a huge force of Ansar, under the command of the Khalifa himself, came out of the fort at Omdurman, marching under their black banners inscribed with Koranic quotations in Arabic; this led Bennet Burleigh, the Sudan correspondent of The Daily Telegraph, to write: "It was not alone the reverberation of the tread of horses and men's feet I heard and seemed to feel as well as hear, but a voiced continuous shouting and chanting-the Dervish invocation and battle challenge "Allah e Allah Rasool Allah el Mahdi!" they reiterated in vociferous rising measure, as they swept over the intervening ground".
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In the best case of project designs, planners are encouraged to work with design engineers to examine trade-offs of roadway design and architectural design. These techniques include design of exterior walls, party walls, and floor and ceiling assemblies; moreover, there are a host of specialized means for damping reverberation from special-purpose rooms such as auditoria, concert halls, entertainment and social venues, dining areas, audio recording rooms, and meeting rooms. Many of these techniques rely upon material science applications of constructing sound baffles or using sound- absorbing liners for interior spaces. Industrial noise control is a subset of interior architectural control of noise, with emphasis on specific methods of sound isolation from industrial machinery and for protection of workers at their task stations.
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Sound treatment panels contrast with red curtains in a church meeting hall Soundproof doors in a broadcast center Acoustic ceiling tiles Architectural acoustics noise control practices include interior sound reverberation reduction, inter-room noise transfer mitigation, and exterior building skin augmentation. In the case of construction of new (or remodeled) apartments, condominiums, hospitals, and hotels, many states and cities have stringent building codes with requirements of acoustical analysis, in order to protect building occupants. With regard to exterior noise, the codes usually require measurement of the exterior acoustic environment in order to determine the performance standard required for exterior building skin design. The architect can work with the acoustical scientist to arrive at the best cost-effective means of creating a quiet interior (normally 45 dBA).
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The song was a major hit and had much success on the internet but again he took a break from music only to come back in 2011 & now relaunched his own career along with his own Company (Fast Money Gang Music) & with the management of "Muzic Leakz Management", He re-released his 2008 hit "Say Yes" along with 6 new songs "Make Love , All Night , Cant Lose You , D.N.A , Your Body , Give It All To Me" in his official promotional page on Reverberation. The Hip-Hop group Pretty Ricky did a remix for Lil Corey's "Say Yes" in 2011 for their Mixtape "SEX MUSIC Vol. 1 Streets N The Sheets" available for free on Datpiff. In addition to his official promotional page on Reverbnation.
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The Automatt was given a project by Hancock later that summer: mix the live album VSOP: The Quintet, to be assembled from two live performances, one indoors in San Diego and one outdoors in Berkeley. The group (composed of four members of the 1964-1969 Miles Davis Quintet with Freddie Hubbard on trumpet) was signed to Columbia, but the mixing process was difficult because of the two different acoustic performance spaces, and the Automatt was chosen for the task. The automated mixing equipment proved its value when Hancock visited to approve the final mix. Hancock was displeased with the level of artificial reverberation applied to the piano per his earlier instruction—he wanted to change how much EMT plate reverb was in the mix.
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In collaboration with Jeremiah Ostriker (Columbia University), he developed the three-phase model of the interstellar medium, which has been widely used to organize and interpret observational data. His research on quasars has included development of the relativistic blast wave model for variability, introduction of reverberation mapping to analyze variable emission line profiles, the two-phase model for quasar emission line regions, and the development of the theory of coronae and winds from accretion disks. He has developed a self-regulated model for the structure and evolution of molecular clouds, and for the rate of star formation within these clouds. He established the Berkeley Astrophysical Fluid Dynamics Group with Richard Klein to develop the technique of adaptive mesh refinement for numerical simulations of astrophysical fluid dynamics.
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Locally - and quite accurately - known as "The Old Tin Shed", it was a very rudimentary structure by modern standards. It was octagonal in shape, with raked wooden seats facing towards the central stage, and it had a maximum capacity of around 11,000. It was built with an iron and wood frame rising from a brick base, but the roof and walls were covered in corrugated steel, which was both unlined and uninsulated. This created a formidable echo which often made music and lyrics difficult to hear clearly, and although it proved to be well-suited to providing a facsimile of the 'slapback' echo found on many rock'n'roll records, once the audience started screaming, the reverberation made it impossible to hear anything, even on stage.
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In 1956, Ma designed and built the first acoustics laboratories in China, including reverberation chambers, sound insulation measurement rooms, anechoic chamber, high intensity acoustic noise testing chamber, and water tank for underwater acoustics measurements. In 1959, he was charge of the acoustic design work of the Great Hall of the People. According to Ma's Harvard classmate and friend, MIT professor Leo Beranek's paper published in 2013, during the Cultural Revolution period in China (1966-1976), Ma was under house arrest. But according to a paper published the same year by one of his post-graduate student, Tian Jing (田静), in 1966, Ma gave a formula of jet noise power via air pressure and invented micro-perforated panel absorbers and micro-perforation jet mufflers.
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Axton presented the song to Presley in November 1955 at a country music convention in Nashville. Presley agreed to record it, and did so on January 10, 1956, in a session with his band, The Blue Moon Boys, the guitarist Chet Atkins, and the pianist Floyd Cramer. "Heartbreak Hotel" comprises an eight-bar blues progression, with heavy reverberation throughout the track, to imitate the character of Presley's Sun recordings. The single topped Billboards Top 100 chart for seven weeks, Cashboxs pop singles chart for six weeks, was No. 1 on the Country and Western chart for seventeen weeks and reached No. 3 on the R&B; chart, becoming Presley's first million-seller, and one of the best- selling singles of 1956.
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Different placements of this tube along the string influence or eliminate the frequency at which the wolf occurs. It is essentially an attenuator that slightly shifts the natural frequency of the string (and/or instrument body) cutting down on the reverberation. An older device on cellos was a fifth string that could be tuned to the wolf frequency; fingering an octave above or below also attenuates the effect somewhat, as does the trick of squeezing with the knees. While it has been said that Lou Harrison wrote a piece (evidently reworked as the second movement of the Suite for Cello and Harp) that exploited the wolf specific to Seymour Barab's new cello, there is no clear evidence that this occurred.
