And concerts are still attended like sermons, sombrely and seriously.
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"We call it the Fate Machine," a director tells her sombrely.
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Casey nods sombrely, even though it's what Kirsten says every morning.
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The sets are lit sombrely, so that the people, the buildings, and the rooms seem cast in shadow.
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The story is sombrely moving, and the symmetries of form resemble the ending of "Fort Bedd": there is stasis and growth.
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"She just left us," said Nabatanzi sombrely, as some of her ragged children played on the dirt floor while others did chores.
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During a rare moment when he is not obscuring his voice or modulating it to outlandish glam-rock effect, he speaks sombrely and directly.
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Parliament also resumed, with lawmakers gathering sombrely in the Senate building after part of the National Assembly complex was badly damaged during last week's protests.
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Francis spoke sombrely as he unveiled a cross bearing a battered red life jacket that was used by an unknown migrant who drowned in the Mediterranean in July.
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Only after sombrely slaughtering her beloved oinkers and turning them into sausages does she truly understand that each pig is "an intelligent, sentient, unique animal, but an animal, nonetheless".
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"Being messy in public is something—" She stopped, adjusting her posture sombrely, like a politician who realizes that this is the question on which people will base their vote.
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One of Mrs Cox's political precepts was that ignoring problems makes them worse—something to ponder as Britain thinks about its lawmakers, belatedly and sombrely, in a perhaps kinder light.
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When your correspondent offered himself as a test subject, only partially in jest, Dr Brown flashed an arch grin, before sombrely explaining that such an experiment would be beyond the tolerance of modern review boards, too.
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Ask him what his idea of earthly happiness is and he'll invite you to look around: Slayer on the jukebox, walls and ceiling garlanded in surrealist art and medieval weaponry, a mass of sombrely clad headbangers shrouded in red light.
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The hundreds of times that the host, Maury Povich, sombrely pulled DNA test results from a manila envelope—often eliciting sobs from the mothers and victory dances from the men who'd been let off the hook—helped, in its own tacky way, to prepare us for the modern era of consumer genetics, with its more wholesome sheen.
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Everyone in dark colors, everyone dressed sombrely. As if they were in mourning. Only Izzie is in happy pink. Only Izzie looks like she didn’t know this was coming.
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Colour of live males variable. Body and fin markings similar to those of preserved specimens, but background yellowish grey to purplish; lateral sides of head yellowish grey to grey, often bluish. The female is more sombrely marked and is less easy to identify.
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Halonoproctidae is a family of mygalomorph spiders, split off from the family Ctenizidae in 2018. Species in the family are widely distributed in North and Central America, Australasia, Asia, southern Europe and North Africa. One species is recorded from Venezuela in South America. They are relatively large, sombrely coloured spiders, that live in burrows with some kind of trapdoor.
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We see him dress sombrely with a black tie, but instead of going to Dona's funeral he goes to his own baby's naming ceremony. Instead of committing suicide Dona later sings a song about being betrayed and being 'in heaven', whilst crying on stage... It is now 1967 or later. Dona signs a musician's contract to record a duet with Mohammed Rafi. She says, 'I won't sing with anyone.
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In 2009, Looty Pijamini was commissioned by Nunavut Tunngavik Incorporated to build a monument to commemorate the Inuit who sacrificed so much as a result of the Government relocation of 1953 and 1955. Pijamini's monument, located in Grise Fiord, depicts a woman with a young boy and a husky, with the woman sombrely looking out towards Resolute Bay. Amagoalik's monument, located in Resolute, depicts a lone man looking towards Grise Fiord.
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Australian Field Ornithology 2014 31 17-23. While closely related to the familiar fairy-wrens (Malurinae) striated grasswrens are larger (17-20g c.f. 6-16g), and more sombrely coloured, with varyingly prominent white streaking on varying shades of brown, rufous and black plumage. Striated grasswrens are usually seen as pairs, but sometimes as individuals, and often in small groups of up to five birds, which are unobtrusive, shy, and typically difficult to approach, often first detected by their calls.
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The Providence Journals Rick Massimo, wrote that the song is "being rather melodramatic but melodically successful". Chris Harris of Rolling Stone wrote that Lee is "stroking the ivories and delivering her lyrics with an elegant sweetness" which he found reminiscent of Tori Amos and Sarah McLachlan. A writer for Reuters called the song "as intense and affecting as anything before it -- and this time, Amy Lee's lyric steps from the dark side, reveling in the relief of positivity." Jason Nahrung of The Courier-Mail praised the song, calling it "sombrely arranged but lyrically uplifting".
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Depicting a stark human condition in the aftermath of World War II, Síghle Bhreathnach-Lynch, Curator of Irish Art at the National Gallery of Ireland notes: 'The mother, lying on a table, leaning on one arm, stares out with quiet dignity while a menacing looking cat peers out from beneath the draw sheet. In the background the father sits, head bowed, in a pose suggesting total dejection. He appears to be oblivious to the small child holding a bunch of flowers; a symbol of hope. The three sombrely-painted figures inhabit a grey concrete bunker, lit by a bare bulb.
