431 Sentences With "engrave" | Random Sentence Generator

Pay an extra $35 to engrave the bottle or an extra $25 to engrave the glasses — trust us, that attention to detail will get you brownie points in the bedroom.

Here are all of the emoji that you can engrave: Unfortunately, Apple won't let you engrave both text and emoji on your AirPods case; you have to pick one or the other.

"It's not easy to engrave good skies," Mr. Tomasko said.

A leather bracelet you can engrave with everyone in the family's names

Taking the time to smooth and engrave the walls makes everyone happier.

When laser cutters first came along, everyone was engraving everything they could engrave.

I'm just writing it down so somebody can engrave it on stone tablets.

It's a good way for me to engrave the photo forever, so to speak.

I think I'm going to get him a Rolex and engrave it on the back.

Then, lasers engrave the map onto a stamper, which makes an impression in the vinyl.

We have worked to engrave that duty on their hearts, but they accept it grudgingly.

You also can laser-engrave it if you purchase it directly via Insta360's website.

And now, you're able to engrave emoji onto the company's AirPods cases, too (via MacRumors).

Additionally, Apple's also offering the option to engrave an AirPods case at checkout when purchased online.

Because he reportedly intended to hang the knife and engrave the case number on the frame.

The laser used to engrave the disk is able to print 300,000 dots per inch (DPI).

His father made dials while the budding architect went to school to learn how to engrave watches.

Apple has long offered the option to engrave text on select products purchased through its online store.

You can engrave the front of the wallet, the inside, or both for a truly personal piece.

Plus, you can engrave whatever you want on top of the baby grand piano at no extra cost.

Brainscapes is officially out January 8 on Engrave LTD, but you can listen to it in full below.

He intends to engrave each name on it and place it in his new home when he finds one.

During a visit, a young artisan sitting near the windows demonstrated how to engrave a watch case with fleurisanne.

"He did everything to engrave Luis&apos name on one of those stones except get a death certificate," Muse said.

If you want to get fancy, places like Petco can even engrave your tag if you stop by the store.

Orient Appeal on Etsy allows you to engrave custom messages onto cufflinks in your own handwriting or from a font list.

So Ric Bell, DodeCal's creator opted to engrave his calendar on a rhombic-dodecahedron, which comprises 12 four-sided, diamond-shaped faces.

Logan Schoenhardt, who has a terminal cancer diagnosis, asked if he would engrave Tom Brady's No. 12 jersey number on his skull.

And in addition to picking colors, you can also laser engrave some text on the front, just so everyone knows your Gamertag.

Members of a biker gang wearing 1%er patches, marking them as outlaws, commissioned Gorupo to engrave their leader's pistol, says Gino.

Alot of the emoji engraving options also match the Chinese Zodiac animals so you can engrave the year of your birth. pic.twitter.

According to Spivak, the patented printing technique will only take about a month to engrave the entirety of Wikipedia on the disk.

Or, if you want to give this as a gift, Scienz lets you engrave a personalized name, message, or design on the platforms.

In the Arnano lab in Grenoble, France, machines engrave thousands of pages of text onto a 12-inch-wide disc crafted from synthetic sapphire.

In the Arnano lab in Grenoble, France, machines engrave thousands of pages of text onto a 19103-inch-wide disc crafted from synthetic sapphire.

For an extra $36, Gray will even engrave your name into the case, which will one day serve to memorialize your questionable life choices.

Glowforge's flagship product uses a laser with 1,000 DPI (dots per inch) resolution to carve and engrave materials, including acrylic, glass, leather and wood.

While the school had managed to add Mr. Gonzalez to the program, there had been no time to re-engrave the little crystal statue.

Leafing through the book, you'll read statements that nigh-on every young person on the planet needs to engrave onto their brain in 2018.

I don't really know much about sword smiths but this guy must be good if he can engrave anything into that ultra-hard titanium case.

Engrave them on your hearts When you are in your house, when you walk on your way, When you go to bed, when you rise.

The Grammys used during the television broadcast are for show; Mr. Billings and his team engrave the names of winners onto plates after the event.

A user can draw on the Proofgrade coating with any black, permanent marker and the laser will automatically cut or engrave along those lines, Shapiro noted.

Built in the shape of a cube, Cubiio can be used to engrave images saved on a memory card onto leather, paper, wood, and even food.

It took 60 hours just to engrave the floral motif on a cup, said Amélie de Cagny, director of marketing and communications for the French company.

Traditional jewelers still would engrave a name or sentiment into a gold disk or bangle or ring, but anything more distinctive was not easy to find.

Now, Apple is expanding this customization option with the ability to engrave an emoji into the case, as blogs such as 9to5Mac and MacRumors first noticed.

Techno is often described as heady, but for Brainscapes, the latest release on his own Engrave LTD imprint, Dodi Palese took the concept and made it literal.

As we reported, he asked a buddy at LAPD Robbery Homicide if he could get the case number so he could engrave a frame and encase the weapon.

We finish off the handoffs, engrave all the losing names on the trophy, and then every player on the losing day has to spend one day with it.

The larger picture, however, is whether Ovechkin — known as Alexander the Great and the Great Eight — can ultimately engrave his name above that of Gretzky, the Great One.

In tracing the tool marks on the sealstone, Goumas speculates that the craftsman may have used a rotating wooden lathe with a sharp edge to engrave the stone.

He told a friend in the LAPD that he planned to frame the knife and engrave it with the record number for the Nicole Brown/Ron Goldman murder case.

Apple only lets you engrave a limited set of emoji, but there are some pretty fun options, including the fist bump, all of the Zodiac animals, and the poop emoji.

The officer even wanted to get the departmental record for the murder case of Nicole Brown Simpson and Ronald Goldman, which he wanted to engrave in the frame, the report states.

You can't cut glass, but you can engrave it; same goes for rubber, though that's one you'll want to source from a place that sells materials known to be laser safe.

I thought, even if I had a ring from a Cracker Jack box as Holly and Paul did in the movie, I'm not sure I would ask them to engrave it.

It didn't come to official attention until the officer retired and asked a fellow cop for the case number for the Simpson case; he wanted to engrave it on his grim keepsake.

In order to "engrave them on people's minds", folksy propaganda posters now preach these ideas from almost every bare patch of wall in China, on TV, at road junctions and in aeroplanes.

Microsoft says there are around eight million possible color combinations, and you'll also be able to laser engrave some text on the front for further customization or to mark your Gamertag on your controller.

On the banks of the River Seine, workers chisel, press and engrave medals and memorabilia in the factory that advertises itself as the oldest in the French capital, with a history stretching back to the year 864.

He is looking for the serial number of his old military rifle so he can engrave both it and the Colt logo onto the AR-21982 he plans to give years from now to his son, now 213 months old.

With the assistance of the former Phoenix Mercury coach Corey Gaines, who recently has worked as a guest coach with Japan and is another disciple of Paul Westhead's up-tempo offensive style, Hovasse has helped engrave speed on the soul of Japanese basketball.

Well, without me standing here, clipping one Chinese-made component into another Chinese-made component, Apple loses the right for a robot in Shenzhen to laser engrave 'Made in the USA by the Great American Worker' into every iPhone casing before they're shipped over here.

The whole scene is dominated by eventful clouds which must have taken quite some time to engrave — swirls and billows (made of thousands of tiny incisions) that also hint at brain matter and cytoplasm in a cell as well as nebulae and galaxy clusters.

In addition to popular brands, including Rolex and Patek Philippe, Mr. Khoori also collects customized watches, a passion that began about seven years ago when he came across one by Jochen Benzinger, the German watchmaker who creates his own elaborately decorated timepieces and will engrave other brands.

The race for this year's acting Oscars couldn't possibly be less suspenseful: You can engrave those Academy Awards right now for Joaquin Phoenix ("Joker"), Renée Zellweger ("Judy"), Brad Pitt ("Once Upon a Time … in Hollywood") and Laura Dern ("Marriage Story"), the fearsome foursome set to sweep up every trophy from now until Feb.

The maker-targeted device, which can 'print' (read: engrave/laser cut) a variety of materials including leather, wood, acrylic, glass, and even the metal surface of a Macbook, starts at $2,9953 for the entry level machine, rising to a full $5,995 for the pro model — which is billed as faster, able to print larger items, and capable of running for longer periods.

The two then traveled by open-top car to the Kumsusan Palace of the Sun, the mausoleum for North Korean founder Kim Il Sung and former North Korean leader Kim Jong Il. In an opinion piece published Wednesday in North Korea's state-run newspaper Rodong Sinmun, Xi wrote that he hopes to use the visit to "engrave a new chapter of the traditional friendship" between the two countries.

The Convention decided to engrave his name on the raised column at the Panthéon.

Traditional grave markers are not used, but rather families are given options to engrave natural boulders or plants.

Over 80 families contacted the artist in order to engrave a personal message on a blade used in the wings.

264 The Nursery, c. 1585, an example of a 'singerie' Pieter van der Borcht later began to engrave his own work.

The makers of machines for laser engraving jewellers have developed some very specialized equipment. They have designed machines that can engrave the inside of a ring. They have also created machines that have the ability to engrave the back of a watch. A laser can cut into both flat and curved surfaces such as the surfaces on jewellery.

It can also do CNC carving and laser engraving.Chang, Lulu. "With the Mooz, you can 3D print, carve, and engrave, too". Digital Trends.

The first major artist to engrave was Martin Schongauer (c. 1450–1491), who worked in southern Germany and was also a well-known painter.

Units produced: 1,000 Retail price: Unknown The Pure White Xbox was only sold in Japan with the option to engrave up to 20 letters.

The memorial has been financed through private donations. People Magazine, 27 August 2015 Through that people had the possibility to engrave their name on it.

Although goldsmiths continued to engrave nielli to ornament plates and furniture, it was not until the late 15th century that the new method of printing was implemented.

Sebastian Englert refers to the tattooing, also called Tatú or Tá kona, as a form of natural expression among the islanders, commonly seeing both adults and children with these paintings. "Ta," means to write or engrave and "kona," means place. The whole word means something like "the place to engrave". Nowadays, young people are bringing back Rapa Nui tattoos as an important part of their culture and local artists base their creations on traditional motifs.

After the death and the burial of the spouse, the red ink is removed from the stone. This is usually done for financial reasons, as it is cheaper to engrave two names at the same time than to engrave the second name when the second spouse dies. It can also be seen as a sign that they are waiting to follow their spouse into the grave. However, this practice is less frequent nowadays.

Richard Gough was of the view that Haynes was more successful at providing drawings for William Henry Toms and others to engrave, than as an engraver in his own right.

Wellesley-Pole in 1819 instructed Benedetto Pistrucci to engrave Flaxman's work to make steel dies for the medal. Pistrucci, an Italian who had come to Britain in 1815, was performing the duties of Chief Engraver of the Royal Mint. He believed he had been promised the title, which as a foreigner he was ineligible for, and this would be a longtime grievance for him. Pistrucci refused to engrave Flaxman's model, unwilling to copy the work of another artist.

The first engraver identified in archival records was John Coney who appears to have been paid 30£ on 12 March 1703 to engrave three copper plates for the Massachusetts issue dated 21 November 1702.Newman, 2008, p. 186. Given the many design similarities between the 1690 note and those engraved by Coney in 1702, there has been speculation that he may have engraved the earlier note. If true, he would be the first American to engrave on copper plates.

Laser engraving can also be used to create works of fine art. Generally, this involves engraving into planar surfaces, to reveal lower levels of the surface or to create grooves and striations which can be filled with inks, glazes, or other materials. Some laser engravers have rotary attachments which can engrave around an object. Artists may digitize drawings, scan or create images on a computer, and engrave the image onto any of the materials cited in this article.

However, although diamond is used to engrave hard substances, other stones can serve the same purpose. The Septuagint omits the passages of Ezech. and Zach., while the first five verses of Jer.

He was born in London. Early in life he began to engrave in mezzotint, mostly caricatures and portraits after Robert Edge Pine, and in 1767 he was awarded a premium by the Society of Arts. In 1773 he commenced publishing his own works, and in 1778 went into partnership with Thomas Watson, who engraved in both stipple and mezzotint, and who died in 1781. Dickinson appears to have been still carrying on the business of a printseller in 1791 in London, but he later moved to Paris, where he continued to engrave, making prints for the new regime and then for Napoleon; in 1814 Thomas Lawrence and Benjamin West visited him in Paris, the latter trying to persuade him to come back to London to engrave his paintings. .

Two artifacts may have been used for ceremonial purposes. One was an engrave slate gorget, the other is the skull of dog, which had been drilled with 14 symmetrically- placed holes, cut and ground.

This variant was widespread in pre-Saharan and Saharan Libya, territory of the Gaetuli and Garamantes, where it was used by the inhabitants to engrave their messages. It is mostly unknown and badly located.

Skinner would not pay the full invoice of the engraver Kilner who had been hired to engrave designs on copper, from which the paper transfers would be taken. This was because Kilner had to engrave four times more deeply than normally required, so that enough acid could be put in the grooves for the transfer. However this took "a great number of times" more work and hours needed for normal engraving, hence the greater price. Kilner was awarded most of his claim by the Court.

He used the mezzotint method to engrave three or four metal plates (one each per printing ink) to make prints with a wide range of colours. His methods helped form the foundation for modern colour printing.

The Senators never did engrave their names on the Cup for their 1923 championship. It was only until the trophy was redesigned in 1948 that the words "1923 Ottawa Senators" were put onto its then-new collar.

He finished his education under Malek Deylami. Since he was skillful in epigraphy, he was commissioned to engrave the inscription of state buildings in the era of Ismail II. He died on 10 October 1577 in Qazvin.

Recently, engravers have begun to use lasers to engrave wood. Engraving for Dante's Paradise (Paradiso) by Doré Don Quijote engraving by Paul Gustave Louis Christophe Doré Another Don Quijote engraving by Doré, who preferred to work with wood engravings.

He developed his very own style of painting but was inspired by the British painters Joshua Reynolds and Thomas Gainsborough. He used to engrave the works of the Dutch artist Pieter Paul Rubens and gained further influence from his work.

In response, Pollock ordered the new chief engraver, William Barber (Longacre had died in 1869), to re-engrave the date, opening the arms of the "3" wider on most denominations. The two-cent piece was struck only in proof condition in 1873, and due to its February abolition, there should not have been time or reason for Barber to re-engrave the coin. Nevertheless, it exists in "Closed 3" and "Open 3" varieties. Breen suggested that the "Open 3" variety was actually struck at a later date, probably clandestinely; it was not known to exist until discovered by a numismatist in the 1950s.

He subsequently engraved the portraits in a collection of the works of the English poets, and was engaged by Cadell & Davies to engrave the designs of Robert Smirke R.A., for works published by them. Engleheart engraved nearly thirty of Smirke's designs for their edition of Don Quixote. His services were enlisted by Sir David Wilkie, R.A., to engrave his Duncan Gray and The only Daughter, which are the works by which Engleheart is chiefly known. His last important work was an engraving from the picture by William Hilton, R.A., of Serena rescued by Sir Calepine, the Red Cross Knight.

The tattooist affixation Hori means to engrave or "to carve." Muramatsu bestowed this title upon Nakano in 1971. His wife, Mayumi Nakano, is the general manager of his public "Tattoo Museum" located close to the Yokohama Station, which he founded in 2000.

The reverse bears the words, NATIONAL INTELLIGENCE EXCEPTIONAL ACHIEVEMENT, in four lines. This is above a space to engrave the recipient's name. The base shares the olive wreath found on the obverse. The suspension and service ribbons of the medal is white, wide.

In 1754 he married a wine merchant's daughter Karen Nordrup. In 1755 he was awarded the Academy's silver medal. He was then commissioned to engrave the twelve Oldenburg kings. He completed Christian I of Denmark in 1757, but died the same year.

For many months Teodosije carefully engraved 250 wooden plates to be used for printing. Because of the different shape of some letters it was concluded that he did not engrave all letters by himself. One book was in possession of Vuk Karadžić.

On the island of Java it was sometimes done to take an existing circulating cash coin, for example a Kan'ei Tsūhō (寛永通寳) cash coin, and engrave the design of a horse coin into it. The Javanese also did this with other designs.

Charles-Émile Jacque (23 May 1813 – 7 May 1894) was a French painter of animals (animalier) and engraver who was, with Jean-François Millet, part of the Barbizon School. He first learned to engrave maps when he spent seven years in the French Army.

The solar disk is over Re's head. A divine Eye of Horus ( 30px ) is on both sides of Re and the solar barque. Also on the barque is an offering stand. The two characters farthest to the left may be an attempt to engrave dp.

In 1789, Droz devised a collar used to engrave the sides of coins and ensure a circular shape, and though it was unsuitable for large numbers of coins, it remained in use at the Soho Mint. He was a member of the Royal Birmingham Society of Artists.

Artists used a variety of tools to engrave designs and pictures onto the pottery. Most of the tools used were made up of stones, sticks, bones and thin metal picks. Artists used boar-hair brushes and feathers used to distribute the sifted clay evenly on the pottery.

Later, Huang Ningdao selected 12 pieces of best-quality rosewood for the screen and asked a carpenter to engrave Memorial to Yueyang Tower written by Zhang Zhao on the screen. Now, the engraved screen is inlaid in the hall of the second floor of Yueyang Tower.

Another of these tools is the engraving machine. This machine uses a master template to lightly engrave a duplicate image which can be then engraved by hand or etched with acid. The machine also makes possible the reduction or enlargement of the letter for the duplicate image.

However, his talent to engrave vignettes of presidents and other famous figures proved more impressive. In 1888, Hatch moved to Chicago to work for a private bank note company. There, he met Grace Harrison of California. They were married and had one son, Harrison in 1902.

Silbert was born in Waltendorf, Graz and claimed powers of apportation and psychokinesis as well as the ability to produce "spirit raps". Her famous trick was to engrave cigarette cases under the table during her séances. Massimo Polidoro. (2001). Final Seance: The Strange Friendship Between Houdini and Conan Doyle.

The 11th- century Vaishnava temple at Kadwaha in Madhya Pradesh, for example, features a Surya artwork along with many other gods and goddesses at its doorway. The 8th and 9th century goddess (Shaktism) temples of central India, similarly engrave Surya along with other Hindu gods within the temple.

Louis Truchy (possibly 1731 - 1764Truchy, Engraving after David Teniers the Younger, National Trust collections (NT 592733)) was a French engraver.Prints by Louis Truchy in the British Museum's collections He and Guillaume Philippe Benoist were taken on by the English painter Joseph Highmore to engrave his Pamela series in 1743.

The word hieroglyph comes from the Greek adjective (hieroglyphikos),. a compound of ( 'sacred'). and γλύφω (glýphō '(Ι) carve, engrave'; see glyph).. The glyphs themselves, since the Ptolemaic period, were called (tà hieroglyphikà [grámmata]) "the sacred engraved letters", the Greek counterpart to the Egyptian expression of mdw.w-nṯr "god's words".

1 µm and below. They are fully computer-controlled and the whole process of cylinder-making is fully automated. It is now common place for retail stores (mostly jewellery, silverware or award stores) to have a small computer controlled engrave on site. This enables them to personalise the products they sell.

Korean celadon displayed organic shapes and free-flowing style, such as pieces that were made to look like fish, melons, and other animals. Koreans invented an inlaid technique known as sanggam, where potters would engrave semi-dried pottery with designs and place materials within the decorations with black or white clay.

He arrives to see his prisoner Hook, and tells him that for each soul his friends help escape, one of them will have to stay forever. Hades forces Hook to decide which of his friends will pay for this by creating new tombstones for him to engrave with a chisel.

"Engraving Pin Heads". American Horologist & Jeweler. Lundberg became aware of this pin in 1912 and was convinced that he could do a much more difficult piece of work, namely engrave the Lord's Prayer on a pin head with a much smaller area. He chose a gold pin with a head diameter of .

"Gabriel Huquier- Friend or Foe of Watteau?", The Print Collector's Newsletter, 15, 1984, pp. 158-164. and went on to etch and engrave designs of Jacques de Lajoue, François Boucher, Gilles- Marie Oppenord,Jean-François Bédard, "Prints by Gabriel Huquier after Oppenord's Decorated Ripa," Print Quarterly, XXIX, no. 1, 2012, pp. 37-43.

A folktale explains the four names engraved in the four internal stone columns in the ambalam. The story says that these four names belonged to some "thugs" from the southern part of Sri Lanka who settled in Kandy. The thugs supposedly used their magical powers to engrave their names on the columns.

In light manufacturing the machine is used to engrave and to drill other metals. In the electronic industry laser beam machining is used for wire stripping and skiving of circuits. In the medical industry it is used for cosmetic surgery and hair removal. 1\. Cutting or engraving patterns on the thin films. 2\.

2, p. 19, p. 63 He further conducted a regular correspondence with Giulio Clovio to whom he proposed a project to engrave Michelangelo's works in a skilful manner so that those who had not visited Rome could appreciate what they looked like.Sharon Gregory, Giorgio Vasari, 'Vasari and the Renaissance Print', Ashgate Publishing, Ltd.

Since the early 17th century, tricking declined. However, it is sometimes still in use, mainly in British heraldry. Heralds did not like hatching, since tricking was much easier to write and engrave. The College of Arms gave preference to tricking even beyond the 17th century, sometimes even on the coloured and hatched images.

He was the brother of Andrea Zucchi (1679–1740), and was instructed by him in Pordenone. He is also described as close to Pietro Scalvini.Dictionary of Brescian painters. He was invited to Dresden to engrave some plates from the pictures in the Gallery but his work was interrupted by the Seven Years' War.

