126 Sentences With "parries" | Random Sentence Generator

" Josh Dawsey, Politico: "Sarah Sanders parries, spins and obfuscates, too.

Eskrima typically parries or neutralizes an attack, and then rapidly counter attacks.

"You don't write, you don't call," Wolf Blitzer, the CNN anchorman, parries.

Here Alvarez lands his darting right and circles away or parries Dos Anjos' returns.

Endler parries, but that had a Zidane feel to it, and might have deserved better.

Ms. Saad parries them all, emphasizing that she is an observer, not an actor in the conflict.

Successful parries build up a meter, when that meter is full, you can unleash a massive punch.

There are no new analytic thrusts or parries, no new sources or imaginative reinterpretations of old ones.

He heads into the publisher's office, either despairing or full of renewed purpose, and Heidl parries successfully.

Jordan parries with, "Are you more than a human?" proving that nothing is harder to argue with than crazy.

As I assembled the dish, I rehearsed parries to the concerned comments my black eye was sure to elicit.

He doesn't throw many combinations, he doesn't have the slick slips, parries and counters, but he distance fights excellently.

He is enraged by radical Islamism (though he parries the inevitable charge of Islamophobia) and skeptical of American militarism.

Rickman and Mirren are excellent throughout as he parries and parses her demands, ultimately voicing the film's primary moral vision.

But this time, Obi-Wan parries the blow, and he avenges his master's death while defending the hope of the galaxy.

"Besides the combat deck, you have in the PvP combat mechanics [like] feints, cancels, parries, special abilities coming into play," Tarno said.

It was a fairly technical game, reliant on parries and precise timing; while well received at launch, it was far from a trend-setter.

"This president attacks and parries and surges and negotiates in the open in a way that impacts stocks constantly, in real time," Cramer said.

In time, and under the influence of a creepy confidence man named Mr. Bell, Nat parries this talent into a way to make money.

It is a constant battle and one whose endless parries add another level of interest to a sport famed for celebrating the gray area.

Thiem, who won 18 of 20 net approaches, was able to extend rallies and chase down Djokovic's jabs and parries with incredible foot speed.

In the 43rd minute, Ronaldo — who was offside — snaps a header that Karius parries, and Benzema — who was also offside — bangs in the rebound.

Intense pressure is building in Washington as the White House seeks to move on from the Mueller investigation and parries Democratic investigations and oversight demands.

His rear handed parries into left straights were tremendous against Todd Duffee their science elevated Mir above Duffee in what was otherwise a wild brawl.

Outside of following parries and guard breaks with a quick attack or two while your opponent is dazed, there isn't much variation in offensive tactics.

She dashes into a shootout to get video, parries the clumsy advances of an Afghan government official and frequents the hormone-addled expat party scene.

Tirelessly upbeat Lydia and hapless Jeff, as depressed as his town, are an opposites-attract couple whose feints and parries seem to come with a laugh track.

Warren parries similar questions about nagging fears that after Clinton's loss in a brutal campaign against Trump, a safer choice might be a white, male, traditional candidate.

What makes Messi so captivating is that it is not just the killer blows that count, but all of the jabs and the thrusts and the parries.

There is honestly, in a weird way, even anime fighter-level techniques with things like step-in parries into combos that do an obscene amount of damage!

He had his knives and his Velcro restraints under his bed and you had your words, verbal parries and retreats, weak as paper airplanes hitting a brick wall.

First among equals at this are Ms. LaVoy and Mr. Brannon, who seem to carry the incipient knowledge of social change in their exquisitely modulated parries and retreats.

Much has been made about Sekiro's sword-on-sword combat, the constant tug-of-war between combatants locked in an intense battle of attacks, blocks, parries, and dodges.

For a fighter who prides himself on his defence, the very act of being outpointed can take a mental toll and have him reaching for parries he probably shouldn't.

Even if you weren't "attacking," your blocks and parries would still do posture damage, meaning that every moment of active gameplay is some form of telegraphed forward progress during combat.

Roby parries criticisms of her committee membership by noting that the Judiciary Committee is responsible for dealing with Trump's proposed border wall, while the Appropriations Committee has already voted to fund it.

Irritation, apparently, is more strenuous than concentrating on the essential timings of attacks and parries, while being sure to regularly sip from my Estus, a healing potion that's always in limited supply.

Patrick: They do a lot of hits where they wind up from the back and are constantly trying to put you off, based on the speed of their attacks because you're doing parries.

Eventually, one of us strikes, and we clash—a wild burst of shining metal, flying sparks, blocks and parries and attacks—until one of us backs away, or one of us makes an error.

