Alack, alas, Lisbeth's track record doesn't seem to prove that she'll last.
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Michelle Wolf will host the White House Correspondents Dinner later this month, and, alack, alas, Donald Trump won't be attendance.
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Alack, alas, the therapy didn't change how he treated Rachel Lindsay — when the cows came home, he still couldn't commit.
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Among the list of examples that follow ("Lviv, not Lvov" etc) only two rate authorial interjections: "Myanmar, not (alas) Burma" and "Yangon, not (alas, alack) Rangoon".
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Liam Esler, video game producer and writer, doesn't believe that Pokémon Go represents any sort of unique threat, and that framing it as uniquely different than any other free app shows alack of understanding about how free apps work.
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Alas and Alack is a 1915 American silent drama short film directed by Joe De Grasse and featuring Lon Chaney. A print of the film survives in the BFI National Archive.
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Discovering his true identity in his anger, he dismisses him angrily and threatens to shoot him should he return. Returning to Dr Rosy in despair, he soon comes up with another plan and, disguised as a German quack, sends a missive to the Judge informing him that he has been poisoned. In terror Credulous sends for Dr Rosy, who affirms that he has been poisoned, "how came these black spots on your nose?...alack, how you are swelled".
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From their exile in Europe, Muñoz and Sampayo created Alack Sinner in 1974, which was later published in Argentine magazines such as Super Humor and Fierro. In 1975 Trillo and Altuna started one of the longest lived newspaper strips, El loco Chávez, published in Clarín. In 1976 while working on a politicized sequel of the Eternauta that was being published in Skorpio, Oesterheld was kidnapped and disappeared by military government forces. A year later his four daughters, all leftist students, disappeared as well.
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Later, the Nurse is overcome with grief at the death of Tybalt, and she runs to Juliet and cries, "He's dead, he's dead, he's dead! We are undone, lady, we are undone! Alack the day, he's gone, he's killed, he's dead!"Romeo and Juliet, Act 3, Scene 2 The Nurse is the one to deliver the news of Romeo's banishment to Juliet; in spite of Tybalt's murder coming from Romeo's hands, Juliet bids the Nurse to seek out Romeo for her at Friar Laurence's cell for one final night with him before he flees to Mantua.
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Ellis H. Chadwick, In the Footsteps of the Brontës, Cambridge University reprint, 2011, p.103 Later still, the poet Alfred Tennyson left his own tribute on the flyleaf of a copy of Bewick's History of British Birds found in Lord Ravenscroft's library: ::A gate and field half ploughed, ::A solitary cow, ::A child with a broken slate, ::And a titmarsh in the bough. ::But where, alack, is Bewick ::To tell the meaning now?Jenny Uglow in The Guardian Each in their own way is making the same point, that Bewick's work is more than mere illustration.
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In support of all this, Langer cites ethnographic reports of tribal songs consisting entirely of "rhythmic nonsense syllables". She concedes that an English equivalent such as "hey-nonny-nonny", although perhaps suggestive of certain feelings or ideas, is neither noun, verb, adjective, nor any other syntactical part of speech. So long as articulate sound served only in the capacity of "hey nonny-nonny", "hallelujah" or "alack-a-day", it cannot yet have been speech. For that to arise, according to Langer, it was necessary for such sequences to be emitted increasingly out of context — outside the total situation that gave rise to them.
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The grief can echo also in one of the most painful passages Shakespeare ever wrote, in the end of King Lear where the ruined monarch recognizes his daughter is dead: "No, no, no life! / Why should a dog, a horse, a rat, have life, / And thou no breath at all? Thou'lt come no more, / Never, never, never, never, never!" Michael Wood suggests in In Search of Shakespeare that sonnet 33 might have nothing to do with the so-called Fair Youth sonnets, but that instead it alludes to the death of the poet's son, Hamnet in 1596 at age 11, and that there is an implied pun on "sun" and "son"; "Even so my sun one early morn did shine, with all triumphant splendour on my brow; but out, alack, he was but one hour mine, the region cloud hath mask'd him from me now".
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According to Scwhartzberg, the sense of betrayal and disappointment that permeates throughout the poem from the speaker isn't necessarily directed at the fair, young youth that this sonnet is thought to be addressed to, but rather at God or Fate for taking the life of Hamnet too soon. Schwartzberg believes that there is a pun on the word sun which, when replaced with son, provides the poem a tone of grievous loss. "Even so my sun one early morn did shine" (9) may be in reference to the brevity of Shakespeare's own son; "one early morn" being the phrase that captures this notion. This line combined with line 11 and 12 respectively, "But out alack, he was but one hour mine, / The region cloud hath mask'd him from me now" demonstrates Shakespeare's grief over the loss of his son as a father who felt like the existence of his son's life was but "one hour".
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Michael Wood also suggests the allusion of the third quatrain of Sonnet 33 to the death of the poet's son with an implied pun on "sun". In In Search of Shakespeare, he suggests that this sonnet might have nothing to do with the so-called Fair Youth sonnets, that it alludes to the death of the poet's son, Hamnet in 1596 at age 11, and that there is an implied pun on "sun" and "son": "Even so my sun one early morn did shine, with all triumphant splendour on my brow; but out, alack, he was but one hour mine, the region cloud hath mask'd him from me now". If this is the case the link of this sonnet with sonnets 34, 35 and 36 would be entirely coincidental and spurious. Kerverne Smith believes that the emotional effect that Hamnet's death had on Shakespeare resulted in recurring features found in Shakespeare's later plays, which fit into one of five motifs: "the resurrected child or sibling, androgynous and twin-like figures, a growing emphasis on father- daughter relationships; paternal guilt; family division and reunion".
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