Emilio Marquez (born 1972) is an American drummer who currently plays in Asesino, Engrave, Coffin Texts, and Possessed Emilio was also the former drummer for Brainstorm (Los Angeles) and Sadistic Intent (1996 2010). Márquez, along with fellow Asesino members Dino Cazares and Tony Campos, voiced characters in the Adult Swim series Metalocalypse.

Once this has happened, the wood is stained using a secret method, and then fitted with the various metal bands and fittings. The craftsman will sign his work with his family symbol or name, and also will engrave the handle or pommel with the recipients name, family crest or other text as requested.

The exact year Yunju Temple was built is unknown; however construction started during the Northern Qi Dynasty (550 CE – 570 CE).Transl Around 611 CE, a high priest named Jingwan (? - 639 CE) made a vow to engrave Buddhist sutras on stone steles to insure Buddhism's future survival because of the challenges Chinese Buddhism had recently faced during the anti-Buddhist campaigns of Emperor Taiwu of Northern Wei and Emperor Wu of Northern Zhou.Shi 1991 Venerable Jingwan therefore set in motion a movement to engrave Buddhist sutras on stone steles that continued for over a thousand years; the last stone sutra stele engraved is dated to 1691 CE --- although by that time, the belief in the impending disaster of the Degenerate Age had subsided.

Styluses are still used in various arts and crafts. Example situations: rubbing off dry transfer letters, tracing designs onto a new surface with carbon paper, and hand embossing. Styluses are also used to engrave into materials like metal or clay. Styluses are used to make dots as found in folk art and Mexican pottery artifacts.

Abramo followed the studies of Brazilian nature, known as Itapecerica, Campos de Jordão (Fields of Jordao), and others. Following this, he created the series Obrero (Worker) and Guerra civil española (Spanish Civil War). Years later, he produced the xylo-engrave series in 1948 to illustrate the book Pelo Sertão, written by Brazilian writer Alfonso Arinos.

He emulated the style of Francesco Bartolozzi, with dense crosshatching. He gained many commissions to engrave copies of local works of art. This led to a work titled The Gallery of Bologna, with engravings by him, his brother and his pupils, of over a hundred of the paintings at the Pinacoteca.The Gentleman's Magazine (1842).

Labelflash is backwards compatible with Yamaha's earlier DiscT@2 technology—this allows Labelflash-compatible optical drives to engrave onto the data side of discs as well. According to Yamaha, a new iteration of Labelflash which supported four color printing was in the works—however, as Labelflash support was discontinued in 2017, this never came to fruition.

The form of house marks is based on function. They should be easy to cut, scratch or engrave with a knife or similar tool. At the same time, they should be distinctive and easy to remember. House marks differ from the more complicated patterns of a coat of arms or flags, which include surfaces and solid colors.

Camillo Tinti (born c. 1738) was an Italian painter. He was born in Rome, was employed by Gavin Hamilton to engrave some of the plates for his Schola Itálica; among these were the following: The Marriage of St. Catherine after Parmigianino; Meleager and Atalanta after Polidoro da Caravaggio; and Christ on the Mount of Olives after Giovanni Lanfranco.

McDonald, J.1994. ‘Dreamtime Superhighway: Sydney Basin Rock Art and Prehistoric Information Exchange.’ PhD, Canberra: Australian National University. Les McLeod, a local indigenous guide in Hawkesbury stated, “A lot of Aboriginal people believe they were created from animals – there are engravings here of wallabies, fish and emus”. “Sydney sandstone is easy to engrave but easy to fade.

He was an able draughtsman and also learnt to engrave. He invented a way of printing natural history plates in colour and used the medthod in his own publications. In 1779 he commenced a work on the poisonous plants of France. It was seized by the police on the grounds that it was a dangerous work.

Pitkin named the first fifty movements after himself, however after that the name H & J. F. Pitkin was used. They did not engrave the place of their production shop on their watches, however the words Detached Lever were put on the balance bridge.Bailey, pp. 193-4 Pitkin and his brother made about 800 watches between 1836 and 1841.

Since then, direct laser engraving of flexo-printing forms is seen by many as the modern way to make printing forms for it is the first truly digital method. As a competitive process, more recent laser systems have been introduced to selectively engrave the thin opaque black layer of a specially produced photopolymer plate or sleeve.

Since Yin Dynasty, it became popular to engrave words on stone to make them spread further and longer, but not calligraphy. Since Tang Dynasty, people began to save the beauty of calligraphy on the stone. So rubbing calligraphy was popular in that time. Before the development of new technology, calligraphy can only be learned by using stone rubbings.

Alexeieff became well known in this period shortly after illustrating his first rare books. However, he lost one of his lungs while using nitric acid to do his aquatints and was forced to spend two years in a sanatorium. During that time Grinevsky-Alexeieff took his tools and taught herself how to engrave and became the bread winner for the family.Bendazzi, Giannalberto (2001).

Lamb was wounded three times and the third wound, in August 1917 at the Battle of Passchendaele, was a severe one, crippling his dominant right hand and arm. He convalesced in Montrose, and then in Edinburgh, where he received medical attention and attended Edinburgh College of Art. He learned to draw, paint, engrave and model with his left hand.Atkinson, Norman K. 1979 p2.

He published his celestial portfolio in a large format book that is the first popular account of celestial photography of the deep sky. In addition to his considerable advancements in the field of astrophotography, Roberts also invented a machine called the Stellar Pantograver that could engrave stellar positions on copper plates. The Science Museum (London) has Robert's 20-inch reflector.

Andy English was born in Denver, a small village in Norfolk, England in 1956. He studied Geology at the University of Reading and taught in Cambridge, England from 1979 - 2006 where he was widely respected. Self-taught as an artist, he drew and painted since childhood but, in 1991, he started to engrave on endgrain wood. This immediately became his main artistic output.

The incident has been said to be shown in an 1822 picture, the earliest depiction of an eights race at Oxford, painted by I. T. Serres (Marine Painter to George IV).Sherwood, p. 10 However, the print was published on 1 March 1822 and it would have taken several months to prepare and engrave. It also shows a summer scene.

2 or ATA style descriptors are used for UID-marking symbol. Vendors supplying parts to the Department of Defense are required to supply parts with UID Data Matrix Symbols conforming to MIL-STD 130M standard. By using a Data Matrix Symbol laser etching system to engrave a UID onto each part, items can be uniquely identified by manufacturer, part number and serial number.

In addition, he also did a number of miniature portraits as plumbago drawings. He married in 1663, and in 1665 they moved from London to Nuffield, Oxfordshire, to avoid the Great Plague epidemic. In 1669, Loggan was appointed 'public sculptor' to the University of Oxford. Then he proceeded to draw and engrave all the Oxford colleges in bird's-eye views.

He painted large historical canvases and portraits. He first became professor of painting in Bologna, then became professor of figures (physiognomy) at the Academy in Milan. He helped engrave plates on anatomy by Giacomo Bossi. He painted the ceiling of the Hall of the Society of Gardens in Milan, frescoed in Santa Chiara in Busnago, and in San Pietro in Novara.

The Paul Bunyan Trophy was stored in the Michigan Stadium locker room in one of the equipment closets.Trophy has a history as big as its namesake , Retrieved 2014-06-15. Despite winning in 1954 and 1955, Michigan did not engrave their scores onto the neglected trophy. When the Spartans won in 1956, they engraved the Wolverine victories onto the trophy.

William Hogarth by Roubiliac, 1741, National Portrait Gallery, London William Hogarth was born at Bartholomew Close in London to Richard Hogarth, a poor Latin school teacher and textbook writer, and Anne Gibbons. In his youth he was apprenticed to the engraver Ellis Gamble in Leicester Fields, where he learned to engrave trade cards and similar products.Ellis Gamble Biographical Details. The British Museum.

William Harcourt Hooper (1834-1912) was a British artist, engraver and printmaker. He was perhaps the last artist to engrave on wood. Hooper started his career working for Joseph Swain. In the 1850s, he worked for the weekly newspaper Illustrated London News, as well as artists including Fred Walker, George du Maurier, John Leech, Sir John Tenniel, Lord Leighton, and Sir John Millais.

He also helped Joseph Banks prepare the Banks' Florilegium and converted most of Sydney Parkinson's Australian plant drawings from the expedition into paintings and helped engrave them for publication. He illustrated the first published scientific description of the duck-billed platypus. There are Nodder drawings and paintings of Australian birds and butterflies in the Natural History Division of the National Museum of Ireland.

To further make each knife individually special, the Colonel offered customers the option to engrave the handle and/or bolsters. His knives quickly became a success and were sought out by fine retailers. Over the years, the business has expanded into leather goods, home accessories, apparel, belts and more. His products have been purchased by numerous celebrities and several US Presidents.

Bindman (1978: 10) It was unusual for artists to engrave their own designs, due primarily to the social status attached to each job; engraving was not seen as an especially exalted profession, and was instead regarded as nothing more than mechanical reproduction. Artists like James Barry and John Hamilton Mortimer were the exceptions to the norm insofar as they tended to engrave their own material. A further division in the process was that text and images were handled by different artisans; text was printed by means of a movable letterpress, whereas images were engraved, two very different jobs.Viscomi (2003: 41) During Blake's training as a professional copy engraver with James Basire during the 1770s, the most common method of engraving was stippling, which was thought to give a more accurate impression of the original picture than the previously dominant method, line engraving.

The business, known from 1818 to 1825 as Havell and Son, became well known for its expertise in aquatint engraving and colouring. In 1824, following the marriage of his son, Robert moved the business to 79 Newman Street, where John James Audubon approached him in 1827 to engrave a portfolio of 240 drawings he had brought with him from America. Recognizing that without the help of another expert engraver he would not be able to take on a work of this magnitude, Robert Havell Sr. contacted his son, Robert Havell Jr., who had quarrelled with his father and left London in an attempt to launch an independent artistic career. Robert Havell Jr. consented to reestablish the partnership with his father and agreed to engrave the plates of Audubon's drawings, with Robert Sr. supervising their printing and colouring.

The Duomo di Milano, 1832 engraving by James Carter after Clarkson Stanfield From 1830 to 1840 Carter was employed largely on engravings for the annuals, especially the Landscape Annual of Robert Jennings, for which he executed plates after Samuel Prout, David Roberts, and James Holland. He was also employed by John Weale, on numerous architectural works. When the engravings from the Vernon Gallery appeared in The Art Journal, Carter was given The Village Festival, painted by Frederick Goodall. It was followed in the same series by engravings from The Angler's Nook, painted by Patrick Nasmyth, and Hadrian's Villa, painted by Richard Wilson; Edward Matthew Ward then asked that Carter should engrave his picture The South Sea Bubble, and subsequently employed him to engrave Benjamin West's First Essay in Art, a large plate he completed a short time before his death.

The muses are Melpomene (tragedy), Erato, (lyric poetry), Urania, (astronomy), and Clio (history). Like Wither, Milton was unimpressed by Marshall's work, considering the portrait to be deeply unflattering. He had Marshall engrave satirical verses written in Greek underneath the image. It is assumed that this was a practical joke on Marshall, who is unlikely to have known that he was engraving insults directed at himself.

Artistic medals and plaquettes have mostly been produced by lost wax casting. The design for the coin faces were originally engraved into the coin dies. It was necessary to use a burin to engrave the designs directly into the die inverted (i.e. raised areas of finished coin were hollowed out on the die) and as a mirror image so that the finished coin appeared correct.

While still a student, Słania was employed by the Polish Stamp Printing Works, where he learned to engrave in steel. His first stamp was issued in Poland on 24 March 1951. Faroese stamp depicting a ram engraved by Słania (1979) In 1956, Słania moved to Sweden, where he began employment with the Swedish postal authorities in 1959. He produced stamps for Sweden and 30 other countries.

Hand Gravers: hand-powered tools to engrave metal. Uses hand-gravers or die-sinker's chisels to cut designs or pictures into the metal surfaces of the gun, primarily the receiver. The firearms engraver must first be a highly gifted and capable artist that can first compose the desired design freehand on paper. In many cases, the customer must be consulted and must approve the design.

In 1783 he moved from Islington to Red Lion Street, Holborn, and in June 1786 he left London for Lavenham in Suffolk, where he rented a house and a large garden. Engraving for Act V of The Taming of the Shrew, Boydell's edition. He continued his work as an engraver. He was commissioned to engrave a number of plates for John Boydell's Bible and Shakespeare.

François-Louis Schmied : une figure de l'Art déco, in Encyclopédia Universalis, version 10 (DVD) - excerpt online. He is the father of engraver Théo Schmied, who directed François-Louis Schmied's workshop beginning in 1924. In 1910 Schmied was commissioned to engrave and print Paul Jouve's illustrations for The Jungle Book by Rudyard Kipling. This book was finally published in 1919 and brought Schmied considerable attention.

From the beginning of the nineteenth century, new tools made engraving much easier and more exact. The ruling machine created parallel straight or wavy lines very close together, usually for use with etching.Griffiths, 152 Another of these tools is the geometric lathe. The lathe is used to engrave images on plates, which are in turn engraved on rolls for such uses as printing banknotes.

1861 1¢ Original Confederate Cent As the Civil War continued, the cost of the war loomed large. Any precious metals available in the South often made their way to Europe to procure war goods. But the CSA did manage to mint a few coins. In 1861, Robert Lovett Jr. of Philadelphia was commissioned to design, engrave and make a one cent piece for the Confederacy.

Because of the high relief of the coin die, a test striking was made to see if coins would release from the Confederate die. The die was made by a printing plate engraver (A.H.M. Peterson) in New Orleans who was unfamiliar with techniques required to engrave coining dies. These coins were struck using a U.S. obverse die (Seated Liberty) and the Confederate die made by Peterson.

The medal is 1 3/8 inches in diameter, made of gold plated red brass. The obverse depicts a triskelion superimposed over a graticule surrounded by a laurel wreath. The reverse bears the words, in relief, DEPARTMENT OF TRANSPORTATION arched above with the incuse inscription OUTSTANDING ACHIEVEMENT on a scroll below. In the middle are the words AWARDED TO with a space to engrave the recipient's name.

Jews might rent farms only if they could cultivate the same without the aid of Christians. Jews were allowed to peddle and to engage in various industrial occupations, and to be admitted into the guilds. They were also permitted to engrave seals, and to sell gunpowder and saltpeter; but their exclusion from the mining-towns remained in force. Christian masters were allowed to have Jewish apprentices.

They are also known as pariya in Parkari Koli language and loharti in Dahatki languages of Sindh. Loharti may be derived from term Lohar which means iron-smith which were commissioned in past to engrave memorial stones instead of stone-engravers. The term may also refer to tablet or stone engraved with hammer. Khambhi is derived from Sanskrit term Stambha which means a column.

Johann August Eduard Mandel (1810-1882) was a German engraver. He was born at Berlin in 1810, and early received encouragement from King Frederick William III. He entered the academy in 1826, and worked under Professor Buchhorn. Inconsequence of the success of his first work,' The Warrior and his Daughter,' after Hildebrand, in 1830, he was appointed by the academy to engrave the 'Loreley' after Regass.

Despite this transition, the chapel still has a place in the continuing traditions of the university. Since 1876, graduating classes would have a stone on the exterior of the chapel carved with their class year. Early classes chose the stone while today, new classes engrave stones that located next to the class that graduated 50 years before.Rutgers, The State University of New Jersey — Kirkpatrick Chapel.

Henri-Georges Adam was born in Paris on 14 January 1904, to a father from Picardy and mother from Saint-Malo. During his childhood he spent his summers in Saint-Malo and Saint-Servan. In 1918, after attending a watchmaking school, Adam started working the studio of his father, a jeweler and goldsmith in the Marais district of Paris, where he learned to carve and later to engrave.

Some amateur writers, > scribblers, (perhaps honest scribblers) and some adulators have led the > author astray. It is a shame for the author, but a fact remains a fact. But > this is not the important thing. The important thing resides in the fact > that the book has a tendency to engrave on the minds of Soviet children (and > people in general) the personality cult of leaders, of infallible heroes.

Williams was born at Colchester, on 23 February 1788. He was apprenticed to the Colchester printer J. Marsden, but taught himself to draw and engrave on wood, and adopted printmaking as his profession, and became known as a specialist in landscapes. He established himself first in Colchester, and then in 1819 settled in London. In the early part of his life Williams also painted miniatures, and a few oil pictures.

Gilles Demarteau , in: Alfred Micha, 'Les Graveurs liegeois', Bernard, Liège, 1908, pp. 87–97 Gilles Demarteau used in 1756 goldsmith's chasing tools and marking-wheels to shade the lines in a series of Trophies designed by Antoine Watteau. Jean-Charles François who was a partner of Demarteau further developed the technique and used it to engrave the whole plate. François engraved in 1757 three etchings directly on copper in crayon manner.

In 1615 and 1616 he was licensed by the Dutch States-General to engrave from the portraits of Michiel Jansz van Mierevelt,Grove Dictionary of Art. such as the portraits of Elizabeth and Frederik of Bohemia. In 1618 he depicted the ceremonial funeral-bed of the newly deceased Philipp Wilhelm, Prince of Orange. However Bolswert's most notable collaboration in this period was with Abraham Bloemaert, after whom he produced various series.

Saint Ignatius while a soldier Contemporary artists after whose designs Barbé worked included Theodoor van Loon and Abraham van Diepenbeeck.The SS. Apostolorum et Evangelistarum Icones cum suis parergis at archive.orgTheatrum, vitam, virtutes miracula Rmi P. Gabrielis Maria Ord. Minorum at the Royal Academy of Arts Collections Barbé had a close relationship with Rubens whose works he had already started to engrave when both artists were residing in Italy.

The 1918 Stanley Cup was presented by the trophy's trustee William Foran. The Arenas never did engrave their name on the Cup for their championship season. It was not until the trophy was redesigned in 1948 that the words "1918 Toronto Arenas" was put onto its then-new collar. The following Arenas players and staff were eligible to have their names engraved on the Stanley Cup 1917–18 season Toronto Arenas.

Sharpe was born in Birmingham to Sussanna and an engraver named William Sharpe and she was baptised on 21 August 1796 at St Phillip's church. The parents allowed Eliza, Louisa, Mary Ann and Charlotte to travel to the continent to inspect galleries in France and Germany. Eliza Sharpe - "Victorian Woman" - watercolour William taught each of the daughters to engrave. William and Sussanna moved the Sharpe family to London in 1817.

The Guringai people would have visited a couple of times a year to re-engrave it.” In some small cave on the water’s edge, there are ochre hand stencils from a group of Guringai men (and from a smaller handprint, a minor). The stencils would have been a way of letting other members of the clan know that this cave or ledge is a safe place to dwell in.

The 1917 Stanley Cup was presented by the trophy's trustee William Foran. The Metropolitans never did engrave their name on the Cup for their championship season. It was not until the trophy was redesigned in 1948 that the words "1917 Seattle Metropolitans" was put onto its then-new collar. The following Metropolitans players and staff were eligible to have their names engraved on the Stanley Cup Seattle Metropolitans team in 1917.

CBETA The stone sutra steles varied in size and were engraved on both sides. In addition to text, they were also engraved sometimes with images of Buddhas and Bodhisattvas as well as Siddhaṃ Letters. The collection of stone sutra steles is also sometimes called the Fangshan Stone Sutra (Chinese: 房山石經). Venerable Jingwan initially vowed to engrave the entire Tripitaka; at least ten titles still survive today.

His successors continued his work. One of them was involved in the engraving of the oldest extant copy (dated to 661 CE) of Tripitaka Master Xuanzang’s 649 CE translation of the Heart Sutra. During the Sui and Tang Dynasties, donors oftentimes determined which sutra to engrave on the stone stele; hence many sutras were engraved multiple times. Royal patronage began in the Sui Dynasty (see below for rediscovery of Buddha relics).

With other engravers (William Sharp, John Hall, and William Woollett), Strange declined associate membership. In 1775 he published on his grievances in An Inquiry into the Rise and Establishment of the Royal Academy of Arts. He then took his family over to Paris, where they remained in the Rue d'Enfer until 1780. Strange wished to engrave Anthony van Dyck's portrait of Queen Henrietta Maria, which belonged to George III.

Profile turners or specialist setters supervise the production of pieces required for the balance axis, screws, pins and the other minute parts. Decorators engrave plates and bridges with distinctive patterns. Experienced watchmakers then assemble the finished components, working on the movements of in-house calibers. Another team of watchmakers, specialized in highly complicated timepieces, works on the movement assemblies and casings of complex mechanisms (minute repeater, hourstriker, tourbillon...) and astronomical timepieces.

Charlemont accepted his painting, but permitted Hogarth to retain it for a period so he could engrave it. Hogarth was unhappy with the result, and it was discarded and not published. The work was exhibited at the Society of Artists in 1761, and later engraved more successfully by Thomas Cheesman. The painting was hung in Charlemont House in Dublin, until it was sold by the family in 1874.

The artist cuts the glass into shapes and sets the pieces into lead cames which are soldered together. They artist can also use hot techniques in a kiln to create texture, patterns, or change the overall shape of the glass. Etched glass is created by dipping glass that has an acid resistant pattern applied to its surface into an acid solution. Also an artist can engrave it by hand using wheels.

Conradsen's first work as a medallist was the medal Pro meritis. He was the following year awarded the Neuhausen Prize for his model for a speciedaler coin and was subsequently commissioned to engrave the stamps for Christian VIII's speciesdaler. He was upon his father's returement in 1841 employed as assistant medallist unFrederik Christopher Krohn at the Royal Mint. In 1846–50, he went abroad on the Academy's large travel stipend.