Here Brooks parries a kick, Pearson's guard flies up because he has conceded a minor dominant angle, and Brooks digs in the right uppercut to the body instead, following unsuccessfully with the expected head shot.

You will wait forever for the moment in which the familiar setups pay off with a sudden deepening, an acknowledgment that the mechanical jabs and parries have been part of a smarter plan all along.

Here in a state more accustomed to quick draws than parries, Daniel Watson is creating swords with blades so strong and sharp that one cut through 26 mats in a Japanese competition, shattering the previous record.

The players surround Billy, asking what it feels like to kill a man, and he parries by suggesting it's similar to what they must feel like when they put a good hit on a rival player.

He pioneered the right-to-left and left-to-right parries which are taught in day one of every kickboxing class today, hacked at his opponent's noses with backfists, and punched opponent's arms out of flight.

A corner kick dribbles by the goal line but isn't put it, a Busquets shot from outside the box is blocked, and Iranian keeper Alireza Beiranvand parries the rebound away just before Lucas Vázquez gets there.

Cal's lightsaber maneuvers – which you unlock more of as you level up and earn skill points – but the game flow is never more flashy or fulfilling than when you're pulling off the most basic parries and counters.

His ads, the way he parries with Clinton in general, convey an ambivalence about his own strength that make it hard to imagine him pressing his advantages and making Clinton work for delegates she's probably taking for granted.

Just as against Chad Mendes, Aldo rammed in a couple of jabs until he saw Holloway's right hand reaching for parries, then he stepping in, jutted his shoulder out as if to jab, and swung a left hook around the side.

Sekiro: Shadows Die Twice forced me out of my Dark Souls comfort zone with its focus on breaking down enemies' stances with well-time parries and cuts, opening them up finishing moves to take away large chunks of their health.

The verbal part of his show was a series of feints and parries, delivered with a deadpan earnestness subtly tinged with sarcasm that kept the audience off guard until a nonsensical tangent revealed it was all a joke — or was it?

Rather than leaving actors to improvise their way through creating a sex scene, as often happens, Ms. Sina designs a choreography that is as structured as the steps of a dance or the pivots and parries of a sword fight.

The danger is far greater in a side kick than in a front kick because the body is already side on, giving the opponent the opportunity to get all the way behind the kick if he parries the kick from the calf side.

And the ruling is somewhat Italian in the subtle way that it parries the really hard question: would schools be justified not merely in making children swim together but in making them all wear approximately the same, less-than-modest sort of costume?

The shift to the cloud has driven Microsoft's shares up more than 50% in the past year, as it gains ground against market leader Amazon and also parries the threats to its classic software programs from newer entrants like Alphabet Incs Google.

How Rubio parries their attacks could have a big impact on how he finishes in the state — and whether he can force a few of them out of the race, or if he'll continue to have to battle a crowded field of establishment candidates.

The formal and informal tricks of combat — well-timed dodges and parries can put powerful foes off balance, but why bother when you know that, in this storm, they'll be struck by lightning before long because they're using a metal sword and you're using a wood spear?

"There are some very dedicated theory crafters that are really into all the math and all the combat mechanics, and they would try to figure out if we get things like the chance of parries and crushing blows correctly," Gonzalez added, referencing equation-based events that pop up in combat in the game.

Save for early parries with Joe Biden on school segregation (that she later chose to partially renege on), her talking points largely coalesced around indicting the sitting president, and even provided openings for more marginal candidates such as Tulsi Gabbard to capitalize on the dissonance that undermined any attempt at progressing her campaign.

" Allison Schmitt, a three-time Olympian who lived with Phelps and Johnson for the past year so she could train with Bowman at Arizona State, said Phelps had met his match in Johnson, who can turn potential arguments into playful exchanges with parries like, "You can go put on your grouchy pants, Michael, because I know you had a really hard workout.

As such, parries and deflections are preferred over blocks and prolonged grappling.

The nine classical parries comprise basic bladework. The first parry that most fencers learn is quarte, known commonly as "parry four". Parries are named for the line that they defend from attack: parry four would defend line four, which is the high inside line. Offensive bladework consists of the various means of scoring a touch on an opponent.

Parries are named for the line that they defend from attack: parry four would defend line four, which is the high inside line.

This basic rule is far extended by saying that if the defender parries (meets the attacker's blade midair), he now has priority, and thus generally wins the point (touché).

The use of the shield was not successfully integrated into the Korean Military despite its mention in a variety of Korean historical manuals. Korean sword, then, integrates a variety of parries which are intended to redirect the opponent's attack and produce an opportunity (K. Teum) for the defender to counter the attack. These parries are most often accomplished with the use of the spine of the sword or the sides of the blade rather than with the blade edge.