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In live sound mixing, GBF is dependent on a wide variety of conditions: the pickup pattern (polar pattern) of the microphone, the frequency response of the microphone and of the rest of the sound system, the number of active microphones and loudspeakers, the acoustic conditions of the environment including reverberation and echo, and the relative positions of the microphones, the loudspeakers, the sound sources and the audience. Each doubling of the number of open microphones (NOM) reduces the PAG by 3 dB. Directional microphones are used in live sound to maximize GBF. Directional microphones with cardioid and hypercardioid pickup patterns are designed with reduced sensitivity to the rear (cardioid) or to an angle between the side and the rear (hypercardioid).
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Over time, this increased demand for used units (such as the 1980 Roland TR-808 drum machine and Roland TB-303 bass synthesizer). Late 1970s-era drum machines used tuned resonance voice circuits for pitched drum sounds and shaped white noise for others. The TR-808 improves on these designs, by using detuned square wave oscillators (for the cow bell and cymbal sounds) and analogue reverberation (for the handclap sound). The demand for the analog synth sound led to development of a variety of analog modeling synthesizers—which emulate analog VCOs and VCFs using samples, software, or specialized digital circuitry, and the construction of new analog keyboard synths such as the Alesis Andromeda, Prophet '08, and Little Phatty, as well as semi-modular and modular units.
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Often, height localisation is of secondary importance and full-sphere information is only sought for a more pleasant rendering of diffuse room reverberation. Hence, it is customary to take a first-order recording of a tetrahedral microphone for ambiance and augment it with artificially panned direct signals or spot microphones in higher order on the equator, resulting for example in a 2H1P (or second-order horizontal, superimposed with a first-order periphonic) signal. If sources are concentrated on the horizontal plane, this approach is quite efficient in terms of bandwidth and reproduction complexity. However, such a system has an often-overlooked misfeature: as soon as a source leaves the equator, its sharpness and area of satisfactory reconstruction degrades rapidly to that of the (lower) periphonic order.
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High quality projectors are employed for the lighting of the area; lighting equipment includes 200-inch dimmers, a "Congo ETC" lighting console, and five LED panels for displays and the projection of subtitles. The ergonomic design of the theater provides unobstructed visibility and, for events that require a greater immediacy for a smaller audience, a mobile partition can be employed. The acoustics of the venue are capable of an average reverberation time of less than 1.1 seconds audio in the room is evenly distributed to within ± 2 decibels (db) from point-to-point and the central console is a digital 96-channel "MIDAS XL 8". The acoustic design of the theater was completed by Theodore Timagenis, an acoustic design consultancy firm founded in 1975.
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The National Research Council in Canada has a modern anechoic chamber, and has posted a video on the Web, noting these as well as other constructional details. Doors must be specially made, sealing for them must be acoustically complete (no leaks around the edges), ventilation (if any) carefully managed, and lighting chosen to be silent. The second requirement follows in part from the first and from the necessity of preventing reverberation inside the room from, say, a sound source being tested. Preventing echoes is almost always done with absorptive foam wedges on walls, floors and ceilings, and if they are to be effective at low frequencies, these must be physically large; the lower the frequencies to be absorbed, the larger they must be.
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The chord sequence changes to Dmaj7–A–E in the pre-chorus, while Mabel's vocal increases from A to C. Conversely, she performs in a monotonous style in the chorus, and her vocals have a parallel lower octave with additional Auto-Tune. A reggaeton groove is introduced in the chorus with an extended reverberation percussive hit, and a single D chord is played for two full measures at the end. In the second verse, a high snare drum plays a frequent two and four backbeat before reintroducing the kick drum which dominates the second pre-chorus. Cabasa, handclaps and shakers are added in this section, ahead of the second chorus that includes a snare drum triplet fill in the final measure.
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It is an example of a non-in-line or regenerative sound system which uses the inherent feedback of sound from the loudspeakers to the microphones to enhance the reverberation time for all sound source positions within the room. VRAS uses a unitary reverberator which maintains a constant power gain with frequency so that its inclusion does not affect the stability of the system (at each frequency the reverberator is a unitary matrix).[ M. A. Poletti, ”The stability of single and multichannel sound systems,” Acustica- Acta Acustica, vol. 86, pp 123-178, 2000] In addition, VRAS uses a number of microphones close to the stage area to detect early energy from the performers, which is used to generate early reflections.
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Following the sale of the store to The May Department Stores Company, in 1995, the Wanamaker's name was removed from the store (first as Wanamaker-Hecht's) in favor of Hecht's, but the organ and its concerts were retained. During the local renaming of the Hecht's stores to Strawbridge's, the historic Wanamaker Store briefly took the name of its longtime rival Strawbridge's. The May Company began a complete restoration of the organ in 1997, as part of the store's final May Co. conversion into a Lord & Taylor. At that time the store area was reduced to three floors and additional panes of glass were put around the Grand Court on floors four and five, greatly enhancing the reverberation of the room.
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The building's full name reflects the fact that it is used not only for concerts, big-name speakers, dinners, and commencement, but also for basketball as mentioned above. The building may be reconfigured for seating capacities of 12,000 in the round to 9,000 in an end-stage configuration for concerts, to 2,500 in a theater configuration using an extensive system of fly-in curtains, an adjustable cloth scrim ceiling, and a portable proscenium stored under the floor. The original opera house/theater configuration featured one of the first synthesized acoustical environments using surround speaker systems. An onsite reverberation chamber tuned with fiberglass panels for the specific acoustical configuration was combined with the first commercial use of a digital delay line, the Lexicon DD1, then fed to the side and overhead speakers.