Bloomfield had one lesson from R. John Beedham who then fell ill. She experimented and began to engrave drawings from her sketch books. When she had been engraving for some time she was advised to send her work to Beatrice Warde, the editor of the Monotype Recorder. Warde was very encouraging and helpful, and recommended Bloomfield to a number of publishers, including the Oxford University Press and Penguin Books.

The team won the second half of the 1917–18 NHL season, leading to a playoff against the Montreal Canadiens. The Torontos won the playoff and would then face off against the Vancouver Millionaires for the Stanley Cup. Toronto then won the best-of-five series 3–2. After the Cup win, the team did not engrave its name on the Stanley Cup, as would later become the custom.

Wazeba (early 4th century) was a King of the Kingdom of Aksum, centered in the highlands of modern Ethiopia and Eritrea. He succeeded Aphilas atop the throne. Wazeba is primarily known from the coins that he minted during his reign. He was the first Aksumite ruler to engrave the legends of his coins in Ge'ez, and the only King of Aksum to use that language on his gold currency.

Kieser was the son of a pastor. He learned the goldsmith's trade. In the early summer of 1609, through his marriage with Anna Christina Hoffmann, a painter's daughter, he received citizen's rights in Frankfurt am Main, worked as a goldsmith in Sachsenhausen and began to draw and engrave. From 1612 he illustrated and published books and produced illustrative prints in his publishing workshop with several engravers as assistants.

Engine turning machines were first used in the 1500-1600s on soft materials such as ivory and wood. In the 18th century they were adopted for metals such as gold and silver.What kind of a machine did Faberge' use to engrave the gold under the enamel on his famous eggs and other irregular shapes? by Peter Rowe.Guilloché Enameled Luxuries: Engraved memories of a fanciful era, Professional Jeweler Archive, March 2001.

Some accounts give the credit of developing tightly-packed engraved guilloché decoration to the Nuremberg glass-making dynasty of the Schwanhardt family in the 17th century,"Schwanhardt", Osborne, Harold (ed), The Oxford Companion to the Decorative Arts, 1975, OUP, using a wheel to engrave the glass. Engine turning machines made of cast iron and heavy wooden bases, with precision machined surfaces were made until circa 1967 (e.g. Neuweiler und Engelsberger).

He was commissioned to engrave the map of Treasure Island for Robert Louis Stevenson. John Sr. was the ideal person to inaugurate what became one of the most admired cartographic institutions in the world. A man of high standards, as were his successors; he was an accomplished engraver, engraving becoming the foundation of the firm; lithography would follow later. He also had the vision to recognise the potential for the firm.

Internal Combustion Engine (ICE) The ICE is a 5.0-litre Ford double overhead camshaft V8 engine accompanied by a 2.9-litre twin-screw type supercharger. The block of the engine is casted from aluminium by a US supplier and is shipped to Italy for completion. The engine has a power output of and of torque. The buyers have the option to engrave their name on the block of the engine.

He was commissioned by the bishop of Münster in 1535–36 to engrave portraits of Anabaptist leaders Jan van Leyden and Bernhard Knipperdolling, although they were already imprisoned, and only caricatures of them circulated. In the cycle Power of Death, done under visible influence of Hans Holbein, he criticizes the vices of the Catholic Church. Aldegrever was interested also in folk subjects. In 1538 and 1551 two series of prints depicting marriage dances were made.

Plate 11, showing the marginal glosses. The line directly above the centre image reads: Satan himself is transformed into an Angel of Light & his Ministers into Ministers of Righteousness In 1823 Linell formally commissioned Blake to engrave plates for printing. Unlike Blake's own productions in relief etching, this, like other commissioned work, was produced using the intaglio method of engraving. However, Blake rejected the "mixed method" popular among commercial reproductive engravers of his time.

Bex pulls out a Stanley knife and starts to engrave on Dom's arm. When the rest of the firm lick their hands and rub off the symbol that is on their arms he realises that it is a joke. Dom goes to the Lord Nelson to meet up with the boys. Soon after arriving, he is harshly ridiculed in front of everyone by a drunken Trigger for wearing the same tracksuit as Bex.

A printing plate of a city map created in photopolymer. Photopolymer can be used to generate printing plates, which are then pressed onto paper like metal type. This is often used in modern fine printing to achieve the effect of embossing (or the more subtly three-dimensional effect of letterpress printing) from designs created on a computer without needing to engrave designs into metal or cast metal type. It is often used for business cards.

Some sources say that he met Benjamin Trott in 1798, and the two friends left New York and stayed in Albany for a few months to avoid an epidemic of yellow fever. From that time he alternated between Connecticut and New York City. In 1798 he founded the Hartford Engraving Company in Hartford, Connecticut. He joined the Graphic Co. in Hartford, an association of engravers, though he designed vignettes but did not engrave them.

Wright became much associated with George Dawe, whose sister he married, and in 1822 followed him to St. Petersburg to engrave his gallery of portraits of Russian generals; there he also executed a fine plate of the Emperor Alexander, and another of the Empress Alexandra with her children, both after Dawe, on account of which he received diamond rings from members of the royal family and a gold medal from the king of Prussia.

At the Restoration of 1660 Rawlins was reinstated as chief engraver at the mint, Thomas Simon being then styled "Chief Engraver of Arms and Seals". He had a residence in the mint, and in June 1660 was ordered to engrave the king's effigies for the coins. From 30 July to 24 September 1660 he was engaged in engraving a privy seal for Ireland and five judicial seals for the Welsh counties. Rawlins died in 1670.

Important series included works for the student dormitory Studentergården (1921–23), the cinema Vesterbros Bio (1942) and Arbejdermuseet (1955). His most extensive project consisted of some 50 illustrations for Adam Oehlenschläger's Nordens Guder, published in 1929. It took him many years to engrave the woodcuts and several of his pupils were involved in the technical work. The work had a mixed reception but he was complemented by the French pointillist Paul Signac.

In 1584 Juan de Herrera commissioned Perret to print images of the plants and topographical views of the Monastery of San Lorenzo Del Escorial. Herrera was to provide the copper plates already drawn by his hand, and Perret was to engrave them for a fee of 600 ducats. Perret moved to Madrid and was bound to take on no other work until the plates were engraved. However, the work was not completed until 1589.

Trinity College, Cambridge; View from St John's College Old Bridge, c. 1840. steel engraving was much used for decorative topographical prints such as this, by John Le Keux. Until around 1820 copper plates were the common medium used for engraving. Copper, being a soft metal, was easy to carve or engrave and the plates could be used to strike a few hundred copies before the image began to severely deteriorate from wear.

Guay was agrée for admission to the Académie royale de peinture et de sculpture in 1747, the first gemstone engraver to receive this honor. He was formally admitted on 30 March 1748. He exhibited his work at almost all the Salons from 1747 to 1759. He taught Madame de Pompadour how to engrave stones, and she acquired proficiency as shown in surviving samples of her work in onyx, jasper and other precious stones.

To this end, he hired William Woollett, the foremost engraver in England, to engrave Richard Wilson's Destruction of the Children of Niobe. Woollett had already successfully engraved Claude Lorrain's 1663 painting The Father of Psyche Sacrificing at the Temple of Apollo for Boydell in 1760. Boydell paid him approximately £100 for the Niobe engraving, a staggering amount compared to the usual rates. This single act of patronage raised engravers' fees throughout London.

In fact Foster received his first commission from the publisher Ingram, Cook, and Company to reproduce the four scenes in oil.Evans, pp. 20–26 In 1851, Ingram chose Evans to engrave three prints for Ida Pfeiffer's Travels in the Holy Land. He used three blocks for the work: the key-block, outlining the illustration, was printed in a dark- brown hue; the other two were in a buff colour and a grayish-blue colour.

Released: 1 December 2017 Added support for fingering and unpitched percussion notation; improvements made to importing MIDI and MusicXML files, Play mode, Engrave mode, Print mode, articulations, barlines, bar numbers, chord symbols, clefs, dynamics, filters, flows, glissando lines, instrument changes, multi-bar rests, noteheads, note input, ornaments, page layout, pedal lines, playing techniques, rehearsal marks, rest grouping, scaling, slurs, staff labels, stems, tempo text, ties, time signatures, tuplets, user interface, performance, and localization.

Here and there a spasmodic attempt may be made to appeal to the artistic appreciation of a limited public, but generally, no attention is paid to these efforts. There are still a few who can engrave a head from a photograph or drawing, or a small engraving for book illustration or for book plates; there are more who are highly proficient in mechanical engraving for decorative purposes, but the engraving-machine is quickly superseding this class.

They had no choice but to let me [stay]. The people who had studied in Paris or London could not accept the idea that a man with the face of an Indian like me could draw, engrave, paint." —Santos Chávez "I am a particle in the cosmos, what are we in the planetary system, in infinite space? …Balance, harmony, sense, symbolism, poetry… It is my entire childhood, alone in the country, the world I interpret in my work.

However, despite persecutions and intense pressure to convert, Coptic monasticism has survived, and some of the most ancient monastic communities in the history of Christianity continue to be inhabited to this day. A number of Coptic monasteries have also been established in the New World. Ethiopia was one of the first nations to accept Christianity, officially converting in 341. King Abreha became the first sovereign in the world to engrave the Sign of the Cross on his coins.

In particular, Leschot was an inventor and his creations turned out to a success for the company. His inventions had significant impact on the watchmaking industry in general, and he was the first person to standardize watch movements into Calibers. In 1844, Georges-Auguste Leschot was awarded with a gold medal from the Arts Society of Geneva, which highly appreciated Leschot's pantographic device - a device that was able to mechanically engrave small watch parts and dials.

In disagreement with Hulot's work, Barre delayed the delivery of the dies of the new laurel effigies of Napoleon III stamps which had been designed in early 1861. On two occasions for the new denomination, Hulot returned the die damaged to Barre for retouching. In August 1866, although he has made the model in July, Barre refused to engrave the die of the new five francs stamp. Hulot has to make do with copies of old dies.

Upon his return to Paris, he was reunited with his brother, whom he had not seen in many years. He began engraving Etienne's paintings and became known for his accurate work. Jeaurat was also employed by Pierre Crozat to engrave pictures for his famous collection. In 1722 in Paris, he married Marie- Charlotte Le Clerc, the sister of the artist Le Clerc, and many of his engravings are of the religious pictures painted by his brother-in-law.

A sword- blade could be adorned with runes; these might attach power, history, and magic spells to the weapon, just as Sigurd was instructed to engrave runes of wisdom and victory on his sword Gram. The historian of arms Ewart Oakeshott described the sword as having "a potent mystique which sets it above any other man-made object". Swords had two attributes which made them especially highly prized: they were costly to manufacture, and effective as weapons.

He defeats Sora, took away the Wind Regalia, and then loses his own regalia to Nike. He judges people using a one hundred point system with random variables. After Sora reappears in the AT world, he begins training in extreme pressure in order to stand up against him. He follows the Gaia Road, which, in his case, is able to memorize and finally engrave any riding script from a rider no matter how fast, high, and tricky it is.

William Blake, who often did illustrative work for Wollstonecraft's publisher Joseph Johnson, was engaged to design and engrave six plates for the second edition of Original Stories. Blake scholars tend to read these plates as challenges to Wollstonecraft’s text. For example, Orm Mitchell, basing his interpretation on Blake's personal mythology (which is elaborated in his other works) argues that in the frontispiece to the work: > The two girls gaze out wistfully from beneath the outstretched arms of Mrs. > Mason.

Ashby was born on 17 April 1744 at Wotton-under-Edge, Gloucestershire, and was apprenticed to a clockmaker in that town, who also engraved dial-plates, spoons, and tankards. Here Ashby imbibed a taste for engraving. On the termination of his apprenticeship he removed to London, where, following the bent of his inclination for writing-engraving, he entered into an engagement with Mr. Jefferies, geographer, of Charing Cross, his principal employment being to engrave titles for maps and charts.

These women would travel together as bands of empowered virgins telling stories of Thecla and her grace. Other women in the Movement of St. Thecla would name their daughters after her, engrave her face on their tombs, and on their oil lamps. All of these women were empowered by Thecla, a woman who did things that not many women would ever dare to do, and they built a strong community in which they empowered each other.

This ambitious project was a financial failure. The cartoons had already been engraved by Nicolas Dorigny. Through the influence of Benjamin West, Holloway obtained permission to engrave on a large scale the seven Raphael cartoons at Windsor, and to this task the remainder of his life was devoted. He engaged as assistants his former pupils, R. Slann and T. S. Webb, each of whom married a niece of Holloway, together with Joseph Thomson, an artist who died young.

Technically, Wilkin's engravings "are among the best examples of stipple, the admixture of etched lines and a vigorous use of the roulette preserving a thoroughly draughtsmanlike style." Wilkin managed to stipple-engrave with a quite distinctive style, which was not an easy achievement, since this form of engraving does not lend itself to individual expression. Frank Wilkin (Francis William Wilkin, 1800–1842) and Henry Wilkin (1801–1852), his sons, also exhibited their paintings at the Royal Academy.

The 1566 silver rial of Mary, Queen of Scots Acheson was in Paris in 1553 to engrave the portrait of Mary, Queen of Scots for coins.Andrea Thomas, Glory and Honour: The Renaissance in Scotland (Edinburgh, 2013), p. 75. Acheson and his business partner John Aslowan received silver from the royal treasurer Robert Richardson, Prior of St Mary's Isle, to coin into testoons.John Hill Burton, Register of the Privy Council of Scotland: 1545-1569, vol. 1 (Edinburgh, 1877), pp.

On 20 October 1680 he joined the 'Sodaliteit van de Bejaerde Jongmans', a fraternity for bachelors established by the Jesuit order. He must have enjoyed a certain reputation as he moved in 1690 to Aix-en-Provence in France to which he was called by Jean-Baptiste Boyer d’Éguilles. His patron was Attorney General of the Parliament of Provence and a famous art collector and scholar. Boyer d'Aguilles commissioned him to engrave his entire art collection.

Also normally made of white fabric, the outfit consists of a romper with a vest or other accessories. These clothes are often kept as a memento after the ceremony. It is a naval tradition to baptise children using the ship's bell as a baptismal font and to engrave the child's name on the bell afterwards. Tracking down and searching for an individual's name on a specific bell from a ship may be a difficult and time-consuming task.

Contrary to what was previously thought, Woeiriot did not go to Italy in 1550, but stayed in Lyon until about 1559-60 after which he left for Rome. By the end of 1561 he was in Nancy, making frequent visits to Lyon until 1571. On 1 December 1561 he agreed to engrave 36 plates illustrating the Old Testament for the dealer Antoine God, and these appeared in 1580. Influenced by the poet Louis Des Masures, he became a Protestant.

Raimondo Ghelli (active second half of 18th century) was an Italian engraver and painter of the 18th-century, active in making portraits. He was a pupil of Giuseppe Ratti in Genoa, and helped engrave many of the portraits for the Vite dei pittori genovesi by Raffaele Soprani. He moved to Ferrara to paint the portrait of Cardinal Riminaldi and also made portraits of G. Parini, Giuseppe Mosti, and Antonio and Feliciano Montecatini. He was active in Ferrara after 1750.

Hunter McQueen, p.149 after an incident at Friars Carse and he had to secretly return to engrave lines to his old friend on the window.Hunter McQueen, p.150 In 1805 however it is recorded that Dr Smith RN of Friars' Carse had made some repairs to the hermitage and in addition a bay tree had recently been planted nearby in Burns's memory.Storer & Greig, Page 42 In 1810 it was reported by Robert Hartley Cromek as being derelict again.

The Giving Keys was founded in 2008. Founder Caitlin Crosby has detailed the origins of The Giving Keys in The Huffington Post and at a TEDx event (TEDxBend). Crosby took to wearing an old hotel key as jewelry and one day asked a locksmith to engrave the word LOVE on the key. As friends and fans took interest in her key, she decided to make her own line of key necklaces with inspiring words on them to sell at her concerts.

Only two were used, one for the obverse of the half crown, and the other for the shilling and sixpence. Both were modified by Thomas Wyon of the Mint, who engraved the designs in steel. What was dubbed the "bull head" of the King on the 1816 half crown was disliked by the public, and it was replaced by another in 1817. The criticism incensed Pistrucci, who blamed Wyon for bungling the design, and who set about learning to engrave in steel himself.

Lacquer thread sculpture () is a traditional artware in East China which uses well-tempered lacquer threads to build decorative patterns. The main material of lacquer thread sculpture is the mixture of lacquer, the special brick powder and boiled tung oil. After beating the mixture and twisting it into a string, the craftsmen coil, entangle, pile, carve and engrave on the sculpture which is then coated with primer. The technique's development depended on flourishing folk religions and the Buddhist sculpture tradition.

After leaving Sweden Richter worked for some time in Paris, where he was employed at the Medal Mint to engrave medals for Louis XIV. In 1703 he spent time in England, but quite soon returned to Stockholm, having a post as engraver at the Royal Mint there. In 1712 Richter was called to Vienna to fill the post of Chief Medallist (Obermedailleur) to the Imperial Mint, and on 15.January 1715 he was named Inspector of the Coinage (K. Münipräginspector).

Longacre then agreed to engrave illustrations for Joseph and John Sanderson's Biographies of the Signers of the Declaration of Independence, published in nine volumes between 1820 and 1827. Although the venture was marked by criticism of the writing, sales were good enough that the project was completed. Numismatic writer Richard Snow suggests that the books sold on the strength of the quality of Longacre's illustrations. Longacre also completed a series of studies of actors in their roles in 1826 for The American Theater.

He put together a team of painters-printmakers to engrave his designs. Many of these printmakers came from Flanders and the Dutch Republic such as Adriaen Frans Boudewijns, Abraham Genoels, Jan van Huchtenburg and Romeyn de Hooghe. The French engraver Robert Bonnart trained with van der Meulen and sold prints on his behalf.Peter Fuhring, Louis Marchesano, Remi Mathis, Vanessa Selbach, A Kingdom of Images: French Prints in the Age of Louis XIV, 1660–1715, Getty Publications, 18 June 2015, p.

However, other examples of the period have emerged bearing round, square, or diamond cross-sections. The Italian word "stiletto" comes from the Latin stilus, the thin pointed Roman writing instrument used to engrave wax or clay tablets in ancient times. The stiletto began to gain fame during the late Middle Ages, when it was the secondary weapon of knights. Originally designed as a purely offensive weapon, the stiletto was used to finish off a fallen or severely wounded heavily armored opponent.

In textile manufacturing, a laser cutting bridge system is an industrial machine for cutting and engraving of textile materials (i.e. fabrics). It is formed by a galvanometric laser head and laser source that runs along an horizontal beam (the bridge) supported by two lateral columns and sometimes by central columns. This system is placed over one or more embroidery machines, more frequently multi-head rather than single-head machines, cutting tables, roller devices, to cut out and/or engrave embroidered fabrics.

From these drawings, Benton-pantographs were used to machine metal punches to stamp matrices. It was Monotype's standard practice at the time to first engrave a limited number of characters and print proofs from them to test overall balance of colour on the page, before completing the remaining characters. Monotype's publicity team described the final italic as "fine, tranquil" in a 1931 showing, emphasising their desire to avoid a design that seemed too eccentric. It was, however, not the only design considered.

In 1977, Pennell began to engrave on glass, adapting gem engraving techniques to a larger scale. Initially working with commercially available glass vessels, he later transferred to working on vessel blanks, free-blown to his specification by the glass artist Carl Nordbruch. In addition to working on clear, colourless glass, Pennell broadened his approach to include cased, flashed and graal glasses. In 1979, he exhibited at the Corning Museum World Glass Exhibition and World Tour, which brought his work to international attention.

Distinguished visitors were asked to engrave their signatures with a diamond-tipped stylus on the two large end windows in the house. Signatures include those of Rab Butler, Sybil Thorndike, Julian Amery, Julian Huxley, and Laurens van der Post. The Courtaulds were very active philanthropists in Rhodesia. Their achievements included the funding of the construction of buildings for the Courtauld Theatre and Queen's Hall in Mutare, and the auditorium of what is now the Zimbabwe College of Music in Harare.

Popular destinations for its leavers each year are Epsom College, St. John's School, Leatherhead, and City of London Freemen's School. One of the unique traditions upon leaving Kingswood House School, is each leaver may engrave their name on a brick on the outside of the main school building.Various internal school documents refer The School holds a number of Open Mornings throughout the year - in February, May and October. In 2016, the school added a new Senior Department, for boys aged 13 to 16.

Cole was associated with the magazine for 40 years as a pioneer craftsman of wood engraving. He immediately attracted attention by his unusual facility and his sympathetic interpretation of illustrations and pictures, and his publishers sent him abroad in 1883 to engrave a set of blocks after the old masters in the European galleries. These achieved for him a brilliant success. His reproductions of Italian, Dutch, Spanish, Flemish and English pictures were published in book form with appreciative notes by the engraver himself.

While on loan, he takes it up to his office where he decides to engrave his name on it, noting that, "They'll never notice. It's got so many dings on it already." That evening, he takes it to his penthouse office patio where he decides to drink scotch out of it with Alan Shore. After they take turns drinking out of the Cup, Denny sets it on the balcony ledge in preparation for taking pictures with it, but accidentally knocks it over.

Buddha, 1988 Erwin Eisch is the eldest of six children of glass engraver Valentin Eisch and his wife, Therese Hirtreiter. The family lived in the town of Frauenau in Bavaria, where Valentin Eisch was employed as a master engraver at the glass factory of Isidor Gistl.Hampson, Ferdinand, "Beauty that Challenges" (exhibition catalog), Habatat Galleries, Royal Oak, Michigan, 2004 (unpaginated) The Eisch family was by no means well- off. The elder Eisch supplemented his income by bringing work home to engrave on Sundays.