Davus parries these queries and the accusation that Davus is somehow plotting against him. Davus says that any unhappiness Simo might have detected was due to Simo's mean expense on the celebrations.

Parries are executed against the attacker by quickly pushing their arm or leg away to the right or left side( as it is considered as a block) and counterattacking when the procedure is done.

Often fencers will try to close distance before mounting a simple attack to use this to their advantage. Sometimes, a fencer will make a simple attack and when the opponent parries, the fencer can then make a counter parry and riposte.

A fencer deflects or blocks the opponent's blade with their own to defend themselves. This is usually followed by a riposte. The nine classical parries comprise basic bladework. The first parry that most fencers learn is quarte, known commonly as "parry four".

As the opponent strikes, the opponent parries their shinai with the initiator's. They then flip over (turn over the hands) and strike their opposite side. Valid strikes include: men-kaeshi-men, men-kaeshi-kote, men- kaeshi-do, kote-kaeshi-men, kote-kaeshi-kote, and do-kaeshi-men.

Totanes parries her accusation with a lascivious gesture of apology. Dolores exits, followed by an interested young friar. Totanes accepts all the gifts meant for the Governor to augment the church's treasury. Dona Luisa reappears on the scene bothered her daughter is nowhere to be found.

The head Musketeer tries to fire his Wheel Lock Pistol, but it winds up jamming. He throws it aside and pulls out his Rapier. The Ming Warrior tries to attack the Musketeer, but is shoved aside. The Ming Warrior tries again, but the Musketeer parries and stabs him in the stomach.

For example, a roundhouse kick can be directed at the lower, middle, or upper areas of the opponent's body. The arms and legs are also used for various blocks and parries. These include the upper block, middle outside parry, lower parry, shin block, and foot stop. Several throws, sweeps, and grabs are taught and often employed in combination with each other.

They start to fight, but Logan stays calm. He parries Daken's angry attacks, then stabs him through with his claws. While Daken is unconscious, Logan rips out his Muramasa wrist claws. He then buries the claws with the remains of the Muramasa Blade in a grave near the Howlett estate, and Daken is shown with scars running up the insides of his forearms.

Of these the low guard is considered the central guard. Blows were primarily delivered downwards either directly or at angles. Parries of blows to the legs were done either by lifting the leg away from the line of attack or by thrusting one end of the staff into the ground and releasing the foremost hand which was in danger of being struck.

Canne défense means self-defense with the canne. The basic techniques are similar to those used in basic canne, but are expanded to include thrusts, slashes, parries and counter-attacks, neck- and hand-locks and releases from holds. During canne défense every vulnerable part of the body is considered a legitimate target: the elbow, the knee, the face, etc. It is under heavy development.

After Sir Edward leaves, Anna and the King express their delight at how well the evening went, and he presents her with a ring. Secret police report that Tuptim is missing. The King realizes that Anna knows something; she parries his inquiry by asking why he should care: Tuptim is just another woman to him. He is delighted; she is at last understanding the Siamese perspective.

Justin is shown to be even further consumed by the parasites, and begins to run. Jaimie manages to escape with an antidote to combat him and alert Larkin. Larkin appears to confront Mason, giving Jaimie time to hit Mason with a part of the antidote and escape. Larkin takes the rest of the formula to hurt Mason, but Mason easily parries his strike and breaks the needle.

Scene 2 opens with Luisa singing a lullaby, "Huitzilipochtli" accompanying herself on the harpsichord. Dolores, embroidering nearby, listens distractedly. She parries questions from Luisa with her own questions about the subject of the lullaby. Luisa has very grave suspicions about Dolores' state of mind but is distracted by the governor's entrance, on his way to investigate the state of the King's treasury at Auditor General's Torralba's office.

Silat pulut performance Silat pulut utilises agility in attacking and defending oneself.Dewan Bahasa dan Pustaka Dictionary (Teuku Iskandar 1970) In this exercise, the two partners begin some distance apart and perform freestyle movements while trying to match each other's flow. One attacks when they notice an opening in the opponent's defences. Without interfering with the direction of force, the defender then parries and counterattacks.

Quest-givers in various towns direct players to specific locations of the larger world surface, which lead to pre-made battlefields where an item is set to be retrieved to complete the mission. There are also random combat encounters when traveling outside towns. On the tactical side, each combat round comprises planning thrusts, parries and jumps. The actions of each character (player and monster) are set prior to the combat round.

He was also featured on the all-star recording of the hit song, "Something Inside So Strong" a tribute to Rosa Parks. Tehiliah Music Group In 2002, Bishop Morton became the CEO of Tehiliah Music Group, with Pastor Jerry Q. Parries, pastor of Christian Family Worship Center in Orlando, Florida, serving as its president. Tehillah Magazine is a lifestyle publicationMediaBids, "Source 1", April 17, 2010, aligned with Tehillah Music Group.