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In practice, Handel often adapted his music to the occasion and to the skill of those for whom he was writing, and no occasion could be grander than a coronation. The ceremonial style of the anthems differs from his music for the theatre just as his Music for the Royal Fireworks (the latter designed for open-air performance) differs from his instrumental concertos. The anthems show a completely extrovert tone, managing massed forces and important contrasts rather than delicate colours—with the wide spatial reverberation in Westminster Abbey, he did not waste time and effort trying to show small points of detail. The means he had at his disposal were the most important of the era—the choir of the Chapel Royal was augmented by 47 singers, with an orchestra which reached perhaps 160 people.
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Winter and his Consort began organizing many different events at the Cathedral, and in turn, the Cathedral allowed the use of its very reverberant sanctuary (with a measured seven seconds of reverberation time) and its organ for the creation of new albums. When Dorothy Papadakos succeeded Halley as Cathedral Organist in 1990, she teamed with the Paul Winter Concert for the Cathedral's festive Easter and Christmas services, The Consort appeared on many of Winter's projects throughout the 1980s. With their new lineup of Paul Winter on soprano saxophone, Nancy Rumbel on oboe and English horn, Paul Halley on piano and organ, ground-breaking jazz cellist Eugene Friesen, Jim Scott on guitars, and world percussionist Ted Moore, the Consort recorded Winter's album Callings, which further examined the possibility of creating music with wildlife.
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Some users add a subwoofer because high levels of low-frequency bass are desired, even beyond what is in the original recording, as in the case of house music enthusiasts. Thus, subwoofers may be part of a package that includes satellite speakers, may be purchased separately, or may be built into the same cabinet as a conventional speaker system. For instance, some floor-standing tower speakers include a subwoofer driver in the lower portion of the same cabinet. Physical separation of subwoofer and "satellite" speakers not only allows placement in an inconspicuous location, but since sub-bass frequencies are particularly sensitive to room location (due to room resonances and reverberation 'modes'), the best position for the subwoofer is not likely to be where the "satellite" speakers are located.
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Hard trance is a subgenre of trance music that originated in Western Europe (Belgium, Germany, and Netherlands) in the early 1990s as the breakbeat hardcore production community began to diversify into new and different styles of electronic music, all influenced by hard house, New beat, happy hardcore and jungle. The popularity of hard trance peaked during the late 1990s, and has since then faded in scope of newer forms of trance. Hard trance is often characterized by strong, hard (or even downpitch) kicks, fully resonant basses and an increased amount of reverberation applied to the main beat. Melodies vary from 140 to 180 in tempo, and can feature plain instrumental sound in early compositions, with the latter ones tending to implement side-chaining techniques of progressive on digital synthesizers.
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The JamMan is an audio looping device manufactured by Lexicon in the mid-1990s. The idea for the JamMan began with modifications Gary Hall had devised for the Lexicon PCM-42 that allowed him to play into a long, looping delay whose clock could be synchronized to an external source. (Hall, who worked for Lexicon in two different periods, was the primary architect of the PCM41 and PCM42, as well as the non-reverberation effects that first appeared in the 224X and became better known in the PCM70.) Bob Sellon extended the concept considerably, starting with elaborate PCM42 modifications and eventually working with several others at Lexicon to arrive at the JamMan. The product allowed musicians to record musical phrases at the touch of a button which were then played back, looping indefinitely.
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All tracks on sides one and two are studio recordings with added reverberation and audience noise. All tracks on sides three and four recorded live at the Bell Auditorium in Augusta, GA unless otherwise noted. "Brother Rapp" and "Lowdown Popcorn" are the same studio performances initially released as singles. Audience-free studio versions of "Get Up I Feel Like Being a Sex Machine" and "Give It Up or Turnit a Loose" appear on the CD compilation Funk Power 1970: A Brand New Thang, along with a previously unreleased take of "There Was a Time" from the same session. "Mother Popcorn", which was indeed recorded live, appears without added audience noise and with a longer running time on the CD compilation Foundations of Funk: A Brand New Bag 1964-1969.
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Drummers often bring a carpet, mats or rugs to venues to prevent the bass drum and hi-hat stand from "crawling" (moving away) on a slippery surface from the drum head striking the bass drum. The carpet also reduces short reverberation (which is generally but not always an advantage), and helps to prevent damage to the flooring or floor coverings. In shows where multiple drummers will bring their kits onstage over the night, it is common for drummers to mark the location of their stands and pedals with tape, to allow for quicker positioning of a kits in a drummer's accustomed position. Bass drums and hi-hat stands commonly have retractable spikes to help them to grip surfaces such as carpet, or stay stationary (on hard surfaces) with rubber feet.
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There is limited understanding of how the ear and brain process sound to produce such perceptions, and so no measurement, or combination of measurements, can assure successful perceptions of, for instance, the "sound stage" effect. Thus, there is no assured procedure that will maximize speaker performance in any listening space (with the exception of the sonically unpleasant anechoic chamber). Some parameters, such as reverberation time (in any case, really applicable only to larger volumes), and overall room "frequency response" can be somewhat adjusted by addition or subtraction of reflecting, diffusing, or absorbing elements, but, though this can be remarkably effective (with the right additions or subtractions and placements), it remains something of an art and a matter of experience. In some cases, no such combination of modifications has been found to be very successful.
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Aside from You Am I, Rusty has also played with Australian punk act Radio Birdman on their Zeno Beach (2006) album and consequent tours. Other bands Rusty is said to have been associated with during the course of his career include Circle A, Zoo Rejects, Genocide, Mob Vengeance, Dismembered, Insurrection, Vicious Circle, Greenhouse Effect, The Bamboos, Memento Mori, Cremator, The Kryptonics, Nursery Crimes and Killing Time as well as playing on The Pictures' second album, Kicking Indiffference. Outside of his band involvements, Rusty manages record label and distribution company Reverberation Records. Hopkinson comperes a show, "Stronger Than Dirt" (a reference to his beloved Mummies), on Sydney radio station 2SER which features music from the last two centuries including Pre WW2 Folk and Jazz, Obscure Psychedelia, Gutter Punk, "Blue" Comedy records and Asian Go Go music.