At the beginning of the enterprise, reactions were generally positive. Two reviews from the most influential newspapers in London at the time solidified and validated the public's interest in the project and the artists' efforts. However, there was also some criticism. In particular the satirical engraver James Gillray appears to have been peeved at not being commissioned to engrave any of the Shakespeare scenes and, in revenge, published Shakespeare Sacrificed: Or the Offering to Avarice just six weeks after the gallery opened.Waddell.

The success of his line engraving of "Hope supporting Man to the Tomb," after a sketch by Caraffa exhibited at the Salon of 1801, procured him a commission to engrave for the Musée La belle jardinière of Raphael. Just at this time Desnoyers was drawn in the conscription, and Lucien Bonaparte went to Napoleon I, his brother, to solicit the artist's exemption. "Has he worked hand in hand with the Republic?" asked the First Consul, in very bad humour. "Yes," said Lucien.

Ephraim was one of the men who stored provincial supplies in his house prior to the Revolution - tents, tow cloth, canteens, etc." "At the time of the smallpox epidemic, vaccination was a newfangled idea; many people thought it was dangerous. When Ephraim's wife died of smallpox in 1792, it was thought to be important to engrave on her headstone that she had taken the disease in the natural way. She was buried in the small cemetery diagonally across from the house (across Route 2).

Despite the new room, the 1910 Wanderers and the 1911 Senators did not put their names on the Cup. The 1915 Vancouver Millionaires became the second team to engrave players' names, this time inside the bowl along its sides. The 1918 Millionaires eventually filled the band added by the 1909 Senators. The 1915 Ottawa Senators, the 1916 Portland Rosebuds and the 1918 Vancouver Millionaires all engraved their names on the trophy even though they did not officially win it under the new PCHA-NHA system.

His letters state that he bought a copperplate to engrave it himself. Either this original copperplate or a freehand drawing was sent to Stukeley in late 1749 or early 1750 and formed the basis of the version reoriented and published by Stukeley in his 1757 Account. Bertram's own engraving appeared in his 1757 Three Authors but was dated to 1755. It retained the "original" map's orientation, placing east at the top of the map, but did not disguise that Bertram had tidied it up.

In late 1934, a new type of instantaneous disc was commercially introduced. It consisted of an aluminum core disc coated with black cellulose nitrate lacquer, although for reasons which are unclear it soon came to be called an "acetate" disc by radio professionals. Later, during World War II, when aluminum was a critical war material, glass core discs were used. A recording lathe and chisel-like cutting stylus like those used to record in wax would be used to engrave the groove into this lacquer surface instead.

Such a medal had been proposed by the Prince Regent (later George IV) soon after the battle. Pistrucci's price was £2,400, and the down payment allowed him to bring his family from Italy. The medal was originally supposed to be to a design by John Flaxman, but Pistrucci refused to engrave the work of another artist, and Pole allowed him to design his own medal, a decision that antagonised London's art establishment against Pistrucci. A gigantic undertaking, the medal would take Pistrucci 30 years to complete.

From 1831 the granting of free land ceased and the only land that was to be made available for sale was within the Nineteen Counties. The area covered by the limit extended to Taree in the north, Batemans Bay in the south and Wellington to the West. The Nineteen Counties were mapped by the Surveyor General Major Thomas Mitchell in 1834. The scale of the map that Mitchell produced was determined by the amount of ship's copper available in Sydney to engrave the map.

BEIC) Firmin Didot (son of François-Ambroise Didot) was born in 1764 and died in 1836. Firmin Didot was the inventor of stereotypography which entirely changed the book trade. Firmin Didot was the first to engrave slips of so- called "English" and round hand-writing. Among the works which issued from his press were "Les Ruines de Pompéi", "Le Panthéon égyptien" of Champollion- Figeac, and "Historial du Jongleur", printed in Gothic type, with tail-pieces and vignettes, like the editions of the fifteenth century.

Zemaitis took the model from a radio magazine, where he noted that every unit had a metal chassis with the components mounted on it. Applying that principle to his guitar, he produced the first metal-front guitar. Metal front guitars also included an engraved designs made by his friend and customer Danny O'Brien, who had started engraving plates for guitars headstock until Zemaitis himself suggested O'Brian to engrave the fronts, as well. Zemaitis' guitars became popular among rock artist and consolidated as a landmark of Zemaitis guitars.

The Artist Duo creates luminous dimensional 2D mixed media metal sculpture from their original artist process: etch, engrave, paint, and grind by hand, photography, media, print, and automotive finish, known as Metalagram®. LTD Limited is currently renovating the Moross House and gardens, now Detroit Secret Garden, to restore and bring back the Moross House legacy of inspiring the arts and serving the city of Detroit as an event and garden space. A 2020 launch is planned for Moross House events and accommodations rentals and more.

David was a painter and lithographer that worked with Adolphe Goubaud, a publisher. When fashion plates became a popular form of illustration this provided a way for Anaïs's work to be mass produced. Instead of making the illustrator redraw the same exact image over and over, the artist would either etch, engrave, or lithograph the image and then color it in by hand. This form of production was much more efficient and realistic to produce fashion magazines at the weekly rate they were being printed.

The engraver spreads a thin sheet of wax over the metal plate and uses ink to draw the details. Then, the engraver traces the lines with a stylus to etch them into the plate beneath. The engraver can also use styli to prick holes along the drawn lines, trace along them with colored chalk, and then engrave the map. Lines going in the same direction are carved at the same time, and then the plate is turned to carve lines going in a different direction.

Despite the collapse of the art market during the economic depression that followed the 1929 Wall Street Crash, Morley continued to paint, engrave, and exhibit. In 1932, he reluctantly accepted a post at St. Martin's School of Art where for eight years he taught painting and life drawing two days a week. Portrait commissions also supplemented his income during the 1930s. Morley's friend and Keeper of the Royal Academy Schools, Sir Walter Westley Russell invited him to attend the Schools as visiting teacher to critique students' work.

He enlisted Lucas Vorsterman to engrave a number of his notable religious and mythological paintings, to which Rubens appended personal and professional dedications to noteworthy individuals in the Southern Netherlands, United Provinces, England, France, and Spain. With the exception of a few etchings, Rubens left the printmaking to specialists, who included Lucas Vorsterman, Paulus Pontius and Willem Panneels.Pauw-De Veen (1977): 243–251. He recruited a number of engravers trained by Christoffel Jegher, whom he carefully schooled in the more vigorous style he wanted.

Adams was born in Franklin, Massachusetts; his family moved to Denver in 1876. In 1877 he began worked as an engrave in Denver, and received lessons from Helen Henderson Chain, an artist who had studied with George Inness. In 1885 he traveled to the East Coast and visited the studios of George Inness and Worthington Whittredge, and in 1888 he traveled to California and visited the studios of William Keith and Thomas Hill. He traveled to Louisiana in 1890, and to Europe in the summer of 1914.

Upon returning to Ontario, she was commissioned to paint a mural for the new dining hall at the University of Western Ontario. Along with commissioned portraits, her early works included illustrating, with wood engravings, two books by her brother William Kilbourn, The Firebrand (1956); The Elements Combined (1960); and Farley Mowat's, The Desperate People (1959). Kilbourn worked actively in wood engraving from the 1960s to the 1980s. In addition to her book-sized wood engravings, Kilbourn used larger than normal wood blocks to engrave both landscape and figure compositions for individual prints.

He was born in Naples, apparently to a German family of engravers. He received his earliest instructions from his father, himself an engraver; but, to obtain more advanced training, he was placed as a pupil under the celebrated Giovanni Volpato. He assisted this master in engraving the famous pictures of Raphael in the Vatican City, and the print which represents the miracle of Bolsena is inscribed with his name. He married Volpato's daughter, and, being invited to Florence to engrave the masterpieces of the Florentine Gallery, he removed thither with his wife in 1782.

With no more room to engrave their names (and unwilling to pay for a second band), teams left their mark on the bowl itself. The 1907 Montreal Wanderers became the first club to record their name on the bowl's interior surface, and the first champion to record the names of 20 members of their team. In 1908, for reasons unknown, the Wanderers, despite having turned aside four challengers, did not record their names on the Cup. The next year, the Ottawa Senators added a second band onto the Cup.

Frank Leslie's Illustrated Newspaper, April 1883 In 1848 he came to the United States, in 1852 working for Gleason's Pictorial in Boston. He discovered he could accelerate the engraving process significantly by dividing a drawing into many small blocks and distributing the work among many engravers. A job on a large-format wood engraving which might have taken a month for a single wood engraver to complete, could be completed in a day by 30 engravers. In 1853, he arrived in New York City to engrave woodcuts for P. T. Barnum's short-lived Illustrated News.

The medal is circular and is struck from bronze, the obverse bears the Escutcheon- only version of the Coat of arms of Belgium under the royal crown and surrounded by the text Missions ou opérations à l'étranger - Buitenlandse opdrachten of operaties. The reverse of the medal bears a laurel crown along the outer circumference. The blank area within the wreath may be used to engrave the recipients' name and date of the award. The ribbon is golden with three thin longitudinal stripes of black, green and black near the outer edges.

For the first several decades of disc record manufacturing, sound was recorded directly on to the "master disc" at the recording studio. From about 1950 on (earlier for some large record companies, later for some small ones) it became usual to have the performance first recorded on audio tape, which could then be processed or edited, and then dubbed on to the master disc. A record cutter would engrave the grooves into the master disc. Early versions of these master discs were soft wax, and later a harder lacquer was used.

This article is about the production of vinyl records. For the first several decades of disc record manufacturing, sound was recorded directly on to the master disc (also called the matrix, sometimes just the master) at the recording studio. From about 1950 on (earlier for some large record companies, later for some small ones) it became usual to have the performance first recorded on audio tape, which could then be processed and/or edited, and then dubbed on to the master disc. A record cutter would engrave the grooves into the master disc.

Mohd Ikhmil Fawedz Mohd Hanif has learned on how to swim since at a tender age, but has stopped for 30 years until he advanced his career path in Labuan in oil & gas and shipping industry. Ever since he began his arduous journey to engrave his record-breaking attempt in Malaysia book of records. Currently, Ikhmil Fawedz is still undergoing his intense training under his own endeavor. Swimming from St. Kilda to Geelong is one of his preparation to World Record Breaking attempt which covers more than 230 km.

Sharpe was born in Birmingham to Sussanna (born Fairhead?) and an engraver named William Sharpe and she was baptised on 21 August 1798 at St Phillip's church. She had three sisters, Eliza Sharpe, Charlotte Sharpe and Mary Ann Sharpe who all became artists.Charlotte Yeldham, ‘Sharpe , Louisa (bap. 1798, d. 1843)’, Oxford Dictionary of National Biography, Oxford University Press, 2004 accessed 15 May 2015 The parents allowed Louisa and the other daughters to travel to the continent to inspect galleries in France and Germany and each of the daughters was taught to engrave.

The shamir worm was also used by King Solomon to engrave gemstones. Apparently he also used the blood of the shamir worm to make carved jewels with a mystical seal or design. According to an interview with Dr. George Frederick Kunz, an expert in gemstone and jewelry lore, this led to the belief that gemstones so engraved would have magical virtues, and they often also ended up with their own powers or guardian angel associated with either the gem, or the specifically engraved gemstones.“Gardens in Midair.” The Washington Post.

At 9:25 (UTC+07:00), A ceremony was held at the ubosot of Wat Phra Kaew to record the king's horoscope and the official titles of the king and his family on the Royal Golden Plaques and to engrave the Royal Seal of State. Following the ceremony the Court Brahmins of the Devasathan Temple, led by the Chief Brahmin of the Royal Family of Thailand, blessed the plaques and the Seal. The Royal Horoscope was engraved by the court astrologer Chatchai Pinngern, who was present during the ceremony.

This meant that within the boundaries of the electorate of Mainz no third party was allowed to re-engrave or sell the works produced by him. Schott was one of the first publishers to use the printing technique of lithography, which meant that his editions were soon being printed and distributed on a wide scale. During the French years of Mainz, the publisher suffered from high taxes, but the affectation to French music helped him in this stage. As a later consequence, the publishing house rapidly became established beyond the national borders of Germany.

Dalton was the first Englishman to make drawings of the monuments of ancient art in these countries: some of these he etched and engraved himself. A Selection from the Antiquities of Athens was therefore the first publication of its kind, but it was surpassed by the publications of James Stuart and Nicholas Revett. Dalton published some further sets of engravings of Monuments, Manners, Customs in Turkey and Egypt. Dalton was also the first artist to engrave the series of portraits drawn by Hans Holbein, which had been discovered by Queen Caroline at Kensington Palace.

Below the cross lies the dedication plaque, and below that an engraved wreath encircling a sword and scabbard. On the rear is an engrave Third Confederate Flag in the midst of cannonballs and battle smoke. Also on the rear is a verse from the Bivouac of the Dead, written by Kentuckian Theodore O'Hara, which six other monuments in Kentucky also have a verse from. When dedicated in 1902 by the United Confederate Veterans, speeches were made in favor of the Confederate cause and condemning revisionist history that defamed the Southern experience in the Civil War.

Throughout the history of the production of elongated coins, various methods have been used to engrave the design into the roller. Early elongateds were hand engraved with burin gravers, and some are still engraved using this method. More popular modern and contemporary methods include etching, pantograph engraving, and engraving using electric or air-powered rotary tools. In America, one-cent coins are most commonly used in these vending machines, as they are thin, easy to emboss, and are the smallest denomination of American money (most machines charge US$0.50 in addition to the cent rolled).

At Rubens' workshop Witdoeck learned to engrave large plates. Witdoeck worked between 1634 and 1638 under the close supervision of Rubens on many engravings, including Abraham and Melchizedek, the Adoration of the Magi, the three-part Raising of the Cross, the Supper at Emmaus, Saint Ildefonso receiving the chasuble, Cicero and Demosthenes. Rubens specified the year 1638 for all these prints likely so that he only needed to apply for one printing privilege for the lot. The following year an Assumption of Mary and the Miracle of St. Just by Witdoeck were published.

Either the application that scans the QR code retrieves the geo information by using GPS and cell tower triangulation (aGPS) or the URL encoded in the QR code itself is associated with a location. In 2008, a Japanese stonemason announced plans to engrave QR codes on gravestones, allowing visitors to view information about the deceased, and family members to keep track of visits. Psychologist Richard Wiseman was one of the first authors to include QR codes in a book, in Paranormality: Why We See What Isn't There (2011). QR codes have been incorporated into currency.

Franz Tieze (1842–1932) was a late 19th-century Dublin-based forger. An exiled Bohemian glass engraver, he worked in Dublin in the studios of the Pugh Brothers (Thomas and Richard Pugh) at The Potters Alley Glass Works, the only manufacturers of flint-glass in Ireland. Tieze had been recruited, with other Bohemian glass engravers, by the Pugh Brothers and he arrived in Dublin in 1865 to engrave glass in the 'antique style'. Cork historian Robert Day and Franz Tieze collaborated in supplying goblets to a ready market of glass collectors.

Portrait of Mary Blanche Hubbard, 1889 Mary Curtis Richardson (9 April 1848 in New York City – 1 November 1931 in San Francisco) was an impressionist painter and known as the "Mary Cassatt of the West". Her father, Lucien Curtis went overland to the gold fields of California in 1849. The following year, Mary, her sister Leila and her mother went to California via the Isthmus of Panama to join her father and settled in San Francisco. Her father was a professional engraver and taught both his daughters to draw and engrave.

During the French Revolution, he argued alongside Jean-Michel Moreau and Adélaïde Labille-Guiard for the renovation of the statutes that were falling into disrepair. "The laws of the state, he says, are granted by the French people, those of the Academy shall be through all académicien people." But these reform proposals were rendered obsolete by the abolition of Academies, decreed by the National Convention in 1795. In 1800, Miger is charged with Bernard Germain de Lacépède to engrave the planks of his work on the menagerie of the National Museum of Natural History.

Griffiths, 39; Gascoigne, 13a-b First a broad, general outline is made on the plate before starting the detailed image. Engraving will produce a printed reverse or mirror image of the image on the plate. Sometimes engravers looked at the object, usually another image such as a drawing, that they were engraving through a mirror so that the image was naturally reversed and they would be less likely to engrave the image incorrectly.Griffiths, 152 Steel plates can be case hardened to ensure that they can print thousands of times with little wear.

In 1781, he was elected a Fellow of the American Academy of Arts and Sciences. While in France Franklin designed and commissioned Augustin Dupré to engrave the medallion "Libertas Americana" minted in Paris in 1783. Franklin's advocacy for religious tolerance in France contributed to arguments made by French philosophers and politicians that resulted in Louis XVI's signing of the Edict of Versailles in November 1787. This edict effectively nullified the Edict of Fontainebleau, which had denied non-Catholics civil status and the right to openly practice their faith.

These pennies proved perfect as tokens – they were cheap, made of a soft copper and were quite large – providing plenty of space for inscriptions. Convicts would engrave them with messages and images for the loved ones they had to leave behind. This imagery of love and loss captured Katie's imagination immediately and she says, "As a woman and mother I felt deeply compelled to explore these stories. I soon discovered that the lives of the first female convicts is a part of our history that has been explored by few".

2 A 'G' (Graham Bell) model Graphophone being played back by a typist after it had previously recorded dictation. By 1881 the Volta Associates had succeeded in improving an Edison tinfoil phonograph significantly. They filled the groove of its heavy iron cylinder with wax, then instead of wrapping a sheet of foil around it and using a blunt stylus to indent the recording into the foil, as Edison did, they used a chisel-like stylus to engrave the recording into the wax. The result was a clearer recording.

An example of this is his Assumption of Mary in Antwerp Cathedral. The martyrdom of St George Schut played a prominent role in the decorative project at the occasion of the Royal Entry of the Cardinal-Infante Ferdinand in 1635 in both Antwerp (where Rubens was in charge of the overall artistic design) and Ghent. He collaborated with Gaspard de Crayer, Nicolas Roose, Jan Stadius and Theodoor Rombouts on these projects. The Ghent magistrate commissioned Schut to draw and engrave all the decorations that had been made for the Ghent Royal Entry.

Upon firing, the projectile expands under the pressure from the chamber, and obturates to fit the throat. The bullet then travels down the throat and engages the rifling, where it is engraved, and begins to spin. Engraving the projectile requires a significant amount of force, and in some firearms there is a significant amount of freebore, which helps keep chamber pressures low by allowing the propellant gases to expand before being required to engrave the projectile. Minimizing freebore improves accuracy by decreasing the chance that a projectile will distort before entering the rifling.

He did not execute any large plate until he was employed by William and Edward Finden to engrave Eastlake's picture of 'The Greek Fugitives' for their Gallery of British Art. This he completed, and the engraving was much admired, but the mental strain and prolonged exertion which was required for so carefully finished an engraving broke down his health. He endured a lingering illness for a year, and died at his house in Kentish Town on 1 October 1839, in his forty-first year. He was buried in Highgate Cemetery.

Although it comes in various colors, laser engraving black anodized aluminum provides the best contrast of all colors. Unlike most materials engraving anodize aluminum does not leave any smoke or residue. Spray coatings can be obtained for the specific use of laser engraving metals, these sprays apply a coating that is visible to the laser light which fuses the coating to the substrate where the laser passed over. Typically, these sprays can also be used to engrave other optically invisible or reflective substances such as glass and are available in a variety of colours.

Tardieu was accredited to the Academy on 29 October 1712. He was received as a member of the Royal Academy and graveur du roi (official engraver to King Louis XV of France) on 29 November 1720 for his "Engraved portrait of the Duke of Antin" (Louis Antoine de Pardaillan de Gondrin), after a painting by Hyacinthe Rigaud. As one of the most prominent engravers of his time, Tardieu was commissioned to engrave plates for several major publications. He made engravings for the Crozat Collection and the Galerie de Versailles.

Subsequently, Thurzo, with the Kraków patrician Jan Teshnarom had sponsored Fiol's printing house. To start printing it was necessary to cut out the appropriate Cyrillic script. On October 26, 1489 Fiol signed a contract with Karbesom Jacob, who pledged to "engrave letters and adjust font Russian." At the same time, he went to Nuremberg, probably in order to make punches and matrices for the subsequent embossing. Documentary evidence about Fiol referred to on September 18, 1490: Fiol accused Johann and Nikolaus Svedlera of Neuburg of the theft of paper kept in his workshop in Kraków.

Further, the new method was cheaper and quicker, so publications diversified and increased in number. Though Walsh preferred the sort of anthology published in the previous century, it gradually became more common to see single-composer collections. Those anthologies that appeared usually also included glees, printed in score as compared with the separate parts which prevailed for example in 1667. With increasing prosperity more music was printed and, though plates were initially more expensive to engrave, it was their re-use in new anthologies which kept costs down.

Gradually, he learned how to engrave, work the copper plates, handle the acid technique. In his workshop at Terre-Neuve, the majors French monuments such as Chambord castle, the Louvre museum or monument of Vendée as the church of Vouvant will come out of the press. Engraver, erudite and art lover (he was a friend of artists including the painter Paul Baudry), Octave de Rochebrune had a brief political career. Close to legitimist circles, he held the office of mayor of Fontenay-le-Comte three times between 1868 and 1878.

She shares the opposite trait as that to original Jeanne as she hates the people who condemned her as a sacrilege and was both evil and vengeful towards the people of France. Also as such, she was also very close to Gilles. Throughout the Singularity, she appears as a Ruler-Class servant, but it was to conceal her true Saint Graph identity as an Avenger-Class. After she was defeated, she has already set in stone the fruits of her plan to engrave the existence as a Heroic servant.

