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802 Sentences With "satiric"

How to use satiric in a sentence? Find typical usage patterns (collocations)/phrases/context for "satiric" and check conjugation/comparative form for "satiric". Mastering all the usages of "satiric" from sentence examples published by news publications.

Sometimes these shifts serve a joke or a satiric point.
The effect isn't satiric, campy, funny, ironic or even cynical.
Unlike many of its heavily-researched satiric competitors, Who Is America?
To what kinds of satiric art will the Trump era give rise?
To her credit, Nilsson has brought that satiric, sympathetic possibility forward to the present.
Despite its scale and conformity wit Nihonga principles, Murakami made "Color 22011" with satiric intent.
The objects are playful, satiric, and materially engrossing, but their cumulative effect is undeniably ominous.
Other than their satiric dimensions and vivid imagery, why is she spinning these fantastical webs?
Perhaps his favorite satiric tool is as old as the art form itself –the impression.
MTA Country, a new satiric game from Everyday Arcade lets players navigate the crumbling transit system.
One night during our visit, we gathered around the television and watched satiric sketches from Syria.
She also recorded an album, "Songs I Taught My Mother: Silly, Sinful & Satiric Selections," in 225.
The idea of an Aquaman movie was satiric, and somewhat ridiculous — that was then, this is now!
The five extraordinary paintings that comprise Alissa McKendrick's Resentment combine a revitalized figuration with a satiric sensibility.
I think the works are meant to resemble billboards, like giant satiric advertisements for the British way of life.
Is there not one brilliant, satiric mind out there capable of crafting a single reasonable joke about Tim Apple?
There was often dancing, an exchange of jokes, singing, speeches and slapstick musical skits or satiric interpretations of popular plays.
These productions will make the satiric HBO show Silicon Valley look like a tourist bureau advertorial for its eponymous location.
With a satiric song and goofy video games, Russians openly joked about their team and its coach ahead of the tournament.
Rachel Bowen and Rowyn Hirsch organized a satiric candlelight vigil held in the grocery's parking lot a day before it closed.
In Carroll, the other side of the Victorian looking glass shows us a hallucinatory and satiric version of the normal side.
As happened when he adopted the principles of Nihonga for satiric purposes, through his intended critique, Murakami had actually legitimized his target.
Kenney (Will Forte) is introduced as a Harvard student, cutting up at its satiric magazine with his buddy Henry Beard (Domhnall Gleeson).
His best art stands with that of his contemporaries who also mounted indignant, despairing, and sometimes satiric assaults against an indifferent nation.
After the incident, Lyon also publicly announced that he was deleting the rest of the satiric tweets in question and clarifying them.
It looks like just the kind of fast-turn-around 3D animation software HBO and Stewart would have needed to power daily, satiric news animations.
If I were to say that they are bizarre, curious, satiric, self-mocking, nutty, charming, delightful, dissonant and grating, I still wouldn't be doing them justice.
The novel's satiric impulse—toward art-world hypocrisy, late capitalism, heterosexual love—is unsparing and ambitious, but undermines its attempt at poignancy in the central sibling relationship.
The score for her opera also ranges more widely in style, incorporating satiric-sounding fanfares more indebted to Weimar-era zeitoper than to Mr. Lynch's American surrealism.
On April 1, Alan Abel will discuss a half-century of hoaxes and satiric scams he's pulled off, from prank political campaigns to faking his own death.
"[T]he rapper developed his online fanbase (and his fluency in the quick, satiric language of the internet) by curating memes on Twitter," Time said about Lil Nas.
The difference is that you can be humorous or satiric out of intelligent purpose, while a gift for comedy is, like a gift for melody, something you're born with.
The five extraordinary paintings that comprise Resentment combine a revitalized figuration with a satiric sensibility McKendrick shares with several women artists who have emerged over the past 20 years.
"Maybe the folks in the Department of Corrections mailroom are devout bass fishermen, and they feel insulted by the satiric tone of the novel," Mr. Hiaasen said in an email.
In contrast to the elaborate po-mo agonies of Jacobson and the neat undermining charm of Tyler, Margaret Atwood's "Hag-Seed" lays out a satiric account of contemporary plays and players.
Marti Noxon — of Buffy the Vampire Slayer, Girlfriends' Guide to Divorce, and the movie To the Bone — adapts Sarai Walker's 2015 satiric novel of the same name into a 10-episode series.
Without further ado:  + Celebrate President's Day the right way with 50 minutes of satiric political catharsis: Johnny Depp plays Donald Trump in Funny or Die's The Art of the Deal: The Movie.
The male actors here — who also include Tom Aulino as a mysterious 130-year old man whose own anger has not been withered by age — offer an entertaining gallery of satiric portraits.
In this satiric comedy-drama directed by Jodie Foster – it's her fifth feature film – George Clooney plays Lee Gates, a Wall Street prophet of profit who hosts a Jim Cramer-like cable show.
Mr. White could easily have loaded the satiric dice, emphasizing Brad's Gen-X self-absorption or Ananya's millennial self-righteousness, but he suspends judgment, leaving the viewer hanging in an exquisitely uncomfortable limbo.
"At least some white supremacists seem to have abandoned the ironic or satiric intent behind the original trolling campaign and used the symbol as a sincere expression of white supremacy," the ADL said.
Best Comedy: Atlanta (FX) Probably the best-reviewed comedy of the past year, Donald Glover's series about a Princeton dropout edging into a rap career was an inventive, satiric look at African-American life.
The line is credited to Terry Southern, who won literary notoriety for such satiric novels as "The Magic Christian" and "Candy," but whose "War Room" joke, I bet, is remembered by many more people.
And in the opening sequence, in which an assemblage of folks at a diner must reckon with an alien in their midst, one wonders whether the play will push the self-satiric too far.
His work, often very funny in a Nordic way, is essentially satiric—one of his sci-fi novels won the Philip K. Dick prize—and his book "Bónus Poetry" involves dry conceptual jokes about consumerism.
At times, his intent seems satiric: The sleepwalking people of Turin do inevitably evoke memories of the not so distant Fascist era of Italian history, and the library feels like a metaphor for modern urban loneliness.
For one thing, the art that the latter-day George produces, a light installation called a chromolume, has usually been rendered in terms that feel satiric and cheesy, and certainly unworthy of any heir to Seurat.
"At least some white supremacists seem to have abandoned the ironic or satiric intent behind the original trolling campaign and used the symbol as a sincere expression of white supremacy," the ADL posted in its report.
We've moved beyond the punk rock era when it was in vogue to name your band after the act of self-harm (see Suicide Machines and Suicidal Tendencies) and films like Heathers that made suicide satiric folly.
Brixton's Goat Girl takes its name in tribute to Bill Hicks—a play on the late comedian's lecherous alter ego, the questionable, satiric id that is "Goat Boy" ("Goat Boy loves young girls...16 years old...ooh").
" But the league added that, "By 2019, at least some white supremacists seem to have abandoned the ironic or satiric intent behind the original trolling campaign and used the symbol as a sincere expression of white supremacy.
So far, so right, you might think, were it not for the insistence on proclamation over conversation, and for language so overripe — the saliva imagery is a doozy — that the entire thing verges on the self-satiric.
Nowadays, that event's just a sort of amorphous pub crawl, but I was an organizer with the group that created that event, the Cacophony Society, and in its original form, Santacon was more pointedly and theatrically satiric.
This is the guy, after all, who coined "The Stirewalt Rule" after adopting our satiric suggestion that we enforce a proposed religious test for entry into the United States by demanding that visitors first eat a bacon sandwich.
Yet within the subterranean space, where Pope pondered his Iliad translation and his own satiric verse, there's still the mineral smell and texture that evokes this 18th-century retreat, a rare tangible expression from the author's personal life.
In the process, director Steven Soderbergh mostly squanders a cast toplined by Meryl Streep, in a Netflix film that plays like a darkly satiric connection of vignettes that lost something -- mostly, a coherent narrative -- in the rinse cycle.
Though he has come up with some affecting character-defining choreography for Charity, should-be showstoppers like "Hey, Big Spender" (the dance hall girls' weary come-on number) and "The Rhythm of Life" (about a trendy religious cult) lack satiric oomph.
Her drawings, especially the 10-foot-wide "The MET" (2014) and seven-and-a-half-foot-wide "The MET #2" (2016), fall on the more satiric end of the crowd comedy spectrum that culminates in the symphonic pandemonium of Where's Waldo?
Incredulous on this score, some observers at the time took refuge in calling him Neo-Dada, but there's an Atlantic Ocean's worth of distance between his work, which is dead serious even when playful, and, say, the satiric displacements of common objects by Marcel Duchamp.
Other confirmed exhibitions include a retrospective of the wildly expressive Swiss video artist Pipilotti Rist opening in spring 2020 and a show of the often-satiric drawings, paintings and animations of Tala Madani, a Los Angeles-based artist born in Tehran, opening that fall.
Shortly thereafter, a Brooklyn brownstone Manafort bought in January 22013 — through two Cyprus-based accounts for a total of $231 million, according to court documents — was granted satiric landmark status, complete with a faux plaque affixed to its fence at 2900 Union Street in Carroll Gardens.
Finally — after 22015 years of beating around the bush — I come up with something which is — all right, maybe a little on the nose, maybe a little frank, maybe a little satiric at times — but still clearly infused with warmth, respect and an abiding affection, and what happens?
Instead, the new series is taking a satiric, over-the-top look at the post-phenom existences of the stars some 30 years later -- a notion concocted by Garth and her original series co-star and real-life bestie Tori Spelling, who serve as executive producers as well as performers.
Over the years, however, as tech has ballooned into one of the most powerful industries on the planet and society has taken a more adversarial stance against it, the show's more lighthearted and satiric approach has struggled to keep up with the darker and impossibly fast-moving reality of the real deal.
Jim HimesJames (Jim) Andres HimesRising star Ratcliffe faces battle to become Trump's intel chief Democrats express private disappointment with Mueller testimony Live coverage: Mueller testifies before Congress MORE (D-Conn.) cautioned that the government will have to avoid over-reaching when it comes to policing deepfake videos, warning parody or satiric videos should not be censored.
"The Daily Show" host Trevor Noah mocked President TrumpDonald John TrumpTrump pushes back on recent polling data, says internal numbers are 'strongest we've had so far' Illinois state lawmaker apologizes for photos depicting mock assassination of Trump Scaramucci assembling team of former Cabinet members to speak out against Trump MORE's proposed military "Space Force," airing a satiric "recruitment ad" on his show.
About halfway through "Broken River" — or maybe, if you're sharp, earlier than that — you begin to suspect that the Observer is a sort of self-satiric version of the author, a device to provide a running commentary on Lennon's own ambivalent relationship to plot: his glee in creating it, his misgivings about the ordeals he has to put his characters through.
Veep is hilarious, but doesn't have the pitch-black satiric bite of its British predecessor, The Thick of It.Meanwhile, Silicon Valley conceived of a caustic fake ad that mocked tech companies' grotesque self-importance and their vague-but-emotional PR pitches with devastating accuracy—and after the writers came up with it, Uber came out with a real ad that was basically the same thing.
It also shows off the 33-year-old Mr. Wallace as one of the big talents of his generation, a writer of virtuosic talents who can seemingly do anything, someone who can write funny, write sad, write serious, write satiric, a writer who's equally adept at the Pynchonesque epic and the Nicolson Bakeresque minute, a pushing-the-envelope postmodernist who's also able to create flesh-and-blood characters and genuinely moving scenes.
" The same driver also emailed Business Insider a snarky, satiric corporate statement: "A representative for the Los Angeles-based Southern California Rideshare Drivers Association said, 'Although drivers make very little money sitting in the drive through line, and many feel that Lyft and Taco Bell are encouraging riders to take advantage of the awkward situation this puts drivers in, the upside is this provides a great new revenue stream source for the drivers in the form of cleaning fees.
On the whole, rakes may be subdivided into the penitent and persistent ones, the first being reformed by the heroine, the latter pursuing their immoral conduct.David S. Berkeley, "The Penitent Rake in Restoration Comedy", Modern Philology, 49 (1952), pp. 223–33 Libertinistic attitudes, such as (sexual) licentiousness, alcoholism, vagabonding, cheating and gambling, can be discerned in characters belonging to the satiric norm as well as to the satiric scene. However, only the degree of wit brings the rakish gentleman, the Truewit, closer to the satiric norm, whereas Falsewits are always exploded in the satiric scene.
Robert Chesley Osborn (1904–1994) was an American satiric cartoonist, illustrator and author.
It has also been used for satiric and/or comedic effect in books and films.
The best of his pieces, such as Las Tertulias de Madrid, are specimens of satiric observation.
Picture This is a 1988 novel from Joseph Heller, the satiric author of the acclaimed Catch-22.
Eros e Priapo: da furore a cenere is a 1945 satiric pamphlet by Italian author Carlo Emilio Gadda.
The Black and White Singaporean House is referred to in Kevin Kwan's 2013 satiric novel "Crazy Rich Asians".
The Masks of Time has been described as an ironic and satiric treatment of the theme of salvation.
S.J. Perelman's essay "Somewhere a Roscoe..." contains excerpts from several of the Dan Turner stories, with Perelman's satiric comments.
Dalvi wrote fiction, plays, and screenplays for Marathi and Hindi movies. Cartoonist Vasant Sarwate often illustrated Dalvi's satiric writings.
A specific form of humour is chastushkas, songs composed of four-line rhymes, usually of lewd, humoristic, or satiric content.
Martin's Press, 2015). Lake Memphremagog was the setting for the climactic scene in Kenneth Butler's satiric novel Holy Fool (TouchPoint Press, 2015).
Maraya () is a well known satiric multi-season Syrian television series, created by the comedian Yasser al-Azmeh, starting from 1982 to 2013.
Antonio Reina Palazón, El Costumbrismo en la Pintura Sevillana del Siglo XIX, Biblioteca Virtual Miguel Cervantes. Accessed online 2010-01-22. It is often satiric and even moralizing, but unlike mainstream realism does not usually offer or even imply any particular analysis of the society it depicts. When not satiric, its approach to quaint folkloric detail often has a romanticizing aspect.
The police believe that a handsome marquis is writing satiric letters about the government. They hire a beautiful young woman to prove the case.
30 i 45. After the war he became a noted translator of literature, mostly Russian. He collaborated with satiric journals Szpilki, Przekrój and Cyrulik Warszawski.
The Young Fritz () is a 1943 Soviet short film directed by Grigori Kozintsev and Leonid Trauberg based on a short satiric poem by Samuil Marshak.
295x295px Mason Kass Hoffenberg (December 1922 - 1 June 1986) was an American writer best known for having written the satiric novel Candy in collaboration with Terry Southern.
Platt also suggested that director James L. Brooks meet artist and illustrator Matt Groening. Their subsequent meeting eventually resulted in the satiric animated television series, The Simpsons.
The Life and Death of the Late Jonathan Wild, the Great is a satiric novel by Henry Fielding. It was published in 1743 in Fielding's Miscellanies, third volume. It is a satiric account of the life of London underworld boss Jonathan Wild (1682–1725). It is an experiment in the various narrative genres that were popular at the time: serious history, criminal biography, political satire, and picaresque novel.
Between 1822 and 1823 he finished a set of fifty-two prints for the a satiric poem called Il Meo Patacca. He died poor on April 1, 1835.
The first, Fun Fair Jalalabad, was shown in 2017, a second, Bring in the Clowns, a satiric drama attacking opponents of gun control in the USA, in 2018.
This series provided a summary of news items and features for a secondary school youth audience. Puppetry by Noreen Young was included on some segments for satiric sketches.
The satiric elements of ballad opera can be seen in some modern musicals such as Chicago and Cabaret.L. Lehrman, Marc Blitzstein: A Bio-bibliography (Greenwood, 2005), p. 568.
In 2011, Gold was named a Givenik Ambassador. In 2015, she appeared Off-Broadway as Eleanor Roosevelt in the satiric musical Clinton: The Musical at New World Stages.
Tragedy has also been associated with status conflict and comedy with mate selection. The satiric dystopian novel has been explained by contrasting universal human needs and oppressive state organization.
Retrieved July 17, 2015. "Kurt Vonnegut: American author who combined satiric social commentary with surrealist and science fictional elements" . Science Fiction and Fantasy Hall of Fame. EMP Museum (empmuseum.org).
Mearls is an alumnus of Dartmouth College. While at Dartmouth he was a member of Sigma Nu fraternity, and became known for a satiric letter to the campus paper.
He won the 1941 Pulitzer Prize for Poetry for his satiric poems Sunderland Capture. He was elected a Fellow of the American Academy of Arts and Sciences in 1942.
Val Mayerik (born March 29, 1950) is an American comic-book and commercial artist, best known as co-creator of the satiric character Howard the Duck for Marvel Comics.
Kaufman earned the Writers Guild and Directors Guild nomination for his satiric adaptation of the astronaut program. "It may be the last movie of the heroic 1970s," writes Thomson.
Honi has a strong history of irreverence, often printing humorous and satiric stories alongside traditional journalistic pieces. This has in turn inspired breakaway satiric publications Oz magazine and The Chaser. It has become tradition for the final pages of the paper to be presented as a satirical newspaper, most frequently going by the name of The Garter Press, a play on the Order of the Garter from which Honi Soit derives its name.
Roger Ebert gave the film three and a half stars and also praised Aniston's performance, and saying The Good Girl is an "independent film of satiric fire and emotional turmoil".
TV Guide Canada, March 8, 2013. The Best Laid Plans, which debuted in January 2014.Bill Brioux, "‘Best Laid Plans’ turns satiric focus on politics". Toronto Star, January 4, 2014.
He is the host of A Bit High, a weekly culture show on channel 10 in Israel. He also writes a weekly satiric column for Israel Today, Israel's most popular newspaper.
The Nakhchivan Literature Museum () is a museum, research center and educational institution in Nakhchivan, Azerbaijan. The Nakhchivan Literature Museum is named after the Azerbaijani journalist, educator and satiric writer Jalil Mammadguluzadeh.
"American Works for Piano Duo." Chicago Tribune. exemplified by his satiric take on language instruction, the aforementioned Berlitz: Introduction to French, and Foxtrot, a fanciful tribute to bygone popular musical genres.
A satiric misspelling is an intentional misspelling of a word, phrase or name for a rhetorical purpose. This is often done by replacing a letter with another letter (for example, in English, k replacing c), or symbol (for example, in languages using the Latin character set, $ replacing s, or 🅱️ replacing b). Satiric misspelling is found widely today in informal writing on the Internet, but can also be found in some serious political writing that opposes the status quo.
He was also one of the main participants in the satiric radio program Hallo i uken in NRK P2 until the summer of 2009, together with Espen Beranek Holm and Else Michelet.
However, she argued that there was no evidence of a close copying of forms and thematic of Menippus' satires by Lucian. Her work supports Lucian's claim of originating his form of satiric dialog.
Siddiqui also founded a satiric comedic acoustic eclectic folk fusion band in college called The Muslim Cowboys and performed with them at Islamic events throughout the country.Jamat , a British website covering Muslim community news.
In 2012, he had a small role in The Dictator. In 2019 he has a Netflix series, Huge in France, exposing him to a wider American audience. The satiric series includes a cameo by Jerry Seinfeld.
Adams, pp. 85–89. Although women's genitals appear often in invective and satiric verse as objects of disgust, they are rarely referred to in Latin love elegy.Richlin (1983), pp. xvi, 26, 68–69, 109, 276 et passim.
La paz del sendero (The Peace of the Path) (1903), El sendero innumerable (1916), and El sendero andante (1921), his major poetic works, show the influence of French symbolism. He also wrote satiric essays and dramatic criticism.
It is important to keep this fact in mind when studying the different works which Anglo-Norman literature has left us. We will examine these works briefly, grouping them into narrative, didactic, hagiographic, lyric, satiric and dramatic literature.
"Auteuil, Neuilly, Passy (rap BCBG)" is a song recorded by the satiric group Les Inconnus in 1991. Released as a single from their album Bouleversifiant, it achieved great success in France, reaching number one on the national singles chart.
Vsyakaya vsyachina ridiculed the morals and manners of the Russian gentry and protected moderate moralizing satire. At the same time, the magazine came out against oppositionary moods in the society, primarily attacking progressive satiric magazines published by Nikolay Novikov.
The storyline is set in a military unit during the socialist era. The simple intrigue showed shooting a civilist for guard's service. A starting point of this satiric comedy depicts people's army as totally absurd "machine" destroying people's characters.
Dulcinea signed choreographies in over twenty musical comedy and television productions. Her diversified talent, her socio-satiric sense and her inspiration garnered her the honor of being named Personality of the year by the Montreal daily, La Presse, in 1990.
While there, he discovered that he had an ability to draw caricatures. Since 1991 he works for El Jueves, perhaps Spain's most important satiric magazine. He has contributed to other publications like El Periódico de Catalunya or the Catalan newspaper Avui.
Dios Ke Te Crew (a satiric misspelling of the Galician phrase "Deus que te criou!") is a Rap music group formed in 2003 in Ordes, Galiza. Its members are DJ Murdock, Sokram, Mou and Jamas. Their songs are performed Galician language.
"Mack Reynolds." The Encyclopedia of Science Fiction, 3d edition (online). Ed. John Clute, David Langford, and Peter Nicholls. 2012. Web. His work focused on socioeconomic speculation, usually expressed in thought-provoking explorations of utopian societies from a radical, sometime satiric perspective.
"Light-arted operatic fare a la Carte – Opera". The Sunday Times, 7 April 1991 Most of the critics shared the public's disapproval of the production. The Times wrote, "The satiric point disappears in meretricious ado and humourless humour".Nightingale, Benedict.
The juxtaposition of the lofty style with unexpected nouns such as 'dullness' provides an ironic contrast and makes the satiric point by the obvious disparity. In this, it works at the verbal level, with the language being carried by compelling rhythm and rhyme.
The first congress of Azerbaijani artists was held in 1940. Generally, political placards and satiric caricatures were made during World War II. Well-known artists as H.Khaligov, I.Akhundov, A.Hajiyev and S.Sharifzade were authors of such politic placards. For You, Humanity! by Tahir Salahov.
Pop-Up Video first aired on VH1 in October 1996.Greist, Stephanie Eliando. "Firing on Music Videos With a Satiric Pop Gun" New York Times, August 6, 1997. It inserted bubbles containing trivia and snarky behind-the-scenes commentary into existing music videos.
Lollu Sabha Swaminathan (born January 31, 1959) an Indian actor and comedian on working in the Tamil film and media industry. He appeared in prominent roles in Vijay TV's satiric series Lollu Sabha before becoming a full fledged actor in Tamil films.
Cover of The Hot Soldier and Other Stories. The Hot Soldier (Der heiße Soldat) is a satiric short story written in 1903 by Austrian author, storyteller, and dramatist Gustav Meyrink, as well as the title of the collection in which it appears.
Since then, he has written extensively for television and radio, including the CBC Radio series Afghanada and the television series Bloodletting & Miraculous Cures and The Best Laid Plans.Bill Brioux, "‘Best Laid Plans’ turns satiric focus on politics". Toronto Star, January 4, 2014.
Georges Feydeau, most active between 1890 and 1920, often produced up to the 21st century, is a boulevard theatre playwright whose satiric plays often take aim at adulterers and libertines in a manner not generally seen in British theatre of the same era.
In June 2005, she was named managing editor of satiric humor magazine CRACKED. In January 2007, she became managing editor of the Atlanta, Georgia-based Web site at SuperDeluxe.com, Turner Broadcasting's online comedy network. Tsarfin was iHeartMedia's Digital Content Director from 2010-2014.
In its choice of satiric targets, The PTC was often ahead of its time. Later that season, a premiere of the dark comedy Stunning Achievements in Iowa by Mark D. Kaufman was a critical success, earning the group its first of many Joseph Jefferson awards.
As such, Go Fetch! was heavily criticized by many of the magazine's loyal readers as a betrayal of the magazine's original satiric mission. In its year of existence, Go Fetch! appeared in eight of 12 issues, but the feature has been defunct since June 2006.
Kaarlo Uskela (4 March 1878 - 19 April 1922)Uskela, Kaarlo Finnish Literature Society. Retrieved 21 September 2015. was a Finnish satiric author, poet and anarchist. Uskela is best known of his 1921 anthology Pillastunut runohepo which was banned in 1933, eleven years after Uskela's death.
259 online. Lucan dramatizes the couple's fateful romance to an extreme in his often satiric epic Bellum Civile, where throughout Book 5 Cornelia becomes emblematic of the Late Republic itself, of its greatness and ruin by its most talented men.Susan Treggiari, Roman Marriage p. 477.
Ali Salem, also transliterated Ali Salim, (, ; 24 February 1936 - 22 September 2015) was an Egyptian playwright, author, and political commentator known for controversially endorsing cooperation with Israel. The Los Angeles Times once described him as "a big, loud man known for his satiric wit".
Hidden World is a satiric science fiction novel by American writer Stanton A. Coblentz. It was originally published as a magazine serial in Wonder Stories (Mar, Apr, May 1935) as In Caverns Below. It was first published in book form in 1957 by Avalon Books.
Apart from its victories, Israel's entries have had a mixed reception at the contest. Avi Toledano (1982) and Ofra Haza (1983) scored well with big revivalist numbers, but the all-singing, all-dancing style became less popular later in the decade and Israel's 1986 entry, Yavo Yom by Moti Giladi & Sarai Tzuriel, came in 19th, the country's worst showing yet. In 1987 Israel finished 8th with Shir Habatlanim by the satiric duo Lazy Bums. Due to its satiric nature, it prompted then Israeli Minister of Culture, Yitzhak Navon, to threaten to resign, if the song went on to represent Israel on the night of the contest.
This comic satire of self-help style guides manipulates traditional British conventions for the gamester, all life being a game, who understands that if you're not one-up, you're one-down. Potter's unprincipled principles apply to almost any possession, experience or situation, deriving maximum undeserved rewards and discomfitting the opposition. The 1960 film School for Scoundrels and its 2006 remake were satiric portrayals of how to use Potter's ideas. In that context, the term refers to a satiric course in the gambits required for the systematic and conscious practice of "creative intimidation", making one's associates feel inferior and thereby gaining the status of being "one-up" on them.
Subcommittee is a sculpture by Tony Cragg. Constructed of mild steel in 1991, in an edition of 4, it will rust with the passage of time. The rack of stamps serves as a satiric commentary on committees. It is in the Hirshhorn Museum and Sculpture Garden.
Theater in Pompeii Gnaeus Naevius (; c. 270 – c. 201 BC) was a Roman epic poet and dramatist of the Old Latin period. He had a notable literary career at Rome until his satiric comments delivered in comedy angered the Metellus family, one of whom was consul.
Ainger, pp. 211–215 Two casts rehearsed simultaneously, as the opera was to open on the same night in London and New York City, a historic first for any play.Bradley, p. 357 Gilbert had targeted the aristocracy and political officials for satiric treatment in earlier works.
Dillinger Is Dead () is a 1969 Italian drama directed by Marco Ferreri. It stars Michel Piccoli, Anita Pallenberg and Annie Girardot. The story is a darkly satiric blend of fantasy and reality. It follows a bored, alienated man over the course of one night in his home.
Die Welt des Orients 10. 1-5. Anti-proverbs have also been defined as "an allusive distortion, parody, misapplication, or unexpected contextualization of a recognized proverb, usually for comic or satiric effect".p. xi, Charles Clay Doyle, Wolfgang Mieder, & Fred Shapiro. The Dictionary of Modern Proverbs.
Robert David Sullivan of The A.V. Club gave the episode a C+, commenting that the Homer-Grampa subplot was "another thin story with little satiric spark, and we don’t even get much of Grampa Simpson in cranky-old-man insanity" and the Lisa subplot as "especially inconsequential".
George Edward Kelly (January 16, 1887 – June 18, 1974) was an American playwright, screenwriter, director, and actor. He began his career in vaudeville as an actor and sketch writer. He became best known for his satiric comedies, including The Torch-Bearers (1922) and The Show-Off (1924).
Reception was mixed to negative, with critics agreeing that it did not live up to the source material. Entertainment Weekly said it "drags down Nabokov's blackly satiric vision, set in atomic-age suburban America, to the level of a cynical 1990s teen sex comedy".Charles Winecoff. "Lo's Diary".
Curator Renny Pritikin describes the sketchbooks as "highly skilled and frequently wildly satiric" volumes full of "visual morsels devoured during her frequent trips to European museums"; Artweek suggested that they offer less filtered and processed forms of her "relentless pursuit" of old-master draftsmanship, painting techniques and pictorial challenges.
"Freedomland Off-Broadway" lortel.org, accessed January 1, 2016 The "darkly satiric comedy" premiered at the South Coast Repertory, Costa Mesa, California, in November 1997. The title is based on the "name of a Wild West theme park in the Bronx, where Freed grew up."Simonson, Robert and Lefkowitz, David.
Probing them with a politically incorrect sensibility, she compiled taxonomies of highly gendered images that offered fresh readings and satiric, sometimes disturbing commentary on roleplay, stereotypes, misinformation and "masculine" art.McCracken, David. "3 Artists Take Collage on a Joyride of Perspectives," Chicago Tribune, April 16, 1993.Mount Vernon Democrat.
Brent McKnight of PopMatters wrote that the film "is a careful synthesis of genres, steeped in horror, with a satiric bite, and action and thriller traits thrown in just for the hell of it", calling it "easily one of the director's most original, deranged, and off the wall films".
Anti-clericalism was a familiar feature of late medieval Europe, producing its own strain of satiric literature that was aimed at a literate middle class.For background on Chaucer's Pardoner and other Chaucerian anticlerical satire, see John Peter, Complaint and Satire in Early English Literature. (Oxford: Clarendon Press), 1956.
Though an ardent Lubavich Chassid he was well versed in Haskalah (enlightenment) literature, and often recited satiric Haskalah tales and poems in Yiddish and Hebrew at family gatherings. Joseph Zhitlowsky's business prospered. He moved to a richer, more exclusive section of the city. He kept an open house.
Following the success of Mad, other black-and-white magazines of topical, satiric comics began to be published. Most were short-lived. The three longest-lasting were Cracked, Sick, and Crazy Magazine. These three and many others featured a cover mascot along the lines of Alfred E. Neuman.
The Hot Soldier and Other Stories. During the 1900s Meyrink started publishing satiric short stories in the magazine Simplicissimus, signing them with his mother's surname. During spring 1903 Meyrink's first book, The Hot Soldier and Other Stories was released. Approximately at the same time he relocated to Vienna.
Beppo: A Venetian Story is a lengthy poem by Lord Byron, written in Venice in 1817. Beppo marks Byron's first attempt at writing using the Italian ottava rima metre, which emphasized satiric digression. It is the precursor to Byron's most famous and generally considered best poem, Don Juan.
Kimball began his career writing for the HBO series Not Necessarily the News. He was the host and executive producer of the satiric game show Clash! and the co-host (with Denis Leary) of the talk show Afterdrive both on the Ha! Network, a predecessor of Comedy Central.
The title refers to the Southland, a name used by locals to refer to Southern California and Greater Los Angeles. Set in the then-near future of 2008, the film is a portrait of Los Angeles, and a satiric commentary on the military–industrial complex and the infotainment industry.
The White Boy Shuffle is the 1996 first novel of poet Paul Beatty. A satiric coming-of-age tale following the life of poet, basketball star, and self- described “Negro Demagogue” Gunnar Kaufman, it has been noted for its postmodern treatment of African American gender and sexuality in addition to race.
The Missing White House Tapes was a sketch comedy voice recording which was a satiric commentary on the Watergate scandal. It was a spin-off from National Lampoon magazine. The recording was produced by Irving Kirsch and Vic Dinnerstein. It was released as a single on Blue Thumb Records in 1973.
On 19 January 2011, Italian band Elio e le Storie Tese played a cover version of the song at the nationwide TV-show Parla con Me, with lyrics changed into a satiric reference to the Rubygate sex scandal, which then Italian Prime Minister Silvio Berlusconi had just been involved with.
Pallavicino's scandalous reputation continued until the end of the century and inspired satires of Antonio Lupis, Carlo Moscheni, Gregorio Leti and Alain René Lesage.These writers and others inspired by Pallavicino are listed in Laura Coci's bibliography (see below). Often a free- thinking individual named "Ferrante" appears in their satiric dialogues.
The weekly publication was a humoristic and satiric one. However, they did not pretend to do political criticism. A lot of extraordinary numbers were published. One of its most important illustrators was a man that signed under the name of Koki, which was supposed to be from the man Ramón Padró.
Lucilia's family originated from Suessa Aurunca (modern Sessa Aurunca) and she was a sister of satiric poet Gaius Lucilius. Lucilius was a friend of Roman general Scipio Aemilianus. Strabo's paternal grandfather was Gnaeus Pompeius, while his father was Sextus Pompeius. His elder brother was Sextus Pompeius and his sister was Pompeia.
Le Crapouillot was a French magazine started by Jean Galtier-Boissière as a satiric publication in France, during World War I. In the trenches during World War I, the affectionate term for le petit crapaud, "the little toad" was used by French soldiers, the poilus, to designate small trench-mortars.
In literature and other artistic media, a mode is an unspecific critical term usually designating a broad but identifiable kind of literary method, mood, or manner that is not tied exclusively to a particular form or genre. Examples are the satiric mode, the ironic, the comic, the pastoral, and the didactic.
As dramatist Alan P. Barr notes, "The Morality of Mrs. Dulska belongs to the social-protest literature that irritated the conservative sentiments of turn-of-the-century Europe". Zapolska's best known work, the enduringly popular play utilizes satiric wit to address the middle- class sensibilities of turn-of-the-century Galicia.
The comic was in Malay and a commercial hit; its first print of 30,000 copies sold out in three months. Far Eastern Economic Review journalist Suhaini Aznam remarked that Lat's strength was his ability to portray the plight of the common man in a satiric light without any form of bias.
Tom Slick is the cartoon star of a series of shorts that aired within the half-hour animated television series George of the Jungle (ABC, 1967). It was the work of Jay Ward Productions, the creators of Rocky & Bullwinkle and other satiric animated characters. Seventeen six-minute episodes were made.
All well known songs were rewritten for satiric purposes unless otherwise indicated. Phrases in quotations are from the liner notes. #"Pretoria" (4:26) (Original song credit: Josef Marais) - Made famous by The Weavers as "Marching to Pretoria," new lyrics by Tom (e.g., "You sleep with me, I'll sleep with you").
The four novels of Surendra Mohanty that are based on history, myth and legends are Nilasaila (Blue hill) published in 1968, Niladri Bijaya (Triumphant return to Niladri) published in 1980, Krushnavenire Sandhya (Evening on the banks of river Krishna) published in 1985 and Ajibakara Attahasa (Ajibaka's satiric laughter)published in 1987.
In the 1920s, she wrote The Slabtown District Convention and Where is My Wandering Boy Tonight?, both one-act plays for amateur church theatrical groups. The popularity of the comedic, satiric Slabtown necessitated multiple printings through the succeeding century, although sometimes the wording is updated as needed by successive productions.
" In 1976 Kennedy "returned to his literary friends in Montreal, living for ten years with his daughter-in-law." There "he worked on literary memoirs he was not to finish," spending his time writing "poems for children, satiric verse, and broadsides." Kennedy eventually retired "to a hotel in Pasadena, California.
She also provided the photography for albums by Savage Garden and Rufus Wainwright. Her fashion photography is featured in the September 2010 Urban Outfitters catalog. She has exhibited her paintings at the Dactyl Foundation. Her paintings "displays her uniquely surrealist approach to art with satiric storytelling and undeniable Eastern European influences".
In 1924 Saroukhan left for Egypt with more than 125 pieces of his art work. His drawings were published in a satiric magazine called "Armenian Cinema". Saroukhan presented some of his works at an exhibition in Cairo and then in Alexandria. Through those exhibitions, he met Egyptian journalist Mohamed El-Tabii.
His serialized segments, called "A Gambler's Life", are comedic, often-satiric expository pieces. They chronicle his day-to-day experiences and interactions with people, such as his wife. In these segments, he dubs himself "The Kamikazi Wordsmith". These segments were also published in the American counterpart, Newtype USA, which is now discontinued.
Accessed online on the site of the Tacoma, Washington Public Library, 23 August 2008. Welch saw Meyers as a joke candidate he could use as an anchor for satiric stories on the race. The Times trumpeted Meyers entry into the race with an eight-column page one headline, and gave him daily coverage.
Barry Oakley's satiric football novel A Salute to the Great McCarthy was published in 1970. Crime novelist Kerry Greenwood wrote the 1991 short story The Vanishing of Jock McHale's Hat. Alan Wearne's 1997 novel Kicking in Danger is about an Essendon player turned private eye who specialises in football- related cases.McCann, Andrew.
As a cartoonist, Habib designed many covers. He also worked on writing Sher, a short witty 3/4 lined satiric poem, mainly found in the Indian Subcontinent. In 2015 he joined as a professor of Daffodil International University in department of Multimedia and Creative Technology (MCT). His area of teaching is Graphic Novel.
Magyar Narancs (Hungarian Orange in English) is a weekly liberal magazine with a strong satiric tone appearing on Thursdays in Hungary. It is informally referred to as Mancs (Paw in English) which is a joking abbreviation of the name. The magazine was first published in October 1989. Its headquarters are in Budapest.
During 1879 - 1882, Faria illustrated in Buenos Aires the main satiric weekly El Mosquito and the new magazine Cotorra (English: parrot, windbag), introducing chromolithography in South America. Later he obtained the right to exclusively illustrate the artistic and literary weekly El Correo del Domingo (Sunday Post) and the daily El Gráfico (~ The graph).
Lidia Zamkow's significant 1967 production presented the show with a contemporary set and costumes, departing from the realist depictions of Dulska predominant in theatre. The production also blurred the lines between the unpleasant characteristics of Mrs. Dulska's personality, making their depiction much more subtle, which sharpened the satiric element of Zapolska's work.
The first book of his poems, "Maladzik nad stepam" appeared in 1959. All in all Ryhor Baradulin published around 70 books of poems (including poems for children, satiric and humorous poems), articles, essays, translations. In 2006, Baradulin was nominated for the Nobel Prize in Literature for his book of poems called Ksty.
The film is a satiric comedy. The setting is an Anatolian town. Being far from the big cities, it is more or less an isolated town and it is sarcastically called Selamsız ( "No Greetings"). Latif Şahin, the mayor of the town learns that the president plans to travel to East Anatolia by train.
'Jerry Sneak' in The Mayor of Garratt. Painting by Samuel De Wilde in the Yale Center for British Art. Late in 1757, Foote faced himself in the guise of young actor and mimic, Tate Wilkinson. Wilkinson, like Foote, had failed somewhat as an actor, but was renowned for his satiric mimicry of others.
Oxberry's style and force were obvious in these performances and the Washington Post agreed that "The Savoyards fully captured the energy of Arthur Sullivan's inimitable melodiousness and the thrust of William Schwenck Gilbert's satiric dialogue, riddled -- perhaps a little too obviously -- with updated political jabs."The Savoyards' 'Mikado.' Washington Post, November 2005.
While The Tale of Mac Da Thó's Pig appears to be the quintessential Ulster Cycle story in theme and narrative, there are certain unusual elements of the extant forms which suggest it may have a more satiric quality, parodying the heroic genre of the Ulster Cycle. The eponymous pig of Mac Da Thó may be mythic in origin, but its highly exaggerated size may also be satiric. In the Táin Bó Cuailnge, the Ulaid and Connachta go to war over a mythic best, the finest bull in Ireland, whereas here they come to blows over a dog. In "an imitable passage of compressed humour", Mac Da Thó promises the dog to both parties, then feigns ignorance when both arrive on the same day.
Despite writing in a satiric tone, some of the Wits—in particular, Humphreys and Barlow—joined the Continental army. Moreover, Timothy Dwight IV became a minister, serving as chaplain to the Connecticut Continental Brigade along with writing poems and songs. Dwight wrote several songs devoted to the soldiers of the Revolution, including “Columbia”. -"Columbia, Columbia, to glory rise, The queen of the world, and the child of the skies!" However, Trumbull was the only member of the Wits who did not join to the Continental Army and wrote satiric poem called "M’Fingal" where British cause was mocked. Simultaneously, Humphreys became colonel of the Continental Army and published “Address to the Armies of the United States of America” along with other patriotic poems.
An illustration from Jonathan Swift's A Tale of a Tub showing the three "stages" of human life: the pulpit, the theatre, and the gallows The Augustan era is considered a high point of British satiric writing, and its masterpieces were Swift's Gulliver's Travels and A Modest Proposal, Pope's Dunciads, Horatian Imitations, and Moral Essays, Samuel Johnson's The Vanity of Human Wishes and London, Henry Fielding's Shamela and Jonathan Wild, and John Gay's The Beggar's Opera. There were several thousand other satirical works written during the period, which have until recently been, by widespread consensus, ignored. The central group of "Scriblerians"—Pope, Swift, Gay, and their colleague John Arbuthnot—are considered to have had common satiric aims. Until recently, these writers formed a "school" of satire.
Her death leads the protagonist to face bitter loneliness. The film featured actor Konstantin Khabensky in an early lead role. Cult crime comedy 8 ½ $ (1999) starring Ivan Okhlobystin and Fyodor Bondarchuk was a satiric take on 1990s Russia. It told the story of a television advertisement director who becomes romantically involved with a gangster's girlfriend.
Mouse Klub Konfidential, a film about a Mickey Mouse Club Mouseketeer who becomes a gay bondage pornographer, was a controversial entry in the 1976 San Francisco's LGBT Film Festival, as some thought Baker was actually advocating Nazism.Oliver, Myrna. "James Robert Baker: Satiric Novelist, Cult Filmmaker". Los Angeles Times; November 15, 1997, page A-20.
Lord Byron (1788-1824) used multisyllabic rhymes in his satiric poem Don Juan. For example, he rhymes "intellectual" with "hen-peck'd you all". Ogden Nash (1902-1971) used multisyllabic rhymes in a comic, satirical way, as is common in traditional comic poetry. For example, in his poem ‘The Axolotl’ he rhymes "axolotl" with "whaxolotl".
Groff Conklin called it "perhaps the first science fantasy to use the alternate time-track, or parallel worlds, idea.""Galaxy's 5 Star Shelf", Galaxy Science Fiction, December 1952, p.124 Boucher and McComas praised the novel as "a slightly dated but still originally imaginative and acutely satiric story.""Recommended Reading," F&SF;, October 1952, p.
Robert Escarpit, born on 24 April 1918 in Saint-Macaire (Gironde, France) - 19 November 2000 in Langon (Gironde), was a French academic, writer and journalist. He is most known to the public for his satiric articles in newspapers such as Le Monde in which he wrote around twenty columns per month from 1949 to 1979.
In other early works she aimed a satiric disapproval at prevailing misogynistic attitudes. Still, her husband strongly supported her writing activities. Despite their court connections, Anne and Heneage Finch led a rather sedate life. At first they lived in Westminster; then, as Heneage Finch became more involved in public affairs, they moved to London.
He denounces her uncontrolled lust in satiric verses; she, outraged, solicits Gnaica to kill Massino. The two meet and duel – but soon find that their hearts aren't in the matter. They talk over the situation, and part amicably. Isabella is even more outraged by this, and determines to work the deaths of both men.
Early works were noted for their satiric characterizations of the foibles of French society. His points were made with simple caricature. His illustrations relied on blotches of pure black with minimum outline to define his animated marionettes. His exhibition pieces were carried by large splashes of color and those same fine lines of black.
Johannes Floehr is a German author and comedian based in Hamburg. Floehr started his career performing slam poetry, winning several Poetry Slams in Germany, Austria and Switzerland. 2011 he was acting as himself in the satiric movie Die PARTEI. 2014 he won the Heinrich Heine Jugendliteraturpreis in Dusseldorf, a literature contest for young poets.