The hook Pirate spots him as he charges and tries to fight back with his Grappling Hook. He parries the oncoming swing and hits the Cartel thug in his stomach. The thug counters in response by amputating the Pirate's hand and then slashing his neck. The lead Somali Pirate hears the commotion and turns and kills the Cartel man with his AK-47 with a single shot to the face.

The Celt tries to finish the fight with a stab, but the Immortal rolls out of the way. He gets back up and swings the Sagaris, but the Celt parries and hits him twice with the Burda Club. The Immortal falls to the floor, but manages to roll over and block the Long Sword with the Sagaris. He gets up and spins around the Sagaris, piercing the Celt's arm.

"This was a game employing roughly similar thrusts and parries as were used with cutlass, but as it was played with blunt sticks, hits, although painful, were not often dangerous. It soon developed quickness of eye and wrist."Padfield (1968), p. 120. Eager to engage and defeat one of the American 'super-frigates' that had already scored a number of victories over smaller Royal Navy ships in single-ship confrontations, Broke prepared a challenge.

By the first quarter of the 17th century wasters had become simple clubs known as cudgels with the addition of a sword guard. When the basket hilt came into general use about twenty five years later, a wicker one was added to the singlestick, replacing the heavy metal hilt of the backsword. The guards, cuts and parries in singlestick play were at first identical with those of backsword play, no thrusts being allowed.

There is little or no surviving contemporary written information on how the people of the Caucasus used the shashka. However, surviving Russian military manuals indicate that, despite the lack of protection for the hand, the military shashka was used in much the same manner as a Western European sabre, with very similar cuts, thrusts, guards and parries. In particular, Russian soldiers were not taught to cut in one movement from unsheathing, whatever Caucasus traditions suggest.Urazbakhtin, pp.

His defences are mostly simple parries, together with slips (evasive movements backward). Swetnam's fencing system has been linked both to contemporary Italian systems as well as the traditional sword arts of England; his guard positions resemble those of contemporary Italian instructors, but his fencing system appears structurally different, and more closely related to a lineage of English fencing.L'Herrou, Bradley: Fencing in Seventeenth-Century England : A Visual Study of Joseph Swetnam's Treatise, pages 6–7. University of South Florida, 2009.

Elisiss again interposes herself between the leopard and its assailant, but he is only stopped when Yorn parries his blade. He is stronger than Yorn, however, and knocks his sword out of his hands and to the ground. He spares Yorn however, and introduces himself as Spike Randit, another God Hunter, before leaving. While Yorn is trying reconcile the fact that he is a God Hunter with himself, not quite able to believe it, Elisiss licks his wound.

The Samurai tries to stab the Spartan with the Naginata, but the Spartan parries with his Spear and breaks the Naginata in two with his Shield. The Samurai, undeterred, grabs the Spartan's Spear and flips over the Spartan, causing him to release the Spear. The Samurai throws it away and pulls out his Kanabo club. He starts to viciously swing at the Spartan, but the Spartan uses his shield to cover his body and block the blows.

Out of frustration, Tienbo kills the governor in order to gain complete control over the troops surrounding them. Siu-lin intervenes and convinces them not to listen to Tienbo, as he just betrayed their leader. Seeing this (and also the brutal way Tienbo utilizes his troops as battle fodder), the troops back off and leave Tienbo's fate to Junbao. After a stunning series of parries and blows by Junbao, Tienbo is defeated and eventually killed when he falls upon a bundle of spears.

The pommel acts as suitable counterweight for the blade and a stable gripping surface, providing the sword's intrinsic balance and allowing the user a weighted leverage point for more powerful manipulation of the weapon. A functional cross acts as it does on a steel sword, protecting the hands and assisting in a number of guards and parries. During half-swording, the cross and pommel may also function as a striking portions of the weapon, used directly to cause injury as in the mordhau.

Straight French grip Bent French grip The French grip is straight or slightly contoured to the curve of the hand. It reached its modern form in the late nineteenth century. The French grip allows the fencer to "post", holding the grip towards the pommel, instead of holding the weapon near the bell guard. This gives the fencer a longer reach while reducing the power of beats and parries, and allows for an expanded repertoire of counterattacks and remises of attacks.

Rather than suggesting death out of despair, the master wants the slave to enter before him into death so that he can ask the gods. The slave’s final satirical rejoinder parries his master's suggestion. The Dialogue's purpose is partly satirical and partly serious, and its end is to remind readers that the gods control the destinies, which are unknown to us.Bottéro, 259–267 The wise man, like the slave, reserves judgement and assesses possibilities in the face of life’s ambiguities, albeit while retaining his sense of humour.

