Still, they certainly sandgage a sculp following as long as they're still sanding.
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The decision to work with mousses came from the need to sculp the dishes as a human head.
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Bast Au (ie auctor) et sculp (sit) et excudebat, 1599, which indicates that Pieter Bast was also editor.
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Angelique Charbonnée (c.1740 – after 1780) was a French engraver. Very little is known of her life and she is known from her engravings after old masters.Angelika Charbonnée in Allgemeines Künstlerlexikon in Google books One of which she signed A. Charbonnée sculp.594\.
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Jeremias Falck (also Jeremiah Falck in English, Jeremiasz Falck in Polish) (1610-1677) was an engraver of the 17th century Baroque, born and active in the Polish–Lithuanian Commonwealth.At first his style was very formal, and his plates resembled the feeblest efforts of a Polish painter, Jeremiah Falck, who spent some time in Holland He signed most of his over 300 works as J. Falck, sculp., a few works as Suec ( when working in Sweden and a few as Falck Polonus (Falck the Pole)Signiert unten rechts mit: J. Falck Polonus Sculp Danckers pinxit, Falck Polonus sculpsit, Georgius Forsterus excudit. or Falck Gedanensis (Falck of Gdańsk).
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Also in that year, Congress appropriated to the Society $7500 in funds from the sale of condemned cannons; in 1884 it appropriated $30,000 for the pedestal. The monument was incorporated into the Capitol Grounds on January 2, 1975. One of three allegorical figures, Scholar, is at the base of the monument. The inscription reads: (On Garfield statue:) J.Q.A. WARD/SCULP.
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Falck's work was admired and used by publisher Georg Forster, such as engraved illustrations for "Selenography" of Johannes Hevelius and "Orationes" of Jerzy Ossoliński, Great Crown Chancellor of the Polish–Lithuanian Commonwealth. Falck lies buried in St. Peter and St. Paul's Church. The 1890 book with dedication by the great-grandson Herman Eugen Falk thanks a number of Polish writers who collected works by Falck. Of about three hundred portraits and pictures, which were personally inspected by J.C. Block for his book, nearly all works show J. Falck, sculp.
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Mural monument to Sir John William de la Pole, 6th Baronet (1757–1799), St Michael's Church, Shute, west wall of south transept A marble mural monument in his memory exists in Shute Church, signed "P.Rouw sculp. London", by Peter Rouw. It consists of an inscribed tablet flanked on either side by a fasces supporting an entablature on top of which, above his coat of arms, is a classical oil-lamp with flame: :Sacred to the memory of Sir John William de la Pole Baronet of Shute House in the county of Devon, Lieut.
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Wax portrait relief by Peter Rouw c.1795 of Charlotte Augusta Matilda, Princess Royal (National Portrait Gallery, London, NPG 2174) 1832 mural monument by Peter Rouw to Lady Anne Pole (née Templer) (1758–1832), wife of Sir John de la Pole, 6th Baronet (1757–1799) signed: "P. Rouw sculp. London"; west wall of south transept of St Michael's Church, Shute, Devon Mural monument by Peter Rouw to Sir John de la Pole, 6th Baronet (1757–1799), St Michael's Church, Shute, Devon, west wall of south transept Peter Rouw II (17 April 1771– 9 December 1852Dates in Rupert Gunnis, Dictionary of British Sculptors 1660-1851, rev, ed.
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A Complete Map of the Southern Continent survey'd by Capt. Abel Tasman & depicted by order of the East India Company in Holland in the Stadt House at Amsterdam; E. Bowen, Sculp. When drawing up the territorial boundaries of the colony of New South Wales, established in 1788, the British government set its western boundary at the meridian of 135° East of Greenwich, as it appeared on Thévenot's chart.Sir Joseph Banks, 'Draft of proposed Introduction to Captn Flinders Voyages', November 1811; State Library of New South Wales, The Papers of Sir Joseph Banks, Series 70.16; quoted in Robert J. King, "Terra Australis, New Holland and New South Wales: the Treaty of Tordesillas and Australia", The Globe, no.
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The territory claimed by Britain included all of Australia eastward of the meridian of 135° East and all the islands in the Pacific Ocean between the latitudes of Cape York and the southern tip of Van Diemen's Land (Tasmania). The western limit of 135° East was set at the meridian dividing New Holland from Terra Australis shown on Emanuel Bowen's Complete Map of the Southern Continent,A Complete map of the Southern Continent survey'd by Capt. Abel Tasman & depicted by order of the East India Company in Holland in the Stadt House at Amsterdam; E. Bowen, Sculp. published in John Campbell's editions of John Harris' Navigantium atque Itinerantium Bibliotheca, or Voyages and Travels (1744–1748, and 1764).
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1832 mural monument to Lady Anne Pole (née Templer) (1758–1832), wife of Sir John de la Pole, 6th Baronet (1757–1799) signed: "P. Rouw sculp. London" (Peter Rouw (1771–1852)), west wall of south transept of St Michael's Church, Shute, Devon The mural monument to Lady Anne Pole (née Templer) (1758–1832), wife of Sir John de la Pole, in Shute Church is inscribed as follows: :The mortal remains of Anne, widow of John William de la Pole, sixth baronet in descent, are consigned to the resting place of her kindred within these hallowed walls in the sure and certain hope of that perfect consummation and bliss both in body and soul which the Lord Jesus Christ hath prepared for them that love him. If purity of life can proceed from purity of heart alone she will be blessed in seeing God.
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"Matthias Darly". but then moved into furniture designs and caricature, and soon acquired fame. It was written of Richard Cosway that "so ridiculously foppish did he become that Matth. Darly the famous caricature print seller, introduced an etching of him in his window in the Strand as the ‘Macaroni Miniature Painter.’" Matthias Darly not only issued political caricatures, but designed ceilings, chimney pieces, mirror frames, girandoles, decorative panels and other furnishing accessories, He engraved many of Thomas Chippendale's designs for The Gentleman and Cabinet-Maker's Director (plates dated 1753 and 1754, and plates in the second edition, 1762), and sold his own productions over the counter. The first publication which can be attributed to him with certainty is a colored caricature, The Cricket Players of Europe (1741). In 1754, with a partner, Edwards,The plates are signed "Edwds et Darley Invt et Sculp" Peter Ward-Jackson, English Furniture Designs of the Eighteenth Century (London: H.M.S.O.) 1958, p.47 and pls.128-34.
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