In 1978, Louis W. Bolze and Rose Martin published their satiric cartoon book The Whenwes of Rhodesia.The Whenwes Of Rhodesia Flickr. Retrieved on 20 February 2013 The next wave of whenwes left Rhodesia about 1980, at the end of the Rhodesian bush war. Thousands of white Rhodesians moved to South Africa, especially to Natal.
Intaglio, xerographics, and silkscreen processes were also incorporated into his early works. Business Day writer Angel G. De Jesus wrote that Mayo was 'a surrealistic expressionist with a satiric sense of humor.'De Jesus, A. G. Vignettes Column; Lito Mayo In-text: (De Jesus, 2014) Bibliography: De Jesus, A. (2014). Vignettes Column; Lito Mayo.
Their slogan was "Gaity is properly French, so let's be French". The focus was absurdism, nightmares, and the drawing style of children. Cohl's Incoherent art joined his caricatures and satiric news reporting at La Nouvelle Lune, where he had become the major contributor and acting editor. He became editor in chief on November 30, 1883.
Erik Ortvad (born in Copenhagen, 18 June 1917; died in Kvänjarp, 28 February 2008) was a painter and a creator of many drawings. He debuted as a painter in 1935. He is mostly known for colorful surrealistic paintings. . He also created several hundred satiric drawings about the modern way of life under the pseudonym Enrico.
In addition to poetry and criticism, Jarrell also published a satiric novel, Pictures from an Institution, in 1954 (a National Book Award for Fiction finalist) "National Book Awards – 1955". National Book Foundation. Retrieved 2012-03-02. — drawing upon his teaching experiences at Sarah Lawrence College, which served as the model for the fictional Benton College.
In 1926 Uncle Şäfiğulla he criticized the dogmatism and fanaticism of the Bolshevism. This satiric novel was published only in 1991. Ämirxan was a follower of realism and upheld national character in literature. Fatix Ämirxan explored the heritage of Tatar enlighteners, such as Qayum Nasíri, wrote articles on the works of Ğäliäsğar Kamal, Ğafur Qoläxmätov.
Zvi (Zvika) Fruchter (later Hadar) was born in Beersheba, Israel, to Romanian Jewish family.Striking a note for the Sephardim, Haaretz As a child, he studied piano.The host with hidden talent, Haaretz Early in his career, he composed numbers for musicals. Hadar first appeared on television as Jojo Khalastra on the satiric show Ha-Comedy Store.
A Roman Catholic convert, Marshall wrote stories that are usually humorous and mildly satiric and typically have religious overtones. Important themes which run through his works are Catholicism, accounting, a Scottish heritage and war, adventure and intrigue. Often major characters are accountants or Catholic priests. Characters in his novels are often fond of animals and concerned about their treatment.
Ohlasy písní českých (Echoes of Bohemian songs) was not about a heroic epic, but more about a satiric and lyrical love poem. Many of his books feature illustrations by Adolf Kašpar. He published Bohemian, Moravian, and Slovak poetry, which he dedicated to Václav Hanka. At the same time, he also translated Russian, Serbian, and Lithuanian folk songs.
Shantoja's works extend mostly on scientific and cultural articles, as well as satiric ones. He also wrote poetry, moreover, he translated many non-Albanian poets. Shantoja's full body of work was published under the care of Arben Marku in 2005. Koliqi considered Shantoja to be a fine proseist, similar in style and elegance to Faik Konica.
In 1968, Wolverton did the Ugly Posters series of trading cards for Topps, displaying his trademark twisted headshots. In 1973, he returned to mainstream comics, illustrating several covers for Joe Orlando's satiric Plop! at DC Comics. Comix Book, a joint production of Marvel Comics and Denis Kitchen's Kitchen Sink Press, featured two strips by Wolverton, "Calvin" and "Weird Creatures".
Two of Faber's works will be exhibited in Antwerp, Belgium June 1–7. Faber has a satiric column on The Huffington Post called "Washingwood." Faber also served as Editor: Politics & Culture, Penthouse Magazine. Faber moved into a different genre after writing NOVEL FIFTEEN for The Blumhouse Book of Nightmares: The Haunted City (Blumhouse Books/Random House).
His poetic eye focuses on the foibles of middle- brow often Southern blue-collar culture, with compassion underlying his satiric bite."Robert McPhillips (2006), The New Formalism: A Critical Introduction, Textos Books. Page 99. According to McPhillips, Gwynn's, "most representative poem," is Among Philistines, "which updates the story of Samson and Delilah for our sex- and celebrity-obsessed age.
Om Prakash Aditya (5 November 1936 – 8 June 2009) was a renowned Hindi poet and satirist. He was also a famous poet of Hindi Kavi Sammelan. He was widely known for his witty and satiric poems. "Gori Bethi Chhat Par", "Idhar Bhi Gadhe Hain, Udhar Bhi Gadhe Hain", "Tota And Maina" are some of his famous poems.
In supporting tours, founding band member Kupferberg used a wide range of unusual costumes, and punctuated performances with wild dances and witty satiric routines. Political and social commentary also remained highly prominent, with tracks such as the pro-drugs eulogy "Marijuana", the redneck satire "Johnny Pissoff Meets the Red Angel", and the pro-peace chant "Irene".
Die Einsamkeit der Krokodile (The Loneliness of the Crocodiles) is a German satiric crime film directed and produced by Jobst Oetzmann, based on a novel by . The director's first film for the cinema, it was filmed in 1999 and presented in 2000. It was a German contribution at the Cannes Film Festival, and was awarded the Bayerischer Filmpreis.
Marisol mimicked the role of femininity in her sculptural grouping Women and Dog, which she produced between 1963 and 1964.Whiting, Cécile. "Figuring Marisol's Femininities." Pg. 73 This work, among others, represented a satiric critical response on the guises of fabricated femininity by deliberately assuming the role of 'femininity' in order to change its oppressive nature.
" Pg. 75 Marisol produced satiric social commentaries in concern to gender and race, which being a woman of color is a circumstance she lives in. Instead of omitting her subjectivity, she used her 'femininity' as a mode of deconstructing and redefining the ideas of 'woman' and 'artist', giving herself control of her own representation.Whiting, Cécile. "Figuring Marisol's Femininities.
He had brief stints as both a film actor, appearing in 1930's Knowing Men, and as a cabaret performer. He briefly shared an apartment with Noël Coward in the East End, and was satirized by Lord Berners as the character Daisy Montgomery in his 1936 satiric novel, The Girls of Radcliff Hall.Hoare, Philip. Noël Coward: A Biography.
His descendant, Lapo da Castiglionchio the Younger (c. 1405 – 1438), a pupil of the humanist Francesco Filelfo, wrote the scurrilous deadpan satiric dialogue on the papal curia, De curiae commodis (1438), "On the benefits of the Curia".The work in Latin with an English translation is the subject of Christopher S. Celenza, Renaissance humanism and the Papal Curia.
347; John R. Clarke, Looking at Lovemaking: Constructions of Sexuality in Roman Art 100 B.C.–A.D. 250 (University of California Press, 1998, 2001), p. 228. Satiric portrayals of women who sodomize boys, drink and eat like men, and engage in vigorous physical regimens, may reflect cultural anxieties about the growing independence of Roman women.Clarke, Looking at Lovemaking, p. 228.
Color comic-book competitors, primarily in the mid-to-late 1950s, were Nuts!, Get Lost, Whack, Riot, Flip, Eh!, From Here to Insanity, and Madhouse; only the last of these lasted as many as eight issues, and some were canceled after an issue or two. Later color satiric comic books included Wild, Blast, Parody, Grin and Gag!.
Vixen! is a 1968 American drama film and satiric softcore sexploitation film directed by Russ Meyer and starring Erica Gavin. It was the first film to be given an X rating for its sex scenes,All About the VIXEN and was a breakthrough success for Meyer. The film was developed from a script by Meyer and Anthony James Ryan.
Controversy still swirls over whether the book was a satiric hoax about think-tank logic and writing style or the product of a secret government panel. The document is a favorite among conspiracy theorists, who reject the statement made in 1972 by satirist Leonard Lewin that the book was a spoof and that he was its author.
Velvet Underground, c. 1968 Britain's Deviants, in the late 1960s, played in a range of psychedelic styles with a satiric, anarchic edge and a penchant for situationist-style spectacle presaging the Sex Pistols by almost a decade. In 1970, the act evolved into the Pink Fairies, which carried on in a similar vein.Unterberger (1998), pp. 86–91.
He contributed his first work to satiric magazines. Upon receiving an inheritance in 1833, he was able to dedicate himself to painting. Later, Spitzweg visited European art centers in Prague, Venice, Paris, London, and Belgium studying the works of various artists and refining his technique and style. His later paintings and drawings are often humorous genre works.
As wisdom, courage, and love combine to create magnanimity in a hero, so vanity, impudence, and debauchery combine to make buffoonery for the satiric hero. His revisions, however, were considered too hasty by later critics who pointed out inconsistent passages that damaged his own poem for the sake of personal vindictiveness.Ashley, pp. 146–150; Barker, pp.
"Satiric allegory from Edward Albee; 'The Man Who Had Three Arms' Play by Edward Albee. Directed by Mr. Albee." csmonitor.com, April 14, 1983 The play ran for only 16 performances - at least one of which was booed during the curtain call. Albee did not have another new play performed in New York City for the next 11 years.
Hill first published science fiction story was "The Last Generation," which appeared in the January 1964 issue of New Worlds. His short stories in the genre are considered of some interest, particularly the Dystopian "Atrophy" and the satiric "Chemotopia." Others, such as "Joik," together with his novels, are not rated as highly. Hill also composed poetry as a hobby.
According to the vida of Marcabru, he raised the young Marcabru. This may in fact be derived by Marcabru's biographer from an exchange of satiric songs between the two, beginning with Audric's "Tot a estru" (16b.1), to which Marcabru responded with "Seigner n'Audric" (293.43). Audric may have been originally writing in response to Marcabru's gap "D'aisso lau Dieu".
In 2001, Richards won the satiric Ig Nobel Prize for "his efforts to protect, promote, and defend the differences between plural and possessive". In December 2019, when Richards was 96, he announced that the society was shutting down, saying that, despite its efforts, "fewer organisations and individuals are now caring about the correct use of the apostrophe".
Cover of the edition of The Argus produced for the Alaska-Yukon-Pacific Exposition in 1909. The Argus was a longstanding Seattle, Washington weekly newspaper. Founded in February 1894 and published until November 1983, it had a satiric bent and was aligned with the Republican Party.Argus (Seattle, Wash.) in University of Washington Library catalog for dates of publication.
Similarly, extravagant rakes enter into marriage. However, as soon as the persistence of the rakes remains almost unquestioned, it is difficult to decide whether libertines, no matter of what "colour", play a major part in their authors’ satiric strategies. Although Etherege's Dorimant is "tamed" by Harriet, his conversion at the end is rather doubtful. Similarly, Wycherley's Horner is not punished satirically.
Agustín Cuzzani Agustín Cuzzani (1924 in Buenos Aires – December 25, 1987 in Córdoba) was an Argentine dramatist, known for his satiric vision and criticism of capitalist society. He is famous for having created farsátira as a theatrical genre. His most famous and transcendental work is El centroforward murió al amanecer. In 1988 his collected plays were published as "Teatro Completo".
He also lived on the Hellespont, and taught at Chalcedon, before moving to Athens, where he lived until his death. His writings were said to have been very numerous. He composed poetry, tragedies, satiric dramas, and comedies, of which very little remains. His most famous composition was his Silloi, a satirical account of famous philosophers, living and dead; a spoudaiogeloion in hexameter verse.
George Canning (1770–1827) was an English politician, a long-time Member of Parliament, who also held several powerful and influential government offices, most notably that of British Foreign Secretary (1807–1809, 1822–1827). For a few months at the end of his life he was Prime Minister. In his early years he was also a satiric poet.Dixon 1976, pp. 40–46.
Storia, tecniche e ideologie della rappresentazione p.30 It explains Fascism as an essentially bourgeois movement. Eros e Priapo was refused in 1945 by a magazine for its allegedly obscene content, and would only be published for the first time in 1967, by Garzanti. The 1967 edition, however, was expurgated of some of what Gadda considered the most heavy satiric strokes.
Mockumentary shows which break the fourth wall poke fun at the documentary genre with the intention of increasing the satiric tone of the show. Characters in The Office directly speak to the audience during interview sequences. Characters are removed from the rest of the group to speak and reflect on their experiences. When this occurs, the rules of an impersonal documentary are shattered.
Their one return to musical comedy, Cash on Delivery (1917), confirmed the public's preference for comedy revues and music hall. Hicks continued to write light, escapist comedies, such as The Happy Day (1916), Sleeping Partners (1917) and, after the war, satiric farces, such as Good Luck and Head Over Heels (1923) and adaptations of French farces (The Man in Dress Clothes).
AD 800, and survives in at least six manuscripts, written between the 12th and 18th centuries. The story was apparently popular in the Middle Ages and later times, and became the subject of a number of independent poems. Although apparently the quintessential Ulster Cycle story in many respects, the tale's composition also displays a sophisticated satiric quality as a parody of the genre.
Outside of these tensions, Marston's career continued to prosper. In 1603, he became a shareholder in the Children of Blackfriars company, at that time known for steadily pushing the allowable limits of personal satire, violence, and lewdness on stage. He wrote and produced two plays with the company. The first was The Malcontent in 1603; this satiric tragicomedy is Marston's most famous play.
The goatish element has disappeared and the satyrs resemble the old Ionic Sileni who were horse deities. The performers are wearing horse tails and short pants with attached phallus, a symbol of Dionysiac worship.Haigh (1907, 294) Haigh claims that the Doric satyrs were the original performers in Attic tragedy and satiric drama, whereas the Ionic element was introduced at a later stage.
In October 2014 GitHub was blocked for a short time. On December 2 GitHub was blocked again for some satiric notes, describing "methods of suicide", which caused major tensions among Russian software developers. It was unblocked on December 4, and GitHub had set up a special page dedicated to Roskomnadzor-related issues. All content was and remains available for non- Russian networks.
The group's commitment to presenting theatre from the eyes, ears and hearts of women continued through 1985. Les Nickelettes' work reflected a new style of musical comedy incorporating broad, irreverent comedy and satiric social commentary intermeshed with contemporary music and dance. The members changed throughout the history of the group but always maintained the artistic vision of a women's theatre collective.
Disassociated Press, or The Disassociated Press, is a common spoof on The Associated Press used by satirists to depict a fictitious news organization. It has been used throughout the years in entertainment and literature in a variety of vehicles, ranging from Looney Tunes cartoons from the 1950s through to modern Internet satiric web pages and web sites using that title.
Having written some satiric lines on Alexander Pope, he received in return a mention in The Dunciad, which led to a controversy between the two writers. Afterwards a reconciliation took place. He was a friend and correspondent of Samuel Richardson, whose Pamela he highly praised. In addition to his literary pursuits Hill was involved in many commercial schemes, usually unsuccessful.
In 2004, Glavinic succeeded in convincing both critics (no. 1 on the ORF critics best list) and readers (no. 1 on the Austrian bestseller list) with his satiric development-novel Wie man leben soll (How to Live), written from the perspective of the indefinite "one". In August 2006, the novel Die Arbeit der Nacht (Night Work) was released and scored no.
Allah Is In the House began on August 27, 2003. The author wrote using the name of Allah, using similar language to that of terrorist organizations but assuming the viewpoint of Allah. The blog specialized in written and Photoshop-based political satire. After a hiatus in May 2004, the blog reemerged, continuing its satiric nature while largely abandoning the "Allah voice".
Musically, Motor-Cycle is a synthesis of stream of consciousness confessional poetry, R&B; infused vocals and a "sometimes satiric mélange of rock, jazz, blues and soul". The album was composed by Golden as an autobiographical account of her immersion in the life of New York's East Village,Saal, Hubert (July 14, 1969). " The Girl's-Letting Go". Newsweek, pp. 68,71.
Gjergj Bubani (1899-1954) was an Albanian publicist, writer, and translator. He is also known as Jorgji Bubani, or Brumbulli (the beetle) which was his pen-name for his satiric articles. Bubani was born in Boboshticë, a village near Korçë, today's Albania. He attended the French Lycee in Korçë, and then went to Athens where he attended the Industrial College.
Kodigo Norte (a satiric misspelling of the Spanish phrase "codigo norte", or "northern code") is a Rap music group formed in 2004 in Vitoria-Gasteiz, Spain. Its members are DJ Loro, Markés, Sok and Gorka Suaia. Their songs are performed in the Spanish and Basque languages. Each member had been a part of the Vitoria hip hop scene since the late 1990s.
Lagin's science fiction novels are set in imaginary Western "capitalist" countries and satirize misuse of scientific inventions in bourgeois society. His novella Major Well Andyou (Майор Велл Эндъю) is a satiric sequel to H. G. Wells' The War of the Worlds. Lagin was also a screenplay writer, producing, for instance, the screenplay for the 1967 animation film Passion of Spies.
His work is realist and shows the influence of 19th century Russian literature. Ettinger was a physician who wrote plays, including what is considered the most important of the Haskalah era, “Serkele.” His satiric style shows the influence of European drama: one scholar speculates that he read Molière. I.M. Dick (1808–1893) wrote short stories which sold tens of thousands of copies in book form.
Like Auden and other prolific poets, Keys writes songs, light verse, limericks, pithy satiric squibs, erotica;, ideograms, haiku, epigrams, parodies, and enigmatic epiphanies and riddles. His prose wonderscripts and plays are dense, and often dark and absurd. His children's books verge on fables. From the early 70s to the mid-90s Keys' relationship with the artist and flamenco guitarist, Frank Rush Miller (Paco de Nada) was important.
His novel Karoo was published posthumously in 1998. Arthur Miller described the novel: "Fascinating—a real satiric invention full of wise outrage." The novel was a New York Times Notable Book for 1998. The novel also appeared in a German translation as Abspann, and it was also translated in France in 2012 where it was acclaimed by the critics and became a best-seller.Monsieurtoussaintlouverture.
Narek Margaryan holds a PhD in English and was a professor at Yerevan State Linguistic University after V. Brusov for 2 years. In 2011 after satiric sketch about the University appeared on Youtube he was fired, despite of protests by students . Ex-rector Suren Zolyan organized mass viewing of the sketch at a staff meeting. Margaryan returned to university once a new rector was appointed.
Traditionally, "Walpurgisnacht" is the name of an annual witches' meeting (satiric in the context of the play). Nick and George are sitting outside. As they talk about their wives, Nick says Honey had a "hysterical pregnancy". George tells Nick about a time he went to a gin mill with some boarding school classmates, one of whom had accidentally killed his mother by shooting her.
Specific and intimate experiences with nature in the desert are reproduced in the present tense for the reader's benefit. The language is elevated and formal but made more conversational with informal colloquial language and jargon of the Southwest. The long and involved sentences often link abstractions to concrete images and description of the desert. The descriptions are subjective and characterized by laudatory, critical, or satiric language.
Civilized humans are described in disparaging, condescending, or satiric ways. Their civilization does not better the world, but only disrupts the more divine processes and purposes of nature. Moreover, humans lose touch with their own instinctual knowledge, spirituality, and true purpose because of the disconnect with nature. Primitive humans, or humans closer to nature and farther from the artifice of civilization, are glorified and idealized.
Washington Times reviewer, James E. Person Jr., stated "Empire of Lies is a can't-put-it-down thriller for the thinking person", and opining that "Klavan embraces (but does not quote) [a] quote attributed to George Orwell: "In an age of universal deceit, telling the truth is a revolutionary act"." Publishers Weekly found it to be a "wickedly satiric thriller" which "builds to an explosive climax".
Qiyomat was first reworked in 1935, which led to the loss of contemporary references; Fitrat transferred the story into the time of Tsarist rule. In the Soviet versions, the focus of the story is no longer on the colonial oppression of the Tsarist era and the satiric presentation of life in the Soviet Union, but on the criticism of religion.Kleinmichel 1993, p. 114–118; Allworth 2002, p.
Inspired by Capp's satiric race in which eligible women chase down terrified bachelors for the purposes of wedlock, the event reverses the cultural norms of men as the romantic pursuers. Arthur Berger says that the day "represents a fertility rite and awakens an awareness of the relationship between the American courtship and more "primitive" rites." More recently, the tradition has come under attack for being inherently sexist.
During the 1950s, Bester contributed a satiric sketch, "I Remember Hiroshima," to The Paul Winchell Show. His later story "Hobson's Choice" was based on it. In 1959, Bester adapted his 1954 story "Fondly Fahrenheit" to television as Murder and the Android. Telecast in color on October 18, 1959, the hour-long drama took place in the year 2359 amid futuristic sets designed by Ted Cooper.
Finch's range as a writer was vast. She experimented with the poetic traditions of her day, often straying from the fold through her use of rhyme, meter and content, which ranged from the simplistic to the metaphysical. Additionally, Finch wrote several satiric vignettes modeled after the short tales of French fabulist Jean de La Fontaine. She mocked La Fontaine's fables, offering social criticism through biting sarcasm.
The cumananas and "Tristes" are somewhat like the tragic initial Zards or the Cante Jondo of Andalucia but in a mestizo flavour. After a few drinks of Pisco, Algarrobina or Chicha en poto come the "Cumanánas"; whom are coplas brought in "contra punto" style. They are sung in satiric and picaresque style but rooted always in a sad theme. The cumananas all surround the Tondero.
Kovačić began to write in 1875. While his early works have Romantic tendencies, in later years he was influenced by Realist literature. His stories and novels often had strong satiric overtones and represent harsh criticism to injustice in Croatian society of his time. One of his novels, Među žabari, remained unfinished because citizens of Karlovac protested after reading its first paragraphs in a local newspaper.
Bosley Crowther of The New York Times was unimpressed, writing "somehow the script of George J.W. Goodman and Ira Wallach doesn't jell and isn't droll, and Arthur Hiller's direction is too slow for romantic comedy. What might be brightly satiric simply isn't because it lacks wit. Too much double entry and too little double entendre". He did, however, like Garner ("spry and briskly charming") and Remick ("cute").
Abílio Manuel Guerra Junqueiro (17 September 1850 – 7 July 1923) was a Portuguese top civil servant, member of the Portuguese House of Representatives, journalist, author, and poet. His work helped inspire the creation of the Portuguese First Republic. Junqueiro wrote highly satiric poems criticizing conservatism, romanticism, and the Church leading up to the Portuguese Revolution of 1910. He was one of Europe's greatest poets.
In the cities, a comical, ironic and satiric form of waka emerged. It was called kyōka (狂歌), mad poem, and was loved by intellectual people in big cities like Edo and Osaka. It was not precisely a new form; satirical waka was a style known since ancient times. But it was in the Edo period that this aspect of waka developed and reached an artistic peak.
James R. Anthony, French Baroque Music from Beaujoyeulx to Rameau (Amadeus Press, 1997), p. 115. Perhaps the most famous of the Orpheus operas is Offenbach's satiric Orpheus in the Underworld (1858),Pluto does not have a singing role in Gluck's Orfeo ed Euridice (1762). in which a tenor sings the role of Pluton, disguised in the giddily convoluted plotting as Aristée (Aristaeus), a farmer.
Influenced by the writing of the Portuguese satiric realist Eça de Queiroz, Jacob e Dulce is noted for moving Goan writing beyond Romanticism towards Social realism, developing social sature, and capturing a colloquial and local tone in the Portguguese dialogue.Paul Melo e Castro (trans.), Lengthening Shadows, 2 vols (Saligão: Goa, 1556, 2016), I pp. 14-15, 17-18 (quoting p. 14). It has run to several editions.
Wessel's poems and plays are frequently satirical and humorous. His literary style is deliberate elaborate and digressive and at the same time elegant and witty. Another genre is the epigram that he mastered, especially his short, witty, impudent, precise and also self-ironic commemorative poems. Wessel is known first of all for his many humorous and satiric verse tales referring to man's foolishness and injustice.
Johan Herman Wessel from Berømte danske Mænd og Kvinder by J. P. Trap. 1868 Bust of Johan Herman Wessel by Julius Middelthun at Nasjonalgalleriet Bust of Johan Herman Wessel at Wessels plass in Oslo Johan Herman Wessel (6 October 1742 – 29 December 1785) was an 18th-century Danish-Norwegian poet, satirist and playwright. His written work was characterized by the use of parody and satiric wit.
Yet he is the suave, charming, polished and artistic Devil." This satiric drama was based on the 1908 play by Ferenc Molnar that launched Arliss on Broadway, and was used to entice him into his very first (of many) films. Earlier versions were made by no less than Thomas Edison and D.W. Griffith. The original play title was "The Devil; A Comedy in Three Acts.
One critic pointed out a change in Ullman's humour: Ullman commented that the United States is "now able to laugh at itself more," embracing more satiric humour rather than deeming it "unpatriotic." Now that she is a citizen, she joked that she "won't end up in Guantánamo Bay"Tracey Ullman plays characters real and imagined on 'State of the Union'. Canadian Press. 25 March 2008.
Podervianskyi's Hamlet is a short, satiric retelling of Hamlet by William Shakespeare, set in an imaginary Denmark that closely resembles the Soviet Union of the 1980s. A bored and indifferent hero doesn't care about religion, revenge, truth, or politics; all he wants is to get drunk. Eventually he kills everyone, including his father, and he is taken to an asylum by a famous psychiatrist Sigmund Freud.
The brutally satiric "Sitting Pretty", with its mocking references to deprivation, despair and hunger, was eliminated entirely, as it had been in the film version, and where in the 1993 revival it had been combined with "Money" (as it had been in 1987 London production), "Money" was now performed on its own. "Maybe This Time", from the film adaptation, was added to the score.
The publication of his polemic provoked many retorts, the most formidable of which was Thomas Lodge's Defence of Playes (1580). The players themselves retaliated by reviving Gosson's own plays. Gosson replied to his various opponents in 1582 by his Playes Confuted in Five Actions, dedicated to Sir Francis Walsingham. Pleasant Quippes for Upstart New-fangled Gentlewomen (1595), a coarse satiric poem, is also ascribed to Gosson.
Blue is a second version of Yellow, taking place before and after the first film. It has a more somber and bitterly satiric style, and a further explication of the framing narrative. Questions of lesbianism, religion and critiques of meritocracy are discussed. Lena Nyman won the award for Best Actress at the 5th Guldbagge Awards for her role in this film and I Am Curious (Yellow).
Zorro in Hell is a satiric play by Richard Montoya, Ric Salinas and Herbert Siguenza, collectively known as Culture Clash. It is a profile of the legendary hero Zorro from a Latino viewpoint. The play had its initial productions at Berkeley Repertory Theatre and the La Jolla Playhouse in 2006. It then ran at the Ricardo Montalbán Theatre in Hollywood from July 11 - August 19, 2007.
The novel is set in a NYC university with Andrew Barnett attending from Georgia hoping to attain his degree. Stribling takes a satiric look at campus politics, professor tenure and education, and the amount of the students' lack of awareness. After his last novel, Stribling continued to write mysteries for various magazines. These were eventually collected: The Best of Dr. Poggioli, 1934-1940 (1975).
"Starveling" is a word for a thin or poor person lacking food.Oxford English Dictionary Online. Oxford University Press (1989) "Robin" may have connections to two of Queen Elizabeth's suitors, Robert Dudley, Earl of Leicester, and Robert Devereux, 2nd Earl of Essex. Elizabeth's pet name for both of these men was "Robin", leading scholars to believe that Robin Starveling may be a satiric creation of Shakespeare's in their honour (or dishonour).
Applauded by critic Kingsley Amis, Sheckley was now selling many of his deft, satiric stories to mainstream magazines such as Playboy. In addition to his science fiction stories, in the 1960s Sheckley started writing suspense fiction. More short story collections and novels appeared in the 1960s, and a film adaptation of an early story by Sheckley, The 10th Victim, was released in 1965. Sheckley spent much of 1970s living on Ibiza.
Fuchs received a doctor of law degree and practiced as an attorney. In 1892, he became editor-in-chief of the satiric weekly Süddeutscher Postillon and later co-editor of the Leipziger Volkszeitung. His inflammatory articles in newspapers—one accusing the Kaiser of being a mass murderer—resulted in periodic jail sentences. During his periods of confinement, Fuchs wrote various social histories utilizing images as one of his primary sources.
The combination of satiric and romantic language is commonly said to reinforce the speaker's ambivalence about his beloved. M. M. Mahood notes the lexical uncertainty of line 1, which leaves open the possibility that the friend himself is infected. For this reason, Roger Warren points to a thematic similarity to All's Well That Ends Well, whose hero, Bertram, is similarly ambiguous. "Lace" in line 4 has been glossed various ways.
Garinei was born in Trieste, where he obtained a degree in pharmacy. He later worked as a journalist for the daily newspaper Corriere dello Sport, where he met Sandro Giovannini. Garinei and Giovannini discovered a shared interest in msuic and entertainment, and left the paper shortlyafter to found the satiric newspaper Cantachiaro in 1944. Following the end of World War II, Garinei and Giovannini collaborated with the Radio RAI.
Latin literature makes frequent reference to prostitutes. Historians such as Livy and Tacitus mention prostitutes who had acquired some degree of respectability through patriotic, law-biding, or euergetic behavior. The high-class "call girl" (meretrix) is a stock character in Plautus's comedies, which were influenced by Greek models. The poems of Catullus, Horace, Ovid, Martial, and Juvenal, as well the Satyricon of Petronius, offer fictional or satiric glimpses of prostitutes.
After graduation he worked from 1911 to 1919 in Laren. Then he settled in Katwijk aan Zee, where he lived until his death in 1978. Bottema was also a commercial artist and illustrator. As an illustrator he made the drawings for the novels of the Dutch Protestant writers Anne de Vries and W.G. van der Hulst, but he also made drawings for the socialist satiric magazine De Ware Jacob.
Fernand Hibbert Fernand Hibbert (3 October 1873 - 1928) was a Haitian novelist and is one of the most widely read Haitian authors.P. Schutt-Ainé, Haiti: A Basic Reference Book, 97 He is known for his satiric and humorous novels. Born in Miragoâne, Hibbert was educated in Paris, France, where he studied law and political science. After returning to Haiti in 1894, he worked as a teacher, politician, and diplomat.
He frequented the Paris literary salons, particularly that of the Hôtel de Rambouillet as a friend of Mlle de Gournay, and his translation of the Song of Songs is more notable for its flavor of fashionable salons than of sacred poetry. Cotin is remembered for his violent squabbles with Nicolas Boileau and Molière, who gave him a stinging satiric immortality as the character Trissotin in Les Femmes savantes.
She published three chapbooks: By the Windpipe (ELJ Editions, 2014); the satiric novella in verse, Out From the Pleiades (Jaded Ibis Press, 2014); andToward Anguish, which won the 2007 Philbrick Poetry Award.Philbrick Poetry Award Her most recent publication is a full-length collection of poetry Feminists Are Passing from Our Lives (Word Works 2018). McGrath co-edited Reetika Vazirani's posthumous poetry collection, Radha Says: Last Poems (Drunken Boat Books, 2010).
Robinson, pp. 168, 169. However, in Punch's 30 May edition, she was heavily criticised for a letter she sent begging her favorite magazine, which she claimed to have often read to her British Crimean War patients, to assist her in gaining donations. After quoting her letter in full the magazine provides a satiric cartoon of the activity she describes, captioned "Our Own Vivandière," describing Seacole as a female sutler.
Lucy Maddox calls Look at the Harlequins! “an oblique, satiric self-portrait” (144). In Speak, Memory, Nabokov had written that much of his own life had appeared in his fictional works in the past, and that he felt as though he had lost these memories as they were crystallized into text, abstracted into fictions. His thoughts on the inevitably autobiographical nature of fiction seem to manifest, playfully, here.
Early revivals included The Gaiety Theatre, London (1885, with Marion Hood as Phoebe and Arthur Roberts as Barnacle) and Toole's Theatre (1886).Adams, p. 159 The satiric, cynical risqué story is based on the nautical poem and song of the same title by Richard Brinsley Sheridan, who is best known for "A School for Scandal." Strangely, a version of this adult- themed story was created for children and published in 1881.
The message falsely claimed that a satiric message to parents about student truancies and homework problems was actually on the school's answering machine. The message was originally written in response to parent outrage that students who skipped class more than ten days per 90-schoolday semester (not counting legitimate absences, like sickness) could receive a failing grade in that class. This was reported on several web sites, including Snopes, and BreakTheChain.org.
He concluded, "Memorable as most of these songs are, they never hook in—never give up the musical-verbal phrase that might encapsulate their every-which-way power." Billboards Ed Ochs described it as "candid and confessional, genuinely comic and gently satiric," but noted a "relationship of music to message [that] is noticeably off."Ochs, Ed. Review in Billboard, September 12, 1970, p. 10. Retrieved 26 February 2018.
He rated the film a "C+" overall. Michael Dequina of TheMovieReport.com gave one of the most positive reviews of the film. Praising the film's "smart, satiric in-jokes for the adults and broader slapstick for the young ones," Dequina said that the film was "one glorious example" of a family film that would appeal to the whole family, and rated the film with three and a half out of four stars.
As a guest of the Federal Foreign Office he visited Tallinn, the capital of Estonia, to write poems with the students of an Estonian school in 2016. He has published two books: Buch (2018) is a collection of short stories, while Dialoge is a collection of Floehr's tweets. Both books has been published by Lektora Verlag. Currently he is on tour with his satiric comedy programme Ich bin genau mein Humor.
His work on the third-season premiere, "Gay Witch Hunt", earned him a second Primetime Emmy Award nomination for Outstanding Directing for a Comedy Series. He also directed the series finale. For Showtime Independent Pictures, Kwapis wrote and directed Sexual Life (2005), loosely based on Arthur Schnitzler's satiric story taking place in fin-de-siècle Vienna, La Ronde. Kwapis' next feature was another adaptation, Sisterhood of the Traveling Pants (Warner Bros.
Causa Mortis is a satiric play by Jacob M. Appel that lampoons the modern medical establishment. The plot focuses on a woman, Eleanor, whose brain surgeon has accidentally left his watch in her skull.Feller, Madison. Warehouse Theatre presents 'Causa Mortis' Nov 8 2012 Her daughters urge her to have the timepiece extracted before it harms her, but every surgeon who attempts to remove it dies during the process.
All of Warren's work was published anonymously until 1790 when she published Poems, Dramatic and Miscellaneous, the first work bearing her name. The book contains eighteen political poems and two plays. The two dramas, The Sack of Rome and The Ladies of Castille, deal with liberty, social and moral values that were necessary to the success of the new republic. She wrote several plays, including the satiric The Adulateur (1772).
In 1975 she appeared in the satiric, beauty- pageant inspired motion picture Smile, as Miss San Diego's Shirley Tolstoy also starring a young Melanie Griffith and Annette O'Toole. Nickerson appeared in the 1978 film Zero to Sixty opposite Darren McGavin and Sylvia Miles, and TV film Child of Glass. She turned 21 in 1978, and quit acting. Nickerson found her parents had squandered her prior savings, so began a nursing career.
The group, like many others of the time, based most of their activities on shocking people. As a result of his new-found fame, Cohl was named editor of the group's spokes-piece, L'Hydropathe, on October 28, 1879. At about this time Émile's estranged father died, leaving him a modest legacy. Émile Cohl set out to discover his abilities, writing and producing two satiric plays that did very poorly.
Marvel Comics' superhero-satire comic book Not Brand Echh ran an initial 13 issues (cover- dated Aug. 1967 - May 1969),Not Brand Echh at the Grand Comics Database. with a 14th issue published in 2017. Editors Roy Thomas and Gary Friedrich pitched a comics series that would poke fun of other companies' characters, but Stan Lee decided that it should focus its satiric lens on Marvel's own output.
Francesco Marciuliano is the writer of the syndicated comic strips Sally Forth and Judge Parker. Marciuliano also wrote The New York Times bestselling book I Could Pee on This and Other Poems by Cats (2013), the national bestseller I Could Chew on This and Other Poems by Dogs (2013), and I Knead My Mommy and Other Poems by Kittens (2014). He also writes and draws the satiric webcomic Medium Large.
Her group of films, Blue Bananas and Other Meats (1973), extends the painted Male Landscapes into performances in which the male body is covered with an assortment of foods, much like the Spring Banquet by the Surrealist artist Meret Oppenheim. In the 1980s, her work focused on portraits and satiric anthropomorphic studies. In the 1990s she completed her Swimmers series, which was centered around the closeness of mother and child.
26 In 1922, Lăzăreanu annotated, prefaced and edited Caragiale's satiric verses, grouped into poetic cycles.Podoleanu, pp. 159, 160 The work was poorly reviewed by his colleagues in the literary press, who noted that Caragiale himself had made efforts to erase all memory of his work in verse. Lăzăreanu defended himself with chronicles in Adevărul Literar și Artistic, arguing that the Caragiale poems had documentary and, "sometimes", artistic value.
Carnival in Petrograd in about 1919 Archeology and direct evidence show a variety of musical instruments in ancient Russia. Authentic folk instruments include the Livenka (accordion) and woodwinds like zhaleika, svirel and kugikli, as well as numerous percussion instruments: buben, bubenci, kokshnik, korobochka, lozhki, rubel, treschetka, vertushka and zvonchalka. Chastushkas are a kind of Russian folk song with a long history. They are typically rapped, and are humorous or satiric.
Lantian was reorganized as a subdistrict from Lantian Town () in 1987. It is an ancient town with a history of more than 600 years. It is also the place, where the famous Chinese satiric novel Fortress Besieged was written by Qian Zhongshu served as a teacher of National Teacher' College (the current Hunan Normal University) in Lantan in 1940s.涟源历史沿革 / History of Loudi, see loudi.gov.
She was educated at the Hebrew University of Jerusalem for her B.A. and Cornell University for her MFA and PhD. She joined Amherst College as a professor of English and creative writing in 1988. She has also published short stories in The Massachusetts Review, Other Voices and Best Lesbian Love Stories 2005, as well as the critical study Common Ground: Eighteenth-Century English Satiric Fiction and the Poor.
The King's body is carried to the Plaça de la Vila where a satiric eulogy is delivered while the townspeople eat salty grilled sardines with bread and wine, suggesting the symbolic cannibalism of the communion ritual. Finally, amid rockets and explosions, the King's body is burned in a massive pyre. "Ploranyeres" weep for the death of His Majesty and the loss of pleasure. Donkeys of Solsona, hung in the tower bell.
Yiddish theatre consists of plays written and performed primarily by Jews in Yiddish, the language of the Central European Ashkenazi Jewish community. The range of Yiddish theatre is broad: operetta, musical comedy, and satiric or nostalgic revues; melodrama; naturalist drama; expressionist and modernist plays. At its height, its geographical scope was comparably broad: from the late 19th century until just before World War II, professional Yiddish theatre could be found throughout the heavily Jewish areas of Eastern and East Central Europe, but also in Berlin, London, Paris, Buenos Aires and New York City. Yiddish theatre's roots include the often satiric plays traditionally performed during religious holiday of Purim (known as Purim spiels); other masquerades such as the Dance of Death; the singing of cantors in the synagogues; Jewish secular song and dramatic improvisation; exposure to the theatre traditions of various European countries, and the Jewish literary culture that had grown in the wake of the Jewish enlightenment (Haskalah).
Funky Flashman is a fictional character, an entrepreneur in the DC Universe. Created by Jack Kirby, the character first appeared in the pages of Mister Miracle during the early 1970s. He is popularly considered a satiric caricature of Stan Lee, Kirby's former artistic collaborator at Marvel Comics with whom he had a falling-out. Flashman's attempts to rip off Mister Miracle reflect Kirby's view that Lee exploited his work at Marvel in the 1960s.
Today it retains the form it took during the post-war period, that is, a folklore event with distinct theatrical elements held in open air, creating a thematic unity combining satiric verses and carnival floats. Its folk muse themes cover a broad spectrum. A famous myth is usually chosen, through which the current socio-political situation is portrayed by using allegorical representation and symbolism. Public figures and current affairs issues are satirized through parallelism.
Robert Zaller writes that "in the first part of 'Birds and Fishes', Jeffers almost presents a satiric account of what nature would look like if seen in terms of human behavior". In the concluding lines the irony is gone. The poem maintains that life on earth is not concerned with "justice and mercy", but reflects a harsh beauty. This is in line with the non- anthropocentric worldview which Jeffers had labeled inhumanism.
Cultural historian Alan M. Wald author of American Night: The Literary Left in the Era of the Cold War describes the book as, "An artist of distinction, H.T. Tsiang created a genre unto itself in 1935 with The Hanging on Union Square. Its republication after seventy-five years rescues - from an outlaw existence - a strangely and beautifully evocative satiric allegory". Kaya Press, established in 1994, is a publisher of Asian Pacific Diasporas.
John Dryden (1631–1700) was an influential English poet, literary critic, translator, and playwright who dominated the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden. He established the heroic couplet as a standard form of English poetry. Dryden's greatest achievements were in satiric verse in works like the mock-heroic MacFlecknoe (1682).John Dryden, Major Works, ed.
He was a songwriter as well, specially satiric songs which criticized social and political problems. He also worked with "Omid Magazine", "Tehran Mosavar Magazine" and "Payam-e Irani Magazine". He was talented in Iranian traditional music, he composed the first national song of Iran and after the Iranian Revolution, in spite of oldness, he worked with "Gol Agha Magazine" for quite long. He died October 25, 1992, due to a heart attack.
Initially Hašek wrote mainly travel stories, features and humoresques, which he published in magazines. He wrote most of his works in Prague pubs.Klub přátel starého Smíchova, Jaroslav Hašek His prose was based on his own real experiences, confusing investigation of his actual life, because it is not always clear what is true and what is only poetic hyperbole. Hašek hated pretense, sentimentality, settled life, to which he ironically reacted in satiric verse.
Josef Skružný (March 15, 1871 in Prague – May 12, 1948) was a Czech writer and journalist. Skružný was taught stone-cutter but became a journalist for Humoristické listy, a political satire magazine, where he contributed with short stories and cartoon. During the 1910s was friend with other satirists, namely Josef Lada and Jaroslav Hašek. In the First Republic of Czechoslovakia Skružný was a popular author of dramatic and satiric novels, many of which were filmed.
Ellis (2001) Others, though, describe her writing as charming, original, ironic and complex. Maxwell, for example, comments that it contains "racy narrative", satiric comments" and moving lyricism". Arkin suggests that there is an element of the picaresque in the novel and argues this genre suits what she sees as the "transvestism" theme in the novel, as the "picaresque novel is about a rogue or delinquent" who contravenes "moral and civil laws".Arkin (1981) p.
In the novel, Archie jokes that he’s going to send out Christmas cards signed “Archie and Mehitabel,” implying that his wife’s name is Mehitabel. He isn’t married, and he’s making a reference to Archy and Mehitabel, a series of satiric essays and poems written by Don Marquis and originally published in the 1910s and ‘20s. Archy, the supposed writer of the pieces, is a cockroach, and his best friend is Mehitabel, a cat.
The Illustrious House of Ramires (Portuguese: A Ilustre Casa de Ramires) was the final novel written by the Portuguese writer José Maria de Eça de Queirós (1845-1900) and was published posthumously. A new English translation, by Margaret Jull Costa, was published in 2017, together with an Afterword by the translator. It has been described as a “satiric look at the existential state of Portuguese society on the brink of the modern age”.
Imperium is a 2012 satiric novel by the Swiss writer Christian Kracht. It recounts the story of August Engelhardt, a German who in the early 20th century founded a religious order in German New Guinea based on nudism and a diet consisting solely of coconuts. The fictionalized narrative is an ironic pastiche. The novel was well received by readers and literature critics alike and in 2012 was awarded the Wilhelm Raabe Literature Prize.
