"The Golden Monkey wrathfully swung his massive cudgel," Mao wrote, in a famous couplet.
|
|
The Golden Monkey wrathfully swung his massive cudgel And the jade-like firmament was cleared of dust.
|
|
If you are, as I am, a sentimental middle-aged person who cherishes certain Coplandian notions about the essential goodness of the nation, seeing this kind of thing in person—adults shouting wrathfully at one another with no intention of persuasion, invested only in escalating spite—will inject a palpable sadness into your thinning, under-exercised legs, and you may find yourself collapsing, post-rally, against a tree in a public park, feeling hopeless.
|
|
On Go Sankei's return, he wrathfully strikes down Ri Kaihō and sorrowfully removes the imperial appurtenances and imperial regalia from the imperial corpse. With his own son and the Empress, the three escape to the coast at Kaidō.
|
|
Lyle Stathem Bettger (February 13, 1915 – September 24, 2003) was an American character actor who had roles in Hollywood films and television from the 1950s onward, often portraying villains. One such role was the wrathfully jealous elephant handler Klaus from the Oscar-winning film The Greatest Show on Earth (1952).
|
|
The military units of the ants are led by the queen ant which rides a snail, but the anteater takes many ant casualties, forcing the ant colony to rethink its strategy. Ultimately, the ants decide to abandon their modern military tactics, and resorting to the "Sewer Side Squad", they wrathfully swarm the anteater.
|
|
Wrathfully, Bugs vows revenge on Nasty Canasta by saying: "You realize that this is not going to go unchallenged." Six months later, Canasta has used his ill-gotten gains to start a casino in San Francisco, which is shamelessly rigged in the house's favor. Bugs enters the casino in the role, playing a hopelessly naïve country boy who confuses a slot machine for a "telly-o- phone". When Bugs uses it to phone his mother for some money, he hits the jackpot, much to Canasta's shock.
|
|
The nurse is too far away to hear the Princess's calls. Trembling, the Princess looks to find her way, walking through the trees and trying to get out of the forest, she disappears among them. Scene 7 Little by little, the stage fills with dryads, who have gathered for diversion. Scene 8 After the dryads’ dance, a curtain rises at the back of the stage and in the clear distance; the Queen's shade is seen, wrathfully threatening the Princess's nurse for having spared her.
|
|
Octavian, who has just given a grand public speech on the virtue of Roman women, is outraged and confronts his family. First, he calmly introduces his new wife, Livia Drusilla, who is divorcing her current husband Tiberius Nero to marry him. He then wrathfully reveals that he knows of the lack of virtue of the women of his own house. He threatens to make Antony the laughing stock of Rome by revealing his wife's shameful infidelity with Agrippa to the plebs if he does not leave for Alexandria at once.
|
|
After the fall of the house of Cromwell, Tichborne, who was never a member of the Long Parliament, became a person of less importance; but in October 1659, when the army under John Lambert expelled the parliament, he was appointed one of the committee of safety which the army set up, and he was also one of the twenty-one "conservators of liberty" named by them in December following. Edmund Ludlow wrathfully observes that he "had lately moved to set up Richard Cromwell again". Cites: Ludlow Memoirs, ii. 131, 149, 173, ed. 1894.
|
|
Byron "Buster" Bluth (played by Tony Hale) is the youngest son of George Sr. and Lucille, though it is later revealed that his biological father is actually George Sr.'s identical twin brother, Oscar. As indicated by the narrator in season 2, despite being typically childish, Buster is probably more intelligent than his siblings Gob and Lindsay. He has frequent panic attacks, hates both closed and open spaces, is terrified of sheep, seals, and birds, and is wrathfully rivalrous toward his Korean-born adopted brother, Annyong. Buster demonstrates various childlike nutritional sensitivities as well: for instance, he becomes hyperactive from the sugar in juice and irritable after eating cheese; he also takes frequent naps.
|
|
The new emperor Henry VI granted him the privilege to adopt these colours as his new banner, that later would become the flag of Austria. Acre surrendered on July 12, after the arrival of King Philip II of France and King Richard I of England. Duke Leopold, as commander of the German contingent, demanded rights equal to those of the two kings but was rejected. When the banners of the Kingdom of Jerusalem, England, France and Leopold's ducal flag were raised in the city by Leopold's cousin, Marquis Conrad of Montferrat, Richard removed Leopold's colours (see Siege of Acre) and the duke wrathfully left for his Austrian home, where he arrived by the end of 1191.
|
|
The symphony is approximately 51 minutes in length and is divided into four movements which broadly resemble a classical symphony structure: # Allegro #:The symphony opens wrathfully and, like all the movements of the symphony, projects the leap of a minor third through three octaves from the orchestra, a motive that is used to provide much of the thematic and melodic material of the whole work. It develops without much affinity with a typical, classical sonata form, culminating to a massive coda in which the tempo broadens out. # Allegro leggiero #:This second movement is a relatively brief scherzo, played entirely ppp and seemingly evoking shimmering moths around a light at night, shifting rapidly in tonality. Throughout, there are hints of a vast tidal force just below the musical surface.
|
|
The Sakas and Tukhatas and Tukharas and Kankas and Romakas and men with horns bringing with them as tribute numerous large elephants and ten thousand horses, and hundreds and hundreds of millions of gold (2:50). The Tusharas were very ferocious warriors. The Yavanas and the Sakas, along with the Chulikas, stood in the right wing of the Kaurava battle-array (6:75). The Tusharas, the Yavanas, the Khasas, the Darvabhisaras, the Daradas, the Sakas, the Kamathas, the Ramathas, the Tanganas the Andhrakas, the Pulindas, the Kiratas of fierce prowess, the Mlecchas, the Mountaineers, and the races hailing from the sea- side, all endued with great wrath and great might, delighting in battle and armed with maces, these all—united with the Kurus and fought wrathfully for Duryodhana’s sake (8:73).
|
|