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Losses incurred throughout the medium are generally consolidated so that they can be calculated once at the termination of a delay line, rather than many times throughout. Waveguides such as acoustic tubes are three-dimensional, but because their lengths are often much greater than their cross-sectional area, it is reasonable and computationally efficient to model them as one-dimensional waveguides. Membranes, as used in drums, may be modeled using two-dimensional waveguide meshes, and reverberation in three-dimensional spaces may be modeled using three- dimensional meshes. Vibraphone bars, bells, singing bowls and other sounding solids (also called idiophones) can be modeled by a related method called banded waveguides where multiple band-limited digital waveguide elements are used to model the strongly dispersive behavior of waves in solids.
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The first practical audio tape recorder was unveiled in 1935.. Improvements to the technology were made using the AC biasing technique, which significantly improved recording fidelity. abstract. As early as 1942, test recordings were being made in stereo.. Although these developments were initially confined to Germany, recorders and tapes were brought to the United States following the end of World War II., scu.edu These were the basis for the first commercially produced tape recorder in 1948.. In 1944, prior to the use of magnetic tape for compositional purposes, Egyptian composer Halim El- Dabh, while still a student in Cairo, used a cumbersome wire recorder to record sounds of an ancient zaar ceremony. Using facilities at the Middle East Radio studios El-Dabh processed the recorded material using reverberation, echo, voltage controls, and re-recording.
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In 1983, two years after Robert Russell Bennett's death, Shaw recorded a somewhat revised digital stereo version of The Many Moods of Christmas, with the Atlanta Symphony Orchestra and Chorus, released that December by Telarc. It was the first of three Christmas albums that Robert Shaw recorded for Telarc. While the first version of The Many Moods of Christmas had been made with rather close miking in a recording studio, the newer version was recorded in the more spacious environment of Atlanta Symphony Hall in the Woodruff Arts Center, resulting in a recording with more reverberation than the first. The Shaw/Atlanta recording remains a popular seller, and had eclipsed the out-of-print 1963 version before the latter's digital release on a 1997 CD. Both versions are now best sellers.
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The EMT reverb was an electro-mechanical echo chamber used to add artificial reverberation effects to recordings. Porter arranged to have the dedicated echo room cooled down as much as possible with an air conditioner, and he adjusted the ten springs on the EMT plate to be tighter than usual, in order to feed the plate more audio signal and get a cleaner sound returning from the device. So much signal was being sent to the plate that Porter disconnected the associated VU meter so that he would not be bothered with its needle slamming against its peg. Porter related that the EMT's springs frequently broke under the increased tension, and he would have to replace them, but that the trouble was worth achieving a "brighter and fuller" echo effect.
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The "S-6," the most popular model, added the ability to add Percussion to the Solo division, thereby allowing the instrument to imitate instruments such as Banjo, Hawaiian Guitar, etc. The "S-100," the last revision of the "S" series, added built-in Stereo Reverberation, substituted an Expression Pedal for the expression lever used on previous models, and featured a re-styled cabinet design as well as a separate ON/OFF Power Switch (on previous models, power was turned on by swinging the expression lever down similar to the Solovox). An additional Chord Organ was manufactured for a brief time in the mid-'60s (the 2000 series), which had a simplified chord panel (Major, Minor, 7th and Diminished chords only) and traditional organ-type voices for the right-hand keyboard. This model also used solid-state circuitry.
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The refurbishment of 2010/11, which was carried out to a design by RHWL, which subsequently became part of Aedas, and undertaken by Kier Group, included an extension which included grey brick facades which contrasted with the original building and involved large sections of coloured glazing. The internal improvements included new meeting spaces, a new restaurant and new bar facilities. The work on the concert hall itself, on which Arup advised, was minimal in order not to disturb the fine acoustics properties of the facility. The acoustics had been analysed by an acoustics company in 2009, who reported that the size and "shoebox" shape of Watford Colosseum and the flat floor and the materials used in construction allow for pleasant reverberation and good sound quality and clarity, such as to make it among the best in Europe.
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In author Bruce Spizer's description, Harrison's Moog 3P set-up comprised "two five-octave keyboards with portamento control, a ribbon controller, ten oscillators, a white noise generator, three ADSR envelope generators, voltage-controlled filters and amplifiers, a spring reverberation unit and a four-channel mixer". Aside from Krause's discovery that Harrison intended to use the 1968 demonstration piece on the album, the relationship between the two musicians was adversely affected by Harrison's stay in hospital in early February, where he had his tonsils removed. Krause felt insulted by the treatment he received at the Apple Corps headquarters, where, with Harrison indisposed, the staff had no knowledge of his visit, and were wary of con-artists. Krause and his wife then went to Paris, only to be summoned back to London by Harrison once he was released from hospital.
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"For Emily, Whenever I May Find Her" has been called an "ethereal showpiece for [Art] Garfunkel," containing a "mystical quality, created not only by the timbre of the guitar, but also by some of the rhythmic and pitch elements." The song’s production is simple, and consists mainly of a 12-string acoustic guitar played by Simon and various studio techniques, such as reverberation and unison overdubs on the vocals. The song is composed in the key of F major, and is played by Paul Simon with the capo on 3rd fret, which means the harmonies are in relative D. The song barely lasts two minutes, covering five verses. The first three employ "ornate imagery to tell of his dream of finding his lover," the fourth is an instrumental interlude, and the fifth finds the protagonist awakening to find his lover with him.
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In this respect, the result of the 1962 Rangoon University protests ushered a new era of underground student activism in which open mass student involvement in national politics erupted only sporadically, most prominently during the student protests of the mid-1970s and during the 8888 Uprising in 1988. The reverberation of the events on 7–8 July 1962 can be felt to this day. General Ne Win prominently illustrated the continuing symbolic power associated with the protests when he referred in his departure speech in 1988 to the destruction of the RUSU building as "one of the key episodes" during his time in power. As recently as 2012 around 14 persons were "taken into custody by local authorities ... to prevent them from going ahead with planned events to mark the 50th anniversary" of the 7 July incidents.