Nasreddin statue in Bukhara Like Abdulla Qodiriy and Gʻafur Gʻulom, Fitrat increasingly used satiric concepts in his stories from the 1920s onwards. Only a few years earlier, prose had started gaining ground in Central Asia; by including satirical elements, reformers like Fitrat succeeded in winning over the audience. These short stories were used in alphabetization campaigns, where traditional characters and mindsets were presented in a new, socially and politically relevant context.Kleinmichel 1993, p.
McCarthy completed her B.A. at Pembroke College, the private women's college of Brown University, in 1925. Between 1925 and 1927 McCarthy was a postgraduate student at the American School of Classical Studies in Athens. She was awarded an M.A. by the University of Missouri in 1927. McCarthy completed her PhD at Yale University in 1929 with a dissertation titled The originality of Lucian's Satiric Dialogues, under the supervision of A. M. Harmon.
His political satiric animation has also appeared on A Current Affair. Fyfe has worked with many of Australia's top publications including Mad Magazine and TV Week; he has featured in advertising campaigns for Cadbury, Pilot Pens and Schweppes. Between 2004 and 2005 he produced a series of animated shorts entitled Survive Alive for Foxtel's The Comedy Channel. In 2005 Andrew worked as political editorial cartoonist for The Sunday Telegraph and mX newspapers.
He painted portraits, genre and battle paintings, landscapes, sketches from the life. He worked in oil painting, pencil drawings, watercolors, and satiric posters. The most important paintings that brought recognition of Dmitry Oboznenko, were devoted to the theme of the Great Patriotic War, the image of the Russian soldier, a moral victory in the confrontation of cruelty and evil. In 1978 Dmitry Oboznenko was awarded the honorary title of Honored Artist of the RSFSR.
However, Tonik's lack of knowledge of diplomatic protocol and his falling in love with Princess Bianca, a damsel in distress held prisoner by the Sultan, leads to a series of romantic and fanciful adventures that transform the modern scientific space traveller into a hero rivalling the Baron. Among the exciting and satiric adventures are sword and sea battles with the Turks, being swallowed by a giant fish, and ending the conflict between two warring kingdoms.
Freddy and Fredericka is a satiric novel by Mark Helprin. The book was initially published on July 7, 2005 by Penguin Press. In an interview, Helprin said that the idea for the story originated while he was in a restaurant in Portland, Oregon, while on book tour with his family to promote A Soldier of the Great War. The restaurant had a window through which patrons could see some people cooking and others washing dishes.
The Three Fools ( / Trimata glupatsi) is a series of 11 short animated satiric films created and directed by the Bulgarian cartoonist Donyo Donev. The first episode was released in 1970 and the last one in 1990. The screenplays are written by Donyo Donev, Anastas Pavlov, Georgi Chavdarov, Dimo Bolyarov and Georgi Dumanov. In the series are used the typical for Donev simplified lines, deformed speech and interjections as well as drum' and bagpipe' sounds.
One of the most commonly cited examples of high burlesque is Alexander Pope's "sly, knowing and courtly" The Rape of the Lock.Sanders, pp. 290–91 Low burlesque applied an irreverent, mocking style to a serious subject; an example is Samuel Butler's poem Hudibras, which described the misadventures of a Puritan knight in satiric doggerel verse, using a colloquial idiom. Butler's addition to his comic poem of an ethical subtext made his caricatures into satire.
Most of the work Švandrlík ever published was humorous and satiric, but he is also known for his contribution in the books for children. Švandrlík contributed regularly to a number of magazines and newspapers such as ' and also to theatre. In his written work he often cooperated with Jiří Winter Neprakta, mostly coming up with texts for Winter's drafted jokes. He also wrote a number of screen plays and plays for radio shows.
Der Zar lässt sich photographieren (The Tsar Has his Photograph Taken') is an opera buffa in one act by Kurt Weill, op. 21. The German libretto was written by Georg Kaiser, and Weill composed the music in 1927. It is a Zeitoper, a genre of music theatre which used contemporary settings and characters, satiric plots which often include technology and machinery. Musically the Zeitoper genre tends to be eclectic and borrow from Jazz.
He has written or co-authored 15 books of non-fiction, personal travel and fiction. They include: EarthLove: Chronicles of the Rainforest War. A satiric Borneo eco-adventure that chronicles the fight to save the rainforest, its people, and orangutans from oil palm devastation.” James. C. Clad, former U.S. deputy assistant secretary of defense for Asia said EarthLove offers “a take- no prisoners antidote to dithering diplomats, impenetrable scientific studies, and finger-wagging scoldings.
Yadav confronts him and asks to be forgiven (in a patronising and satiric manner). The inebriated D.S.P. who is also present at the party tries to cool Singh's tempers by telling him such rules are inconsequential in small villages. Singh refuses to yield, which angers the D.S.P. who gives Singh a direct order to let the matter go. Singh stands firm, and states that he will let the situation go only if given written orders.
She presents social phenomena from a woman's perspective, using sarcasm, avoiding judgment and without trying to find solutions. She is known for her satiric videos about women's and family issues, often highlighting everyday life in Saudi Arabia. Dr. Hatoon Kadi started with comedy when she realized that there were plenty of Saudi Arabian internet comedians, but a lack women in the field. In 2014, she was named one of the BBC's 100 Women.
The cultural club hall is with 310 seats and the movie hall beside it – with 460 places. To the cultural club, there is an amateur mixed choir with about 50 singers, which in 1992 celebrated 90 years since its establishment. In 1993 a cultural club ensemble for folk songs and dances has been established as well. Recently the variety and satiric ensemble to the cultural club celebrated 75 years of its establishment.
To protest the passage of Proposition 8, musical theatre composer Marc Shaiman wrote a satiric mini-musical called "Prop 8 — The Musical"."Prop 8 — The Musical". The three-minute video was distributed on the internet at FunnyOrDie.com. The cast includes Jack Black (who plays Jesus), Nicole Parker, Neil Patrick Harris, John C. Reilly, Allison Janney, Andy Richter, Maya Rudolph, Margaret Cho, Rashida Jones, Kathy Najimy, Sarah Chalke, Jennifer Lewis, John Hill and other celebrities.
Waterhouse left behind a volume, published posthumously in December 1916, entitled Rail- Head and Other Poems. This contains only 24 pieces, most of them written before the war or before he arrived at the front. Some half a dozen are "trench" poems displaying powers of observation, precise expression and emerging satiric humour.Comment by David Giles Bancroft's School, Head of English (retired) One of the more famous poems in the book is "Bivouacs".
10 It was then presented in London, with a mostly new cast, at the Queen's Theatre, Long Acre, opening on 22 January 1868. It was part of a series of operatic burlesques and other broad comic pieces that Gilbert wrote in the late 1860s near the beginning of his playwriting career. It was modestly successful and introduced some themes and satiric techniques that Gilbert would later employ in his famous Savoy operas.
460/ vol.1 The battle of Mansurah was a source of inspiration for writers and poets of that time. One of the satiric poems ended with the following verses: "If they (the Franks) decide to return to take revenge or to commit a wicked deed, tell them :The house of Ibn Lokman is intact, the chains still there as well as the eunuch Sobih". —from stanza by Jamal ad-Din ibn Matruh.
In addition, Fox presents a well thought out set of continuity rules that explain traditional vampire powers (e.g. the need for a vampire's mass to go somewhere when transforming into a form smaller than the original form). His latest novel, The Good Humor Man, while a satiric homage to Ray Bradbury's Fahrenheit 451, still contains elements of horror. Fox and his family were out-of-state when Hurricane Katrina struck New Orleans.
In His Excellency, among other satiric targets, Gilbert ridicules Henry Labouchère's claims to impartiality in the song "When a gentleman supposes". Labouchère, whose lover Henrietta Hodson feuded with Gilbert in 1877,Vorder Bruegge, Andrew (Winthrop University). "W. S. Gilbert: Antiquarian Authenticity and Artistic Autocracy" . Paper presented at the Victorian Interdisciplinary Studies Association of the Western United States annual conference in October 2002, accessed 26 March 2008 had been a frequent theatrical critic of Gilbert's.
In North India and Pakistan, the term nazar battu can be used idiomatically in a satiric sense to allude to people or objects which are undesirable but must be tolerated. For instance, when it appeared that former military ruler Pervez Musharraf would insist on being accommodated institutionally as Pakistan made the transition to democracy with the 2008 general election, some press commentators alluded to him as the nazar battu of Pakistan's democracy.
Somerville's further statement that the 'dispersion of his flock' was due to Williams's 'immorality' becoming 'notorious' seems a groundless slander. No hint of it is conveyed in the satiric lampoon Orpheus, Priest of Nature 1781, which affirms, on the contrary, that Williams's principles were too strict for his hearers. The appellation 'Priest of Nature' is said to have been first given him by Franklin; 'Orpheus' ascribes it to 'a Socratic woollen-draper of Covent Garden'.
Donne's earliest poems showed a developed knowledge of English society coupled with sharp criticism of its problems. His satires dealt with common Elizabethan topics, such as corruption in the legal system, mediocre poets, and pompous courtiers. His images of sickness, vomit, manure, and plague reflected his strongly satiric view of a society populated by fools and knaves. His third satire, however, deals with the problem of true religion, a matter of great importance to Donne.
Set during the Luddite rebellion it included satiric and humorous parallels to the then Gordon Brown government and state of living in the UK. The show included songs from the 2003 album English Rebel Songs, and a rendition of Time Bomb where the cast and band would substitute the venue in the last lyric of the song, e.g. "Gateshead Sage is falling down". 2013 Chumbawamba and Red Ladder collaborated again on Big Society! Written by Boff Whalley.
A parody, also called a spoof, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or make fun of its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it — theme/content, author, style, etc. But a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g.
Serra was born in Rome, but moved to Milan in 1959. In 1975 he started working for L'Unità, then the official newspaper of the Italian Communist Party (PCI). Serra is a long-time left-wing supporter, although he abandoned PCI's successor, the Partito Democratico della Sinistra, in 1991, because of dissent against the party's directions. In 1986 he began to write satire for L'Unità satiric supplement Tango, winning the Satire Prize Forte dei Marmi the same year.
The post-punk genre fits best due to the time period, punk influence and experimental bent. Automatic Pilot continued to perform in San Francisco at various venues including the Castro Street Fair, the On Broadway Theater and the Valencia Rose gay performance space, venturing as far as the Chute II Bar in Reno. Automatic Pilot was covered regularly by local media including the San Francisco Chronicle."Satiric-Erotic New-Wave Band", page 61. San Francisco Chronicle, September 1, 1982.
Bernart Marti was a troubadour, composing poems and satires in Occitan, in the mid twelfth century. They show that he was influenced by his contemporaries Marcabru and knew Peire d'Alvernha, whom, in one poem, he accused of abandoning holy orders. Along with Peire, Gavaudan, and Bernart de Venzac he is sometimes placed in a hypothetical Marcabrunian school. His work is "enigmatic, ironic, and satiric", but has no following among later troubadours, according to Gaunt and Kay.
Epicureanism is the dominant influence, characterizing about twice as many of these odes as Stoicism. A group of odes combines these two influences in tense relationships, such as Odes 1.7, praising Stoic virility and devotion to public duty while also advocating private pleasures among friends. While generally favouring the Epicurean lifestyle, the lyric poet is as eclectic as the satiric poet, and in Odes 2.10 even proposes Aristotle's golden mean as a remedy for Rome's political troubles.
Critic Frank Lovece of Film Journal International found that, "DreamWorks' slapstick animated adaptation of the philosophically satiric comic strip ... is a lot of laughs and boasts a much tighter story than most animated features." Ken Fox of TVGuide.com called it "a sly satire of American 'enough is never enough' consumerism and blind progress at the expense of the environment. It's also very funny, and the little woodland critters that make up the cast are a kiddie-pleasing bunch".
Actor Kevin Bacon plays the Lewis character in the 2005 film Where The Truth Lies, based on a fictionalized version of Martin and Lewis. In the satiric novel, Funny Men, about singer/wild comic double act, the character Sigmund "Ziggy" Blissman, is based on Lewis. John Saleeby, writer for National Lampoon has a humor piece "Ten Things You Should Know About Jerry Lewis". In the animated cartoon Popeye's 20th Anniversary, Martin and Lewis are portrayed on the dais.
Kryl moved to Prague in 1968 as an assistant at Czechoslovak Television. In his spare time he performed his romantic and satiric folk songs in numerous small clubs. When the Warsaw Pact armies occupied Czechoslovakia on August 21, 1968, to suppress the Prague Spring reform movement, Kryl released his first album. The title song Bratříčku zavírej vrátka (Keep the Gate Closed, Little Brother) was composed spontaneously on August 22, 1968 as an immediate reaction to the occupation.
The Dream Girl is an operetta in three acts with music by Victor Herbert and book by Rida Johnson Young (who also wrote the lyrics) and Harold R. Atteridge. Based on the 1906 play The Road to Yesterday, by Beulah Marie Dix and Evelyn Greenleaf Sutherland, its satiric story concerns reincarnation. Additional music was written by Sigmund Romberg. The piece was Victor Herbert's last musical composition, and the work was produced posthumously on Broadway in 1924.
The parodic elements of Bach's "Cantate burlesque", Peasant Cantata are humorous in intent, making fun of the florid da capo arias then in fashion.Tilmouth, Michael. "Parody (ii)", Grove Music Online, Oxford Music Online, accessed 19 February 2012 Thereafter "parody" in music has generally been associated with humorous or satiric treatment of borrowed or imitative material. Later in the 18th century, Mozart parodied the lame melodies and routine forms of lesser composers of his day in his Musical Joke.
Zlata Kolarić- Kišur Starting with the poems collection Crna maslina (1955), love was the primary motif of her written opus. Incessantly working on romantic lyrical poetry, from the 1960s on, she published satiric verses directed at politics and the erotic. She wrote more than 20 works for children alone, the most prominent and widely performed being Mačak Džingiskan i Miki Trasi. She also wrote several drama pieces, the most significant of which is the ballad Marija i mornar. .
SubGenius leaders teach that most cultural and religious mores are the conspiracy's propaganda. They maintain that their followers, but not the pinks, are capable of developing an imagination; the Church teaches that Dobbs has empowered its members to see through these illusions. Owing to their descent from Yetis, the Church's followers have a capacity for deep understanding that the pinks lack. Cultural studies scholar Solomon Davidoff states that the Church develops a "satiric commentary" on religion, morality, and conspiracies.
Although also influenced by Goya (and by Diego Velázquez), his work in Madrid did partake of some of the socially critical aspects of the other painters of that city, but not of the satiric aspects: his portraits of common people emphasize their dignity, seldom their foibles. The dark vision of 20th-century Madrid painter José Gutiérrez Solana (1886–1945) was influenced by costumbrismo and also directly by the Black Paintings of Goya that had so influenced the costumbristas.
Through an objective attitude, she claimed an artist could maintain a position of 'masculine' detachment from the subjects being depicted. As a female artist of color, critics distinguished Marisol from Pop as a 'wise primitive' due to the folk and childlike qualities within her sculptures. Unlike Pop artists of the period, Marisol's sculpture acted as a satiric criticism of contemporary life in which her presence was included in the representations of upper middle- class femininity.Whiting, Cécile.
As the country "whitens", the economic importance of racial segregation in the South as a means of maintaining elite white economic and social status becomes increasingly apparent. The novel is known not only for its satiric bite and inventive plot machinations, but also for the caricatures of prominent figures of the American 1920s including W. E. B. Du Bois, Marcus Garvey, James Weldon Johnson, C. J. Walker and others. It is included in the 2012 collection: "Harlem Renaissance Novels".
"Replete with mock-scholarly footnotes and biographical information, The Works epitomizes Beerbohm's penchant for deflating pretentiousness with satiric imitation," wrote Ann Adams Cleary in the Dictionary of Literary Biography. "Anything large - ideas, ideals, literary works, London crowds - caused him dismay."'Dictionary of Literary Biography' Published by Gale (2000) In this, his first book, the 24-year-old Beerbohm announced gravely that he would now retire from letters, having said all there was to say. Of course, he did not.
Smith's supporters would be more successful at the subsequent Democratic convention, however, by which time the Klan had seriously weakened as a political force.Brian R. Farmer, American Conservatism: History, Theory, and Practice (Newcastle, UK: Cambridge Scholars Press, 2005), p. 210 Pattangall was a gifted and entertaining orator, well known for his caustic wit. This is exemplified in his volume "Meddybemps Letters" that included a "Hall of Fame" with bitterly satiric biographies of the leading Republicans of the time.
The diamonds affair, known in France as "l'affaire des diamants", was a major political scandal in the 5th French Republic. In 1973, the then Minister of Finance, president Valéry Giscard d'Estaing was offered two diamonds from the Emperor of the Central African Empire, the notorious dictator Bokassa I. The affair was unveiled by the satiric newspaper Le Canard Enchaîné on October 10, 1979, towards the end of Giscard's presidency. It contributed to Giscard losing his 1981 reelection bid.
Another satiric presentation of Platonic style government would be Robert A. Heinlein's Starship Troopers. His citizen can be compared to a Platonic Guardian, without the communal breeding and property, but still having a militaristic base. Although there are significant differences in the specifics of the system, Heinlein and Plato both describe systems of limited franchise, with a political class that has supposedly earned their power and wisely governs the whole. Republic is specifically attacked in Starship Troopers.
Loewenstein, Joseph. Ben Jonson and Possessive Authorship. Cambridge University Press (2002) page 22 It is thought that the two students, Studioso and Philomusus are in part portrayals of Shakespeare and Thomas Kyd. Of course Shakespeare never attended university, but for the students there might be some satiric pleasure in imagining such a character attempting Cambridge, meeting failure, and in the end being forced to return to the country life from whence he came, as occurs in the plays.
"O alienista" (translated as "The Psychiatrist" then "The Alienist") is a satiric novella written by the Brazilian author Machado de Assis (1839–1908). The story ran in Rio de Janeiro's newspaper A Estação (from 15 October 1881 to 15 March 1882), then was published in 1882 as part of the author's short-story collection Papéis avulsos ("Single Papers"). An English translation was published in 1963. In 1970, the story was adapted into the comedy film The Alienist.
Mel Gibson's Icon Productions bought the rights to Buckley's novel prior to its release. Initially, Gibson saw himself as starring as Nick Naylor in the adaptation. However, due to the satiric nature of the book, the studio lacked a way to film it and the project lacked a usable script. Reitman became interested in heading an adaptation after reading the book, and independently wrote a draft for Icon executives after he discovered they owned the rights to the film.
Queen Margaret's life is obscured by the legend of "Queen Margot", the myth of a nymphomaniac and incestuous woman in a damned family. Many slanders were spread throughout the life of the princess, but those in The Satiric Divorce (Le Divorce Satyrique) pamphlet probably written by Théodore Agrippa d'Aubigné versus King Henry IV were the ones that were most successful and were subsequently handed down as if they had been established.Moisan, p. 7; Casanova, p. 104.
Mosquitoes is a satiric novel by the American author William Faulkner. The book was first published in 1927 by the New York-based publishing house Boni & LiverightEdwin McDowell, "Faulkner Manuscript is Bought," New York Times, October 10, 1987, accessed May 12, 2012. ProQuest. and is the author's second novel. Sources conflict regarding whether Faulkner wrote Mosquitoes during his time living in Paris, beginning in 1925McDowell, "Faulkner Manuscript." or in Pascagoula, Mississippi in the summer of 1926.
While governor of Arkansas he was asked by host Rick Mercer of the Canadian satiric comedy news show This Hour Has 22 Minutes about Canada's decision to preserve its national igloo. Unaware to the fact that Canada has no national igloo, Mike Huckabee congratulated Canada for preserving it. In subsequent interview Rick Mercer explained that Huckabee had asked if it was a controversial igloo but that he wasn't aware that it was a fake news story.
Because of its structural potential for rhetorical effects, the elegiac couplet was also used by both Greek and Roman poets for witty, humorous, and satiric subject matter. Other than epitaphs, examples of ancient elegy as a poem of mourning include Catullus' Carmen 101, on his dead brother, and elegies by Propertius on his dead mistress Cynthia and a matriarch of the prominent Cornelian family. Ovid wrote elegies bemoaning his exile, which he likened to a death.
He is a recipient of the Auguste St. Gaudens Medal for Professional Achievement from Cooper Union (his alma mater), the Hamilton King Award from The Society of Illustrators, the Page One Award from the Newspaper Guild, the Best in Illustration Award from the National Cartoonists Society, the George Polk Award for Satiric Drawing, and the "Karikaturpreis der deutschen Anwaltschaft" from the Wilhelm Busch Museum in Hanover, Germany."Edward Sorel": Author Bios, The Nation magazine website. Accessed Sept. 12, 2010.
In the end, the townspeople wise up, and the scoundrels are ridden out on a rail. For Mencken, the episode epitomizes the hilarious dark side of America, where democracy, as defined by Mencken, is "the worship of jackals by jackasses." Such turns of phrase evoked the erudite cynicism and rapier sharpness of language displayed by Ambrose Bierce in his darkly-satiric The Devil's Dictionary. A noted curmudgeon, democratic in subjects attacked, Mencken savaged politics, hypocrisy, and social convention.
Vynález zkázy treats the scientific themes of Jules Verne's novels with gently satiric affection, implicitly praising Verne's style while deliberately pointing up the quaintness of the science involved. In an interview, Ludmila Zeman summed up the film's themes, saying that Verne "always warned that even if the future is technologically perfect with all these mod cons, it needs love, it needs poetry, it needs magic. He believed only these can make people feel happy and loved".
Hole in the Moon (; Hor B'Levana) is a 1964 Israeli avant-garde-satiric movie directed by Uri Zohar.Hor B'Levana (1964) @ imdbרפאל בשן, מונולוג של אורי זוהר - בהחלט, יש לי אימת ציבור!, מעריב, 20 בנובמבר 1964 The film was heavily influenced by the French New Wave, particularly the films of Jean-Luc Godard. It was a response to the Zionist dramas of the 1950s, and satirizes the form by showing the production of one of these films.
The character associated with dril is highly distinctive, often described as a bizarre reflection of a typical male American Internet user. Other social media users have repurposed dril's tweets for humorous or satiric effect in a variety of political and cultural contexts. Many of dril's tweets, phrases, and tropes have become familiar parts of Internet slang. The author behind dril remained unknown for years, with the few available details about the author's life fueling speculation about his identity.
The Physicists () is a satiric drama written in 1961 by Swiss writer Friedrich Dürrenmatt. Informed by the Second World War and the many recent advances in science and nuclear technology, the play deals with questions of scientific ethics and humanity's ability to handle its intellectual responsibilities. It is often recognized as his most impressive yet most easily understood work. The play was first performed in Zürich in 1962 and published the same year by Verlags AG "Die Arche".
The most famous groups are the chirigotas, the choirs, and the comparsas. The comparsas are well-known witty and satiric groups that train for the whole year to sing about politics, topics in the news, and everyday circumstances, while all of the members wear identical costumes. There is an official competition in Teatro Falla, where many of them compete for a group award. Their songs are all original compositions and are full of satire and wit.
In the 1970s, he collaborated with his sister, artist Marie Severin, on Marvel's sword and sorcery series, King Kull.Sanderson, Peter "1970s" in Gilbert (2008), p. 150 During this time he was by far the most prolific contributor to the satiric Cracked magazine, drawing television and movie parodies along with other features, including most of the magazine's covers. For Warren Publishing in the 1960s, he drew for the black-and-white comics magazines Blazing Combat and Creepy.
Clemens, later better known as Mark Twain, often dropped by the office since Whitney enjoyed his humor, and would borrow Whitney's cigars. Originally Whitney's newspapers were focused on an objective professional philosophy to "get the story first". However, as Twain became more popular, Whitney adopted the satiric humorist's style. They exchanged letters and Twain mocked Staley and the Hawaiian royalty as he toured the US and wrote his book Roughing It with a chapter on Hawaii.
Wilson was born in Evanston, Illinois, and was inspired by the work of the satiric Mad and Punch cartoonists, and 1950s science fiction films. His cartoons and prose fiction appeared regularly in Playboy, Collier's and The New Yorker for nearly 50 years. He published cartoons and film reviews for The Magazine of Fantasy & Science Fiction. From 1992 through end of publication, he prepared all the front covers for the annual book Passport to World Band Radio.
Chaplin biographer Jeffrey Vance, writing in 2003, believes A King in New York to be an important film within Chaplin's body of work. He concludes his lengthy examination of the film with the statement, "Although A King in New York targets the social and political climate of the 1950s, its satiric commentary is timeless. Despite its flaws, the film remains a fascinating study of life in America through the eyes of its most famous exile".Vance, Jeffrey.
London: Routledge, 18–40. The Marlovian, heroic mode of the Elizabethan tragedies is gone, replaced by a darker vision of heroic natures caught in environments of pervasive corruption. As a sharer in both the Globe and in the King's Men, Shakespeare never wrote for the boys' companies; however, his early Jacobean work is markedly influenced by the techniques of the new, satiric dramatists. One play, Troilus and Cressida, may even have been inspired by the War of the Theatres.
The Captain (formerly Captain ☠☠☠☠, with the crosses denoting censorship of an expletive) is a fictional character appearing in American comic books published by Marvel Comics. He is a satiric superhero appearing in the book Nextwave. He was created by Warren Ellis and Stuart Immonen and first appeared in Nextwave #1 (January 2006). In 2006 Editor-in- Chief Joe Quesada stated that Nextwave's setting was in a universe separate from the main Marvel continuity.
Bengali film stars were present in the screening of the film in March 2012.Celebs at Bhooter Bhabishyat premiere, The Times of India The Indian Express gave Bhooter Bhabishyat a four-star rating and described the film as "one of the most intelligent and satiric comedies one has seen in a long time".Bhooter Bhabishyat - The Future Of The Past (Bangla), The Indian Express The film was also released in Mumbai, Bangalore and Delhi in April 2012.
The Tune-Yards scored the satiric sci fi film Sorry to Bother You (2018). The film was shown at Sundance in January, then began a theatrical run in July. Its soundtrack songs are performed by the Coup, fronted by the film's director, Boots Riley. Riley said he started working with the Tune-Yards in "early 2015" to create the film's score, with demo tracks already available before the script was complete, and before the start of principal photography.
The Rise and Fall of Comrade Zylo () is an Albanian satiric novel written by Dritëro Agolli in 1972. It is Dritëro Agolli's most famous and critically acclaimed novel. The book was written during the communist regime in Albania, a time during which freedom of speech was very limited to non-existent.Allen Bosque: The other Albanian for “Le Figaro”, dated 26 July 1990 The composition of the whole book is similar to that of a report, record or official biography.
Cheriya Manushyarum Valiya Lokavum (Small Men and the Big World) is a cartoon by the film director G. Aravindan. The serial cartoon was published in the last page of Malayalam weekly, Mathrubhumi from 1961 to 1973. right The cartoon dealt with the adventures of the central characters Ramu and Guruji, mingled with political and social satires. Characters in the cartoon literally depicted the socio-political and cultural issues of Kerala with a very special satiric touch.
Middle Village, NY: Jonathan David Publishers. p. 42. Two of his early works, the story "Dos kleyne mentshele" (דאס קליינע מענטשעלע), and the unstaged 1869 drama Di Takse (The Tax), condemned the corruption by which religious taxes (in the latter case, specifically the tax on kosher meat) were diverted to benefit community leaders rather than the poor. This satiric tendency continued in Di Klatshe (The Nag; 1873) about a prince, a stand-in for the Jewish people, who is bewitched and becomes a much put-upon beast of burden, but maintains his moral superiority throughout his sufferings (a theme evidently influenced by Apuleius's classical picaresque novel The Golden Ass). His later work became more humane and less satiric, starting with Fishke der Krumer (פישקע דער קרומער; written 1868-1888) - which was adapted as a film of the same title in 1939 (known in English as The Light Ahead) - and continuing with the unfinished Masoes Benyomin Hashlishi (מסעות בנימין השלישי; The Travels of Benjamin III; 1878), something of a Jewish Don Quixote.
She once ran a satiric campaign for governor of Maine. In 2008, she published The School on Heart's Content Road, which deals with a polygamist compound in Maine under scrutiny after an article on them goes national. The project was originally a novel of more than 2,000 pages, which has since been broken up into a projected five-part cycle. This was followed up by Treat Us Like Dogs and We Will Become Wolves (2014) and The Recipe for Revolution (2020).
For example, accenting the last syllable of "lily" and rhyming it with "die" parodies two of these devices at once.Williams, p. 175, discussing the parody of poetic styles in Patience, including Gilbert's satiric use of the poetic devices criticised in Robert Williams Buchanan's essay "The Fleshly School of Poetry", The Contemporary Review, October 1871. On 10 October 1881, during its original run, Patience transferred to the new Savoy Theatre, the first public building in the world lit entirely by electric light.
Narek Margaryan (, ) (born September 14, 1983 in Yerevan, Soviet Union) is an Armenian comedian, screenwriter and TV host. Since 2007 with his friend, comedian and writer Sergey Sargsyan he wrote, directed and performed a series of stand up comedy shows. In 2009 Narek Margaryan and Sergey Sargsyan started ArmComedy first satiric news site in Armenia giving a fresh, funny and controversial interpretation of on current Armenian social and political developments. In 2010 ArmComedy won ArmNet Award for Armenian website with best content .
Variety described it as a "stillborn satiric comedy".Variety, 31 December 1988. [retrieved 25 January 2011] The producer of the film, Marin Karmitz, registered a substantial financial loss from the film's commercial flop, and was unable to engage in further production work for the next 18 months. He nevertheless continued to declare his support for what he regarded as one of Resnais's most important films, describing it as "a great film about death, and about the death of certain cultures".
The group was founded by Ryan S Ballard and Kirah Haubrich in the fall of 2010 when the two were at The Saturn Bar. They were soon joined by local attorney Brett Powers, and together they comprise the original three "Overlords" of the Krewe. Chewbacchus marched for the first time during Mardi Gras 2011 near the Uptown parade route on "Bacchus" Sunday as a satiric mashup of Bacchus, the Roman god of wine, and Chewbacca, the Wookiee from Star Wars.
In his later years, Marquand contributed an occasional satiric short story to Sports Illustrated. A collection was later published as a book, with the title Life at Happy Knoll. The stories humorously dealt with the problems of an "old-line" country club as it tried to adjust to changing times and a competing "upstart" country club nearby. John Phillips Marquand, Jr. (1924 - 1995) followed in his father's footsteps, using the pseudonym John Phillips, with the best-selling 1953 novel The Second Happiest Day.
These included Douglas Jerrold, Angus Reach, John Leech, Richard Doyle, and Shirley Brooks. Initially, it was subtitled The London Charivari, this being a reference to a satirical humour magazine published in France under the title Le Charivari (a work read often whilst Mayhew was in Paris). Reflecting their satiric and humorous intent, the two editors took for their name and masthead the anarchic glove puppet Mr. Punch. Punch was an unexpected success, selling about 6,000 copies a week in the early years.
Subsequent issues contained work by artists such as Roberto Baldazzini, Richard Corben, Tony Salmons, Bart Sears and Gray Morrow. The magazine's early issues avoided hardcore sex in favor of "soft-core erotica" and satiric humor that poked fun at various popular genres and popular culture. Sold on newsstands, the periodical debuted in a squarebound magazine format 10¾" x 8¼" (27.5 cm x 20.7 cm). With issue #11, the size was reduced to 10½" x 8" (26.7 cm x 20.4 cm).
Petit de Julleville sees in the play a satiric intention and a veiled incredulity that put the piece outside the category of liturgical drama. A rhymed Latin account of a dispute in which the nuns of Ronceray at Angers were concerned, contained in a cartulary of Ronceray, is also ascribed to the poet, who there calls himself Hilarius Canonicus. The poem is printed in the Bibliothèque de l'Ecole des Chartes (vol. xxxvu. 1876), and was dated by Paul Marchegay from 1121.
The writers William Faulkner and O. Henry worked for The Times-Picayune. The Louisiana historian Sue Eakin was formerly a Times- Picayune columnist. A weekly political column is penned by Robert "Bob" Mann, a Democrat who holds the Douglas Manship Chair of Journalism at Louisiana State University in Baton Rouge. The Times-Picayune was the longtime journalistic home of British-American satiric columnist James Gill, although he moved to The Advocate in 2013, along with many former Times-Picayune editorial staffers.
Satiric depiction of the Carlists (1869) In August 1870, they selected an Italian prince, Amadeo of Savoy. The younger son of Victor Emmanuel II of Italy, Amadeo had less of the troublesome political baggage that a German or French claimant would bring, and his liberal credentials were strong. He was elected King as Amadeo I of Spain on November 3, 1870. He landed in Cartagena on November 27, the same day that Juan Prim was assassinated while leaving the Cortes.
His strong satiric tendency led him into numerous controversies, the chief that with the critic Thomas Thorild, against whom he directed his satire Nytt försök till orimmad vers, where he also sneers at the "raving of Shakespeare" and "the convulsions of Goethe." His lack of humour detracts from the interest of his polemical writings. His poetical works are partly lyrical, partly dramatic; his plays are based on plots by Gustavus III. The songs interspersed in the four operas which they produced together, viz.
In her review for Silverscreen.in, Aswathy Gopalakrishnan pointed out that Rahman turns the trunk box of ammunition that the Kerala government promises to send to Chhattisgarh into a fine metaphor for the disjointed and partly dysfunctional system that holds India together. Navamy Sudhish of The Hindu felt that the director treated the audience to an immensely realistic narrative, part satiric and part poignant. In the film Mammootty plays a very human character and redefines the idea of manliness in display of weakness.
Ricardo Palma published his first verses and became the editor of a political and satiric newssheet called El Diablo (The Devil) at 15. During his early years, Ricardo Palma composed romantic dramas (which he later repudiated) and poetry. His first book of verse, Poesías (Poems), appeared in 1855. He gained an early reputation as a historian with his book on the activities of the Spanish Inquisition during the period of the Viceroyalty of Peru (Anales De La Inquisicion De Lima: Estudio Historico, 1863).
'" True to its forerunner's reputation, the early days of The Eyeopener were marked by clashes with the administration and student government alike. In January 1970, the chair of Ryerson's board of governors, William Kelly, threatened to sue for libel after a satiric article appeared under his byline. In October 1971, Ryerson president Donald Mordell decided that any campus publication that discussed the board of governors should be subject to the president's approval. The Eyeopener responded with a front-page editorial, headed "A Proclamation.
On Rotten Tomatoes, the film has a 98% rating based on 47 reviews with an average rating of 8.7/10. The site's critical consensus reads "Brazil, Terry Gilliam's visionary Orwellian fantasy, is an audacious dark comedy, filled with strange, imaginative visuals." On Metacritic, it has a score of 84 out of 100 based on 18 reviews, indicating "universal acclaim". Los Angeles Times critic Kenneth Turan described the film as "the most potent piece of satiric political cinema since Dr. Strangelove".
Snow Crash established Stephenson as a major science fiction writer of the 1990s. The book appeared on Time magazine's list of 100 all-time best English-language novels written since 1923. Some critics have considered it a parody of cyberpunk and mentioned its satiric or absurdist humor. In his book The Shape of the Signifier: 1967 to the End of History, Walter Benn Michaels targets Stephenson's view that "languages are codes" rather than a grouping of letters and sounds to be interpreted.
In 1621, he returned to the satiric vein with Wither's Motto: Nec habeo, nec careo, nec curo (Latin for "I have not, I want not, I care not"). It was said to be libellous, and Wither, for the second time, was imprisoned, but shortly afterwards released. In 1622 appeared his Faire-Virtue, The Mistresse of Phil Arete, a long panegyric of a mistress, partly real, partly allegorical, written chiefly in the seven-syllabled verse of which he was a master.
Beresina, or the Last Days of Switzerland () is a 1999 satiric comedy film by Swiss director Daniel Schmid. It chronicles the story of Irina, a Russian call girl arriving in Switzerland, whose innocent attempt to live the high life there triggers an unintended coup d'état in the country. The title Beresina refers to the Beresinalied, a patriotic song used as the code for initiating the putsch. The film is a black comedy where all aspects of Swiss life are satirized in anecdotes.
See William Caxton's preface to his 1485 edition. Popular literature also drew on themes of romance, but with ironic, satiric or burlesque intent. Romances reworked legends, fairy tales, and history, but by about 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in Don Quixote (1605). Still, the modern image of the medieval is more influenced by the romance than by any other medieval genre, and the word "medieval" evokes knights, distressed damsels, dragons, and such tropes.
82–91 Margaret Douglass (Dolly Bloomer), 332x332px McCracken broke her Warner Brothers contract and went back to Broadway to appear in the musical Bloomer Girl (1944), set during the U.S. Civil War, which is widely considered to be the first Broadway musical about feminism. She received rave reviews for her performance, which combined comedy acting with dance. While not the highest- billed star in that show, her performance, especially of the satiric striptease "T'morra, T'morra," enhanced her reputation as a comic performer.Sagolla, pp.
These contrasts are well known throughout Sweden and often appear in TV, films, literature and folklore connected to Norrbotten, for characterizing, satiric or dramatic purposes (e.g. some characters in the books of Eyvind Johnson or the police detective Einar Rönn in the crime novels of Maj Sjöwall and Per Wahlöö). The coast has the historical cities of Luleå and Piteå. Luleå's Gammelstad ("Old town"), which is 10 km north of the present downtown, has been declared a UNESCO World Heritage Site.
Martin also co-starred with Shirley MacLaine in a number of films, including Some Came Running, Artists and Models, Career, All in a Night's Work, and What a Way to Go! He played a satiric variation of his own womanizing persona as Las Vegas singer "Dino" in Billy Wilder's comedy Kiss Me, Stupid (1964) with Kim Novak, and he poked fun at his image in films such as the Matt Helm spy spoofs of the 1960s, in which he was a co-producer.
Phyllis McGinley (March 21, 1905 – February 22, 1978) was an American author of children's books and poetry. Her poetry was in the style of light verse, specializing in humor, satiric tone and the positive aspects of suburban life. She won a Pulitzer prize in 1961. McGinley enjoyed a wide readership in her lifetime, publishing her work in newspapers and women's magazines such as the Ladies Home Journal, as well as in literary periodicals, including The New Yorker, The Saturday Review and The Atlantic.
Barrett resigned the NDP leadership and her seat in 2000 after having what she claimed to be a near- death experience in a dentist's chair. After her retirement from politics she went on a "spiritual search". Her near death-experience was a subject of both serious and satiric attention in the Canadian media. She was parodied on the CBC Television show The Royal Canadian Air Farce and featured on the front cover of the May 2000 issue of lifestyle magazine Elm Street.
In his plays, Shakespeare himself seemed to be a satiric critic of sonnets—the allusions to them are often scornful. Then Shakespeare went on to create one of the longest sonnet-sequences of his era, a sequence that took some sharp turns away from the tradition. He may have been inspired out of literary ambition, and a desire to carve new paths apart from the well-worn tradition. Or he may have been inspired by biographical elements in his life.
Some of Picasso's other famous paintings also incorporate parts of his life, such as his love affairs, into his paintings. For example, his painting Les Trois Danseuses, or The Three Dancers, is about a love triangle. Other types of remixes in art are parodies. A parody in contemporary usage, is a work created to mock, comment on, or make fun at an original work, its subject, author, style, or some other target, by means of humorous, satiric or ironic imitation.
Hayford Peirce (born January 7, 1942 in Bangor, Maine) is an American writer of science fiction, mysteries, and spy thrillers. He attended Phillips Exeter Academy and received his BA from Harvard College. He has written numerous short stories for the science-fiction magazines Analog, Galaxy, and Omni, as well as mystery shorts for Alfred Hitchcock's Mystery Magazine and Ellery Queen's Mystery Magazine. Most of his stories are light-hearted and satiric in tone, with elements of black humor and occasional surprising grimness.
That Was the Year That Was (1965) is a live album recorded at the hungry i in San Francisco, containing performances by Tom Lehrer of satiric topical songs he originally wrote for the NBC television series That Was The Week That Was, known informally as TW3 (1964–65). All of the songs related to items then in the news. The album peaked at #18 on Billboard's Top 200 Albums on January 8, 1966 and was on the chart for 51 weeks.
Not Brand Echh is a satiric comic book series published by Marvel Comics that parodied its own superhero stories as well as those of other comics publishers. Running for 13 issues (cover-dated Aug. 1967 to May 1969), it included among its contributors such notable writers and artists as Stan Lee, Jack Kirby, Gene Colan, Bill Everett, John and Marie Severin, and Roy Thomas. With issue #9, it became a 68-page, 25¢ "giant", relative to the typical 12¢ comics of the times.
She drew stories of the Sub-Mariner and the Hulk, and the covers or interiors of titles including Iron Man, Conan the Barbarian, Kull the Conqueror, The Cat,Sanderson "1970s" in Gilbert (2008), p. 157: "Written by Linda Fite and originally drawn by Marie Severin, the series lasted merely four issues, but the Cat later became Tigra." and Daredevil. Additionally, she worked on Marvel's satiric humor magazine Crazy Magazine, as well as the company's self-lampooning comic book, Not Brand Echh.
Already after his death there was published his satiric tale-poem "Travel to the country of Vice-versa" (1964). The fullest collection of Symonenko's works was published abroad under the title "Берег чекань" ("Shore of anticipation") in Munich (1963). In 1967 the publishing house "Smoloskyp" was created in Baltimore by Ukrainian emigrants and named after Vasyl Symonenko.Smoloskyp official website In December, 2008, the National Bank of Ukraine issued into circulation a commemorative coin "Vasyl Symonenko" within "Outstanding Personalities of Ukraine" series.
In his review for New York, John Simon described it as "above all else, embarrassing" and called the writing "uniformly feeble." He thought the interpolated songs were "not great stuff" and added, "[T]hough Miss Newman is a talented musical comedienne, she cannot make them into more than they are." He did praise "a medley of old songs glorifying woman as sex object or domestic drudge - which she renders with delightful satiric brio."New York, July 9-16, 1979, pp.
" He also praises the "lovely ballad singing of Rita Martinson." A Los Angeles Times reviewer, after viewing the 2009 remastered version, described the show as a "fascinating documentary" that "mixes protest songs with broad and bawdy skits, taking potshots at military chauvinism and top-brass privilege." He concluded, "what it lacks in finesse, it makes up for with a raucous energy." The Harvard Crimson described the film as "bouncing through satiric routines on the bungling authority that got us involved in Vietnam.
Les brigands has a more substantial plot than many Offenbach operettas and integrates the songs more completely into the story. The forces of law and order are represented by the bumbling carabinieri, whose exaggerated attire delighted the Parisian audience during the premiere. In addition to policemen, financiers receive satiric treatment. The satire counterpoints lively musical romps and the frequent use of Italian and Spanish rhythms; "Soyez pitoyables" is a true canon, and each act finale is a well-developed whole.
Lucky You is a 1997 novel by Carl Hiaasen. It is set in Florida, and recounts the story of JoLayne Lucks, a black woman who is one of two winners of a lottery. The book parodies paranoid militia movement groups that believe in somewhat bizarre conspiracy theories. It also takes a satiric look at the fictional community of Grange, Florida, (based on the real community of Cassadaga) and its cottage tourist industry based on the "discovery" of various religious miracles.
His best-known poem is the noble elegy on the death of Pushkin, a poem closing the Golden Age of Russian Poetry. In his short prose piece "European Letters" (1820), a 26th-century American travels in Europe, which has fallen back into barbarism. In the satiric fragment "Land of the Headless" (Земля безглавцев, 1824), the protagonist travels to the Moon and finds a dystopian state there. During the doomed Decembrist Uprising, he made an attempt on the life of the tsar's brother Michael.