Henry WinklesHenry Winkles biography (Electronic encyclopedia of gold in Australia). (1801–1860) was an English architectural illustrator, engraver and printer, who, together with Karl Ludwig Frommel founded the first studio for steel engraving in Germany. Botanic Garden and cathedral, Cologne, 1820 - engraved by Henry Winkles In 1836, with Benjamin Winkles, he produced and helped to engrave three volumes of "Winkles's architectural and picturesque illustrations of the cathedral churches of England and Wales".Also known as "Cathedral churches of England and Wales " or "Cathedral churches of Great Britain" or "Winkles' British cathedrals".

Glass engraving encompasses a variety of techniques, including intaglio work, with images and inscriptions cut into the surface of the glass through abrasion. Glass engraving tools are typically small abrasive wheels and drills, with small lathes often used. Engraving wheels are traditionally made of copper, with a linseed oil and fine emery powder mixture used as an abrasive. Use of an abrasive wheel to engrave a glass dish (Italy) Other forms of engraving are "stipple" and "drypoint" in which the surface of the glass is abraded with the use of small diamond tipped burrs.

The medal is circular and is struck from bronze, the obverse bears the Escutcheon-only version of the Coat of arms of Belgium under the royal crown and surrounded by the text MISSIONS OU OPERATIONS INTERIEURES BINNENLANDSE OPDRACHTEN OF OPERATIES. The reverse of the medal bears a laurel crown along the outer circumference. The blank area within the wreath may be used to engrave the recipients' name and date of the award. The ribbon is golden with three thin longitudinal stripes of black, yellow and red in the middle.

NYC AIDS Memorial Park at St Vincent's Triangle in Greenwich Village, supported by the NYC Parks Department. In November 2011, in collaboration with magazine Architectural Record and industry database Architizer, the NYC AIDS board announced an international design competition to manufacture memorial park. Brooklyn-based Studio a+i, led by Mateo Paiva, Lily Lim and Esteban Erlich, won the contest and became memorial park architects. The memorial also features the work of visual artist Jenny Holzer whose idea was to engrave a granite panel with lines from Walt Whitman's "Song of Myself".

The Duchess of Richmond, a stipple engraving portrait by William Wynne Ryland after Angelica Kauffman (1775) An etched stipple technique known as the crayon manner, suitable for producing imitations of chalk drawings, was pioneered in France. Gilles Demarteau used in 1756 goldsmith's chasing tools and marking- wheels to shade the lines in a series of Trophies designed by Antoine Watteau. Jean-Charles François who was a partner of Demarteau further developed the technique and used it to engrave the whole plate. François engraved in 1757 three etchings directly on copper in crayon manner.

Page 2 of The Ghost of Abel (1822); note the writing in the colophon at bottom right. In 1822, Blake completed a short two-page dramatic piece which would prove to be the last of his illuminated manuscripts, entitled The Ghost of Abel A Revelation in the Visions of Jehovah Seen by William Blake. Inscribed in the colophon of this text is "W Blakes Original Stereotype was 1788". It is almost universally agreed amongst Blakean scholars, that the "Original Stereotype" to which he here refers was All Religions are One and/or There is No Natural Religion.See, for example, Bindman (1978: 468), Erdman (1982: 790); Ackroyd (1995: 115) During the 1770s, Blake had come to feel that one of the major problems with reproducing artwork in print was the division of labour by which it was achieved; one person would create a design (the artist), another would engrave it (the engraver), another print it (the printer) and another publish it (the publisher).Bindman (1978: 10) It was unusual for artists to engrave their own designs, due primarily to the social status attached to each job; engraving was not seen as an especially exalted profession, and was instead regarded as nothing more than mechanical reproduction.

He was patronized by the Emperor and the court, and his talents so highly appreciated, that he was refused a passport when he was desirous of returning to England. He, however, with the assistance of his friend, the Duke of Saracapriolo at that time Neapolitan ambassador, contrived to escape, disguised us a courier charged with dispatches. His departure was hastened by an accident that happened to a large cameo, Alexander and Olympia, from which he had to engrave a plate for the emperor. On his return to England he engraved several popular pictures by contemporary painters.

They fought as hoplites, usually carrying clipei, large round Greek shields, and wearing bronze helmets, often with a number of feathers fixed onto the top to increase stature. Heavy plate armour was favoured, with mail also being popular. Many would paint or engrave portraits of ancestors onto their shield, believing that it would bring them luck in battle. In this new type of unit, the 900 triarii formed 15 maniples, military units of 60 men each, which were in turn part of 15 ordines, larger units made up of a maniple of triarii, a maniple of rorarii and a maniple of accensi.

Since then, engraving the team and its players has been an unbroken annual tradition. Originally, a new band was added each year, causing the trophy to grow in size. The "Stovepipe Cup", as it was nicknamed because of its resemblance to the exhaust pipe of a stove, became unwieldy, so it was redesigned in 1948 as a two-piece cigar-shaped trophy with a removable bowl and collar. This Cup also properly honoured those teams that did not engrave their names on the Cup. Also included was the 1918–19 no decision between the Montreal Canadiens and Seattle Metropolitans.

From the originally planned 300 pages, the book grew to about 800 pages, and it had to be split into two volumes. Romans promised his subscribers that the second volume would be forwarded to them at no additional charge (the first volume had to be printed and sent off before the presses could be set up for the second volume). Romans placed ads in many newspapers, and traveled extensively seeking subscribers to the book. Romans had selected James Rivington, publisher of Rivington's New-York Gazetteer, to be his printer, and engaged Paul Revere to engrave most of the plates for the book.

His early studies were probably with James Hopwood and Lecouturier; but his chief master was Leon Cogniet, with whom he began engraving in 1850. In this year, he entered the École des Beaux-Arts. At first he had to engrave fashion-plates to make money enough to live, but his application to his art brought him the Prix de Rome for engraving, in 1856. At his first public showing in 1860, his prints were called laboured, soft, and flaccid, more like Drypoint etchings than burin work, and he was advised to adhere to the established rules of his art.

In 1877, pursuant to a law enacted by Congress, the U.S. Bureau of Engraving and Printing became the sole producer of all United States currency. The security printing industry, finding a good deal of its work had evaporated, accordingly underwent a second major consolidation in 1879, as American absorbed the National Bank Note and Continental Bank Note companies. At the time of the merger, Continental held the contract to produce U. S. Postage stamps, and this production continued under the American aegis. In 1887, ABNCo won the second four-year contract to engrave and print Postal notes for the U.S. post office.

It also accused the United States of joining South Korea in putting "China into an awkward position and keep hold on Japan and South Korea as its servants." High ranking North Korean military officials denounced the international investigation and said North Korea does not have the type of submarines that supposedly carried out the attack. They also dismissed claims regarding writings on the torpedo and clarified that "when we put serial numbers on weapons, we engrave them with machines." South Korea's Yonhap News Agency quoted South Korean officials as saying that North Korea has about ten of the .

The company was founded in 1910 by two friends, Alfred Gladman and Samuel Norman who had met at the School of Jewellery in Birmingham. Samuel had trained as an artist and taught at Handsworth Art School. He used his skills to engrave dies for companies in the Jewellery Quarter and the newly established Gladman & Norman used to undertake the stamping for these firms. Samuel Gladman died prematurely from complications of his war service in 1919 and left his entire estate to Alfred, who subsequently died in 1932; complications from being gassed in the First World War led to his early death as well.

Artists like James Barry and John Hamilton Mortimer were the exceptions to the norm insofar as they tended to engrave their own material. A further division in the process was that text and images were handled by different artisans; text was printed by means of a movable letterpress, whereas images were engraved, two very different jobs.Viscomi (2003: 41) During Blake's training as a professional copy engraver with James Basire during the 1770s, the most common method of engraving was stippling, which was thought to give a more accurate impression of the original picture than the previously dominant method, line engraving.

In 1816, the Prince Regent had first suggested a medal to be presented to allies and commanders from Waterloo. The Royal Academy proposed work by John Flaxman, one of its members, but Pistrucci, whose responsibility it was to engrave the dies, refused to copy another's work, and brought forth designs of his own. The Prince Regent and William Wellesley-Pole, Master of the Mint were impressed by Pistrucci's models, and he gained the commission. Pistrucci fell from grace at the Royal Mint in 1823 by refusing to copy another's work for the coinage, and he was instructed to concentrate on the medal.

Puck magazine shows the gold standard, represented by the double eagle, triumphant over the silver. In 1900, William Barber's successor as chief engraver, his son Charles E. Barber, slightly adjusted the design; other modifications to U.S. coins about that time suggest that he most likely did it as part of a plan to re-engrave all denominations. The most significant change made by Charles Barber was smoothing the back of the eagle's neck. In 1904, the Mint set records for production of double eagles: 6,256,699 at Philadelphia and 5,134,175 at San Francisco—highs for the series for those mints.

After his marriage in 1776 the museum was moved to Wycliffe, and at the time was one of the finest in England. Tunstall became a fellow of the Society of Antiquaries of London at the age of twenty- one, and in 1771 was elected a fellow of the Royal Society. Tunstall died at Wycliffe, and his estates passed to his half-brother, William Constable. Constable invited Thomas Bewick, whom Marmaduke had commissioned to engrave 'The Wild Bull of the Ancient Caledonian Breed, now in the park at Chilingham- Castle, Northumberland', to Wycliffe where he spent two months making drawings from the bird specimens.

This also gives the museum members a chance to take a souvenir with them as they leave and to expand their minds on what can be built in the lab. At the moment students who have come to the fab lab were able to print(engrave) their pictures on acrylic boards, which can be used as keychains. At some angles the engraving seems very simple, but if the light is caught at the perfect angle, the image is shown with high precision and detail. Additional opportunities for community outreach (and awesome robotics projects) can be found through support of FIRST initiatives in Illinois.

Rubens Like his father, he did not engrave all works signed by him but had them produced by collaborators in his workshop. Alexander Voet was a reproductive artist who made prints after the works of contemporary Antwerp masters such as Rubens, Jacob Jordaens and others. An example is the Old fool with his cat, which he made and published after a design by Jordaens. The composition recalls a painting of The woman, the fool and his cat of the mid 1640s by Jordaens (private collection) and also uses a decorative frame border reminiscent of Jordaens' tapestry designs.

In a way, Fani-Kayode identified with this orisha being an outsider, but he extended the symbolic message of the image, speaking to him having a condemned sexuality while living in a Western world that clashes with his ancestral religion. He especially referenced Esu, the messenger and crossroads deity who is often characterised with an erect penis, frequently in his images. He would engrave an erect penis in many of his images to describe his own fluid experience with sexuality. Fani-Kayode's mid-1980s portfolio Black Male, White Male intersects his racial and sexual themes with subtle displays of a devotee-deity relationship.

Initially a pupil of Pietro Anderloni, who he helped engrave the medical depictions of Antonio Scarpa. He later worked with Giuseppe Longhi in the engravings of the Erodiade by Bernardino Luino, The Holy Family by Raphael, and a Portrait of Charles. he moved to Florence to work with the lithographer Luigi Bardi, engraving the David found at the Palazzo Pitti and originally painted by Guercino; a Child Jesus by Carlo Maratta, a Jacob by Appiani, and the Madonna della seggiola. He engraved the Magdalen by Carlo Dolci, and a Madonnina by Villardi, the painting of Beatrice Cenci by Guido Reni.

In 1577 he moved with Coornhert to Haarlem in the Dutch Republic, where he remained based for the rest of his life. In the same town, he was also employed by Philip Galle to engrave a set of prints of the history of Lucretia. Goltzius had a malformed right hand from a fire when he was a baby (his drawing of it is below), which turned out to be especially well-suited to holding the burin; "by being forced to draw with the large muscles of his arm and shoulder, he mastered a commanding swing of line".Mayor, no. 418.

Finally, there are cases where a word which exists in both dialects has an extended meaning in one of them. The word ‘yoga’, which in both dialects means ‘swim’, is used in Ndonga also in the sense ‘wash’, for which Kwambi uses ‘kosha’. In a similar vein, Ndonga uses ‘nyola’ (=engrave) also in the sense ‘write’, for which Kwambi uses ‘tshanga’. In the case of the word ‘epasha’ (Ndonga ‘epaha’), meaning ‘twin birth’, it seems that it is instead Kwambi that has an extended meaning for the word, using it to denote something abnormal at birth more generally, e.g.

Arthur Engel, Raymond Constant Serrure, Traité de numismatique moderne et contemporaine, , Paris, éd. Ernest Leroux, 1897, Those personal favors from the government were met with a great deal of disapproval.Le constitutionnel: journal du commerce, politique et littéraire, 29 mai, 2 et 3 juin 1825 Indeed, he was paid 44 800 Fr for the engraving of seven systems.He received 25 000 Gulden for four systems in Holland In 1829, he was commissioned by the ministry of the Navy to engrave a medal for the privy council for colonial affairs whose theme was to be "Charles X granting the Charter to the Colonies".

Stylus for jukebox using shellac 78 rpm records, 1940s A smooth-tipped stylus (in popular usage often called a needle due to the former use of steel needles for the purpose) is used to play the recorded groove. A special chisel-like stylus is used to engrave the groove into the master record. The stylus is subject to hard wear as it is the only small part that comes into direct contact with the spinning record. In terms of the pressure imposed on its minute areas of actual contact, the forces it must bear are enormous.

It is certain that the widow Copley was married to Peter Pelham on May 22, 1748, and that at about that time she transferred her tobacco business to his house in Lindall Street (a quieter, more respectable part of town), at which the evening school also continued its sessions. In such a household young Copley may have learned to use the paintbrush and the engraver's tools. Whitmore says plausibly: "Copley at the age of fifteen was able to engrave in mezzotint; his stepfather Pelham, with whom he lived three years, was an excellent engraver and skillful also with the brush."Whitmore, p. 29.

Along with likes of Hussein El Gebaly, Abdullah Gohar, and Mariam A. Aleem, Helmy was part of a pioneering generation of artists who played a pivotal role in the field. Helmy's black- and-white etchings were critically acclaimed for their complexity, as well for their difficulty in realization. Helmy was one of the first artists to engrave entire scenes into her work, replicating the effects of sketches and elaborate drawings on zinc before transforming them into prints. After winning the Slade Prize of Etching in 1955, Menhat Helmy went on to participate in exhibitions around the world.

Prior to 1980 anilox rolls were produced by a variety of mechanical processes. These metal anilox rolls were sometimes sprayed with ceramic to prolong their life in the flexographic printing press. During the 1980s laser engraving systems were produced which used a carbon dioxide laser to engrave the required cell pattern directly into the polished ceramic surface. Since then Q-switched YAG lasers were used for a period as they provided a more focusable laser beam as well as increased pulsing frequencies capable of engraving the finer cell configuration demanded by the ever-evolving flexographic printing process.

He celebrated by engaging Mr W A Clements, a stonemason from Exeter, to engrave granite stones in situ on Buckland Beacon with the Ten Commandments. He started work on 15 December 1927 and completed the job on 14 June 1928. Whilst engraving the stones he lived in a cow shed on the site and was supplied each week with a loaf of bread by Mr Whitley. In later years Mr Clements said, "Day after day I was on my knees chipping away and I wondered if the originator of the Commandments suffered from an aching back and sore knees as I did".

In addition to these undertakings, he executed numerous drawings in pencil, and also in colours, for private commissions; and necessity often compelled him to part with many to picture-dealers and print-sellers. He was employed by the architect Cockerell to engrave a very large 'View of Rome', and another plate as a companion to it, neither of which was published. His drawings exhibit all the minutest details without the appearance of labour, yet with a neatness that is truly surprising. A 'View of the Interior of Milan Cathedral' was published after his death for the benefit of his widow.

William Blake was commissioned in 1795 to illustrate Night-Thoughts for a major new edition of the poem to be published by Richard Edwards. Blake began by making a series of 537 watercolour illustrations from which he planned to engrave about 200 for publication. The first volume – with forty-three engravings by Blake – was published in 1797, but it was a commercial failure and the expensive publishing venture was abandoned. Because the principal evidence of Blake's work on these illustrations was the comparatively short series of engravings, art history has been slow to recognise the significance of the project within Blake's œuvre.

Hughes-Stanton was commissioned to engrave ten tail-pieces for the monumental limited edition of The Seven Pillars of Wisdom (1926). Some extra special copies had a full-page engraving by Hughes-Stanton for the dedicatory poem to "S.A.". Other commissions followed and, in the next few years, he illustrated with wood engravings three tall folios for the Cresset Press — The Pilgrim's Progress (1928), The Apocrypha (1929) and D. H. Lawrence's Birds, Beasts and Flowers (1930). In 1925 he fell in love with Gertrude Hermes, a fellow student at Brook Green and another member of the Underwood inner circle.

Perhaps the intervention of the painter Jacques-Louis David, son-in-law of the entrepreneur Pécoul, and considerably enriched in the collection of the octrois, helped him avoid the guillotine. But he lost his favourite daughter whilst the other brought a lawsuit against him. Ledoux, who was eventually released, ceased building and attempted to prepare the publication of his complete œuvre. Since 1773, he had started to engrave his constructions and his projects but, because of the evolution of his style, he did not cease retouching his drawings, and the engravers constantly had to redo their boards.

The Hermitage was a folly first built by Captain Robert Riddell of Friars Carse (known as Glenriddell at this time and later returned to its ancient name) as part of his enthusiasm for antiquities. It is famous for its connection with the bard Robert Burns who through his friendship with Robert Riddell was permitted to use it to compose poetry in this secluded and tranquil sylvan spot. Burns also used his diamond point pen to engrave lines on the window pane at the Hermitage following the premature death of Robert Riddell. The original Hermitage fell into disrepair and was rebuilt in 1874.

A wax-copy was made from these drawing, the wax-copy was used to produce a lead plate with the design. These plates were then used as a plan for machining metal punches to stamp matrices in the Benton-pantographs. It was Monotype's standard practice at the time to first engrave a limited number of characters and print proofs from them to test overall balance of colour on the page, before completing the remaining characters. The finished design was first displayed in Monotype's journal, the Monotype Recorder, in 1938 with an unsigned blurb in what Carter would later call "the accents of Morison".

He also began to work in mural, using a technique of coloured cement laid into lime plaster which he would then engrave away exposing layers of colour and incised lines. He carried out many public commissions in this medium. Along with the changes in process and technique, came a shift from an interest in the landscape and the figure within the landscape, to a concern with some of the powerful narratives of South African history. One of these was the story, still relatively unknown amongst non-Zulu speaking South Africans, of the great Zulu king Shaka who was assassinated in 1828.

Released: June 2017 New features include chord symbols, support for MIDI output devices, enharmonic spelling during MIDI step input, piano pedal lines, repeat endings, filters, casting off, added fonts, MusicXML import, tokens, troubleshooting; improvements made to editing in Write mode, Play mode, Engrave mode, flows, MIDI import, key commands, editing note spacing, accidentals, arpeggio signs, barlines, beams, brackets and braces, clefs, copy and paste, dynamics, fonts, font styles, instrument changes, key signatures, lyrics, navigation, note input, note spacing, option dialogs, ornaments, page layout, playback, playing techniques, rests, selections, slurs, staff labels, staves, text, time signatures, tuplets, voices, user interface, performance, and installation.

Cann by Richard Van Dyck, 1750–1770 Richard Van Dyck (1717–1770) was an American silversmith, engraver, and importer active in New York City. Van Dyck was the son of silversmith Peter Van Dyck, and christened on December 4, 1717, in New York City. In 1746 he was commissioned to engrave the bills of credit that helped to finance an invasion of Canada during King George's War. From 1750-1756 he occasionally advertised his shop at Hanover Square, and appears to have abandoned working in silver sometime between 1753 and 1756 as he became an importer of decorative items from Europe and the Orient.

In effect Mozart withheld the dedication and engraved the piece at his own expense as he wrote in a letter to his friend and fellow freemason Michael von Puchberg: "…I am meanwhile composing…six quartets for the King, all of which Kozeluch is going to engrave at my expense."Letter to Michael von Puchberg, 13 July 1789 Mozart never dedicated the pieces to the Prussian King, so the title of these quartets has originated from his private 'thematic catalogue' of his own work (which he was keeping at the time). He entered them as A quartet for 2 violins, viola, and cello, for his Majesty the King of Prussia.

Nolin trained with the engraver François de Poilly, which caught the attention of the Italian cartographer Vincenzo Coronelli, who invited him to engrave his own maps. In 1694 he was named geographer to the Duke of Orléans (Philippe II), and in 1701 he was named engraver to the king (Louis XIV). Nolin set up a family publishing house on Rue Saint-Jacques, Paris, which was initially unsuccessful until it was moved nearer to other geographers on Quai de l'Horloge. Many of Nolin's maps were based on previous works by Coronelli and the amateur geographer Jean-Nicholas de Tralage, known as Sieur de Tillemon, who supplied him with most of his material.

However, he suffered a knee injury in December 1985 against the Boston Bruins that shelved him for the rest of the season; it also cost him an opportunity to engrave his name on the Stanley Cup as Montreal went on to win that season. Montreal still include Momesso on the 1986 Montreal Canadiens team winning picture, and gave him a Stanley Cup ring. Momesso would spend two more seasons in Montreal but never recaptured the form of his rookie year, battling injuries and frustrating the team with his inconsistency. At the conclusion of the 1987–88 season, he was dealt to the St. Louis Blues in a multi-player trade.

The multi-level workshop is located in the basement and ground floor of the Macdonald-Harrington building, and provides students with their model-making needs. The workshop contains various equipment and power tools for working with wood, plaster, glass, acrylics and metal, and also contains other facilities, including a fumehood for sandblasting, spray painting, casting and mould-making. Workshop facilities include a Laser Cutting Room with three Universal Laser Cutter machines that students can use free-of-charge to cut and engrave acrylic, MDF, wood, styrene and other sheet materials. The workshop also includes 3D-printing machines, two of which are located inside the third-year studios on the third floor.