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In this period, he became known internationally as "Mister Guitar", inspiring an album, Mister Guitar, engineered by both Bob Ferris and Bill Porter, Ferris's replacement. Atkins listening as Bill Porter adjusts a mix in RCA's Nashville studio At the end of March 1959, Porter took over as chief engineer at RCA's Nashville studio, in the space eventually known as Studio B after the facility expanded with a second studio in 1960. (At the time, RCA's sole Nashville studio had no letter designation.) Porter soon helped Atkins get a better reverberation sound from the studio's German effects device, an EMT plate reverb. With his golden ear, Porter found the studio's acoustics to be problematic, and he devised a set of acoustic baffles to hang from the ceiling, then selected positions for microphones based on resonant room modes.
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Arturo Toscanini In 1936, Toscanini resigned from the New York Philharmonic, returned to Italy and was considering retirement; David Sarnoff, president of the Radio Corporation of America proposed creating a symphony orchestra for radio concerts and engaging Toscanini to conduct it. Toscanini was initially uninterested in the proposal, but Sarnoff sent Toscanini's friend Samuel Chotzinoff to visit the conductor in Milan; Chotzinoff was able to persuade the wary Toscanini to accept Sarnoff's offer. Toscanini returned to the United States to conduct his first broadcast concert with the NBC Symphony Orchestra on December 25, 1937, in NBC Studio 8-H in New York City's Rockefeller Center. The infamous dry acoustics of the specially built radio studio gave the orchestra, as heard on early broadcasts and recordings, a harsh, flat quality; some remodeling in 1942 at Leopold Stokowski's insistence, added a bit more reverberation.
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Vox reviewer Susan Corrigan awarded the album a 9-out-of-10 rating and said that "together [Berenyi and Emma Anderson loop hazy vocals through hard-edged fractured melodies, evoking an unstructured sense of bliss even for the most jaded listener". Corrigan further described how Lush's "heady, expansive songs burst out of the vinyl like riotously-coloured musical fractals". David Stubbs wrote a largely warm review in Melody Maker, selecting "De-Luxe" and "Thoughtforms" as Galas standout tracks and describing how "the guitars glitter like sunshine immediately after the rain". In The New York Times, Jon Pareles described Gala as featuring guitars "swathed in electronic reverberation and other effects" and overdubbing, and a retrospective 4-out-of-5 review on AllMusic by Andy Kellman praised Lush's ability "to veer from violent and edgy noise breaks to pop effervescence".
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Because the forward- and rearward-generated sounds are out of phase with each other, any interaction between the two in the listening space creates a distortion of the original signal as it was intended to be reproduced. As such, a loudspeaker cannot be used without installing it in a cabinet of some type, or mounting it into a wall or ceiling. Additionally, because the sound waves would travel different paths through the listening space, the sound waves in an unmounted speaker would arrive at the listener's position at slightly different times, introducing echo and reverberation effects not part of the original sound. The enclosure also plays a role in managing vibration induced by the driver frame and moving airmass within the enclosure, as well as heat generated by driver voice coils and amplifiers (especially where woofers and subwoofers are concerned).
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Central masses of 105 to 109 solar masses have been measured in quasars by using reverberation mapping. Several dozen nearby large galaxies, including our own Milky Way galaxy, that do not have an active center and do not show any activity similar to a quasar, are confirmed to contain a similar supermassive black hole in their nuclei (galactic center). Thus it is now thought that all large galaxies have a black hole of this kind, but only a small fraction have sufficient matter in the right kind of orbit at their center to become active and power radiation in such a way as to be seen as quasars. This also explains why quasars were more common in the early universe, as this energy production ends when the supermassive black hole consumes all of the gas and dust near it.
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In 2003, literary critic Harold Bloom named McCarthy as one of the four major living American novelists, alongside Don DeLillo, Thomas Pynchon, and Philip Roth. His 1994 book The Western Canon had listed Child of God, Suttree, and Blood Meridian among the works of contemporary literature he predicted would endure and become "canonical". Bloom reserved his highest praise for Blood Meridian, which he called "the greatest single book since Faulkner's As I Lay Dying", and though he held less esteem for McCarthy's other novels he said that "to have written even one book so authentically strong and allusive, and capable of the perpetual reverberation that Blood Meridian possesses more than justifies him.... He has attained genius with that book." A comprehensive archive of McCarthy's personal papers is preserved at the Wittliff Collections, Texas State University, San Marcos, Texas.
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The "Seventeen tantras of the esoteric instruction cycle" ( ) which are supports for the Vima Nyingthig are as follows (in no particular order): # "Self-existing Perfection" () # "Without Letters" () # "Self-arising Primordial Awareness" () # "Self-liberated Primordial Awareness" () # "Piled Gems" () # "Shining Relics of Enlightened Body" () # "Reverberation of Sound" () # "Great Auspicious Beauty" () # "The Mirror of the Heart of Vajrasattva" () # "The Mirror of the Mind of Samantabhadra" () # "Direct Introduction" () # "Necklace of Precious Pearls" () # "Sixfold Expanse of Samantabhadra" () # "Blazing Lamp" () # "Union of the Sun and Moon" () # "Lion's Perfect Expressive Power" () # "Array of Jewels" () These seventeen tantras are to be found in the Nyingma Gyubum (, "Canon of the Ancient School"), volumes 9 and 10, folio numbers 143–159 of the edition edited by Jamyang Khyentse Rinpoche, commonly known as Dilgo Khyentse (Thimpu, Bhutan, 1973), reproduced from the manuscript preserved at Tingkye Gonpa Jang () Monastery in Tibet.
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In "The Platonic Permutation" Amy offers Sheldon to get back together with her after spending time together in an aquarium at Thanksgiving, but sadly learns that he simply just wants to be her friend, with him revealing to her that "I excel at many things, but getting over you wasn't one of them". In "The Earworm Reverberation", Sheldon can't get a song out his head, but after suddenly remembering the title and the lyrics, he realizes that the song was about Amy and that she changed his life for the better, which prompts him to go to her apartment to profess his love. He finds Amy on a date with Dave, who has a great adoration for Sheldon because of his intellect. Seeing how much they love each other, Dave gleefully urges Sheldon to kiss Amy, leading to their reunion.