The digression was also used for non-satiric purposes in fiction. In Henry Fielding's The History of Tom Jones, a Foundling, the author has numerous asides and digressive statements that are a side-fiction, and this sort of digression within chapters shows up later in the work of Charles Dickens, Machado de Assis, William Makepeace Thackeray, Herman Melville, Victor Hugo and others. The novels of Leo Tolstoy, J.D. Salinger, Marcel Proust, Henry Miller, Milan Kundera and Robert Musil are also full of digressions.
Chris Carter was somewhat disappointed in the reaction that the episode received, stating that there were hints to the satiric nature of the episode strewn throughout "Syzygy" that fans simply did not understand. Other fans understood what transpired, but disliked the episode due to their desire for Mulder and Scully to become a romantically involved couple. X-Files fans in San Francisco printed up T-shirts featuring the phrase "Sure. Fine. Whatever." spoken multiple times by Scully in this episode.
1st edition (publ. Faber & Faber) The Dance of Death is a one-act play in verse and prose by W. H. Auden, published in 1933. The Dance of Death is a satiric musical extravaganza that portrays the "death inside" the middle classes as a silent dancer. The dancer first attempts to keep himself alive through escapism at a resort hotel, then through nationalistic enthusiasm, then through idealism, then through a New Year's party at a brothel, before he finally dies.
An abridgement of Taming the Tiger in five episodes was read on RNZ National Radio on 23–27 July 2012. Morrissey's novel, Tropic of Skorpeo, published in 2012, is a satiric sci-fi fantasy in thriller mode. Between 2000 and 2013, Michael Morrissey contributed a monthly book review column to Investigate magazine (since renamed and reformatted as HIS/HERS). He has also reviewed books for Listener, Landfall, Islands, The Sunday Star-Times, the New Zealand Herald, The Press, Printout, and Quote Unquote.
Tsereteli was a close friend of Prince Ilia Chavchavadze, a Georgian progressive intellectual youth leader. The young adult generation of Georgians during the 1860s, led by Chavchavdze and Tsereteli, protested against the Tsarist regime and campaigned for cultural revival and self-determination of the Georgians. He is an author of hundreds of patriotic, historical, lyrical and satiric poems, also humoristic stories and autobiographic novel. Tsereteli was also active in educational, journalistic and theatrical activities. The famous Georgian folk song Suliko is based on Tsereteli’s lyrics.
Same year Narek Margaryan and Sergey Sargsyan start producing satiric news show series for the Internet under the title 3D Update. After 19 episodes, the show was rebooted as NewsՀաբ and ran on CivilNet Internet television channel for 42 episodes. In March 2012 the show moved to ArmNews TV channel and in 2015 on ATV where it currently runs under a new title ArmComedyArmComedy . It is the first show in Armenia to start as a web series and make a transition from web to network television.
Poster Boy is a decentralized group of vandals. Since the beginning, Poster Boy has remained anonymous and refuse to sell or sign any original work. The collective's work focuses the principles of hip hop, specifically the element of graffiti, by limiting almost all work to improvisation. Using only a razor blade, Poster Boy creates satiric collage-like works created by cutting out sections of the self-adhesive advertisement posters in the platforms of New York City Subway stations, and pasting them back in different positions.
Mary Latter, the daughter of a country attorney, was born at Henley-on-Thames in 1725. She settled at Reading, Berkshire, where her mother, a milliner, died in 1748. Her income was small, and she indulged a propensity for witty and satiric poetry, winning at least one comparison with Swift. Among her early attempts were some verses descriptive of the persons and characters of several ladies in Reading, which she thought proper to disown in a rhymed advertisement inserted in the Reading Mercury, 17 November 1740.
Bernstein and Ritchie's modified screenplay based on Jenkins' book includes a storyline with "satiric jabs" at new religions, self-improvement, and the Human Potential Movement. A form of Rolfing is also parodied in the film by Lotte Lenya, whose character Clara Pelf is seen as a spoof of "a Rolf-like masseuse". Big Ed Bookman is seen crawling around on all fours practicing something called "creep therapy" or "movagenics". Movagenics is seen in the film as a way for individuals to find their "lost center of consciousness".
Caricature of Darwin contemplating a bustle, from Fun, 16th Nov, 1872 Like Punch, the journal published satiric verse and parodies, as well as political and literary criticism, sports and travel information. These were often illustrated or accompanied by topical cartoons (often of a political nature). The Punch mascot, Mr. Punch, and his dog Toby were lampooned by Fun's jester, Mr. Fun, and his cat.Fun (1861–1901), Bodleian Library, accessed 21 July 2012 The magazine was aimed at a well- educated readership interested in politics, literature, and theatre.
His 1994 comic novel In Cahoots was about real estate speculation in California. A story about a real-life rancher from Colorado who adopts a baby elephant was the impetus for his 2001 book The Cowboy and His Elephant. Roberts Ridge, about Navy Seals operating in Afghanistan, was published in 2005. His 2007 book Hocus POTUS was a satiric novel about the search for weapons of mass destruction, based on his reporting in a freelance assignment for Time magazine in Iraq after the 2003 invasion of Iraq.
At the end of the play satiric verses are recited that are related to the political or public life of the local area and that everyone awaits with delight. This could have been the origin of the ball de diables. Starting from a character that each time was taking more prominence and exceeding the importance of the original play, and as a result the devil part became the most popular one. The first written account of a ball de diables, according to Joan Amades, was in 1150.
He worked there for only a few months and returned to the Saint Petersburg Lensoviet Theatre. Between 1995–1996, he worked as presenter of regional TV in the department of music and information programs. In 1998, he acted in three pictures at once. In the satiric romantic drama directed by Dmitry Meskhiev, Women's Property, Khabensky played the lead role of Andrei Kalinin, a young aspiring actor who decides to seduce the aging actress and professor of a teaching institute Elizaveta Kaminskaya, played by Yelena Safonova.
On the same evening, there is an event called the burning of the Pust. Pust is a puppet, that has some satiric name, very often after some politician, and he is blamed for all the bad things that happened in the preceding year. This event is held in Rijeka harbor, and before he is taken to the sea, a reading of charges is held, where a spokesman reads all of his sins. Afterwards, a boat takes the Pust to the sea and it is burned there.
His first publications were The Dancer (1951), as Jargon, no. 2, 1951, by The Sad Devil Press/Black Mountain College; The Dutiful Son (1956) by Jonathan Williams's Jargon Society, reprinted by LeRoi Jones's Totem Press in 1961, The Love Bit and Other Poems (1962), again with Totem. His satiric Western drama The Great American Desert was the first play produced by Robert Nichols, directed by Lawrence Kornfeld, who had been with the Living Theatre, at the Judson Poets' Theatre. It opened on November 18, 1961.
His poems deal with raids and other subjects of nomadic desert life. He also wrote satirical poems and poems about the glory of his tribe, but in his verses he was less satiric than most of his brother poets. He strove to express deep thoughts in simple words, to be clear and by his clear phrases to teach his people high and noble ideas. He was a man of rank and wealth, the foremost of a family noted for their poetic skill and religious earnestness.
Luca Bassanese (born 18 December 1975, Vicenza, Italy) is an Italian singer, songwriter, actor, writer and musician, very practicing in social issues. He won the MEI Plate 2015 (Independent Labels Meeting) as best folk music artist, the Recanati Musicultura Award and the Certificate of merit for the Civil Commitment (National Award "Marcello Torre"). Bassanese is one of the most important exponent of the new Italian folk music. His lyrics are both poetic and satiric and denounce the contradictions of his country through an unconventional (original) language.
It became his habit to first think a subject matter through in his mind before reading what others had written about it. He especially worked on the problem about the freedom of press and its limits, which among other things the recent conviction of the satiric poet Peter Andreas Heiberg had incurred in Danish debate. In his solitude he expressed his thoughts on the matter in writing and the first of his many treaties on the subject was published in the Minerva in March 1791.
William Powell Frith's satiric painting of 1883 contrasts women's Aesthetic dress (left and right) with fashionable attire (center) at a private view. Detail of A Private View at the Royal Academy, 1881. Artistic Dress was a fashion movement in the second half of the nineteenth century that rejected highly structured and heavily trimmed Victorian trends in favour of beautiful materials and simplicity of design. It arguably developed in Britain in the early 1850s, influenced by artistic circles such as the Pre-Raphaelites, and Dress Reform movements.
"No Way to Stop It" is one of only two numbers in the play in which Max and Elsa sing. Along with "How Can Love Survive?", which was also cut from the film, it is the only number that addresses her relationship with the Captain. The satiric, cynical number, which is about "amoral political compromising" (and in fact an anti-protest song), is theorised by Broadway Musicals: A Hundred Year History to be the first-ever rock song to be introduced to a Broadway musical.
A Rebel in Defense of Tradition: The Life and Politics of Dwight Macdonald. New York: Basic Books, 1994. (to borrow the title of Macdonald's biographer Michael Wreszin), H.L. Mencken, more characteristically negative in tenor than constructive, programmatic or partisan – Mencken's claim that "one horse-laugh is worth ten thousand syllogisms" might well have been Macdonald's own.And it was no accident, to speak after the old-Marxist schema, that one whose satiric wit would often take the form of stylistic parody of his antagonists in both politics (e.g.
In 1679 he returned to Brazil as a widower. He was married for a second time in 1691 to Maria dos Povos, but led a rather bohemian life. A malcontent, he criticized everyone and everything: the church, government and all classes of people, from the rich and powerful to the lowly pauper, sparing no race or profession. His irreverent and satiric writings eventually got him into trouble, and Gregório was exiled to Portuguese Angola in 1694, where he is said to have contracted a lethal disease.
Belinsky and others saw The Overcoat as the inspiration for the novel. Later critics stated that the sentimental- humanitarian Poor Folk contained a great deal of parody and satire of Gogol books; however, there are some dissenters. Karin Jeanette Harmon guesses in "Double Parody Equals Anti-Parody" that Dostoyevsky mixes the parody of the sentimental epistolary novel with the parody of the naturalistic sketch of the clerk. Robert Payne rejects the idea of any satiric content; he notes that satire began in The Double.
Before moving from Australia to London, Dyson was a caricaturist for The Bulletin and occasionally for Melbourne's Herald newspaper, he drew with a 'cruel and biting' style. During World War I, Dyson became known for his war cartoons, with a satiric tone. He was commissioned as a lieutenant and sent to the Western Front, the 'mission was to make characteristic drawings of life in the trenches', making him Australia's first war artist. The frontline experience impacted him, changing his cartooning direction from the militarists to the 'sufferers'.
The works of the Kangaroo Chronicles are not actual chronicles but satiric and episodic novels. The books show a high degree of allusions, intertextuality, word play, punch lines and running gags. All four books reference popular culture and contain homages to movies (among them Star Wars, The Lord of the Rings, Fight Club) and literature. The allusions to the Viet Cong, the GDR, the history of communist ideology and its various movements, politics and contemporary history require a certain amount of historical and general knowledge.
In addition to feature films, Republic commissioned Robert Clampett to make one cartoon in Trucolor, It's a Grand Old Nag. From 1952 to 1955 Republic released a series of 32 travelogues in Trucolor called This World of Ours produced by Carl Dudley. The studio also commissioned Leonard L. Levinson to make four limited animation cartoon satiric travelogues called Jerky Journeys using the process. The live-action travelogue Carnival in Munich, written by Sloan Nibley, and Zanzabuku, filmed in Africa by Lewis Cotlow, are two other Trucolor productions.
The story was reprinted in the New York Transcript on September 2–5, 1835, under the headline "Lunar Discoveries, Extraordinary Aerial Voyage by Baron Hans Pfaall". Poe described a voyage to the Moon in a hot-air balloon, in which Pfaall lives for five years on the Moon with lunarians and sends back a lunarian to earth. The Poe Moon hoax was less successful because of the satiric and comical tone of the account. Locke was able to upstage Poe and to steal his thunder.
Francis Garasse(1585-1631) was a French Jesuit, preacher, and writer. He was the Jesuitical writer, notable, for his wit and buffoonery, but more distinguished himself by his writings which were bold, licentious, scurrilous, and produced much controversy. This controversial and satiric writer is chiefly remembered as the first author of irreconcilable enmity between Jesuits and Jansenists, in the church of Rome, with his publication entitled La Somme Theologique des Verites Capitales de la Religion Chretienne (Theological Summary of the Capital Truths of the Christian Religion).
The novel pictures an ironic and satiric form of absurdity in the socialist army not long after the end of WWII. Without taking in consideration the cold war at the time and the fact that former Czechoslovakia was on the front line of potential armed conflict, Švandrlík focuses on day to day joys and sorrows of soldiers at Auxiliary Technical Unit (In Czech called Pomocný technický prapor) at which he allegedly served his time. The story takes place on Zelená Hora Castle in town of Nepomuk.
Satiric skit mocking fat traders who come to fleece the villagers In Gavari, the beauty and power of the natural world are the ultimate expression of divinity. Wilful or heedless damage to its diversity, health or future is thus regarded as not only short-sighted and suicidal, but also criminal and blasphemous. Such views are the seed Seven generation sustainability among many indigenous tribes and their current widespread battles to safeguard water resources, endangered ecosystems and biocultural diversity. Gavari is righteously egalitarian and disrespectful of unjust authority.
John Powers Severin (; December 26, 1921 – February 12, 2012) Note: The Lambiek Comiclopedia (citation below) gives December 21, 1921. was an American comics artist noted for his distinctive work with EC Comics, primarily on the war comics Two-Fisted Tales and Frontline Combat; for Marvel Comics, especially its war and Western comics; and for his 45-year stint with the satiric magazine Cracked. He was one of the founding cartoonists of Mad in 1952. Severin was inducted into the Will Eisner Award Hall of Fame in 2003.
In the affair Jean Chapelain, whose disastrous epic La Pucelle had been severely criticised by Pellisson, nevertheless came to defend him; doubtless, his own enmity for Boileau was affected by the satiric parody of Le Cid, Le Chapelain décoiffé (1665), jointly written by the brothers Boileau and occasioned by Chapelain's selection by Colbert to oversee the choices of authors to receive royal pensions. After the election of Gilles Boileau, pressed by Pierre Séguier, Pellisson avoided meetings of the Académie for a decade, until after Boileau's death.
Contemptuous of the censorship imposed on the studios by the Hays Code, Paul mocked Hollywood's hypocritical puritanism in his satiric book from 1942, With a Hays Nonny Nonny, where he reworked Bible stories so that they complied with the Code. The Book of Esther, for example, becomes a vehicle for Don Ameche, with Groucho Marx as Mordecai. A talented pianist, he frequently supplemented his income by playing at local clubs in the Los Angeles area. Married and divorced five times, Paul had one son.
Bega rose to prominence with the songs Maca, Grl Zrbcnk, Pa faj, Dite dites, Silazhi, Kokashta, Papalove and Wawaz. He is best known for his eclectic approach to music, writing socially conscious lyrics with a satiric flare incorporated in a lyrical melody, combined with his tenor vocal range. He began performing in 2000, and became prominent initially with the song Silazhi.Olta Gixari the Kastro Zizo filmin Pharmakon (in Albanian) Credited as Klevis Bega, he made his official film debut in the Albanian drama Pharmakon, as protagonist Branko.
Two men with hats in Dutch seventeenth century costume Sunaert started his artistic career during his student years when he drew caricatures for satiric Dutch-language journals De Lanteern and De Mascarade. He also created illustrations for a short story of by baron Jules de Saint Genois entitled De grootboekhouder: eene Gentsche vertelling ('The great accountant: a story from Ghent') (1851). He was a member of the 'Kunstverbond' ('Art Association'), which was formed by painters and sculptors in Ghent. Sunaert only started to paint in his forties.
The novel is part of the querelle des femmes tradition, a genre favored by late medieval and early renaissance humanists – especially for literary debate about the intelligence and capabilities of women. Catherine often interjects her opinions on the empowerment of women and the nature of power relations between the sexes. In the novel, Catherine pleads to the reader, "Please make allowance and have consideration for the poor female sex." Her statement is both satiric and strategic; while men might take it seriously, women might laugh.
"Haffenden, p. 83. But John Sparrow, recalling Mitchison's comment in 1934, dismissed Auden's early work as "a monument to the misguided aims that prevail among contemporary poets, and the fact that… he is being hailed as 'a master' shows how criticism is helping poetry on the downward path."Haffenden, pp. 7–8. Auden's clipped, satiric, and ironic style in the 1930s was widely imitated by younger poets such as Charles Madge, who wrote in a poem "there waited for me in the summer morning / Auden fiercely.
Persons of low rank are often placed in positions unsuited to them. Their bumbling, as when a rustic attempts to speak philosophically or the commoner pretends he is a chivalrous gentleman, is portrayed for its satiric effect. Satire is often employed in long digressions criticizing the corruption of the times, specifically targeting the selling of church offices, political corruption at court, sycophants’ attempts to rise in society, and aristocrats’ attempts to philosophize. In the Middle Ages, satire was usually considered a breed of comedy.
83, accessed 1 November 2009 The play was written before Gilbert had developed his "Topsy-Turvy" satiric style and so shows Gilbert at his most straightforward. Gilbert was a disciple of the playwright T. W. Robertson, who had introduced naturalistic staging and acting to Victorian era theatre. Robertson's comedies had serious moments, as well as comic, treating their themes with some sentiment and usually conveying a simple moral lesson. Gilbert likewise intended An Old Score to be partly serious, calling it a "comedy-drama".
In 1967, Fariña joined a satiric comedy troupe called The Committee. That same year, she and her sister Joan Baez were arrested at a peaceful demonstration where the two were housed temporarily in Santa Rita Jail, personalizing the experience of captivity for her. In 1968, Mimi married Milan Melvin and continued to perform, sometimes recording and touring with either her sister Joan or the folksinger Tom Jans, with whom she recorded an album in 1971, entitled Take Heart. Mimi and Milan divorced in 1971.
The chirigotas are well known witty, satiric popular groups who sing about politics, new times, and household topics, wearing the same costume, which they prepare for the whole year. The Choirs (coros) are wider groups that go on open carts through the streets singing with an orchestra of guitars and lutes. Their signature piece is the "Carnival Tango", alternating comical and serious repertory. The comparsas are the serious counterpart of the chirigota in Cádiz, and the poetic lyrics and the criticism are their main ingredients.
Rajshekhar Basu (1880–1960) was the best-known writer of satiric short story in Bengali literature. He mocked the charlatanism and vileness of various classes of the Bengali society in his stories written under the pseudonym "Parashuram". His major works include: Gaddalika (1924), Kajjwali (1927), Hanumaner Swapna (1937), Gamanush Jatir Katha (1945), Dhusturimaya Ityadi Galpa (1952), Krishnakali Ittadi Galpa (1953), Niltara Ittadi Galpa (1956), Anandibai Ittadi Galpa (1958) and Chamatkumari Ittadi Galpa (1959). He received the Rabindra Puraskar, the highest literary award of Paschimbanga in 1955 for Krishnakali Ityadi Galpa.
The Hare Census () is a Bulgarian satiric comedy film released in 1973, directed by Eduard Zahariev, starring Itzhak Fintzi, Nikola Todev, Georgi Rusev, Evstati Stratev, Philip Trifonov and Todor Kolev. Although the film features one of the most remarkable Bulgarian actors, the biting satire of nonsensical activity made the authority keep the film away from the widespread presentation during the totalitarian system in Bulgaria. In the 1990s, after the advent of democracy, the film came into broad view and became an eminent badge for the Bulgarian Film Art from those years.
The work framework is an archaic-style prose drawn from the Florentine dialect of Machiavelli, interpolated with the modern vernacular of the Tuscan language, and in a few cases, of modern Lombard language and Romanesco dialect. p.16 Gadda said that this parallels what Machiavelli himself did with Tacitus, whose structure he interpolated with jargon from his time. Another source of archaic Florentine expressions is Benvenuto Cellini. For the satiric attack, the main influences are the Book of Revelation, for its caricatures against Cesar and Rome, and D'Annunzio's Maia - Laus vitae.
"Petit homme" charted internationally and was accompanied with Dalida delivering energetic live performances with tambourine. Dalida also returned to wide screen, with a supportive role in French satiric movie La Morale de l'histoire that included the unreleased song "Je sortirais sans toi". During summer in Rome, on RAI set she was introduced to a new avant-garde cantautor Luigi Tenco as they also retrospectively sang "La danza di zorba" in duet. Later in September, her Italian managers suggested that she participate with Tenco at the next Sanremo Music Festival.
Jones, author and editor of six books, was a pioneer in the field of political entertainment studies, penning one of the first books on the political satire’s resurgence and importance on American television. His research has focused on the intersections of politics and popular culture, on television but also in presidential elections. His best-known work is Entertaining Politics: Satiric Television and Civic Engagement, 2nd ed. He has written extensively on Jon Stewart, Stephen Colbert, Bill Maher, Michael Moore, Saturday Night Live, as well as cable and network talk shows and Fox News.
Pinch was introduced alongside the rest of the panel at the beginning of the show, usually speaking after Gutfeld prompted him with, "Good to see you again, Pinch", sometimes adding, "you piece of trash." Schulz then responded in character as Pinch with a rhyme; often, the rhyme was a satiric plug for a column or article that referenced a New York Times columnist or reporter by name. The March 12, 2011 episode marked the debut of "Porch", Pinch's intern. He was a miniature version of Pinch taken from a Bill Schulz bobblehead figure.
The Argentine history and literature provided the themes of the first years of film-making. One of the first successes of the national cinema was Nobleza Gaucha of 1915, inspired by Martín Fierro, the gaucho poem by José Hernández. Based on José Mármol's novel, Amalia was the first full-length movie of national production, and in 1917 El Apóstol, a satiric short on president Hipólito Yrigoyen, became the first animated feature film in world cinema. Another notable 1917 debut, for Francisco Defilippis Novoa's Flor de durazno, was Carlos Gardel.
As a literary genre of high culture, romance or chivalric romance is a style of heroic prose and verse narrative that was popular in the aristocratic circles of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a knight errant portrayed as having heroic qualities, who goes on a quest. Popular literature also drew on themes of romance, but with ironic, satiric or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c.
Gary McCormick is a New Zealand poet, radio and television personality, debater and raconteur. McCormick began writing poetry in 1968. His published volumes are Gypsies (with Jon Benson, 1974), Naked and Nameless (1976), Poems for the Red Engine (1978), Poems by Request (1979), Scarlet Letters (1980), Zephyr (1982) and Lost at Sea (1995). He also wrote Performance—A Guide to the Performing Arts in New Zealand for the Department of Internal Affairs (1979) and the satiric secret diary of Jacques Chirac, Honey, I blew up the Atoll (with Scott Wilson, 1995).
Jaguarita l'Indienne is a three-act opéra comique, to a libretto by Jules- Henri Vernoy de Saint-Georges and Adolphe de Leuven, with music by Fromental Halévy. The opera is somewhat satiric in its intentions, but the plot element of the love of an exotic queen for a European is also found in Meyerbeer's later opera L'Africaine. An English version of the libretto, (moving the action to North America and substituting Oanita for Jaguarita) was set by Wallace in 1863 and produced at Covent Garden Theatre, under the title The Desert Flower.
In addition to work in advertising and twice-weekly editorial cartoons for the Westport News in Connecticut, Yates also illustrated books and comic books, such as Charlton's Ronald McDonald (1970–71). When Sylvan Byck retired from King Features Syndicate in 1978, Yates took over the position of comics editor. In 1986, he began collaborating with Morrie Brickman on the political strip, the small society (written lower-case as a satiric nod toward Lyndon Johnson's "Great Society"). The strip carried the signatures of both Brickman and Yates until 1989.
Sherman Ave is a humor website that went online in January 2011. It often publishes content about Northwestern student life, and most of its staff writers are current Northwestern undergraduates writing under various pseudonyms. The website is popular among students for its interviews of prominent campus figures, its "Freshman Guide", its live-tweeting coverage of football games, and its satiric campaign in the autumn of 2012 to end the Vanderbilt University football team's custom of clubbing baby seals. Politics & Policy is dedicated to the analysis of current events and public policy.
In 2006, Thurman starred opposite Luke Wilson in My Super Ex-Girlfriend, playing a superhero who is dumped by her boyfriend and then takes her revenge upon him. She received $14 million for the role, but the film was panned by critics and made a modest US$61 million worldwide. Entertainment Weekly felt that it was a "miscalculation to make Thurman the antagonist. She does a sprightly satiric turn, but [it is] wasted in a movie that would rather tweak male paranoia than liberate a nerdette terrified of her powers".
Now it needs viewers who want to listen." Mary McNamara of the Los Angeles Times said "with just a few tiny modifications, A Gifted Man could be a smart satiric comedy, but I don’t think that is what Grant is shooting for," poking fun at Julie Benz's character's cosmic beliefs and dysfunctional family. Matthew Gilbert of The Boston Globe compared the show to Grey's Anatomy, saying "[the show] needs to transcend that limited and overused construct, and set the characters free from endless debate over whether Anna is real or not.
He later founded the influential magazine Fire!! Thurman worked at The Messenger from late 1925 to 1926 and helped to publish Zora Neale Hurston's "Eatonville Anthology", as well as the early stories of Langston Hughes (Hurston and Hughes joined Thurman as an editors of Fire!!). Thurman also became known for his novels The Blacker the Berry and Infants of Spring. George S. Schuyler, a staple of the magazine for his satiric column "Shafts and Darts" (which he sometimes wrote with help from Lewis), contributed the piece "Hobohemia" to the Messenger.
Critic Don Heckman commented of the unedited "Original Faubus Fables" in a 1962 review that it was "a classic Negro put-down in which satire becomes a deadly rapier-thrust. Faubus emerges in a glare of ridicule as a mock villain whom no-one really takes seriously. This kind of commentary, brimful of feeling, bitingly direct and harshly satiric, appears far too rarely in jazz." The song, either with or without lyrics, was one of the compositions which Mingus returned to most often, both on record and in concert.
The Works of John Dryden Eds Edward Niles Hooker and H.T. Swedenberg, Jr, Vol. XVII, 15 and 35. A satiric middle plot introduces a witty "gay couple"John Harrington Smith, The Gay Couple in Restoration Comedy (Cambridge, MA, 1948). (Olivia and Wildish, a polite rake) that manages to live the free spirit of self- determination, although their love is frequently threatened by blocking characters (Olivia's uncle, the Puritan Sir Samuel Forecast).For a description of the multiple-plot structure, see J. Douglas Canfield, "Ideology of Restoration Tragicomedy", in: ELH, 51, (1984), 447-64.
She wrote that the book is a "real discovery", and described it as "romantic, satiric, funny, fanciful, and a good read". Eric Leif Davin in Partners in Wonder: Women and the Birth of Science Fiction, 1926–1965 described Angel Island is a "radical feminist Swiftian fantasy". Angel Island's entry in Science-fiction, the Early Years called it as a "sexual Robinsonade with a strong element of allegory". It said that while on the surface the novel is "commercial desert-island fiction", it is an allegorical story of women's freedom.
A Democratic strategist, Franklin often uses humor to voice his opinion on government policies. He has won 2 National Edward R. Murrow awards and five regional Murrows for his satiric essays on politics. He has also won five Achievement in Radio Best Talk Show Host awards. Talkers Magazine has listed Chip as one of the top 100 talk show hosts in the country for five straight years, most recently at #97 in the 2008 edition of the Heavy 100. Chip started at San Diego's KOGO on September 4, 2007.
When playing live, the group often mixes social commentary and comedy in between songs. The band acknowledges The Hope Bombs, a self-proclaimed "geeky" punk rock band featuring future S.P.A.M. alumni and Bobby Joe Ebola studio musician Ben Morss and former Bobby Joe Ebola bassist Robert Eggplant from Blatz (band) as a musical inspiration. The group is also inspired by satiric songwriter Tom Lehrer, the strange rock icon Frank Zappa, the eclectic alternative band They Might Be Giants and many of the punk bands from the Bay Area's early 1990s punk-rock boom.
Despite these travails, Pallavicino continued his satiric attacks on the Pope. In the 18 months following the publication of Il Corriero, he wrote four more books. In 1642 appeared his Baccinata ouero battarella per le api barberine,Baccinata ouero battarella per le api barberine. In occasione della mossa delle armi di N.S. Papa Vrbano Ottauo contra Parma a "Drumming against the Barberini bees, on the occasion of Our Lord Pope Urban the Eighth taking up arms against Parma" in the First War of Castro against Odoardo Farnese, duke of Parma and Castro.
There are three basic types of representations in socarrats: religious, magic and social ones. The first one includes crosses and inscriptions, such as the koranic verses written on the socarrats of the Xara mosque in Valdigna. Fatima’s hands or Hamsa, boats, towers, animals and chimeric figures such as Butoni, a monster in the valencian imaginary are part of the second type of representations. The use of heraldic symbols and decorated elements made visible in public spaces and the representation of courtesan and satiric scenes fulfilled the third one.
Krasimir Radkov - Krasi Radkov (, born 24 April 1971 in Vratsa) is a Bulgarian comedy actor who performs on television and in theatre. He graduated the Spanish language class at the Grammar Language School in Vratsa and completed his university education at the National Academy for Theatre and Film Arts (NATFIZ) in 1994 specializing in Doll Acting. He worked at the Dramatic Theatre in Vratsa between 1995 and 2000 and has worked in the "Aleko Konstantinov" Satiric Theatre since 2000. He has over 30 roles with two nominations for ASKEER.
On 2 June, Israel released over 600 of the detained activists. On 4 June, the Israeli Supreme Court upheld a decision of attorney-general Yehuda Weinstein to halt the police investigation of the incident. On 5 June, the Israeli government's press division apologized for circulating a link to the satiric "We Con the World" video that mocked activists on board, satirizing their purportedly peaceful intentions. On 13 June, Defense Minister Ehud Barak canceled a trip to France amid threats of charges against Barak and other Israeli officials under the principle of universal jurisdiction.
Hansi became famous with his polemical satiric work Professor Knatschke (1912), which became a best-seller in France, as well as several other militant works. He came to incarnate the symbol of pro-French Alsatians, especially among "revanchist" French intellectuals such as Maurice Barrès. Hansi was imprisoned several times by the German authorities for making fun of the German military and professors, culminating in a one-year sentence given by the tribunal of Leipzig in July 1914. This caused a national outrage in France, making headlines in newspapers and inspiring two editorials by Clemenceau.
His delivery was striking; it is said that Thomas Herring attended his services, as samples of effective utterance. His communion services were known for fervour, and he was a sedulous pastor. Hughes admits a "particular turn of temper" which was not always agreeable. Satiric verses (1735?) describing London dissenting divines open with the lines: > Behold how papal Wright with lordly pride Directs his haughty eye to either > side, Gives forth his doctrine with imperious nod, And fraught with pride > addresses e'en his God Thomas Newman (1692–1758) was his assistant and successor.
In addition, the over the top nature of the plot, the intricacies of the characters' relationships, and the littering of bodies at the end of the play all serve to further mock and burlesque eighteenth century tragedies. The burlesque aspects posed a problem for Fielding, and people saw his show more for pleasure than for its biting satire. In altering his ending to having the ghost of Tom's father die instead of Tom's ghost, Fielding sought to remove part of the elements that provoked humour to bolster the satiric purpose of the play.Rivero 1989 p.
Subjects are adorned in costume supplies, paint, and advertising photographs that suggest a fabricated sense of truth. This style disassociated ideas of femininity as being authentic, but rather considered the concept to be a repetition of fictional ideas. Through Marisol's theatric and satiric imitation, common signifiers of 'femininity' are explained as patriarchal logic established through a repetition of representation within the media. By incorporating herself within a work as the 'feminine' façade under scrutiny, Marisol effectively conveyed a 'feminine' subject as capable of taking control of her own depiction.
An 1827 satiric novel by philosopher George Tucker A Voyage to the Moon is sometimes cited as the first American science fiction novel. In 1835 Edgar Allan Poe published a short story, "The Unparalleled Adventure of One Hans Pfaall" in which a flight to the moon in a balloon is described. It has an account of the launch, the construction of the cabin, descriptions of strata and many more science-like aspects. In addition to Poe's account the story written in 1813 by the Dutch Willem Bilderdijk is remarkable.
Kochanowski's best-known masterpiece is Treny (Threnodies, 1580). It is a series of nineteen elegies upon the death of his beloved two-and-a-half- year-old daughter Urszula (pet name Urszulka). It has been translated into English (as Laments) in 1920 by Dorothea Prall, and in 1995 by Stanisław Barańczak and Seamus Heaney. Other well-known poems by Kochanowski are Proporzec albo hołd pruski (The Banner, or the Prussian Homage), the satiric poem Zgoda (Accord) published in 1564, and the merry Fraszki (Epigrams, published 1584), reminiscent of the Decameron.
In addition to being brave, Ulric was characterised as having extensive knowledge of languages and literary interests, besides some small talent for drawing, painting, music and recitation of poems. Particularly in his last year he used to socialise with the poet Martin Opitz, at that time considered the greatest poet of German language. In 1631 Ulrik had already published a small satiric writing: "Strigelis vitiorum" (Scolding the Vices) specially blasting immoderate drinking a vice, which he apparently hated. In contrast to many of his contemporaries, he was quite free.
His short play Note To Self was presented in the 2001 Humana Festival of New American Plays at the Actors Theatre of Louisville. He is also the co-author of Uncle Sam's Satiric Spectacular, which was produced in the 2005 Humana Festival. Hicks's other plays include The Trophy Room and Self-Portrait. Hilly Hicks Jr. in Playwrights Database His newest play is The Tallest Girl in the Class, which was commissioned by City Theatre in Pittsburgh and developed in residence at the Sundance Theatre Institute's playwrights retreat at the Ucross Foundation.
Critic Harold Bloom stated that "satiric parody is the center of Dostoyevsky's art." Dostoyevsky investigated human nature. According to his friend, the critic Nikolay Strakhov, "All his attention was directed upon people, and he grasped at only their nature and character", and was "interested by people, people exclusively, with their state of soul, with the manner of their lives, their feelings and thoughts". Philosopher Nikolai Berdyaev stated that he "is not a realist as an artist, he is an experimenter, a creator of an experimental metaphysics of human nature".
When Rubinstein starred in D'Annunzio's play The Martyrdom of Saint Sebastian, Brooks painted her as a blonde Saint Sebastian--tied to a post, being shot with an arrow by a masked dwarf standing on a table. The dwarf is a satiric representation of D'Annunzio.Secrest, 248. La France Croisée (The Cross of France, 1914) At the beginning of World War I, Brooks painted The Cross of France, a symbolic image of France at war, showing a Red Cross nurse looking off to the side with a resolute expression while Ypres burns in the distance behind her.
The staff of Bwog—which consists of about 50 students each semester—is composed exclusively of current Columbia and Barnard students. The website was originally launched in January 2006 as the online incarnation of The Blue and White, with the intention of posting stories that warranted immediate attention, such as breaking news and free food alerts. Since its founding, Bwog has grown into its own as a separate entity from The Blue and White, though they maintain amicable ties. Bwog serves as a friendlier, more satiric counterpoint to the school's newspaper, the Columbia Daily Spectator.
Aglaura was entered into the Stationers' Register on 18 April, 1638 and published later that year, in an edition printed by John Haviland for the bookseller Thomas Walkley -- a vanity edition subsidized by Suckling. Instead of the quarto format then standard for individual plays, Aglaura was printed in the larger folio format, normally restricted for serious works. (Stage plays were then treated largely as ephemera with little claim as serious literature.) Critics -- Richard BromeBrome wrote a satiric poem "Upon Aglaura in Folio". For Brome's hostility to Suckling, see: The Court Beggar.
Ada Ude of Connect Nigeria comments: "The satiric plot of this movie touches on all aspects; the family—relationship, trust, neglect, and emotional and physical abuse, as are evident in our daily living. The plot was excellent and they had a good story which every young upwardly mobile couple in present day Nigeria should be conscious about. however, more attention should have been given to the many tiny little details in the movie, for a better execution of a wonderful story. Also, Akindele and Joseph just didn’t have any sparks on screen".
A satiric ditty from the occasion claimed: > Sir Giovanni delle Bande Nere (Messer Giovanni delle Bande Nere) from a long > ride weary and tired (dal lungo cavalcar noiato e stanco) dismounts from > saddle, and settles on seat. (scese di sella e si pose a sedere) Bas relief of Base of San Lorenzo The imposing Giovanni sits, somewhat uncomfortably, wearing a metallic cuirass on his torso. Without a helmet or army boots, he holds a baton of command on his knee. The plinth is almost more decorative with festoons and Bucranium, and corner doric columns.
In the portrait of him painted by Hals, he is shown holding a smoked herring (the word for herring "bucken", or "bokking", has the double meaning of herring and red herring, referring to satiric comments). On the left, the text "Wie begeert?" means "Who wants some?". This phrase accompanied by the little monkey's head holding up his coat of arms in the upper right hand corner refer to his sharp wit and his epitaph, which he wrote himself.Frans Hals: Exhibition on the Occasion of the Centenary of the Municipal Museum at Haarlem, 1862-1962.
Literary theorist Seán Burke dedicated an entire book to opposing "The Death of the Author", pointedly called The Death and Return of the Author. J. C. Carlier, in the satirical essay "Roland Barthes' Resurrection of the Author and Redemption of Biography" (Cambridge Quarterly 29:4, 2000, pp. 386–393), argues that the essay "The Death of the Author" is the litmus test of critical competence. Those who take it literally automatically fail that test; those who take it ironically and recognize a work of fine satiric fiction are those who pass the test.
Natasha Mozgovaya was born in the Soviet Union in 1979 into a family of Jewish journalists, and immigrated to Israel in 1990. At the age of 11, she published her first piece in a Russian newspaper. At 14, she was writing a weekly satiric column for the Russian-Israeli newspaper Vesti. In time she advanced to become editor for two supplement magazines at the newspaper and translated several books from Russian to Hebrew. At the age of 12, she won her screen-debut, taking part in advertisements for the Jewish Agency.
Iranian-American novelist and essayist Porochista Khakpour cited the "seamless coexistence of high and low" in the book's prose. A writer for Nylon argued the book's deadpan delivery and "satiric vision of contemporary America [secures Saunders'] place" as a successor to 20th century literary realists such as Thomas Pynchon and Kurt Vonnegut. In 2007, Entertainment Weekly ranked the book #63 on its list of the top 100 works of literature since 1983. The following year, Emily VanDerWerff of The A.V. Club ranked it one of the ten best short story collections of the 2000s.
An anticlimax or anti-climax is an abrupt descent (either deliberate or unintended) on the part of a speaker or writer from the dignity of idea which he appeared to be aiming at, as in: :"The English poet Herrick expressed the same sentiment when he suggested that we should gather rosebuds while we may. Your elbow is in the butter, sir." As a relative term, anticlimax requires a greater or lesser climax to precede it in order to have proper effect. An anticlimax can be intentionally employed only for a jocular or satiric purpose.
Artists have since used backmasking for artistic, comedic and satiric effect, on both analogue and digital recordings. The technique has also been used to censor words or phrases for "clean" releases of explicit songs. In 1969, rumors of a backmasked message in the Beatles song "Revolution 9" sparked the Paul is dead urban legend. In the 1970s, 1980s and 1990s, Christian groups in the United States alleged that backmasking was being used by prominent rock musicians for Satanic purposes, leading to record-burning protests and proposed anti-backmasking legislation by state and federal governments.
The 6,000-verse poem picks up the thread of August Stramm's poetry and the ensuing Der Sturm school while, however, exploring new paths. The literary collage depicts the mayhem of war by adopting its typical language. Associatively and playing with words, Nebel produced never-ending word chains using authentic word snippets from military orders, passwords and watchwords, headlines, folk songs, and from the language of the educated in Wilhelmine Germany. The satiric bite of the textual collage is visually manifest in the series of drawings for "Zuginsfeld", which he first executed in 1930.
Nighthawks (1942) by Edward Hopper is one of his best-known works, Art Institute of Chicago. Members of the next artistic generation favored a different form of abstraction: works of mixed media. Among them were Robert Rauschenberg (1925–2008) and Jasper Johns (1930- ), who used photos, newsprint, and discarded objects in their compositions. Pop artists, such as Andy Warhol (1928–1987), Larry Rivers (1923–2002), and Roy Lichtenstein (1923–1997), reproduced, with satiric care, everyday objects and images of American popular culture—Coca-Cola bottles, soup cans, comic strips.
Jonathan Gould also sees the soundtrack as a lesser version of Sgt. Pepper and describes "Your Mother Should Know" as a "halfhearted attempt at satiric nostalgia in the style of 'When I'm Sixty- Four'". He says the song appears unfinished and while it served its purpose in the film, and shows Starr to be "the leading vaudeville drummer in rock", the track is "lackluster" on record. Ian MacDonald considers the stereo panning to be innovative but also a ruse "to conceal the fact that its author hadn't managed to think up a middle eight".
In 1989, the band released Rock Island, which met with less commercial and critical success than Crest of a Knave (1987). The lead-off track, "Kissing Willie", featured bawdy double-entendre lyrics and over-the-top heavy metal riffing that seemed to take a satiric view of the group's recent Grammy award win. The song's accompanying video found difficulty in receiving airplay because of its sexual imagery. Although Rock Island was something of a miss for the group, a couple of fan favourites did emerge from the album.
But instead of changing to commercials the band was shown playing a song, which usually came along with a satiric dedication. The introduction of this artificial “commercial break” was a reaction to criticism from different directions claiming that the show was rather lengthy without interruption. The focus of the show was changed to ongoing events and media criticism. Whereas, before, Harald Schmidt had often been compared to David Letterman, critics are now drawing comparisons to Jon Stewart whose The Daily Show deals with the latest events and the media in the United States.
Since 1994, Raiola has toured in The Joy of Censorship, his outspoken and satiric first amendment program. In March 2002, his performance at Nassau Community College was broadcast on C-SPAN's American Perspectives. Raiola has performed the show in 44 states, at colleges, conferences, regional theaters and libraries, most notably at the Henry Miller Memorial Library and the Kurt Vonnegut Memorial Library. In 2015, Raiola appeared with legendary humor magazine editors, Tony Hendra and Bob Mankoff, in Stand Up for Charlie Hebdo, a benefit for the families of the victims of the Charlie Hebdo attack.
Ronald Paulson, Hogarth, vol. 1: The 'Modern Moral Subject', 1697–1732 (New Brunswick 1991), pp. 26–37. Influenced by French and Italian painting and engraving,Frederick Antal, Hogarth and His Place in European Art (London 1962); Robin Simon, Hogarth, France and British Art: The rise of the arts in eighteenth-century Britain (London 2007). Hogarth's works are mostly satirical caricatures, sometimes bawdily sexual,Bernd W. Krysmanski, Hogarth's Hidden Parts: Satiric Allusion, Erotic Wit, Blasphemous Bawdiness and Dark Humour in Eighteenth-Century English Art (Hildesheim, Zurich and New York: Georg Olms 2010).
A 2011 article in the Journal for Cultural Research observed that the phrase grew out of a moral panic. It was an exhortation in the 1964 Disney film Mary Poppins, when the character of Mrs. Banks pleaded with her departing nanny not to quit and to "think of the children!" The phrase was popularized as a satiric reference on the animated television program The Simpsons in 1996, when character Helen Lovejoy pleaded "Won't somebody please think of the children?" during a contentious debate by citizens of the fictional town of Springfield.
As the show progressed, key episodes, called parts of the "Mytharc", were recognized as the "mythology" of the series canon; these episodes carried the extraterrestrial/conspiracy storyline that evolved throughout the series. "Monster of the week"—often abbreviated as "MOTW" or "MoW"—came to denote the remainder of The X-Files episodes. These episodes, comprising the majority of the series, dealt with paranormal phenomena, including: cryptids, mutants, science fiction technology, horror monsters, and religious phenomena. Some of the Monster-of-the-Week episodes even featured satiric elements and comedic story lines.