Upon his return to Antwerp, he continued to engrave many works after Rubens. He is generally presumed to be the engraver (although some sources mention Cornelis Galle the Elder as the engraver) of the prints in the Vita beati P. Ignatii Loiolae, Societatis Iesu fundatoris published in 1609 in Rome on the occasion of the beatification of the Ignatius Loyola, the founder of the Jesuit Order.The work contain 87 copperplate engravings (plus the title page and frontispiece) recounting major events and teachings in the life of Loyola. The designs for the work have traditionally been attributed to Rubens who had a special relationship with the Jesuit Order throughout his career.

However, modern hand engraving artists use burins or gravers to cut a variety of metals such as silver, nickel, steel, brass, gold, titanium, and more, in applications from weaponry to jewellery to motorcycles to found objects. Modern professional engravers can engrave with a resolution of up to 40 lines per mm in high grade work creating game scenes and scrollwork. Dies used in mass production of molded parts are sometimes hand engraved to add special touches or certain information such as part numbers. In addition to hand engraving, there are engraving machines that require less human finesse and are not directly controlled by hand.

Gaillard had already chosen a new method, and his work was a shock, because not done according to the formulae of that day. He was such an innovator that in 1863 he was among the "Salon des Refusés", but in their exhibition his portrait of Bellini was hailed by Philippe Burty as the work of a master, "who engraved with religious care and showed a high classical talent". Gaillard's new manner was to engrave with soft, delicate lines, drawn closely together but not crossing, and to render every fold, wrinkle, or mark on the skin with care. Henceforth Gaillard was represented by engravings and paintings at every Salon.

Smith studied stippling techniques under Francesco Bartolozzi, one of the most famous and sought after engravers of the 18th Century. During his career Smith engraved many fine plates after the designs of contemporary masters such as William Hogarth, William Beechey and George Romney. He also created portrait engravings of such noteworthy individuals as Marquis Cornwallis and George III. Benjamin Smith, one of the foremost engravers of London, was for some years largely employed by John Boydell, who commissioned him to engrave many of the most important plates for his Shakespeare Gallery and for his Poetical Works of John Milton set, which were published between 1794 and 1797.

Ricardo Chavez is a convicted counterfeiter, who after serving time in a California prison, is released on parole to work on a ranch, as he begins his new law-abiding life. The reformed criminal, however, is soon abducted by a gang of outlaws and blackmailed to engrave printing plates to make counterfeit currency for Matt Brunner. Brunner is secretly the gang's leader, but presents himself in public as only the owner of a Morongo Valley hunting lodge. Although Ricardo now wants to pursue an honest life and forget his criminal past, Brunner threatens to harm or kill his sister Lola if he refuses to do the illegal work.

The reverse bears the eight line inscription: PRESENTED IN THE NAME OF CONGRESS IN RECOGNITION OF HIS EFFORTS AND SERVICES AS A MEMBER OF THE PEARY POLAR EXPEDITION OF 1908-09 IN THE FIELD OF SCIENCE AND FOR THE CAUSE OF POLAR EXPLORATION BY AIDING IN THE DISCOVERY OF THE NORTH POLE BY ADMIRAL PEARY. Above the inscription is an American flag with a sled dog on either side. Below the inscription is a space to engrave the recipient's name resting on the depiction of snowshoes at the bottom. The medal is suspended from a white ribbon with an ice-blue 1/4 inch stripe toward each edge.

The first series of Federally-issued United States banknotes was authorized by Congressional acts on 17 July 1861 () and 5 August 1861 (). While the Demand Notes were issued from the United States Treasury, they were engraved and printed elsewhere. In 1861, in fact until the mid-1870s, the Treasury Department lacked the facilities or infrastructure to engrave and print the bulk of it financial paper and therefore relied on external contracts with private bank note companies. By means of a Congressional act dated 11 July 1862 (), the Secretary of the Treasury received authorization to purchase machinery and employ the staff necessary to manufacture currency at the Treasury.

Woodford Academy was a case of adapting much older buildings to school use, while supplementing the old with a custom-made wing. Over 300 students were educated in the Blue Mountains location between 1907 and 1925, benefitting from a curriculum based on the liberal arts with commercial subjects available for those intending to enter business life. There are tales of daily morning swims, even in the winter months, to encourage hygiene and develop character. Confident that his students would "make their mark on history", McManamey encouraged his boys to engrave their initials into their school desks and the rock shelves that surround the school buildings.

In straight-walled rimless cases, such as the .45 ACP, an aggressive crimp is not possible, since the case is held in the chamber by the mouth of the case, but sizing the case to allow a tight interference fit with the bullet, can give the desired result. In larger caliber firearms, the shot start pressure is often determined by the force required to initially engrave the projectile driving band into the start of the barrel rifling; smoothbore guns, which do not have rifling, achieve shot start pressure by initially driving the projectile into a "forcing cone" that provides resistance as it compresses the projectile obturation ring.

Thomas was born in the Shepherd's Bush area of London to John Thomas, a seal engraver, and Alice Sophia Thomas (née Ings). As a teenager, Cecil became an apprentice in his father's practice and continued working for his father while studying at the Slade School of Fine Art, Heatherley School of Fine Art, and the Central School of Arts and Crafts. In his early career, he specialised in gem engraving, receiving commissions from all over the world, including several from the House of Fabergé. Nonetheless, his work in creating cameo portraits inspired his interest in medals and coins; he was one of the few artists to engrave directly into the die.

In 1883, the company won the competition to engrave and print the first postal notes for the postal system during the contract's first four-year period. Both the yellow and the white security papers for these early money orders were produced by Crane and Company in Dalton, Massachusetts. Homer Lee hired Thomas F. Morris, perhaps best known for his later work as the government's Chief of the Bureau of Engraving, from the American Bank Note Company to be his Superintendent. The Homer Lee Bank Note Company produced currency and postage stamps for numerous foreign governments before amassing debts and being taken over by the American Bank Note Company in 1891.

Scot announced his arrival in Philadelphia with newspaper advertisements in May of 1781, listing his engraving shop at the corner of Vine and Front Streets. He began engraving for Robert Morris, then Superintendent of the Office of Finance of the United States, in July 1781. The paper money that Scot engraved for Morris helped to finance the Siege of Yorktown, the decisive battle of the American Revolution. Shortly after that battle, Major Sebastian Bauman commissioned Robert Scot to engrave a map that illustrated the American victory, titled "Investment of York and Gloucester," a magnificent work with elaborate artistry and a factual description of the battle.

Tuck and Turner, who were both under the influence of recreational drugs, said they were told that Ritcheson, also under the influence of drugs, tried to kiss 12-year-old Danielle Sons. Sons' statement threw Tuck into a rage, and Tuck punched Ritcheson. The first punch was so powerful it broke Ritcheson's cheekbone and knocked him unconscious, stated Dr. Red Duke, the emergency physician who treated him.AP: Night of torture leads to lives in prison and pain, The Dallas Morning News, December 31, 2006 Tuck and Turner dragged Ritcheson outside, stripped him naked, burned him with cigarettes, and attempted to engrave a swastika into Ritcheson's chest.

Pores in the surface expose natural grains and crystalline "stubs" which, when heated very quickly, can separate a microscopic sized "chip" from the surface because the hot piece is expanding relative to its surroundings. So lasers are indeed used to engrave on glass, and if the power, speed and focus are just right, excellent results can be achieved. One should avoid large "fill" areas in glass engraving because the results across an expanse tend to be uneven; the glass ablation simply cannot be depended on for visual consistency, which may be a disadvantage or an advantage depending on the circumstances and the desired effect.

Evans explained the business arrangement: > I agreed to run all the risks of engraving the key blocks which he drew on > wood; after he finished colouring a proof I would furnish him, on drawing > paper, I would engrave the blocks to be printed in as few colours as > necessary ... the key block in dark brown, then a flesh tint for the faces, > hands, and wherever it would bring the other colours as nearly as possible > to his painted copy, a red, a blue, a yellow and a grey.Evans, p. 56 Beginning in 1878 through 1885, Caldecott illustrated two books a year for Evans, and secured his reputation as an illustrator.Richardson, p.

The choir The current wooden choir replaces the original stalls and was fabricated in 1522 by Francesco Giramo, an artist from Abbiategrasso. It is an interesting example of Renaissance wooden furniture as shown by the compact and architectural design, which is after the style promoted in Lombardy by Bramante, and by the technique used to engrave the figures, which were curved with woodcuts made with hot iron. The represented symbols hint to its use as a place of worship. Although derived from classical antiquity according to the Renaissance style, they represent spiritual values such as generosity of the God’s gifts (the fruit basket) or the saving action of Christ (the fish).

7 (Edinburgh, 1907), pp. 209-231 After working at Crawfordjohn and cladding the new Register House at Edinburgh Castle with imported 'Eastland' oak boards in July 1541, in August he went to the woods of Calder for twenty days and cut down 'ane hundredth grete treis' to make wheels for the artillery carts. For this he paid the forester a duty of fourpence a tree and then the timber was carted to Edinburgh.Accounts of the Lord High Treasurer of Scotland, vol. 7 (1907), 497-500 In March 1542, when a cannon had been successfully cast at Edinburgh Castle, Drummond paid the wood-carver Andrew Mansioun to engrave the royal arms and date on the barrel.

The Queen made it plain to Lord Panmure that she herself wished to bestow her new award on as many of the recipients as possible. The 26 June 1857 was chosen by the Queen as a suitable day, and that a grand parade should be laid on in Hyde Park and that she would 'herself' attend on horseback. The final list of recipients was not published in the London Gazette until 22 June, and Hancock's had to work around the clock to engrave the names of the recipients on the Crosses. Those destined to receive the award had somehow to be found and rushed up to London, together with detachments of the units in which they had served.

BNF The Sammelwerk of Jean Le Clerc and Thomas de Leu. They both produced engravings for it themselves as well as using works by Justus Sadeler (1580–1620), Isaac Briot (1585–1670) and Nicolas Briot (1579–1646). On 20 December 1619 Le Clerc was granted a six-year royal concession to "engrave maps of the provinces of France and portraits of patriarchs and princes of the Hebrew people, with a chronological history" ("graver les cartes des provinces de France et les portraits des patriarches et princes du peuple hébreu avec l’histoire chronologique"). In 1620 he published his Le Théâtre géographique du Royaume de France, including newer plates as well as reworked plates from Bouguereau's work.

She canvassed the London publishers for commissions for wood engravings, without success, until Heinemann commissioned her in 1936 to engrave the title page of her brother Christopher's book of poems, Devil’s Dyke. She later discovered that her £5 fee had been deducted from her brother's royalties. She went on to illustrate a number of her brother's books, but the most important outcome for her was the commission to illustrate Francis Brett Young's Portrait of a Village (1937). She spent a great deal of time travelling around the area of Evesham and Pershore to make preliminary drawings for her wood engravings and produced a book that is generally considered to be one of her best.

Around this time he decided to abandon his paternal last name, Mardones, and begin using that of his mother, Lemebel. In an interview the writer would explain his choice of name change as the following, "Lemebel is a gesture of femininity, to engrave a maternal last name, to acknowledge my (washer) mother in light of the illegality of homosexual(s) and transvestite(s)." The first intervention/performance of "The Mares of the Apocalypse" was the afternoon of October 22, 1988, during the second installment of the Pablo Neruda prize to poet Raúl Zurita in La Chascona. In the middle of the ceremony, Lemebel and Casas appeared offering Zurita a crown of thorns that the poet did not accept.

Cantarini further refused to engrave Guido's designs on the ground that his own works were as much worthy of publication. It is also possible that the pupil who had discovered the earlier masterpieces of Reni in the churches near his hometown was less impressed with the late style of Reni, which tended increasingly towards metaphysical visions populated with bloodless images. According to some stories the uneasy relationship between the two artists came to an explosive halt when Reni criticized a work of Cantarini in front of other students upon which Cantarini threw the painting against the wall. The break with Reni lead to a drought in new commissions, which forced Cantarini to leave Bologna.

The state of Mexico did not comply with the agreement that was made to engrave the names of the victims and the plaque with the names of the eight girls causing the mothers and other relatives to be angry and decide to rally against the inauguration ceremony. One of the main arguments from the victims’ relatives is that the state of Mexico is doing little to no work in investigating the murders in Ciudad Juarez. Many of the investigations of the women's murders remain unsolved since 1993 to the controversial case in 2001. Although the case Campo Algodonero v. Mexico ruled against Mexico and required them to make a memorial, the victims’ relatives are calling for better police investigation.

There are variants that arise through the use of different radicals to refer to specific definitions of a multisemous character. For instance, the character 雕 could mean either 'certain types of hawk' or 'carve; engrave.' For the former, the variant 鵰 ('bird' radical) is sometimes employed, while for the latter, the variant 琱 ('jade' radical) is sometimes used. In rare cases, two characters in ancient Chinese with similar meanings can be confused and conflated if their modern Chinese readings have merged, for example, 飢 and 饑, are both read as jī and mean 'famine; severe hunger' and are used interchangeably in the modern language, even though 飢 meant 'insufficient food to satiate', and 饑 meant 'famine' in Old Chinese.

According to tradition, ancient Christians, during their persecution by the Roman Empire in the first few centuries after Christ, used the fish symbol to mark meeting places and tombs, or to distinguish friends from foes: There are several other hypotheses as to why the fish was chosen. Some sources indicate that the earliest literary references came from the recommendation of Clement of Alexandria to his readers (Paedagogus, III, xi) to engrave their seals with the dove or fish. However, it can be inferred from Roman monumental sources such as the Cappella Greca and the Sacrament Chapels of the catacomb of St. Callistus that the fish symbol was known to Christians much earlier.

During the Qianlong period of the Qing dynasty (1644-1911), Huang Ningdao (), magistrate of Yueyang, decided to have a wooden screen of Memorial to Yueyang Tower engraved again. Just when Huang Ningdao tried hard to find a proper person to reproduce Memorial to Yueyang Tower, the calligrapher Zhang Zhao (), minister of the Ministry of Justice, was escorting army provisions in transportation via Yueyang. Huang Ningdao invited Zhang Zhao to re-engrave it. In the beginning, Zhang Zhao introduced Teng Zijing's recent situation and Yueyang Tower in formal regular script (); he wrote in semi-cursive script () to describe landscape in the middle part; and he wrote in the style between semi-cursive script and regular script () in the last part.

He prepared himself for the church, but attended the academy of fine arts as well and studied under the court painter Guibal. Developing a talent for engraving, he went to Paris in 1770, where for six years he studied under Wille. He won a number of prizes there, and was elected a member of the French Academy. In 1776 Duke Charles recalled him to Stuttgart, where he taught for nine years, and whence he was summoned to Paris to engrave a portrait of Louis XVI, after Joseph Duplessis. Next in importance to this is his engraving of Trumbull's “Battle of Bunker Hill.” On his return to Stuttgart he became professor of engraving.

Homer Lee was born in Mansfield, Ohio on May 18, 1851. He was the founder and president of the Homer Lee Bank Note Company in New York City, also vice president of the Franklin Lee Bank Note Company, and president of the Hamilton Bank Note Company. Married to Charlotte Riddle in 1891, daughter of a prominent Philadelphia-area cotton manufacturer, he had two sons: Leander and Homer Jr. Socially active, he invented the Homer Lee rotary steel plate printing system, as well as numbering devices used by the United States Treasury. In 1883, his company was awarded the first four-year contract to engrave and produce Postal Notes, an early form of money order, for the post office department.

Scot would continue to engrave for American officers, for the Society of the Cincinnati, and for an accurate 1784 map of United States for Captain William McMurray, based on the 1783 Treaty of Paris. As a Freemason, Robert Scot engraved the frontispiece for Ahiman Rezon, dedicated to General George Washington, for the Grand Lodge of Philadelphia. Scot also reproduced Charles Willson Peale's 1772 portrait of Washington as an authorized drawing and line engraving, while visiting at Mount Vernon. While in Philadelphia, Robert Scot and his family were members of the Religious Society of Free Quakers, a radical sect of ardent patriots who were disowned by the pacifist Philadelphia Quakers for their constant support of the American Revolution.

Laser marked electronic part Laser engraving, is the practice of using lasers to engrave an object. Laser marking, on the other hand, is a broader category of methods to leave marks on an object, which also includes color change due to chemical/molecular alteration, charring, foaming, melting, ablation, and more. The technique does not involve the use of inks, nor does it involve tool bits which contact the engraving surface and wear out, giving it an advantage over alternative engraving or marking technologies where inks or bit heads have to be replaced regularly. The impact of laser marking has been more pronounced for specially designed "laserable" materials and also for some paints.

In 1815, he published his first work, a series of eight views of the exterior and interior of Warwick Castle, drawn and etched by himself. Shortly afterwards he was employed by Harding to draw and engrave a series of exterior and interior views of the cathedrals and abbey churches of England, to illustrate a new edition of William Dugdale's Monasticon, edited by Sir Henry Ellis. These plates occupied a great portion of his time for fourteen years, and were executed with consummate skill. In 1829, he began the engravings of 'Ancient Cathedrals, Hôtels de Ville, and other public buildings in France, Holland, Germany, and Italy'; which were drawn from life by himself.

After Gill had produced his drawings, Morison decided not to send them to the Monotype engineering department at Salfords, Surrey, with which he had had disagreements. Instead, he commissioned at his own expense for the punchcutter Charles Malin of Paris in 1926 to manually engrave punches which were used to cast trial metal type. Manually cutting punches was the standard method of creating the matrices, or moulds used to cast metal type, in the previous century, but was now effectively a niche artisanal approach replaced by machine pantograph engraving. Once the Malin type had been cast, Gill found some of his decisions unsatisfying seen in extended passages of text, leading him to propose changes and corrections.

His reputation now became so great as to induce the artists of Florence to recommend him to the grand duke as a fit person to engrave the Last Supper of Leonardo da Vinci; apart, however, from the dilapidated state of the picture itself, the drawing made for Morghen was unworthy of the original, and the print, in consequence, although an admirable production, fails to convey a correct idea of the style and merit of Leonardo. Morghen's fame, however, soon extended over Europe; and the Institute of France, as a mark of their admiration of his talents, elected him an associate in 1803. In 1812 Napoleon invited him to Paris and paid him the most flattering attentions. He died in Florence.

63 as opposed to the concurrent simplified, linearized and more rectilinear form of writing as seen on the oracle bones.Qiú 2000, p.70 A few Shang inscriptions have been found which were brush-written on pottery, stone, jade or bone artifacts, and there are also some bone engravings on non-divination matters written in a complex, highly pictographic style; the structure and style of the bronze inscriptions is consistent with these. The soft clay of the piece- molds used to produce the Shang to early Zhou bronzes was suitable for preserving most of the complexity of the brush-written characters on such books and other media, whereas the hard, bony surface of the oracle bones was difficult to engrave, spurring significant simplification and conversion to rectilinearity.

The term has been used in English since 1727, borrowed from glyphe (in use by French antiquaries since 1701), from the Greek γλυφή, glyphē, "carving," and the verb γλύφειν, glýphein, "to hollow out, engrave, carve" (cognate with Latin glubere "to peel" and English cleave).see the Oxford English Dictionary under headword "cleave" for the cited Greek etymology. The word hieroglyph (Greek for sacred writing) has a longer history in English, dating from an early use in an English to Italian dictionary published by John Florio in 1598, referencing the complex and mysterious characters of the Egyptian alphabet. The word glyph first came to widespread European attention with the engravings and lithographs from Frederick Catherwood's drawings of undeciphered glyphs of the Maya civilization in the early 1840s.

Fifteen years after Chastillon's death, the publisher Jean Boisseau purchased the existing plates and drawings. He had Isaac Briot and Nicolas Briot, among others, engrave the drawings which had not yet been engraved and published the collection in 1641 as Topographie francoise ou representations de plusieurs villes, bourgs, chasteaux, maisons de plaisance, ruines & vestiges d’antiquité du royaume de France, crediting Chastillon as the creator of the drawings. Usually referred to simply as Topographie françoise, it provides a unique account of France at the beginning of the 17th century. It includes views of the houses and châteaux of officials and friends of the king, many now destroyed, and is therefore an invaluable source for the study of French noble residences of the period.

Juan Carlos Lorenzo's legendary upbringing of Boca Juniors, seeing Flamengo engrave their names on the winner's list at the hands of a squad led by Zico, René Higuita's memorable saves against Olimpia, São Paulo's time dos sonhos coached by legend Telê Santana and Carlos Bianchi's exploits with Boca Juniors and Vélez Sársfield are some of the more recent stories still talked about till this day. The Copa Libertadores is, arguably, the most important club trophy in the world. The sport was introduced to South America in many different ways. For example, football was introduced to Argentina in the latter half of the 19th century by the British immigrants in Buenos Aires, while Colombia was exposed to football in the early 20th century.

He was born in Madrid he first trained with Antonio González Velázquez and attended the Academia Real de San Fernando in Madrid, where he won a second prize in a painting contest in 1760, and first prize in 1766. He entered the studio of the French painter Charles de la Traverse, who worked for the Marchese of Ossun, the ambassador of France in Spain. Unfortunately upon returning to Madrid, despite becoming a teacher in the Academia de San Fernando at age 33 years, he mainly received royal commissions to paint and engrave vistas of ports, the Spanish equivalent of vedute, and also of planned works of construction. For some years, he was banished to Puerto Rico, where he trained the painter Jose Campeche.

