Despite the mayhem in the country, Guaidó smiled imperturbably and flashed a thumbs-up.
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Imperturbably obedient by design, Alexa appears to offer us a new level of control and choice, always on demand.
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J.P. The Argentine songwriter Juana Molina sings about waiting in "Lentísimo Halo," an imperturbably spooky ballad that previews her album "Halo," due May 5.
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LONDON — Over the last few years, as Britain has divided into warring tribes over its exit from the European Union, Queen Elizabeth II has retained a sphinxlike neutrality, imperturbably getting on with the business of conveying knighthoods and hosting garden parties.
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A MINUS JJ Doom: Key to the Kuffs (Lex) After 2009's Born Like This I lost track of this London-born, Long Island-raised Trinidadian-Zimbabwean MC, whose sibilantly mush-mouthed flow has long rippled and pooled comically and imperturbably over signifying beats and spoken-word samples often his own.
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Curtiz spares their lives and lets them go. The film ends as Martin and Rudi arrive at the ocean's shore. They walk to the sandy beach and Martin falls dead on the ground. Rudi imperturbably sits down beside his friend, facing the ocean and watching the surf.
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Jehu responded impatiently and ordered the queen mother to be thrown out of the window. After it was promptly executed, Jehu imperturbably went in to eat, then, as an afterthought, he remembered that noble people should be given a decent burial, but there is not enough left of Jezebel to bury (verses 30–35). Verses 33–37 refer to the judgement made in to legitimize the events.
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For Le Figaro, it is a "very commercial single", with a "powerful rhythmic", a "very forward voice", and "imperturbably 'farmerian' lyrics". Starac Mag deemed the song is "less melodious than [Farmer's] previous titles, but equally effective". As for Le Point, "Dégénération" is "a repetitive electro pop [song] with naive lyrics full of muddled and mystic double meanings". More positive, Swiss newspaper Coopération stated: "Make love, not the war: such is the message of this electro-pop hit which eyes up Depeche Mode".
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Reepicheep the Mouse is a fictional character in the children's fantasy series The Chronicles of Narnia by C. S. Lewis. He appears as a minor character in Prince Caspian and as a major character in The Voyage of the Dawn Treader, and also briefly at the end of The Last Battle. Reepicheep is a Talking Mouse, the leader of the Talking Mice of Narnia; he is irascible yet imperturbably courteous, utterly without fear, and motivated by a deep concern for honour.
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His successful career was to end in 1925 when he died suddenly while still in post aged 64. The pianist S. G. Shimmin who was one of his pupils wrote the following as part of the obituary article published in the RCM magazine in 1925: > Mr. Sharpe brought to his teaching certain qualities that endeared him to > all his pupils. His patience was phenomenal. Imperturbably genial and kind, > he would go over a difficult point again and again if necessary, without a > trace of irritation.
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There was no answer. StRaten-generaal then applied to the Flemish Ombudsman, who judged in favour of the citizens’ group. A television documentary aired on 26 October 2008 on Canvas (public broadcasting) leaves viewers with the impression that BAM was imperturbably favouring its preferred route, and in the process ignoring any and all alternatives - all the while stating that it was involving itself in a broad societal debate. Moreover, during said project-MER, the stRaten-Generaal alternative was examined only by TV SAM, the designer of the BAM-route.
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During his short period as Commander-in-Chief in India Anson caused resentment by showing bias against the East India Company's army and its sepoys. He appointed all of his aides-de-camp from the Queen's Army, from which he had come. He was quoted as stating that he could never see a sepoy sentry "without turning away in disgust at his unsoldierlike appearance". The Governor-General Lord Canning commented that Anson "was rather a disappointment - but that it would be very difficult to quarrel with anyone so imperturbably good tempered, and so thoroughly a gentleman".
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The reception among press reviewers was mixed. In France critical observations included a view that the disparate elements of the film did not blend together satisfactorily or throw sufficient light upon each otherMichel Delain, in L'Express, 17-23 mai 1980: "...l'homme à la caméra et l'homme au microscope - l'un qui ne s'applique surtout pas à illustrer les thèses du biologiste et poursuit, imperturbable, son récit, et l'autre qui, de la même façon, laisse cheminer sa réflexion et ne se contente pas de commenter un film." ("... the man with the camera and the man with the microscope - the one who above all does not try to illustrate the arguments of the biologist and imperturbably pursues his narrative, and the other who, in the same way, lets his thoughts follow their path and does not content himself with commentating on a film.").Emmanuel Decaux, in Cinématographe, no.
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