Old Man Murray (aka OMM) is a UGO Networks computer game commentary and reviews site, known for its highly irreverent and satiric tone. Founded in 1997, it was written and edited by Chet Faliszek and Erik Wolpaw. Old Man Murray was critical of games that received strong reviews elsewhere, Common targets of OMM news updates included John Romero and American McGee. Old Man Murray was a significant early influence in both the world of game development and internet comedy, and is often considered to have "helped birth online games journalism".
Trekkies have been parodied in several films, notably the science fiction comedy Galaxy Quest (1999). Actors such as Stewart and Jonathan Frakes have praised the accuracy of its satiric portrayal of a long-canceled science-fiction television series, its cast members, and devoted fans known as "Questerians". The main character Jason Nesmith, representing Shatner, repeats the actor's 1986 "Get a life!" statement when an avid fan asks him about the operation of the fictional vessel. Star Trek itself has satirized Trekkies' excessive obsession with imaginary characters, through Reginald Barclay and his holodeck addiction.
Even before her first novel was published, her literary reputation was already high, largely on the strength of her story "A Night Among the Horses," which was published in The Little Review and reprinted in her 1923 collection A Book.Flanner, xvii. She was part of the inner circle of the influential salon hostess Natalie Barney, who became a lifelong friend and patron, as well as the central figure in Barnes' satiric chronicle of Paris lesbian life, Ladies Almanack. The most important relationship of Barnes' Paris years was with the artist Thelma Wood.
James Morrow (born March 17, 1947) is an American novelist and short-story writer known for filtering large philosophical and theological questions through his satiric sensibility. Most of Morrow's oeuvre has been published as science fiction and fantasy, but he is also the author of two unconventional historical novels, The Last Witchfinder and Galápagos Regained. He variously describes himself as a "scientific humanist," a "bewildered pilgrim," and a "child of the Enlightenment". Morrow presently lives in State College, Pennsylvania with his second wife, Kathryn Smith Morrow, his son Christopher, and his two dogs.
The Cancioneiro is kept in the library of the Ajuda National Palace, a former royal residence located in Lisbon. It consists of a parchment codex written in Gothic script by three hands and containing illuminated miniatures. Both the text and the miniatures remained unfinished and not a note of music was written in the space left for it. The whole codex contains 310 poems, nearly all of them cantigas de amor (male-voiced love songs, though a few are satiric and there are a few male/female dialogs).
The Gavriiliada is a satiric description of the beginning of the New Testament, primarily making fun of the virgin birth and God's ineptness. In Pushkin's narrative, Mary, the mother of Jesus, a young and attractive Jewish girl, is married to an old and impotent carpenter who has taken her as wife only to keep house. God chooses her to be the mother of Jesus and sends Archangel Gabriel to announce the good news. Satan learns about God's plan and arrives first in the form of a snake to seduce and deflower Mary.
The Old Vicarage, Grantchester is a light poem by the English Georgian poet Rupert Brooke (1887-1915), written while in Berlin in 1912. After initially titling the poem “Home” and then “The Sentimental Exile,” the author eventually chose the name of his occasional residence near Cambridge. The poem's references can be overly obscure because of the many specific Cambridgeshire locations and English traditions to which the poem refers. Some have seen it as sentimentally nostalgic, which it is, while others have recognised its satiric and sometimes cruel humour.
Farmer, p. 216. The chorus, however, doesn’t want to play sheep and goats, they'd rather be Odysseus and his men, and threaten to blind Cario (as the drunken Cyclops) with a wooden stake:Jackson, p. 125. Philoxenus continues to be quoted in this scene from Aristophanes, and the chorus responds to Cario’s obscene joke with their own comic description of a drunken Cyclops passing out while leading his sheep.Farmer, p. 216. Aristophanes delivers a satiric rebuttal to a dithyramb that has wandered into territory more properly the domain of drama.Farmer, p. 219.
In 1845 he moved to Barcelona, Spain where he earned his medical degree. There he wrote for various local newspapers and published a satiric political poem titled Zoopoligrafía. Padilla, together with Román Baldorioty de Castro, founded the Sociedad Económica de Amigos del País en Puerto Rico, the Puerto Rican chapter of the Sociedad Económica de los Amigos del País (Economic Society of Friends of Puerto Rico). This group was founded by the Spanish intelligentsia, with chapters in various cities throughout the "Enlightenment Spain" and, to a lesser degree, in some of her colonies.
Diggler is a satirical parody of the American political pundit class. Diggler has worked in national political journalism for 30 years, starting as chief political editor at the Minnetonka Bugle, and is the author of the book Think-ocracy: The Rise Of The Brainy Congressman. Most Diggler articles begin with a credo reminding readers that Diggler uses "gut, conventional wisdom and personal experience" when analyzing politics. Texas offered this summation of Diggler's persona and satiric purpose: > Carl exists to satirize all that is vacuous, elitist and ridiculous about > the media class.
"Big Dan" started broadcasting at WHCH Hofstra College, Hempstead; WNRC, New Rochelle; and WALK-FM, Patchogue, all in New York State. Ingram was one of the most highly regarded DJs from his era. He was noted for his quick wit and ability to convey a humorous or satiric idea with fast pacing and an economy of words, a skill that rendered him uniquely suited to, and successful within, modern personality-driven music radio. He was among the most frequently emulated radio personalities, cited as an influence or inspiration by numerous current broadcasters.
He is currently the vocalist and playing guitar in the Oslo-based power trio Oslo Plektrum, Beranek was also one of the main participants in the satiric radio program Hallo i uken in NRK P2 until the summer of 2009, together with Are Kalvø and Else Michelet, and was very frequently on the comedy television show Løvebakken, a local version of If I Ruled The World, aired from 2002 through 2012 on NRK Beranek´s first release in nearly 20 years, Sensitive Dependence, was released in October 2013.
" It noted that both Davis's and William's credits were dropped "below the title" and that "Davis has much less to do than at least one other femme member of the cast." There were mixed impressions of William: while Ricardo Cortez's Sam Spade in the 1931 picture had been "natural and amusing, [William] and his satiric crime detection are now forced and unnatural." Yet at the same time, "his performance is all that keeps the picture moving in many lagging moments." In summary, the review said, "There's hardly any mystery in this version.
That latter story, "The Crimes of the Transmuter", by writer Dave Bibby, was reprinted in the 1997 Hamster Press book Fandom's Finest Comics. DuBay's earliest credited comic- book works are two satiric humor stories: the four-page Blooperman story "Bound in the Badcave", written by Gary Friedrich and appearing in Charlton Comics' Go-Go No. 4 (Dec. 1966),Go-Go #4 at the Grand Comics Database and the four-page "Adult Super-Hero Daydreams", penciled by DuBay and written by himself and Roy Thomas in Not Brand Echh No. 13 (May 1969).
Anne-Marie Adiaffi (1951–1994) was an Ivorian writer who gained fame in 1983 with her novel Une vie hypothéquée (A Mortgaged Life). Born in 1951 in Abengourou, Adiaffi was educated in Côte d'Ivoire schools before studying in Marseille and ultimately in Dakar, where she received a diploma as a bilingual secretary. After first working in a bank, she joined the publishing house Novelles Éditions Africaines in 1983. After her satiric Une vie hypothéquée, she published La ligne brisée (1989) about a man banished from his village after constant bad luck.
A History of The Musical – After G & S; The Gaiety Musicals, The Cyber Encyclopedia of Musical Theatre, TV and Film (2003) Like Thomas German Reed and W. S. Gilbert before him, Edwardes wanted to produce musical plays that were more respectable (and would attract a more affluent, polite crowd) than risqué burlesque. But Edwardes sought pieces that integrated spoken dialogue and music in a lighter, less satiric way than Gilbert and Sullivan had, using topical songs, fashionable costumes and sassy byplay between the characters.Traubner, Richard. Operetta: A Theatrical History, pp.
The band's 10th anniversary concert took place at The Roxy, a club in downtown Washington. A line formed hours prior to that show and the club's three levels were standing room only. By the time the fourth set began, there were at least 25 musicians on the stage who had recorded or played clubs with Root Boy during his career. That show was also the debut of the "Rich White Republican," a biting satiric attack on Republicans that prophesied the eventual election of George H.W. Bush to the White House.
D. Daiches ed., The Penguin Companion to Literature 1 (1971) p. 333. The turn of the 20th century saw the first stirrings of a new era in Scottish arts and letters. As writers such as George Douglas Brown railed against the "Kailyard school" that had come to dominate Scottish letters, producing satiric, realist accounts of Scottish rural life in novels like The House with the Green Shutters (1901), Scots language poets such as Violet Jacob and Marion Angus undertook a quiet revival of regionally inflected poetry in the Lowland vernacular.
The Ball de Malcasats (Dance of the Mismatched Couples) is a satiric talking-dance traditional to Carnaval in Vilanova. After Sunday, vilanovinians continue its Carnival with the children's partyVidalet, the satirical chorus of Carnestoltes songs and the last night of revelry, the Vidalot. For the King's funeral, people dress in elaborate mourning costume, many of them cross-dressing men who carry bouquets of phallic vegetables. In the funeral house, the body of the King is surrounded by weeping concubines, crying over the loss of sexual pleasure brought about by his death.
Over time, these well-known stories became less a subject matter than a pretext for topical and satiric theatre. Mordechai became a standard role for a clown.Bercovici, 1998, 24, 27 Purim plays were published as early as the early 18th century. At least eight Purim plays were published between 1708 and 1720; most of these do not survive (at least some were burned in autos da fe), but one survives in the Jüdische Merkwürdigkeiten (1714), a collection by Johann Jakob Schudt (1664–1722).Bercovici, 1998, 26, 28.Wiernik, Peter, and Richard Gottheil (1903).
It asks its readers to refute it, to deny that it has adequately characterised human nature and society. Each of the four books—recounting four voyages to mostly fictional exotic lands—has a different theme, but all are attempts to deflate human pride. Critics hail the work as a satiric reflection on the shortcomings of Enlightenment thought. In 1729, Swift's A Modest Proposal for Preventing the Children of Poor People in Ireland Being a Burden on Their Parents or Country, and for Making Them Beneficial to the Publick was published in Dublin by Sarah Harding.
But it has been argued that its style betrays a profound knowledge of Frederick's movement and some critics have hinted the man who penned it must have been acquainted with or even been part of, the court itself. Given the highly satiric and erotic vein Ciullo d'Alcamo may well be a fictitious name. His Contrasto shows vigor and freshness in the expression of feelings: Such "low" treatment of the love-theme shows that its subject-matter is certainly popular. This poem sounds real and spontaneous, marked as it is by the sensuality characteristic of the people of southern Italy.
Nevertheless, his work as a playwright and director continued, and in January 2017 he presented The Death of Mrs. Gandhi and the Beginning of New Physics (A Political Fantasy). In this satiric fusion of feminism and politics, four powerful women – Margaret Thatcher, Imelda Marcos, Benazir Bhutto and Kim Campbell – gather for Indira Gandhi's funeral, but are hijacked by a time-travelling terrorist. In 2017, Ada lent his voice to Razaq in the animated feature film The Breadwinner, based on the best-selling novel by Deborah Ellis, which had its world premiere at the 2017 Toronto International Film Festival.
The next day, on December 4, 2017, TheWrap announced that MSNBC had elected to sever ties with Seder by not renewing his contract (due to expire in February 2018) due to the controversial tweet. Seder defended the tweet by pointing out that, taken in context of the current events around the time he posted it, it was a satiric response to a petition urging Polanski's release from detention in Switzerland because of his stature as an artist. That he was, in fact, mocking Polanski's apologists. After news of the termination broke, Cernovich released a Twitter video celebrating his triumph.
The first, and less widely known, version of the poem, written and published in 1936, has five stanzas; the 1938 final version has four. Only the first two stanzas are the same in both versions. The 1936 version was a satiric poem of mourning for a political leader, written for the verse play The Ascent of F6, by Auden and Christopher Isherwood. The 1938 version was written to be sung by the soprano Hedli Anderson in a setting by Benjamin Britten. This version was first published in the anthology The Year's Poetry, 1938, compiled by Denys Kilham Roberts and Geoffrey Grigson (London, 1938).
In 1938, he was elected to the first chamber of the Swedish Parliament, which he belonged until 1943. Brandt got through two deaths and two resignations from party colleagues a promising list place. Brandt is best known for his failed nomination of Adolf Hitler for the Nobel Peace Prize on the eve of World War II. The nomination was quickly withdrawn as Brandt, who was an antifascist, never intended for it to be a serious proposal and instead saw it only as a "satiric criticism" on another concurrent nomination, namely that of British Prime Minister Neville Chamberlain.
Other realist novels by Moore from this period include A Drama in Muslin (1886), a satiric story of the marriage trade in Anglo-Irish society that hints at same-sex relationships among the unmarried daughters of the gentry, and Esther Waters (1894), the story of an unmarried housemaid who becomes pregnant and is abandoned by her footman lover. Both of these books have remained almost constantly in print since their first publication. His 1887 novel A Mere Accident is an attempt to merge his symbolist and realist influences. He also published a collection of short stories: Celibates (1895).
The next day, the communards were released and gave their first press conference – they had become celebrities, while the press and police officials had lost face in the public eye. The publisher Axel Springer henceforth called the members of Kommune 1 "communards of horror". The commune moved to an apartment in an old building on Kaiser-Friedrich-Straße on Stuttgarter Platz in the district of Berlin-Charlottenburg and later to Stephanstraße 60 in Berlin-Moabit. Hardly a week passed without the communards staging some kind of satiric provocation somewhere in Berlin, which made headlines in the press.
Different definitions of mode apply to different types of writing. Chris Baldick defines mode as an unspecific critical term usually designating a broad but identifiable kind of literary method, mood, or manner that is not tied exclusively to a particular form or genre. Examples are the satiric mode, the ironic, the comic, the pastoral, and the didactic. Frederick Crews uses the term to mean a type of essay and categorizes essays as falling into four types, corresponding to four basic functions of prose: narration, or telling; description, or picturing; exposition, or explaining; and argument, or convincing.
Around this time, between 1868 and 1869, the two brothers published a book of satiric and erotic illustrations under a pseudonym, which humorously critiqued the life of royalty in Spain, called Los Borbones en pelotas. Title page of Becquer's 'Obras' (1871), First Edition In 1870, Valeriano fell ill and died on September 23. This had a terrible impact on Gustavo, who suffered a serious depression as a result. After publishing a few short works in the magazine, the poet also became gravely ill and died in poverty in Madrid, on December 22, almost three months after his beloved brother.
Mažuranić contributed his epic Smrt Smail-age Čengića during this time, and Preradović published love lyrics. Other notable literary contributions were made by Antun Mihanović (notably Horvatska Domovina which later became Our Beautiful Homeland), Stanko Vraz (satiric lyrics), Ljudevit Vukotinović (romantic lyrics), Dimitrija Demeter (prose, notably Grobničko polje, and drama), Ivan Kukuljević Sakcinski (prose), Antun Nemčić (prose and itineraries). There was also the first notable itinerary Pogled u Bosnu by Matija Mažuranić. After the government allowed the publishing of newspapers in Croatian in 1834, the Gaj issued the first Croatian newspaper, "Novine hrvatsko-slavonsko-dalmatinske", in 1835, establishing Croatian journalism.
S.A. Comics #3). Also for Timely, Winiarski also wrote and drew such humor features as "The Creeper and Homer" (in Krazy Komics), "Oscar Pig" (in Terrytoons Comics), Millie the Model, and Hedy De Vine Comics. For Timely's 1950s successor, Atlas Comics, he drew numerous horror and suspense stories for anthologies including Strange Tales and Journey into Mystery, while also penciling, inking and probably writing the antics of trouble-prone "Buck Duck" in that funny animal's namesake comic and its predecessor, It's a Duck's Life. In 1958, Winiarski did some work for Major Magazines' Mad-like satiric magazine Cracked.
During the 1860s, he produced at least 18 full-length operettas, as well as more one-act pieces. His works from this period included La belle Hélène (1864), La Vie parisienne (1866), La Grande-Duchesse de Gérolstein (1867) and La Périchole (1868). The risqué humour (often about sexual intrigue) and mostly gentle satiric barbs in these pieces, together with Offenbach's facility for melody, made them internationally known, and translated versions were successful in Vienna, London and elsewhere in Europe. Offenbach became associated with the Second French Empire of Napoleon III; the emperor and his court were genially satirised in many of Offenbach's operettas.
Writing for The Spectator in 1935, Graham Greene praised the film. He wrote of how the "camera sense" of René Clair (whose prior films were primarily satiric in nature) manifested itself in the film's "feeling of mobility, of visual freedom" and highlighted Clair's directorial genius. Greene also praised the acting of Pallette and Donat, describing Pallette's portrayal of an American millionaire as the finest performance of his career, and Donat's acting style as imbued with "invincible naturalness". (reprinted in: ) The Ghost Goes West was the 13th most popular film at the British box office in 1935–36.
103-105 Most of the dramas seem to be short, one-act pieces, characterized by strong message and boldly sketched protagonists. Unlike in case of poetry, there is no anthology available. It seems that the anti-Carlist dramas fall into two categories: satiric pieces closely related to recent or ongoing events and dramas in historical setting, advancing a general Liberal outlook and in particular aimed against Inquisition and the Absolutist formula. Among the writers excelling as authors of satires the one re-appearing in numerous works as the most prominent one is Jose Robreño y Tort.
Other British subjects willingly made propaganda broadcasts, including Raymond Davies Hughes, who broadcast on the German Radio Metropole, and John Amery. P. G. Wodehouse was tricked into broadcasting, not propaganda, but rather his own satiric accounts of his capture by the Germans and civil internment as an enemy alien, by a German friend who assured him that the talks would be broadcast only to the neutral United States. They were, however, relayed to the UK on a little-known channel. An MI5 investigation, conducted shortly after Wodehouse's release from Germany, but published only after his death, found no evidence of treachery.
Jojo Khalastra () was an Israeli satiric character played by Zvika Hadar in 1994-1995. Jojo Khalastra appeared on The Comedy Store, a show on Israel Television's Channel Two, as the iconic Mizrahi ars, a Hebrew slang term derived from Arabic Israeli Hebrew slang guide referring to a stereotyped male character who wears flashy jewelry and clothing. Khalastra debuted in 1994 and soon became the show's signature character. With his leopard-skin shirt and a trademark hairdo,Sports channel's all-night twin bill, Jerusalem Post Khalastra was known for his malapropisms and humorous yet insightful take on social affairs in Israel.
Brodsky in late 1950 or early 1951 — the exact date uncertain due to his work often going unsigned, in the manner of the times — began penciling and inking for Marvel's 1950s forerunner, Atlas Comics. He is tentatively credited as cover artist of Marvel Boy #1-2 (Dec. 1950 - Feb.1951), and confirmably credited through the '50s for covers and occasional stories in issues of Atlas' horror/suspense titles Adventures into Weird Worlds, Strange Tales, and Uncanny Tales; the Westerns Kid Colt, Outlaw, Gunsmoke Western, Western Outlaws, and Wild Western; the satiric Crazy; and such miscellaneous genre titles as Sports Action and Spy Fighters.
Two authors of recent fake memoirs, James Frey (A Million Little Pieces), and Herman Rosenblat (who was featured before he wrote Angel at the Fence), as well as an imposter assuming the name Anthony Godby Johnson (A Rock and a Hard Place), appeared on The Oprah Winfrey Show. All eventually had their mendacity made public, and the scheduled publication of Rosenblat's book was cancelled. Frey, accompanied by his editor Nan Talese, was confronted by Oprah during a follow-up episode. The controversy over falsified memoirs inspired Andrea Troy to pen her satiric novel, Daddy – An Absolutely Authentic Fake Memoir (2008).
The play is described by critic Robert Brustein as a "lusty antidote to all forms of Bardolatry, including the perverse and benighted kind that considers the bard a beard". He describes it as "an extended satiric sketch worthy of Monty Python", but suggests that some of the comic faux-Elizabethan language "fails to pass the test of grammar or scansion".Robert Sandford Brustein, Millennial Stages: Essays and Reviews, 2001–2005, Yale University Press, 2006, pp. 122–123. Katherine Scheil emphasises its bawdy aspects, as Anne discovers Will's seedy sex-life, unleashing her own desire to explore "wild and stormy expanses of uncharted filth".
Paio Soares de Taveirós or Paay Soarez de Taveiroos seems to have been a minor Galician nobleman and troubadour active during the second and third decades of the 13th century. He was a brother of the troubadour Pêro Velho de Taveirós. Of his works, six cantigas de amor, three cantigas de amigo, and two tensos (one with Martim Soares and one with his brother) survive. He may have been one of the earliest authors in Galician-Portuguese lyric, and his Cantiga da Garvaia, a satiric cantiga de amor (or cantiga de escárnio) is one of the most famous poems in the corpus.
The only work definitely attributed to Ayloffe is a satiric homage to his friend Andrew Marvell. In addition, his biographer George de Forest Lord attributed to him a number of verse satires previously assigned to Marvell, based on several distinct characteristics of Ayloffe's writing. These include a bitterly anti-French, anti-Irish, and anti-Catholic tone; comparing the Stuarts with Roman tyrants, who threaten the rights of the Magna Carta; a "sombre and humourless" quality; and visionary imagery. Based on this, the pamphlets Britannia and Raleigh, Oceana and Britannia and The Dream of the Cabal, amongst others, are tentatively assigned to Ayloffe.
In the same year he first met Charles Dickens who was then the editor of Bentley's Miscellany.Wills on Spartacus Educational He was one of the original writers on Punch, and had some share in the composition of the draft prospectus. He contributed to the first number (17 July 1841) the satiric verse on Lord Cardigan called To the Blackballed of the United Service Club. He was for some time the regular drama critic, in which capacity he ridiculed Louis Antoine Jullien, the introducer of the promenade concerts at the Theatre Royal, Drury Lane, and severely criticised the acting of Charles Kean.
John Jakes would release a Bicentennial series of novels himself, which helped launch his writing career and were nearly as popular as Michener's book. E. L. Doctorow's Ragtime became one of the most popular books of 1976 with its unconventional style and satiric nature. Saul Bellow returned with the Pulitzer Prize-winning Humboldt's Gift, about a failed poet and a rising playwright. The same year Alex Haley released his immensely popular Roots: The Saga of an American Family, which followed Haley's ancestry back to the kidnapping of a young black man named Kunta Kinte, who was sold into slavery in the south.
Lorenzo wrote lyric poems designed to be sung by members of his court and of the city's guilds, whose members also sang their own songs, with lyrics drawn mostly from popular legend and daily life. These canti are the textual descendants of the caccia, a song form that was typically satiric and obscene, revelling in the double entendre. The musical settings were generally chordal and strophic (often ABBC), similar to the frottola, which was then popular in Mantua. The A and B stanzas were typically in common metre, the final stanza was then in perfect (i.e.
Hyde lampooned the American anime fandom in 2012 when he delivered a spurious presentation titled "Samurai Swordplay in a Digital Age" under the pseudonym "Master Kenchiro Ichiimada" at a convention in Vermont. During the presentation, an MDE affiliate blocked the exit to bar attendees from leaving Hyde's hour-long performance. Similarly in 2013, Hyde, while dressed in a maroon-colored sweatsuit and clad in hoplite-esque breastplate and greaves, delivered a prank TEDx talk titled "2070 Paradigm Shift" at Drexel University. The talk, described by Forbes as a satiric impersonation of a "Brooklyn tech hipster," received significant media attention.
Imprisoned for some months, due to his close collaboration with the Russian revolutionaries, Botev started working for the "Liberty" (Svoboda) newspaper, edited by the eminent Bulgarian writer and revolutionary Lyuben Karavelov. In 1873 he also edited the satiric newspaper "Alarm clock" (Budilnik), where he published a number of feuilletons, aimed at those wealthy Bulgarians who did not take part in the revolutionary movement. The Bulgarian revolutionary movement was put in danger with the capture of Vasil Levski by Ottoman authorities at the end of 1872. At the time Levski was the indisputable leader of the Bulgarian insurgency.
Wife of Joseph P. McEvoy On February 15, 1923, McEvoy married J.P. McEvoy, a successful author of comic strips, humorous stories, newspaper feature articles, and satiric plays. He was born in New York on January 10, 1895, and, like her, he had (1) been raised by a couple who were not his parents and (2) been previously married and divorced. He had assumed the name Joseph Patrick McEvoy in 1910 when entering his first year as a student at the University of Notre Dame. J.P. and his first wife had two children, Dorothy (born April 3, 1916) and Dennis (born July 27, 1918).
Pyton was a Norwegian comic book series which was produced by the company Gevion, and afterwards Bladkompaniet, between the years 1986 until 1996. An anthology magazine with no major main character, its style of humor focused mostly on satiric and toilet humour, including sexual, toilet, and farting jokes. Most of Pyton's material was produced by the magazine's own staff, but a handful of foreign comics also appeared in the magazine, including Gary Larson's The Far Side, and the German comic Werner. The name is Norwegian for python, a term which in Scandinavia also have gained a slang adjective meaning of "disgusting" or "sick".
Collier would later fire back with his Defence of the Short View in 1699 and Edward Filmer would go on to defend Restoration theatre in 1707 with A Defence of Plays. Yet, by the end of the 17th century, the Restoration comic style had collapsed: the satiric presentation of English life gave way to the sentimental portrait (beginning in 1696 with Colley Cibber’s Love's Last Shift) (Bernbaum 72). A Short View of the Immorality and Profaneness of the English Stage only signaled the swelling of public opposition to the real or imposed indecency of the plays staged over the last three decades.
His main research objects were philosophy of culture, ethics and religion. In a series of books Maceina discusses the existential questions of being and deals with the old theodicy puzzle concerning the genesis and justification of evil: Didysis inkvizitorius (The Grand Inquisitor, 1950), Jobo drama (The Drama of Job, 1950) and Niekšybės paslaptis (The Secret of Meanness, 1964). Vytautė Žilinskaitė (b. 1930) received, among other awards, two prizes for her children's books, a 1964 Journalists’ Union prize and a 1972 state prize for works classified as humorous or satiric. In 1961 she published Don’t Stop, Little Hour, a collection of poetry.
The oldest literary document that is currently preserved is a satiric song Ora faz ost'o senhor de Navarra by Joam Soares of Paiva, written sometime close to the year 1200. The first non-literary documents in Galician date from the beginnings of the thirteenth century; for example, the "News of Torto" (1211) and the Testament of Alfonso II of Portugal (1214). Recently the oldest document written in Galician was found, dated to the year 1228. It came from a meeting in the town of Castro Caldelas, granted by Alfonso IX in April of the year of the municipality of Allariz.
Richard Grayson (born June 4, 1951 in Brooklyn, New York) is a writer, political activist and performance artist, most noted for his books of short stories and his satiric runs for public office. Grayson's fiction is largely autobiographical, or pseudo-autobiographical, and his early work was heavily influenced by the metafictionists of the 1970s, such as John Barth, Donald Barthelme, Ronald Sukenick, and his mentor, Jonathan Baumbach, who headed the Brooklyn College MFA program in fiction and was one of the founders of the publishing cooperative The Fiction Collective, for which Grayson worked as an editorial assistant in the 1970s.
The satiric force of one or two of his pieces, as Mon Apologie (1778) and Le Dix-huitième Siècle (1775), would alone be sufficient to preserve his reputation, which has been further increased by modern writers, who, like Alfred de Vigny in his Stello (chaps. 7-13), considered him a victim to the spite of his philosophic opponents. His best- known verses are the Ode imitée de plusieurs psaumes, usually entitled Adieux à la vie. Among his other works may be mentioned Les Familles du Darius et d'Eridame, histoire persane (1770), Le Carnaval des auteurs (1773), Odes nouvelles et patriotiques (1775).
Gilbert's biographer Jane Stedman wrote that Pinafore is "satirically far more complex" than The Sorcerer. She commented that Gilbert uses several ideas and themes from his Bab Ballads, including the idea of gentlemanly behaviour of a captain towards his crew from "Captain Reece" (1868) and the exchange of ranks due to exchange at birth from "General John" (1867). Dick Deadeye, based on a character in "Woman's Gratitude" (1869), represents another of Gilbert's favorite (and semi-autobiographical) satiric themes: the misshapen misanthrope whose forbidding "face and form" makes him unpopular although he represents the voice of reason and common sense.Crowther, Andrew.
He creates "a highly intelligent parody of nautical melodrama ... [though] controlled by the conventions it mocks". While nautical melodrama exalts the common sailor, in Pinafore Gilbert makes the proponent of equality, Sir Joseph, a pompous and misguided member of the ruling class who, hypocritically, cannot apply the idea of equality to himself. The hero, Ralph, is convinced of his equality by Sir Joseph's foolish pronouncements and declares his love for his Captain's daughter, throwing over the accepted "fabric of social order". At this point, Crowther suggests, the logic of Gilbert's satiric argument should result in Ralph's arrest.
In the 1920s and 1930s, a renaissance in Southern literature began with the appearance of writers such as William Faulkner, Katherine Anne Porter, Caroline Gordon, Allen Tate, Thomas Wolfe, Robert Penn Warren, and Tennessee Williams, among others. Because of the distance the Southern Renaissance authors had from the American Civil War and slavery, they were more objective in their writings about the South. During the 1920s, Southern poetry thrived under the Vanderbilt "Fugitives". In nonfiction, H.L. Mencken's popularity increased nationwide as he shocked and astounded readers with his satiric writing highlighting the inability of the South to produce anything of cultural value.
Punch was founded on 17 July 1841 by Henry Mayhew and wood-engraver Ebenezer Landells, on an initial investment of £25. It was jointly edited by Mayhew and Mark Lemon. It was subtitled The London Charivari in homage to Charles Philipon's French satirical humour magazine Le Charivari. Reflecting their satiric and humorous intent, the two editors took for their name and masthead the anarchic glove puppet, Mr. Punch, of Punch and Judy; the name also referred to a joke made early on about one of the magazine's first editors, Lemon, that "punch is nothing without lemon".
" Sean Gandert of Paste magazine deemed this episode disappointing, but proclaimed "it was still entertaining enough." James Poniewozik of Time observed, "NBC's public troubles have been 30 Rocks greatest blessing this season, providing it with satiric fodder from The Jay Leno Show to the Comcast acquisition. The show may not be the best sitcom on TV now, but it's definitely the best work of NBC-criticism." In regards to the main plot, he said it "could have done even more with the premise of the Jaypocalypse re-enacted with janitors, but it gets a lot of credit for the inspired idea.
Goldberg reportedly did not "get" the comedy or agree with the satiric and often angry tone set by Maron and other writers (Jim Earl and Kent Jones) for a morning drive-time show. On November 28, 2005, it was officially announced that Maron's contract had not been renewed. His last Morning Sedition broadcast was on December 16, 2005, and the show was discontinued shortly thereafter. On February 28, 2006, Maron began hosting a nighttime radio program with Jim Earl as a sidekick for KTLK Progressive Talk 1150AM in Los Angeles called The Marc Maron Show from 10:00 pm until midnight PST.
There his stage partners were such notable Soviet actors as Oleg Yefremov, Yevgeniy Yevstigneyev, Galina Volchek, Oleg Tabakov, Oleg Dal, Igor Kvasha, Valentin Gaft. One of his first stage plays was Uncle's dream (based on Fyodor Dostoevsky's novel of the same name) where he performed the role of the uncle. In cinema he got his big break when director Elem Klimov offered him the lead role in the satiric film Adventures of a Dentist (1965). His next work in cinema was a role of Alyosha in critically acclaimed The Brothers Karamazov (1969) based on Dostoevsky's eponymous novel, which made him known.
The Ro-Busters by this stage are being pursued by a ruthless police unit charged with suppressing robot liberation. A transport is arranged to take the robots to Titan but at the last moment the police close in so Ro-Jaws and Hammerstein with a few volunteers lead a seeming suicide mission to fight off the authorities and buy time for their comrades to escape. The mission is a success and Ro-Jaws and Hammerstein are seen dancing into the sunset. The series has a high degree of satiric comment on contemporary life as Pat Mills had shown on other series.
Mayerik became the regular artist of the swamp-monster feature "Man- Thing" in Fear #13 (April 1973). Six issues later, he and writer Steve Gerber introduced Howard the Duck. Initially a minor supporting character intended only for an issue or two, the anthropomorphic waterfowl -- wearing a suit and tie as a parody of funny animal ducks, known for his cigar-smoking and his angry, acerbic wit -- Howard eventually became the starring character in his own satiric series, penciled first by Frank Brunner and then Gene Colan. The character shortly afterward became a mainstream pop-culture figure.
Reviews were largely positive, with some naming it Amis' best novel in 25 years, since the much acclaimed London Fields. Joyce Carol Oates, writing for The New Yorker, described the novel as "a compendium of epiphanies, appalled asides, anecdotes, and radically condensed history", with Amis "at his most compelling as a satiric vivisectionist with a cool eye and an unwavering scalpel". A reviewer in The Washington Post gave praise for Amis' singular talent for words, and praised character Paul Doll's narration as "a masterful comic performance". Criticism of the book mentioned its anticlimactic plot, and its overt misplaced eroticism.
After a tumultuous period as pro-vice-chancellor at Sussex, he moved on to New College, Oxford, in 1984, eventually being elected to an Oxford chair. His published works include studies of Shakespeare and works on the connections between philosophy and literature. Prominent among the first is Shakespeare the Thinker (2007), in which he criticised his earlier work as needlessly forcing Shakespeare into an abstract metaphysical framework. Instead, Nuttall attempted to undo this tradition through a 'pataphysical approach, where everyday objects such as eggs, tennis rackets, and other mundane phenomena acquire an absurd metalepsis in their satiric relation to Shakespeare's tragedies.
Hammond was the first cast member to impersonate Donald Trump, but now Alec Baldwin portrays him. During the 2008 presidential campaign, Saturday Night Live gained wide attention because former cast member Tina Fey returned to the show to satirize Republican Vice Presidential candidate Sarah Palin. In addition to Fey's striking physical resemblance to Palin, the impersonation of the vice presidential candidate was also noteworthy because of Fey's humorous use of some of exactly the same words Palin used in media interviews and campaign speeches as a way to perform political satire. Jeffrey P. Jones, Entertaining Politics: Satiric Television and Political Engagement.
Promoting naturalistic attitudes over belief in the supernatural, the author rejects the popular belief in retribution: his bad characters suffer no punishment. The characters in these stories are intellectuals, perhaps based on the author's friends and contemporaries. Wu also portrays women sympathetically: the chief character Du treats his wife as a companion instead of as an inferior. Although it is a satiric novel, a major incident in the novel is Du's attempt to renovate his family's ancestral temple, suggesting the author shared with Du a belief in the importance of Confucianism in life in spite of his criticism.
Under Olearius' direction the celebrated globe of Gottorp and armillary sphere were executed between 1654 and 1664; the globe was given to Peter the Great of Russia in 1713 by Duke Frederick's grandson, Christian Augustus. Olearius' unpublished works include a Lexicon Persicum and several other Persian studies. By his lively and well- informed writing he introduced Germany (and the rest of Europe) to Persian literature and culture. Montesquieu depended on him for local colour in writing his satiric Lettres Persanes (Persian Letters, 1721), though he used the French translation, Relation de voyage de Moscovie, Tartarie et de Perse.
Dudow's most famous East German film, Love's Confusion (1959), is a big-budget, color(ful), Shakespearean romp written by Dudow and starring the young Angelica Domröse, Annekathrin Bürger, and Willi Schrade. In it, he directs somewhat gentler satiric energies toward the GDR itself. Dudow was widely considered a "film school of one" during the 1950s, and was a mentor to both Gerhard Klein and Heiner Carow. Dudow's final film, Christine (1963), which he also wrote, was shot in black-and-white and takes a much darker look at social problems and the position of women in the GDR.
His art gradually strayed from the realism of his early paintings, and from the 1930s he focused on the creation of assemblages and collages, which foreshadowed his work of the 1960s. He got inspired by his numerous travels across the globe, and was strongly influenced by Surrealism and Oriental Calligraphy. In the 1920s he also worked as a journalist, contributed to the creation of the satiric magazine Trh, authored pamphlets, and in 1930-31 edited the magazine Domov a svět. His pointed criticism and controversial opinions made him an unpopular figure in the 1920s and 30s.
The book was later made into the 1975 movie Death Be Not Proud, starring Robby Benson as Johnny Gunther. In Martin Scorsese's film The Departed (2006), William "Billy" Costigan (Leonardo DiCaprio) is said to have attended Deerfield during his youth, though he was expelled for "whaling on a gym teacher with a folding chair." Deerfield alumnus and later Horace Mann School history teacher Andrew Trees wrote a satiric novel titled Academy X (2007), a tale of corrupt "transcript primping" set in an unnamed prep school. After publication of the novel Horace Mann declined to renew Mr. Trees' teaching contract.
After returning to Forbes.com, he helped create the Forbes Fictional 15, for which he wrote a satiric look at the business practices of Santa Claus.Forbes Fictional 15: Santa Claus The Fictional 15 has included Thurston Howell III and Tony Stark among others and continues to this day as more and more characters have been added to the list.Forbes Fictional 15 2012 He also edited a variety of features for the site, including a look at the greatest athletic achievements of all time, Greatest Athletic Achievements as well as special reports on communicating,Communicating money,Money and work.
Severin and Elder eventually split as a team at EC. They both were in the group of the five original artists who launched editor Harvey Kurtzman's landmark satiric comic book Mad, along with Kurtzman, Wally Wood and Jack Davis.Mad #1 at the Grand Comics Database Severin appeared in nine of Mad's first ten issues, drawing ten pieces between 1952 and 1954. According to accounts by both Severin and Kurtzman, the two had a falling out over art criticisms Kurtzman made during this period. It was Kurtzman who suggested that Severin ink with a pen as opposed to brush inking.
Often he would assuage the guilt he felt for this behavior by sending roses the following day to the friend or acquaintance he had treated unkindly while drunk. Mercer's first big Hollywood song, the satiric "I'm an Old Cowhand from the Rio Grande", was inspired by a road trip through Texas (he wrote both the music and the lyric). It was performed by Crosby in the film Rhythm on the Range in 1936, and from there on the demand for Mercer as a lyricist took off. His second hit that year was "Goody Goody", music by Matty Malneck.
Edgar Rice Burroughs adapted this idea for The Land That Time Forgot (1918). A genre of caveman movies emerged, typified by D. W. Griffith's Man's Genesis (1912); they inspired Charles Chaplin's satiric take,Stills from Man's Genesis and His Prehistoric Past show that Chaplin still has his bowler hat. in His Prehistoric Past (1914) as well as Brute Force (1914), The Cave Man (1912), and later Cave Man (1934). From the descriptions, Griffith's characters cannot talk, and use sticks and stones for weapons, while the hero of Cave Man is a Tarzanesque figure who fights dinosaurs.
At the beginning of the seventies, his music works were not accessible as Megas only performed them to his friends of the left-wing circles. However, in 1972, Icelandic students in Oslo, Norway helped him release his first album, in which diabolic and satiric lyrics were accompanied by a mild acoustic music played by Norwegian folk musicians. This work caused controversy and his music was banned by the Icelandic national radio, but Megas became a cult figure in the growing alternative scene. In 1973, as Megas found it difficult to release further albums, he published his verses and music in 3 books.
Gilbert was known for being sometimes prickly. Aware of this general impression, he claimed that "If you give me your attention",Howarth, Paul and Feldman, A. "If you give me your attention", Gilbert and Sullivan Archive, accessed 29 May 2011 the misanthrope's song from Princess Ida, was a satiric self-reference, saying: "I thought it my duty to live up to my reputation."Grossmith, George. "Recollections of Sir W. S. Gilbert", The Bookman, vol. 40, no. 238, July 1911, p. 162 However, many people have defended him, often citing his generosity. Actress May Fortescue recalled, > His kindness was extraordinary.
Bierbörse in Dülken – beer fair with more than 200 different beers to tasteCarnival in February is celebrated with a big parade – one of the largest in the lower rhine area with about 80,000 to 100,000 visitors, depending on weather. Before that, various carnival societies celebrate sessions with humorous songs and satiric performances. The Dülkener Schöppenmarkt, a type of flea/junk market, which takes place on the day after the last Carnival parade on Ash Wednesday, is one of Germany's biggest. The Dülken Bierbörse (beer fair) in July, situated on the marketplace and within the old town, offers beers from various regions and countries.
He is invited to a school reunion, where his scheming school-fellows seize the chance to try and make money out of him. The verdict of Graham Greene when reviewing the English edition was that if Körmendi had had as much satiric detachment as he had psychological insight, he might have written a great novel.Hungarian article on the author Another early novel, Via Bodenbach (Ind. 7. 15 via Bodenbach, 1932, English translation 1935), experiments with the technique of interior monologue and free association, psychological flashbacks and complex presentation of a stream of consciousness, marred however by the theatricality of its ending.
In 1992 Newgarden was designated as one of Entertainment Weekly's annual "Faces to Watch". Newgarden attended New York's School of Visual Arts in the late 1970s/early 1980s, where his classmates included fellow cartoonists/illustrators Drew Friedman and Kaz. He came to the attention of one of his teachers, Art Spiegelman, who published him in RAW and brought him, in 1983, as a creative consultant for the Topps Company. Newgarden was part of the team that created the Garbage Pail Kids, and worked on new editions of Wacky Packages as well as scores of other satiric and novelty products.
At the behest of Quality publisher Everett "Busy" Arnold, Cole later created his own satiric, Spirit-style hero, Midnight, for Smash Comics No. 18 (Jan. 1941). Midnight, the alter ego of radio announcer Dave Clark, wore a similar fedora hat and domino mask, and partnered with a talking monkey—questionably in place of the Spirit's young African-American sidekick, Ebony White. During Eisner's World War II military service, Cole and Lou Fine were the primary Spirit ghost artists; their stories were reprinted in DC Comics' hardcover collections The Spirit Archives Vols. 5 to 9 (2001–2003), spanning July 1942 – Dec. 1944.
The reception of Sir Thopas is perhaps the most interesting thing about it. When Chaucer began to be treated as a treasure of English letters after his death, his satiric intent was lost. Into the eighteenth century, readers regarded Harry Bailey's interruption as a sign of poor breeding, and they treated the tale of Sir Thopas itself as a great work. It was Thomas Warton who first suggested (at least in print) that Chaucer was not serious, that the whole tale is a parody and that the character of Geoffrey Chaucer must not be confused with Geoffrey Chaucer the author.
With his uncommon countertenor voice, energetic stage performances and eccentric costumes, he and the group became an overnight sensation. However, the union was short-lived and Matogrosso embarked on a solo career, garnering extraordinary success with hit singles such as "Homem Com H" and "Bandido Corazón." Leaving his androgynous glam-rock persona behind, in 1986, Matogrosso began working with emerging composers Cazuza and Victor Ramil and revisited the traditional roots of Música Popular Brasileira. Forever regarded as challenging preconceptions and prejudices through his satiric and ironic performances, he has evolved into a very serious and well respected artist through his interpretations of classic standards.
Her fiction, in particular, moved from a dissatisfaction with urban living found in both her collections of poetry and in satiric novels such as The Bloater and Businessmen as Lovers to a pronounced loathing of middle to upper-middle class materialism in her later work. Her distaste for materialism meant that Tonks also developed an interest in the movement of symbolism that eventually led her to a conception of spirituality as the only alternative to materialism. This embrace of what she called "the invisible world" may have ultimately led her to distrust the act of writing itself, and caused her to abandon writing as a career.