Louis XVI gave him the appointment of "Royal Mechanician" (Mécanicien du Roi), and provided a studio for him in the gardens of the Louvre, where he used a burning-mirror for melting metals without fire. He invented a fire-engine which was very widely adopted and, in 1771, a machine for drilling metals. Another invention for mechanical engraving was one which enabled lace- manufacturers to engrave in a few hours elaborate patterns and designs which formerly had required at least six months work of the burin. Charpentier's device for lighthouse-illumination so pleased Louis XVI that he offered the inventor a pension and a place as the head of the Department of Beacons, asking him to fix the price for his discovery.

The numerous sermons Ibn al-Jawzi delivered from 1172 to 1173 cemented his reputation as the premier scholar in Baghdad at the time; indeed, the scholar soon began to be so appreciated for his gifts as an orator that al-Mustadi even went so far as to have a special dais (Arabic dikka) constructed specially for Ibn al-Jawzi in the Palace mosque. Ibn al-Jawzi's stature as a scholar only continued to grow in the following years. By 1179, Ibn al-Jawzi had written over one hundred and fifty works and was directing five colleges in Baghdad simultaneously. It was at this time that he told al-Mustadi to engrave an inscription onto the widely venerated tomb of Ibn Hanbal (d.

The opportunity was also made available for supporters to buy special bricks – on to which they could engrave a message of their choosing – which would be set around the outside of the completed stadium. The weather of the 1996 winter was not kind to the contractors but extra urgency was provided by the news that the stadium was to be opened by the Queen. This news – the first time the Queen had opened a new football stadium – ensured that the workers, at one point behind schedule, had to pull out all of the stops to get the stadium completed in time. The pitch stood at long and wide, meeting the requirements for an international venue, and measured longer and wider than the pitch at the Baseball Ground.

Portrait of José Nicolás de Azara is a 1773-1774 oil on poplar panel portrait by Anton Raphael Mengs, bought by the Museo del Prado in November 2012 for 180,000 E from Azara's descendants. It shows the Spanish diplomat José Nicolás de Azara, a friend of the artist and was completed in Florence in January 1774. Azara also commissioned Domenico Cunego to engrave the portrait in burin and drypoint in 1781 from a drawing by Francisco Javier Ramos, a Spanish artist who had studied with Mengs. It was also engraved in 1784 by Jacopo Bossi, again in Rome, for inclusion in an Italian translation of Johann Joachim Winckelmann's History of the Art of Antiquity dedicated to Azara by Winckelmann himself.

He also made a series of illustrations for historical treatises by Isaac de Larrey and engravings of drawings by Gerard de Lairesse to illustrate Govert Bidloo's Anatomia Humani Corporis."Pieter van Gunst" in Van Eijnden & van der Willigen, Geschiedenis der Vaderlandsche Schilderkunst (Dutch) In 1713-1715 he engraved a set of ten plates after paintings by van Dyck from the collection of Philip Wharton, 1st Duke of Wharton. These plates were commissioned by a syndicate of British art dealers (Cock, Comyns and McSwiny), who employed Jacob Houbraken to come to Britain in 1713 to make the drawings and van Gunst to engrave them in Amsterdam. The set of ten plates was advertised in the London Gazette on 13 December 1715.

An experimental free daily postal service for letters and newspapers was introduced between Valletta, the Three Cities, Gozo and some of the larger towns in Malta on 10 June 1853. British postage stamps were introduced in the islands in August 1857 for use on mail sent from Malta to foreign destinations. In 1859, the Council of Government decided that the free local postal service was to be withdrawn, and on 12 March 1859 the Committee of Supply set aside the sum of £110 for the cost of ordering a halfpenny stamp for local postage. The government informed the Crown Agents of this on 30 April 1859, who then commissioned the British printing company De La Rue to engrave a die for the new stamp.

Surviving metal works by him include elaborate gold snuffboxes and watch-cases (including movements by noted watchmakers George Philip Strigel and John Ellicott, among others), and silver candlesticks in the Rococo style. He subsequently rose to be head of his profession as a gold- chaser, medallist, and enameller, and was particularly distinguished for the compositions in enamel with which he ornamented the backs of watches, bracelets, and other trinkets. A beautiful example of this work was a watch- case executed for Queen Charlotte, adorned with whole-length figures of her two eldest children, for which he received 'a hatful of guineas.' Moser was drawing-master to George III during his boyhood, and on his accession to the throne was employed to engrave his first great seal.

Briot fled to England in 1625, pursued by creditors, and offered his services and machinery to Charles I of England. He met with more success than in France, and in 1626 he was commissioned to make puncheons and dies for 'certain pieces of largesse of gold and silver in memory of his Majesty's coronation', producing his successful Coronation Medal, the first of the sequence of medals for Charles I, in that year. This established his reputation, when he was given 'power and authority to frame and engrave the first designs and effigies of the king's image ... to serve in coins of gold and silver'. He went on to produce a considerable number of dies and moulds for medals and coins in the following years.

His operas influenced the work of later opera composers, especially in Germany, such as Marschner, Meyerbeer and Wagner, as well as several nationalist 19th-century composers such as Glinka. Homage has been paid to Weber by 20th-century composers such as Debussy, Stravinsky, Mahler (who completed Weber's unfinished comic opera Die drei Pintos and made revisions of Euryanthe and Oberon) and Hindemith (composer of the popular Symphonic Metamorphosis of Themes by Carl Maria von Weber, based on lesser- known keyboard works and the incidental music to Turandot). Weber also wrote music journalism and was interested in folksong, and learned lithography to engrave his own works. A brilliant pianist himself, Weber composed four sonatas, two concertos and the Konzertstück in F minor (concert piece), which influenced composers such as Chopin, Liszt and Mendelssohn.

In 2002, the United Nations Conference on the Standardization of Geographical Names acknowledged that while common, the practice of naming geographical places after living persons could be problematic. Therefore the United Nations Group of Experts on Geographical Names recommends that it be avoided and that national authorities should set their own guidelines as to the time required after a person's death for the use of a commemorative name. In the same vein, writers Pinchevski and Torgovnik (2002) consider the naming of streets as a political act in which holders of the legitimate monopoly to name aspire to engrave their ideological views in the social space. Similarly, the revisionist practice of renaming streets, as both the celebration of triumph and the repudiation of the old regime is another issue of toponymy.

Also during this time, royal patronage attempted to engrave on stone stele the entire Liao Dynasty's Khitan Tripitaka (). Because the Sui and Tang Dynasty manuscripts on which the Sui and Tang Dynasty stone steles were based as well as the printed copies of the Khitan Tripitaka on which the Liao Dynasty stone sutras were based have largely disappeared, this makes the Fangshan stone sutras of Yunju Temple a rare treasure house of Buddhist sutras.Dan and Wang 2001, p26 Since these stone steles were engraved with an eye on fidelity to the original, they can be used to potentially correct later printed Tripitakas. Since Venerable Jingwan's time a total of nine caves were excavated and filled with stone sutra steles, two underground depository rooms were also excavated and numerous temple halls were added and repaired.

Three additional one-off models styled by well-known designers were announced with the launch of the New 500; proceeds from the auctions of the 500 Giorgio Armani, B.500 "MAI TROPPO" ("never too much", by Bvlgari), and the 500 Kartell will benefit environmental organizations set up by Leonardo DiCaprio. The Kartell and Bvlgari models were created though a partnership between FCA and Altagamma. These were not the first Fiat-fashion limited editions; previously, Frida Giannini of Gucci had collaborated with Fiat Centro Stile to produce a special edition of the preceding Fiat 500 (2007 model), released in 2011. Lasers were used to engrave the steel body panels are used on the Armani, which is finished in a "silk effect" grey-green matte finish which includes anti-pollution and anti-bacterial technologies.

He did not play a game, yet the Bruins decided to engrave his name on the Stanley Cup upon winning the championship, making him one of the few players to have his name on the Stanley Cup before playing a NHL game. Adams would not play his first NHL game for another three seasons. In 1972–73, with Cheevers gone to the World Hockey Association and disruption in the Boston net, he played fourteen games for the defending champion Bruins while splitting his time with the new Bruins' affiliate Boston Braves of the American Hockey League. Traded to the minor- league San Diego Gulls of the Western Hockey League the following year, Adams won second-team all-star honors before being sold to the Washington Capitals in 1974.

Some famous sengoku daimyōs used the word Bushidō in their writings. In a set of precepts addressed to "All samurai, regardless of rank" the feudal lord Katō Kiyomasa (1562–1611) orders his men to follow it: :If a man does not investigate into the matter of Bushidō daily, it will be difficult for him to die a brave and manly death. Thus it is essential to engrave this business of the warrior into one's mind well ... One should put forth great effort in matters of learning. One should read books concerning military matters, and direct his attention exclusively to the virtues of loyalty and filial piety ... Having been born into the house of a warrior, one's intentions should be to grasp the long and the short swords and to die.

References to Christianity are rarely found in Tosefta. A brief mention—albeit allegorically—is found in regards to a Jew who incises his skin on the Shabbat with the intent to engrave a tattoo. the Tanna Rabbi Eliezer is quoted as liableizing (for transgression of Shabbat) the offender for performing one of the activities prohibited on Shabbat, as this is a solid form of penmantry work. As proof, Rabbi Eliezer cites that the "Ben Sitdathis is a nick-name afforded to Yeshu -see Ein Yaakov to Sanhedrin 43a" stole his knowledge of sorcery from Egypt using this type penmantryas the Egyptians would not allow foreigners to copy their code of sorcery, hence Ben Sitda needed to "sneak" it out -see "minchas bikkurim" to above tosefta -hence proving its potency as a viable form of writing.

The Messapic verbal form eipeigrave ('wrote, incised'; variant ipigrave) is a notable loanword from Greek (with the initial stem eipigra-, ipigra- deriving from epigrá-phō, ἐπιγράφω, 'inscribe, engrave'), and is probably related to the fact that the Messapic alphabet has been borrowed from an Archaic Greek script. Other Greek loanwords include argora-pandes ('coin officials', with the first part deriving from ἄργυρος), and names of deities like Aprodita and Athana. The origin of the Messapic goddess Damatura is debated: scholars like Vladimir I. Georgiev (1937), Eqrem Çabej, Shaban Demiraj (1997), or Martin L. West (2007) have argued that she was an Illyrian goddess eventually borrowed into Greek as Demeter, while others like Paul Kretschmer (1939), Robert S. P. Beekes (2009) and Carlo De Simone (2017) have argued for the contrary.

The diagrams were then used as a plan for machining metal punches by pantograph to stamp matrices, which would be loaded into a casting machine to cast type. It was Monotype's standard practice at the time to first engrave a limited number of characters and print proofs (some of which survive) from them to test overall balance of colour and spacing on the page, before completing the remaining characters. Walter Tracy, Rhatigan and Gill's biographer Malcolm Yorke have all written that the drawing office's work in making Gill Sans successful has not been fully appreciated; Yorke described Gill as "tactless" in his claims that the design was "as much as possible mathematically measurable ... as little reliance as possible should be placed on the sensibility of the draughtsmen and others concerned in its machine facture".

The origin of the word mancus has long been a cause of debate. One suggested interpretation linked it to the Latin adjective mancus, meaning 'defective', which was thought to be a reference to the poor quality of gold coinage circulating in 8th-century Italy. However, it has become clear that the earliest references to payments in mancuses, which occur in north- eastern Italy in the 770s, specifically refer to Islamic gold dinars. Consequently, a second theory has appeared: that mancus derives from the Arabic word منقوش ' (from the triliteral verbal root n-q-sh 'to sculpt, engrave, inscribe'), which was often employed in a numismatic context to mean 'struck'. A mancus, or gold dinar of the English king Offa of Mercia (757–796), a copy of the dinars of the Abbasid Caliphate (774).

Pantograph mirror Perhaps the pantograph that is most familiar to the general public is the extension arm of an adjustable wall-mounted mirror. In another application similar to drafting, the pantograph is incorporated into a pantograph engraving machine with a revolving cutter instead of a pen, and a tray at the pointer end to fix precut lettered plates (referred to as 'copy'), which the pointer follows and thus the cutter, via the pantograph, reproduces the 'copy' at a ratio to which the pantograph arms have been set. The typical range of ratio is Maximum 1:1 Minimum 50:1 (reduction) In this way machinists can neatly and accurately engrave numbers and letters onto a part. Pantographs are no longer commonly used in modern engraving, with computerized laser and rotary engraving taking favor.

After the issue of the first part he also took over as publisher.Whitman 1907, p.11 The two men worked closely on the plates, J.M.W. Turner adding new ideas to the proofs as the work progressed.Hermannn 1990, p.12 Charles Turner continued to work on the project until 1809, when a quarrel over money led to the end of the arrangement: according to his own account, the two men did not speak for the next 19 years. He did however engrave and publish a plate after J.M.W. Turner's Vesuvius in Eruption in 1815, and engraved five plates for the artist's Rivers of England from 1823 onwards.Whitman 1907, pp.11–12 The relationship seems eventually to have been mended, and Charles Turner was one of the executors of J. M. W. Turner's will.Whitman 1907, p.

Napoleon in a rage sent in the middle of the night for Baron Denon, and commanded him to go instantly to Desnoyers and ask him to engrave the portrait of the future empress. "Round head, fair hair, high forehead," were the brief instructions sent to the artist, who worked day and night until, at the end of four days, a proof was ready for approval. The emperor thought it superb, and had already ordered its immediate publication, when he received a faithful miniature of the archduchess, which rendered an alteration of the plate imperative, for the face of the new empress, instead of being round, was a very elongated oval. Twenty impressions were made when Desnoyers again set to work, and the next day the authentic portrait of Marie Louise was in circulation throughout Paris.

The process of training to become a traditional tattoo artist is equally as difficult and time-consuming, if not moreso; tattoo artists will train for many years under a master, sometimes living in the master's house, and may spend years cleaning the studio, observing and practicing in their own skin, making both the needles and other tools required, mixing inks, and painstakingly copying designs from the master's book before being allowed to tattoo clients. Tattoo artists must the unique styles of tattooing by hand required, and will usually be given a tattoo name by their master, most often incorporating the word (to engrave) and a syllable derived from the master's own name, or some other significant word. In some cases, the apprentice will take the master's name, and will become The Second or Third (and so on).

The common Chinese term for the script is jiǎgǔwén ("shell and bone script"), which is an abbreviation of guījiǎ shòugǔ wénzì ("tortoise-shell and animal-bone script"). This is a translation of the English phrase "inscriptions upon bone and tortoise shell", coined by the American missionary Frank H. Chalfant (1862–1914) in his 1906 book Early Chinese Writing, and first appeared in Chinese books in the 1930s. In earlier decades, Chinese authors used a variety of names for the inscriptions and the script, based on the place they were found (Yinxu), their purpose (bǔ "to divine") or the method of writing (qì "to engrave"), one common term being (Yīnxū bǔcí, "Yinxu divinatory texts"). As the majority of oracle bones bearing writing date from the late Shang dynasty, oracle bone script essentially refers to a Shang script.

57–97, available on-line on JSTOR His appointment as miniaturist to the Crown included the old sense of a painter of illuminated manuscripts and he was commissioned to decorate important documents, such as the founding charter of Emmanuel College, Cambridge (1584), which has an enthroned Elizabeth within an elaborate framework of Flemish-style Renaissance ornament. He also seems to have designed woodcut title-page frames and borders for books, some of which bear his initials.Strong (1983), pp. 62 & 66 He was in high favour with James I as well as with Elizabeth, receiving from the king a special patent of appointment, dated 5 May 1617, granting him a sole licence for royal portraits in engraved form for twelve years; he had already been producing these, although probably usually using the immigrant Renold Elstrack to actually engrave the plates.

This has filtered down to lightweight (in the sense of being heavily illustrated, not exactly scholarly and not entirely serious) books being available in the bookstores of any modern town which are marketed as manuals of how to become a Wiccan (or Pagan). The allowance of solitary practice is clearly an important factor in terms of the growth of adherents, as the requirement to join a coven would involve transaction costs of locating fellow members and/or being initiated. In Gardnerian Wicca, as laid down by Gerald Gardner, someone who had been initiated in the 1st degree had to create (or, alternately purchase and then engrave) their own ritual tools. One of the requirements for being initiated for the 2nd degree is that the Wiccan had to name all of the ritual tools and explain what their purpose and associations were.

They also dismissed claims regarding writings on the torpedo and clarified that "when we put serial numbers on weapons, we engrave them with machines." South Korea's Yonhap News quoted South Korean officials as saying the North has about ten of the Yeono- class submarines.South Korea Faces Domestic Skeptics Over Evidence Against North, by Ben Richardson and Saeromi Shin, Bloomberg News, 30 May 2010 A member of the North Korean cabinet who defected to South Korea in 2011, said on 7 December 2012 that the crew of the North Korean submarine which sank Cheonan had been honored by the North Korean military and government. The defector, known by the alias "Ahn Cheol-nam", stated that the captain, co- captain, engineer, and boatswain of the mini-sub which sank Cheonan had been awarded "Hero of the DPRK" in October 2010.

We never glorify God more than when despite the sight of our sins and unworthiness we are so filled with confidence in His mercy and in the infinite merits of Jesus Christ that we throw ourselves on His bosom full of confidence and love, sure that He cannot repel us: "a humble and contrite heart, Oh God, Thou wilt not despise."Thibaut, p. 103. :1896: Oh, my dear child, I would wish to engrave on your heart in letters of gold this truth, that no matter how great our misery, we are infinitely rich in Jesus Christ, if we unite with Him, if we lean on Him, if we realize constantly by a firm living faith that all the value of our prayer, and of all that we do comes from His merits in us.Thibaut, p. 105.

Although he may not have equalled that celebrated artist, either in the style of his drawing, or in the picturesque effect of his light and shade, his prints will always be esteemed both for their merit as engravings and for the importance of the subjects which he chose. In 1711 he was invited to England by Queen Anne to engrave the Cartoons of Raphael at Hampton Court, which he finished in 1719, and in the following year he was knighted by King George I. While he was in England he painted some portraits of the nobility, but with no great success. He returned to France in 1725, and was received into the Academy in the same year. He exhibited some pictures of sacred subjects at the Salon from 1739 to 1743, and died in Paris in 1746.

The king's draftsman also creates sets for other royal ceremonies: entrances, weddings, law courts, parties and entertainment. In 1770, he creates the ephemeral decoration of the marriage of the Dauphin, future Louis XVI and Marie Antoinette at Versailles and the Orangery with the assistance of Moreau the Younger who will succeed him: > "This palace of the Sun, raised at one end of the canal, whose waters > reflected torrents of light will remembered for a long time. These groves > and beds of fire, basins where the two elements seemed to be confused, the > variety of amusements and shows distributed throughout the park to share the > crowd." He is the first to engrave his drawings, which allows us to rediscover today this less known part of French art of the seventeenth century, all the achievements of Menus Plaisirs having been dismantled after being used.

John Varley left his account of these sessions that took place almost nightly, recording some dates and circumstances of the evenings. He made a lot of detailed inscriptions below or on the back of Blake's drawings that help to classify them. He also created two lists known as “Varley's lists of Visionary Heads” (A & B) where he specified about 90 titles (some of them repeated) of “Portraits Drawn by W. Blake from Visions which appeared to him & Remained while he completed them…”BR 2, p. 350. John Linnell, who also was involved in these events and copied many of Blake's Visionary Heads to engrave them later for Varley's Treatise, wrote his own account and views on this subject in his “Journal” and “Autobiography” (fully cited by Gerald Eades Bentley Jr. in his Blake Records, see in the Bibliography below).

Ibarra did not design, engrave, or cast types, contrary to what is often assumed. The error is probably based on the documents in his edition of Don Quixote of the Royal Academy, for which they made a new cast (but not a new design). Ibarra's printing used various foundries of his time, especially games Gerónimo Gil, the Smelter Rangel (used by the Gazette, and really a game of Garamond), types of Lleida Eudald Pradell with casting Madrid, a game of Garamond, and the celebrated and reviled italic cast which composed the Sallust, abierta created by the academic and writer Murcia Espinosa de los Monteros, who owned a foundry in Madrid. In the early twentieth century, Madrid smelter Gans held a revival called Ibarra from several of these castings, which was the starting point for other recent redesigns.

Although Barber indicated that the decision of the commission to represent the statue without its pedestal represented progress toward the point where he might engrave dies, "I learned in New York that the work of the sculptor must be submitted to a committee in Paris who will have entire charge of the monument, and the sculptor's work has to be changed in any and every detail until it meets the approval of this Committee of Frenchmen ... to me it looks as if it might be sometime in 1900." On June 20, 1899, Barber submitted the final designs for the coin. They were approved by Director Roberts on July 1. This did not put an end to the wrangles over what should be on the coin: the commission wished to have the coins dated 1900, but have them to sell as early as possible in 1899.

Currently, to qualify for automatic engraving, a player: # Must have played, or have dressed as the backup goaltender, for at least half of the championship team's regular season games. OR: # Must have played, or have dressed as the backup goaltender, for at least one game of the Stanley Cup Finals for the championship team, AND: # Must be on the roster when the team wins the Stanley Cup. However, since 1994 teams have been permitted to petition the NHL Commissioner, to be considered on a case-by-case basis, to engrave a player's name on the cup if the player was unavailable to play due to "extenuating circumstances". For example, the Detroit Red Wings received special permission from the NHL to inscribe the name of Vladimir Konstantinov, whose career ended after a car accident on June 13, 1997, on the Stanley Cup after Detroit defended their title in 1998.