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Culshaw praised Britten for his understanding of the possibilities and limitations of the technical side of stereo recording. They discussed the recording setup in depth and placed each of the three distinct forcesBritten wrote the piece in three distinct planes or levelsin appropriate locations. The two male soloists, representing two soldiers, and the chamber orchestra which accompanies them were placed to the right of the space in a dry acoustic to capture verbal clarity and to more accurately portray Britten's directions in the score, which frequently called for a "cold" tone from the string players. The large forces of the Mass itself (soprano soloist, chorus and orchestra) were placed in the centre of the hall with the chorus in the gallery which gave the desired level of reverberation, implying the large space of a cathedral without losing too much definition.
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Westlake Recording Studios was founded in the early 1970s by the American audio engineer Tom Hidley under the name Westlake Audio. Hidley was experienced in the development of audio technology, having collaborated with Madman Muntz in the development of the first car stereo in 1959, and along with Amnon "Ami" Hadani, he had previously set up another recording studio in Hollywood, TTG Studios, in 1965. The layout of the rooms at Westlake Studios aimed for an acoustic design that could give a fairly flat frequency response at the recording position, with low reverberation delay and extensive use of bass traps. As the need to transfer audio material between different studios grew, there was an increasing demand for standardization across the recording industry; the success of Hidley's acoustic design was copied at other sites, and "Westlake-style" rooms spread to a number of other studios by the late 1970s.
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McNeely returned to score the entire series, making frequent use of "grumbling timpani rolls, bass drum beats and shrill brass and violin crescendos that familiarly sketch the action arcs of the narrative." Traditional orchestral elements are integrated with innovative electronic sounds and female vocals to create a sense of Max's "otherworldliness", "haunting wind chimes, pseudo-Orientalist refrains and extenuated high-pitched eerie sounds" evoke Max's super-human abilities, and "driving hip hop bass beats with heavy percussive effects [and] high-pitched feedback and reverberation" convey Max's struggles with violence and her memories of Manticore. The theme song for the series was composed by Chuck D and Gary G-Wiz. Both McNeely and G-Wiz cited Dark Angel as an opportunity to push sonic boundaries; G-Wiz stated that Eglee and music supervisor Randy Gerston kept calling him and telling him to make the theme song "crazier".
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When the boom collapsed in 1927, Trinity Church was saddled with a large mortgage debt, which was not paid until 1946, after almost twenty years of sacrifice and struggle. The interior of the Cathedral contains a profusion of finely wrought mosaics which depict the six days of creation, the hosts of heaven, and the Stations of the Cross. In addition, stained glass windows illustrate events in the life of Jesus with corresponding scenes from the Old Testament, the miracles of Jesus, the Song of the Three Young Men (the Benedictus es), the seven sacraments of the church, and many of the saints and scholars of the British Isles before the Protestant Reformation. The Cathedral interior has a sound reverberation of more than four seconds, a feature which greatly enhances the musical effectiveness of the Cathedral's E. M. Skinner/Æolian Skinner pipe organ of fifty-six ranks.
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Sperimental work of the mysterious author Arallū, The Dim Reverberation of the Chaosholder is presented by the author as a "dungeon crawler comic", first volume of the entire half-yearly series that will be composed of eight volumes. Arallū introduces us so: > Give up any illusions and consciously be entropic containers. > I'm not recounting to answer your questions but to let you exist in an > anomalous aesthetic the contents that are yours since forever. > Their space-time, instead, does not belong to you... Strongly videogame culture influenced, it develops in first person and in a similar way as roleplaying games; the protagonist/reader (as the "Obsidian Golem") have to face claustrophobic undergrounds, and to explore the obscure and alienating universe, solving small puzzles, while escorted by N'Tar, a monster forced to accompany and show him the way by a mysterious entity, that works as sole narrator.
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The Theatre in the Woods at Grange Park Opera photo: Richard Lewisohn Grange Park Opera is a professional opera company and charity whose base is West Horsley Place in Surrey, England. Founded in 1998, the company staged an annual opera festival at The Grange, in Hampshire and in 2016-7, built a new opera house 'Theatre in the Woods' at West Horsley Place – the 350-acre estate inherited by author and broadcaster Bamber Gascoigne in 2014. With five tiers of seating in a horseshoe shape (modelled on La Scala, Milan), the Theatre in the Woods is designed to target an optimum acoustic reverberation of 1.4 seconds. Singers who have performed with Grange Park Opera include Bryn Terfel, Simon Keenlyside, Joseph Calleja, Claire Rutter, Rachel Nicholls, Bryan Register, Susan Gritton, Wynne Evans, Sally Matthews, Alfie Boe, Robert Poulton, Jeffrey Lloyd-Roberts, Sara Fulgoni, Clive Bayley and Alistair Miles.
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Initially, Simon Carter began recording songs in his parents' basement, which were unlikely to see the light of day, until he sat down with his bass-playing friend Bec Darwon and offered to play her his demos. The Cops' original line-up also included Simon Meli (The Widowbirds), Jimmy Stacks (who previously played with Carter in 'General Lee'), Andrew Gilbert (Whom Carter played with in 'Hush Honey') and Nick Kennedy (ex-Big Heavy Stuff). In early 2004, the band released their debut self-titled E.P. on Reverberation. In late 2004, The Cops signed with small independent record label Love Police Records, releasing the debut album Stomp On Tripwires in September that year. In 2005, the band undertook numerous tours, with support slots for bands such as Blondie, The Dirtbombs, The Distillers, The Donnas, Dallas Crane and The Von Bondies; while also receiving nominations for 'Best Newcomer' and 'Best Bass Player' at the 2005 Jack Awards. In May 2005, Jimmy Stacks left the band.