Blackface performance had been inconsistent on this subject; some slaves were happy, others victims of a cruel and inhuman institution.. However, in the 1850s, minstrelsy became decidedly mean-spirited and pro-slavery as race replaced class as its main focus.. Most minstrels projected a greatly romanticized and exaggerated image of black life with cheerful, simple slaves always ready to sing and dance and to please their masters. (Less frequently, the masters cruelly split up black lovers or sexually assaulted black women.). The lyrics and dialogue were generally racist, satiric, and largely white in origin. Songs about slaves yearning to return to their masters were plentiful.
261Denney, p. 38 That the movement was so popular and also so easy to ridicule as a meaningless fad helped make Patience a big hit. The same factors made a hit out of The Colonel, a play by F. C. Burnand based partly on the satiric cartoons of George du Maurier in Punch magazine. The Colonel beat Patience to the stage by several weeks, but Patience outran Burnand's play. According to Burnand's 1904 memoir, Sullivan's friend the composer Frederic Clay leaked to Burnand the information that Gilbert and Sullivan were working on an "æsthetic subject", and so Burnand raced to produce The Colonel before Patience opened.
The writings of Timon are represented as very numerous. According to Diogenes Laërtius, he composed "lyric and epic poems, and tragedies and satiric dramas, and thirty comedies, and sixty tragedies and the Silloi and amatory poems." His work is frequently quoted by Sextus Empiricus, also a follower of Pyrrho. Apart from the fragments of the Silloi, most of what survives of Timon's work is what Diogenes Laërtius and Sextus chose to quote and what Eusebius preserved in Praeparatio evangelica quoting Aristocles quoting Timon's book Python in which Timon describes encountering Pyrrho the grounds of an Amphiareion while they were both on a pilgrimage to Delphi.
This works successfully, and with the aid of his accountant and the artist he successfully travels the world under a number of names and identities. At the end of the story, the author reveals that he was selected, seemingly at random, by Henry's accountant to write Henry's story, as the man has died. The narrator is shocked to hear all of the events, and also comments that Henry's wish came true-the Henry Sugar Orphanages, established all across the globe, are indeed the best in the world. The story is considered to be mildly satiric of Dahl's critics, who would sometimes nickname him the "Master of Nastiness".
Half in the Bag is a regularly released series in which Stoklasa and Bauman review films in a more traditional format, albeit with a haphazard and fourth wall breaking overarching plot. Stoklasa has described it as a cross between Siskel and Ebert and a 1980s sitcom, with Stoklasa and Bauman playing VCR repairmen who discuss movies whilst finding increasingly convoluted ways of avoiding their scheduled repair work on Mr. Plinkett's VCR. The show often features Plinkett portrayed by Evans. Tim Heidecker, who hosts a satiric movie review show On Cinema, makes a cameo in episode 37 as the owner of the VCR repair shop who bequeaths employment to Jay and Mike.
Boban and Molly (Malayalam: ബോബനും മോളിയും) are the characters of a political satiric Indian weekly comic series created by VT Thomas (known by the pen name Toms) and is one of the longest uninterruptedly running comic series of the world. It was first published in 1962 and has been in print ever since. Boban and Molly, twin brother and sister from the rural environs of central Travancore became popular in Kerala through the Malayala Manorama weekly, which published the strip for almost four decades. After a controversial legal battle between Malayala Manorama and Thomas, Boban and Molly began to appear as a comic magazine called "Tom's Magazine".
The song became a fast hit, and was followed later that year by another satiric single Everyday, again inspired by the Nigerian political scene and featuring Bez and Sound Sultan'. His single Starlight was released in September of 2018 and received acclaim for the song’s mainstream Nigerian sound. In 2019 he released More than Pretty a song which was born out of conversations surrounding gender inequality, women’s rights and gender based violence; and was followed a few months later by We Plenti in which Cobhams featured Simi'. In spite of his visual impairment, Cobhams has successfully written scores for TV, film and stage plays.
The DVD of his first show is available online. His work did not go unnoticed and soon he was asked to participate in radio and television programmes as a comedian (Radioshow: MEMO, TV: In de ban van Urbanus (2005), Comedy Casino (2006–2009), SPAM (2008) and in TV talkshows (Villa Vanthilt, 2009). The next step was to create and host his own TV programme, together with Henk Rijckaert on Canvas, Zonde van de Zendtijd (2009, 2010). ‘Waste of the broadcasting time’ is a satiric programme about all media in Belgium which was rewarded in 2010 with the Flemish TV-star Award (Flemish Emmies) for 'Best Humor and Comedy program'.
There he attended creative writing classes taught by the American poet Lloyd Van Brunt, with several amateur writers from various parts of the American South. Sallah published his first poem in the United States, "Worm Eaters", a satiric poem about being two-faced in the Atlanta Gazette of February 1978. After graduating with honours at Rabun Gap, he continued on to Berea College, where he came under the influence of several prominent Appalachian writers, Jim Wayne Miller, Lee Pennington, Bill Best, and Gurney Norman. He published several poems and short stories in Appalachian, American, African and European publications and edited several of the campus literary publications.
Around the same time, his wife became a managing editor at The Hudson Review and she later replaced William Arrowsmith as editor in 1960. He published his first book of fiction, the novel Parktilden Village, in 1958. Reviewing the book for 'Commentary', Robert Brustein called it "a satiric nose-thumbing at the age of the social sciences and ... a plea for the restoration of certain values which the permissive disciplines have squeezed out of the human spirit." In 1960, he moved to the Iowa Writers' Workshop at the University of Iowa, where he taught alongside Philip Roth, R. V. Cassill, and W. D. Snodgrass.
Thomas James Mathias followed Coleridge's lead in The Pursuits of Literature, a poem in the 18th-Century satiric tradition, but takes a step farther than Coleridge by claiming that a specific passage made the novel indictable under law.Irwin, 1976, p. 46. The passage, found in Chapter Seven Volume II, discusses an interpretation of the Bible as too lewd for youth to read. These two major pieces led the way for a multitude of other attacks on the novel, from such sources as the Monthly Review, the Monthly Magazine, and the Scots Magazine; the last of these attacked the novel six years after its publication.
In addition to Busch as Angela and Barbara, the show starred Greg Mullavey as Sol, Dorie Barton as Edith, Wendy Worthington as Bootsie, Mark Capri as Tony and Carl Andress as Lance. Though initially scheduled to close in August 1999, the play's run was extended through September, with Playbill calling it a "smash hit". Writing for Variety, Robert Hofler called the play "Charles Busch's funniest, most accomplished and, without question, raunchiest work". Michael Phillips of the Los Angeles Times praised Busch as "peerless performer" who "is reason enough to see this show", but noted that "the satiric unevenness can't be disguised" and "the supporting cast disappoints".
Bobby Joe Ebola has described their band's sound as "pretty songs about awful things". Musically, they often deviate from their signature "satiric folk rock" sound to incorporate other styles, among them ska, punk rock, polka, dark folk, classic rock and even hip hop. The band has stated that their tendency to jump musical genres has to do with involving satire in their songs as well as letting the song's sound arrive organically if the lyrics "ask" the band to play the song in a certain style, the band abides. Abbott and Redford often sing in harmony with one another and alternate taking lead vocal duties.
In his Induction to Every Man out of His Humour (1599) Jonson explains his character-formula thus: > Some one peculiar quality > Doth so possess a man, that it doth draw > All his affects, his spirits, and his powers, > In their confluctions, all to run one way. The comedy of humours owes something to earlier vernacular comedy but more to a desire to imitate the classical comedy of Plautus and Terence and to combat the vogue of romantic comedy, as developed by William Shakespeare. The satiric purpose of the comedy of humours and its realistic method lead to more serious character studies with Jonson’s 1610 play The Alchemist.
1962), the character Sabrina the Teenage Witch, by Gladir and DeCarlo,Sabrina the Teenage Witch at Don Markstein's Toonopedia debuted in the humor anthology's lead story (the logo then spelled "Teen-Age").Archive of McQuarrie, Jim, , "Oddball Comics" (column) #1153, April 1, 2007. Original page She would eventually become one of the publisher's major characters, appearing in an animated series and a television sitcom. Gladir recalled in 2007, In the early 1960s, Gladir also began started writing for the satiric magazine Cracked, eventually become its head writer; over the next 30 years, he wrote approximately 2,000 pages for the magazine, many of them illustrated by John Severin.
In addition to his reputation as a masterful lecturer and extraordinary teacher, Mitchell was a prolific and well-known author. He first gained prominence as the writer, publisher, and printer of The Underground Grammarian, a newsletter that offered lively, witty, satiric, and often derisive essays on the misuse of the English language, particularly the misuse of written English on college campuses. He privately published the journal from 1977 to 1992. Although its circulation was limited, The Underground Grammarian was highly regarded, and, in addition to its academic audience, had a following outside academia that included George Will, Edwin Newman, and Johnny Carson, on whose The Tonight Show Mitchell appeared many times.
He started his professional career by impersonating Greek public figures, mainly sports people (e.g famous sportscaster Giannis Diakogiannis and Filippas Sirigos) and politicians (prime ministers Konstantinos Karamanlis and Andreas Papandreou) on radio satiric shows on FM Radio station "Athens 98.4". The name of his show had the -completely- random title, "The conspirators of the night, in the conspiracy of the patsas" (Greek: Οι συνωμότες της νύχτας, στη συνωμοσία του πατσά), in which his co-presenator was, the later well-known TV presenter, Nikos Evaggelatos. But he was doing amateur radio shows some time before as university student (in the Buness Management department of AUEB) on college radio.
The True-Born Englishman is a satirical poem published in 1701 by Daniel Defoe defending the then King of England William, who was Dutch-born, against xenophobic attacks by his political enemies, and ridiculing the notion of English racial purity. It quickly became popular."His timely satiric poem The True-Born Englishman required fifty editions by mid-century..."Paula R. Backscheider, ‘Defoe, Daniel (1660?–1731)’, Oxford Dictionary of National Biography, Oxford University Press, September 2004 According to a preface Defoe supplied to an edition of 1703, the poem's declared target is not Englishness as such but English cultural xenophobia, against the cultural disturbance new immigrants caused.
Allen at Helm of Production Thomas, Kevin. Los Angeles Times 6 July 1967: e14. Like High Noon, Slaughter Trail has continuing ballads throughout the film that ask and answer questions as well as narrate the story.p.49McFarlane, Brian & Mayer, Geoff New Australian Cinema: Sources and Parallels in American and British Film 1992 Cambridge University Press It may be debated whether the film was made "straight," or was satiric, due to the even then well known Western set pieces such as a stagecoach holdup, Indian attacks, and the army standing between hostile Indians and townspeople being commented on by songs that often break the fourth wall.
While he was in the midst of making Tales of Poe, Varrati connected with prolific New England-based filmmaker Richard Griffin. Initially collaborating with Griffin on a short about gay aliens titled Crash Site, the duo soon began work on a feature film: The Sins of Dracula. Written during the same period as Varrati wrote Tales of Poe, The Sins of Dracula was a departure from Poe’s serious tone, instead focusing on elements of horror comedy. Telling the story of a community theater troupe who must stop the newly risen Count Dracula, the film served as a satiric homage to the Christian scare films of the early 80s.
Criticism of the wealthy and powerful continued, but rather than directly addressing complaints to them and to the mnonarch and parliament as Edwardians like Crowley, Latimer and Thomas Lever had done, they became the subject of comic, often satiric, popular entertainment. Plays and pamphlets became the vehicle of social analysis, concerned with class identities and rivalries that were rendered with greater complexity and detail than in found in the earlier literature. After the Elizabethan Religious Settlement, the Piers tradition changed, particularly after censorship laws put into effect in 1551, 1553, and 1559, officially banned discussion of religious matters or matters of state. Other causes were also at work.
Rehnquist appreciated the singers' "command both of Swedish folk music and of complicated notation". She composed for them in 1989 her second major vocal composition, Puksånger & lockrop (Timpanum Songs – Herding Calls) for two singers and percussion, in which kulning "begins the piece and sets the atmosphere for the entire work", followed by a section based on "condescending traditional Finnish proverbs" about women, described as "highly effective satiric attacks on misogyny. This section is followed immediately by a kulning section, which represents a rebellion against the previous ideas". The singers performed the piece first at the 1989 Falun Folk Music Festival, also at the ISCM Festival in Stockholm in 1994.
In March 2000, Tayler, with co-authors Ross Phillips and Tay Kratzer, composed the guidebook Administering GroupWise 5.5 to assist system administrators in managing Novell's GroupWise. Tayler's most well-known work is his webcomic, Schlock Mercenary, a comedic webcomic following the tribulations of a star-travelling mercenary company in a satiric, mildly dystopian 31st-century space opera setting. Since its debut on June 12, 2000, the comic is updated daily, begun to support its author, and was nominated for three Hugo Awards. Tayler also produces Writing Excuses, along with novelist Mary Robinette Kowal, best-selling fantasy author Brandon Sanderson and horror author Dan Wells.
Handlen, however, felt that the story showed the series' tiredness and did not possess much suspense to keep the watcher completely engaged. Paula Vitaris from Cinefantastique gave the episode a more mixed review and awarded it two stars out of four. She noted that the episode "suffers from a syndrome that has afflicted a great many X-Files episodes in recent seasons […] the syndrome consists of the audience finding out early on who the guilty party is." Vitaris, however, did note that the episode's "saving grace" was Vince Gilligan's satiric writing tone; she called the scene featuring Roberts hallucinating that the burgers he was frying were actually brains "sick, but hilarious".
"Ardeshir Mohasses," [Obituary], New York Times, 20 October 2008, Online: He graduated from Tehran University in 1962 with a degree in political science and law, but never studied art formally. While still a student, one of his classmates encouraged him to submit his work to Towfiq, a widely-read satirical journal. For the next eight years, he continued to produce work to the journal, and adopted the house style which involved pictorial commentaries on Iranian daily life and satiric editorials on political figures, which exaggerated the figure's facial features and body. He also worked as an illustrator and cartoonist for Kayhan and other local periodicals.
Flamenco is a documentary that includes performances from some of the best flamenco singers, dancers and guitarists. With the masterful cinematography of the Oscar winning director of photography Vittorio Storaro, director Carlos Saura brings with this film the "Light of Flamenco to the World". As a hall fills with performers, a narrator says that flamenco came from Andalucia, a mix of Greek psalms, Mozarabic dirges, Castillian ballads, Jewish laments, Gregorian chants, African rhythms, and Iranian and Romany melodies. The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva.
" Roger Moore of Orlando Sentinel gave the film two out of five stars. He said the script "has a more lyrical bent, and a more satiric bite, than any of the other Saw sequels" and called the acting "perfunctory on most fronts". Robert Abele of the Los Angeles Times gave the film a negative review, writing "But, really, do reformers and victims of callous health insurers really want a guy with a penchant for elaborately constructed death panels of his own to be their advocate? Elsewhere, the usual critiques apply: terrible acting, zero suspense, laughable logic and the promise of another one next year.
Reitman saw himself as a comic writer with a voice similar to Buckley's, and consciously attempted to maintain the satiric flavor of the book for his draft. The script was received favorably by Icon, and Gibson called Reitman to tell him how much he loved it. But over the next three years, the project languished due to a lack of financing and big studio interest, as most studios wanted Reitman to rewrite his script to include a more anti-smoking and uplifting ending. According to Reitman, studios wanted Naylor to have a change of heart by the film's end and repent for his past.
Out of specific Mexican folk artists, Kahlo was especially influenced by Hermenegildo Bustos, whose works portrayed Mexican culture and peasant life, and José Guadalupe Posada, who depicted accidents and crime in satiric manner. She also derived inspiration from the works of Hieronymus Bosch, whom she called a "man of genius", and Pieter Bruegel the Elder, whose focus on peasant life was similar to her own interest in the Mexican people. Another influence was the poet Rosario Castellanos, whose poems often chronicle a woman's lot in the patriarchal Mexican society, a concern with the female body, and tell stories of immense physical and emotional pain.
Rulin waishi, or Unofficial History of the Scholars () or The Scholars, is a Chinese novel authored by Wu Jingzi and completed in 1750 during the Qing dynasty. It is considered one of the six classics of Chinese novels. Set in the Ming period, The Scholars describes and often satirizes academic scholars in a vernacular style now called báihuà. The first and last chapters portray recluses, but most of the loosely connected stories that form the bulk of the novel are didactic and satiric stories, on the one hand holding up exemplary Confucian behavior, but on the other ridiculing over-ambitious scholars and criticizing the imperial examination system.
It is then that the main enemy of the story, Jewcifer (a portmanteau of Jew and Lucifer, intended for satiric effect) appears and fights Gwar, eventually being defeated as Gwar summons Gor-Gor to bite the demon's head off, allowing Gwar to conquer Hell. However, their victory doesn't last long. Following the defeat of Jewcifer, the band find themselves back at their destroyed fortress ("Back in Crack"), receiving a 9-ton crack boulder from Sleazy P. Martini, and pondering over how meaningless their quest was, as they were left with absolutely nothing but a ruined castle and the knowledge that their adventure at least "was good for some kicks".
When the revolution broke out Odell became a strong loyalist and wrote poetry promoting the loyalist cause. He was brought before the New Jersey Provincial Congress for such actions and on July 20, 1776, he was ordered to sign a loyalty oath and remain within eight miles of the Burlington County courthouse. In December of that year, he fled to New York, with the help of local citizens, and served as an administrator and satiric poet-propagandist for the British. After the war in 1784 he emigrated to New Brunswick, Canada, where he received the post of provincial secretary as a reward for his loyalty.
His last comic-book story was penciling and inking the four-page flashback sequence of the 22-page story "The Mortal Iron Fist, Conclusion", in Marvel Comics' The Immortal Iron Fist #20 (Jan. 2009) He went on to provide cover art for publisher Aardvark-Vanaheim's satiric comic book glamourpuss #11–13 (Jan.–May 2010), with his last known published comics work the one-page illustration "That Russ Heath Girl #4", appearing in issue #19 (May 2011). He lived in Van Nuys, California, where in his 80s he had knee surgery after The Hero Initiative and the Comic Art Professional Society of Los Angeles raised money to help pay for an operation.
Igor Mironovich Guberman (, born 7 July 1936, Kharkov) is a Russian writer and poet of Jewish ancestry; since 1988 lives in Israel. His poetry has received a great deal of acclaim primarily because of his signature aphoristic and satiric quatrains that he called "gariki" in Russian (singular: "garik," which is also the diminutive form of the author's first name, Igor). (Gariki). These short poems (originally Guberman called them "Jewish Dazibao") always feature an a-b-a-b rhyme scheme, employ various poetic meters, and cover a wide range of subjects including antisemitism, immigrant life, anti-religious sentiment, and the author's love-hate relationship with Russia.
Welch was born in Springfield, Massachusetts in 1947, where he attended local Catholic schools (Holy Name Grammar School and Cathedral High School). He graduated magna cum laude from College of the Holy Cross in 1969 and in 1973 earned a J.D. degree from Boalt Hall, the law school of the University of California, Berkeley. He was a partner for 30 years in the personal injury law firm Welch, Graham & Manby in White River Junction, Vermont. Welch's legal career is the basis for the legal adventures of one of the lead characters in Jacob M. Appel's satiric novel, The Man Who Wouldn't Stand Up (2012).
One of these is Giovenelle, a scholar visiting from Padua, who is gotten drunk, taught to swagger and swear, and relieved of his purse. The scenes featuring Quintiliano and his party allow satiric commentary on soldiering, gambling, money, drinking, and various other aspects of society, manners, and life. A third skein of the plot involves a mysterious young woman who calls herself Lucretia; she is an apparent relative of Aurelio, staying at his father Honorio's house. Her unattached status makes her a target for the town's would-be seducers; Leonoro, accompanied by his page Lionell, works upon Lucretia's maid Temperance to gain admittance to Lucretia's private apartment.
After much persuasion, Nunn came on board and was joined by his RSC colleagues, choreographer Gillian Lynne and set and costume designer John Napier. Nunn initially envisioned Practical Cats as a chamber piece for five actors and two pianos, which he felt would reflect "Eliot's charming, slightly offbeat, mildly satiric view of late-1930s London". However, he relented to Lloyd Webber's more ambitious vision for the musical. Nunn was also convinced that for the musical to have the wide commercial appeal that the producers desired, it could not remain as a series of isolated numbers but instead had to have a narrative through line.
Stephen Ross Gerber (; September 20, 1947"United States Social Security Death Index," index, FamilySearch Stephen R Gerber accessed March 11, 2013, February 10, 2008. – February 10, 2008)Social Security Death Index details was an American comic book writer best known for co-creating the satiric Marvel Comics character Howard the Duck and a character-defining run on Man-Thing, one of their monster properties. Other notable works include Omega the Unknown, Marvel Spotlight: "Son of Satan", The Defenders, Marvel Presents: "Guardians of the Galaxy", Daredevil and Foolkiller. Gerber was known for including lengthy text pages in the midst of comic book stories, such as in his graphic novel, Stewart the Rat.
Salomon was born in Tel Aviv in 1940 to a Hungarian-Jewish father and a Russian-Jewish mother. He started his career in the Geva Studios as an assistant to photographer to the Israeli cinematographer David Gurfinkel, a position he held for four years, during which he also assisted filming Uri Zohar's 1964 avant-garde-satiric film Hole in the Moon. During his career, Solomon filmed 65 films, of which the best-known films included Haham Gamliel (1973), Charlie Ve'hetzi (1973), Beyond the Walls (1985), Alex Is Lovesick (1986) and Cup Final (1992). In 2003 the Israeli Academy of Film and Television awarded him a prize for his professional achievement.
Suck.com was initiated during 1995 by writer Joey Anuff and editor Carl Steadman who created daily comically cynical commentary with a self-obsessed and satiric theme. The writing was accentuated by the art of cartoonist Terry Colon. During 1996, they included the writing talent of Heather Havrilesky, who provided the sarcastic comments of her supposed alter ego Polly Esther in their column, titled Filler. The name of the website was chosen as a domain name with possibly offensive connotations though apparently not enough to be disallowed by Network Solutions, which controlled the InterNIC system for the distribution of domain names before ICANN acquired that authority.
Rose has worked as a composer with various ensembles and organizations including Ensemble Offspring, Tura New Music, Decibel, Speak Percussion, Soundstream, the NOW now Festival, and the Adelaide Symphony Orchestra. Some of Rose's compositions for orchestra include Violin Music in the Age of Shopping (1994-1996), which involved the recomposition of a myriad of genres for choir, string orchestra, band, soloists, and sampling (usually by Otomo Yoshihide). The project had performances in Europe, Canada, China, and Australia, and Rose co-authored a book of the same title. In Violin Factory (1999) an orchestra plays satiric string music in the context of mechanical production and reproduction.
In it, Brough critiqued the handling of the Crimean war and launched an attack on the upper classes through his satiric fictional portraits of aristocratic figures. Brough also penned a parody of Edgar Allan Poe's "The Raven" called "The Vulture; An Ornithological Study" which was published in the December 1853 issue of Graham's Magazine, though he was not credited. The poem was later reprinted in William Evans Burton's Cyclopedia of Wit and Humor (1858), this time with his name attached. It was also published, however, a year earlier on the front page of the December 18, 1852 edition of The Carpet-Bag in Boston.
Title page of The Revenger's Tragedy The Revenger's Tragedy is an English- language Jacobean revenge tragedy formerly attributed to Cyril Tourneur but now generally recognised as the work of Thomas Middleton. It was performed in 1606, and published in 1607 by George Eld. A vivid and often violent portrayal of lust and ambition in an Italian court, the play typifies the satiric tone and cynicism of much Jacobean tragedy. The play fell out of favour at some point before the restoration of the theaters in 1660; however, it experienced a revival in the twentieth century among directors and playgoers who appreciated its affinity with the temper of modern times.
Ward was also a regular artist for the satirical-humor magazine Cracked. He did very occasional comic-book humor stories, such as the four-page "Play Pool" in Humor-Vision's satiric Pow Magazine #1 (Aug. 1966), and, that same decade, episodes of "The Adventures of Pussycat", a risqué feature about a sexy secret agent, which ran in various men's adventure magazines published by Martin Goodman's Magazine Management Company. Ward dabbled in underground comics, drawing a pornographic "Stella Starlet" story in publisher John A. Mozzer's Weird Smut Comics #1 (1985) and a "Sugar Caine" story in issue #2 (1987); both were written by Dave Goode.
Starring Knightley, Damian Lewis, Tara Fitzgerald, and Dominic Rowan, the play was staged at London's Comedy Theatre in December 2009. Knightley decided to act in a theatre production as she felt that "if I don't do theatre right now, I think I'm going to start being too terrified to do it". While she described it as an "extraordinary and incredibly fulfilling" experience, she was sceptical of her performance. Charles Spencer of The Daily Telegraph described her performance as revealing "both power and poignancy" and Paul Taylor of The Independent called it "not only strikingly convincing, but, at times, rather thrilling in its satiric aplomb".
Attempting suicide, sultry but down-on-her-luck swindler Liz (Nadia Townsend) is rescued by lonely tow truck driver Aiden (Bernard Curry). But instead of rushing her to the hospital, Liz's savior abducts her to his remote farmhouse, convinced that she is the wife who abandoned him years earlier. Cut off from civilization, kept prisoner and guarded day and night by vicious attack dogs, Liz realizes she must rely on her skills as a con artist to talk her way out of this hostage situation. In the satiric tradition of Misery, Buffalo 66, Secretary and Black Snake Moan comes this captivating black comedy about the ties that bind.
The Civil Service has been called a "deep state" by senior politicians in the United Kingdom. Tony Blair said of the Civil Service, "You cannot underestimate how much they believe it's their job to actually run the country and to resist the changes put forward by people they dismiss as 'here today, gone tomorrow' politicians. They genuinely see themselves as the true guardians of the national interest, and think that their job is simply to wear you down and wait you out." The efforts of the Civil Service to frustrate elected politicians is the subject of the popular satiric BBC TV comedy, Yes Minister.
Children become covered in meringue during Dijous Gras.On Friday citizens are called to a parade for the arrival of King Carnival called l'Arrivo that changes every year. It includes a raucous procession of floats and dancers lampooning current events or public figures and a bitingly satiric sermon (el sermo) delivered by the King himself. On Saturday, the King's procession and his concubines scandalize the town with their sexual behavior, the mysterious Moixo Foguer (Little-Bird-Bonfire) is shown accompanied by the Xerraire (jabberer) who try to convince the crowd about the wonders of this mighty bird he carries in a box (who is in fact a naked person covered in feathers).
McDonald, who had recording experience, began utilizing Arhoolie Recording Studios to record four songs split equally between the band and a local folk musician, Peter Krug. It was during this time at Arhoolie Records that Country Joe and the Fish's folk sound and political protest prowess—an amalgam of their own Guthrie-influenced material and their folk music roots—began to emerge. The band's side of the EP featured two originals by McDonald, an acoustic version of "I Feel Like I'm Fixin' to Die Rag", and "Superbird". According to McDonald, "The Fish Cheer" was written in 30 minutes, with a purpose of expressing satiric and dark commentary on the US's involvement in the Vietnam War.
This subgenre is imitative in style in order to mock, comment on, or trivialize the Western genre's established traits, subjects, auteurs' styles, or some other target by means of humorous, satiric, or ironic imitation or parody. A prime example of Comedy Western includes The Paleface (1948), which makes a satirical effort to "send-up Owen Wister's novel The Virginian and all the cliches of the Western from the fearless hero to the final shootout on main street. The result was The Paleface (1948) which features a cowardly hero known as 'Painless' Peter Potter (Bob Hope), an inept dentist who often entertains the notion that he's a crack sharpshooter and accomplished Indian fighter".
O'Donoghue was, along with Henry Beard and Doug Kenney, a founding writer and later an editor for the satiric National Lampoon magazine. As one of many outstanding National Lampoon contributors, O'Donoghue created some of the distinctive black comedy which characterized the magazine's flavor for most of its first decade. His most famous contributions include "The Vietnamese Baby Book", in which a baby's war wounds are cataloged in a keepsake; the "Ezra Taft Benson High School Yearbook", a precursor to the Lampoons High School Yearbook Parody; the comic "Tarzan of the Cows"; and the continuing feature "Underwear for the Deaf". He was also the editor and main contributor to the Lampoon's Encyclopedia of Humor.
Painting of Zwingli by Hans Asper Zwingli was a humanist and a scholar with many devoted friends and disciples. He communicated as easily with the ordinary people of his congregation as with rulers such as Philip of Hesse. His reputation as a stern, stolid reformer is counterbalanced by the fact that he had an excellent sense of humour and used satiric fables, spoofing, and puns in his writings.. He was more conscious of social obligations than was Luther, and he genuinely believed that the masses would accept a government guided by God's word. He tirelessly promoted assistance to the poor, who he believed should be cared for by a truly Christian community.
Early critics developed the argument that The Spanish Viceroy was a play about the Count of Gondomar, the diplomat who had served as Spain's ambassador to England to 1622. The King's Men had made a sensation in August 1624 with their staging of Thomas Middleton's A Game at Chess, with its satiric portrayal of Gondomar. In this view, the King's Men attempted to repeat their controversial success of August 1624 with a similar play in December. There is some reason to think that controversial plays like A Game at Chess were backed by interested factions at Court, and that the King's Men would not have staged such plays without some measure of official support.
Delrina was a Canadian software company founded in 1988 and subsequently acquired by the American software firm Symantec in 1995. The company sold electronic form products, including PerForm and FormFlow, but was best known for its WinFax software package, which enabled computers equipped with fax modems to transmit copies of documents to standalone fax machines or other similarly equipped computers. Delrina also produced a set of screensavers, including one that resulted in a well-publicized lawsuit for copyright and trademark infringement (Berkeley Systems Inc. v. Delrina). The case set a precedent in American law whereby satiric commercial software products are not subject to the same First Amendment exemptions as parodic cartoons or literature.
In some verses entitled "Calliope’s Directions how to Deserve and Distinguish the Muse’s Inspirations", the strong, clear sense of Trotter is conspicuously shown by her definition of the uses of tragic, comic, and satiric poetry. Of course, as Calliope, she presided only over heroic strains and general eloquence, and it would have been inappropriate to treat of any other kind of verse. The quotation of a few lines demonstrates the style:— Trotter's long suspension from writing -sixteen to eighteen years- was noted by the public, as was her resumption of writing. The commentators upon her works over-restrained her own words on the first part of this subject, and drawn from them an unwarranted inference.
He won the third prize for aphorism in award of Radoje Domanović for the best satirical prose he won in 1995 and for the best book of aphorisms, Masks of Delight, in 1998. In Kruševac he was the winner of Golden Helmet for the aphorism in 1994 and for the satiric story in 2000 and 2003. After many years of calm and hard work he finally published a book of short stories Chinese Chalk Agora Books in 2007 and two years later a new book of aphorisms The Fundamental Bottom.Agora Books Cultural and Educational Community of Serbia has awarded him with Gold Badge in 2007 as a reward for the unselfish work and spreading the culture.
Srinivas Aravamudan's analysis of The Satanic Verses stressed the satiric nature of the work and held that while it and Midnight's Children may appear to be more "comic epic", "clearly those works are highly satirical" in a similar vein of postmodern satire pioneered by Joseph Heller in Catch-22. The Satanic Verses continued to exhibit Rushdie's penchant for organising his work in terms of parallel stories. Within the book "there are major parallel stories, alternating dream and reality sequences, tied together by the recurring names of the characters in each; this provides intertexts within each novel which comment on the other stories." The Satanic Verses also exhibits Rushdie's common practice of using allusions to invoke connotative links.
In 2008, a controversy erupted nationwide when California Musical Theatre's then artistic director resigned over the revelation of his personal donation of $1000 to a political campaign to support California proposition 8, which was an amendment to change the California Constitution to eliminate the right of same-sex couples to marry in California. After the amendment was passed, donor information became public. Shaiman and other Broadway artists who had previously worked with the director became critical and called for a boycott of the theatre by all gay artists and performers, ending in the director's resignation days later. To protest the passage of California Proposition 8 in November 2008, Shaiman wrote a satiric mini-musical called Prop 8 — The Musical.
Zeitoper (German: "opera of the time") was a short-lived genre of opera associated with Weimar Germany. It is not known when or by whom the term was coined, but by 1928 Kurt Weill ("Zeitoper" in Melos) was able to complain that it was more a slogan than a description. Like opera buffa it used contemporary settings and characters, comic or at least satiric plots (Max Brand's Maschinist Hopkins is a sole tragic example) and aimed at musical accessibility. Two distinguishing characteristics are a tendency to incorporate modern technology (Jonny spielt auf: trains, Der Lindberghflug: airplanes, Von Heute auf Morgen: telephones, and even elevators) and frequent allusions to popular music, especially jazz.
There are Classical versions of the story in both Greek and Latin, as well as several Latin retellings in Mediaeval times. One by Walter of England is in verse and was followed in Renaissance times by a Neo-Latin poem by Hieronymus Osius. Fable 31 In some sources, the frog sees the ox and tries to equal it in size; in others the frog is only told of an enormous beast by another and keeps swelling, asking at intervals, 'Was it as big as this?' Both Martial and Horace are among the Latin satiric poets who made use of the fable of the frog and the ox, although they refer to different versions of it.
" Also praising the music and cinematography, the review concluded: "There's a guaranteed goosebump moment in the film, but it's not Mammootty who gets the cheers and whistles!" Navamy Sudhish of The Hindu said it was "hitting the target, fair and square" and added "Khalid Rahman’s ‘Unda’ is an immensely realistic narrative, part satiric and part poignant." She also praised its script written by Rahman and Harshad: "The film has a very thin storyline, but the screenplay adds layers to it, elevating it to a brilliant and full-bodied narrative. The script in its contours holds a whole lot of subtlety, but there is no extravagant or larger-than-life attempt at entertaining or self-expression.
Seaman's grave at Putney Vale Cemetery, London, in 2015 In 1914 he was knighted, more likely for his creativity than for his patriotism, which saw fuller bloom in the course of World War I. During the war, he wrote "number of verses of a somewhat mindless, patriotic kind, reflecting the optimism and devotion to his native land rather than the stirrings of poetic genius," as anthologist John M. Munro put it. qtd. in In 1915, he published War Time, a book of poetry that Munro described as "a mixture of satiric verse and patriotic doggerel." Nevertheless, in 1933, he was created a baronet, of Bouverie Street in the City of London. Sir Owen never married, and died in 1936.
107, who wrote of telephone conversations with Annabel Hughes, widow of Whitney editor/collaborator Richard E. Hughes: "She confirmed that Whitney was deceased, having read his obituary in the New York City [news]papers in the early 1970s". was an American comic-book artist and sometime writer active from the 1930s–1940s Golden Age of comics through the 1960s Silver Age. He is best known as co-creator of the aviator hero Skyman and of the superpowered novelty character Herbie Popnecker and his alter ego, the satiric superhero the Fat Fury. Whitney as well had long runs on characters as diverse as the Western masked crime-fighter the Two-Gun Kid, and the career-girl character Millie the Model.
The collective's first show in a commercial New York gallery was "The Retrospective" in 2008, employing "an implicitly satiric, reactive style". The collective has produced a film, Isle of the Dead, which was shown in 2009 at the "Plot/09 – This World & Nearer Ones" exhibition organized by Creative Time on Governors Island. A send-up of Night of the Living Dead, the film chronicles the death and zombie-led revival of the art world. The group's December 2009 show in Miami was curated by Vito Schnabel, son of the artist Julian Schnabel, and attended by New York's rich and famous, guests including the shipping heir Stavros Niarchos III, newsprint billionaire Peter Brant, actor Stephen Dorff and John McEnroe.
David Ewen described this as the beginning of the "long and active careers in sex exploitation" of American musical theater and popular song. Later, extravaganzas took elements of burlesque performances, which were satiric and parodic productions that were very popular at the end of the 19th century. Like the extravaganza and the burlesque, the variety show was a comic and ribald production, popular from the middle to the end of the 19th century, at which time it had evolved into vaudeville. This form was innovated by producers like Tony Pastor who tried to encourage women and children to attend his shows; they were hesitant because the theater had long been the domain of a rough and disorderly crowd.
A Treatise on Poetry has been seen as one of Miłosz's greatest achievements. Writing for The New York Review of Books, Helen Vendler described the Treatise as one of the few poems "so powerful that it bursts the bounds in which it was written—the bounds of language, geography, epoch", writing that "to enter the current of this poem is to hurtle downstream through history on a flood of eloquent and passionate language that is in turn philosophic, satiric, tender, angry, ironic, sensuous, and, above all, elegiac". In The Guardian, Charles Bainbridge singles out the third section, Warsaw 1939–1945, as "one of Milosz's most remarkable and moving pieces of writing. Full of compelling imagery and argument".
Suffering from a painful disease of syphilitic origin, the tabes dorsalis, he overcame his physical miseries to concentrate on his work. Adolphe was primarily engaged in the critical edition of the satiric, libertine and gallant poets and writers, but also addressed, through a series of regional anthologies, oral folklore of the French provinces, in collaboration with Arnold van Gennep. He also played an important role by the publisher Georges Crès in the collection "Maîtres du livre" in which he published critical editions of Verlaine, Baudelaire, Ronsard and Rousseau. He helped Léon Bloy publish Le Désespéré ("Despairing").Éric Walbecq, « Les envois de Léon Bloy sur le Désespéré », Histoires Littéraires, #1, 2000, (p. 40–53).
First broadcast in 1986, it developed out of The Colour Supplement, a Sunday morning programme which had featured early Loose Ends contributors such as Stephen Fry, Robert Elms and Victor Lewis-Smith. The latter's contributions to Loose Ends were pre-recorded packages, being a mischievous and disruptive element of the programme. Originally commissioned comedy had, by 2006, been phased out almost entirely, with comic performers tending to deliver existing material from their repertoires although, in June/July 2006, the Scots comedian and writer Janey Godley scripted a weekly series of satiric fictional extracts from Nancy Dell'Olio's Diary to coincide with the FIFA World Cup. Dell' Olio was the girlfriend of England national football team coach Sven-Göran Eriksson.
In his review of the season nine DVD, Joseph Szadkowski of The Washington Times noted: "Among the 22-minute gems found in the set, I most enjoyed ... [Krusty's] work with Jay Leno." Mark Evans of the Evening Herald wrote: "'The Last Temptation of Krust' is a winner for its title alone as Krusty the clown becomes a satiric 'alternative' comedian but then sells out by advertising the Canyonero SUV road hazard." Alan Sepinwall wrote positively of the episode in The Star-Ledger, citing the Canyonero sequence as "the real reason to watch" the episode and that "It's an oversize vehicle that will create oversized laughs." Some sources mistakenly refer to this episode as "The Last Temptation of Krusty".
Because of its polemical themes and Wright's involvement with the Communist Party, the novel's final part, "American Hunger", was not published until 1977. Perhaps the most ambitious and challenging post-war American novelist was William Gaddis, whose uncompromising, satiric, and large novels, such as The Recognitions (1955) and J R (1975) are presented largely in terms of unattributed dialog that requires almost unexampled reader participation. Gaddis's primary themes include forgery, capitalism, religious zealotry, and the legal system, constituting a sustained polyphonic critique of modern American life. Gaddis's work, though largely ignored for years, anticipated and influenced the development of such ambitious "postmodern" fiction writers as Thomas Pynchon, David Foster Wallace, Joseph McElroy, William H. Gass, and Don DeLillo.
Montage of film stills from the International Uranium Film Festival Beginning in the 1950s, anti-nuclear ideas received coverage in the popular media with novels such as Fail-Safe and feature films such as Godzilla (1954),Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), The China Syndrome (1979), Silkwood (1983), and The Rainbow Warrior (1992). Dr. Strangelove explored "what might happen within the Pentagon ... if some maniac Air Force general should suddenly order a nuclear attack on the Soviet Union". One reviewer called the movie "one of the cleverest and most incisive satiric thrusts at the awkwardness and folly of the military that has ever been on the screen".
Most reviewers of the twelve-volume set didn't mention The Devil's Dictionary in their reviews, and those few who even named the book gave it scant consideration. For example, in a 9¾-page magazine article on Bierce's Collected Works, Frederic Taber Cooper gave The Devil's Dictionary one paragraph, explaining “One is tempted to devote considerably more space than is warranted to that extremely clever collection of satiric definitions, The Devil's Dictionary. It represents a deliberate pose consistently maintained, it is pervaded with a spirit of what a large proportion of readers in a Christian country would pronounce irreverent, it tells us nothing new and can hardly be conceived of as an inspiration for higher or nobler living.
Variety Brian Lowry believed that Mays as Emma offered "modest redemption" to an adult cast of "over-the-top buffoons". Entertainment Weeklys Ken Tucker gave the episode an A, posing the question: "Has there ever been a TV show more aptly named than Glee? It both embodies and inspires exactly that quality." Glee was the top ranked topic on social networking site Twitter on the night of its initial airing. Alessandra Stanley for The New York Times called the show "blissfully unoriginal in a witty, imaginative way", saying the characters are "high school archetypes" but noted "a strong satiric pulse that doesn’t diminish the characters’ identities or dim the showmanship of a talented cast".
The Los Angeles Times described the pilot episode as "not as intrigue-heavy as White Collar, as satiric as The Good Guys or as beautifully located as Hawaii Five-0; 'Franklin & Bash' is smart, it's fun and it's summer." Variety gave a positive review, describing the show as "playful, silly and wholly unpretentious." The Hollywood Reporter also gave the pilot a positive review: > In the end, Franklin & Bash uses the legal genre to prop up what is mostly a > buddy story. There may be bigger reveals ahead and certain daring > complications, but no doubt Franklin and Bash will get out of them with > their good looks and quick wits. That’s how they roll – mostly – on TNT.
While recording an oral history tape for Columbia University, Hammerstein stated, "I intended Dick to write music for it [the chorus in Allegro] but we wound up reciting the chorus instead ... I'm not blaming anyone, because we all accepted it, we all collaborated ... but it was a mistake." Rodgers later stated that the show was "too preachy, which was the one fault that Oscar had, if any," and "[n]othing to be ashamed of, certainly". Rodgers further defended the play, "The comments we made on the compromises demanded by success, as well as some of the satiric side issues—hypochondria, the empty cocktail party—still hold." The relative failure of Allegro reinforced the team's determination to have another hit.
Note: Prior to confirmation appearing in Marvel Masterworks: Atlas Era Jungle Adventure Volume 2 (Marvel, 2011) , some reference sources had credited artist Jay Scott Pike He was among several comic-book artists who contributed to the short-lived, black-and-white, satiric-humor magazine Lunatickle, published by Whitestone Publishing and edited by Myron Fass, in 1956, but otherwise continued to pencil standard color comics across a number of genres. He gradually specialized in war comics and romance comics for publisher DC Comics through 1957, and thereafter drew almost exclusively romance comics for DC's Falling in Love, Girls' Romances, Heart Throbs and Secret Hearts through at least 1968. His romance work continued on in reprints into the mid-1970s.
An extra unstressed syllable on the word "dizzy" is the first instance in which the rhythm has been disrupted in a hypermetric line, throwing it off balance, like the boy during the waltz. This same effect happens with the words "slid from" when the pans slide from the kitchen shelf in the second stanza. This line begins with a trochee, changing the rhythm from rising to falling. In an analysis addressing the rhythm of Roethke's works, Sandford Pinsker suggests that the "metric formality" of "My Papa's Waltz" takes the disorganized rhythms of a tensely emotional experience and cushions it with a sense of cheerful tones, ultimately serving up a satiric wit in its four stanzas.
His handling of the detective genre here is satiric, though; the three cousins are influenced in their detecting effort by the novels they have read – and their efforts are soon shown to be misguided and erroneous. (The plot does eventually resolve itself as something of a detective story, as the Merrick clan solves a mystery involving the fate of key supporting characters. The plot features a locked cabinet with a secret compartment – with another secret compartment inside that.) Baum spreads his gentle and genial satire to other targets too, even to the popular fiction of his era. One character is a habitual reader of the "paper-covered novels" of the day, including one specific title, The Angel Maniac's Revenge.
