"I don't want any of that in my family's life," she choppily says.
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Meanwhile, corn and soybean futures traded choppily as the markets digested a threat of U.S. tariffs against Mexico.
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But the main difference is that "Moon Fate Sin" is a real piece, whereas "Memoirs" is choppily incoherent.
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Stocks have been trading choppily since early October, mainly on uncertainty surrounding the Trump administration's tariff policy and plans for raising interest rates.
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Mr. Pietrangeli's New Wave-inflected, choppily fast-forwarding style depicts Adriana as a kind of unattached Emma Bovary, sometimes clearheaded, sometimes empty-headed.
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"Ricky" bounces choppily over a furious percussive synthesizer that ping-pongs quickly back and forth, capped by a deep, menacing, sonorous chopped-and-screwed chorus.
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Stocks have been trading choppily since early October, mainly on uncertainty surrounding the Trump administration's tariff policy and the Federal Reserve's plans for raising interest rates.
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But rather than telling a story, it functions as a danced requiem, one of stylized violence and choppily articulated motion reminiscent of hip-hop popping and locking.
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But this is the fuzziest, most-choppily edited part of a very edited narrative, and Newman has already changed her story on whether she's actually heard this tape or not.
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As enjoyable as "Our Kind of Traitor" is in its smartly paced and irreverent opening half-hour, it is let down by some muddled, choppily edited action sequences in its later stages.
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It's an ambitious play with an impressive cast, but the choppily edited text needs the kinds of clarifying that the pared-down yet occasionally clunky staging (on a set by Alexander Woodward) doesn't provide.
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Whereas her "Ex Pluribus One" at Vail this summer built up an amazing tapestry of different overlapping dance styles — like different species in one landscape — "Dream" doesn't cohere: It just switches choppily from idiom to idiom.
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It's another reimagining of the Camelot legend that this time, thanks to bad CGI, shaky-cam filming, and choppily edited action, is a ponderous snoozefest that comes in at just more than two hours but feels like three.
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Lohengrin, the outstanding Piotr Beczala, has little ethereal about him; his evocation of the Holy Grail, "In fernem Land," fittingly comes off as a spiteful rant, especially as it is sung more choppily than one often hears it.
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On review aggregator website Rotten Tomatoes, the film has an approval rating of 52% based on 189 reviews; the average rating is 5.72/10. The site's consensus reads, "Safe House stars Washington and Reynolds are let down by a thin script and choppily edited action sequences." On Metacritic the film holds an average weighted score of 52 out of 100 based on 36 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A–" on an A+ to F scale.
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Chicago Sun- Times reviewer Daniel Ruth gave Dalton: Code of Vengeance II a half-star review calling it "revisionist", "distasteful", and "terrible television". Deriding the film as "poorly written, badly acted, sloppily directed and choppily edited", he called it "another slap in the face of the men and women who went to Southeast Asia to do a dirty job and came home to even dirtier exploitation". Ruth concluded, "The viewer's best "Code of Vengeance" would be to reject these films." Dalton: Code of Vengeance II also failed to deliver the high ratings of its predecessor.
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On review aggregator Rotten Tomatoes the film holds an approval rating of 51% based on 199 reviews, with a weighted average of 5.4/10. The website's critical consensus reads: "White House Down benefits from the leads' chemistry, but director Roland Emmerich smothers the film with narrative clichés and choppily edited action." At Metacritic the film has a weighted average score of 52 out of 100, based on 43 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A-" on an A+ to F scale.
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" David Sterritt of The Christian Science Monitor highly praised Burton's filmmaking and the high-spirited acting of cast, but believed Andrew Kevin Walker's writing was too repetitious and formulaic for the third act. Owen Gleiberman from Entertainment Weekly wrote Sleepy Hollow is "a choppily plotted crowd- pleaser that lacks the seductive, freakazoid alchemy of Burton's best work." Gleiberman compared the film to The Mummy, and said "it feels like every high- powered action climax of the last 10 years. Personally, I'd rather see Burton so intoxicated by a movie that he lost his head.
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