The techniques or kihon of Enshin include many of the same or similar kicks, punches, strikes, blocks, and parries found in most other karate styles. However, in contrast to many other karate styles, Enshin also includes sweeps, grabs, throws, and takedowns most often found in judo, Jujutsu, and other grappling styles. The core emphasis in applying all of these techniques is through the Sabaki Method. Perhaps due to Ninomiya's background in Kyokushin, most, if not all, of the Kyokushin striking techniques are found in Enshin.

It uses a 3-level bar for super combos like in the Street Fighter Alpha series and uses parries like the Street Fighter III series, and many of the super attacks are noticeably variations of attacks from the Street Fighter series. It also features a combo system similar to Killer Instinct, although it makes fun of the combo names (for example, "Itty Bitty Combo", or "Triple Brown Betty Combo"). During battle players can use many different attacks which have their own strengths and weaknesses.

Sound of Gospel Records was founded in Detroit, Michigan, United States in 1969 by Armen Boladian. It is a gospel subsidiary record label of Westbound Records, where Boladian was also its former president. Many great artists, including the Clark Sisters, Mattie Moss Clark, Voices of Tabernacle, Jerry Q. Parries, Thomas Whitfield, the St. James Choir and others have had Sound of Gospel releases. Sound of Gospel signed up well-known gospel music acts including Mattie Moss Clark, the Clark Sisters, Yolanda Adams, Thomas Whitfield, and Rev.

Her attacks generally deal big damage and she has many parries and excellent counter- attacks to use with enough patience. Her own attacks are very hard to parry, she can be very confusing in the hands of a skilled player. In Tekken Tag Tournament, Jun remains a specialist in defense, using her fast dodges, low parry and devastating counters. At the same time, her combos that strike at all levels make her also a good offensive character, retaining her potential for causing confusion and frustration.

Young Gezun of Lorsk, bound to the service of a sorcerer named Sancheth Sar, is sent by his master to bid on the Hordhum Manuscript, one of the magical effects of the retiring magician Dauskezh Van. The errand is complicated and the competition fierce, as the bidding is anonymous and his master's rival, Nikurteu Bayla, is also after the manuscript. But Gezun parries almost all of Bayla's stratagems. Chronologically, "The Owl and the Ape" is the third of de Camp's Pusadian tales, and the first to feature his protagonist Gezun of Lorsk.

Two years after that he became an instructor, and two years after that he was allowed to open his own dojo in Ninomiya's home town of Yawatahama. During this time, Ashihara was developing his own approach to the Kyokushin curriculum he was teaching his students as well as adding additional movements and techniques that he had devised. His techniques involved using circular patterns to move outside of an opponent's attack and then to counterattack from a position of advantage. These techniques also involved parries and sweeps intended to use the opponent's momentum against him.

The style includes a variety of strikes, blocks, parries and captures against attackers from all directions and height levels. Use of the point, knuckle and central bar is emphasized, as well as rapid grip changes for multiple strikes and blocks. There are several different ways of wielding the sai, which give it the versatility to be used both lethally and non-lethally. One way to hold it is by gripping the handle with all of the fingers and pinching the thumb against the joint between the handle bar and the shaft.

The fast tempo of Khattak distinguishes it from other attan, which start slowly and pick up speed as the dance progresses. A khattak dance performed at night begins with an introductory music, dominated by the slow and irregular beating of the drum called dhol, as the dancers begin to circle a couple of lanterns placed at the center. In some cases, the dancers perform around a bonfire. The steps could appear strange for an onlooker since they involve exaggerated backward and forward strides, punctuated by swordplays such as air thrusts and parries.

Classical fencing is the style of fencing as it existed during the 19th and early 20th century. According to the 19th-century fencing master Louis Rondelle,Rondelle, Louis, Foil and sabre; a grammar of fencing in detailed lessons for professor and pupil, Estes and Lauriat, Boston, 1892. > A classical fencer is supposed to be one who observes a fine position, whose > attacks are fully developed, whose hits are marvelously accurate, his > parries firm and his ripostes executed with precision. One must not forget > that this regularity is not possible unless the adversary is a party to it.

The Sveshnikov Variation has become very popular in master level chess. Black's ...e5 push seems anti-positional: it has made the d6-pawn backward and the d5-square weak. However, in return, Black gets a foothold in the centre and gains time on White's knight, which has been driven to the edge of the board on a3. Top players who have used this variation include Magnus Carlsen, Vladimir Kramnik, Veselin Topalov, Teimour Radjabov, Boris Gelfand, Michael Adams and Alexander Khalifman, among many others. In the diagrammed position after 8...b5, White usually parries the threat of ...b4 by playing 9.