Furo MTV is a Brazilian satiric newscast produced and originally broadcast by MTV Brasil from March 2, 2009 to September 26, 2013. The program was created by the writer Lilian Amarante and was originally hosted by the comedians Dani Calabresa and Bento Ribeiro. With the Dani Calabresa departure from MTV in 2012, it was eventually replaced with the entry of Bruno Sutter, Daniel Furlan and Paulinho Serra in the show cast. The show follow the fake news shows format, used in shows like the Comedy Central's The Daily Show and in the Saturday Night Live's segment Weekend Update, which aims to tell the events of the day in a critical, acid, fun and humorous way.
Purim plays - the skits performed by amateur companies around the time of the Purim holiday - were a significant early form of theatrical expression. Often satiric and topical, Purim plays were traditionally performed in the courtyard of the synagogue, because they were considered too profane to be performed inside the building. These made heavy use of masks and other theatrical devices; the masquerade (and the singing and dancing) generally extended to the whole congregation, not just a small set of players. While many Purim plays told the story in the Book of Esther commemorated by the Purim holiday, others used other stories from Jewish scripture, such as the story of Joseph sold by his brothers or the sacrifice of Isaac.
Darkly ironic, the film captured the surreal and Orwellian nature of life under Saddam Hussein. Critics said Harmon's 1996 low-budget satiric musical comedy Isle of Lesbos was like Li'l Abner meeting The Rocky Horror Picture Show, and that it was a high-spirited, low-budget attempt at an old-style Technicolor musical that plays like a gay Mardi Gras outing. It portrayed a closet lesbian who reaches the point of desperation on her wedding day in her redneck hometown of Bumfuck, Arkansas, shoots herself and is instantly sucked through her mirror and into a lesbian fantasy land. When her enraged parents try to get her back, the Sisters at the Isle of Lesbos put up a fight.
The Reluctant King, Nelson Doubleday, 1985. The Novarian series is a sequence of fantasy stories by L. Sprague de Camp, published between 1968 and 1989. The series contains some of de Camp's most innovative works of fantasy, featuring explorations of various political systems, an inversion of the "rags to royalty" pattern characteristic of much heroic fantasy, a satiric look at the foibles of humanity through the eyes of a demon, and a consistently wry and ironic take on conventions of the genre that plays out by taking them to their logical (or illogical) conclusions. Another singular feature of the series is its frequent use of folk tales integrated into the plot to painlessly convey something of the background and history of the invented world.
The first more or less known pioneers of Russian rap was a group called Malchishnik (Мальчи́шник), but the recognition of the rap genre came with the rise of a Moscow team Bad B., with their album "Naletchiki Bad B." being released in 1994. The first Russian rap artists to have achieved commercial success: Kasta (Каста), Bad Balance/Bad.B (Плохой Баланс/Бад Би), Detsl (Децл), and the Belarusian artist Seryoga (Серега), who combined original rap with the native Russian satiric song genre chastushka which some critics consider a new branch in the rap genre: rap-chastushka. Although most of rap fans believe he does not belong to the Russian rap scene, the musician won the nomination for best Russian rap in 2005 on the RMA (Russian Music Awards).
When Russian president Vladimir Putin in 2006 called on his nation's women to have more children, journalist Vladimir Rakhmankov published a satiric article on the Internet calling Putin "the nation's phallic symbol". Rakhmankov was found guilty of offending Vladimir Putin, and fined by the court of the region he lived in to the sum equal of US$680. The overall story served as a good adversiting for Rakhmanov's article, that was republished by numerous Russian sources afterwards.Russia: 'Phallic' Case Threatens Internet Freedom Three Russian bloggers has supposed in 2003, that Russian state security service FSB, the main successor to the KGB, created special teams of people who appear on various blogs to harass and intimidate political bloggers and thus effectively prevent free discussion of undesirable subjects.
The picture marked the screen debut of The Revuers, a cabaret group featuring Judy Holliday (who is billed as Judith Tuvim on the CBCS), Betty Comden, Adolph Green and Alvin Hammer. Although news published by The Hollywood Reporter indicated that The Revuers' "satiric sketch of a Shubert operetta" had been purchased by the studio for their debut, their sequence was cut from the finished picture, and modern sources note that the group appears only in the party scene at "Bonnie Watson's" apartment. After the group broke up, Holliday became a well-known Broadway and motion picture comedian and won an Academy Award for Best Actress for Born Yesterday. Comden and Green became a popular songwriting team whose films included On the Town.
Retrieved 1/4/07. The growth of the cable television industry in the 1980s helped support the low- budget film market, as many B movies quickly wound up as "filler" material for 24-hour cable channels or were made expressly for that purpose. The broadcast version of the midnight movie remained popular: the nationally syndicated Movie Macabre package starring Cassandra Peterson—aka Elvira, Mistress of the Dark—was essentially a brassier copy of The Vampira Show, presenting mostly low-budget horror films interspersed with Elvira's satiric commentary and abundant display of cleavage. The video rental market was also becoming central to B-film economics: Empire's financial model, for instance, relied on seeing a profit not from theatrical rentals, but only later, at the video store.
In 1963, ex-Jones animators Phil Monroe and Richard Thompson also starred the duo in their cartoon Woolen Under Where. The series is built around the satiric idea that both Ralph and Sam are blue collar workers who are just doing their jobs. Most of the cartoons begin at the beginning of the workday, in which they both arrive with lunch pails at a sheep-grazing meadow, exchange pleasant chitchat, and punch into the same time clock. Work having officially begun with the morning whistle at 8:00 AM, Ralph repeatedly tries very hard to abduct the helpless sheep and invariably fails, either through his own ineptitude or the minimal efforts of Sam (he is frequently seen sleeping), who always brutally punishes Ralph for the attempt.
2006 editorial cartoon by Monte Wolverton Monte Wolverton (1948, Vancouver, Washington) is an American editorial cartoonist who is best known for his satiric pages in Mad, his Weekly Wolvertoon website and his contributions as associate editor of The Plain Truth. As the son of cartoonist Basil Wolverton, he grew up in the Pacific Northwest, surrounded by imaginative illustrations and cartoons, and attended college in Los Angeles. In the early 1970s, he launched his career as a graphic designer and saw his first cartoons and comics published in CAR-toons, CB Radio, Creative Computing and Youth. In the late 1970s, he relocated back to the Pacific Northwest for full-time freelancing in illustration, magazine art direction, advertising and publication design, corporate image and creative consulting.
He similarly views "The Fool on the Hill" as the "Fixing a Hole"–style "cool, contemplative ballad", just as Harrison provides "another droning epic" and McCartney offers "another archaic number" in "Your Mother Should Know", which he finds a "halfhearted attempt at satiric nostalgia". Chris Ingham, writing in The Rough Guide to the Beatles, says that the soundtrack's reputation suffers from its association with the film's failure, yet while three of the tracks are rightly overlooked, "The Fool on the Hill", "Blue Jay Way" and "I Am the Walrus" remain "essential Beatlemusic". Magical Mystery Tour was ranked at number 138 in Paul Gambaccini's 1978 book Critic's Choice: Top 200 Albums, based on submissions from a panel of 47 critics and broadcasters.Leopold, Todd (7 March 2007).
Bust of Homer The satiric tone adopted by Leopardi through much of the Operette morali is also evinced in some of his late poetic texts, such as the Palinodia and I nuovi credenti. But the clearest demonstration of his mastery of this art form is probably the Paralipomeni della Batracomiomachia, a brief comic-heroic poem of eight stanzas of eight lines each. Leopardi wrote it between 1831 and 1835, beginning it during his last stay in Florence and finishing it in Naples. The publication took place, posthumously, in Paris in 1842, provoking a universal reaction of outrage and condemnation, as much for the cutting and anti-heroic representation of the events of the Risorgimento as for the numerous materialistic philosophical digressions.
Ralph Reese (born May 19, 1949) is an American artist who has illustrated for books, magazines, trading cards, comic books and comic strips, including a year drawing the Flash Gordon strip for King Features. Prolific from the 1960s to the 1990s, he is best known for his collaboration with Byron Preiss on the continuing feature "One Year Affair", serialized in the satiric magazine National Lampoon from 1973 to 1975 and then collected into a 1976 book. Reese early in his career worked in the studio of Wally Wood, assisting on both mainstream and alternative-press comics and on trading cards. He went on to do mainly fantasy and horror illustrations for science-fiction magazines and black-and-white horror-comics magazines.
In 2014 he released his debut hit single, Ordinary People. It was very well received in Nigeria and quickly gained status as a timeless classic. In 2015 he released Do the Right Thing, a collaborative performance between himself and alternative soul singer Bez, and later that year, the Christmas single Star of Wonder. In 2016 he wrote and produced Empty, the Original Motion Picture Soundtrack for the Nollywood movie Banana Island Ghost, and Boosit, a musical commentary on the Nigerian political landscape in which he featured Nigerian rapper Falz the Bahd Guy. Also in 2016, he dropped the single The Other Room, another musical, satiric commentary inspired by the infamous “other room” comment of Nigerian President Muhammadu Buhari at a press conference in Germany.
PTC Logo The Practical Theatre Company was a Chicago-based theatre company founded by Northwestern University students and active throughout the 1980s. Its productions included new plays, satiric agitprop, rock and roll events, and a series of successful improvisational comedy revues. The PTC, whose motto was "Art is Good", is notable for the fact that the entire cast of its 1982 improvisational comedy revue, The Golden 50th Anniversary Jubilee (Brad Hall, Seinfeld star Julia Louis-Dreyfus, Gary Kroeger and Paul Barrosse) was hired by Saturday Night Live. At its peak in the mid-1980s, The Practical Theatre Company operated two theatre spaces: the 42-seat storefront John Lennon Auditorium in Evanston, Illinois and a 150-seat cabaret in Piper's Alley at North & Wells in Chicago.
" Mick LaSalle of the San Francisco Chronicle observed, "Writer- director Marc Lawrence makes a talk-heavy variety of romantic comedy that not everyone likes - Miss Congeniality, Two Weeks Notice, Forces of Nature - but he does it well. Moreover, Music and Lyrics has virtues its predecessors lack. Scenes play out longer than in most films, and conversations have a chance to evolve. Also, because much of the film places the protagonists in rooms together, working for extended periods, there are an unusual number of two- person scenes, giving the actors the chance to show their charm, work off each other and develop the nuances of interaction ... Lawrence's take on pop music success is exactly right, satiric without being absurdist, and therefore a prize worth the effort.
William Pachner (April 7, 1915 – November 17, 2017) was a Czech-born American painter who made his home in Woodstock, New York from 1945. He studied art in Vienna and worked as an illustrator in Prague before coming to the United States in 1939 on the eve of World War II. During the war, his anti-fascist anti-Nazi illustrations appeared in the foremost national magazines. When he learned in 1945 that all members of his family had been exterminated by the Germans, he quit his commercial career and resolved never again to do a commercial job, but to paint what he felt. Known as a colorist, Pachner's work includes satiric drawings, erotic figurative, biblical Judaic and Christian themes, photomontages and paintings of great color intensity.
Duran is the author of a famous satiric epistle called, after the repeatedly recurring phrase, Al Tehi Ka-Aboteka (Be Not Like Your Fathers). It was written about 1396, and was circulated by Don Meïr Alguades, to whom it had been sent. It is so ingeniously ambiguous that the Christians, who called it Alteca Boteca, interpreted it in their favor; but, as soon as they recognized its satirical import they burned it publicly. This epistle, with a commentary by Joseph ibn Shem-Tov and an introduction by Isaac Akrish, was first printed at Constantinople in 1554, and was republished in A. Geiger's Melo Chofnajim, 1840, in the collection Ḳobeẓ Wikkuḥim, 1844, and in P. Heilpern's Eben Boḥan, part 2, 1846.
Although it is not clear what started the dispute, it resulted in a divide of authors who either supported Fielding or Hill, and few in between. The avariciousness of the Grub Street press was often demonstrated in the manner in which they treated notable, or notorious public figures. John Church, an independent minister born in 1780, raised the ire of the local hacks when he admitted he had acted 'imprudently' following allegations he had sodomised young men in his congregation. Satire was a popular pastime--the Mary Toft affair of 1726, concerning a woman who fooled some of the medical establishment into believing she had given birth to rabbits--produced a notable dirge of diaries, letters, satiric poems, ballads, false confessions, cartoons, and pamphlets.
The last straw comes when he left the home and was caught by federal officers, also blowing the cover of the 2 assistants. He left the home and arrives in the Philippines with only his passport, plane tickets and pocket money. He arrives in Philippines, became a victim of a "fraudulent" taxi driver (Leo Martinez), meets an American who loves Wowowee too and his wife, (Chariz Solomon). In his quest, he crosses paths with his old friend Tu (Eddie Garcia) who used to be his partner in the vaudeville duo Juan Tu,that plays satiric, slapstick and prison comedy not only for rich Filipinos, but also for Japanese troops, one of them, an officer, Ya Chang, became a victim of a cream pie throwing joke.
Cameron Hayes is a painter using traditional oil pigments on linen. He paints intricate, multi-layered compositions encompassing subjects from Australian identity, contemporary culture, global politics, history, ethics and observational human behaviour. Each canvas relates to a “story” requiring the artist to research subjects from a multidisciplinary perspective, utilising narrative and allegorical devices to compose the artwork. He is an Australian figurative painter who creates visually complex artworks made up of uniquely individual characters, scenes and motifs intersecting across expansive picture planes, often described by critics and writers as being in the style of Hieronymus Bosch. The artist's work exhibited in 2011 exhibition in New York was described by Village Voice's Robert Shuster as “rich panoramas of satiric dystopian visions, imaginative allegories reminiscent of Hieronymus Bosch”.
The 1989 film Roger & Me was Moore's first documentary about what happened to Flint, Michigan, after General Motors closed its factories and opened new ones in Mexico where the workers were paid lower wages. The "Roger" is Roger B. Smith, former CEO and President of General Motors. Harlan Jacobson, editor of Film Comment magazine, said that Moore muddled the chronology in Roger & Me to make it seem that events that took place before G.M.'s layoffs were a consequence of them. Critic Roger Ebert defended Moore's handling of the timeline as an artistic and stylistic choice that had less to do with his credibility as a filmmaker and more to do with the flexibility of film as a medium to express a satiric viewpoint.
Almost all characters in the strip are chickens, which have no names or genders. Savage states that the characters can be anybody, allowing readers to "map their own lives onto" the strips, making the relationship jokes flexible for everybody. Otherwise, there is a large cast of non-chicken recurring characters, such as Timmy the tasteless tofu, who often engages in lewd thinking or activities, PROD3000, who portrays a satiric-hyperbolic view of a workplace manager, Worm, an alcoholic bug attorney, and a cast of mutants possessing seemingly useless powers. There are also multiple popular culture references, including Jason Voorhees, Alien, Star Wars, Mr. T, U2's The Edge, Sigmund Freud, and Chuck Norris, along with other popular movies and actors.
In a rave review in The New York Times, Michiko Kakutani had high praise for Saunders' writing style: "He's a savage satirist with a sentimental streak who delineates, in these pages, the dark underbelly of the American dream: the losses, delusions and terrors suffered by the lonely, the disenfranchised, the downtrodden and the plain unlucky." Comparing him to Nathanael West, she concluded, "Mr. Saunders' satiric vision of America is dark and demented; it's also ferocious and very funny." In the same magazine, Jay McInerney dismissed the story "Downtrodden Mary's Failed Campaign of Terror" as having too many "wacky tics" but still described the overall collection as "just about the quirkiest and most accomplished short-story debut since Barry Hannah's 'Airships'", a 1978 collection.
The best-known and most highly regarded example of a collage long poem is T. S. Eliot's The Waste Land. Critic Philip Cohen describes Eliot's use of the collage in his article "The Waste Land, 1921: Some Developments of the Manuscript's Verse": "Eliot gradually created a more modernist poem, one which resembles a cubist collage: satiric narratives were abandoned in favor of first of dramatic poetry and then of a bold amalgamation of genres. The speakers shifted from omniscient narrators to a variety of separate-person voices and then to different voices of one shadowy character." The collage combines seemingly disparate parts or "fragments" of different voices, pieces of mythology, popular song, speeches, and other utterances in an attempt to create a somewhat cohesive whole.
Heath drew several Western stories for such Timely comics as Wild Western, All Western Winners, Arizona Kid, Black Rider, Western Outlaws, and Reno Browne, Hollywood's Greatest Cowgirl. As Timely evolved into Marvel's 1950s iteration, known as Atlas Comics, Heath expanded into other genres. He drew the December 1950 premiere of the two-issue superhero series Marvel Boy, as well as scattered science fiction anthology stories (in Venus, Journey into Unknown Worlds, and Men's Adventures); crime drama (Justice); horror stories and covers (Adventures into Terror, Marvel Tales, Menace, Mystic, Spellbound, Strange Tales, Uncanny Tales, the cover of Journey into Mystery #1), satiric humor (Wild, Mad), and war stories. Heath produced combat stories both for the wide line of Timely war titles and the first issue (Aug.
City of Westminster Green plaque, (given to "people of renown who have made lasting contributions to society") marking Lilly's London residence in the Strand. After the Restoration he very quickly fell into disrepute. His sympathy with the parliament, which his predictions had generally shown, was not calculated to bring him into royal favour. He came under the lash of Samuel Butler, who, making allowance for some satiric exaggeration, has given in the character of Hudibras' Sidrophel a probably not very incorrect picture of the man; and, having by this time amassed a tolerable fortune, he bought a small estate at Hersham in Surrey, to which he retired, and where he diverted the exercise of his peculiar talents to the practice of medicine.
Beaumont wrote several scripts for The Twilight Zone, including an adaptation of his own short story, "The Howling Man", about a prisoner who might be the Devil, and the hour-long "Valley of the Shadow", about a cloistered Utopia that refuses to share its startlingly advanced technology with the outside world. Beaumont scripted the film Queen of Outer Space from an outline by Ben Hecht, deliberately writing the screenplay as a comedic parody. According to Beaumont, the directorial style is not informed by his satiric intent. He penned one episode of the Steve Canyon TV show, "Operation B-52", in which Canyon and his crew attempt to set a new speed record in a B-52 accompanied by a newsman who hates Air Force pilots.
The Wonder of Women or The Tragedy of Sophonisba is an early Jacobean stage play written by the satiric dramatist John Marston. It was first performed by the Children of the Revels, one of the troupes of boy actors popular at the time, in the Blackfriars Theatre. The play was entered into the Stationers' Register on 17 March 1606, and published later that year by the bookseller John Windet. The title page of the first edition states that the play was acted at the Blackfriars, with no mention of the company's name — which indicates that the play must have been performed in late 1605 or early 1606, after the Queen's Revels Children has lost royal patronage as a result of the Eastward Hoe scandal.
In 1567, Bowyer compiled Heroica Eulogia, a manuscript collection of historical grants and deeds relating to the earls of Leicester dedicated to Robert Dudley, the newly created earl. The historical documents are accompanied by illustrated vignettes in verse of previous earls and of the kings who granted the charters, along with satiric anticlerical verses justifying the Dissolution of the Monasteries. The manuscript contains heraldic devices, a map of the British Isles, and calligraphic passages by John de Beauchesne. The scholar Norman Jones suggests that the purpose of the Heroica Eulogia was to build a case for the worthiness of Robert Dudley to be consort to Elizabeth I. The manuscript is unfinished and it is uncertain whether it was ever presented to Leicester.
Heinrich Heine in his 'The Baths of Lucca' creates a satiric portrait of the Jewish upstart figure Gumpel trying, under false aristocratic pretenses, to ingratiate his way into high society, while waiting for God to restore the Jews to their ancestral homeland. The problem is his nose, which is so long it almost pokes out the narrator's eyes when they meet. God must eventually make good on his promise of a return to Israel, the narrator reflects: In American Jewish literature and cinema, the Jewish nose has been a defining characteristic – for better or for worse – of the American Jewish identity. "The nose is […] a physical symbol of otherness, definitely for Jews, as Philip Roth" and other artists note, writes literary critic Roy Goldblatt.
Ewers's literary career began with a volume of satiric verse, entitled A Book of Fables, published in 1901. That same year he collaborated with Ernst von Wolzogen in forming a literary vaudeville theatre before forming his own such company, which toured Central and Eastern Europe before the operating expenses and constant interference from censors caused him to abandon the enterprise. A world traveler, Ewers was in South America at the beginning of World War I, and relocated to New York City, where he continued to write and publish. Ewers' reputation as a successful German author and performer made him a natural speaker for the Imperial German cause to keep the United States from joining the war as an ally of Britain.
His first published work consisted of Hebrew-language journalism that appeared in Hamagid between 1868 and 1872, where he signed Moise Roman (Romano) and R. Moran. He always avoided using his real surname and kept his first name a secret as well. Determined to become a Romanian writer, he submitted satiric pamphlets and articles on social issues to Revista literară și științifică (1876), Adevărul, Almanahul Dacia, Calendarul Răsăritul, Convorbiri Literare, Curentul nou, Egalitatea, Mântuirea, Opinia, Reforma, România Liberă, Timpul, Anuar pentru israeliți and Flacăra. He was friends with Mihail Kogălniceanu; while writing for the Conservative Party's Timpul, he also became close with Mihai Eminescu and Ion Luca Caragiale, and the three together attended meetings of Titu Maiorescu's Junimea for a time.
Portrait of Jacques Chirac by Donald Sheridan Because of Jacques Chirac's long career in visible government positions, he was often parodied or caricatured: Young Jacques Chirac is the basis of a young, dashing bureaucrat character in the 1976 Asterix comic strip album Obelix and Co., proposing methods to quell Gallic unrest to elderly, old-style Roman politicians. Chirac was also featured in Le Bêbête Show as an overexcited, jumpy character. Jacques Chirac was a favorite character of Les Guignols de l'Info, a satiric latex puppet show. He was originally portrayed as a rather likable, though overexcited, character; following the corruption allegations, however, he was depicted as a kind of dilettante and incompetent who pilfered public money and lied through his teeth.
In the twentieth century folk singers have produced musical plays with folk or folk-like songs called "ballad operas". Alan Lomax, Pete Seeger, Burl Ives, and others recorded The Martins and the Coys in 1944, and Peter Bellamy and others recorded The Transports in 1977. The first of these is in some ways connected to the "pastoral" form of the ballad opera, and the latter to the satiric Beggar's Opera type, but in all they represent yet further reinterpretations of the term. Ironically, it is in the musicals of Kander and Ebb—especially Chicago and Cabaret—that the kind of satire embodied in The Beggar's Opera and its immediate successors is probably best preserved, although here, as in Weill's version, the music is specially composed, unlike the first ballad operas of the 18th century.
Walker Percy's Weirdest Book In their 2006 book Secrets of The Super optimist, authors W.R. Morton and Nathaniel Whiten revealed the concept of "super optimism" as a humorous antidote to the overblown self-help book category. In his comedy special Complaints and Grievances (2001), George Carlin observes that there is "no such thing" as self-help: anyone looking for help from someone else does not technically get "self" help; and one who accomplishes something without help, did not need help to begin with. In Margaret Atwood's semi-satiric dystopia Oryx and Crake, university literary studies have declined to the point that the protagonist, Snowman, is instructed to write his thesis on self-help books as literature; more revealing of the authors and of the society that produced them than genuinely helpful.
Her academic background and a remarkable gift for the fiber arts stood her in good stead when she authored two books of her own, A Needlepoint Gallery of Patterns from the Past (Knopf) and Victorian Designs for Needlepoint (Holt, Rinehart & Winston). Phyllis is also the creator of satiric and documentary quilts with titles like "Cereal Killer Strikes Again" and "The Real George Washington, Warts and All" and dealing with, among other subjects, the rise and fall of the British empire, American homes, and the fall of Soviet communism. Her six-foot-square quilt "The Princeton-Yale Game Increases in Intensity" is on permanent display at Princeton University's Frist Student Center. The Klugers have two sons, Matthew Kluger, a disbarred attorney, and Ted, a builder-contractor, and six grandsons.
406 He also wrote parodies on Homer, and some lines from a scepticism-themed poem in elegiac verse have been preserved, as well as one or two fragments which cannot be with certainty assigned to any of his poems. The most celebrated of his poems, however, were the satiric compositions called Silloi, a word of somewhat uncertain etymology, but which undoubtedly describes metrical compositions, of a character at once ludicrous and sarcastic. The invention of this species of poetry is ascribed to Xenophanes of Colophon. The Silloi of Timon were in three books, in the first of which he spoke in his own person, and the other two are in the form of a dialogue between the author and Xenophanes, in which Timon proposed questions, to which Xenophanes replied at length.
His initial literature work consisted of short stories. They were periodically published in the Shqiperia (Albania) journal of Kristo Luarasi in Sofia, Bulgaria, and were later compiled in two story collections in 1911: Goca e Malësisë (The Highland Girl) and Rrëfenja (Narrations). His best stories are considered to be the ones written while residing in Odessa. Gurra published or co-published also his own journals, such as Atdheu (The homeland) published in Constanța, Romania in 1912, the monthly Shkëndija (The sparkle) of 1921 in Korçë, Zekthi (The gadfly), a satiric paper, and Zëri i Popullit (The voice of the people), a bi- monthly social-political journal, started in 1922 in Korçë, Mituria (The childhood), and Vatra a Rinisë (Hearth of Youth) where he published pieces written for children.
Many of these authors (like Niccolò Tommaseo, Francesco Domenico Guerrazzi and D'Azeglio himself) were patriots and politicians too, and in their novels, the veiled politic message of Manzoni became explicit (the hero of Ettore Fieramosca fights to defend the honor of the Italian soldiers, mocked by some arrogant Frenchmen). Unfortunately, in them, the narrative talent not equaled the patriotic passion, and their novels, full of rhetoric and melodramatic excesses, are today barely readable as historical documents. A significant exception is The Confessions of an Italian by Ippolito Nievo, an epic about the Venetian republic's fall and the Napoleonic age, told with satiric irony and youthful brio (Nievo wrote it when he was 26 years old). In Arabic literature, the Lebanese writer Jurji Zaydan (1861–1914) was the most prolific novelist of this genre.
The Beggar's Opera is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today. Ballad operas were satiric musical plays that used some of the conventions of opera, but without recitative. The lyrics of the airs in the piece are set to popular broadsheet ballads, opera arias, church hymns and folk tunes of the time. The Beggar's Opera premiered at the Lincoln's Inn Fields Theatre on 29 January 1728 and ran for 62 consecutive performances, the second longest run in theatre history up to that time (after 146 performances of Robert Cambert's Pomone in Paris in 1671).
In 1991, Les Cleveland included Gretton's 'No More Double Bunking' in The Great New Zealand Songbook; and Cleveland again mentions Gretton for his war poem 'Koru and Acanthus' in his essay on 'War Literature: World War 2’ in the Oxford Companion to New Zealand Literature (1998). Academics Harry Ricketts and Hugh Roberts further included seven of Gretton’s comic verses and songs in their anthology of New Zealand comic and satiric verse, How You Doing? (1998). This can be seen as the first major inclusion of Gretton’s work in a New Zealand anthology since the 1960s whose contributors date back to the 19th century. In 2001, New Zealand poets and editors Bill Sewell and Lauris Edmond included two of Gretton's poems in their anthology of New Zealand poetry, Essential New Zealand Poems.
This contrasto (dispute) between two lovers in the Sicilian language is not the most ancient or the only southern poem of a popular kind. It belongs without doubt to the time of the emperor Frederick II (no later than 1250), and is important as proof that there existed a popular, independent of literary, poetry. The Contrasto is probably a scholarly re-elaboration of a lost popular rhyme and is the closest to a kind of poetry that perished or was smothered by the ancient Sicilian literature. Its distinguishing point was its possession of all qualities opposite to the poetry of the rhymers of the "Sicilian School", though its style may betray a knowledge of Frederick's poetry, and there is probably a satiric intent in the mind of the anonymous poet.
The English word "fascinate" ultimately derives from Latin fascinum and the related verb fascinare, "to use the power of the fascinus", that is, "to practice magic" and hence "to enchant, bewitch". Catullus uses the verb at the end of Carmen 7, a hendecasyllabic poem addressing his lover Lesbia; he expresses his infinite desire for kisses that cannot be counted by voyeurs nor "fascinated" (put under a spell) by a malicious tongue; such bliss, as also in Carmen 5, potentially attracts invidia.David Wray, Catullus and the Poetics of Roman Manhood (Cambridge University Press, 2001), p. 152. Fescennine Verses, the satiric and often lewd songs or chants performed on various social occasions, may have been so-named from the fascinum; ancient sources propose this etymology along with an alternative origin from Fescennia, a small town in Etruria.
In addition, there were the travelogues such as Richard Ford's A Handbook for Travellers in Spain, written by various foreigners who had visited Spain and, in painting, the foreign artists (especially, David Roberts) who had settled for a time especially in Seville and Granada and drew or painted local subjects. While Estébanez Calderón, Mesonero Romanos, and (insofar as he fits the genre) Larra were the major costumbrista writers, many other Spanish writers of the 19th century devoted all or part of their careers to costumbrismo. Antonio María Segovia (1808–74), who mainly wrote pseudonymously as "El Estudiante" and who founded the satiric-literary magazine El Cócora;Ángeles Ezama Gil, José Enrique Serrano Asenjo (editors), Juan Valera, Correspondencia, Vol. 2: Años 1862-1875, Nueva biblioteca de erudición y crítica, Editorial Castalia, 2002, . p. 39.
As have many other photographers of his generation - most notably Cindy Sherman, Robert Mapplethorpe, and Lucas Samaras - and due to his complex view of double identity, Adál has systematically explored identity issues to their ultimate consequences. From suggestive, “surreal” photographic collages in the early 1970s, to the ironic concreteness of his Auto-Portraits series, and, finally, to the creation of an ethereal, ubiquitous country where he and his Out of Focus Nuyoricans colleagues live, Adál has collapsed self- portraiture’s allegedly self-referential quality. Indeed, a great deal of his work’s satiric trademark arises from the constant mockery of the possibility of ever achieving an ultimate, definitive picture of one’s self. By exposing the absurdity behind the search for ultimate reference to selfhood in art, Adál challenges the notion of literalness.
He essentially played himself in the movie, waving a flag on the ramparts of an administration building during a campus protest that was being teargassed and crushed by state troopers. In 1987 Hoffman summed up his views: Later that same year, Hoffman and Jonathan Silvers wrote Steal This Urine Test (published October 5, 1987), which exposed the internal contradictions of the War on Drugs and suggested ways to circumvent its most intrusive measures. Although Hoffman's satiric humor was on display throughout the book, Publishers Weekly wrote that "the extensive, in-depth research and a barrage of facts and figures... make this the definitive guide to the current drug-testing environment." Stone's Born on the Fourth of July was released on December 20, 1989, more than eight months after Hoffman's suicide on April 12, 1989.
Several of Rehnqvist's works were composed for the voices and interpretation of Lena Willemark and Susanne Rosenberg, both having a past as folk singers, such as Davids nimm and Puksånger-lockrop (1989). Rehnqvist includes kulning (cattle calling) in her works, a high-pitched vocal technique used by Scandinavia shepherds to communicate over long distances, calling livestock down from high mountain and possibly scaring away predators. Puksånger & lockrop (Timpanum Songs – Herding Calls) was her second major vocal composition, set for two singers and percussion, in which kulning "begins the piece and sets the atmosphere for the entire work", followed by a section based on "condescending traditional Finnish proverbs" about women, described as "highly effective satiric attacks on misogyny. This section is followed immediately by a kulning section, which represents a rebellion against the previous ideas".
The satiric and fantastic romance is set in an imaginary semi-tropical land in Antarctica inhabited by prehistoric monsters and a cult of death-worshipers called the Kosekin. Begun many years before it was published, it is reminiscent of Edgar Allan Poe's The Narrative of Arthur Gordon Pym of Nantucket and anticipates the exotic locale and fantasy-adventure elements of works of the "Lost World genre" such as Arthur Conan Doyle's The Lost World and Edgar Rice Burroughs' The Land That Time Forgot, as well as innumerable prehistoric world movies based loosely on these and other works. The title and locale were inspired by Edgar Allan Poe's Ms. Found in a Bottle. It was unfortunate for De Mille's reputation as a writer that this work was published after She and King Solomon's Mines.
But he's not just mimicking these heroes, he is using them to give his own character a broad, satiric edge." Walter Goodman in The New York Times wrote, "In kidding the flavorsome proceedings even as he gets the juice out of them, the director, John Carpenter, is conspicuously with it." Writer Harlan Ellison, widely known in Hollywood for his brutally honest critiques, praised the film, writing that it had "some of the funniest lines spoken by any actor this year to produce a cheerfully blathering live- action cartoon that will give you release from the real pressures of your basically dreary lives." In his review for Time, Richard Corliss wrote, "Little China offers dollops of entertainment, but it is so stocked with canny references to other pictures that it suggests a master's thesis that moves.
"ONI Regional Overview: Asia", OpenNet Initiative, June 2009 Facebook was blocked by the BTRC for 7 days starting on 29 May 2010 because of "obnoxious images", including depictions of Mohammed and several of the country's political officials as well as links to pornographic sites."Pakistan Lifts Facebook Ban; Bangladesh Cracks Down", Rebekah Heacock, OpenNet Initiative, 1 June 2010 The block was lifted after Facebook agreed to remove the offensive content."Bangladesh unblocks Facebook after Muhammad row", BBC News, 6 June 2010 During the same period a 30-year-old man was arrested in the Bangladeshi capital on charges of uploading satiric images of some political leaders on Facebook."Facebook blocked", Daily Star (Bangladesh), 30 May 2010 The BTRC again blocked YouTube access in September 2012 after Google, Inc.
Eugene Jules Colan (; September 1, 1926 - June 23, 2011)Eugene Colan at the Social Security Death Index via FamilySearch.org. Retrieved on February 22, 2013. was an American comic book artist best known for his work for Marvel Comics, where his signature titles include the superhero series Daredevil, the cult-hit satiric series Howard the Duck, and The Tomb of Dracula, considered one of comics' classic horror series. He co-created the Falcon, the first African-American superhero in mainstream comics, portrayed by Anthony Mackie in the Marvel Cinematic Universe (MCU); Carol Danvers, who would become Ms. Marvel and Captain Marvel, and is portrayed by Brie Larson in the MCU; and the non-costumed, supernatural vampire hunter Blade, who went on to appear in a series of films starring Wesley Snipes.
Cellier, Leslie and Stephenson Although billed as a "comic opera" like the popular Gilbert and Sullivan operas on the London stage at the same time, Dorothy was a key forerunner of the Edwardian musical comedy, bearing many of the attributes of that genre. Its libretto is more farcical than W. S. Gilbert's satiric libretti, revolving around mistaken identities and topical humour instead of topsy-turvy plot absurdities. Dorothy anticipated George Edwardes's musical comedy hits of the 1890s and 1900s, and its remarkable success showed Edwardes and other theatre managers that audiences were ready for a shift towards the more topical pieces that soon dominated the musical theatre stage. In 1885, Cellier had composed a song, "There once was a time, my darling", for a piece produced by Edwardes, Little Jack Sheppard (1885).
The new prominence of tragedies that involved courtly intrigues seems to have been partly influenced by this dissatisfaction. This trend towards court-based tragedy was contemporary with a change in dramatic tastes toward the satiric and cynical, beginning before the death of Elizabeth I but becoming ascendant in the few years following. The episcopal ban on verse satire in 1599 appears to have impelled some poets to a career in dramaturgy;Campbell, 3 writers such as John Marston and Thomas Middleton brought to the theatres a lively sense of human frailty and hypocrisy. They found fertile ground in the newly revived children's companies, the Blackfriars Children and Paul's Children;Harbage, passim these indoor venues attracted a more sophisticated crowd than that which frequented the theatres in the suburbs.
The book tells the satiric biographical story of an early 18th-century underworld boss, Jonathan Wild, from his birth in 1682 until his execution in 1725. As a thief-taker, Wild's job was to capture criminals and take them to the authorities in order to collect a reward, but he made notorious profit from managing an underground network of malefactors who paid him to avoid being denounced. Fielding's biography of Jonathan Wild allows him to satirize various aspects of English society at the time.. It features an interpolated romantic story that is nowhere to be found in other accounts of the historical Wild. It has been argued that this was Fielding's way of rendering the criminal biography of Wild into a novel of the kind that was becoming increasingly popular in his time.
In November 1815, the Prince Regent's librarian James Stanier Clarke invited Austen to visit the Prince's London residence and hinted Austen should dedicate the forthcoming Emma to the Prince. Though Austen disliked the Prince Regent, she could scarcely refuse the request.Austen letter to James Stannier Clarke, 15 November 1815; Clarke letter to Austen, 16 November 1815; Austen letter to John Murray, 23 November 1815, in Le Faye (1995), 296–298. Austen disapproved of the Prince Regent on the account of his womanising, gambling, drinking, spendthrift ways and generally disreputable behaviour.Halperin (1985), 734 She later wrote Plan of a Novel, according to Hints from Various Quarters, a satiric outline of the "perfect novel" based on the librarian's many suggestions for a future Austen novel.Litz (1965), 164–165; Honan (1987), 367–369, describes the episode in detail.
Immediately after that revolution, he became an equally vocal and active opponent of the corrupt theocratic tyranny that replaced the corrupt secular tyranny of the Shah. In a satiric poem "An Ode to the Revolution" which he published in 1980 he wrote: This well-favored friend, one more Time after a thousand, has deceived us... The crowned butcher is gone; on his Throne sits the turbaned butcher. But the play is the same, The same the players, With a thousand new masks, But with one difference: Yesterday's wolves are today's lambs. And in his novel Dead Reckoning, the protagonist returns to Iran to attend his mother's funeral, after 15 years of being away, only to be handcuffed and blindfolded and be taken away to Evin prison, to be tortured by the same torturers who had tortured his brother to death 17 years earlier.
It would've been sanitary and it would've been phony." Each episode had a budget between US$2–2.5 million; the pilot episode's budget was over $3 million. Robert Morse was cast in the role of senior partner Bertram Cooper; Morse starred in two 1967 films about amoral businessmen, A Guide for the Married Man, a source of inspiration for Weiner, and How to Succeed in Business without Really Trying, in which Morse recreated his role from the 1961 Broadway play of the same name (and which was itself based on a satiric novel by a former executive at the defunct New York ad agency, Benton & Bowles, Inc.). Weiner collaborated with cinematographer Phil Abraham and production designers Robert Shaw (who worked on the pilot only) and Dan Bishop to develop a visual style that was "influenced more by cinema than television.
When Daniel catches his girlfriend (Sarah Allen), also a political staffer, and her boss in flagrante delicto he decides to flee political life and return to academe as assistant professor of English at the University of Ottawa. But it turns out that a life in politics is a bit like life in the mob – you just don’t walk away. For Daniel, the cost of exit is that he must find a candidate in a small riding 50 kilometers away and manage the campaign in the quickly approaching election. The catch: the riding in question has voted solidly for the governing party in every single election since Confederation and the incumbent is Eric Cameron (Peter Keleghan), the extremely popular finance minister whose approval rating in the last election was over 90%.Bill Brioux, "‘Best Laid Plans’ turns satiric focus on politics".
The Constitution of some countries like Canada and India, state that powers not explicitly granted to the provincial governments are retained by the federal government. Much like the US system, the Australian Constitution allocates to the Federal government (the Commonwealth of Australia) the power to make laws about certain specified matters which were considered too difficult for the States to manage, so that the States retain all other areas of responsibility. Under the division of powers of the European Union in the Lisbon Treaty, powers which are not either exclusively of European competence or shared between EU and state as concurrent powers are retained by the constituent states. Satiric depiction of late 19th-century political tensions in Spain Where every component state of a federation possesses the same powers, we are said to find 'symmetric federalism'.
Herschel proposed a correction to the Gregorian calendar, making years that are multiples of 4000 not leap years, thus reducing the average length of the calendar year from 365.2425 days to 365.24225. Although this is closer to the mean tropical year of 365.24219 days, his proposal has never been adopted because the Gregorian calendar is based on the mean time between vernal equinoxes (currently days). Herschel was elected a Foreign Honorary Member of the American Academy of Arts and Sciences in 1832, and in 1836, a foreign member of the Royal Swedish Academy of Sciences. In 1835, the New York Sun newspaper wrote a series of satiric articles that came to be known as the Great Moon Hoax, with statements falsely attributed to Herschel about his supposed discoveries of animals living on the Moon, including batlike winged humanoids.
Marcus's first scholarly monograph, From Pickwick to Dombey, used psychoanalytic and mythological frameworks to analyze seven of Dickens's then neglected early novels. Marcus's arguments would prove exceptionally influential, including claims that the master-concept of Nicholas Nickleby was a hostility to "prudence"; that the abstract principle governing Dombey and Son was resistance to change and temporal decay; that Sam Weller cagily subverts the idealizing morality of Mr. Pickwick; and that Oliver Twist makes its most incisive political indictments through "satiric innocence", or a position of non-partisan humanity. Though immediately recognized as an eminent work of Dickens criticism, From Pickwick to Dombey was widely criticized for an over-reliance on Freudian concepts, a tendency that academic reviewers called "facile",Edgar Johnson, Nineteenth-Century Fiction 20.4 (1966): 399. "deeply flawed",Harry Stone, "Critic of the Hour", Kenyon Review 27.3 (1965): 518.
As a dramatist he worked more in the spirit of Plautus than of Ennius, Pacuvius, Accius, or Terence; but the great Umbrian humorist is separated from his older contemporary, not only by his breadth of comic power, but by his general attitude of moral and political indifference. The power of Naevius was the more genuine Italian gift, the power of satiric criticism which was employed in making men ridiculous; not, like that of Plautus, in extracting amusement from the humours, follies and eccentricities of life. Although our means of forming a fair estimate of Naevius are scanty, all that we do know of him leads to the conclusion that he was far from being the least among the makers of Roman literature, and that with the loss of his writings there was lost a vein of national feeling and genius which rarely reappears.
Throughout his career, Held used woodblock, linocut, bronze, pen, and paint and he painted everything from maps to cartoons, to scenery and accurate animal portraits. Even though his art was so varied in style, there was unity in effect. Arguing that Fitzgerald christened the Jazz Age, Corey Ford described Held as both the recorder and the setter of popular styles and manners of the era: > His angular and scantily clad flapper was accepted by scandalized elders as > the prototype of modern youth, the symbol of our moral revolution ... Week > after week in Life and Judge and College Humor, they danced the Charleston > with ropes of beads swinging and bracelets clanking and legs kicking at > right angles ... So sedulously did we ape his caricatures that they lost > their satiric point and came to be a documentary record of our time.Held, > John. 1972.
Due to the use of copyrighted materials and the manner in which these sources are depicted, YTPs may be removed from YouTube following a DMCA complaint. However, political scientist and author Trajce Cvetkovski noted in 2013 that, despite Viacom filing a copyright infringement lawsuit with YouTube in 2007, YouTube Poops such as "The Sky Had a Weegee" by Hurricoaster, which features scenes from the animated series SpongeBob SquarePants (in particular, the episode "Shanghaied") and Weegee (a satiric caricature based on Nintendo's Luigi as he appears in the DOS version of Mario Is Missing), remained on YouTube. The law in the United Kingdom does allow people to use copyrighted material for the purposes of parody, pastiche, and caricature without infringing on the copyright of the material. Copyright owners are only able to sue the parodist if the work contains hateful or discriminative messages.