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It is not widely known that EMS electronic equipment was mostly made by another company "Hilton Electronics" based in Wareham, Dorset. The VCS3 consisted of 3 voltage- controlled oscillators (VCOs), a noise generator, two input amplifiers, ring modulator, voltage-controlled low-pass filter, trapezoid envelope generator, voltage-controlled reverberation, level meter, two output amplifiers thus providing a stereo output, and a joystick providing 'X' and 'Y' modulation control. Matrix plugboard A distinctive design feature of the VCS3 (and later EMS systems) was that, rather than using patch cords to route audio and control signals between modules, Cockerell employed a small matrix plugboard (patchboard) into which the user stuck special conductive pins that connected an input (listed on the X-axis of the matrix) to an output (on the Y-axis). This matrix plugboard gave the VCS3 a high degree of inter-connectivity, comparable to that of much larger modular systems, and far greater than similar small synthesisers like the Minimoog.
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Before the M–σ relation was discovered in 2000, a large discrepancy existed between black hole masses derived using three techniques.Merritt, D. and Ferrarese, L. (2001), Relationship of Black Holes to Bulges Direct, or dynamical, measurements based on the motion of stars or gas near the black hole seemed to give masses that averaged ≈1% of the bulge mass (the "Magorrian relation"). Two other techniques—reverberation mapping in active galactic nuclei, and the Sołtan argument, which computes the cosmological density in black holes needed to explain the quasar light—both gave a mean value of M/Mbulge that was a factor ≈10 smaller than implied by the Magorrian relation. The M–σ relation resolved this discrepancy by showing that most of the direct black hole masses published prior to 2000 were significantly in error, presumably because the data on which they were based were of insufficient quality to resolve the black hole's dynamical sphere of influence.
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A good example of time- controlled noise gating is the well-known "gated reverb" effect heard on the drums on the Phil Collins hit single "In the Air Tonight", created by engineer-producer Hugh Padgham, in which the powerful reverberation added to the drums is cut off by the noise gate after a few milliseconds, rather than being allowed to decay naturally. This can also be achieved by: sending the "dry" snare signal to the reverb (or other process) unit, inserting a noise gate on the path of the reverb signal and connecting the snare sound to the side chain of the gate unit. With the gate unit set to "external sidechain" (or "external key"), the gate will respond to the snare signal level and "cut off" when that has decayed below the threshold, not the reverberated sound. It is a common production trick to use spurious combinations of side chain inputs to control longer, more sustained sounds.
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A gobo panel achieves the same idea to a much more moderate extent; for example, a drum kit that is too loud in the live room or on stage can have acrylic glass see-through gobo panels placed around it to deflect the sound and keep it from bleeding into the other microphones, allowing more independent control of each instrument channel at the mixing board. All rooms in a recording studio may have a reconfigurable combination of reflective and non-reflective surfaces, to control the amount of reverberation. In animation, vocal performances are normally recorded in individual sessions, and the actors have to imagine (with the help of the director or a reader) they are involved in dialogue (as opposed to a monologue). Animated films often evolve rapidly during both development and production, so keeping vocal tracks from bleeding into each other is essential to preserving the ability to fine-tune lines up to the last minute.
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With the introduction of multi-track recording, it became possible to record instruments and singers separately and at different times on different tracks on tape, although it was not until the 1970s that the large recording companies began to adopt this practice widely, and throughout the 1960s many "pop" classics were still recorded live in a single take. After the 1960s, the emphasis shifted to isolation and sound-proofing, with treatments like echo and reverberation added separately during the mixing process, rather than being blended in during the recording. One regrettable outcome of this trend, which coincided with rising inner-city property values, was that many of the largest studios were either demolished or redeveloped for other uses. In the mid 20th century, recordings were analog, made on ¼-inch or ½-inch magnetic tape, or, more rarely, on 35mm magnetic film, with multitrack recording reaching 8 tracks in the 1950s, 16 in 1968, and 32 in the 1970s.
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The New York Times wrote that "each time The Onion publishes this particular headline, it seems to rocket around the internet with more force" and that the headline "with each use, seemed to turn from cheeky political commentary on gun control into a reverberation of despair." Mashable wrote that "[n]othing captures that feeling of frustration and powerlessness" following major mass shootings as well as these Onion articles, adding that "[t]here's no shortage of brilliant Onion pieces, but none have resonated—or been as tragically prescient—like the 'No Way' post." The Washington Post wrote that, with these articles, The Onion "appears to capture the frustration and futility felt by so many people" following mass shootings, noting the increased Internet traffic the articles draw and how popular they are on social media. The Huffington Post cites these articles as "some of the most resonant commentary on the nation's total lack of action on gun violence".
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Dugan described for the AES his prototype of an automixer to be inserted into selected microphone channels of a mixing console, operated by a person, to help in mixing multiple live microphones to have less reverberation and noise, more focus on the desired sound, eliminating the mixing engineer's problem of too-slow human reaction time. The gain limiting system provided smooth, continuous control over the equivalent number of open microphones (NOM) that the automixer would send at its outputs. The NOM could be set anywhere between 1 and 10, with higher settings sounding more natural for a recording in a studio, and lower settings offering greater control of acoustic feedback in the presence of sound reinforcement loudspeakers. An embodiment of Dugan's three patents was produced as the Model D Automatic Mixing Controller, a 3U rack unit handling 8 channels which could be linked with up to 11 other Model Ds to automatically mix as many as 96 channels simultaneously. Generations of Dugan's automixers Dugan's original 1974 patent expired in 1991, and the Dugan Speech System patent in 1993.
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The quality and reliability of the EMT machines became rapidly legendary and the 'arrowhead' logo became a symbol of German engineering at its best in professional studio audio equipment, the only possible choice for top radio stations and the phonographic industry. With its more reasonable size, the ‘930’ was somewhat more economical to build than the ‘927’, making it a very interesting turntable even for smaller studios, but EMT was not building only exceptionally good (and extremely expensive) machines. In 1957 it began the production of another machine, the ‘140’ Reverberation Unit. Developed, like the ‘R80’ turntable, in co-operation with the ‘Rundfunktechnisches Institut’, the ‘140’ was one of EMT’s best products and remained in production for 25 years. In 1958, the sound-reproduction world was shaken by the introduction of stereo, and 927s and 930s were quickly adapted to the new system with stereo cartridges, appropriate rewiring of the tonearm and the new stereo preamplifier ‘139st’; it was phased out of production when the more modern solid-state ‘155st’ arrived, in 1960.