When Noctis successfully parries an enemy attack, or performs a Side Strike or Blindside, cooperative attacks between him and his companions called Link- strikes can be triggered. During battle, a meter called the Tech Bar fills. When full, Noctis can command his companions to perform special moves called Techniques: Gladiolus performs a sweeping attack with his sword, Ignis uses his daggers to mark enemies so Noctis can perform a warp strike attack, and Prompto uses his firearm to fire a powerful shot that pierces through tough opponents. After each of these, Noctis can initiate a follow-up attack.

Ray takes Una to the office break room, where the two engage in a long and difficult confrontation involving Una's continuing struggles to understand and come to terms with the abuse and her intensely conflicting emotions, which pivot between anger, curiosity, confusion, and even a persistent attachment to Ray, whom Una loved – and she believed that he loved her. The fearful Ray, who is himself trying to forget the past and the potential feelings he had for Una, parries her demanding questions and descriptions of her feelings and experiences, all the while uncertain of her intentions.

He tries to strike the Pirate, who rolls out of the way and backs towards the bottom of a cliff, while the Knight slowly advances. The Knight attacks, but the Pirate parries with his cutlass and kicks him to the ground. The Knight rises and clumsily swings at the Pirate, who dodges and throws sand in the Knight's face, distracting him long enough to charge at him and throw him to the ground. As the Knight tries to regain his wits, the Pirate quickly crawls to retrieve his fourth flintlock pistol, picks it up, and walks toward the Knight.

Risen is an action RPG with a strong focus on combat. The combatants, including the player and enemies, has access to different attack moves, as well as parries, blocks, and dodges. Whether an attack connects depend on the positioning of the combatants, the usage of shields (without shields, player cannot block projectiles or attacks from shorter creatures) as well as the nature of the attack (stronger attacks can knock aside shields, leaving the target open for follow up strikes; magic attacks cannot be blocked, etc.). Players have access to a wide array of weapons divided into 3 melee types (swords, axes and staves) and two ranged types (bows and crossbows).

" # For I will consider my Cat Jeoffrey (Treble/Soprano soloist) – "For I will consider my Cat Jeoffrey, ... a cat, surpassing in beauty, from whom I take occasion to bless Almighty God." Britten uses the organ part to depict the cat "wreathing his body seven times round with elegant quickness." # For the Mouse is a creature of great personal valour (Alto soloist) – praises the Mouse, and dramatically describes a male mouse defending a female mouse from an attacking cat. # For the flowers are great blessings (Tenor soloist) – a slow, gentle praise of flowers: "For the flower glorifies God and the root parries the Adversary; ... For flowers are peculiarly the poetry of Christ.

Of the three basic guard positions that he advocates, two involve holding the cane with the tip pointed towards the ground. These positions have the advantage of appearing to be non-threatening and also make it difficult for an opponent to seize the defender’s weapon, unlike the more orthodox, fencing-based guards advocated by some other writers. They also serve as positions of invitation, exposing the defender’s head and torso to attack while providing the opportunity to counter such attacks with powerful, upward- sweeping parries. The third basic guard position, which Cunningham refers to as the double-handed guard, was also featured in several previous works on cane defense.

However, his system places an unusual emphasis upon this type of guard, stressing the augmented strength of attacks and defenses and the possibility of quick, snapping attacks and parries to be executed with either hand. Cunningham's advocacy of this position might have been due to his previous experience at bayonet fencing. The double-handed guard also facilitates powerful close-range jabs and "bar strikes" with the portion of the cane held between the defender’s hands. The author pays special attention to the various different types of counter-attacks, defining the action of performing a cut or strike according to the direction, height, target and "character" of the action.

Thrusts (called "darts" by Wylde) were often performed with the release of the forward hand and a step with the forward leg like a fencing lunge, stretching forward the back hand as far as possible. Longer thrusts were delivered with a full step forward with the back leg accompanying the back hand. It was recommended that when delivering a blow that at the end of it the back leg and foot should be compassed about so as to fall roughly into a line with the front foot and the point of the weapon. The same circling round of the back leg was applied to parries also.

Absolver is an action role-playing game based on martial arts fighting, featuring a seamless open world with shortcuts and free-roaming, and merging single, cooperative and competitive play in the same campaign, which is played from a third-person perspective. Players build custom combinations of strikes, parries, and feints to fight other players and computer-controlled characters. Players control warrior characters known as Prospects who travel the fictional land of Adal to fight other players and prove their worth to become one of the Absolver peacekeepers. Players progress through the game to unlock new armor and equipment, combat styles, and weapons, usually as "loot" dropped by defeated enemies.