He planned to write comedies that revived the classical premises of Elizabethan dramatic theory—or rather, since all but the loosest English comedies could claim some descent from Plautus and Terence, he intended to apply those premises with rigour.Doran, 120ff This commitment entailed negations: after The Case is Altered, Jonson eschewed distant locations, noble characters, romantic plots and other staples of Elizabethan comedy, focusing instead on the satiric and realistic inheritance of new comedy. He set his plays in contemporary settings, peopled them with recognisable types, and set them to actions that, if not strictly realistic, involved everyday motives such as greed and jealousy. In accordance with the temper of his age, he was often so broad in his characterisation that many of his most famous scenes border on the farcical (as William Congreve, for example, judged Epicoene).
"[ The Want]" Allmusic. Retrieved October 7. 2007 and began playing live shows in 1994.The Washington Post, March 8, 2004, Alexandria-Arlington Extra "Live." page 6, by Marianne Meyer The Washington Post describes their music as “musically tough” with “satiric lyrical twists that are pretty dang funny on closer inspection.” Allmusic writer Steve Huey describes The Want as “influenced primarily by rockabilly- tinged L.A. punk bands like X and Social Distortion.” Washington City Paper music and film critic Mark Jenkins described The Want as “skillfully eclectic outfit.” Washington City Paper, Sound Check, by Mark Jenkins, June 16, 1995 In April 1995 The Want released their first CD, "Too Much Stuff," on Selling the Ranch Records followed by "Texas" in 1998. The current lineup of The Want is guitarist Bob Stewart, bassist Jack Stanton, and drummer Damian Banaszak.
The fact that Italians were well aware of the fact that any communication could be intercepted, recorded, analyzed and eventually used against them, caused that censorship in time became a sort of usual rule to consider, and soon most people used jargons or other conventional systems to overtake the rules. Opposition was expressed in satiric ways or with some ingeniously studied legal tricks, one of which was to sing publicly the Hymn of Sardinia, which should have been forbidden not being in Italian language, but it could not be forbidden being one of the symbols of the Savoy house. It has to be said that in most of the small villages, life continued as before, since the local authorities used a very familiar style in executing such orders. Also in many urban realities, civil servants used little zeal and more humanity.
Born in 1965 in the Malësi e Madhe District of northern Albania, Marinaj started his writing career as a restricted correspondent publishing in a number of Albanian media outlets, first in local newspapers in Shkodra, then in a series of Albanian national publications including Zëri i Rinisë ("The Voice of Youth"), Luftëtari ("The Fighter"), Vullnetari ("The Volunteer"), and Drita (The Light). In August 1990, Marinaj published an anti-communist satiric poem entitled "Horses" (original ) and aware of his imminent arrest from the communist regime, on September 12, 1990, Marinaj escaped authorities by illegally crossing the Albanian-Yugoslavian border and fled first to Yugoslavia and later on to the United States. He arrived in San Diego in July 1991, then went to Richardson, Texas. In 2001, Marinaj founded the Albanian-American Writers Association and served as president until 2009.
Award- winning science journalist Matt Ridley, writing in The Wall Street Journal, often could not spot the boundary between fact and fiction in the scientific aspects, although he found the almost immediate effects of the "maturity" gene implausible. He also thought that Crichton's "uncanny prescience in choosing subjects where fact will soon catch up with his fiction" was on target again, as the early hype over biotechnology has subsided and recent advances offer credible benefits. In The Sunday Times Joby Williams called the book "more a satiric polemic than the thriller we have come to expect from Crichton", and notes that there is no central character and the story is told as a collection of distinct episodes. Ridley described the plot as "a collection of short horror stories from the biotechnology industry," and The Independent′s view was similar.
The 2000 Ig Nobel Prize in physics was awarded to Andre Geim, Radboud University Nijmegen, and Michael Berry, University of Bristol, UK, for the magnetic levitation of a live frog. Geim was awarded an actual Nobel Prize in Physics in 2010. The Ig Nobel Prize ( ) is a satiric prize awarded annually since 1991 to celebrate ten unusual or trivial achievements in scientific research, its stated aim being to "honor achievements that first make people laugh, and then make them think." The name of the award is a pun on the Nobel Prize, which it parodies, and the word ignoble. Organized by the scientific humor magazine Annals of Improbable Research (AIR), the Ig Nobel Prizes are presented by Nobel laureates in a ceremony at the Sanders Theater, Harvard University, and are followed by the winners’ public lectures at the Massachusetts Institute of Technology.
The story is told from the first person point of view of a being who is immortal and has existed for millions of years. The narrative of the story consists of the story of the development of the earth including the evolution of all life including humans and the history of the human race through nuclear Armageddon and the end of human life on earth. This narrative is interspersed with a narrative of the narrator’s interaction with the world including humans and a pet elephant that lived a hundred years and his satiric, snobbish evaluation of various time periods or people. In reality, the whole story is the imaginings of one of a group of people living by a polluted well in New Zealand at the end of the world; all of these imagine themselves to be immortal when in reality they are dying.
His novel Abu Nuwas fi Amrika (Abu Nuwas in America), written during Khulusi's sojourn in Chicago, has been called an "hilarious satire" recounting the extraordinary adventures that befall the Abbasid poet Abu Nuwas, wine- and boy-lover, when he is miraculously transported into America, from his presence on a stamp brought into that country. Part parody of Arabic works on the bewildering experience of life in the West, part picaresque novel, it has the hero tour the louche subcultures, gay and heterosexual, of America from Queens through Las Vegas to Los Angeles, while rising ineluctably to become an authority in the United States on the Arab world. Notwithstanding the high satiric energy of the novel, Khulusi's intention was to introduce American culture to an Arab readership. He compares Iraqi and American nationalism and the practice of religion in his adopted culture with the Muslim faith.
Because women were allowed on the stage, playwrights had more leeway with plot twists, like women dressing as men, and having narrow escapes from morally sticky situations as forms of comedy. Comedies were full of the young and very much in vogue, with the storyline following their love lives: commonly a young roguish hero professing his love to the chaste and free minded heroine near the end of the play, much like Sheridan's The School for Scandal. Many of the comedies were fashioned after the French tradition, mainly Molière, again hailing back to the French influence brought back by the King and the Royals after their exile. Molière was one of the top comedic playwrights of the time, revolutionizing the way comedy was written and performed by combining Italian commedia dell'arte and neoclassical French comedy to create some of the longest lasting and most influential satiric comedies.
Rather than including a custom interpreter for some domain-specific language, Greenspun's rule suggests using a widely accepted, fully featured language like Lisp. Paul Graham also highlights the satiric nature of the concept, albeit based on real issues: The rule was written sometime around 1993 by Philip Greenspun. Although it is known as his tenth rule, there are in fact no preceding rules, only the tenth. The reason for this according to Greenspun: Hacker Robert Morris later declared a corollary, which clarifies the set of "sufficiently complicated" programs to which the rule applies: This corollary jokingly refers to the fact that many Common Lisp implementations (especially those available in the early 1990s) depend upon a low-level core of compiled C, which sidesteps the issue of bootstrapping but may itself be somewhat variable in quality, at least compared to a cleanly self-hosting Common Lisp.
Hogarth retaliated with an engraving based on The Painter and his Pug, which caricatures Churchill as a bear in torn clerical bands hugging a pot of porter and a club made of lies and North Britons, while Hogarth's pug Trump urinates on Churchill's Epistle. The Duellist (1763) is a virulent satire on the most active opponents of Wilkes in the House of Lords, especially on Bishop Warburton. He attacked Dr Johnson among others in The Ghost as "Pomposo, insolent and loud, Vain idol of a scribbling crowd". Other poems are The Conference (1763); The Author (1763), highly praised by Churchill's contemporaries; Gotham (1764), a poem on the duties of a king, didactic rather than satiric in tone; The Candidate (1764), a satire on John Montagu, fourth earl of Sandwich, one of Wilkes's bitterest enemies, whom he had already denounced for his treachery in The Duellist (Bk.
Lemonade Joe is, most prominently, a parody of clichés found in American Westerns. In addition, it includes a running satire of American capitalism and cultural imperialism—values embodied by the soft drink Kolaloka, the name of which is a clear parody of Coca-Cola. (In the earliest version of the Lemonade Joe stories, the drink was called Kolakoka, an even more unambiguous reference.) However, it is highly ambiguous whether the satire is intended as a serious critique of the capitalist system; indeed, values officially promoted in Eastern European countries of the time are implicitly satirized as well, with the plot culminating in a reconciliation and compromise between the two. The film's screenwriter, Jiří Brdečka, wrote that his main satiric target was the undertone of commercialism running through classic American westerns, explaining that the satire: Numerous scholars have commented on the film's multiple layers of thematic parody.
Statue of Jorrocks in George Street, Croydon Surtees was not among the most popular novelists in the nineteenth century. His work lacked the self-conscious idealism, sentimentality and moralism of the Victorian era; the historian Norman Gash asserted that "His leading male characters were coarse or shady; his leading ladies dashing and far from virtuous; his outlook on society satiric to the point of cynicism." Thomas Seccombe, writing in 1898 for the Dictionary of National Biography, said that it was the illustrations of Leech that gave Surtees' work any notability: > The coarseness of the text was redeemed in 1854 by the brilliantly humorous > illustrations of John Leech, who utilised a sketch of a coachman made in > church as his model for the ex-grocer. Some of Leech's best work is to be > found among his illustrations to Surtees's later novels, notably Ask Mamma > and Mr. Romford's Hounds.
In the aftermath of the incident, many parties began looking for reasoning behind their actions and there came an increased scrutiny on the role of the media in society, including video games and film, and the influence it could have on an audience. With production of Scream 3 not yet underway, there were considerations about whether the film should be made at that time, aware of the potential for negative attention but the studio decided to press forward, albeit with changes. The studio remained however much more apprehensive concerning violence and gore in Scream 3 than with previous installments, pressing for a greater emphasis on the series' satiric humor while scaling back on the violence. At one point in the production, the studio went as far as demanding that the film feature no blood or on-screen violence at all, a drastic departure for the series, but Craven directly intervened.
The essays range from serious scholarly efforts to Hendrik Willem van Loon's fanciful and satiric portrayal of an independent 20th century Dutch city state on the island of Manhattan. Among the authors included were Hilaire Belloc, André Maurois, and Winston Churchill. A 1952 world map from the universe of Ward Moore's Bring the Jubilee, where the Confederacy wins the "War of Southern Independence"—the counterfactual American Civil War One of the entries in Squire's volume was Churchill's "If Lee Had Not the Battle of Gettysburg", written from the viewpoint of a historian in a world where the Confederate States of America had won the American Civil War. The entry considers what would have happened if the North had been victorious (in other words, a character from an alternate world imagines a world more like the real one we live in, although not identical in every detail).
There he enjoyed a remarkable 23-year run as penciler on a single creative team, with inker Vince Alascia (another Timely veteran) and writer Joe Gill. The art team would sometimes sign its work Nicholas & Alascia, as in the panel at left. In 1978–79, Wojtkoski drew comics for editor Vincent Fago on Pendulum Press's Contemporary Motivators series, a line of comic book adaptations of inspiring stories and morality tales like Banner in the Sky, God Is My Co-Pilot, Guadalcanal Diary, The Diary of Anne Frank, and Lost Horizon; as well as a rough adaptation of Star Wars. After Charlton went defunct in the mid-1980s, Wojtkoski drew for the satiric magazine Cracked and for Marvel Comics' The Incredible Hulk comic strip,Charles Nicholas (Charles Wojtkoski) at the Lambiek Comiclopedia as well as for the first Transformers hardcover children's books and coloring books.
From 1972 to 1985 he was a National Endowment for the Arts sponsored "musician-in-residence", visiting schools in twenty US states. One of those residencies brought him to West Virginia in 1972, where he continues to make his home. In 1976, his satiric novelty song "Junk Food Junkie" became a Billboard top-ten hit and led to appearances on The Tonight Show, The Merv Griffin Show, American Bandstand, The Midnight Special, The Rich Little Show, Nashville Now, The Disney Channel, Dr. Demento, and A Prairie Home Companion. Between 1979 and 1990, Groce performed on nine Disney albums, one of which was certified gold and five certified platinum. His first Disney recording, Winnie-the-Pooh for President, was nominated for a Grammy in the category of “Best Recording for Children” in 1976, and Disney’s Children’s Favorites Volumes I–IV remain in print and continue to sell.
The novel is really a creation of the nineteenth century and it began with historical romances in the style of Walter Scott by Alexandre Herculano, to whom succeeded Rebelo da Silva with A Mocidade de D. João V, Andrade Corvo, and others. The romance of manners is due to the versatile Camilo Castelo Branco, a rich impressionist who describes to perfection the life of the early part of the century in Amor de Perdição, Novellas do Minho, and other books. Gomes Coelho (Júlio Dinis), a romantic idealist and subjective writer, is known best by As Pupilas do Senhor Reitor, but the great creative artist was José Maria de Eça de Queirós, founder of the Naturalist School, and author of Primo Basílio, Correspondência de Fradique Mendes, A Cidade e as Serras. His characters live and many of his descriptive and satiric passages have become classical.
Ropp, 1990, p311 The scholar and literary critic Andrew H. Plaks argues that Romance of the Three Kingdoms, Water Margin, Journey to the West, and The Golden Lotus collectively constituted a technical breakthrough reflecting new cultural values and intellectual concerns. Their educated editors, authors, and commentators used the narrative conventions developed from earlier story- tellers, such as the episodic structure, interspersed songs and folk sayings, or speaking directly to the reader, but they fashioned self-consciously ironic narratives whose seeming familiarity camouflaged a Neo-Confucian moral critique of late Ming decadence. Plaks explores the textual history of the novels (all published after their author's deaths, usually anonymously) and how the ironic and satiric devices of these novels paved the way for the great novels of the 18th century.Andrew H. Plaks, Four Masterworks of the Ming Novel (Princeton, New Jersey: Princeton University Press, 1987), esp. pp. 497–98.
Encyclopedia of Variety and Circus, ru It's significant that his style of acting coincides with his last name Savoyarov that comes from French word savoyard which means a strolling musician, a troubadour from Savoy. In 1907 Savoyarov had a success on fair of Nizhny Novgorod where he performed together with his first wife Ariadna Azagarina. Earlier she was famous in single-show companies as a French cabaret singer. Performing as “French-russian duet” they had a repertoire that consisted of comic and satiric scenes including singing, dancing, disguise and impersonations using theatrical costumes, make-up, mise-en-scènes and even decorations. Mikhail Savoyarov a postcard (1914) In 1914 Savoyarov published his first collection of texts of his own composition and joined the Society of Dramatists and Composers. At the age of 40 he wrote his best songs and reached the height of his fame.
Roger Greenspan, who reviewed the film for The New York Times on its release, wrote: > [Bartel] succeeds in some details and fails in others. But the attempt, even > when it isn't quite working, is a good deal more interesting than > most...Private Parts is at least a hopeful occasion for those of us who love > intellectual cinema and at the same time care for the menacing staircase, > for the ominous shadow, for empty rooms shuttered against the light of the > afternoon...Bartel is a young director whose previous short films have shown > a genius of title (Secret Cinema, Naughty Nurse) not entirely matched by > their content. Private Parts is no triumph, but it does mark a giant step > forward toward the successful blending of precocious perversity and satiric > good sense that seems the fated direction of his career. The film did not do well at the box office.
It took some time for Carte to gather funds for another Gilbert and Sullivan opera, and in this gap Gilbert produced several works including Tom Cobb (1875), Eyes and No Eyes (1875, his last German Reed Entertainment), and Princess Toto (1876), his last and most ambitious work with Clay, a three-act comic opera with full orchestra, as opposed to the shorter works for much reduced accompaniment that came before. Gilbert also wrote two serious works during this time, Broken Hearts (1875) and Dan'l Druce, Blacksmith (1876). Also during this period, Gilbert wrote, Engaged (1877), which inspired Oscar Wilde's The Importance of Being Earnest. Engaged is a parody of romantic drama written in the "topsy-turvy" satiric style of many of Gilbert's Bab Ballads and the Savoy Operas—with one character pledging his love, in the most poetic and romantic language, to every single woman in the play.
Tolan began his career writing for short-lived sitcoms Carol & Company and Wish You Were Here. After writing for and co-producing the first six episodes of Home Improvement he began writing for the hit series Murphy Brown, a three-season tenure for which he would share an Emmy Award for Outstanding Comedy Series (1992, as co- producer). In 1992 Tolan began writing for the HBO program The Larry Sanders Show, for which he received, in his capacity as co-/executive producer, three CableACE Awards for Comedy Series and an Emmy for co-writing (with series lead Garry Shandling) the series finale "Flip". After writing for several more programs (Ellen, Buddies, Good Advice), and creating the short-lived sitcoms Style & Substance and The George Wendt Show, Tolan co-created the ABC satiric comedy The Job with comedian Denis Leary, who would also star as an amoral and hedonistic NYPD detective.
It is not hard to imagine the > author fretfully asking himself, on a dry day, what would be a good, juicy > Condon touch.... Proof that the author himself knows that something is wrong > is that on almost every page he stops to wave at friends in the crowd. A > street in Paris, for instance, is not too slyly titled "Rue Artbuch Wald." The New York Times was more favorable: > One could go on about Richard Condon's surrealist story lines, his laugh- > out-loud satiric wit, and his inordinate ability to invent outlandish > detail. But the key to reading the author... correctly is to see him as a > sophistocated Hans Christian Andersen, a teller of sardonic fairy tales for > adults.... Along the way in his new novel, which is the Western to end them > all, Condon follows his bent of inserting a measure of social commentary > into his neatly laced phrases.
Spanish satiric depiction against the fueros embodied in the Tree of Gernika After the First Carlist War, the new class of Navarre negotiated separately from the rest of Basque districts the Ley Paccionada (or Compromise Act) in Navarre (1841), which granted some administrative and fiscal prerogatives to the provincial government within Spain. The rest of the Basque districts managed to keep still for another 40 years a small status of self-government, definitely suppressed in 1876. The end of the Third Carlist War saw the Carlists strong in the Basque districts succumb to the Spanish troops led by King Alfonso XII of Spain and their reduced self-government was suppressed and converted into Economic Agreements. Navarre's status was less altered in 1876 than that of Gipuzkoa, Biscay, and Álava, due to the separate agreement signed in 1841 by officials of the Government of Navarre with the Spanish government accepting the transformation of the kingdom into a Spanish province.
"H.T. Tsiang’s satiric, quasi-experimental novel The Hanging on Union Square explores leftist politics in Depression-era New York – an era of union busting and food lines – in an ambitious style that combines humor-laced allegory with snatches of poetry, newspaper quotations, non sequiturs, and slogans. Back in print for the first time since it was originally self-published in 1935, Kaya’s new edition of the novel follows out-of-work protagonist Mr. Nut from a workers’ cafeteria to dinner clubs and sexual exploitation in the highest echelons of society, then back again to the streets of Greenwich Village, where starving families rub shoulders with the recently evicted. In the process, Tsiang captures, hour-by-hour, Mr. Nut's profound transformation from itinerant roustabout to radical activist. Adventurous and unclassifiable in its combination of avant-garde and proletarian concerns, The Hanging on Union Square is a major rediscovery of a uniquely American voice".
One of the best-selling album musicals of the early 1960s was Stan Freberg Presents the United States of America, Volume One: The Early Years, released in 1961 on Capitol Records and billed as "An Original Musical Review Created Specifically For Stereo" (or "For Records," in the monaural version). Stan Freberg's extravagant musical comedy dealt with the birth of the United States of America in satiric terms and featured original songs, sketches and even dancing (tap-dancing Indians). Freberg had planned to release at least two follow-up albums, but he was approached by producer David Merrick with an offer to move the work to Broadway.holeintheweb.com Stan Freberg’s United States of America By the time the proposed production was cancelled, Freberg had moved on to other projects and Stan Freberg Presents the United States of America, Volume Two was not released until 1996, with several of the surviving cast members from the original album, along with several new performers.
His first known work at Charlton, where he would spend the bulk of his career into the 1960s, was the four-page humor story "The Ride of Paul Revere!", penciled and inked by Mastroserio and Dick Ayers as, respectively, "Rock" and "Rye", in the Mad-like satiric comic Eh! #4 (June 1954). Mastroserio's work for Charlton included such Western series as Billy the Kid, Black Fury, Rocky Lane's Black Jack, and Texas Rangers in Action; crime fiction such as Public Defender in Action, Racket Squad in Action, and Rookie Cop; science fiction/fantasy titles such as Mysteries of Unexplored Worlds, Outer Space, and Strange Suspense Stories; jungle title such as Nyoka the Jungle Girl, and Ramar of the Jungle; the historical-adventure titles Long John Silver & the Pirates and Robin Hood and his Merry Men; war comics including Army War Heroes, Fightin' Army, and The Fightin' 5; and such supernatural anthologies as Ghostly Tales, Unusual Tales, and The Many Ghosts of Doctor Graves.
Operetta: A Theatrical History , p. 11 However, a week or so before the opening night, John Rich, the theatre director, insisted on having Johann Christoph Pepusch, a composer associated with his theatre, write a formal French overture (based on two of the songs in the opera, including a fugue based on Lucy's 3rd act song "I'm Like A Skiff on the Ocean Toss'd") and also to arrange the 69 songs. Although there is no external evidence of who the arranger was, inspection of the original 1729 score, formally published by Dover Books, demonstrates that Pepusch was the arranger."Baroque Composers", Baroque Arts The work took satiric aim at the passionate interest of the upper classes in Italian opera, and simultaneously set out to lampoon the notable Whig statesman Robert Walpole, and politicians in general, as well as such notorious criminals as Jonathan Wild, the thief- taker, Claude Duval, the highwayman, and Jack Sheppard, the prison-breaker.
"Edward German", Who Was Who in the D'Oyly Carte Opera Company, accessed 11 January 2013 and Hood went on to a very successful career as an adapter of European operettas for the English stage.Basil Hood biography at the British Musical Theatre website of the Gilbert and Sullivan archive, 31 August 2004, adapted from The Encyclopedia of the Musical Theatre by Kurt Gänzl, accessed 11 June 2010 Unlike Hood's first opera with Sullivan, The Rose of Persia, The Emerald Isle does not pay much homage to the Gilbert and Sullivan comic tradition, except for the mistaken identities and the fact that the opera was written for the same opera company and its regular performers. The plot is not reminiscent of Gilbert's topsy-turvy style, nor is there any obvious satiric point. With its Irish jigs and broad comedy, the work was more at home in the musical comedy style that had become prevalent on the London stage by the end of the 1890s.
Most of the opposition parties and civil organisations have criticised the government for the bid, accusing it with corruption and spending money on the Olympic Games instead of developing health care, education and transportation in Budapest. In January 2017 a civil organisation called Momentum Movement started a petition to have a referendum for Budapest residents if they want to organize the Summer Olympics in 2024 or not. Several opposition parties, such as Lehet Más a Politika (LMP), Együtt, Párbeszéd Magyarországért (PM), Magyar Szocialista Párt (MSZP) and Demokratikus Koalíció (DK) joined the movement, as well as Magyar Kétfarkú Kutya Párt (MKKP), which also started a satiric poster campaign against the bid in February. A total of 138,527 signatures was required to be collected from Budapestians until 17 February 2017 to start a referendum that would be held in Budapest and only the residents of the capital city would be able to cast a valid vote.
Satiric depiction of the Spanish regime inaugurated in 1876; rise of turnismo and cacique political culture Biscay Bridge in Portugalete, a beacon of Biscay's rapid industrial development (1893) The fueros memorial in Pamplona, erected by popular subscription (1902) The Basque economic interests now came under the shelter of the state's tariff protection, benefiting from a Spanish captive market. The Spanish governmental plan was to establish the Basque Economic Agreement just on a temporary basis. However, it proved to be a success in terms of industrial development, investment, and revenue. The main beneficiaries, the government and the local urban bourgeoisie, showed an immediate interest in renewing the Economic Agreement formula still for another 8 years, and on. The initial convergence of the Basques around the defence of the fueros from 1876 to 1878 failed to gain momentum once the worst of the political crisis was over, with electoral Carlism incorporating much of their demands.By 1880, the pro-fueros political project was sinking in Biscay.
Due, however, to their satiric and overtly liberal political inclinations, both operas were seen as unsuitable for public performance in the politically reactive cultures of Leopold II and later Francis II. This resulted in two of his most original operas being consigned to his desk drawer, namely Cublai, gran kan de' Tartari (Kublai Grand Kahn of Tartary) a satire on the autocracy and court intrigues at the court of the Russian Tsarina, Catherine the Great, and Catilina a semi-comic/semi-tragic account of the Catiline conspiracy that attempted to overthrow the Roman republic during the consulship of Cicero. These operas were composed in 1787 and 1792 respectively. Two other operas of little success and long term importance were composed in 1789, and one great popular success La cifra (The Cipher). The beginning of Salieri's opera Palmira, regina di Persia As Salieri's political position became insecure he was retired as director of the Italian opera in 1792.
He was knighted by George VI in 1939; it was thought that this token of esteem had been delayed by his mockery in 1911 of the king's parents, about whom he had written a satiric verse, "Ballade Tragique a Double Refrain".. In 1942 the Maximilian Society was created in Beerbohm's honour, on the occasion of his seventieth birthday. Formed by a London drama critic, it was made up of 70 distinguished members including J. B. Priestley, Walter de la Mare, Augustus John, William Rothenstein, Edward Lutyens, Osbert Lancaster, Siegfried Sassoon, Osbert Sitwell, Leonard Woolf, John Betjeman, Kenneth Clark, E. M. Forster, Graham Greene and Laurence Housman,'The Seventy Maximilians' – Programme for the Birthday Party to Sir Max Beerbohm at the Players Theatre – The Maximilian Society, 24 August 1942– British Library and planned to add one more member on each of Beerbohm's successive birthdays. In their first meeting a banquet was held to pay homage to the great man, and he was presented with seventy bottles of wine.
Cover art by Ross Andru and Esposito, marking the start of their decade-long run on the character, defining her look in the Silver Age of Comic Books. They quickly founded their own comics-book company, the name of which is variously rendered as MR Publications,Esposito, Best, "Three: Some Hard Business Lessons > Part 1: MR Publications: We Get 'Taken'", p. 39. after the initial of their first names; Mr. Publications, after the company's sole series, the whimsical adventure comic Mister Universe, which ran five issues (July 1951 - April 1952);Mister Universe; Publisher's Brands: MR. Publications; Indicia Publishers: Media Publications, Inc. at the Grand Comics Database or the hybrid MR. Publications. The two also co-founded Mikeross Publications in 1953, which through 1954 produced one issue each of the 3D romance comics 3-D Love and 3-D Romance, two issues of the romance comic Heart and Soul, and three issues of the satiric humor comic Get Lost.
Miskel moved to New York City at the age of 18 and soon made her professional stage début touring with Augustin Daly's famed repertory company that by season's end saw her playing Phoebe, the shepherdess in Shakespeare's As You Like It. She later portrayed Marguerite in Charles Osborne's The Face in the Moonlight opposite Robert B. Mantell. The following season she portrayed Ruth Hardman in Charles H. Hoyt's A Temperance Town, a satiric comedy that opened on September 17, 1893, at Hoyt's Madison Square Theatre and ran for 125 performances. Though by then Miskel was known as a promising young actress with a flair for comedy, she chose to retire from the stage not long after she married Charles Hoyt on March 4, 1894. She returned to the theatre in 1897 to star in Hoyt's new play A Contented Woman, the Broadway premiere of which was anticipated for the next season after a brief shakedown tour of several northeastern cities.
His verse drama The Dance of Death (1933) was a political extravaganza in the style of a theatrical revue, which Auden later called "a nihilistic leg-pull." His next play The Dog Beneath the Skin (1935), written in collaboration with Isherwood, was similarly a quasi-Marxist updating of Gilbert and Sullivan in which the general idea of social transformation was more prominent than any specific political action or structure. The Ascent of F6 (1937), another play written with Isherwood, was partly an anti-imperialist satire, partly (in the character of the self-destroying climber Michael Ransom) an examination of Auden's own motives in taking on a public role as a political poet. This play included the first version of "Funeral Blues" ("Stop all the clocks"), written as a satiric eulogy for a politician; Auden later rewrote the poem as a "Cabaret Song" about lost love (written to be sung by the soprano Hedli Anderson, for whom he wrote many lyrics in the 1930s).
" Gene Siskel of the Chicago Tribune gave the film three-and-a-half-stars out of four and called it "the best comedy of the year," with acting that was "eminently tender and believable." Gary Arnold of The Washington Post declared it "the sharpest American comedy in several years ... It may be the same old marital war, but the battle lines and the weapons are modern, and this makes all the difference in the world between a comedy that feels 'new' and one that feels second-hand." Writing in The New Yorker the film critic Pauline Kael praised both the film and director Mazursky, calling it "a slick, whorey movie, and the liveliest American comedy so far this year. Mazursky, directing his first picture, has developed a style from satiric improvisational revue theatre—he and Tucker [co-writer] were part of the Second City troupe—and from TV situation comedy, and, with skill and wit, has made this mixture work—though it looks conventional, it isn't.
Though not an expert burglar like Raffles, Bunny is a dependable and loyal accomplice to Raffles and assists him in a number of ways, such as by providing a distraction in "Nine Points of the Law", acting as a lookout in "The Field of Philippi", and saving Raffles when his plans go awry in "The Wrong House". Bunny is a writer, and Raffles encourages Bunny to cultivate his career in journalism, to build a reputation as a cover for his secret occupation as a burglar. Bunny struggles as a journalist however, commenting, "It was no easy matter to keep your end up as a raw freelance of letters; for my part, I was afraid I wrote neither well enough nor ill enough for success." He can write verse, and a satiric verse he wrote obtained a better place in a magazine than anything he had written before then, but he found that writing verses did not pay.
Regneală, p. xxii His first published work on folklore appeared there at Christmas 1869 and New Year's 1870; the two articles were meant to demonstrate the roots of Christmas in Saturnalia. His first book review appeared early in 1870.Regneală, p. xxiii In May 1870, he began a regular collaboration with the newspaper Ghimpele, which took a stance against the reigning dynasty. Writing under the cover of the pen name Ghedem, he made somewhat of a name for himself with satiric anti-monarchical poems. During the first half of 1871, he was an editor there, and also briefly edited another satirical anti-royalist gazette, Sarsailă.Regneală, p. xxiv Later that year, he ventured as Românul's correspondent to Putna Monastery in Austrian-ruled Bukovina, marking 400 years since its foundation. In his memoirs, Ioan Slavici noted the valuable insights recorded by Teodorescu's reportage. Although exempt from military service as the only son of a widow, he joined the militia organized by General Ion Emanuel Florescu, rising to the rank of sergeant.
LaBour was instrumental in the spread of the Paul is Dead urban legend. While a junior at the University of Michigan, having heard the October 12, 1969, WKNR broadcast about the rumor, he and John Gray wrote a satiric parody review of Abbey Road called "McCartney Dead; New Evidence Brought to Light", itemising various "clues", many of them of their own invention, of McCartney's death. The article was published in the October 14, 1969, issue of the Michigan Daily. Rolling Stone described LaBour's article as "the most baroque explication" of the supposed death, claiming that the Abbey Road cover depicted a funeral procession from a cemetery, with John as "anthropomorphic God, followed by Ringo the undertaker, followed by Paul the resurrected, barefoot with a cigarette in his right hand (the original was left-handed), followed by George, the grave digger", and adding details that Paul had died in a car crash three years earlier, the top of his head sheared off, and that he was the subject of the "A Day in the Life" car crash on Sgt.
His first book published in 1945, was We Were There To Escape – the true story of a Jugoslav officer about life in prisoner-of-war camps. The Times Literary Supplement praised the book for the humour it showed in parts, which led him to write his most famous satiric book, How to be an Alien, which proved a great success in post-war Britain in 1946. This book poked gentle fun at the English, including a one-line chapter on sex: "Continental people have sex lives; the English have hot-water bottles." In his subsequent books Mikes blended local jokes into his own humor, dealt with (among others) Japan (The Land of the Rising Yen), Israel (Milk and Honey, The Prophet Motive), the US (How to Scrape Skies), the United Nations (How to Unite Nations), Australia (Boomerang), the British again (How to be Inimitable and How to be Decadent, both collected with How to be an Alien as How to be a Brit), and South America (How to Tango).
An early work of Canadian humour, Thomas McCulloch's Letters of Mephibosheth Stepsure (1821–23) appeared in the Halifax weekly Acadian Recorder. Northrop Frye described McCulloch's satirical letters as "quiet, observant, deeply conservative in a human sense"; he asserted that McCulloch's persona, the "conventional, old-fashioned, homespun" farmer, was an extension of a centuries-old satiric tradition, and that the letters set the tone for later comedic writing in Canada. Compared to McCulloch's dry and understated style, Thomas Chandler Haliburton showed the same conservative social values in the brash, overstated character of Sam Slick, the Yankee Clockmaker. Haliburton's Sam Slick persona in The Clockmaker (1836), as Arthur Scobie notes in The Canadian Encyclopedia, "proved immensely popular and, ironically, has influenced American humour as much as Canadian." Authors responded with folk humour and satire to the domination of 19th-century French Canadian culture by the Catholic Church. Napoléon Aubin satirized Quebec public life in his journals Le Fantasque (1837–45) and Le Castor (1843), and through his theatre troupe, Les Amateurs typographiques, established in 1839.
His relentless punning on literal meanings has become the most privileged artistic principle in his work, and has enabled him to address perhaps the most slippery characteristic of his own biography: his double cultural allegiance as a Nuyorican. Through this mechanism, he has been able to successfully incorporate the potentially satiric quality of the Spanglish Language Sandwich and bilingual code- switching into his self-portraiture without making it strenuously conceptual and to tackle the scandals of the day with theatrical irony. Most importantly, though, such exploration of the literal has allowed Adál to go against the grain in terms of self-portraiture by moving from self to type. If in his early series of photographs, like The Evidence of Things Not Seen..., the masterful use of the photo collage creates a disorienting effect that supposedly resembles his most intimate and individual mental landscapes, his new Out of Focus Nuyoricans series is an exercise in collective portraiture that literally takes these Nuyoricans’ “out of focus” cultural and political conditions and turns them into a guiding aesthetic principle.
These differences put strains on the alliance between Whitefield and Wesley, with Wesley becoming quite hostile toward Whitefield in what had been previously very close relations. Whitefield consistently begged Wesley not to let theological differences sever their friendship and, in time their friendship was restored, though this was seen by many of Whitefield's followers to be a doctrinal compromise.Dallimore. George Whitefield. Many clergy in the established church feared that new doctrines promulgated by the Methodists, such as the necessity of a new birth for salvation—the first work of grace, of justification by faith and of the constant and sustained action of the Holy Spirit upon the believer's soul, would produce ill effects upon weak minds.Robert Glen, "Methodism, Religious Dissent and Revolution in the English Satiric Prints, 1780–1815," Consortium on Revolutionary Europe, 1750–1850: Proceedings 19 (1989), 173–88 Theophilus Evans, an early critic of the movement, even wrote that it was "the natural Tendency of their Behaviour, in Voice and Gesture and horrid Expressions, to make People mad".
Lord Byron, for example, whose poetry was admired but who maintained a scandalous lifestyle, died in 1824 but was not given a memorial until 1969. Even William Shakespeare, buried at Stratford-upon-Avon in 1616, was not honoured with a monument until 1740 when one designed by William Kent was constructed in Poets' Corner (though shortly after Shakespeare's death William Basse had suggested Shakespeare should be buried there.) Samuel Horsley, Dean of Westminster in 1796, was said to have tartly refused the request for actress Kitty Clive to be buried in the Abbey: :if we do not draw some line in this theatrical ambition to mortuary fame, we shall soon make Westminster Abbey little better than a Gothic Green Room!The Times, 26 March 1796, p. 3 Not all poets appreciated memorialisation and Samuel Wesley's epitaph for Samuel Butler, who supposedly died in poverty, continued Butler's satiric tone: :While Butler, needy wretch, was yet alive, :No generous patron would a dinner give; :See him, when starv'd to death, and turn'd to dust, :Presented with a monumental bust.
The Athenian newspapers were polarized on this issue of censorship and crammed with vitriolic letters by academics and other well known poets and writers as a drawn out debate concerning the art in question commenced. In an open letter published in the national paper Nonda writes, “…my soul is filled with bitterness because I have found “Art on the Run” in the proverbial “City of Art and Culture”, I raise protest against the cultural and artistic circles in Athens.” Spiros Vikatos, his former teacher in the Academy, stood by the young painter’s work and supported him against the attacks, as did other more progressive artists and writers such as the novelist Stratis Mirivilis, who wrote a heavily satiric article about the censors in the leading Athens newspaper. These first shows in Athens, although scandalous, had also received rave reviews. There were articles in the all the national Greek newspapers praising the remarkable Greek painter who was to “triumph in Paris” but the fiasco concerning his allegedly pornographic art was the beginning of a troubled relationship with the city of his birth.
Harris published a volume of fairy tales in 1802, Mother Bunch's Fairy Tales, and in 1820 the firm published The Court of Oberon; or, The Temple of Fairie which children's literature and folklore scholar Iona Opie calls "an important volume" . Containing stories from Charles Perrault, Madame d'Aulnoy and The Arabian Nights, it was published the same year Taylor translated the Brothers Grimm's compilation of tales, Kinder- und Hausmärchen (illustrated by George Cruikshank). The firm published instructional book as well, although titles such as Pug's Tour Through Europe; or, The Travell'd Monkey "written by Himself" (1824), with verse on the lower part of page and hand-coloured illustrations, though educational, was equally a satiric vision of "the typical gentleman's 'grand tour' of the Continent, a narrative that packages … British imperialism and cultural superiority together with satirical observations…" In the 1820s the firm turned to hand-coloured woodcuts which achieved a more colourful look than the previously produced monochromatic copperplate illustrations. In 1824, Harris turned the firm over to his son and in 1843 it was bought by Griffith and Farran.
He also received Television Artists and Writers Association award for writing drama series and screenplays for children. One of Riton's unusual short story for children, "Tokai Amin Tokai Beral" (Ragpicker Amin Ragpicker Pussy Cat), was translated in English from Bangla by the National Professor of Bangladesh, Kabir Chowdhury (b.1923). In his note Professor Kabir Chowdhury wrote —“Riton in his work captures our socio-political milieu in a manner that is at once amusing and disturbing. It is replete with humorous anecdotes, satiric observations, tender situations as well as intriguing ones created by power-hungry crooked political leaders. Ragpicker Amin Ragpicker Pussy Cat is a tale told well, a realistic tale, although at places it is reminiscent of Lewis Carrol’s inimitable fantasy Alice in wonderland. Riton’s prose is smooth flowing, his plot well- constructed, his humour spontaneous and his satire free from malice and bitterness. Ragpicker Amin Ragpicker Pussy Cat does not belong to the traditional category of children’s literature. It is an unusual work which, hopefully, both adults and youngsters will enjoy.
Cover of the first hardback edition, published by The Dial Press in 1967 The Ecstasy Business was the seventh book by the American satirist and political novelist Richard Condon, first published by The Dial Press in 1967. Told in the third person, it is the broadly comic story of Tynan Bryson, "the greatest film star of his generation",Any God Will Do, The Dial Press, New York, 1967, Library of Congress Catalog Card Number: 67-14467, page 3 and his torturous relationship with the director Albert McCobb, a blatant caricature of Alfred Hitchcock, and with his tempestuous ex-wife, an Italian film star to whom he has been married three times. Given his extensive background in the film industry and early-on established fame, primarily from his 1959 The Manchurian Candidate, it is somewhat surprising to be Condon's first Hollywood novel. Although satiric and sardonic in its depiction of the film business, it is so broadly drawn and implausible in its plotting and manner of telling that it is far more of a burlesque than Condon's previous books.
In his Post review, Smith suggested that Disney prevent this by taking the opposite course, simply ignoring Escape from Tomorrow and letting the attention dissipate by itself.Sundance review: 'Escape from Tomorrow' - New York Post Michael Ryan, director of The YoungCuts Film Festival, noted that there was a precedent for the film in the Air Pirates lawsuit, in which Disney spent eight years in court with some underground cartoonists who had published an underground comix parody in which Mickey Mouse and the other Disney characters engaged in explicit sex and used illegal drugs, among other behavior they avoided in Disney's own narratives. He suggested that Disney buy the rights and release the film itself, which it could easily do as its announced interest would guarantee it a monopsony on the film since no other distributor would want to match Disney's deep pockets or its feared legal response. As a Disney release, Escape from Tomorrow would have a large potential audience of both Disney enthusiasts and antagonists, Disney would be making money from property it already owns instead of someone else and the company's apparent willingness to go in the joke would take some of the satiric edge off.
She applauded the film for being fearless when delving into the subject of teen sex and for reversing the notion that only "bad girls have sex when they're 16 [and the] good ones—those who, like Needy, do their homework and are responsible—never slide past first base". Nick Pinkerton of Sci Fi Weekly called Fox and Seyfried's lesbian kissing scene "the best close-up girl-girl liplock" since Cruel Intentions, and A. O. Scott of The New York Times concluded "the movie deserves—and is likely to win—a devoted cult following, despite its flaws" and that "[these flaws] are mitigated by a sensibility that mixes playful pop-culture ingenuity with a healthy shot of feminist anger". Giving a partially negative review of the film was Joshua Rothkopf of Time Out New York, who said the "movie has a centerfold sheen to it—and some lesbianic soft-core flirtation to match—as its plot dives deeply into Twilight-esque heavy-melo meltdown in the last act" and that "Cody throws one too many losses at Needy; the screenwriter loses her satiric way about halfway through. But for a while, this has real fangs".
His father was briefly kidnapped by the Chartists in 1839 and was a crown witness at the trial of the Chartist leader John Frost, which resulted in Frost's deportation to Australia. The family was ostracized and ruined financially as a result, and moved to Manchester in 1843, where Brough worked as a clerk in order to contribute to the family income.Banerji, Nilanjana. "Brough, Lionel (1836–1909)". Oxford Dictionary of National Biography, Oxford University Press, 2004 accessed 25 May 2009 In 1847, Brough established the Liverpool Lion, a comic periodical, writing satiric articles and drawings. He worked with his brother William to write a Victorian burlesque play, The Enchanted Isle, which was produced in Liverpool in 1848 before transferring to London. Moving to London, he wrote other successful burlesques including Medea (1856) and Masaniello (1857), as well as other collaborative productions with his brother William including The Sphinx (1849) and The Last Edition of Ivanhoe (1850). Brough also wrote essays and poems for journals and newspapers, including for a period being the Brussels correspondent of the Sunday Times. Songs of the Governing Classes (1855), a book of radical poems, is his best known work.
No one claimed the reward. Dryden's greatest achievements were in satiric verse: the mock-heroic Mac Flecknoe, a more personal product of his laureate years, was a lampoon circulated in manuscript and an attack on the playwright Thomas Shadwell. Dryden's main goal in the work is to "satirize Shadwell, ostensibly for his offenses against literature but more immediately we may suppose for his habitual badgering of him on the stage and in print."Oden, Richard, L. Dryden and Shadwell, The Literary Controversy and 'Mac Flecknoe' (1668–1679) It is not a belittling form of satire, but rather one which makes his object great in ways which are unexpected, transferring the ridiculous into poetry.Eliot, T.S., 'John Dryden', in Selected Essays, (London: Faber and Faber, 1932), 308 This line of satire continued with Absalom and Achitophel (1681) and The Medal (1682). His other major works from this period are the religious poems Religio Laici (1682), written from the position of a member of the Church of England; his 1683 edition of Plutarch's Lives Translated From the Greek by Several Hands in which he introduced the word biography to English readers; and The Hind and the Panther, (1687) which celebrates his conversion to Roman Catholicism.

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