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Carvers Looty Pijamini (of Grise Fiord) and the late Simeonie Amagoalik (of Resolute) were commissioned by Nunavut Tunngavik Incorporated to build a monument to commemorate the Inuit who sacrificed so much as a result of the Government relocation of 1953 and 1955. Pijamini's monument, located in Grise Fiord, depicts a woman with a young boy and a husky, with the woman sombrely looking out towards Resolute Bay. Amagoalik's monument, located in Resolute, depicts a lone man looking towards Grise Fiord. This was meant to show separated families, and depicting them longing to see each other again.
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270-1 More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC.
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Stringer is simultaneously betrayed by Avon, when Mouzone confronts him about Stringer's plot to engineer a conflict between himself and Omar. In an effort to avoid a war with Mouzone and his New York associates, Avon reluctantly tells him Stringer's whereabouts. The next day, Omar and Mouzone track Stringer to his development site, kill his bodyguard, and hunt him down and corner him as he tries to escape. Stringer at first tries desperately bargaining for his life, but when Omar reveals that he and Mouzone are after him for personal reasons, and that Avon has betrayed him, he sombrely resigns to his fate and is shot to death by Omar and Mouzone.
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Steyn CJ, delivering the judgment of the court, answered this question in the negative: Death—not merely bodily injury short of death—must be reasonably foreseeable. Holmes JA did, however, point out that where an accused assaults another in circumstances in which he ought reasonably to have foreseen the possibility of causing him serious injury, he ought also to have foreseen "the possibility of death hovering in attendance: the two are sombrely familiar as cause and effect in the walks of human experience." Holmes JA's observation in no way detracts from the principle that, in culpable homicide cases, death must be reasonably foreseeable. The observation underscores the principle, but emphasises that in practice reasonable foreseeability of death might be inferred from reasonable foreseeability of serious bodily injury.
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The Cardiff manager continued to heap praise on his new acquisition until Hurley finally stopped him. "Jimmy, you've only had him four days", he warned, sombrely: "Give it a few months"... Friday's form declined after his strong debut and his personal life remained troubled and chaotic, leading him to vanish regularly and miss Cardiff matches. He was supposed to be living in Bristol, but his manager would often find on visiting his house that he had been elsewhere for weeks. Leslie Hamilton, the Cardiff club doctor, later said that he had believed at the time that Andrews was being far too soft on Friday; indeed, according to teammate Paul Went, the forward would simply leave after each match and not be heard of until he returned for the next game.
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Granted, it is a somber form of serenity, but the word still fits perfectly.” Adding, “If there are any problems that some may have with this new album it is going to be the same thing that is going to make others love this album, and that is its subtlety. Whereas on Blood Inside and Perdition City the albums commanded your attention due to their frequent shift from soft to loud sections and their regular use of discordant sounds, Shadows of the Sun will easily fade away from your attention if you don’t give it the awareness it deserves.” Roadrunner Records affiliate website Blabbermouth.net rated the album 8.5 out of 10, commenting, “Shadows of the Sun begins sombrely and remains so throughout, employing more subtle coloration and impeccable placement of impacting (but still low-key) rhythms.
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Later examples of this include treatments of the fable by Guillaume Alphonse Harang (1814-1884) and François Ignace Bonhommé (1809-1893), both dating from 1837. Jules Coignet's picturesque treatment in the Musée Jean de La Fontaine, also dating from the second quarter of the 19th century, is a study of different textures of light as it falls on the windswept reeds and the foliage of the fallen oak.French Government cultural site This is dramatised even further in the Japanese woodcut version of the fable by Kajita Hanko, published at the end of the century in the Choix de Fables de La Fontaine, Illustrée par un Groupe des Meilleurs Artistes de Tokio (1894), which has an olive rather than an oak as subject. Contrasting light effects are equally the subject of Henri Harpignies's sombrely coloured drawing in the Musée Jean de La FontaineFrench Government ciltural site and of the watercolour painted by Gustave Moreau about 1880.
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In 1594, it was presented to the University, but it had been misplaced twice by the time of Thomas Fuller (1608-1661), who sombrely predicted that the invaluable work would never be recovered again. Fortunately, the work was recovered by Thomas Baker (1656-1740), and is currently stored in the University archives. Markaunt's proposed authorship of the book has been questioned by scholar Walter Ullmann: noting the absence of any "prima facie evidence of an internal or external character to justify the ascription" and the transcription of some records produced after Markaunt's death.. But this suspicion has been criticized by M. B. Hackett, citing the fact that the Liber priuilegiorum in Markaunt's catalogue is identical to the modern copy of Markaunt's book, which he takes as sufficient proof the book is "none other than Markaunt's". This collection of statutes has been regarded by archivist M. B. Hackett as "a most valuable and in some ways unique record of royal and episcopal priveliges, papal bulls and miscellaneous deeds".
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