During combat, the player controls the character's sword by swiping a finger across the screen. Players can touch icons at the bottom of the screen to dodge attacks by ducking right or left, or to block attacks with a shield, which has a limited number of uses during a single battle. Players may also parry incoming attacks with an intercepting sword move that, for example, parries an attack from the left with a swipe to the left. Each of these three counters can leave the enemy vulnerable to counterattack for a short period, but incorrect counters result in damage to the player character, as reflected in the health bar.

The Sabaki method aims to employ all of these strikes, block, parries, grabs, sweeps, throws, and takedowns in a way that puts the opponent on the ground as quickly and efficiently as possible. Once on the ground, the opponent is “finished-off” or knocked-out with a strike to a vulnerable part of the body such as the neck or head (finish-off moves are simulated in Enshin training or tournament competition). Sabaki strategy combines rhythm, timing, position, and distance to parry and counterattack in one continuous motion. The ability to turn defense into offense by using an opponent's power and momentum against him lies at the heart of the Sabaki method.

The magazine was founded by Jerry Q. Parries (Publisher and President of Tehillah Music Group); Lyn Senegal (Editor-in-Chief), Yvonne Nelson-Mitchell, Esquire (Advertising Director and co-host of TRIPLE THREAT Talk Radio Show) and Gregory Jackson, Esquire (Managing Editor and co-host of TRIPLE THREAT Talk Radio Show) 1520 The Biz, "Source 6", April 17, 2010, and is published by Tehillah Publishing Group, LLC. The publication started out as a small church newsletter in 2006 and has evolved into a national publication that has been published continuously since June 2009. The headquarters is in Atlanta, Georgia. Tehillah Magazine is a bi-monthly magazine for the African American faith- based community.

The criteria included basics categorized by stances, blocks, parries, punches, strikes, finger techniques, kicks, and foot maneuvers, as well as the much neglected specialized moves and methods category, which includes joint dislocations, chokes, take-downs, throws and other grappling components. Beyond proficiency, a student's character and attitude can also be analyzed as a major consideration in the promotion to a new rank. Promotion after 3rd degree black belt has more to do with contributions made back to the art, such as teaching or other great works of exploration. For example, a third degree black belt who further explores knife violence and brings that knowledge back may be promoted for his excellent contributions.

Cicero says that, if Caesar is defeated in Alexandria, then they should do everything possible to keep Antony from assuming power after him. Brutus reminds him that they swore loyalty to Caesar when they surrendered, but Cicero parries that their oath does not extend to Antony, and suggests sending word to Cato and Scipio, who have raised a new army in Numidia. Antony then enters, telling Cicero that he's heard rumors of Cicero's planned treachery, and warns him that, if he ever hears of it again, he will cut off Cicero's "soft, pink hands and nail them to the Senate door." As he is leaving, Antony adds that he came with good news: Caesar is victorious in Alexandria.

Jérémy Cadot (L) executes a flick against Tao Jiale in the 2013 Challenge International de Paris The flick is a technique used in modern fencing. It is used in foil and to a lesser extent, épée. The 1980s saw the widespread use of "flicks" — hits delivered with a whipping motion which bends the blade around the more traditional parries, and makes it possible to touch otherwise inaccessible areas, such as the back of the opponent. This has been regarded by some fencers as an unacceptable departure from the tradition of realistic combat, where only rigid blades would be used, while others feel that the flick adds to the variety of possible attacks and targets, thereby expanding the game of foil.

Noctis can perform four actions in battle: the standard attack; defending, which blocks and parries attacks; warping, which takes Noctis to a targeted area such as another enemy or an out-of-the-way warp point, and using items. There is a "Wait Mode" option available, where if all player input stops the battle pauses, and players are able to select new enemies to attack or actions to take within a time limit. An option available for both Noctis and Ignis in Wait Mode is Libra, an ability which displays an enemy's health, strengths and weaknesses. Noctis can find and equip a wide range of weapons, including single and double-handed swords, polearms, axes, shields, firearms, daggers and Royal Arms.

In a further analysis of how to write Raiden in Revengeance, Tamari stated he needed a new character that would bring him support in the form of the dog-like robot named Bladewolf; Similar to how Snake guides Raiden in Sons of Liberty, the mature Raiden acts like a mentor to Bladewolf across the story resulting in his character arc. Writer Etsu Tamari wanted to portray Raiden as a more mature person who wishes to take Snake's footsteps. Atsushi Inaba wanted the gameplay of Revengeance fit Raiden's style of characterization, resulting in the use of parries rather than defense. Inaba felt honored to work in Revengeance due to how he was able to see a more mature version of the character to the point of wishing for a sequel.

