The other girls nodded contemplatively and shook their heads in wonder.
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If she was good, they'd nod at one another contemplatively or raise an eyebrow.
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It builds slowly and contemplatively, with the inexorable rhythmic progression and narrative arc of one of Godspeed You!
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She rolled her eyes contemplatively at the ceiling, then replied, "Well, I can picture them in some office."
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Do you see music like the stuff you make, which often moves slowly and contemplatively, as having a functional purpose.
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He discusses dating older men: "I don't like it when I call them 'Daddy,'" he says, pausing and staring contemplatively into the distance.
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That's Justin Trudeau, the Canadian Prime Minister, looking down contemplatively at the open right palm of President Trump during their Oval Office meeting on Monday.
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As she stares contemplatively into what appears to be the unadorned space of a bedroom, she is at once relaxed and cerebral, wistful and removed.
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As the album played on, some of the models took a seat, looking down or off into the distance contemplatively, potentially resting during the hour-long ordeal.
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Hilarious tweets show a number of people inspecting the "exhibit"—rather contemplatively, might we add—with one man even crouching to snap a photo of the specs.
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He used to be a brisk, impatient walker and then one day he began moving so slowly and contemplatively it was as though every tree branch was a source of wonder.
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At one point, Mercury is shown gazing contemplatively at a seedy bathhouse, but viewers don't see whether he goes in, with the clear implication that he's questioning himself and what he wants.
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The picture depicts an androgynous figure with a bulbous foot, leaning contemplatively on its left hand; it sits beside a cactus and beneath a sun that looks like a slice of lemon.
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Facebook friends may have photos of themselves jumping, doing handstands, dramatically leaning on the ramparts or contemplatively gazing from the watchtowers, but few will have memories of the Great Wall snapped from the heavens above.
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David Lynch has continued his run of using trailers to tell us very little about the much-anticipated next season of Twin Peaks, releasing a short clip over the weekend that showed him contemplatively munching on a donut.
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The camera glides contemplatively across the skyline from above, while Cousins delivers his slow, lilting voice-over commentary—first made famous in his sprawling documentary, The Story of Film: An Odyssey (2011), a 15-hour tour of motion pictures by an uncompromising cinephile.
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The clip in question follows a puppet created with Jim Henson Company, which closely resembles Melgaard, as he window shops, scrolls through Instagram surrounded by piles of clothing, stares contemplatively at his reflection in the bathroom mirror at a gay bar and, briefly, clutches a meth pipe.
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Episode after episode, viewers entered into deeply thoughtful instant exchanges about the still-hot button topics the story brought to the surface — issues like race, celebrity, justice, ego, domestic violence, police corruption –- and contemplatively reevaluated their long-held assessments of the various figures at the heart of the tale.
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He requests Pradhan to look after his son who is with his maternal aunt in Pune and Pradhan contemplatively agrees. The end credits roll as Sadhu gets up and walks off after saying good bye to Pradhan.
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The police came and shot her. When they opened her bag, all they found were books. Garcia tells Godard that he is sure it was Olga. In "Realm 3: Heaven," a brief postlude, Olga wanders contemplatively through an idyllic lakeside setting that appears to be guarded by American marines.
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There was great disappointment when contractual difficulties prevented Ysaÿe from playing it in London. The Violin Concerto was Elgar's last popular triumph. The following year he presented his Second Symphony in London, but was disappointed at its reception. Unlike the First Symphony, it ends not in a blaze of orchestral splendour but quietly and contemplatively.
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Some of these manners for regard (at around the present time) are: to be regarded with full attention, to be regarded contemplatively, to be regarded with special notice to appearance, to be regarded with "emotional openness" (1979, p. 237). If an object isn't intended for regard in any of the established ways, then it isn't art.
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The Double Dream of Spring (also known as Doppio Sogno di Primavera, 1915) is a painting by the Italian metaphysical painter Giorgio de Chirico. The painting depicts apparently related but separate scenes. The scene on the left shows a statue of a man in a frock-coat from behind. The statue appears to be staring contemplatively into an open sky.
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As she contemplatively bit her nails, he warned her that she "shouldn't do that". Leelee moaned and told him that it was a "nervous habit", saying that she wished she had never started biting them. Jenji granted this at once; while Leelee's nails grew almost 6 inches long, Jenji fled to the safety of Rootcore. In "Hard Heads," he was temporarily turned to stone when Serpentina's snakes bit him, whereupon she activated her shield.
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This is the second equestrian portrait of Charles to be painted by Van Dyck. Charles is depicted wearing the same suit of armour, riding a heavily muscled dun horse with a peculiarly small head. To the right, a page proffers a helmet. Charles appears as a heroic philosopher king, contemplatively surveying his domain, carrying a baton of command, with a long sword to his side, and wearing the medallion of the Sovereign of the Order of the Garter.
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In his three years as Principal Painter in Ordinary, Van Dyck had already made two other equestrian portraits of Charles in armour: Charles I with M. de St Antoine depicting Charles accompanied by his riding master, Pierre Antoine Bourdon, Seigneur de St Antoine; and Equestrian Portrait of Charles I depicting Charles as a heroic philosopher king, contemplatively surveying his domain. Charles paid van Dyck £100 for the painting in 1638 – although the artist originally requested £200 – but it is not mentioned in the inventory of his collections after his execution. It was in France by 1738, and the Comtesse du Barry sold the painting to Louis XVI of France in 1775.
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He soon earned a doctorate and pursued an academic career as a mathematician, becoming a professor and rector of Kraków University. Still, as an old man and a mathematics professor at the Warsaw Polytechnic, he would sit contemplatively before the statue of Maria Skłodowska that had been erected in 1935 before the Radium Institute, which she had founded in 1932. At the beginning of 1890, Bronisława—who a few months earlier had married Kazimierz Dłuski, a Polish physician and social and political activist—invited Maria to join them in Paris. Maria declined because she could not afford the university tuition; it would take her a year and a half longer to gather the necessary funds.
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When Brody arrives there and demands the "dough" at gunpoint, a baker (Bugs yet again) gladly obliges with "a mess of dough" which Brody gets stuck in and is baked into a pie. Unmasking the baker as Bugs, Brody retraces his steps to unmask Bugs' previous disguises, leading Brody to believe that "everybody's a rabbit!". When Brody looks into what he thinks is a mirror (but is actually a window) and sees Bugs looking back at him, he thinks HE has turned into a rabbit and snaps, hopping down the street and turning onto the Brooklyn Bridge, hysterically shouting "What's up, doc?!" Seeing a police officer staring contemplatively at the East River from the middle of the bridge, Brody comes up behind him and begs for help.
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In retrospect from 2004, William Arnold of the Seattle Post-Intelligencer said that the film was "widely regarded as Sayles' masterpiece", declaring that it had "captured the zeitgeist of the '90s as successfully as "Chinatown" did the '70s". Writing at the time of release, Janet Maslin of The New York Times said, "This long, spare, contemplatively paced film, scored with a wide range of musical styles and given a sun-baked clarity by Stuart Dryburgh's cinematography, is loaded with brief, meaningful encounters... And it features a great deal of fine, thoughtful acting, which can always be counted on in a film by Mr. Sayles". "All the film's characters are flesh and blood", Maslin added, pointing particularly to the portrayals by Kristofferson, Canada, James, Morton and Colon. Film critics Dennis West and Joan M. West of Cineaste praised the psychological aspects of the film, writing, "Lone Star strikingly depicts the personal psychological boundaries that confront many citizens of Frontera as a result of living in such close proximity to the border".
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