If it were not for desires reaching beyond the sensate, Man would be trapped in a self-imposed empiricist prison. For Blake, expanding the prison or accumulating more will not bring any respite, as only the Infinite will satisfy Man. If we could not attain the infinite, we would be in eternal despair, but because we are not, Blake reasons that we thus must be able to attain the Infinite, and as such, Man becomes Infinite himself; "Locke's principle of a reciprocal and mutually validating relationship among the mind, the sense organs, and their objects has been converted into a similarly structured reciprocity among infinite desire, its infinite object, and its infinite desirer."Eaves et al. (1993: 33) In terms of influences, in 1787 Henry Fuseli was working on a translation of J. K. Lavater's Aphorisms on Man for the publisher Joseph Johnson, when he hired Blake to engrave the frontispiece.

The acid would then be poured off, leaving the design incised on the plate. The engraver would then engrave the plate's entire surface with a web of crosshatched lines, before pouring the ink onto the plate and transferring it to the printing press.Viscomi (2003: 37) Frustrated with this method, Blake seems to have begun thinking about a new method of publishing at least as early as 1784, as in that year a rough description of what would become relief etching appears in his unpublished satire, An Island in the Moon. Around the same time, George Cumberland had been experimenting with a method to allow him to reproduce handwriting via an etched plate, and Blake incorporated Cumberland's method into his own relief etching; treating the text as handwritten script rather than mechanical letterpress, and thus allowing him to make it a component of the image.

In Shakespeare's time, a pencil was both a small painter's brush and a tool to engrave letters, although graphite pencils bound in wax, string or even wood were known in the 16th century. Following William Empson, Stephen Booth points out that all of the potential readings of the disputed lines, in particular the third quatrain, are potentially accurate: while the lines do not establish a single meaning, the reader understands in general terms the usual theme, the contrast between artistic and genealogical immortality. The assertion is that procreation is a more viable route to immortality than the "counterfeit" of art. The sonnet concludes with resignation that the efforts of both time and the poet to depict the youth's beauty cannot bring the youth to life ("can make you live") in the eyes of men (compare the claim in Sonnet 81, line 8, "When you entombed in men's eyes shall lie").

John Rocque's Map of London, 1746, formally titled A plan of the cities of London and Westminster, and borough of Southwark, is a map of Georgian London to a scale of 26 inches to a mile, surveyed by John Rocque, engraved by John Pine, and published in 1746. The map consists of 24 sheets and measures 3.84 by 2.01 metres. Taking nearly ten years to survey, engrave and publish, it has been described as "a magnificent example of cartography ... one of the greatest and most handsome plans of any city". Also in 1746, Rocque published another smaller-scale map of London and its environs in sixteen sheets: this was entitled An Exact Survey of the citys of London Westminster ye Borough of Southwark and the Country near ten miles round / begun in 1741 & ended in 1745 by John Rocque Land Surveyor ; & Engrav'd by Richard Parr.

At Linotype, Barr improved punch-cutting machines by substituting ball bearings for oil lubrication to achieve a more precise fit, and using tractrix-shaped sleeves to distribute wear uniformly. In an 1896 publication in The Electrical Review on calculating the dimensions of a ball race, Barr credits the bicycle industry for stimulating development of the perfectly spherical steel balls needed in this application. The punch-cutters he worked on were, essentially, pantographs that could engrave copies of given shapes (the outlines of letters or characters) as three-dimensional objects at a much smaller scale (the punches used to shape each letter in hot metal typesetting). Between 1900 and 1902, with Linotype managers Arthur Pollen and William Henry Lock, Barr also designed pantographs operating on a very different scale, calculating aim for naval artillery based on the positions, headings, and speeds of the firing ship and its target.

Potier, a famous collector who died around 1757 and a friend of Leclerc's, began a prints collection quite late in life and his fellow art collectors criticized his taste for that sphere - they smiled whenever he offered to show them his print collection and, to avoid hurting his feelings, stated they were unworthy of such an honour. Understanding the situation and slightly hurt at their disdain, Potier resolved to bring some of his fellow collectors to his house to have his revenge. He invited Leclerc to engrave a print on a subject of his own choice for the occasion and a few days later Leclerc delivered a small image of Venus rising from the waves. Potier paid for the print, took the proofs of the image Leclerc had drawn for him off the market and then invited the collectors to come see his collection.

Political scandal ensued when fraud among the company's directors and corruption of cabinet ministers became clear. The event triggered several satirical engravings by foreign artists that were widely published in English newspapers, including in particular a version of A Monument Dedicated to Posterity by Bernard Picart adapted by Bernard Baron,Baron would later engrave portraits by Hogarth, some of the plates of Marriage à-la-mode, and Evening, one of Hogarth's 1736 Four Times of the Day series which depicted Folly drawing Fortune in a cart while she showered a crowd of hopeful investors with bubbles of air and worthless shreds of paper rather than with the riches for which they hoped. Hogarth's print was created in 1721 as a response to the foreign engravings. The events had personal piquancy for Hogarth, given his father's detention as a debtor in Fleet Prison from 1707–12 and his early death in 1718.

VIN etching uses a variety of methods, commonly a stencil and an acidic etching paste, to engrave a vehicle's vehicle identification number (VIN) onto the windshield and windows. Most parts on a vehicle already have at least a partial VIN stamped onto them, and many auto parts buyers will not purchase parts that carry identification numbers. Should a thief try to sell the parts from a vehicle for profit, those marked parts carry a higher risk for the thief and the auto parts seller. Since automotive glass generally does not have identification numbers and is often interchangeable among many different years and models of vehicles, it usually yields a much greater profit for a thief compared to other components on the vehicle; because a vehicle's windows are stamped with the VIN, thieves would need to discard the glass before "parting out" the stolen vehicle, thus reducing or eliminating their profit.

Pyrgoteles was one of the three court artists authorized to depict Alexander the Great's figure in art (the others being Apelles for painting and Lysippos for sculpture). Pliny the Elder (Natural History 37.8) adds that Alexander had issued an edict forbidding anyone to engrave his image on emeralds, and other gems, outside of Pyrgoteles. Unfortunately, every thing else respecting Prygoteles is left to the unknown, due to the neglect of ancient writers and modern forgers, lack of remains, and so many copies coming out of that same time period. There are several works under the name of Pyrogoteles, but of these the best known have been demonstrated by Winckelmann to be forgeries, and very few of the others have any signs to authenticity due to the mass production of pieces with the name Pyrgoteles on them or just a "P". Despite the large impact that Pyrgoteles’ contributed to Alexander's imagery in the ancient world, we are today unable to identify all that much of his actual output.

The 1917–18 Toronto Hockey Club season was the first season of the new Toronto franchise in the newly organized National Hockey League (NHL). The team was intended as a 'temporary' franchise, operating without an official club nickname (the press would dub them the "Blue Shirts" or "Torontos", and in 1948 the NHL would engrave "Toronto Arenas" on the Stanley Cup as the 1917–18 winner) and without a formal organization separate from the Toronto Arena Company that managed the Arena Gardens. Despite this, the team came together to win the first NHL Championship, competing against existing teams that had transferred directly from the National Hockey Association (NHA). Toronto would go on to win the Stanley Cup by defeating the Pacific Coast Hockey Association champion Vancouver Millionaires – the first Stanley Cup for an NHL team and the second Cup for a Toronto team after the Toronto Blueshirts' victory in the 1913–14 season of the NHA.

After an unknown period of time, Orpheus would join the mercenary and terrorist-controlling group "Peace Mark", and learned the truth behind his birth and his blood connection with Euliya's killer, Oiaguro. Swearing to achieve revenge against his uncle and his four subordinates who attacked the village, Orpheus "retook" the surname of Zevon that he now despised in order to engrave his decision in his heart, and remained within Peace Mark as a terrorist-for-hire that rebels against Britannia, believing that he would surely one day encounter Oiaguro and Pluton again this way. During the Glinda Knights' trip to Tokyo, Orpheus rescued princess Marrybell mel Britannia when she was surrounded by the remnants of Black Knights. After that, under the guise of his twin sister (whom he "stole" her identity by his Geass), Orpheus managed to kill Clara who was posing as "Clara Lamperouge" in Ashford Academy under the Office of Secret Intelligence's order.

Page 2 of The Ghost of Abel (1822); note the writing in the colophon at bottom right. In 1822, Blake completed a short two-page dramatic piece which would prove to be the last of his illuminated manuscripts, entitled The Ghost of Abel A Revelation In the Visions of Jehovah Seen by William Blake. Inscribed in the colophon of this text is "W Blakes Original Stereotype was 1788". It is almost universally agreed amongst Blakean scholars, that the "Original Stereotype" to which he here refers was All Religions are One and/or There is No Natural Religion.See, for example, Bindman (1978: 468), Erdman (1982: 790); Ackroyd (1995: 115) During the 1770s, Blake had come to feel that one of the major problems with reproducing artwork in print was the division of labour by which it was achieved; one person would create a design (the artist), another would engrave it (the engraver), another print it (the printer) and another publish it (the publisher).

In 1853 Stocks was elected an associate engraver of the Royal Academy of Arts, and in 1855 became an associate engraver of the new class, which rendered him eligible for the higher rank of academician, to which he was elected in 1871. About 1859 he engraved for the Art Union of Glasgow "Many Happy Returns of the Day", after Frith, which was followed by a series of plates illustrating "The Dowie Dens of Yarrow", after Sir Joseph Noel Paton, and later by "The Gentle Shepherd", after David Wilkie, and "O Nannie, wilt thou gang wi' me?" after Thomas Faed, for the Association for the Promotion of the Fine Arts in Scotland. In 1865 he engraved for the Art Union of London "Claude Duval," after Frith. In February 1866 it commissioned him to engrave The Meeting of Wellington and Blücher after the Battle of Waterloo, the mural by Daniel Maclise measuring by in the Royal Gallery of the House of Lords.

However, when he saw Catton's work he thought the prints were feeble and the book was considerably overpriced – when "Quadrupeds" was published in 1790 it was "greeted with delight". What Catton had called an "animal of the bear kind" (and what is now known as a sloth bear) made its appearance in Bewick's second, 1791, edition of "Quadrupeds" although it was not named in any way. At the end of the 18th century it was controversial whether this creature was a bear-like sloth or a sloth-like bear and the matter was still worthy of comment in Richard Owen's 1833 Zoological Magazine where Bewick is praised but Catton is given a slightly adverse review: Bewick's engravings in Quadrupeds were not beyond all criticism. Bewick's brother John was dealing with the publishers and wrote to Thomas: To remedy this sorry situation Bewick cut out part of his wood block and inserted a new piece of wood so that he could engrave a tail.

In 1712, Bickham wrote copy books and business texts, as there was a strong link between writing and mathematics instruction (arithmetic and bookkeeping) in the-mid 17th century to early 18th century. Bickham the Elder collected from twenty-five London writing masters in 1733 to create and engrave the penmanship samples forming the Universal Penman, which was reported to be the most important and popular of copy texts used by writing masters to instruct their pupils. Appearing in Bickham's Universal Penman was this poem by writing master Samuel Vaux, dated 1734, conveying, that poor writing was a disgrace to the beauty of the writer: “An artless Scrawl ye blushing Scribler shames; All shou’d be fair that Beauteous Woman frames.” And then this piece, hinting, that calligraphy may have a role in encouraging romance: “Strive to excel, with Ease the Pen will move; And pretty line add Charms to infant Love.” (Monaghan, 2005, p. 281).

The Washington Before Boston Medal was the first medal commissioned by the Continental Congress and, being struck in gold, is the first Congressional Gold Medal. On March 25, 1776, Congress passed a resolution which read: > Resolved, That the thanks of this Congress, in their own name, and in the > name of the thirteen United Colonies, whom they represent, be presented to > His Excellency General Washington, and the officers and soldiers under his > command, for their wise and spirited conduct in the siege and acquisition of > Boston; and that a medal of gold be struck in commemoration of this great > event, and presented to His Excellency; and that a committee of three be > appointed to prepare a letter of thanks and a proper device for the medal. Pierre-Simon-Benjamin Duvivier was commissioned to design and engrave the medal. Creating a medal during the American Revolutionary War was not a priority, and the medal was eventually struck in Paris and presented to Washington on March 21, 1790.

The commandment regarding the crown is found in : > [36] And thou shalt make a plate of pure gold, and engrave upon it, like the > engravings of a signet: HOLY TO THE LORD. [37] And thou shalt put it on a > thread of blue, and it shall be upon the mitre; upon the forefront of the > mitre it shall be. [38] And it shall be upon Aaron's forehead, and Aaron > shall bear the iniquity committed in the holy things, which the children of > Israel shall hallow, even in all their holy gifts; and it shall be always > upon his forehead, that they may be accepted before the LORD. The Tzitz was a small rectangular plate of solid gold, engraved in Hebrew letters with "HOLINESS TO THE LORD," and having holes drilled in each of the four corners through which blue cords were threaded () which held the tiara onto the High Priest's priestly turban.

Smith's central role in the network of patronage of painters in eighteenth-century Venice, in which he created a market in the taste for vedute, was as the prime facilitator of purchases made by the British aristocrats passing through on the Grand Tour. As the agent for Canaletto for several years circa 1729–35, he virtually controlled the artist's output, to the benefit of both; it was Smith who arranged for Visentini to engrave thirty-eight of Canaletto's views in 1730,Issued with a title page Urbis Venetiarum Celebriores and the date 1736 but under way in 1730, as F.J.B. Watson showed, "Notes on Canaletto and His Engravers-II" The Burlington Magazine 92 No. 573 (December 1950:351–354) p. 351. and Smith who encouraged the artist to make his successful trip to London in 1746. Smith himself was a passionate collector of contemporary Venetian painting and drawings, of etchings and engravings.

Pages 990–997. In all ages it has been customary to engrave on stone or metal, or other durable material, with the view of securing the permanency of the record; and accordingly, in the very commencement of the national history of Israel, it is read of the two tables of the law written in stone, and of a subsequent writing of the law on stone. In the latter case there is this peculiarity, that plaster (sic, lime or gypsum) was used along with stone, a combination of materials which is illustrated by comparison of the practice of the Egyptian engravers, who, having first carefully smoothed the stone, filled up the faulty places with gypsum or cement, in order to obtain a perfectly uniform surface on which to execute their engravings. Metals, such as stamped coins, are mentioned as a material of writing; they include lead,though whether to writing on lead, or filling up the hollow of the letters with lead, is not certain.

This end was soon accomplished, for the engraver Darcis, who had seen a Head of a Magdalen, which Desnoyers engraved on tin when scarcely ten years old, took him under his care, and employed him on the outlines of the plates after Carle Vernet, on which he was then engaged. In 1796 an engraving in the dotted style of a Young Bacchante, from a drawing by Grevedon, met with a success far beyond the hopes of the young artist. He next produced a number of small subjects of similar character, which were well received, and at the Salon of 1799 he exhibited his engraving of Venus disarming Cupid, after Robert Lefèvre, which won a prize of 2000 francs. In this year he entered the studio of Alexandre Tardieu, where he made some studies in etching and line engraving; but an engagement to engrave Hilaire Ledru's Pénibles Adieux did not allow him to remain for any great length of time.

Of the first coins decided to be acted upon was the Keneta—a copper coin valued at one cent of a U.S. dollar. As the Hawaiian Treasury was in shortage of funds during this period, the copper cent was seen as an initial "affordable" issue to be followed by other denominations at a later date. James Jackson Jarves, acting as agent for the Hawaiian Government, placed an order for 100,000 of these coins in 1846. He contracted Edward Hulseman—best known for his 1837 Half Cent token—to design and engrave the coin. It is not known precisely where the pieces were minted – although Walter Breen in Complete Encyclopedia of U.S. and Colonial Coins asserts that they were produced at the private mint of H. M. & E. I. Richards of Attleboro, Massachusetts; regardless, Jarves was given a note dated January 14, 1847 in the amount of $869.56 by the Minister of Finance as payment for the order. On 3 May 1847 the merchant ship Montreal arrived in Honolulu after sailing from Boston via Rio de Janeiro, Cape Horn and Tahiti.

With the upheaval of the French Revolution he returned to London. Bessemer acted as a punchcutter, an engraver of metal type, first for type foundries on the continent, then on returning to England for Henry Caslon (who was Henry Bessemer's godfather) and later for his own type foundry; according to Jeans his clients on the continent included the firm of Firmin Didot, and he also sold a font to the Enschedé foundry in 1795. In the course of his work for Caslon he testified by letter to the London Society of Arts in May 1818 on the topic of new anti- forgery precautions on banknotes, and this provides testimony on his work rate for the specific case of cutting 4pt punches: "the time required to engrave a diamond lower case alphabet and doubles, consisting of 33 punches, would be about six weeks, and that the same time would be required for a set of capitals of 28 punches." Caslon testified that "at present there are only four or five persons in England who can execute diamond [4pt] type".

The acid would then be poured off, leaving the design incised on the plate. The engraver would then engrave the plate's entire surface with in a web of crosshatched lines, before pouring the ink onto the plate and transferring it to the printing press.Viscomi (2003: 37) Frustrated with this method, Blake seems to have begun thinking about a new method of publishing at least as early as 1784, as in that year a rough description of what would become relief etching appears in his unpublished satire, An Island in the Moon. Around the same time, George Cumberland had been experimenting with a method to allow him to reproduce handwriting via an etched plate, and Blake incorporated Cumberland's method into his own relief etching; treating the text as handwritten script rather than mechanical letterpress, and thus allowing him to make it a component of the image.Bindman (1978: 13) Blake's great innovation in relief etching was to print from the relief, or raised, parts of the plate rather than the intaglio, or incised, parts.

Lami, in his Novelle Letterarie di Firenze (1747), first makes this identification, based on a representation of the Order's symbol that he saw "on the campanile of the conventual church of the Knights (Cavalieri) at Altopascio". He adds that he "had the famous Cristofano Martini make a drawing from the original and engrave it on copper". Lami's final description of the symbol as he observed it in the campanile (which he dated to 1056) goes: "the true symbol (vera segna) of the brethren of that hospice, that is, as it were a Tau with a pointed upright shaft and two transverse arms like the two arms of a Maltese cross", quoted in Emerton, 8. The aforementioned edict of Frederick II contains one obligation placed on the order: > It is our will and command that the hospice and its brethren build and > maintain upon the public pilgrim's highway near Ficeclum on the White Arno, > at the most convenient point, a bridge for the service of travellers, and > this without let or hindrance from any person whomsoever.

The CST oversees the Scientology scriptural archiving project, which aims to preserve the works of Hubbard on stainless steel tablets and encased in titanium capsules in specially constructed vaults throughout the world. Copies of Hubbard's works go through a rigorous process, beginning with the removal of deterioration- causing acid from the paper, and then being placed in plastic envelopes. They are then placed in the titanium "time capsules." The writings are also carved into stainless steel plates, which, according to Church of Scientology officials, can withstand being sprayed with salt water for a thousand years. Hubbard’s taped lectures are recorded again into gold compact discs encased in glass. The Church places prime value to Hubbard’s volumes of works and because of this has instituted the CST to “engrave the entire corpus of Hubbard’s original texts on steel plates.” The most famous example is the Trementina Base, an underground vault built into a mountainside near Trementina, New Mexico. It is marked by a CST logo visible only from a high altitude and was built in the late 1980s.

The engraved names of the 2000–01 Stanley Cup champion Colorado Avalanche This article lists a chronology of Stanley Cup engravings. A unique feature of the Stanley Cup is that, with few exceptions in the past, it is the only trophy in professional sports that has the name of the winning players, coaches, management, and club staff engraved on it, but this has not always been the case as some teams did not engrave their names on the Cup for unknown reasons (which was rectified with a redesign of the Cup in 1948). When he first donated the Cup in 1892, one of Lord Stanley of Preston's original conditions was that each team could, at their own expense, add a ring on the Cup to commemorate their Cup victory (the first year being an exception). Lord Stanley's original trophy was simply a silver bowl minted with the words "Dominion Hockey Challenge Cup" on one side of the outside rim, and "From Stanley of Preston" with his family's coat of arms on the other side.

Only a month after Trafalgar, on 22 November, a press advert by the publisher Josiah Boydell announced he would give a prize of 500 guineas for the best "Death of Nelson" painting, which he would then engrave. Devis and Benjamin West were the two most notable entrants. Devis was released from debtors' prison to produce such a painting, in order to pay off his debts, and – possibly with the help of Alexander Davison (Nelson's banker and one of Devis's patrons) – was allowed to spend a week on board off Portsmouth after her return from Trafalgar.Devis's Death of Nelson at the National Maritime Museum There he made sketches, a model of the place Nelson died, notes and studies for the individual portrait heads (including a sketch of Nelson's body and the bullet that had killed him, during the autopsy on 11 December by Dr William Beatty, the ship's surgeon, as the ship sailed from Portsmouth to the Nore for Nelson's lying-in-state), as well as a separate portrait of Dr Beatty.

The Mangin–Goerck Plan of 1801; the "warning label" can be seen at the bottom under "Plan of the City of New York" In 1797, the Council commissioned Goerck and Joseph-François Mangin, another city surveyor, to survey Manhattan's streets; Goerck and Mangin had each submitted individual proposals to the Council, but then decided to team up. Goerck died of yellow fever during the course of the project, but Mangin completed it and delivered the draft of the Mangin–Goerck Plan to the Council in 1799 for correction of street names; the final engraved versionmade by engraver Peter Maverick, who would also go on to engrave the published map of the Commissioners' Planwould be presented to the Council in 1803. However, Mangin had gone well beyond the terms of his commission, and the map not only showed the existing streets of the city, as instructed, but was also, in Mangin's words, "the Plan of the City ... such as it is to be..." In other words, the Mangin–Goerck Plan was a guide to where and how Mangin believed future streets should be laid out. It called for enlarging the tip of the island and using landfill to regularize its waterfront.