The basic technique in the Sabaki method is to parry the opponent's attack in a way that redirects their attacking energy away from you. You then move to your opponent's weak side or blind spot that has been opened-up by your parry and execute a strike, throw, sweep, or combination of these to put the opponent on the ground. The combination of movements involve circular or pendulum motions of the body in order to redirect the opponent's attack without meeting it head-on (meeting force with force) and to counterattack with motions that generate energy and momentum. Many of the parries and sweeps are designed to put the opponent off-balance which makes it much easier to knock them to the ground as their own body and momentum assist in carrying him/her to the ground or floor.

In Manichaean cosmology, the world of darkness, which invaded the world of light in a lustful desire to mingle with the light, is ruled by five evil Archons (demon, dragon, eagle, fish and lion), who together make up the Prince of Darkness.Willis Barnstone, Marvin Meyer The Gnostic Bible: Revised and Expanded Edition Shambhala Publications 2009 pages 575–577 The Father of Greatness parries the assault by evoking a number of entities, who sacrifice themselves and are absorbed by the Prince of Darkness; however, tricked by the Father of Greatness, their existence now depends on the light they absorbed. To prevent the light particles from returning into their divine origin, they counter by giving birth to two demonic beings: Sakla and Nebroel. As the strict anti-thesis of the pure light, the Prince of Darkness can not create ex nihilo, but only by copulation.

The Doctor tries to warn her and foil Shanks' plans, but it turns out that another of Nicola's so-called friends is also working for Shanks, and both the Doctor and Nicola are arrested. The Doctor parries his interrogators' questions until he finally gets the chance to speak with Denman, but by then it's too late; strip-searched, humiliated, and thrown into a cell with a single blanket, Nicola realizes that this was done to her just to get at her father, and hangs herself in her cell. Denman, shattered, agrees to circumvent the law and help the Doctor break into Shanks' offices to find out what's really going on. The Doctor discovers a link between Shanks, Hatch, and the Liverpool reservoir, but when he and Denman break into the reservoir they find that Shanks has already begun pumping some sort of chemical into the city's water supply.

In the 32nd, a number of the spectators urged Turner to give up the match to avoid further punishment particularly to his battered face, but it was not until round 34 when Randall ended the contest with a knockout blow to the head, ending the match in 2 hours, 19 and a half minutes. London's Morning Post noted that both men showed great control and science in their boxing, and feints and parries abounded, but Turner suffered far more, and most significantly lacked the hitting power of Randall.Fight details and time in "Grand Scientific Pugilistic Match, Randall and Turner", The Morning Post, London, England, pg. 3, 7 December 1818 London's Observer noted that Randal was far more effective in the execution of his science, and though Turner showed nerve and unquestionable courage, the science of his art was not quite the equal of Randall's.

"[N]o authenticated brass back Bowie has yet to be accepted in all quarters as genuine...".) Bowie knives often had an upper guard that bent forward at an angle (an S-guard) intended to catch an opponent's blade or provide protection to the owner's hand during parries and corps-a-corps. Some Bowie knives had a notch on the bottom of the blade near the hilt known as a "Spanish Notch". The Spanish Notch is often cited as a mechanism for catching an opponent's blade; however, some Bowie researchers hold that the Spanish Notch is ill-suited to this function and frequently fails to achieve the desired results. These researchers, instead, hold that the Spanish Notch has the much more mundane function as a tool for stripping sinew and repairing rope and nets, as a guide to assist in sharpening the blade (assuring that the sharpening process starts at a specific point and not further up the edge), or as a point to relieve stress on the blade during use.

Atemi waza (当て身技) or body-striking techniques were the strikes from the several ancient traditional Japanese jujitsu styles that were adopted in judo by its designer Jigorō Kanō in 1882 after a comprehensive study, accompanied by uke waza or defending blocks and parries. When judo further developed as a sports discipline, these techniques were excluded from its competition repertoire, which limits itself mainly to throws (nage waza) and holds (katame waza): although taught within self-defense, kata and sometimes used within informal randori, striking techniques are forbidden in the sport judo competitions rules.Kodokan Judo Atemi Waza - Study of the official classification of Atemi Waza and Kyusho by Jigoro Kano by José A. Caracena, 2016 Kanō thought deeply of atemi waza and its relationship with nage waza. Since he wanted to keep its practical character of martial art as well as its nature of physical and moral education, when compiling the nage nokata or randori-no-kata, his classical repertoire of 40 throws in the gokyo no waza (five sets of techniques), the standard syllabus of throwing techniques, he introduced four counterattack techniques against atemi waza: seoi nage, uki goshi, ura nage and yoko guruma.