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The album, Braxton's second full length as a solo artist, features a large-scale orchestral score with performances by The Wordless Music Orchestra. The album's name is both a nod at Stravinsky's Petrushka (the fairytale-like bazaar that opens that ballet), as well as the worldwide market crash of 2008. Central Market was premiered by Braxton and The Wordless Music Orchestra in the U.S at Lincoln Center, followed by performances at the Library of Congress and The Walker Arts Museum. It premiered in the U.K at Steve Reich's Reverberation Festival, Barbican Centre, in 2011 with the BBC Symphony Orchestra performing and was adapted for ballet by Baryshnikov Art Center resident choreographer John Heginbotham. In 2011, Braxton expanded his focus on an array of other commissions and performances, including a return to Alice Tully Hall to premiere of TREMS, a new 2 movement work for Bang on a Can All Stars, the Barbican premiere of Uffe’s Woodshop for string quartet performed by the Kronos Quartet, and a duo with seminal composer Philip Glass for the New York edition of the All Tomorrow’s Parties festival in 2012.
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Video Thanks to a collaboration with the Steinhardt School of New York University he has been invited at Interactive ART Festival'99 and NYCElectronic Music Festival'13 in New York, Tulane University in New Orleans. With Lucrezia de Domizio, curator of artist Joseph Beuys's opera, he has been present in many Contemporary Art events such as La Biennale di Venezia (49a e 53a), ArsAevi Museum di Sarajevo. On the occasion of the Centenary of the first radio telegraphy transmission across the Atlantic by Guglielmo Marconi (Celebrazioni Marconiane, 2001) he was awarded the “Premio Marconi 2002 per l’Arte Tecnologica” for the electro- acoustic opera “KITE”.pdf doc After researches on the peculiar reverberation characteristics of the Pisa's Baptistry, he composed the concert “SiderisVOX” where the monument is considered a “musical instrument” using computer generated anechoic sounds (June 2006 and June 2016).SiderisVOX Recently he started the project “Collisions” webpage together with Alessandro Baris (percussionist and composer) realizing a set/concert in the consumer/avant- garde music area: Collisions has been performed in many Contemporary Art and Music Festivals such as roBOt Festival, Bologna,video Dancity (Foligno) and Electropark (Genova).
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In about 20 BC, the Roman architect and engineer Vitruvius wrote a treatise on the acoustic properties of theaters including discussion of interference, echoes, and reverberation—the beginnings of architectural acoustics.ACOUSTICS, Bruce Lindsay, Dowden – Hutchingon Books Publishers, Chapter 3 In Book V of his De architectura (The Ten Books of Architecture) Vitruvius describes sound as a wave comparable to a water wave extended to three dimensions, which, when interrupted by obstructions, would flow back and break up following waves. He described the ascending seats in ancient theaters as designed to prevent this deterioration of sound and also recommended bronze vessels of appropriate sizes be placed in theaters to resonate with the fourth, fifth and so on, up to the double octave, in order to resonate with the more desirable, harmonious notes.Vitruvius Pollio, Vitruvius, the Ten Books on Architecture (1914) Tr. Morris Hickey Morgan BookV, Sec.6–8Vitruvius article @WikiquoteErnst Mach, Introduction to The Science of Mechanics: A Critical and Historical Account of its Development (1893, 1960) Tr. Thomas J. McCormack During the Islamic golden age, Abū Rayhān al-Bīrūnī (973-1048) is believed to postulated that the speed of sound was much slower than the speed of light.
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The Independent.Euronews (July 4, 2014). "Death metal band in a Black Box equals performance art". is an iron cube with the exact same dimensions and outward look of Tony Smith's minimalist sculpture DIE (1962), with the particularities of being soundproof and having an accessible interior (as one of its sides functions as a door), in which a death metal band is invited to play; as they begin to play, the door is shut from the outside, and the band elements keep on playing until they run out of oxygen, making the performance's duration entirely variable and unknown; not only that, as the interior is acoustically isolated, the audience only hears faint residues from the reverberation of the music played inside, until the door is opened again at the end of the performance. Having been presented in over ten cities across Europe over the past 13 years – Basel, Bordeaux, Barcelona, Copenhagen, Aalst, Porto, Vitoria- Gasteiz, Madrid, Paris and London – Box sized DIE was first exhibited in Lisbon, Portugal, in 2007, at Cristina Guerra Contemporary Art, featuring the band Sacred Sin, and most recently, with the band Holocausto Canibal, at Onofre's solo show Once in a Lifetime [Repeat],Culturgest (2019).
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The recommended reverberation time is always a function of the volume of the room. Several authors give their recommendations “Acoustics”, Leo Beranek, chapter 13, McGraw Hill Books, 1954 A good approximation for Broadcasting Studios and Conference Rooms is: TR[1 kHz] = [0,4 log (V+62)] – 0,38 TR in seconds and V=volume of the room in m3 “Clases de Acústica”, Oscar Bonello, Edited CEI, Facultad de Ingeniería UBA The ideal RT60 must have the same value at all frequencies from 30 to 12,000 Hz. Or, at least, it is acceptable to have a linear rising from 100% at 500 Hz to 150% down to 62 Hz To get the desired RT60, several acoustics materials can be used as described in several books. A valuable simplification of the task was proposed by Oscar Bonello in 1979. “A new computer aided method for the complete acoustical design of broadcasting and recording studios”, Oscar Bonello, 1979 IEEE International Conference on Acoustics, Speech and Signal Processing, Washington It consists of using standard acoustic panels of 1 m2 hung from the walls of the room (only if the panels are parallel).
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