After Friendly Truck Man leaves, June tremulously explores her new home.
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Mr. Aucoin's music lifts her vocal lines while shimmering tremulously in the background.
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"This cat is dangerous," a woman said, her voice carrying tremulously over the saloon door.
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"We can't do this for much longer," she said, faintly, tremulously, and through what sounded like physical pain.
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"I have two children who come home at 4, and I don't want them to get hurt," one woman tremulously explains in her message.
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He was gazed at tremulously and kissed into wakefulness by the ugly duckling, Barbra Streisand (more than one myth of beauty was at play here, it seems).
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As the wife who has made an uneasy peace with her husband's self-deceptions, Jenna Russell communicates a despair that comes tremulously to the surface in her climactic number, "Days and Days," which admonishes her newly sexually awakened daughter, Alison, not to follow her father's destructive path.
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Tony and Phil work out a deal to split the profits from the illicit distribution of multivitamins acquired by Tony's crew. Phil suggests that Johnny be left out of the transaction and Tony agrees. Chris is tremulously told by his girlfriend, Kelli, that she is pregnant. He is thrilled; they get married and buy a large house.
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Duke suddenly cries because he is thinking about the days of the past. Albert, then, crawls back onto the bed from the foot of the bed, and the pin that was holding up this empty pant-leg is now between his teeth. As the Asian person—who is holding a knife—crouches tremulously on the pillow by the headboard, the old lady tells Duke to forget about killing the Asian person because she now wants no violence. Duke feels some intense pain and manages to wipe his tears away.
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At the start of the 20th century, formal public speaking in the United States focused on song-like intonation, lengthily and tremulously uttered vowels, and a booming resonance, rather than the details of given words' phonetic qualities.Knight, 1997, p. 159. However, since the 19th century, upper-class communities on the Eastern Seaboard increasingly adopted many of the phonetic qualities of educated, non-rhotic (sometimes called "r-less") British accents based around London and southeastern England, at least as evidenced in recorded public speeches of the time. Sociolinguist William Labov et al.
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He has the look but lacks the self-assurance of the playboy he fancies himself to be, and he is mesmerized the first time he sees her standing by the rail on a crowded ferry crossing the Mekong River. After some awkward conversation, she accepts a lift to Saigon in his chauffeur-driven limousine. In voice-over at the beginning of the film she says she is 15, but she tells him she is 17; he is 32. During the drive he tremulously takes her hand; at the end, his hand is in her lap.
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In terms of acting, Peter Lennon, writing for The Guardian in 1999, identified Garland as a "chameleon" due to her ability to alternate between comedic, musical and dramatic roles, citing The Wizard of Oz, The Clock, A Star is Born and I Could Go On Singing – her final film role – as prominent examples. Michael Musto, a journalist for W magazine, wrote that in her film roles Garland "could project decency, vulnerability, and spunk like no other star, and she wrapped it up with a tremulously beautiful vocal delivery that could melt even the most hardened troll".
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